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wackybuddiemewbs · 2 years

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Some spec on who's to live and to die on next season's 9-1-1 no one asked for...

Note: This will be long, in not the fun way, most likely. This won't be pretty. Or coherent. Or deep. Or a hot take. But the cringe's never stopped me. So yeah. Let's get this over with, right? Cool. Cool.

With the recently released trailer (obsession overload since then!), I've seen a lot of interesting convo and thought pieces on whether the person Buck is supposedly losing out in the field is “just” a stranger or someone they actually know.

And while my prediction game is shit, I have my money on either Captain Mehta or Lucy at this point, in the event that it is indeed someone they know.

Here's why I think that might be the case:

It'd make narrative sense for it being either of the two. It'd forward the plot overall and wouldn't contradict where their characters are at present.

It'd serve to further progress Buck's and Eddie's characters in their individual and shared arcs.

It'd be in-tune with the reactions we see from Buck and Eddie in the trailer.

So let's start with the latter, and that is how Buck and Eddie are portrayed to react to the death of the person, granted that those are *not* two separate scenes and some funny editing for the trailer.

If this was, suppose, Taylor Kelly, I don't believe Eddie would be stoically crossing himself, not with Buck right next to him as he's losing that person. He'd be more visibly upset – for Buck's sake already, right? Coz that'd be his ex right there.

Like, sure, Eddie tends to keep his cool (unless he buys suits and feels baby-trapped without a baby, just many, many salads and muffins). But he's had a relationship with Taylor that was at least friendly enough. Even if they weren't ever BFFs, I don't think he'd be this stoic about her passing. He may keep a straight face for Buck, but then the gesture wouldn't fit. He would be more focused on offering Buck comfort than cross himself, when there's nothing in the narrative that'd suggest Taylor to be overtly religious or him feeling the need to pay some kind of tribute to her by crossing himself.

Though the crossing *does* have me sold on the idea that it is “one of their own”, but someone who's distant enough for Eddie to *not* start crying or showing a strong emotional reaction right there. Say, if this was Bobby, you bet we'd see a different reaction. More so since he's in therapy now and learns to talk about his feelings.

So that leaves either people Eddie hasn't gotten to know at all that well on the 118 or someone from another team. And that'd leave three candidates from the established ensemble that we got to know:

Ravi

Lucy

Captain Mehta

Ravi and Lucy are new members of the 118, which means they'd fit the aforementioned conditions.

So let's start out with Ravi.

Ravi's character was further developed during Eddie's leave from the LAFD, but Eddie's been shown around him before. They weren't BFFs necessarily, but it is implied that they were friendly and that they spent a lot of time together on the job, as one does when you work for the fire department, right? So Eddie just doing the stoic crossing after someone he knows not just as a colleague died? I find it kind of hard to believe, personally. Also, if we take into account that he knows Buck is next to him, who's known him even more? Even harder to believe for me that this is what he'd go for.

Second question we'd have to ask ourselves in that context: What narrative purpose would it serve – for Ravi, and for Buck and Eddie? And that's where I draw a blank when it comes to Ravi.

First, Ravi's come more into his own as a character with his own arc, his past, his wishes, his personality. What purpose would the build-up have, only to toss him under the bus (blimp) now that they created more opportunity to progress his character?

Second, if this death is supposed to be a catalyst for Buck and Eddie, then what purpose does Ravi's death have that is specific to *them*? Other than being “one of their own”?

It'd potentially have more impact (emotionally, theatrically, etc.) for Hen to lose Ravi. Because they have had a lot of those heart-to-heart scenes in the past season. Buck losing him would be devastating, surely, but it wouldn't be specific to what may be bubbling underneath Buck's surface this whole time. That he's tried his best to fix things and be fine – which is what I take to be the focal point of that arc, should they go for it that they want to portray him spiraling following the events.

So that rules out Ravi for me, really.

So what of Lucy?

Lucy would make a lot more sense. Her death would be much closer geared to the reactions we see from Buck and Eddie, for instance.

Eddie doesn't know Lucy that well as of now, as far as we, the audience, know. She was introduced in his absence. And it may well be that Buck didn't really talk about her because of the whole kissing thing and his relationship troubles with Taylor. And Eddie's own issues. And just about everything else going on at the time (also great way to highlight lacking communication, am I right?).

So Eddie being more stoic and “paying a bit of a tribute” to a colleague by crossing himself would be a more natural reaction, granted that he'd think that Buck is on a similar level of knowing her. It wouldn't be out of place, and it'd leave room for Buck to freak and Eddie going on ahead to comfort him then. And it'd give an opening for a conversation, as Eddie might see that Buck's not been talking about himself recently, and he doesn't know what's going on with him.

So what would be the narrative purpose her death might serve to her own arc?

Again, more than I'd think Ravi's death might server to his.

While she has been explored some in the past season, we haven't seen as much of her as we've seen of him. So if she were to go, it would be devastating, since we got to know her, but it's not like we would see a lot of loose strings about her character. It would be about a good person, a great co-worker, being taken out of her life. So that would not pose a contradiction to where they left her character last season, developmentwise.

On another note, I don't know if there might be something to be said about filming logistics. If I remember correctly, the actress won't feature much (at all? Please don't quote me on this!) due to another role she's landed. So maybe “writing her out” would be convenient. But let's cast that aside for the moment, because that's not narrative-related spec.

What narrative sense would it make for her character to die, then? To reiterate, it would be devastating for sure. We see a good person and teammate, someone who's funny and confident, a trained and capable firefighter, who's just taken away from us. Because that's what can happen. A cautionary tale that none of them are ever truly safe, no matter how tight you work together as a team, and no matter how tough your plot armor may seem.

Hehe. It rhymed.

But that'd apply to any firefighter or police officer dying in the field, too. So that wouldn't be specific to *her character* or to the characters who can't save her.

And the closest would be Buck, right?

For one, after the awkward... beginnings... she and Buck progressed in their friendship already in the past season. Buck offered her an outlook, shared in his past when she was brooding about losing someone, etc.

That might be foreshadowing, or her running out of dumb luck, if you catch my drift.

For her own character, it'd mean she might die as she lived. Risking her life, not looking back, not hesitating to help people. It may mean she'd see her own purpose fulfilled and dies not happily, but without regrets, really, which would hit that bittersweet spot very well. If we get some personal revelation preceding the call, it might also be adjusted to something about her past that we don't yet know about her. Say, her saving someone who'd reflect on a past regret of hers (be it about the life she may have lived instead or whatever else). And the conclusion of her death being later on that the team reckons with the fact that she is gone, but that her death didn't mean as much as the life she's lived. And that she seemed at ease where her life ended, how it ended, because she served the purpose she's chosen for herself. That kind of thing.

While we have only caught glimpses of her character thus far, that might be just the narrative upshot on a more general level. That it is someone we've only just gotten to know, someone the team only got to know recently. And then she's gone. Ripped out of her life. Out of theirs. And they don't even know who to call, that kind of thing. Which would also be tough on Buck especially, maybe even a callback to Red, in the sense of not being remembered. But that might be a bit of a stretch.

What I find specific to her character is the function it serves to Buck's character. And that is that she is introduced as a mirror for Buck, as a way to look at himself. When he looks at her, he sees a part of himself. Not just the daredevil kind of tendencies that he may even enjoy about himself, the risk-taking, the liveliness. Because that is what the kiss has always felt like to me: a way for Buck to embrace (kiss, reconnect with) a part of his old self, the one that was feeling alive, that didn't feel sad and inadequate in helping (fixing) the people he loves (Maddie, Chim, Eddie). Things didn't turn out that way for him once he sobered up, but I think the want for it remained. And that's what her death might well bring back to the surface.

In that same way, he might see “his own future” through her, as someone who's been around longer and still features that kind of personality that's close to his. The part of himself he embraced dies in his own arms. Which would leave him to figure out how he can still be the one to get away, if you catch my drift a second time. How he can bypass ending up where she ended up. How he can prevent his future from the loss of more people close to him.

If this is in any way preceded by some last-ditch effort by her to save someone else at the risk of her own life, it'd fit oh too well. Because that would be like forcing Buck to watch himself doing a rescue and failing. It'd force him to look from down there as he climbs a crane, at the risk of being shot by a sniper. It'd force him to look at himself through the eyes of the people around him – and how it'd feel like to lose him (her). He'd find himself standing on the other side, looking in, and being unable to do anything about it. Like the people around him must have felt before, watching him put his own life at risk.

And that may well edge him closer to the breaking point.

So the metaphor of losing someone out there in the field while losing himself in the aftermath... that would make a lot of narrative sense for me. It'd give room for his character to progress. If they are going to have Buck unravel, that sure would present a great opening.

It'd also fit in with Buck feeling immense guilt of not having saved someone. Even if he may have understood by now that he saved Eddie by crawling under that truck and getting to him. If he can't get to Lucy in time in the crowd or whatever else, his guilt will be overwhelming. And it may inspire him to go back to some of his old coping mechanisms. Even though Eddie slammed it into him that he is not expendable, Buck losing someone like Lucy, having been unable to do anything about her death, may prompt him to go back to his old habits to feel alive. To feel something, anything, that's not this kind of all-consuming guilt.

Because even if we make progress emotionally, we sometimes have setbacks, and we have to start over. So Buck trying to help fix things for Eddie leading to Eddie helping Buck to put himself back together in the aftermath (even without the Buddie goggles)... That seems like a plot point naturally flowing from that idea of trauma coming back in waves. And how you have to tackle it time and time again. Together.

It'd certainly open up an opportunity for Buck and Eddie to address the will, which still feels like Chekhov's gun here, just like the overdue talk about how the shooting affected Buck and Eddie, both individually and together.

We've gotten bits and pieces last season, with Buck giving an opening when they are at equine therapy and addresses the shooting at least. But they did not, in any way, on-screen, talk about how the shooting affected them emotionally. How it affected and traumatized them together. He just stated that this got him thinking about it. But not *what* he felt during the shooting, or after, or how he feels about it even now.

So, to sum up, Lucy is a viable opportunity, from a narrative standpoint. Her character would progress Buck's arc immensely, if that is the route they are taking. And if her character's upshot is to be the mirror, the glimpse into Buck's future, to inspire change, that'd fit and not have her character “go for nothing”.

And then we have Captain Mehta.

To me, if the Chekhov's gun that's supposed to go off in season 6a is the shooting and its aftermath, then that guy's death would be a perfect catalyst for it.

Again, it'd fit with Buck's and Eddie's reaction as we've seen so far in the trailer. Eddie may not remember as much of the shooting itself as Buck does. So to Eddie, Captain Mehta might just be someone who was also there when it happened. Eddie will certainly have heard that he helped get him to safety, which would fit with him crossing himself stoically and seemingly wanting to pay his tribute in some way. And it may well be that he does not comprehend how much of a trigger that man may grow to be for Buck, or rather, how much his death might be. Because he doesn't remember what happened immediately after he was shot.

What narrative purpose would Captain Mehta's death then serve?

Well, we haven't gotten to know him much. If it is so to happen, we might get some personal info right before he dies (similar to Claudette – they dug into her character some more to make it *mean* something when she died). Like, he's about to have a child or whatever else. And then disaster strikes. Tomorrow isn't promised to anyone, you catch my drift again, I hope.

So him dying would be sad, but more of a catalyst for other characters, namely Buck and Eddie. It would be less about concluding things for a character and bring his arc to an end. His death would trigger a situation, start a conflict, if you will.

With Lucy, I struggle a bit on that, since they developed her as a character in her own right. Sure, maybe that's supposed to be it, to make it hurt even more, as I mentioned before. And that's where I'm struggling on what the show might opt for. Captain Mehta's death would be more on the side of “this character was primed as a catalyst for other characters later on, which is why we didn't develop his character in greater detail before”.

If Captain Mehta is supposed to die, it's his death and his role in the shooting that would serve the narrative purpose. That would make Chekhov's gun about the shooting go off most likely – and may then lead to others going off as well. But that'd be the most obvious connection to Buck and to Eddie – the shooting.

This, again, could lead to a conversation about the will. But it doesn't necessarily have to. Yet. What it would provide in both cases is an impact on both Buck's and Eddie's characters. Because it is something they have not discussed, have not really moved past yet (and never really will, less so if they just try to move on from it without talking about its impact on their lives and emotions).

If it is supposed to be Lucy, it'd seem more likely to me that the narrative upshot is her relation to Buck, being a mirror to him. That would make Chekhov's gun about Buck's unraveling or confronting him with where he might end up if he continues with his tendencies.

That scenario may open up a conversation about the will, if we further assume that Buck will get himself into danger to save Chim during the car chase (Buck and those bicycles...). Like, a scenario where Eddie calls him out for being this reckless along the lines of "Did you think about what that would do to Christopher? You remember you're his legal guardian?" and everyone else goes 👀👀👀 (which is a fanfic trope they can pry from my cold dead hands). That'd make the shooting perhaps a topic to be discussed, but it wouldn't be the initial, focal point.

What that scenario doesn't provide as much is the impact it'd have on Eddie personally. Yes, it'd affect him to see Buck spiraling. And if we get some talk about the will, we might, but not about the shooting itself. Which is a narrative path that may work all the same. It's just a question of when to address which conflicts or loose threads.

Which is why I am so torn on whether it'd be Lucy or Captain Mehta in this scenario. To me, it really boils down to what plot points the writers wish to hit WHEN. Lucy's death could get them the same plot points covered as Captain Mehta's death might (shooting, will, Buck unraveling). It just depends on what they wanna go for first.

If Lucy is meant to go, it feels like Buck unraveling would be first, which might give an opening to the will. And perhaps the shooting. But the shooting would only ever flow from Buck's unraveling, which may force Eddie to step in and force the overdue conversation.

If Captain Mehta is meant to go, the starting point would have to be his role in the shooting. So Buck unraveling would be in relation to it, the catalyst, but the shooting would be the focal point from which all other plot points flow. The will can turn up in that same context, but doesn't necessarily have to.

To come back to my initial 3 points (again in reverse order):

Both would fit from the limited information we have from the trailer, i.e. Buck's and Eddie's reactions to the person's death.

Buck and Eddie would be given opportunity to progress individually and together in both instances. If Lucy dies, it'd start out with Buck likely unraveling in some shape or form, seeing a life he could have lived pass, being unable to save that part of himself. And Eddie would see him spiraling and finding himself having to step in. Which may force the conversation about the shooting and/or the will. If Captain Mehta dies, the focal point would be their shared trauma of the shooting that they'd finally have to address. Buck's unraveling would then be the catalyst for Eddie to realize that he has to talk about it to Buck to help him “fix” things again. In both instances, it would facilitate Buddie progression (if I may put those goggles on for a second here), to force them into the realization how much they care, need, and love each other.

Both would make narrative sense. It'd drive the plot along for the 118, losing one of their own, and how that'd affect them as a team and as individuals. Either seeing people being ripped out of their lives despite being so experienced, or to highlight that tomorrow isn't promised to anyone. Even someone the audience got to know a lot more personally may go. Because that is what happens in their line of work. And finding ways to move on from there, hitting the bittersweet spot about someone having followed her heart – even if that meant to her own death.

Last but not least... the Buddie goggles.

Because you did not expect that I could keep them off towards the finale of this way too long, verbose post, right?

Even with the Buddie goggles on, both Lucy and Captain Mehta make as much sense within that arc, if that is what the writers are (finally) going for this season.

Eddie hasn't seen Buck lose someone who's close to him (Maddie was gone temporarily, the others were people they haven't had a personal connection to). If they lose either of those characters, Eddie will see Buck's devastation over losing someone close to him first-hand for the very first time, I believe.

And now as friend or future love interest, he'd want to be there for Buck, more so if Buck starts spiraling in the aftermath. Because Buck's been there in the room with him, and you bet he'd do the same for him in a heartbeat.

I think we've talked a lot about how Eddie hasn't seen Buck's reaction to him being buried alive, and we may never really get there, but that might be the twist in that arc: Eddie would get to see real-time, unfiltered, what Buck is like when he loses someone close to him. How Buck was like when he thought he'd lost Eddie. When Buck completely loses his professional cool that he was able to keep while Eddie himself was spiraling (see Eddie finding it hard to breathe during the hospital call last season where Buck told him they move on to the next).

Extra points (not that extra points from me would amount to anything, but I'd still give them) if we see Eddie actively trying to get through to Buck, but initially failing.

Here's why:

It might be very interesting to see Eddie finding himself ill-equipped in his mission of Buck up Buck 2.0. Before, he always got through to him. He got Buck to leave the loft after the embolism (okay, only to get caught up in a tsunami, but that wasn't his upshot, c'mon). He snapped Buck out of it when he thought it had been better, had he gotten shot by the sniper instead of Eddie. He was all smug BF over dinner, telling Buck he isn't going anywhere when he considers to transfer after Chimney leaving. Up until now, Eddie's always found the means to get through to Buck eventually. To keep him off that ledge.

It would be brutal and dramatically delicious to see him feeling like he can't get through to Buck, even though he is so accustomed to it. Even though Buck did it for him, and we all know what a tough case Eddie's been to crack.

And it may well be that he has to come to the painful realization that he can't get through to Buck because of the elephant in the room, Chekhov's gun on the wall: The shooting. Potentially also the will.

Because he may still struggle with it himself so much that he feels like he should leave it to his therapy sessions with Frank alone. It might be that he feels not ready for it yet, to go back to that fateful day and face those scary, scary emotions attached to that moment. Only to realize that he has to do it. Not just for Buck's sake, but also for his own.

Like, I'm a downright hoe for all the hurt and all the comfort, so I'd be damn FED with that, but it'd fit from a narrative perspective. In my view, at least: Eddie and Buck would be forced to have that overdue conversation (Chekhov's gun) about the shooting and/or the will. How it impacts them. Because it's the only way they can move forward. Because their tried and trusted methods, the way their relationship used to work, it no longer works that way. It's something deeper, something much more intimate, and even downright scary. To realize just how close you let that other person be in your life, and how much you need to let that other person in, so you can both heal.

Also, Eddie would see first-hand what Buck's seen in the last season: What happens to your loved ones when they eat it all up and don't find an outlet and start spiraling as a result. How helpless you find yourself to be when you don't find a way to get through to them. He'd have to see Buck in the way that Buck's seen him in season 5.

You know, being mirrors to each other, which might be an overall theme coming back full swing this upcoming season. That kind of thing. If we see any more shots involving mirrors, you know where I got my money.

And in that same vain, that may very well serve as a catalyst for Eddie to realize his (romantic) feelings for Buck. Because that wouldn't just be about seeing his best friend struggling. This would be a callback to not being able to help Shannon (i.e. his dead WIFE) and wanting to break the cycle with Buck. Which would force him to have a hard look at himself and his feelings for Buck, and how they might be much closer to what they were for Shannon than for any of his other friends (i.e. romantic vs. strictly platonic).

And if we get some callback to Carla telling him to follow his heart, only for him to go to Buck... I will eat glass. Not literally. But I will eat lots of glass. *crunch*

To me, it could go a number of ways from there. We may even find ourselves in a situation where they don't manage to talk about it until well later (6b), but still try to offer and seek comfort with each other (not friends with benefits, but more like... and then they had sex because of tragic event A, and they just want to forget their grief and find comfort in each other's arms kind of way). I find that not at all otherworldly, really. And it may force the conversation all the harder (pun maybe intended).

Like, imagine a scenario where Buck seeks comfort with Eddie and Eddie offers it, not knowing what else to do since all other attempts of his failed thus far. Buck stops spiraling somewhat. All's well. All's fine. It's alright, right??? And damn, that can maybe even sexy in ways a certain someone did not learn in Sunday School. Then shit hits the fan, because of course it does. And both Eddie and Buck have to realize that just seeking comfort in the intimacy between them isn't fixing it.

Because A) they are not just there for comfort but for the lurve, B) it doesn't fix the initial problem, which is Chekhov's gun about the shooting and/or the will and Buck's struggles, and C) since when has that worked out in a narrative ever???

So it might well be that Eddie feels like he's got it under control, only for Buck to spiral again, fast, harder, and much further down. And Eddie has the Oh moment right there and then that he doesn't just want the intimacy that springs from grief (is grief sex a thing like angry make up sex??? Like narratively? Asking for a friend). That he wants to be with Buck in that way not just as a way to forget, but because he's chosen him in his heart long ago, but just hasn't allowed himself it yet. Love confession. Confused Buck noises. Kisses and tears. See you next season. Wham. Bam. Thank you, ma'am.

But even if we don't go that path, and resolution about the shooting will be reached without anything Buddie-like happening this season, it would be a great eye-opener for Buddie, still.

Buck having Eddie show up, seeing him in his struggles (contrast with his parents much), and doing anything he can to save Buck from himself self-deprecating. Someone choosing him, and choosing him at his lowest, not on the height of a heroic deed, but right when he hits rock-bottom. Someone who chooses and loves him anyway.

Eddie choosing to follow his heart, which would be to go to Buck, to be with the person he loves, through thick and thin. To be the partner he felt he wasn't to Shannon. If we get some gay/bi reckoning before that, choosing himself and embracing his sexual identity. Realizing that the person he thought he had with Ana was Buck all this time, and he just didn't look at him in that way because he was just always Buck to him.

Like, it'd bring things full circle in a lot of ways. At least from where I'm standing (okay, sitting, typing away unnecessarily on my laptop, fine).

What remains by the end of this post (I know, fuckin' finally, right?), is that if we are losing one of our own next season, Lucy and Captain Mehta may get us to just those plot points.

And yeah, I do hope to see some of my beloved fanfic tropes to become a reality. A fangirl can dream. And if canon goes a different way, you bet my fingers are already typing to indulge myself with those scenarios.

But at the very least, they owe us a Buddie hug. Even if they don't go for Buddie this season, they deserve a hug. We deserve them hugging. They HAVE TO HUG, okay? Okay. Now, that didn't relate to anything from my initial long-ass post about who might die next season... and I can't seem to think of any elegant ways to make that come full circle. So I will just end on this note:

I hope our firefighters remain safe and that it's just someone else. But if we lose one of our own, that's the people I'd sadly bet on.

Thanks for coming to that... talk. With myself.

Cheers!

Merry start into season 6 of this wee-woo-show that's got us in its vice grip! 🚒🚒🚒

#911 spoilers #911 season 6 #911 speculation #evan buckley #eddie diaz #evan buck buckley #buddie #buck x eddie #eddie x buck #evan buckley x eddie diaz #eddie diaz x evan buckley #I have a lot of thoughts about them #none make sense #but they are there

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sofreddie · 3 years

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Scent From Above 3

Summary: Quarantine strikes and the wait to see each other grows.

Characters: Alpha!Jensen x Omega!Fan!Reader

ABO BINGO: Heat/Rut Toys

Warnings: A/B/O Dynamics, Quarantine AU ?, Heat, Smut (Mutual Masterbation, Use of sex toys), Angst, Fluff

Word Count: 1,242

A/N: So I was looking at the story and my @spnabobingo squares and 'Quarantine' - NOT a square - actually gave me a really good catalyst to tie different prompts together. So that's how that happened! This smut was a little different for me because I feel like it's kink-ier than anything I've written.

Part 2

It had been a long month of phone calls and video chat between Y/N and Jensen. They hadn't managed to coordinate seeing each other after their initial weekend. Now it seemed the wait to see one another would be even longer. The whole world was on global lockdown for quarantine.

"This sucks," she whined at her laptop, Jensen's face filling the screen for their latest video call, "I was really hoping you'd be able to help me through my heat again," she admitted, wincing at the cramps that had been growing in intensity since that morning, "I miss you."

"I miss you too, 'Mega," he whined in response, "Your shirt has lost its smell," he pouted, showing her the cloth dangling in his hand.

"Yours too," she admitted, looking at the said shirt that was draped over the pillow beside her in bed. She winced once more, a hiss slipping past her lips as she failed to hide the pain from her now very worried Alpha. It took her a while to catch up, but she finally caught on that he wasn't going anywhere and that he was serious about her, about them.

If she had let him claim her, they could be together right now.

"How bad is it, Baby?" his worry grew as he noticed the physical toll her heat was taking.

"It's not great," she admitted, "But it's not too bad. I have toys to help me."

There was a long silence between them before Jensen sucked his bottom lip into his mouth and released it with a pop.

"Toys, huh?"

The boyish and charming Jensen faded away as her Alpha came to the front. His eyes darkened and she could practically see the thoughts processing in his mind.

"Mmmhmm," she hummed, biting her lip and blushing hard.

"Show me."

His tone had her shivering and she nodded as she went to retrieve the small box from under her bed. She sat on the bed, the unopened box in front of her and looked to Jensen hesitantly.

"No, Omega," he shook his head, his Alpha tone coming forth to command her attention, "Show me."

She felt nervous yet empowered over the reaction he was having and she wasn't even touching him. She nodded once more, before removing all of her clothes and getting comfortable on the bed. She laid the toys out beside her within easy reach.

She positioned the laptop on the bed so they could see each other and leave her the use of her hands.

"So beautiful 'Mega," Jensen breathed out as his eyes looked over her body hungrily. He was disappointed to see all his love bites and marks had faded to nothing in their time apart. He forced back the choked whine in his throat and forced himself to focus on her.

"Alpha," she moaned, running her hands over her body teasingly. She had shown him her small collection of toys. She had a regular vibrating dildo, a special knotting dildo, and a vibrating wand. They had served her well in her past heats.

"Spread your pussy for me, Baby. Let me see how wet you are."

She reached down with one hand and spread her lower lips open, exposing herself completely to him.

"Use your other hand and rub your clit," he guided her, his eyes locked in fascination and need. She keened as she touched her clit, the nub swollen and aching. Jensen licked his lips, desperate for a taste.

Catching it, she decided to tease him, gathering a little slick on her finger before bringing it to her lips and sucking it clean. Jensen's eyes followed her every movement. He growled when she sucked her finger, hastily undoing his jeans to get at his rapidly swelling cock.

"Fuck, Jay," she whined hungrily as her eyes settled on his exposed cock. His hand wrapped around the thick shaft, sliding up and down. She rubbed her clit in time with his slow strokes, feeling the fire and desperation build within her.

"Use the wand," he huffed, watching as she turned it on and brought it to her folds. She gasped as the vibrations coursed through her. He continued guiding her until the wand was on its highest setting, driving her right up to the edge and over.

Jensen squeezed the base of his dick, not wanting to come yet. He wasn't done with her.

"Now the dildo," he groaned as she came down from her high, "The one with the k-knot," he stuttered, watching as she switched out the toys and spread her lips once more.

She was glistening with slick, a bit dripping out of her hole and down the crack of her ass. Jensen wanted so badly to lick up the path, gather the slick on his tongue.

"Feels so good, Alpha," she moaned, lost in the bliss and forgetting her bashfulness. She slid the toy inside herself to the base, Jensen letting a soft curse at seeing her stuffed and stretched around it.

"Yeah, that's right," Jensen began stroking his cock once more as she thrusted the toy in and out of herself, "Fuck yourself, Omega. Imagine its my dick in you," he huffed, stroking in time with her thrusts, speeding up at she did, and realizing she was skillfully guiding this whole endeavor.

"Gonna come, Alpha," she whined in desperation, "Come with me," she pleaded.

"Wanna fucking knot you," he growled through clenched teeth, feeling his knot starting to expand. Jensen quickly tore his belt from the loops and and bit down on it, his urge to claim overwhelming him once more.

It had never been a thing with anyone ever before.

He was pretty sure it'd always be there with her.

He clutched his knot with his other hand, watching as she hit the button to set off the inflatable knot on the toy. She wailed as her climax crashed into her. He called out her name as he came, his knot popping and quickly deflating with nothing to lock onto.

Once they calmed, and the urges subsided, they cleaned up. Y/N dressed in clean panties and a tank top, too warm from her heat to want much else.

"When this is all over," Jensen said, gesturing vaguely to the world around them, "I'm coming straight to you," he swore, "I want to claim you, Y/N. I want you with me. Especially now that everything seems like it's going crazy…"

"I know," she admitted, "I've been stuck at home alone. No people. I don't even own a pet," she huffed a laugh, "Though Fred and I are making fast friends," she added with a chuckle.

Jensen felt the hairs on the back of his neck bristle. Who the fuck was Fred?

"Who?" he managed to ask in a calm, yet clearly confused tone.

"Oh! My succulent," she smiled, showing him the potted plant, "Only other living thing around here besides me."

Jensen appeared to melt as he visibly relaxed and Y/N laughed harder. He shook his head and huffed a laugh.

"This sucks."

"It really does," she easily agreed.

"Soon," he promised, "Someway, somehow." She yawned and he chuckled. Her heat was hard on her and after that orgasm, he was pretty sure she was tired. He could use a little sleep too if he were being honest.

"Soon," she acknowledged, blowing him a kiss before ending the call and settling in for some much needed rest.

PART 4

Forevers:

@sis-tafics

@lyarr24

@calaofnoldor

@hobby27

@spnbaby-67

@fangirlxwritesx67

RPF:

@smoothdogsgirl

JENSEN TAGS:

@akshi8278

@jerkbitchidjitassbutt

@slamminmine

@deanjensenficsandart

@woodworthti666

@charred-angelwings

#spnabobingo #scent from above #part 3 #alpha!jensen x omega!reader #jensen x reader

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