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[causewayguy]

This dainty looking lady is called Jennifer. And this was what happened to Jennifer during her recent sem break.

Breaking up with her bf was what caused Jennifer to not go home for sem break. He was her ride back to her hometown and now last minute tickets were all too expensive. So Jennifer chilled in her room all day, and walked the deserted corridors to get her GrabFood. Unknowingly to her that there were 3 pairs of eyes monitoring her every move.

On the third day, Jennifer was strolling back to her room, eyes glued to Netflix on her phone. As she unlocked her room, she was pushed inside forcefully and gave a sharp scream. As she turned around, she found 3 Bangla security guards standing inside her room, closing and locking her door.

'Wha...apa you mau?? I scream wan ah..!!'

The guards smiled, pretended to look around and shook their heads. Their meaning is clear - you can scream but no one will hear. Just as Jennifer wanted to dash for the door, Guard 1 pulled up his phone to show Jennifer a video. A video of Jennifer getting fucked by her ex.

Jennifer screamed and reached for his phone, only for Guard 2 and 3 to pin her on her single bed by her arms. No matter how she struggled, the guards were too strong and soon they managed to strip her off her track pants and jersey top. It was a surprise when they saw Jennifer's naked body so soon. She didn't wear any bra or panties!

All 3 guards have their pants down within seconds, parading themselves in front of Jennifer, forcing her to look. All 3 cocks were dark brown, bushy and 7-8 inches long! Jennifer couldn't look away, her cheeks getting red.

'Fuckkk I like big lanciaoooo!!!'

All 3 guards smirked as they heard Jennifer screamed in the video. Jennifer tried to scream over the video but was gagged with Guard 2's underwear. The stench almost made Jennifer puke and this gave Guard 1 the opportunity to pry open her legs and forced her cock into her raw. Jennifer screamed and gagged violently as her pussy got violated by a Bangla cock. Guard 2 began to motorboat and lick Jennifer's boobs while while Guard 3 rubbed his cock leaking with pre-cum all over Jennifer's face. Jennifer only could softly rejected them while trying to stop herself from enjoying being raped.

Alas, her body betrayed her, as 3 cocks of sizable length and girth took turns drilling her. Jennifer started moaning and moaning, while tears time down her cheeks. She shook her head no, but her hands were stocking the other 2 cocks, priming them for another fuck.

Guard 3 propped Jennifer on all fours and fucked her doggy style. While in this position, Guard 1 fed Jennifer his cock and she obediently took it into his mouth, no more minding about the smell. The 2 guards spit roasted her for a few more minutes and blew their load into her. Jennifer wanted to protest but was too weak with all the pounding she took.

Guard 2 positioned himself behind her, teasing his cock on Jennifer's pussy. Before any action, Guard 1 once again showed Jennifer his phone and, lo and behold, it was a video of her fucking them (the guards). She saw herself taking the thick cock in her pussy, heard herself moaning like a bitch, most importantly her facial expression was full of pleasure! As Jennifer was confused and horny at herself, Guard 2 rammed his cock into her ass without warning.

Her scream filled the entire room as Guard 2 mercilessly fucked Jennifer's ass. She was an anal virgin and never once thought of anal (which is the main reason she broke up with her ex). Jennifer struggled and tried to push herself off but to no avail. The guards just laughed at her nonsense and Guard 2 continued to rape her ass and finally unloaded into Jennifer's last remaining untainted hole.

Jennifer was dazed, scared, weak from being manhandled at the end. She just laid on her messy bed and didn't even stop the guards from taking photos of her used pussy and ass before exiting her room, leaving her door ajar. Of course, this was only the morning shift guards, the night shift guards would start work at 6pm...

[sona-verse01]

🎶✨when u get this, list 5 songs u like to listen to, publish. then, send this ask to 10 of your favorite followers (positivity is cool)🎶✨

Thanks for this ask. It was very surprising actually 😅🥰

Here are my favorite 5 songs :

[official-felizcumpleanos]

Best Birthday Wish Bangla: A Heartfelt Celebration of Wishes and Blessings

Birthdays hold a special place in Bangla culture, symbolizing growth and the passage of time. The exchange of heartfelt birthday wishes and blessings is a cherished tradition. Traditional wishes include poems and blessings from elders. In the digital age, social media messages and e-cards have gained popularity. Personalized videos and handwritten letters add a personal touch. Etiquettes include using respectful language and giving gifts. Birthday wishes strengthen bonds, express gratitude, and spread joy. Famous Bangla birthday wishes include quotes from literature and inspirational messages. Milestone birthdays like the first, sweet sixteen, and 50th are celebrated with enthusiasm. Bangla culture blends traditional practices with Western influences, and crafting meaningful wishes involves personalization and positivity.

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[khademripon]

thought of the day bangla | thought of the day english | বাংলা অনুপেরণা https://khademint.blogspot.com/2023/05/thought-of-day-bangla-thought-of-day.html

[cric-informer]

Dream11 Cricket Team Prediction

India lost the second ODIs match of the three-match series in between India and Bangladesh at Shere Bangla National Stadium in Mirpur Dhaka On Wednesday. The host won the throw as well as determined to bat first; their start wasn't excellent, and also the Indian rate battery once again bowled some magical spell and also sent six batters to the structure on just 69 runs. Still, the collaboration between Mahmudullah as well as Mehidy Hasan Miraz of 148 runs drew the battling innings of Bangladesh on the track and also established the overall of 271 work on the board. Once more, Mehidy Hasan Miraz struck a century for the team and showed his elegant performance versus India.

Nevertheless, in the chase, the begin of the Indian group had not been great; once more, the openers fell short to leave an impact and also went early. Although the Indian captain was hurt at the start of the suit as well as wasn't able to bat as an opener and also he came at no. 9 and scored an unbeaten 51 off 28 rounds, however this wasn't able to secure the success from the mouth of the tigers as well as lost the match by five runs. Although Shreyas Iyer also played a wonderful knock of 82 escape 103 rounds, as well as Axar Patel scored 56 escape 56 deliveries. From Bangladesh, Ebadot Hossain took three arches. Nonetheless, Mehidy and also Shakib grabbed 2-2 wickets each, and Mustafizur and Mahmudullah trucked 1-1 gates each.

Fantasy application individuals are positive, as some picked Rohit Sharma as the skipper. Yet, after the injury, he left the ground, concerned bat at no. 9, as well as showed some harmful batting strategy. This type of injury is unpredictable, as well as often you fantasize that an 11-team captain as well as vice-captain may be hurt and be dismissed of the match.

As a fantasy application customer, we have actually tried and evaluated a platform from where everybody obtains all the most up to date updates concerning the Desire 11 cricket team prediction through which you can win all the expensive rewards as well as gifts. Sometimes these dream applications give deals to specific picked customers, which you can use as a perk and generate income with no financial investment.

CRIC Informer is a system where you will certainly obtain all the latest updates regarding your Dream11 Cricket Team Prediction a day for the upcoming match. They cover all the series like; India vs. Bangladesh ODIs, Sri-Lanka Premier Organization, and so on. Their specialists likewise cover all the video game information as well as forecast the group through which you can win also the first prize.

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Visit our website: https://cricinformer.com/ Join Us on Twitter: https://twitter.com/CricInformer Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCShWnhfSPjt-j8u78JSqUdg Join Us on Telegram: https://telegram.me/cricinformer Follow us on Instagram https://www.instagram.com/cricinformer/

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[lyky7872]

Motivational True Lines in english 💯 Sigma Rule😎,😎 Billionaire Attitude ...

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[rmsmotivetion]

মার্ক টোয়াইনের কথামালা ।। Talk by Mark Twain ।। Mark Twain inspirational...

#Mark Twain 2020 bangla video new video Quotes Motivational_Quotes Inspirational Video Change Your Life. Positive Positive Attitude Success

[sukannarezapolock]

আমি চেয়ে চেয়ে দেখি সারাদিন

আজ ঐ চোখে সাগরের নীল ||

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[watusichris]

Leon Russell Au Naturel

When Les Blank’s A Poem is a Naked Person, his long-suppressed feature about Leon Russell, was finally exhumed some years back, I wrote about the film for the Night Flight web site. The story has since been scoured from the web. The film is airing Monday on TCM at the ungodly hour of 7:15 a.m. PT, as part of its Labor Day music movie marathon, so I decided to dig up my old piece and re-post it to supply some back story. It’s quite a picture, but it is not for the impatient or the squeamish. ********** Virtually unseen for more than 40 years, A Poem is a Naked Person, Les Blank’s portrait of Leon Russell, receives a formal Los Angeles premiere on July 8 with a screening at the Theatre at the Ace Hotel; a week of showings at Cinefamily, under the auspices of Allison and Tiffany Anders’ Don’t Knock the Rock Festival, commences on July 10. The reason for the picture’s long suppression is simple: Russell and his Shelter Records partner Denny Cordell commissioned Blank to make a promotional movie, and he gave them an art film, and not a flattering one at that. Therein lies a very interesting rub.

Some slightly convoluted back story is necessary. By 1972, when Blank was hired to create his portrait of the musician, guitarist-keyboardist-songwriter Russell had risen to a position of commercial eminence after years as one of L.A.’s top studio guns. Graduating from work in the house band of the weekly TV rock showcase Shindig! and record dates with such diverse clients as Phil Spector, the Byrds, and Herb Alpert, the Tulsa-born musician moved into the spotlight as musical director for Delaney and Bonnie Bramlett’s stomping R&B- and gospel-infused group and Joe Cocker’s huge, circus-like Mad Dogs & Englishmen unit.

Dubbed “The Master of Time and Space,” Russell began a fruitful label partnership with British producer Cordell with the inauguration of Shelter in 1970, a year before a high-profile appearance in the house band at George Harrison’s Concert For Bangla Desh. He bumped into the U.S. top 20 with his second solo album in 1971, but the 1972 LP Carney soared to No. 2 and spawned the No. 11 single “Tight Rope,” which was animated by Russell’s rolling keyboard work and rough yet affecting singing. The three-LP concert collection Leon Live would reach the top 10 and cement his position as a solo star in 1973.

Russell and Cordell doubtlessly envisioned a conventional feature surveying the musician’s stage show and sessions for a forthcoming country album when, on the recommendation of the American Film Institute, they commissioned Blank. By then active in Northern California for a dozen years, the director had made his rep with earthy short features about a pair of Texas musicians, bluesman Lightnin’ Hopkins (The Blues According to Lightnin’ Hopkins, 1968) and songster Mance Lipscomb (A Well Spent Life, 1971).

For nearly two years, Blank and his collaborator Maureen Gosling set up shop at Russell’s home and studio complex on a lake outside Tulsa, where they filmed the performer at work and play, and also cut their footage of Louisiana zydeco musicians Clifton Chenier and Boisec Ardoin into the pungent short films Hot Pepper and Dry Wood. The filmmakers humped their gear to gigs in Anaheim, New Orleans, and Austin, and to studio rehearsals at Bradley’s Barn in Nashville for the album Hank Wilson’s Back, the sincere and soulful 1973 country project that bewildered his core fans, essentially marking the end of Russell’s tenure as a top-flight rock attraction.

After an abortive attempt to screen A Poem is a Naked Person at the 1974 Cannes Film Festival – the print wasn’t ready – Russell and Cordell basically put the feature on semi-permanent ice, allowing it to be screened only by permission, with Blank in attendance. It remained an elusive commodity until the director’s death in 2013. At the urging of Blank’s son Harrod, Russell reconsidered the matter of its availability; a screening at this year’s South By Southwest Film Festival prefaced a national theatrical release, and a DVD from the Criterion Collection, distributor Janus Films’ home video line, is anticipated.

Russell has long been mum about his reasons for keeping the picture out of circulation; queried in recent interviews, he has glibly replied, “I don’t know,” or “I don’t remember.” But it seems obvious that the producers’ intentions and the filmmakers’ execution were widely divergent. If Russell and Cordell thought they were going to get a puffy documentary that would push their product, they were sorely disappointed.

A Poem is a Naked Person bears a striking resemblance, in style if not entirely in content, to a pair of quite radical contemporaneous films. The most obvious analog is Cocksucker Blues, Swiss-born photographer and indie filmmaker Robert Frank’s notorious backstage look at the Rolling Stones’ 1972 U.S. tour; a jumpy saturnalia of sexual escapades, heroin abuse, and hotel-room boredom, with occasional concert footage, it scandalized the band, who have enforced restrictions similar to those imposed on Blank’s movie upon its exhibition. Photographer William Eggleston’s long-gestating Stranded in Canton, which features pianist Jim Dickinson and musician/bank robber Jerry McGill among its cast of Memphis and New Orleans weirdoes and eccentrics, was shot on portable video equipment ca. 1973 and finally cut into something resembling finished form by Bluff City writer-documentarian Robert Gordon in 2005. It’s an incandescent rebel depiction of life on the distant fringes of art and music.

Frank’s and Eggleston’s highly personalized, jaggedly edited, impressionistic features, brimming with often appalling extra-musical incident, don’t fit the description of what we’ve come to call “music documentaries,” and neither do Blank’s pictures. The best-known films the director made before his encounter with Russell, though they boast musicians (Hopkins and Lipscomb) as their central figures, likewise operate well beyond the parameters of conventional music docs. Though there is a good deal of music-making and ass-shaking in them, they are at heart about the communities in which the music was made, with their indigenous landscapes, customs, cuisines, and spiritual concerns. An observer of folklife at heart, Blank was an unlikely, even incongruous, candidate to make a movie about a rock star – essentially, an industrial film for music consumers.

Like the subjects of Blank’s earlier films, Russell is witnessed at home a good deal, and the director slathers his film with super-saturated images of local color shot in and around the musician’s Oklahoma base – a pow-wow of the Tulsa Indian Club, a tractor pull, a holiday parade, a literal wild-goose chase, the implosion demolition of Tulsa’s ancient (and perfectly named) Bliss Hotel. But Russell – prematurely gray, long-haired and bearded, always bearing a glazed, slightly stoned mien -- appears before us as a man without a country, almost an alien, dislocated from his roots, ferried to his far-flung gigs in long limousines as black as hearses.

As a protagonist, Russell most resembles the central figure in a later Blank production, 1982’s Burden of Dreams. That unsettling feature follows the chaotic production of German director Werner Herzog’s film Fitzcarraldo in the heart of the Peruvian Amazon. The reckless and megalomaniacal filmmaker is seen slowly coming apart as, cut off entirely from civilization, he single-mindedly pursues his quixotic and extremely hazardous project, which entails the climactic hauling of a 20-ton boat up a steep incline; by the film’s end, Herzog appears as mad as the lunatic hero of his saga, who longs to build an opera house for Enrico Caruso in the middle of the jungle. Though Russell is never depicted in extremis, as Herzog is, Blank implies that, unlike the Southern musicians the director depicts so affectionately and respectfully, the Oklahoman is like Herzog also a man who has drifted too far from his native shore.

Music plainly is what brings Russell alive; it is at the heart of A Poem is a Naked Person, and it is often splendid, a saving grace. There are lovely cameos by George Jones (playing “Take Me” solo in Russell’s home studio) and Willie Nelson (essaying “Good Hearted Woman” at a gig in Austin, and accompanying fiddler “Sweet” Mary Egan on “Orange Blossom Special”). Several truncated yet forceful performances by Russell’s road band – augmented by a gospel-styled quartet, Blackgrass, led by Rev. Patrick Henderson – are on view. In one simple yet eloquent sequence, Russell’s deeply felt cover of Hank Williams’ “I’m So Lonesome I Could Cry” plays under footage of clouds drifting across the face of the moon, as they do in Williams’ lyrics; it’s obvious, but nonetheless affecting.

One of the bleaker streaks in the film can be found in some of the sequences shot during the sessions for Hank Wilson’s Back in Nashville. These scenes are not totally bereft of a certain joy: Russell takes obvious delight in the expertise of his A-Team accompanists. One delicious scene finds him in an awed duet with Charlie McCoy, a secret hero of Bob Dylan’s Nashville-based albums from Blonde On Blonde to Self Portrait; the bespectacled McCoy looks like an accountant on his way to a tee time, and he plays and sings his ass off. But some of the other Music City studio gunslingers’ envy of and contempt for their contractor – like themselves a session guy, but one who has hit the jackpot – is scarcely concealed. Hotshot pianist David Briggs – whose obscene rendition of the Beatles’ “Lady Madonna” was expurgated in later prints of the film at Russell’s insistence – says at one juncture, in a blatant dig at his session boss, “I’m the guy they call when you can’t do your own fucking piano work.”

There is also an ugly confrontation in the Nashville studio with folk singer-songwriter Eric Andersen, who was apparently barred from entering the facility for his own session by Russell’s security staff. Russell belittles and insults Andersen with an arrogant rocker’s noblesse oblige, drily telling him, “You write some very beautiful goddamn songs,” which prompts the reply, “You’re jiving.” For his part, Andersen voices skepticism about the legitimacy of Russell’s onstage thunder: “I couldn’t tell if you’re a revivalist man, trying to put something over, where it was coming from.” You find yourself asking if Blank may not harbor the same doubt.

Blank ladles further darkness, grotesquerie, and bile over the proceedings throughout. Using non-linear, densely layering techniques pioneered in the ‘60s by French New Wave director Jean-Luc Godard – whose ironic quote, “The day of the director is dead,” is seen on the film’s concluding title card, below Blank’s credit – the filmmaker atomizes the action, or comments on it, using a vocabulary of startling jump cuts, head-spinning juxtapositions, and dialog rendered as on-screen legends (“GET THOSE GOD DAMN CAMERAS OFF US”).

Thus, in one extraordinary sequence, footage of a wasted concertgoer being ejected from one of Russell’s gigs is intercut with shocking shots of a boa constrictor killing and devouring a baby chick. (The snake is the “pet” of artist Jim Franklin, who is seen elsewhere adorning the bottom of Russell’s swimming pool, after coolly collecting scorpions off its walls.) In another scene, a snippet of fiddler Johnny Gimble improvising a lively solo in the studio is abruptly interrupted by the screaming freakout of a bare-chested young man on a very bad acid trip in an unidentified hotel room.

Blank seems to imply that for all the tambourine shaking and Chautauqua-tent fervor of his sound, Russell makes music that only mimes the spiritual core of its sources. Nowhere is this more apparent than in a ragged jump cut from minister-musician Henderson playing at a Pentecostal church service to his group Blackgrass rocking the praise at one of Russell’s shows. The first performance, Blank suggests, is about true religion of the most devout order – the real thing, as it were -- while the second is no more than entertainment.

In the end, Blank says without a flinch, this music is about the dollars. At one point he trains his camera on a teenage hitchhiker outside one of Russell’s shows; with a guitar slung on his back and a cardboard sign reading, “Oklahoma City” in his hand, the deluded kid says, “I wanna make it in Hollywood like Leon does – make a million dollars playin’ gee-tah.” The most damning exchange in the entire picture comes when an acquaintance poses a question to Russell after his performance at a friend’s wedding. Russell repeats the question – “If I didn’t get paid for singing, wouldn’t I sing?” – and leaves it hanging in the air, unanswered.

One can easily understand why Russell and Cordell were mortified, even horrified, by Blank’s film and sat on it for four decades. A Poem is a Naked Person used the language of cinema to subvert the film’s intended purpose as a self-glorifying sales tool. Instead, it ended up being a probing and dialectical work that used Russell’s music much as Godard himself employed the Rolling Stones’ music (far less effectively or coherently) in his Sympathy For the Devil. As it often has over the course of time, great art – and Blank’s movie definitely qualifies as such – operates at cross-purposes to a patron’s wishes.  

[marilynngmesalo]

Burton Cummings tells dance studio to turn down the music

Burton Cummings tells dance studio to turn down the music Burton Cummings tells dance studio to turn down the music https://ift.tt/eA8V8J

MOOSE JAW, Sask. — Burton Cummings used to play some of the loudest rock in Canada, but now he’s trying to get a neighbouring dance studio in Saskatchewan to turn down its tunes.

Kyra Klassen owns Dance Fitness With Kyra in downtown Moose Jaw where people gather to sweat to music-filled fitness classes.

She says Cummings, the former lead singer for The Guess Who, lives in a residential building next to her studio and has been coming into classes to complain about the noise.

She says Cummings has called police several times and even gone to city council to get a zoning bylaw changed.

Klassen says she has tried meet with the rocker to find a compromise, but he always declines.

A manager for Cummings told The Canadian Press he has no comment about the situation.

“I’m trying to co-exist and operate and run a business while being next to him,” Klassen said Friday. “It’s kind of become an ongoing issue that’s escalated quickly.”

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Klassen moved into the building last April. She said the studio operated without issue for awhile, with its wide windows open, music bumping and participants celebrating when they completed a tough workout.

Klassen said she’s not sure what happened, but after five months she began getting messages, complaints and visits from police and from Cummings himself.

She said she has never been issued a ticket and is confident she’s not breaking any bylaws.

Klassen said she has worked with her landlord to add soundproofing to the studio and has even done sound tests, which show a peak volume of 74 decibels — about the same sound as running a vacuum cleaner.

“The moods in my classes are said to be energetic and positive … and with being so concerned about the volume and ladies cheering or clapping when a song is done, that’s definitely changed,” Klassen said.

The fitness instructor was shocked to learn a petition has started to have a city bylaw changed.

During a council meeting Monday, a motion was unanimously approved to prepare a report re-evaluating how business licences are issued in areas of the city’s commercial district where there are also residential properties.

“There is a current dispute between a business owner in the commercial district and neighbouring residents,” Mayor Fraser Tolmie said in an emailed statement.

“The matter is being sorted out through the legal system and the city will respect that process. However, this issue has exposed the fact that we do not have a current bylaw that addresses activity in mixed use (business/residential) buildings.”

Klassen said the mayor as well as two city councillors have reached out to try and find a solution that works for both the fitness studio and the rocker.

“Best case definitely would be that we could both work and operate and live peacefully,” she said.

“We both love the spaces we are in.”

Click for update news Bangla news https://ift.tt/2Hpdqne world news

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[sajibchanda-blog]

An assignment diary...

I’m a freelance Photojournalist. I do assignment for few national dailies based in Bangladesh. I also do work for some news photo agencies. I start practicing Journalism in 2008 when I was students of higher secondary school. It was UNICEF where I started my journey of journalism. After then I worked for some agencies. My dream as a photojournalist is covering war and conflict. I do cover many conflicts happened in Bangladesh. As I’m a lazy(!) person I upload a little amount of work on my flicker account. Here is my flicker account and it’s mix and mass up with various photographs;

https://www.flickr.com/photos/hotochara/

I am going to share one of my memorable experiences as a photojournalist. It was 4 August 2008 just 2 days after my 27th birthday. Student of High school in Bangladesh are stand in the road and protest for a better road as well as road safety. In this time I was working for a news agency call Focus Bangla. I was appointed for covering the area of Mohammadpur, Shamoli and Asad Gate from 1st August to 3rd August.

In 4th August situation of this protest is gone critical. I was moved from Asad Gate to City College and Zigatola area. On one side of it were thousands of school and college students. On the other end, a small group of people belonging from front organizations of the ruling government party. Both groups were armed with stones and sticks, chasing each other intermittently. It’s about 2:30Pm. There I was capturing photographs with my Colleagues from different newspapers. Suddenly they started attacking on journalists. Then we journalists are moved on a safe position.

https://www.thedailystar.net/city/5-photojournalists-hurt-in-bcl-men-attack-science-lab-dhaka-student-protest-for-safe-roads-1616251

At the time of approximately 3.30; peoples from anti-protest are started gun fire on the Student activists and also journalist. They targeted Journalist who is capturing photographs and taking videos. I was in the middle of the road divider with one of my friend and colleagues Reyad. 

Photo: The Daily Star

Suddenly a bullet from short gun hit in my face. That my eyes what is affected. In that moment everything in front of my eyes are just white. I can’t see anything. That moment when its hits on me I was just thinking that I am going to die and I was impassible.  After few second I realize that I’m alive and I’m trying to escape from this place. I sought out for help. Then a young boy rescues me from that place and took me to emergency department of Popular Hospital.

They give me Fast aid and suggested me that to go a specialized eye hospital. The Injury of my eyes is very critical. I go out from there to find a good consultant for my eyes.

I’m praying and thinking that can I see again properly. My car is reaching at National Institute of Ophthalmology & Hospital and my tension is increasing...

After That

After That I was refused from another three hospital because of they are not agree to took the risk. They told me that it was looks like very deep injury and need to go for an eye hospital. After wasting two hours one of my cousins and two of my friend took me to National Institute of Ophthalmology & Hospital.

It’s almost 5.30 afternoons. They bring me to emergency and do a little surgery on upper side of my right eye. They told me that condition of my eye vision is looks like good. They stitch and do bandage, told me to come next day and consults with senior doctor.

The next day I went hospital and the doctor make some test and assure that the danger is gone and suggest me to take rest and come after 15 days. I was regularly taking medicine but it’s going wrong. I was consults with doctor for 4-5 times but the doctor says that it will be fine. After passing 18th day I decided to change doctor. I go for a private hospital and doctor told me to do a X-Ray and A MRI scan. She assumed that there is something is still inside my eye lid.

I immediately do an X-Ray and find that really something is still exist under my eye lid. Then I go for a MRI scan. I do every formality for MRI. Just couple of second before entering MRI machine I inform the technician that it could be a metal bullet.  As I know it might be very dangerous to having a metal something inside the body while doing MRI. Then they tested that it is a metal something then they suggest me to do a city scan. They I do it.

One of my eye bones was broken. Then doctor told me that who did the 1st surgery was not successfully done. It’s been 22-23 day delayed and my injured eye was having an infection.

Then after one month and four days the bullet was removed from my body doing second surgery and I was perfectly well after few days. I was very lucky that I am alive.

Removed Bullet 

Doctor says that ‘Boy you are lucky; you might be blind for the rest of your life. It might take your life. This is a miracle that nothing is happened with you. You have to say a thank you to god.’’

I wanted to share some tip for who starting photojournalism and do work in such kind of situation; here is a blog link that discuss about Survival Tips for The Aspiring Conflict Photographer.

https://blog.photoshelter.com/2013/08/survival-tips-for-the-aspiring-conflict-photographer/

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ArtCAM Pro is used to produce an enormous range of different products by companies worldwide including Sign Makers, furniture manufacturers, architects, mold tool manufactures, biscuit and confectionary manufacturers, and many more. ArtCAM is also one of the leading products in the Jewelry world, where we have a custom version of the product, ArtCAM JewelSmith. Whatever their industry or application of ArtCAM, our customers successfully enhance their product ranges and their profits. If you take just a short time to explore this website you will quickly discover the benefits ArtCAM can bring to your business.

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Purchasing ArtCAM Pro has allowed us to work with greater creativity, as we know any design we create can be quickly modelled and manufactured. Delcam’s ArtCAM training course was excellent, as was the after sales support. The complete package of software and support comes highly recommended, and has totally transformed the service we can provide our customers.”

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