#buy tamron lens
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Testing out my new 24mm lens on the Medieval Town Square set that launched to the public this weekend.
I swapped a bunch of lenses that I wasn't using anymore for this Sigma 24mm f/3.5, which I wanted for its 1:2 macro capability and compact size.
One of the lenses I traded was the Tamron 24mm f/2.8 which is half the price and a bit brighter than this one, but that 67mm filter size was too big for LEGO photography outdoors.
It got in the way a lot especially at ground level, felt bulky in my hands, and the focus was jumpy. I couldn't enjoy the shoot so I didn't use it a lot.
The Tamron wasn't a bad lens; it just wasn't a good fit for this use case, IMHO.
Gear 100% matters. If you don't like using what you have or it's a hindrance, the wrong gear can slow your growth and hurt your photography.
Change it if it's not working for you. (And buy or trade for second hand!)
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Hello there! Love your photos, they are so beautiful!
I really wondered your opinion on Canon no longer allowing third party lens manufacturers for their RF mount? I'm not sure if I want to continue with Canon as they are simply getting too pricy for me. Canon lenses cost a lot, and my favorite lens now is a Sigma.
Thank you for your pictures, they really cheer me up :)
Hi!
And thank you, I'm really glad you find my pictures beautiful :)
As for Canon, I actually didn't know that they no longer allow third party lenses. I find that rather stupid, as it will only make their cameras less attractive for us hobby photographers. Knowing this, if I could afford it I would probably still go for the new R5 but I certainly understand people choosing another brand. Maybe I just had bad luck, but the only time I've bought a third party manufactured lens I was rather disappointed. It was a Tamron 150-600mm zoom that didn't live up to my expectations at all. But I've heard a lot of good things about Sigma. Anyway, wether I would buy a Canon with the RF mount or not is a rather academic question (unless I win the lottery or something). And I'm rather fond of my old camera and lenses even though the zoom lens is in need of a thorough cleaning.
All the best!
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What gear do I use?
After only 1 year of photography and many many hours of research, I have learned a lot about photography and videography gear. The first step to getting into photography is choosing your gear. This is not an easy decision as there are so many options out there and chances are you will have this camera and lens for at least a couple years. When I first started I had the opportunity to borrow a friend's camera and lens. The camera was a Canon 80D and the lens was a Tamron f2.8 70-200. This camera was a good first camera for me because it gave me an idea of what I would be using later. I currently own a Canon 7D Mark II. I chose this camera because of the fast shutter speed and the many focus points on the sensor. I picked this camera up for around $700 and it was immediately way better to use than the 80d that I was borrowing before. The lens I use now is the Canon f2.8 70-200. This lens is great because for sports you need to have a 70-200. It is what I use for 95% of my pictures. For video, I use the canon 80d matched up with the Tameron f2.8 70-200. The camera I was borrowing originally. To edit I use a Macbook Pro 14 inch and a PC every once in a while.
Why do I use this gear? I use this gear because when you are first starting out you have to choose the most cost effective gear that fits into your budget. If you have a bunch of money to spend I would recommend you buy nicer gear than what I have. However, you can definitely get away with what I use. I have found that skill and the want to do photography is much more important than gear. If you don't enjoy photography or want to put in the work to get better then that will transfer over to the quality of your work. Choosing my camera body was very difficult because I had never used them before. I am happy with my decision, but looking back I would probably spend around a thousand more dollars on my camera body just because now I know I would make the money back. I would probably get a Canon R6. However, I would not recommend that to everyone. My lens was an easy decision because I knew I would need f2.8 70-200. The only thing that made this hard was deciding between the name brand or the off brand. I think I made a good choice buying the more expensive name brand because now I have used both and the quality of the name brand Canon lens is much higher than the off brand Tameron lens. I use the Canon 80d for video because it holds up and does a decent job. But mainly because I don't pay for it and I am still just borrowing it. I chose the Apple Macbook pro 14 inch after a two day trial of a macbook air. I decided I would like to have the pro because of the value you get from it. It has the M1 chip making it capable of running any software I throw at it but it also has fans for when I am working in the heat.
I interviewed Levi Romnes, a friend that is into film/videography. He said, “I got into film because I was addicted to my phone and watching videos.” Videography has always interested Levi. After all of his research and practice he said, “For the past couple months I've been trying to make a video and it's not happening. It's a little bit more difficult than it looks.” This statement by Levi is something that can apply to more than just photography and videography. You have to do your research and practice if you want to be good at what you do.
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SONY A7S MARK III BODY + TAMRON 20-40MM F/2.8 DI III VXD
Buy SONY A7S MARK III BODY + TAMRON 20-40MM F/2.8 DI III VXD online from Sunrise Camera. The camera and lens comes with great quality at the best price. Shop now!
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Minolta XG7 35mm Film Camera W 28-70MM Tamron Lens UNTESTED
CAMERA DEALS: Seller: california545 (99.9% positive feedback)
Location: US
Condition: For parts or not working
Price: 29.95 USD
Shipping cost: Free
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$12.99 Only! ~ Genuine Tamron A3FH Lens Hood Shade for SP AF 35-105mm f/2.8 Aspherical (65D), Lens Hoods, Rubber Lens Hoods for Cameras, Collapsible Lens Hood, C001, Purpose of Camera Lens Hood, Camera Lens Hoods, Rubber Camera Lens Cover, Best Lens Cleaning Kit BUY HERE!
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Uncovering the Secrets of a Professional Photographer's Equipment: An Insider Look with Jack Robert
Join Greenville, SC based Editorial, Commercial, Branding, and Lifestyle photographer Jack Robert as he takes you on a journey of his equipment choices, the reasons behind them, and where he buys them
Comprehensive List of Equipment (Click each subject title to jump to my reviews and how I utilize each piece)
Click here to Jump To Cameras Review
Canon R5, Canon R6
Click here to jump to Lenses
Canon RF 35mm f/1.8 Macro IS STM Lens
Canon RF 50mm f/1.2L USM Lens
Canon RF 85mm f/1.2 L USM Lens
Canon RF 70-200mm f/2.8 L IS USM Lens
Tamron 17-35 2.8-4
Click here to jump to Computer review
MacBook Pro 16" Laptop - Apple M1 Max chip - 32GB Memory - 1TB SSD - Space Gray
Click here to jump to lighting reviews
Flashpoint XPLOR 600 R2 Manual HSS Battery-Powered All-In-One Outdoor Flash
Flashpoint Portable 600ws Extension FlashHead For The XPLOR 600 (Bowens Mount)
Backup Bulb Flashpoint Flash Tube for XPLOR 600 Flash Head - AD-H600
Flashpoint R2 PRO 2.4GHz Transmitter for Canon (XPro-C)
Click here to jump to Stands & Accessories
Flashpoint Heavy-Duty Air-Cushioned Light 3-Stand Kit (9.5') (Lightweight)
ROLLING BASE Kupo Runway Stand Base (AMAZING)
Flashpoint C-Stand Riser Column (9' Silver)
10.5' Turtle Base C-Stand and Grip Arm Kit, Chrome
Super Clamp with Ratchet Handle
Click here to jump to Modifiers
Westcott 7' Parabolic Umbrella, White/Black
Godox Softbox with Bowens Speed Ring and Grid (13.8 x 63")
Westcott Rapid Box Switch Octa-S with Bowens Switch Insert
48" EZ Lock Octa Quick XL Softbox with Bowens Mount
Click here to jump to memory and hard drives
SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card
Samsung - T7 1TB External USB 3.2 Gen 2 Portable SSD with Hardware Encryption - Titan Gray
WD - My Passport Ultra 4TB External USB 3.0 Portable Hard Drive - Blue
Click here to jump to Compression and Archiving Software
Rawsie (Get 10% off using code JACK10)
Carbon Copy Cloner
Why I buy all of my equipment at Best Buy
As a professional photographer in Greenville, SC, with over ten years of experience, Best Buy is my go-to destination for all of my photography equipment needs. One of the main reasons I choose to shop at Best Buy is their amazing damage policy as a Total Tech Member. Accidents happen, and it's comforting to know that if I accidentally damage a product while handling it, Best Buy will take care of it.
In addition to their damage policy, Best Buy also provides annual maintenance for my DSLR or mirrorless camera. If there's ever a failure from normal wear and tear, they'll repair it at no extra cost to me. This peace of mind is invaluable to a professional photographer like myself, as it allows me to focus on what I do best - capturing beautiful images - without worrying about the reliability of my equipment.
Another perk of shopping at Best Buy is their priority customer service. Best Buy's team is always ready to assist me with any questions or concerns I may have. As a professional, my time is valuable, and I appreciate receiving prompt and efficient service when I need it.
I've also taken advantage of their "My Best Buy" credit card, which either gives me 5% back or allows me to pay for things over 12 or 18 months with zero interest (for the love of god, only use credit cards if you pay them off EVERY MONTH IF THEY DONT HAVE ZERO PERCENT INTEREST).
Lastly, Best Buy's return policy is a game-changer. As a Best Buy Totaltech™ member, most products are eligible for a 60-day return, which means I can shop confidently, knowing that if I'm not completely satisfied with my purchase, I can return it hassle-free while not worrying about damaging the products due to their generous accidental damage coverage.
Best Buy is my go-to destination for all of my photography equipment needs. Their damage policy, annual maintenance, priority customer service, credit card options, and return policy make them the best choice for me as a professional photographer.
What if Best Buy doesn't have what I need?
While Best Buy is my go-to destination for most of my photography equipment needs, I also rely on Adorama and B&H for those niche pieces of equipment Best Buy may not carry.
Adorama and B&H are great websites to purchase equipment, and I have had great experiences with customer service from both companies. They have a wide range of options, and their prices are competitive.
One downside to B&H is that they are closed online quite a bit throughout the year. This can be an inconvenience when I need to purchase something urgently or if I am looking to buy something online. But overall, the customer service, pricing, and variety of options make it worth dealing with their closures.
In conclusion, as a professional photographer, it's important to have a variety of reliable equipment sources. Best Buy, Adorama, and B&H are all great options, each with their own unique perks and downsides. I highly recommend considering them all when making your next equipment purchase.
Cameras
Canon R5
Canon R6
Unleashing the Power of the Canon R5: The Ultimate Tool for Professional Photography
As a professional photographer, having the right equipment is crucial. That's why I rely on the Canon R5 for all my photography needs. This camera is a game-changer, packed with features that make it the ultimate tool for capturing stunning images.
One of the most impressive features of the Canon R5 is its advanced eye-tracking technology. This allows me to capture portraits quickly and easily, even on the run. The camera's autofocus system tracks the subject's eyes, ensuring that they are always in focus, no matter how fast they're moving. This is especially useful when working with children and animals, as they tend to move around a lot.
How the Canon R5's High-Resolution Sensor is a Game-Changer
As a professional photographer, editorial work is a big part of my portfolio. And when it comes to capturing images that tell a story and convey a message, the Canon R5's high-resolution sensor has been a lifesaver. With 45 megapixels, this camera can capture incredible detail and clarity. The high-resolution sensor allows me to see every detail in the image, which is essential when working on editorial projects where the image needs to tell a story and convey a message. This means publishers can print large-format photos without losing any quality.
Additionally, the camera has a wide dynamic range, which allows me to capture images with a lot of depth and dimensionality. This is especially useful when working in challenging lighting conditions, such as bright sunlight or dark interiors. The wide dynamic range allows me to capture images with a lot of detail in the highlights and shadows, which is crucial when working on editorial projects where the image needs to be as detailed and accurate as possible.
Another advantage of the Canon R5's high-resolution sensor is that it allows me to crop images without losing quality. This is particularly useful when working on editorial projects, where the image may need to be cropped or resized to fit a specific layout or format. But it's not just about the technicalities. The Canon R5 also has a great design and ergonomics; it's comfortable to hold and easy to navigate through the menu, which makes it a pleasure to work with. The Canon R5 is an essential piece of equipment for any professional photographer. It's packed with advanced features that make it the ultimate tool for capturing stunning images. Whether quick on-the-run portraits or high-resolution stills, the Canon R5 has everything you need to take your photography to the next level.
Why I use the Canon R6
When it comes to capturing stunning images and videos, photographers and videographers are always on the lookout for the latest and greatest equipment. And while the Canon R5 has undoubtedly made a splash in the world of photography and videography, its little brother, the Canon R6, is also a camera worth considering.
One of the most significant advantages of the R6 is its smaller file size. Hard drive space can quickly become an issue when working with large files. The Canon R6's smaller file size means that you can store more images and videos on your hard drive, making it easier to manage your workflow. Additionally, the smaller file size also means that the Canon R6 is less demanding on your computer's processing power, allowing you to work more efficiently and with less lag.
When it comes to image quality, the Canon R6 doesn't disappoint. The camera has a 20.1-megapixel full-frame sensor that produces stunning images with rich colors and sharp details. The camera also has a high-speed autofocus system, making capturing fast-moving subjects easy. Additionally, the Canon R6 can shoot up to 12 frames per second, making it perfect for grabbing action shots and sports.
Lenses
Canon RF 35mm f/1.8 Macro IS STM Lens
Canon RF 50mm f/1.2L USM Lens
Canon RF 85mm f/1.2 L USM Lens
Canon RF 70-200mm f/2.8 L IS USM Lens
Tamron 17-35 2.8-4
Canon RF Lenses: A Greenville, SC Photographer's Review
As a photographer based in Greenville, South Carolina, I've had the pleasure of working with a variety of Canon camera lenses. But there are a few that stand out as my absolute favorites. Allow me to share my personal experience with these amazing lenses.
Starting off strong with the Canon RF 35mm f/1.8 Macro IS STM Lens
The ultimate tool for capturing awe-inspiring close-up shots. The macro capability allows me to get up close and personal with my subjects, while the f/1.8 aperture creates a mesmerizing bokeh effect. The Image Stabilization (IS) feature is a game-changer, ensuring I can capture sharp images even in dimly lit conditions. This lens has also become my go-to travel companion, paired with my Canon R5. The 35mm focal length is the perfect balance for capturing landscapes, architecture, and cityscapes without distorting the faces of the people I want to photograph. I've used it for street photography, macro photography, landscapes, and architecture and I love that it's lightweight and super sharp.
Up next is the Canon RF 50mm f/1.2L USM Lens, a game-changer for portrait photographers. The f/1.2 aperture serves up the ultimate bokeh and makes capturing dreamy, ethereal portraits a breeze. The USM autofocus is lightning fast, never letting you miss a shot, and the 50mm focal length is a perfect balance for full-body and headshot portraits. This lens is the default on my camera, and it's so versatile and sharp I want to cry. I've had the EF versions of this lens, including the 50mm 1.8, then the 50mm 1.2 for my previous cameras, and now the RF 50 1.2. I didn't think the 50 1.2 could get any sharper, but with this RF version, they've really blown my mind.
The Canon RF 85mm f/1.2 L USM Lens is another new favorite of mine. I've resisted for the longest time getting this lens, but I've finally made the dive after five years of debating it- and I'm not disappointed. I was initially planning on just trying this lens out for an event and returning it- however, its 1.2 aperture was stone-cold amazing for low light situations and getting candids. Not only is it a powerhouse in low light- it's probably the best portrait lens if you have the physical space to be quite a distance from your subject. The f/1.2 aperture creates an incredibly shallow depth of field and produces a beautiful bokeh effect. The lens is a bit on the heavier side, but the build quality is top-notch, and the image quality is second to none.
Finally, the Canon RF 70-200mm f/2.8 L IS USM Lens is an absolute powerhouse. The older EF version was the most reliable and loyal lens I have ever used. It never missed focus and always gave me a fantastic image. I trust it with my life. The new RF version is lighter, so I went with it instead of just using the EF to RF adapter. On the RF Version, the lens extends out when zooming, and I don't particularly enjoy that- but it's not a deal breaker. Is it my go-to lens? No, but I will 100% recommend having it in your bag for many cases. This lens is perfect for capturing family photos, portraits, couples, sports, nature, and wildlife. The long focal length allows me to capture distant subjects easily, and the f/2.8 aperture creates a beautiful bokeh effect. The Image Stabilization (IS) feature is a lifesaver when working in low-light conditions. The build quality is top-notch, and the image quality is simply outstanding.
In conclusion, these four Canon lenses are my go-to choices for capturing stunning images and videos. These lenses have never let me down, from portraits to close-ups to architecture and nature. They are versatile and reliable and produce some of the most beautiful images and videos I've ever captured. I highly recommend them to any photographer looking to expand their lens collection. Whether a professional or hobbyist, these lenses will help you take your photography to the next level.
The last honorable mention is my Tamron 17-35 2.8-4. I bought this on a whim because I needed a wider-angle lens for interiors. It's a bit on the cheaper side, but I've been satisfied with it. I use it on the regular for interior photoshoots when I need that extra view and don't have the physical space to back up. At 17mm, it doesn't distort the edges enough for it to be a bad photo, but I'd be careful when shooting architecture to watch those edges. I also utilize this lens for low, wide-angle shots of models and buildings. It creates a cool effect, giving the subject an automatic power angle over the viewer.
Computer
MacBook Pro 16" Laptop - Apple M1 Max chip - 32GB Memory - 1TB SSD - Space Gray
Do I really need a MacBook Pro!? Yes. I'm also slightly biased towards Apple and know other photographers that use windows computers just fine, but Apple products' premium and luxury experience draw me in. The seamless transitions between iPad, iPhone, and Mac are absolutely magic. Did you know with Apple, you can copy text on your phone and then hit paste on your computer, and it appears there!? It's in the small details that make Apple really stand out.
Regarding the M1 Pro Max laptop, I wanted a portable powerhouse, and Apple delivered what I needed with this laptop. When I upgraded to the Canon R5 with 50MB files, I HAD to upgrade my computer to slay large file sizes with ease. When editing thousands of photos, having a photo even take .5 seconds to load wastes A LOT of time. I needed the fastest computer I could get, not the cheapest or the most bang for my buck. The M1 Pro Max Processor and 32GB of ram easily handle my 50 MB file sizes.
I know Apple products are premium. I know you can build a windows laptop or PC for WAY less and have it be WAY faster- but I put a strong emphasis on the whole ecosystem of Apple and its seamless, luxury experience.
Lighting
Flashpoint XPLOR 600 R2 Manual HSS Battery-Powered All-In-One Outdoor Flash
Flashpoint Portable 600ws Extension FlashHead For The XPLOR 600 (Bowens Mount)
Backup Bulb Flashpoint Flash Tube for XPLOR 600 Flash Head - AD-H600
Flashpoint R2 PRO 2.4GHz Transmitter for Canon (XPro-C)
The Power of Lighting Equipment
My go-to: Flashpoint XPLOR 600 R2 Manual HSS Battery-Powered All-In-One Outdoor Flash. I have three of them, but you having just one is more than enough for most situations. The Flashpoint XPLOR 600 is a powerful and versatile light that, if used correctly, can perfectly balance natural and artificial light. With its 600ws power output and fast recycling time, this light allows me to capture stunning images in even the most challenging lighting conditions. I can overpower the SUN with this bad boy.
One of the best features of the Flashpoint AD600 is its ability to be used wirelessly and portably due to its detachable battery, which gives me the freedom to move around and capture the perfect shot. The Flashpoint XPLOR 600 also has a built-in 2.4G wireless X system, allowing me to control the light remotely and make adjustments as needed. The Flashpoint XPLOR 600 is an essential piece of equipment for any professional photographer. It gives me the power to overcome any lighting challenge and capture beautiful images no matter where or when. With this light, I can unlock the full potential of my Canon R5 and achieve the desired results every time.
Another key accessory, the extension: Flashpoint Portable 600ws Extension FlashHead For The XPLOR 600 (Bowens Mount)
The Flashpoint XPLOR 600ws 8-foot extension head is a powerful addition to any photographer's gear. It transforms the XPLOR600 series monolight into a versatile powerhouse, perfect for use with softboxes or as a gridded hair light. The extension head connects easily to any XPLOR by unplugging the glass shielded flashtube from the monolight body, locking the pronged cable link in place, and then inserting the original flashtube on the head extension sockets. This simple process allows for a quick and easy setup, making it an excellent option for photographers who need to work efficiently and quickly. I don't leave home without it.
Another wise choice is to purchase Backup Bulbs for this light. Yeah, I know they aren't cheap, but I've had one rattle out of the socket and smash on the ground when rolling it along on my Kupo Runway Rolling Base.
You also need to have a way to trigger your strobes, and I use my trusty Flashpoint R2 PRO 2.4GHz Transmitter for Canon (XPro-C) Godox and Flashpoint are the same exact equipment, just different names. You can control multiple strobes and adjust them individually from this transmitter. It's a gamer changer, so you don't have to go to each strobe and change their settings physically. I've been using this trigger for years, and I've had zero issues with it.
Stands & Accessories
Flashpoint Heavy-Duty Air-Cushioned Light 3-Stand Kit (9.5') (Lightweight)
ROLLING BASE Kupo Runway Stand Base (AMAZING)
Flashpoint C-Stand Riser Column (9' Silver)
10.5' Turtle Base C-Stand and Grip Arm Kit, Chrome
Super Clamp with Ratchet Handle
Let's talk about photography's often-overlooked but essential aspect: stands and accessories. They may not be the most exciting topic, but trust me; they can make or break a photoshoot. I rely on the Flashpoint Heavy-Duty Air-Cushioned Light 3-Stand Kit for lightweight, on-the-go situations. The plastic and metal construction keeps it lightweight without sacrificing durability, making it perfect for quick in-and-out photoshoots. But be warned, if you're planning to use it outside, weigh it down with sandbags or have an assistant hold it. Otherwise, it will topple over faster than a game of Jenga. Trust me, investing in the right stands and accessories will make your photography experience smoother and more efficient.
When it comes to stands, my go-to and best purchase has been the combination of the Kupo Runway Stand Base with the Flashpoint C-Stand And an added boom arm. The rolling base feature is a game changer, making loading in and out of photoshoots a breeze by allowing me to hang equipment from the stand rather than carry it all. And during the shoot, the convenience of easily rolling the light, modifier, and stand is unbeatable. If I had to pinpoint any regret in my photography gear purchases, it would be not investing in a rolling base for my c-stand earlier in my career. I cannot recommend this combo enough; it's truly essential for any professional photographer looking to streamline their workflow and save their back from carrying heavy equipment.
Having a variety of stands and accessories at your disposal is crucial for any professional photographer; it allows you to adapt to any situation and get the perfect shot. In addition to my rolling base c-stand combo, I also have a trusty 10.5' Turtle Base C-Stand and Grip Arm Kit, Chrome. This classic c-stand is perfect when I need an extra spot to place a light or modifier. The added boom arm is essential for versatility in positioning and placing the modifier at any angle. And let's remember the importance of sandbags. They are crucial to keeping your stand and equipment safe and secure, so invest in a good set.
Light Modifiers
Westcott 7' Parabolic Umbrella, White/Black
Godox Softbox with Bowens Speed Ring and Grid (13.8 x 63")
Westcott Rapid Box Switch Octa-S with Bowens Switch Insert
48" EZ Lock Octa Quick XL Softbox with Bowens Mount
The Westcott 7' Parabolic Umbrella is an excellent option for creating a large, soft light source. Its 7' span provides ample coverage, making it perfect for achieving a natural-looking catchlight in the eyes. Additionally, the umbrella's white interior helps diffuse the light, producing a soft, even glow. Don't even think you will utilize this in small spaces, though! A tall ceiling and a must if you want to place this modifier in a way that is flattering to the subject. Using this modifier is nice if you have more than one person or groups of people you need to photograph. On another note, the umbrella is also collapsible and easy to transport, making it a convenient choice for photographers on the go. I use this modifier 20% of the time.
The Godox Softbox with Bowens Speed Ring and Grid (13.8 x 63") Can be an excellent modifier for your photography or videography, but it can be pretty tricky and time-consuming to set up. The softbox features four poles that need to be inserted into the corners of the fabric and then into the center ring, which can be a hassle and requires some muscle to assemble. It may not be the best option if you're in a rush or don't want to be seen struggling to set it up. Despite its inconvenience in setup, the rectangular shape of the softbox, measuring 13.8 x 63 inches, makes it ideal for side lighting and backlighting, allowing you to achieve beautiful and natural-looking results. It is a versatile tool that can be useful for portraits, product photography, and videography. You can still consider keeping it in your arsenal as it can be a great addition to your lighting setup, but be aware of the setup time and effort required when using it.
The Westcott Rapid Box Switch Octa-S with Bowens Switch Insert with Bowens Switch Insert is a fantastic addition to any photographer's arsenal. This is my most recent modifier, and I am thrilled that I have it in my collection. It is a portable and collapsible beauty dish that is versatile and can be used in a variety of situations. It's been especially helpful in architectural photography due to its small size- as I use it to light different parts of the subject (room, building, etc.) to combine them all in photoshop into one beautiful and seamlessly lit photo. It's also been great for fashion and editorial portraits. The octa shape of the softbox provides a beautiful wrap-around light, perfect for creating a natural and flattering light on the subject. The Bowens Switch Insert makes it easy to attach to a wide range of strobe lights, making it a convenient option for on-location shoots. All in all, the Westcott Rapid Box Switch Octa-S with Bowens Switch Insert is a great investment for any photographer looking for a portable, compact and versatile lighting solution.
The 48" EZ Lock Octa Quick XL Softbox with Bowens Mount is my ultimate go-to modifier. It's an excellent choice for any photographer looking for a versatile, portable lighting solution. Its 48-inch size is just the right size for creating beautiful, soft light that can cover a wide range of subjects. The octagon shape of the softbox provides a natural and flattering light that is perfect for portraits, product photography, and more. The EZ Lock design makes it quick and easy to set up, so you can spend more time taking pictures and less time fiddling with equipment. The included Bowens mount makes it compatible with a wide range of strobe lights, making it a convenient option for on-location shoots. Additionally, the grid that comes with the softbox allows you to control the light and direct it exactly where you need it, making it even more versatile. Overall, the 48" EZ Lock Octa Quick XL Softbox with Bowens Mount is an excellent choice for anyone needing a portable, easy-to-set-up, and versatile softbox.
Memory Cards and Hard Drives
SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card
Samsung - T7 1TB External USB 3.2 Gen 2 Portable SSD with Hardware Encryption - Titan Gray
WD - My Passport Ultra 4TB External USB 3.0 Portable Hard Drive - Blue
The SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card
As a professional photographer, I am always looking for the best tools to elevate my craft. That's why I love the SanDisk 128GB Extreme PRO UHS-II memory card. This little powerhouse allows me to easily capture stunning cinema-quality 8K, 4K, and Full HD video (not that I ever do as a photographer, but anyway), as well as raw photos and continuous shutter bursts. The storage capacity of 128GB gives me plenty of room to store all of my precious shots, and the UHS-II bus supports lightning-fast read speeds of up to 300 MB/s and write speeds of up to 260 MB/s. The V90 Video Speed Class rating ensures that my write speeds will never drop below 90 MB/s, giving me peace of mind when shooting in high-pressure situations.
What sets this memory card apart from the rest is its reliability. I've been using Sandisk memory cards for years, and they have never let me down. Even my card from five years ago still works like a charm. I've even tried other memory cards like CFExpress, with its impressive 1200mb/s read and write speeds, but I couldn't see any difference when it came to shooting or loading images onto my computer. The SD Card is also a convenient size and fits perfectly in my MacBook Pro's SD card slot. I don't have to lug around a card reader and cord, which is a huge plus in my book. In short, if you're a professional photographer or videographer, the SanDisk 128GB UHS-II SDXC memory card is an absolute must-have in your kit.
My working hard drive, the Samsung - T7 1TB External USB 3.2 Gen 2 Portable SSD with Hardware Encryption - Titan Gray
After a killer photoshoot, I like to transfer my shots straight to my trusty Samsung SSD. Why? Because editing on a lightning-fast hard drive is where it's at, plus it gives me the added bonus of being able to take my SSD on the road with me. That way, if my computer gets jacked, my precious pics are safe and sound. Plus, it keeps my MBP running smoothly by not clogging up valuable internal HD space. Once my edits are complete, and I send the photos to the client for approval and further edits, I use Rawsie to compress them and then back 'em up on three different hard drives. #backupqueen #workflowwinning
The WD - My Passport Ultra 4TB External USB 3.0 Portable Hard Drive - Blue
After loading my photos onto the Samsung SSD, I back them up to a larger, slower HD - like the WD - My Passport Ultra 4TB. And not just one, but two of those bad boys. Because let's face it, you can never be too safe regarding the photos you shoot for a client. Is it overkill? Maybe, but as a photographer, my job is to capture, edit, deliver and preserve photos, which means being as backed up as possible. Plus, there have been a few times where files got misplaced during transfer and having those extra hard drives saved the day. The WD 4TB is the perfect size for a year or two of content, and when it's full or two years have gone by, I put a date frame sticker on it and archive it in a fireproof safe for added protection.
file compression
RAWSIE
Picture this: you're out in the field, capturing stunning shots left and right, and then you get back to your studio and realize your hard drive is bursting at the seams with RAW files. Sound familiar? Well, not anymore. Introducing Rawsie - the ultimate raw image compression app that packs a punch. With up to 5:1 file size reduction, it's a game-changer for photographers like us who shoot with Sony, Canon, Nikon, Fujifilm, and more. And the best part? It's lossless, which means no lossy artifacts, no resolution change, no bit count change, and no color loss—just pure, pristine image quality.
But that's not all; Rawsie is incredibly user-friendly and straightforward. It's like having a personal assistant for your image compression needs. Plus, it's a money-saver in the long run. Trust me, I've been using it for a while now, and it has been a lifesaver.
So, if you're ready to revolutionize your workflow and reclaim valuable storage space, head on over to Rawsie's website and use the code JACK10 upon checkout for an extra 10% off your purchase, trust me, you won't regret it.
archiving
Carbon Copy Cloner
Having a reliable backup solution is crucial, and that's where Carbon Copy Cloner comes in. This software offers a plethora of options for creating backups. Whether it's on an external drive or another Macintosh, you have the flexibility to choose what you want to back up, be it an individual folder or an entire external hard drive.
I've been using CCC for some time now, and I have to say, it makes creating a carbon copy of my files incredibly easy. However, I did run into an issue where deleting files off of one hard drive resulted in them being deleted off the hard drive I was carbon copying to. This is something to keep in mind, but overall, CCC has been a solid choice for me.
In conclusion, if you're looking for a comprehensive and flexible backup solution,Carbon Copy Cloner is definitely worth checking out. Just be aware of the potential pitfall I encountered with file deletion.
Final thoughts
And there you have it, folks. I've just laid out all the nitty-gritty details of the tools and equipment I rely on to get the job done. But this is just the beginning. I want to hear from you too. What are your burning questions? What would you like to know more about? Let's start a dialogue on our work processes, the gear we trust, and any experiences we've had with similar equipment. We can all learn from each other and improve our workflow. So, please don't be shy, leave a comment and let's get this conversation started!
Disclaimer: All the equipment on this page has been tested and approved by yours truly. I've spilled the tea on real-world usage and am sharing my faves with you. The links provided are either the exact products I own or similar alternatives. Bonus: Using the links will support my blog and biz - love you for it!
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Fuji 50-140 portraits
One of the unique strengths of the Fuji ecosystem is the wide range of lenses of varying quality and price points specifically designed around the APS-C sensor (in this case a 1.5x crop factor compared to 35mm/full frame). Fuji’s APS-C-centric focus has allowed them to both maximize the potential of an APS-C sensor and also develop lenses purposefully for that smaller sensor. And they have developed a lot of very good, very well received lenses with pro-grade features and apertures. For the most part, you can find an equivalent Fujinon APS-C lens for just about all the traditional DLSR focal length/aperture combinations. That’s simply not something you can say on every platform.
Fuji 50-140 portraits
Other brands focus primarily on full frame and, as a result, most of their APS-C lenses tend to be consumer-grade. If you want pro-grade lenses on, say, Sony or Canon (I’ve owned multiple Sony and Canon APS-C mirrorless cameras), you are often required to revert to full frame lenses, which, by nature, are larger and heavier because they have been designed to cover a full frame image circle. This quickly defeats the ideal of “smaller and lighter”. With most brands, you are buying lenses for the potential of using them on either APS-C or full frame, but Fuji’s approach is that “we are going to do APS-C”, and so they do it well. One such lens that you won’t find on other APS-C platforms is the Fujinon XF 50-140mm F2.8 R LM OIS WR lens. The 50-140 OIS (as we’ll call it for brevity in this review), joins a host of other quality first party lenses designed by Fuji for the APS-C sensor.
A quick breakdown of what all those letters in the name mean if you don’t “speak Fuji”.
50-140mm is the equivalent range of 76-213mm on a 35mm/full frame sensor (every lens mounted on an APS-C camera has the crop factor of the camera applied)
R = Ring, or that the lens has an aperture ring
LM = Linear Motors, meaning that the lens has Fuji’s upscale focus system
OIS = Optical Image Stabilizer
WR = Weather Resistant, meaning that the lens has weather sealing components in the lens.
In short, the 50-140 OIS has most of Fuji’s premium lens boxes checked. This is a pro-grade lens, the equivalent of the popular 70-200mm F2.8 lenses that available on all major full frame camera systems and are one of the most popular tools for any portrait, event, or wedding photographer. I have used a 70-200mm type lens in 98% of the weddings that I’ve ever shot. I would consider the 50-140 OIS to be one of the indispensable lenses on the platform, and it is the third lens in the Fujinon pro-zoom trinity, including the 8-16mm F2.8 (my review here) and the 16-55mm F2.8 (my review here). The 50-140mm is not a new lens (it was released in January 2015), but I personally came late the Fujifilm platform and having been slowly working my way through the catalog. This is the ninth Fujinon lens that I have covered.
Fuji has some excellent lenses in their XF (Fuji X-mount) catalog (and some rabid fans that support them!), but as someone who reviews a broad range of products (and not just within one brand), I have felt that in many cases the Fuji lenses I’ve covered didn’t quite measure up to their counterparts on other systems in the “price-to-performance” ratio. Put simply, many of the Fuji lenses I’ve tested over the past couple of years have seemed overpriced while others feel a little dated. I think part of this is due to the fact Fuji is a fairly closed system. There is very little third party development for the XF mount other than manual focus options from a lot of small players. Years ago (2013) the Zeiss Touit series was released in Fuji XF with autofocus (I reviewed them all on Sony), but those lenses now also feel overpriced and dated in their performance. Fuji has never (to this point) gotten autofocus lenses from Sigma, Tamron, or Samyang – the kinds of quality, less expensive autofocus lenses that are making Sony such an attractive platform right now. The most exciting trend in the past two years is that Chinese manufacturer Viltrox has produced several quality autofocus lenses in both Sony and Fuji mounts. I’ve reviewed the 85mm F1.8 AF lens and the XF 33mm F1.4 from Viltrox from them, and am working on the 23mm F1.4 review right now (though I’m covering that lens on Sony). Those Viltrox lenses have only gotten minor headlines on Sony because there are so many options there, but I know from my audience that these lenses on Fuji have been enthusiastically received. And it’s no surprise: the Viltrox AF 85mm F1.8 costs $399 USD; the Fujinon XF 90mm F2 costs $950 USD!
This has to be considered when you are talking about a $1600 USD APS-C lens, particularly when other systems have very compelling 70-200mm F2.8 third party zooms that all cost less than the 50-140 OIS (in some cases, significantly less). If you are already invested in the Fuji ecosystem this choice is more binary, but if you are shopping between systems and considering what to buy into, the choice becomes more complicated. A lot of the size advantages for APS-C disappear when you start to put pro-grade glass (like the 50-140 OIS) in front of them. This review will attempt to fairly explore both strengths and weaknesses so that you can make an informed decision. If you would prefer to watch your reviews, you can choose either my long format definitive review or shorter standard review video below.
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Fujinon 50-140 OIS Build, Features, and Handling
As noted, this isn’t a small lens. It is a little more svelte than the typical full frame 70-200mm but is fairly similar in size to most 70-200mm F4 lenses on full frame. The Sony GM 70-200mm (a mirrorless lens like the 50-140mm) is actually on the larger and heavier side when compared to DSLR lenses, and it’s 1480g weight is almost 50% higher than the 995g of the Fujinon lens. It’s also 24mm longer at 200mm than the 176mm of the Fujinon, and is 5mm wider in diameter (88 vs 83mm). This is pretty much what you expect, right?
But, as always, the third party lenses tend to be the disrupters. Tamron “tossed a grenade” into the room in 2020 with the release of their 70-180mm F2.8 zoom for Sony FE (my review here). This lens competes with the very best optically, has extremely fast, quiet, and smooth autofocus, and is also extremely disruptive in terms of size. The Tamron is lighter (810g), shorter (149mm), and even narrower in diameter (81mm) than the Fujinon lenses despite it being designed for APS-C and not full frame. The Tamron also $400 cheaper at $1199. This lens has not only been disruptive on the Sony platform but also changes the calculus on APS-C vs full frame (the Tamron + a Sony a7III weighs 1460g; the Fuji X-T4 + 50-140mm weighs 1521g). The Fuji combination is also more expensive by several hundred dollars. Which of these combos looks smaller and lighter to you?
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Shop Quality SLR Lenses Online From AVC Store
All SLR cameras have their proprietary camera mount for SLR lenses. Buy from our extensive selection of SLR lenses from brands like Nikon, Canon, Sigma, Tamron, and more. Our high-performance lenses are available for most major camera mounts. Find the right SLR lens for your photographic journey today.
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Y’all I’m so excited. I’ve wanted to buy this lens (Tamron 150-500mm) for a while but I’m an amateur with a family and haven’t been able to squeeze the funds out for it. I have a trip to Tennessee this weekend for a wedding and decided to splurge and just rent the lens for a week. It came in the mail yesterday and I can’t wait to use it. https://www.instagram.com/p/Cj5RG8Hu-8l/?igshid=NGJjMDIxMWI=
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Digicamcontrol nikon d3400
#Digicamcontrol nikon d3400 free#
If you're not sure, please don't hesitate to email me at I'd be happy to let you know which sets to purchase based on the lenses that you own. However, if you have lenses that are quite different, say a kit lens and a prime lens, then I recommend buying one for each. If you have lenses that are similar, say two prime lenses or two telephoto zoom lenses, chances are you don't need to purchase multiple sets. To claim the discount, add three cheat cards to your cart, locate the "Got a code?" link just above the checkout button and enter the coupon code: B2G1FREE Do I need to purchase cheat cards for all my lenses?
#Digicamcontrol nikon d3400 free#
Yes, I offer a buy two get one free deal. Not only will you get to keep the set you originally purchased, but I'm happy to offer continued support with any questions you might have regarding your camera or taking pictures in a certain situation. If for some reason you're not happy with the cheat cards, just email me at and I will refund your purchase no questions asked. If you get stuck, you can email me anytime at My ultimate goal is to help you take better photos. There's also a quick reference card that'll help you locate and adjust all the settings on your camera. Each scenario has simple step-by-step instructions for setting up your camera, along with some tips for capturing the shot. I created the Cheat Cards for beginners and absolute newbies. So if a photo doesn't turn out quite as expected, you can email me anytime at Are the Cheat Cards foolproof? Even better, I'm available to answer any questions you might have along the way. The Cheat Cards eliminate any guesswork and provide a simple step-by-step recipe that puts you in the best position to take a beautiful photo. One of the biggest frustrations for most people is investing hundreds of dollars in a camera and feeling overwhelmed by the learning curve and underwhelmed by the results. Will the Cheat Cards help me take better photos? By zeroing in on a specific camera and lens combination, I can provide you with very detailed settings, which improves your odds of capturing a keeper. Cheat Cards for the Nikon D3400 + Tamron/Sigma All-in-One Lens Add to Cart Show Table of Contents F.A.Q.'s What is a Cheat Card?Įach Cheat Card includes my tried and true, custom settings for capturing a wide variety of subjects and scenes using the Nikon D3400 and select lenses.
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Canon t7i bokeh video
This is one of the lenses that is best to use outdoors with ample amounts of light. It is also very affordable, due to the lack of built-in image stabilization. The focal length is equivalent to 120-480mm on a Canon APS-C sensor, which all EOS Rebel cameras have. Available at:Ĭanon EF 75-300mm f/4-5.6 III: Smaller and lighter weight than the lenses above, which is an advantage if you don't want to carry a heavy camera. This would be the one to get to avoid excess size and weight. With 4 stops of image stabilization it is a product that offers excellent performance at an affordable price. Available at:Ĭanon EF-S 18-200mm f/3.5-5.6 IS: This is a compact and lightweight lens that still has a large zoom range. There are other lenses that may be more comfortable to spend all day walking around with the Canon EOS Rebel T7. The huge focal length span does come at the cost of it being rather large and heavy. Built with 17 elements in 13 groups, with Four FLD and 1 SLD elements, means the lens is able to capture sharp crisp, high-quality images, without the need to worry about chromatic aberrations. The 16.6x zoom ratio means everything from wide angle to telephoto is covered. Sigma 18-300mm f/3.5-6.3 DC OS: This is like having several zoom lenses combined into one. It is also one of the best choices for a single camera lens to take with you while traveling. Available at:Ĭanon EF-S 15-85mm f/3.5-5.6 IS USM: This lens has an equivalent zoom range of 24-136mm in 35mm format, making it a great choice to leave on your camera for everyday photography. Depending on if you want to buy a new or used copy the price range can be lower than lenses made by Canon.īased on glowing customer reviews, people love this lens, it could end up permanently mounted to your Rebel T7. It is an excellent match for the Canon Rebel T7 as the size and weight is similar to other Canon EF-S zoom lenses. With the fast aperture and good zoom range, the lens is suitable for everything from portraits to landscapes. Sigma 17-50mm f/2.8 EX DC OS HSM FLD: With built-in optical image stabilization sharp images can be captured at up to 4 stops lower than compared to lenses without stabilization. If you had to narrow down all the Canon lenses available to only one to use on your camera, this would be one of the best zoom lenses to choose. The built-in image stabilization helps to counteract camera shake and improves photo sharpness. The large maximum aperture is constant through the full zoom range allowing for a shallow depth of field and beautiful background blur. It is a major step up from the standard zoom lens included with the EOS Rebel T7. Best Lens for Macro: Canon EF-S 60mm f/2.8 Macro USMĬanon EF-S 17-55mm f/2.8 IS USM: The quality of this lens is in line with Canon's full-frame L-series, but designed for APS-C sensor cameras that use the EF-S mount.Best Lens for Landscapes: Canon EF 20mm f/2.8 USM.Best Lens for Sports & Wildlife: Tamron SP 150-600mm f/5-6.3 Di VC USD G2.Best Lens for Portraits: Canon EF 85mm f/1.8 USM.Best Lens for Video: Canon EF-S 10-18mm f/4.5-5.6 IS STM.Best Prime Lens: Canon EF 50mm f/1.8 STM.Best Telephoto Zoom: Sigma 18-300mm f/3.5-6.3 DC OS.Best All-Around Zoom: Canon EF-S 17-55mm f/2.8 IS USM.Here is the list of the best Canon Rebel T7 lenses: Keep in mind that the recommended lenses will also work well with other Canon Rebel cameras, which means if you ever decide to upgrade your camera you can still use your lenses. The advantage of EF-S lenses is that they are smaller and lighter than full frame lenses. A EF-S lens is designed to be used on Canon cameras with APS-C sized sensors. Full frame Canon lenses can be used or Canon EF-S lenses. The Canon Rebel T7 uses the Canon EOS lens mount. In addition to the recommended lenses, each section will have other options for higher or lower price ranges. A wide variety of focal-length lenses for different types of photography are covered. Here are the best lenses for the Canon EOS Rebel T7.
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Canon 35mm f2
CANON 35MM F2 UPDATE
CANON 35MM F2 SERIES
But after a while you start to get a sense of how the lens performs in a variety of situations. I realize that there will always be a very wide disparity in the quality of photos because of the skill level of the photographer. But one of the things I do besides reading reviews when I am do ing research before purchasing is to look at pictures taken WITH the lens. I had been eying the 35L as a companion to my other fast primes (most notably the 135mm f/2L), so the potential of a better lens at price hundreds of dollars cheaper was very appealing. But the Sigma is a sexy looking beast, and that sharpness was appealing (not to mention the extra stop of light). I actually owned the EF 35mm f/2 (I am borrowing it back for comparison purposes in this review) and liked it despite its many flaws. As I have already said, I was pumped for the Sigma. So why did I end up buying the Canon to add to my kit?įirst, a word on the Sigma. It launched to minimal fanfare, while the Sigma has been discussed ad nauseum and has almost certainly outsold it by a wide margin. The lens was no different, with a price only $50 less than the Sigma ($849 USD). Canon had recently done a refresh to the 24mm and 28mm f/2.8 primes, and those lenses had been roundly praised for excellent optics and IS, but were considered to have been priced a little high (somewhat of a them e with Canon in the past several years).
CANON 35MM F2 UPDATE
Just shortly after the Sigma, Canon also released a new lens, the Canon EF 35mm f/2 IS USM It was an update to a decades-old tiny prime, the EF 35mm f/2, but the new lens promised a superior optical formula, Image Stabilization, and an upgraded focusing motor. The Sigma was a press darling, and I too felt that it very possibly was the next addition to my kit. It undercuts the Canon EF 35mm f/1.4L USM Lens in price by a significant margin, and the improved sharpness from the Sigma caused even some 35L users to make the switch. The Sigma 35mm f/1.4 DG HSM Lens immediately seduced photographers with its slick, Zeiss-like appearance and excellent sharpness.
CANON 35MM F2 SERIES
Sigma, that’s why! Specifically, the launch of the new Art Series and Sigma’s new “Global Vision”. So as I hold this beautifully made Canon in my hand, why does it seem like once again I am reviewing an underdog? That probably serves me well, as I often review Tamron and Rokinon products, and these are manufacturers that are long time underdogs.
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Nikkormat Nikon EL 35mm SLR Film Camera W/ Tamron Tiffen UV Haze 58mm Lens
CAMERA DEALS: Seller: lightmare101 (99.7% positive feedback)
Location: US
Condition: Used
Price: 74.77 USD
Shipping cost: Free
Buy It Now https://www.ebay.com/itm/285252629566?hash=item426a61b43e%3Ag%3AK58AAOSwpBpkR0LW&mkevt=1&mkcid=1&mkrid=711-53200-19255-0&campid=5338779481&customid=&toolid=10049&utm_source=dlvr.it&utm_medium=tumblr
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$8.95 Only! ~ Tamron 1C2FH Lens Shade AF 28-80mm f/3.5-5.6 Zoom Hood++NICE+Genuine, Camera Lens Hoods, Lens Hoods, C001, Best Lens Cleaning Kit, Rubber Camera Lens Cover, Collapsible Lens Hood, Rubber Lens Hoods for Cameras, Purpose of Camera Lens Hood BUY HERE!
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