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jamietxrtt · 1 year

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it’s 2:30AM quick post discourse before i have the sense to talk myself out of it

@hazelbeewitched as requested. sorry for the rambliness it’s very late.

when people say redemption, i feel like what they often mean is forgiveness or self-improvement— when they say “Nate can’t be redeemed” they mean “nothing nate does will make me, personally, forgive him.” when they say “jamie had a redemption arc” they mean “jamie had a self-improvement arc.”

i think forgiveness and self-improvement are much better words to talk about these sorts of things with because forgiveness is inherently very personal; one person might forgive something while another person doesn’t. and self-improvement is nice because it’s so introspective and inwardly focused. whereas the word “redemption/redeem/redeemable” is so objective. people talk about it like a character either is redeemed or is not redeemed, like it’s just a switch that you can turn on and off. but that’s not really how it works? it’s not like when you’re a bad person you can just collect enough “good person” points and then level up into a good person. morality isn’t that objective. whether someone is a good person or a bad person is often subjective and influenced by the eye of the beholder, so using a word as objective as “redeemed” is reductive in my opinion.

really, i think there are three aspects to a character’s so-called “redemption”.

1. self-improvement. how they relate to themself, how they feel about themself. are they proud of what they’ve done and how they’re acting? jamie comes to mind for this one— people call his arc a “redemption” arc, but I’ve always preferred “self-improvement arc”. he realizes in the middle/end of s1 that he’s not proud of the way he’s been acting, and that he can be better, and he works hard to put himself back on the path that will make him proud of himself again.

sure, he has help from ted and keeley (”you helped me not get in my own way so much, so thank you for that”) but mostly it’s him choosing figuring it out for himself because he’s decided that the way he’s been acting is no longer something he’s proud of (”sometimes i forget about making my mum proud... don’t think that she would be lately). and by the end of s2, he really IS proud of himself again: “i think I’m finally becoming the best version of myself.” Jamie’s arc is very internal and introspective, and is mostly about his relationship to his own identity and feelings about himself.

2. forgiveness from other characters. their relationships with other characters in the show. rebecca's arc is much more focused on forgiveness than self-improvement; she focuses a lot on how her actions have hurt people, and so those people (like ted and keeley) forgiving her are what ends up "redeeming" her. i think rebecca’s arc, at least in s1, is all about community. one of the things that continually comes up with rupert’s manipulation of her is the way he isolated her (”rupert is a horrible man who built and ivory tower he kept you captive in”) and how much she’s surprising herself by rediscovering friendship and community, how that’s something she didn’t even realize she needed.

she tried to sabotage the richmond community and instead she found her place in it by accident. that, i think, is why rebecca’s arc is more externally focused than interally-- yes, she feels guilty for the things she’s done, but she primarily feels guilty because the things she’s done have hurt the people that she’s growing to care about, not because of how it affects her relationship to her own identity. it’s not better or worse than jamie’s kind of “””redemption””” arc, just different-- forgiveness and community centric rather than self-reflection and identity centric. that’s why everyone forgave rebecca so easily when ted did-- that relationship, as well as other key relationships like her friendships with keeley and higgins, are essential to her arc and to the kind of person she wants to be now.

3. forgiveness of the audience. i think this is where nate loses a lot of people. even if a character has forgiven themselves, and has been forgiven by the people they hurt, they can still be classified as "not redeemed" if the audience hasn't forgiven them. but i think "forgiveness" is a much better word than "redemption" because, like i mentioned earlier, forgiveness is very personal and individual. just because YOU as an audience member don't think you can ever forgive nate, doesn't mean that NO ONE in the audience (or the narrative) could ever forgive nate.

i’m not saying that nate has either forgiven himself, nor been forgiven by other characters-- neither is true yet. but they’re both possible. i think when people say “nate will never be redeemed” they mean “Nate will never be redeemed TO ME,” they PERSONALLY will never forgive nate, but it comes out sounding like a much more all-encompassing judgement condemning him to villainy and evil foreverrrr.

saying "nate can't be redeemed" is so objective, it acts as a blanket statement about his morality, wheras "i can't forgive nate" is much more personal and subjective, as it should be when talking about something as nebulous as morality. it's not lost on me that the word "redemption" has religious connotations; that it's about being "saved from sin" and turned from OBJECTIVELY bad to OBJECTIVELY good. that's a useful framework for some stories and ideas, but regular humans are often much more complicated than that, which i would argue is the thesis of the show. as ted says, "i used to think that if you did good things, you went to heaven, and if you did bad things, you went to hell. now i know that we all just do both, so wherever he is, i hope he's happy."

the whole show is about exploring peoples’ grey areas-- the people you thought were insufferable at first have redeeming qualities to them and can grow, that even the people you thought perfect or endearing have their flaws and demons. it’s not a “good people vs bad people” kind of show. so i think the whole idea of a “redemption arc” is misapplied, because it assumes that someone was wholly bad and now is wholly good through some external penance. when “””redemption arcs””” are usually more complicated than that-- sometimes it’s about a character healing and focusing on their personal growth, without much focus on their relationships with other people. sometimes it’s a matter of rebuilding broken relationships, and it’s all about re-earning trust. sometimes it’s about making the character sympathetic to the audience-- they can be “redeemed” by simply winning the audience to their side, without ever being forgiven by themselves of others. many times, most times, it’s a mix of all three.

but “redemption” as a word just doesn’t really specify how nuanced all this is, how grey it is. i find it reductive to argue about whether a character is or should be “redeemed” because it’s a word that means so many things that it basically means nothing. instead, i think it’s more productive to ask questions like “what would it take for others to forgive this character? what would it take for this character to heal and forgive themselves? what would it take me, as an audience member, to forgive and root for this character again?” giving it a more personal framework i think is more accurate than the end-all-be-all, objective, “redemption or no?” that people so often squabble about. especially about nate.

#long post #i usually try not to wade into discourse but i feel like this is pretty mild? hopefully i wont get in trouble for it lol

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chainofclovers · 3 years

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Ted Lasso 2x6 thoughts

I felt like the physical embodiment of a series of iconic reaction GIFs while watching this episode. I felt like Higgins gagging on air and right and wrong choices. As an invested, non-casual Ted Lasso viewer, I feel quite absorbed in the experience of every episode, but I’m not usually a LOUD non-casual Ted Lasso viewer. At one point last night, I shouted “This is the wackiest show ever made!” at @bristler, and that doesn’t even sound like something I would say. And by “wacky” I just meant “all the emotions are happening at once.”

This episode was absolutely great and I knew that every single Rebecca Welton feeling I have would intensify because of this episode and that is exactly what happened.

This is me bravely writing down my episode thoughts after only one viewing (just like last week) and a bad night of sleep! Copious spoilers and emotions ahead...

This show goes all in on hats! A lot of bad hats for giving bad relationship advice and making bad decisions! Feel like you’re gonna do something correctly? Just put on a bad hat, that’ll snap you right out of it. Just had a revelation that you are almost certainly in an abusive relationship? Your girlfriend is hiding in the parking lot with a terrible hat for you! (I love this show.)

Dark forest dark forest dark forest dark forest.

I truly, truly, truly do not mean this to sound judgmental of any other fan, but it’s taking everything in my power not to just type “dark forest” in the comments of every person who is outraged that LDN152 is not Ted.

Gonna get my initial thoughts on the Sam=LDN152 reveal out of the way. I honestly like this choice.

First, I like this choice because of who LDN152 isn’t. I think about how awful it would be if she’d matched with Rupert and realized she’d been manipulated by him and charmed by him all over again, and how, when she gets the same reveal the audience already has, she would end up retraumatized by having been charmed and taken in by Rupert all over again. I think about her matching with Nate (if he’d redownloaded the app) and the inadequacy of her assertiveness advice and how Nate is one of the only non-Rupert characters who’s used sexist language against her and how Nate’s insecurities would be like water trying to co-exist with the oil of Rebecca’s insecurities. Nate and Rebecca are fond of each other and seem to want to be in each other’s lives, but a romantic squishing together via dating app would set them both back lightyears. I think about her matching with Ted, a man currently on a parallel-to-Rebecca trek through a very painfully dark forest, a man swinging wildly between performative attempted wit and utter panic. A man she trusts with her professional and personal challenges. [Her challenging mother comes to town and Keeley and Ted are the people she wants with her at lunch.] Ted and Rebecca, with all their current limitations, and with all the ways the forest obscures the view, are trying to be there for each other in their real, non-romantic comedy versions of their lives, and the discomfort of matching on an app seems like the kind of thing that would make them rear back from each other instead of bringing them even closer together. It is not time. It is so profoundly not time that I would have been furious if the writers had continued the “maybe it’s Ted?” line of thought for another second longer than they did.

Second, I like this choice because of who Sam is. I know. He’s not an appropriate match for her. The power dynamics are all messed up and their ages are all wrong. But this does introduce a potentially interesting parallel between Rupert and his younger women and the scrutiny Rebecca would risk herself and Sam experiencing if she goes for it. Rebecca seems to have tried to put away her Rupert-related trauma, but the specter of Rupert is lurking, and I do see that being a good person making an ethically complicated decision with another good person is very different from being an abuser setting out to take advantage of multiple people...but there are parallels she might have to reckon with. Also, Sam is a kind person with a strong ethical center and a well-documented interest in Rebecca. He and Ted helped each other feel more at home in London during a time of deeply missing other homes, and Sam has internalized a lot of Ted’s ways of living in a way that might genuinely appeal to Rebecca even if she doesn’t fully realize why. The writers on this show don’t write messes for the sake of drama. They write messes because life is painful and complicated and also very funny. I’d be shocked if, however this Bantr thing plays out, it isn’t painful and complicated and also funny.

(I am already a little worried that whatever happens next is going to activate some very ironic fan reactions given this is a show whose thesis statement is about withholding judgment. This fear is based not on Ted Lasso-specific knowledge but on unfortunate patterns of fandom, but...you can fear the impact of racist, sexist, and ageist tropes on two beloved characters without embodying those tropes as a viewer. You can watch characters make decisions that could subject them to harmful scrutiny without performing that harm yourself.)

Ted Lasso is a fictional character who tweeted about the joy of eating out (you know...at the Crown and Anchor) the day before 2x6 launched and during 2x6 Rebecca invited him to eat out at the Crown and Anchor. (I love this show.) I am so, so, so fond of all the little lunch-y things in this episode. Ted can’t bring Henry his lunch because he’s “at work” aka living in London. Ted and Beard surprise each other with secret sandwiches on Fridays. Rebecca is overwhelmed by her mother’s visit (her mother’s performance of a harmful pattern) and wants Keeley and Ted there. The scene at the Crown and Anchor, as painful as all the divorce/separation feelings were, was also so homey and lovely in terms of these characters being friends, being at home in a place despite the very not-at-home feelings emanating from Deborah. The Bake-Off viewing! Ted being the designated driver (probably a good thing on this particular day)! Rebecca feeling discomfort but not shutting down! Also cute British pub feelings. Evidence that Rebecca has talked to her mom about Ted! About personal things about Ted!

Naaaaaaate. His bursts of confidence and insight. The pain and insecurity and anger almost literally bubbling under the surface.

I cannot say enough good things about Higgins. He’s grown so much, and his decision to be honest with Beard regarding his concerns about Jane was absolutely impeccably done. Many, many trusted people in Higgins’ life told him not to do it. They are all good people, and they were all wrong. Sometimes one human being’s honesty makes the difference for someone who is struggling, and that’s exactly what happened here. Beard truly heard Higgins. And of course he didn’t immediately break things off with Jane. But he heard Higgins, and when Jane showed up Beard’s face looked different than it ever has, and Higgins words are with him as he walks off into the night with Jane and that might save him. And Rebecca witnessed it.

And I’m so glad she witnessed Higgins’ choice in the midst of this very difficult experience of a) trying to find Ted because she knows he’s in pain and being unable to and b) watching her mother repeat a pattern that Rebecca herself was able to break. It taught me so much about Rebecca. The way she was punished (and described the experience using the language of punishment) for having an honest reaction to her mother’s decision to leave her father the first time. The way she was taught that love is conditional, that love and reconciliation are things you can purchase with gifts. The way her mother uses the language of self-help without internalizing what it would take to heal, and probably has little use for actual therapy. The way her mother drinks alcohol as a way to feel free.

I don’t even know how to think, much less write, about everything with Roy’s coaching and his image and how Ted feels about it and all the fatherhood things Jamie brings up and all the fatherhood things Ted is missing w/r/t Nate and everyone except for Rebecca taking at face value (or willfully deciding to take at face value) the idea that Ted’s panic attack is actually just him needing to go barf up a fish pie. Ted hugging his backpack in Sharon’s office. Rebecca trying to find him, and Sharon being the one who does. The words “I wanna make an appointment” being the words that conclude the episode at the exact midpoint of the planned-for show. Halfway through the middle season. The moment Ted realizes he’s never going to be okay if he doesn’t give therapy a try.

I also can’t say enough good things about the moment with the team and Sharon, the way she agrees to one drink, the way it’s clear that she adores them all. Sharon is exacting and professional without being cold and calculating, and everything she does in this episode is such a gorgeous model of assertiveness, patience, and moderation...three things Ted struggles with the most.

What a dark forest. What an excellent group of humans.

#ted lasso #ted lasso s2 spoilers #ted lasso 2x6 #meta by me #a lesbian watches ted lasso

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firstdegreefangirl · 3 years

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If you are open to Ted Lasso requests, then Roy Kent/Keeley Jones + sickfic and snuggles?

Oh, nonnie, this got WAY out of hand. But I had SO MUCH FUN writing it, so thank you! There's a lot going on at the beginning here, but I swear there are sickfic and snuggles under the break. I hope you like it!

Read the whole thing in one click HERE on ao3!

The morning gets off to a late start, right out of the gate. The team bus leaves late when they lose Nate again (this year they knew to check the luggage hold, but no one thought to look in the upstairs bathroom, where he was “looking for a little extra privacy, sorry”) and there’s more traffic than anyone could have predicted.

Altogether, it means that the team hardly makes it to Sheffield with time to drop their bags at the hotel before they’re due at the stadium for the game.

Roy tosses a duffel bag onto one of the double beds in the room he’s sharing with Ted tonight (not by choice; it turns out relegation means there’s not enough money in the team budget for all four coaches to have separate suites. Last away game, he and Nate had been roommates, but Ted has some big idea about everyone spending equal amounts of time together in the name of ‘equitable morale,’ and apparently coaching staff isn’t exempt.)

Really, he should have taken the job with SkySports.

At least then, he wouldn’t be pulling a furry green unicorn out of his bag and sitting it carefully by the pillows.

“Security object, Roy?” Ted points from across the room as Roy reaches for his phone. “Respect. No shame in a man seeking a little comfort from-”

“Fuck off,” he snaps, but there’s no real heat behind it. “Phoebe’s mad her mum wouldn’t let her come on a sleepover with the team this weekend. Asked me to bring Captain McKibbin along instead, the little idiot. I … promised to send pictures. As proof.”

“Hey, I get it. My boy’s done many a Flat Stanley in his day.” Clearly, Ted expects him to know what this means, so Roy nods if only to save himself the explanation. “Anyway, we’ve got to meet the fellas in the lobby, head over to the field – pitch.” A full year in, and Ted still struggles with the vernacular sometimes. It’d drive Roy nuts, if the guy hadn’t done so much to help him and his career. “Is, ah, will Captain McCarlson be joining us for the-”

“McKibbin. Captain McKibbin, and he will not. Phoebe says he can stay here, to ward off any bad dream monsters.”

“Well you be sure to let her know that I intend to sleep snug as a bug in a rug tonight. No, two rugs!” Tim points at Roy with both hands, then spins around and opens the door to the hallway.

He still hasn’t gotten a chance to catch up with Keeley before the match starts. She and Rebecca had driven out separately – something about girl talk and lattes – but he knows she’s around somewhere. The owner’s box is a little different everywhere they go, but never too terribly hard to find, and he catches a glimpse of her bright pink peacoat when he looks around during the opening lineup. She's sitting between Rebecca and Higgins, and as soon as she notices him watching, she waves happily. He lifts a hand in response, then tucks it back against his chest, turning back to the pitch and squaring his shoulders as the first half begins.

Richmond is playing well; Isaac has stepped up and really filled Roy’s shoes as captain, and all the lads are on the same wavelength, without having to say much of anything to one another. He hates to admit it, but Roy wonders if the seamless communication doesn’t have something to do with the scavenger hunt they’d hosted in the locker room last night. Ted had blindfolded half of the players, and made the other half sit on the bench and shout directions. The whole thing had been a mess, but then they’d passed around the bottle of vodka he’d stashed behind the clean boots as a prize, and everyone had left smiling. If that’s it, Roy can’t deny the results, but he’ll damn sure try.

That’s what he’s thinking about a few minutes later when he turns around again, looking for Keeley in the stands. He’s always looking for her, when he doesn’t have to be watching every second of the match. She’s almost always watching him right back, before he’s even looking at her. And half the time, he’ll feel his phone vibrate in his pocket. Even if he can’t check it until halftime, he knows it’s a comment on the quality of the plays, or the other team’s kits, or how much she likes the view of his ass from the box.

But now, when he looks, he can’t find her anywhere. He looks again, trying to pick her out in the sea of Richmond jerseys. Most of the faces are strangers, but he can distinguish between them. All the way at the top, where Keeley had been sitting before, it’s just Rebecca and Higgins now, an empty seat folded up between them.

Roy stares for a moment, waiting for her to reappear with a soft pretzel or something. But she doesn’t. Eventually, Rebecca catches his eyeline, and shakes her head. Her lips move, but there’s no way Roy can make out the words. All he knows is that Keeley has disappeared, and judging from Rebecca’s gesture, she’s been gone for more than a few minutes.

Something isn’t right; he can feel it in his stomach. And in his knee, but that’s more from the impending winter. The feeling about Keeley, that sits deep in his gut, twisting and knotting around his organs as he turns back to the pitch.

The lads are lining up the next play, but Ted, Nate and Beard are spread out along the sideline. Roy sidesteps around Beard, almost trips over Nate when he moves back just as Roy passes behind him, and finally comes to a stop next to Ted.

"Coach?”

“What’s up, Roy?” Ted doesn’t turn toward him, but he leans in Roy’s direction, and he knows he’s got the man’s full attention.

He hears the announcer take notice of his new position, the commentary echoing around them.

On Richmond’s side of the field, former team member turned coach Roy Kent is vying for the attention of head coach Ted Lasso. The players are lined up; what could he be saying?

But Roy doesn’t say anything. He just points, arms still folded across his chest, until Ted looks up to the stands behind them.

Both coaches now, looking up at the audience. Surely they’re not surprised at the show of support for the Richmond Greyhounds? They’ve sold out almost every game since their relegation …

The rest of the announcement fades to the background when understanding spreads across Ted’s face. Roy knows he’s seen the empty seat, knows he’ll understand the concern Roy can’t put into words. He raises an eyebrow when Tim looks back to his face, and the other coach nods.

“Just be in the locker room for halftime, yeah? The guys are countin’ on you for a speech to hype them up for the rest of the game.”

Roy jerks his chin up and down, then heads for the tunnel that’ll take him out of view of the crowds. The announcer’s voice comes behind him again.

Coach Kent, now heading off of the pitch. Makes you wonder what’s going on for the Greyhounds. Have they sent a coach away in the middle of a match, or did he ask to be excused? And why? But gameplay continues without him …

It’s only a few steps before he’s in the locker room, trying to shake off the memory of the last time he’d left the pitch before a match was up. It’s empty, no signs of another occupant, but the solitude gives him an opportunity to fish his phone out of his pocket.

No texts, no missed calls. Right away, he dials Keeley’s number.

If you’re looking for the PR Manager for the Richmond Greyhounds, leave a message for Keeley Jones after the beep. If you’re trying to reach your best friend Keeley for a round of drinks, hang up and text me. Oh, and Rebecca? If it’s too long to text, I’ll check my emails soon. Kisses!

“Oi, it’s me,” Roy all but grunts into the speaker when Keeley’s voicemail recording is done. “You’re not in your seat. Not that you have to be, but Rebecca hadn’t seen you, and I didn’t …” he trails off, suddenly afraid of sounding clingy and controlling. “Anyway, call me when you get this.”

He stares at his home screen after he hangs up, a selfie Keeley had nabbed his phone to take. He’s got an arm wrapped around her shoulders and his lips pressed against her temple, and her face is scrunched up in laughter. It’s ridiculous, the first time anyone but a blood relative has ever been his background, but he can’t help smiling at it, even as the worry knots itself tighter in his stomach.

When he can’t stand it any longer, he texts Rebecca.

You seen her?

Her reply is almost instant.

Not since she left. I have her coat, phone is in the pocket. Heard it ring.

Well, shit. She doesn’t have her phone, and as far as Roy knows, nobody has any idea where his girlfriend is.

But then there’s a sniffle from inside one of the toilet stalls. He’d know that sound anywhere; it’s the same noise Keeley makes every time they watch a Disney film together, right before he teases her for crying and she pokes fun right back at how he’s not.

He’d peered under the doors when he walked in, checking for feet, but he knocks on the stall anyway.

“Keeley?” He calls, pushing the door open slowly. Sure enough, she’s inside, sitting with her feet tucked up onto the seat, head wedged between her knees and hands clamped tightly around the back of her skull. “Babe, what’s going on?”

“It’s so … it’s so loud out there,” she whispers, but doesn’t look up. “All the yelling and shouting and cheering. It’s a good thing, I know, that the fans are engaged, but it was just pounding on my brain, making my eyes go all spotty. I tried to stick it out, Roy, really; I know how much these games mean to you, to the whole team. But then I felt like I was going to vomit and-” Keeley chokes on a sob. “I couldn’t find anywhere else quiet to go.”

“Right, well come on,” Roy reaches out slowly and squeezes one of her shoulders. “There’s got to be somewhere better to sit than a men’s toilet stall. You’ve met the lads, they’re disgusting.”

Keeley chuckles, thick and teary, but drops her knees and lets Roy pull her to her feet. As soon as she’s standing, she wraps her arms around his waist and buries her face in his chest. It can’t be too comfortable; he hasn’t taken off the Richmond windbreaker he wears for every game, but Keeley relaxes when Roy doesn’t push her away. Instead, he locks his arms around her shoulders and walks them both slowly back until he can drop onto one of the benches. Keeley stays leaned against him, but brings one hand up to cover her eyes where the harsh lighting seeps in.

“Alright, now, what is it?” Roy asks, when Keeley hasn’t said anything for a while. “You seemed alright when we left this morning.”

“I was. Or, I thought I was anyway. Just a little tired, maybe, but that was all. It was fine until the car ride, but then I got really queasy, and my head started throbbing.” Roy reaches up to scratch his fingers gently through her hair and she sighs. “It got a little better when we got out of the car, but then it was just so-”

“Loud, I know,” he finishes for her, then they both fall silent.

Exhaustion. Nausea. Headache. His sister had those symptoms once, just shy of eight years ago.

Shit.

“Keel. You don’t think you’re … You – we – couldn’t be … you aren’t …"

“What?”

“Um, pregnant? I know we’re careful, but …" Keeley cuts him off with a laugh that turns into a whimper, and he tightens his hold on her.

“No. Definitely not. Not this week, for sure. Just a migraine, I think. Used to get them sometimes, but it’s been a bit.”

“Good,” Roy sighs. “I mean, someday, maybe, but not …”

“Not yet,” Keeley agrees, and something goes warm in his chest, knowing that they’re on the same page. Right now, they don’t need to worry about anything except getting Keeley back in fighting shape.

“Have you taken anything?” She nods against his chest.

“This morning, um, in the car. It didn’t help much. Just need it dark. And quiet.”

“OK, that’s alright,” Roy whispers, dropping his voice even quieter. “It should be almost half, what say we find somewhere else for you to hole up before everyone comes barging in like heathens?”

He’s not sure exactly where they can go, but he knows he’s got to get Keeley out of the locker room before they clear the players off the pitch. She shrugs half-heartedly, and lets Roy pull her back to her feet. He doesn’t have a plan yet, but he starts walking them slowly toward the door as he looks around. There are no offices in here, no treatment rooms or storage closets.

He hasn’t checked the time since he found Keeley, but he’s played enough years of football that his body’s internal clock can feel the seconds ticking away. There’s maybe two or three minutes left, and Ted wants him to give the halftime pep talk. If he asked, if he explained everything, he could probably get out of it, maybe trade Beard for next week or something. Keeley needs him.

But the team needs him too.

All at once, it hits him.

Rebecca.

Rebecca doesn’t have a role in the halftime routine. There’s nothing happening on the field and she almost never comes to the locker room before the match ends. And she’s got a car here; that’s somewhere quiet Keeley can sit, at least until the second half gets underway.

He wiggles his phone out of his pocket again and reopens the text thread.

Found her in locker room. Migraine. Can you meet us and take her outside for halftime? Ted wants me to give speech.

Rebecca doesn’t reply, but a minute or so later, Roy hears the steady click-clack of her heels coming down the hall. Keeley whimpers, and he presses a kiss to her hair as the door swings open.

“Hey,” he says, shifting around to look at Rebecca.

“Hello,” she whispers back.

“Hey, Keeley, Rebecca’s here now,” Roy tips his face back down to whisper against the shell of her ear. “Think you can make it outside with her?”

“We can head back to the hotel, Keeley, if you think that’d help? It’s only a few minutes’ drive.”

“Yeah, ‘s quieter there,” she says, but doesn’t move.

“And I’ll meet you there just as soon as the match is done, hmm?” He runs his fingers up and down her arm, shifting away slightly. “Here, want to take my sunglasses, block out some of the light?”

At that, Keeley squeezes her eyes shut and turns her face up toward Roy. He chuckles and slides his glasses over her eyes, then brushes a kiss to the tip of her nose.

“Alright then, off you go,” He lets Rebecca take her by the arm and lead her back out of the locker room, trying to ignore the way his heart clenches at the sight of her trudging away, hunched over against her own discomfort.

He’ll be back with her soon enough. But the door has no more than swung shut behind them when it bounces open again. Jamie and Sam are leading the pack, the whole team piling in around him.

As usual, their energy is infectious, and Roy finds himself slapping hands and patting backs as he makes his way across the room to where Ted is bringing up the rear.

“Hey, Roy, you get everything all squared away?”

“For now. Rebecca’s taking Keeley back to the hotel; she’s not feeling well.” He should have known better than to hope that Ted Lasso would ever let anything drop with a simple explanation.

“Well that’d explain the text message I got from Boss Lady asking if she’d be alright rooming with me tonight.” Roy’s eyebrows go up at that. “And I’m guessin’ from the look on your face that she didn’t mention anything about that to you? Aw, geez, I hope I didn’t spoil a surprise or anything. But the cat’s out of the metaphorical bag now, isn’t it? So I might as well tell you that I told her that I was a-OK with switching up the room arrangements if that’s what’s best for everyone tonight. Thataways you can keep an eye on Keeley, and down the hall we can have Biscuits with the Boss: Evening Edition. How’s that sit with you?”

“Honestly, Ted, I have no opinion on what time of day you eat biscuits,” Roy sighs, pinching the bridge of his nose. “But thanks. I think. For making sure I can be there for Keeley.”

“We’re all on the same team here, right? What’s good for the goose and all that, we’re at our best when everyone is at their own, individual best. Hey, speaking of, there are some guys in here, waiting for someone to put a little extra pep in their step for the back end of this game. If you’re not up for it, I can see what Coach Beard has up his sleeve, or-”

“No, it’s fine,” Roy cuts him off before the rambling can reach full speed again. “I’ve got this one.”

He turns back to the group, and yells for everyone to listen up. When he’s got their attention, he takes a deep breath.

“What you’re doing on the pitch today, it’s fucking amazing,” he starts. “Not the score, though that’s pretty alright too. But that doesn’t matter half as much as how you’re playing. Hell, you assholes keep communicating this well, you’re going to put us coaches out of a job. I know Ted’s all about the rhymes and anecdotes and shit, but that’s not … I’m not a walking greeting card store,” everyone chuckles, Ted included. “But get back out there, keep working together, and dammit, make the four of us redundant!”

There’s a round of half-sarcastic applause, then Ted steps forward.

“Alright, y’all heard the man. Don’t get tired, get us fire—well, actually, don’t get us fired. That’s not … take the sentiment of what Roy said, but do me a favor and don’t take him literally. I like working with y’all. Anyway, Coach Beard’s gonna take it from here, walk y’all through a couple plays for the second half.”

The players cluster around Beard and his whiteboard diagram, and Ted finds his way back over to Roy at the back of the group.

“You know, if you need to head out a little early today, we can pull through without you. Sometimes a team is strongest when it’s split up to work on all the different things it needs to get done. Like taking care of each other.”

Any other day, he likes to think he’d insist on staying for the rest of the match. But if he’s honest with himself, he knows that he’ll put Keeley first anytime she needs him to.

“That’d be great, Ted. Thanks.”

“Hey, no problem, Roy. I’ll come check up on y’all when we get back?” Roy nods and shakes Ted’s hand quickly, then slips out of the locker room while Beard is saying something about the Sheffield players having “lots of power, like a high-watt light bulb.”

He doesn’t have a car, doesn’t feel like waiting on an Uber, so it’s a half-hour's walk back to the hotel. When he gets there, Rebecca is already waiting for him in the lobby.

“Ted gave me your room number,” she starts, as soon as they’ve said their hellos. “Keeley’s up there lying down. I, uh, I assumed yours was the bed with the unicorn on it?”

“It’s Phoebe’s,” he groans. “But yes.”

“I’m sure.” But she’s smirking like she might not be. “Anyway, Ted’s things are already taken care of, and I think I got everything of Keeley’s into your room, but she unpacked her entire suitcase first thing, so I might’ve missed some shoes or something.”

“No problem. She’ll get them back, I’m sure. Thanks for taking care of her.”

“Anytime, Roy. Really. I’m just down the hall, if either of you need anything.”

Roy nods his thanks and steps into the elevator.

He swipes his key card to unlock the door, then turns the handle and pushes it open slowly. The lights are turned off, and the curtains drawn, so he makes his way carefully, trying to remember if these rooms have any wayward furniture for him to stumble over.

Thankfully, the walkway is clear. He sits gently on the edge of his bed, smiling when the Keeley-shaped lump of covers shifts closer to him.

“Hey, babe,” she mutters.

“Hi,” Roy presses his lips together and pats what he thinks is probably her knee through the blankets. “Feeling better?”

“A little. Rebecca gave me water. And it’s quiet here.”

“Yeah, it is.” He’s not sure what else to say, but Keeley saves him from having to carry on the conversation.

“There’s a unicorn on your bed. ‘S soft.”

“His name is Captain McKibbin,” Roy replies, rolling his eyes even though he knows she can’t see from here. “I’ll tell Phoebe you like him.”

“Please do.”

“Anything else you need?”

“Just you,” she says, and it’s so quietly honest that if Roy weren’t already pretty sure he’s in love with her, it would have sealed the deal. He toes his shoes off and shimmies out of his windbreaker and trousers.

“Alright, well shove over then,” he teases, nudging her shoulder until there’s room for him to lie down beside her. When he pulls the covers back, he recognizes the hoodie she’s wearing as the one he’d crammed into the top of his bag when he packed last night. It’s three sizes too big, and she’s got one of her own just like it, but she looks far better in Roy’s than he ever will.

As soon as he’s lying down, Keeley is turning over and fitting herself against his side, tucking her face back into his bare chest. It’s still early in the evening, and Roy knows that if he falls asleep now, he’ll spend all week regretting it. But Keeley needs the rest, and there’s not much he can do without turning on the TV or lighting up his phone screen.

Besides, one afternoon nap never killed anyone, right?

So he closes his eyes and listens to her steady breathing. When Keeley wakes up, hopefully the worst of the migraine will have passed, and she’ll feel more like herself again. Roy knows they’ve got a pass on team bonding tonight, if they need it, and he doesn’t want to push Keeley into anything she’s not up for. But rumor has it that Beard found a pub with a bowling alley in it, and that’s bound to be entertaining, no matter the scores at the end of the night.

For right now, though, the only thing that matters is Keeley, curled up against him and warmer than all the blankets stacked on top of them. She’s asleep, and he’s following close behind, and nothing matters beyond the comfort they share.

Not migraines, or bowling, or trick plays, or shoes that might have been left down the hall, or anything but Roy and Keeley and this moment together, in the dark and the quiet.

Just them.

#thanks for the ask!#katie writes #anon love #ted lasso #roy x keeley #roy kent #keeley jones #phoebe #rebecca welton #kw21 #prompt fill #requested #just them

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