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blousecause5 · 2 years

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sockhoe23 · 2 years

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thegoodmexican · 2 years

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#manhattan (nyc)#Mexico City #Architect #mexico

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mengineerus · 5 years

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My interests

A niche interest I have is the in London Underground! Tunnels, stations, most things rail-infrastructure-related, I will be very excited as soon as I hear these topics! Although the system can get on my nerves when it fails (as for most Londoners probably), it is something amazing and underappreciated by most of the population.

For my Year 1 History & Theory of Engineering & Architecture essay, I chose to base my topic on the Jubilee Line Extension and in particular with Westminster station as the exemplary station. Hence why I got very exciting when I found out the site for this year’s DP2 project would be Westminster. From my year 1 research I have gotten quite familiar and fond of the area and I hope I will be able to utilize my already existing knowledge (for instance about the geology of the site) to accelerate my project.

Questions I would ask myself when transferring this interest to my engineering and architectural practice:

Does my building need to be on the ground? Could it be underground? Perhaps only a small part of it could be visible from the street? The main body could be hidden underneath? Does existing underground infrastructure influence the position/size/shape of my proposal? Can this existing infrastructure interact with my building?

Fun fact: I play the pipe organ! Self-taught as well! I began my journey when I was 15 when I was asked to step in to play a mass at my local parish. Ever since, I have been fascinated with this majestic instrument. Year-on-year I have been improving! And I take whatever chance I can get to sit down at an organ console and play some glorious sounds.

In my architecture I could incorporate the importance of sound on the human sense. Could my building proposal produce sounds of its own? Or would it be able to ‘hear’ sounds from a specific place or its exterior? How would I control this sound for internal comfort?

I also am a very keen exhibition-goer! In the last year I visited many exhibitions:

- The Serpentine Pavilion 2018 by Frida Escobedo

- Yayoi Kusama, Victoria Miro Gallery

- Renzo Piano, RA

- The NAWA pavilion by Oscar Zieta in Wroclaw

- The Modern Museum in Wroclaw

- Chiharu Shiota, Blain|Southern London

- Glyptotek, Copenhagen

- David Adjaye, Design Museum London

- Prototyping in Tokyo, Japan House London

- MEng EAD pavilion exhibition 2019

- The Colour Palace, Dulwich Picture Gallery

- Bartlett Summer Show 2019

- Kiss My Genders, Hayward Gallery Southbank Centre

- The Serpentine Pavilion 2019 by Junya Ishigami

- Stanley Kubrick, Design Museum London

- Chihuly: Reflections on nature, Kew Gardens

- Olafur Eliasson: In real life, Tate Modern

- TAKIS, Tate Modern

- Institute of Modern Art, Valencia

- London Design Festival 2019, V&A

I particularly enjoy modern art pieces, especially installations: something which the user can interact with. I am especially impressed with those pieces utilizing lights, mirrors, sound (acting on more than just a single sense).

Questions: How can I make my architecture have meaning, symbolism? Does it have to have meaning/symbolism? Will it intrigue the users/visitors? Will it question something? Will it have a purpose? How can I make it act upon more of the users senses?

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citylifeorg · 2 years

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The Met Announces Architect for Oscar L. Tang and H.M. Agnes Hsu-Tang Wing

The Metropolitan Museum of Art David H. Koch Plaza Night View (Exterior) Photo courtesy of The Met Mexican architect Frida Escobedo has been selected to realize the renovation of The Met’s modern and contemporary galleries, the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing Escobedo will be the first woman to design a wing at The Met Following a comprehensive international search, The…

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#Art #City Life Org #Featured #New York #USA

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isfeed · 2 years

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Met Museum Names a Mexico City Architect to Lead a New Major Project

Frida Escobedo, and not David Chipperfield, will design the Modern and contemporary wing. Source: New York Times

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architectnews · 3 years

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Richard and Dion Neutra VDL Studio

Richard & Dion Neutra VDL Studio, Modern Building LA Photos, Design News, California Property Pictures

Richard and Dion Neutra VDL Studio/residences

Modern House Los Angeles, United States of America – 20th Century US Architecture

September 8, 2021

VDL House Reopening 2021

Neutra VDL Studio and Residence Reopening 2021

Since February 2020, Noam Saragosti – director of the Neutra VDL Studio and Residences – and partner Juhee Park and have been quietly caring, planning, gardening, and teaching student docents remotely. They are thrilled to announce that The Neutra VDL Studio and Residences will safely reopen its doors after a year and a half of closure to the public.

After a long hiatus, the VDL will once again hold public events, cultural exchanges, and architectural tours. Despite this trying year, they have been busy working on new and exciting events and exhibitions.

Student-led Saturday tours will start on September 25th, 2021

The tours must be reserved through the online calendar on our website. Tour groups are limited to 5 guests maximum, and must be scheduled guest-by-guest.

30-minute tours are $15/person for adults, and $10 for seniors/students/faculty. Tours are free for children under 15, press, and Cal Poly Pomona students, faculty and staff.

All proceeds from the tours go towards the maintenance and restoration of the house. You can book your appointments here.

The house’s reopening will coincide with a new exhibition and related programming that we will announce shortly. We invite you to support our preservation and programming efforts at the VDL by making an online donation.

Photos © Elizabeth Carababas

Previously on e-architect:

Oct 25 + 16, 2017

Neutra VDL Studio and Residence Book Presentation

LIGA book presentation at Neutra VDL House

on October 28

“Architecture Exposed” LIGA book presentation

Saturday, October 28th 2017 from 4-6pm

Neutra VDL Research House 2300 Silver Lake Boulevard Los Angeles, CA 90039

The Neutra VDL House invites you to the launch of the second book of LIGA, Space for Architecture, Mexico City. The volume “Architecture Exposed” has the exhibition of architecture as its central theme.

Founding directors Wonne Ickx and Ruth Estevez, will engage in a conversation with architecture critic, historian and curator Sylvia Lavin on curating architecture.

The book reviews the recent exhibitions and interludes organized at LIGA in Mexico City and includes essays by Agnaldo Farias (University of Sao Paolo), Barry Bergdoll (MoMA), Carlos Mínguez Carrasco (Storefront NYC), Daniel Fernández Pascual (Cooking Sections), Florencia Rodriguez (PLOT), Anna Puigjaner + Guillermo López (MAIO), Paola Santoscoy (Museo Experimental El Eco), Rory Hyde (Victoria & Albert Museum), Tina DiCarlo (Princeton University) and Wonne Ickx (LIGA). The book is published by Park Books, and will be internationally available from January 2018.

LIGA, Space for Architecture, is an independent initiative founded in Mexico City in 2011 by Carlos Bedoya, Ruth Estévez, Wonne Ickx, Victor Jaimes and Abel Perles that promotes Latin American contemporary architecture through exhibitions, conferences and workshops. LIGA was created as a curatorial platform in order to stimulate the experimentation in relation to the architectural discipline and its possibilities as a discursive practice, expanding and establishing connections with other disciplines.

Sep 12, 2017

Neutra VDL Studio and Residence Exhibition News

Opening September 23: Tu Casa es mi casa at the VDL House

Tu casa es mi casa

September 23, 2017 through January 17, 2018

Opening: Saturday September 23, 6-9 p.m.

Neutra VDL Research House

2300 Silver Lake Boulevard

Los Angeles, CA 90039

image courtesy of Richard and Dion Neutra VDL Studio/residences

Join the Los Angeles Forum for Architecture and Urban Design, Archivo Diseño y Arquitectura, and the Neutra VDL Studio and Residences for the opening of Tu casa es mi casa, an exhibition that connects two modernist houses in Los Angeles and Mexico City via the exchange of texts, objects, and installations by contemporary writers and architects/artists.

Three California-based writers–Aris Janigian, Katya Tylevich, and David Ulin-were asked to craft a letter to one of the three Mexico City-based design teams–Frida Escobedo, Pedro&Juana, and Tezontle–who responded with site-specific installations at the Neutra VDL House.

If our contemporary political moment offers up a border wall as the primary architectural expression of connection between the U.S. and Mexico, Tu casa es mi casa suggests a more porous boundary between the two countries. The title, a riff on the welcoming “my house is your house”, offers the inverted “your house is my house”–an expression of the personal and political stakes of this transposition.

Architects: Frida Escobedo, Pedro&Juana, Tezontle

Writers: Aris Janigian, Katya Tylevich, David Ulin

Photographer: Adam Wiseman

Curated by Mario Ballesteros, Andrea Dietz, Sarah Lorenzen, Mimi Zeiger

Organizational collaborators: Los Angeles Forum for Architecture and Urban Design, Archivo Diseno y Arquitectura, and the Neutra VDL Studio and Residences. The Neutra VDL Studio and Residences is preserved and managed by the College of Environmental Design (ENV) at Cal Poly Pomona.

Tu casa es mi casa is supported by the Graham Foundation for Advanced Studies in the Fine Arts, the Los Angeles Department of Cultural Affairs, Cal Poly Pomona Foundation, Crosby Doe Associates / Architecture for Sale Magazine, Bestor Architecture, Michael Maltzan Architects, NAC Architecture, TEN Arquitectos with additional support from Aesop, Angel City Brewery, Bar Keeper and Mezcal Unión, Triview Glass Industries LLC, Cal Poly Pomona Department of Architecture (CPP ARC), Sci-Arc, USC School of Architecture, and Woodbury University School of Architecture.

PUBLIC EVENTS

Time and locations to be confirmed.

Wednesday, September 20

Lecture: Frida Escobedo

USC School of Architecture

https://arch.usc.edu/calendar/lecture-frida-escobedo

Friday, September 22

Roundtable panel discussion with the artists, writers, and curators

SCI-Arc

https://sciarc.edu/events/

Saturday, September 23

Opening 6-9 p.m

Neutra VDL Research House

http://neutra-vdl.org/site/tucasamicasa_01.asp?911201715367

Monday, September 25

Lecture: Ana Paula Ruiz Galindo and Mecky Reuss, Pedro&Juana

College of Environmental Design at Cal Poly Pomona

https://www.cpp.edu/env/

For more information on the exhibition visit Tu casa es mi casa at VDL

Apr 11, 2017

Neutra VDL Studio and Residence Event

homeLA and ENTER>text present One House Twice at the Neutra VDL House

homeLA and ENTER>text present One House Twice at the Neutra VDL Studio and Residences (VDL) Saturday, May 6th, 2017 shows: 4:00pm, 6:00pm, 8:00pm

ENTER>text and homeLA are pleased to announce a collaboration with the Neutra VDL Studio and Residences (VDL Research House) culminating in an immersive performance event on Saturday, May 6th, 2017. Dance, literary, performance, installation and sound artists are currently developing new works in response to this distinctive architecture and National Historic Landmark.

Neutra VDL House The Neutra Studio and Residences (VDL Research House) is associated with Richard Neutra, a nationally and internationally seminal figure of the twentieth century Modern movement in architecture. During the 1940s, as Neutra’s work evolved, he also became the well-recognized founder of mid-century “California Modern” architecture. The VDL Research House is the only property where one can see the progression of his style over a period of years and is among the key properties to understanding the national significance of Richard Neutra. This year the Neutra VDL Studio and Residences was named a National Historic Landmark.

homeLA provides a platform to independent dance, body-based, sound, and intermedia artists at various stages of their careers to develop new works and one-of-a-kind performances in response to the architecture and ethos of Los Angeles homes.

ENTER>text is a living literary journal, an immersive series of events where the audience is activated to seek out their own unique encounters with writers. Enter> text is directed by Henry Hoke and Marco Franco Di Domenico

Artists: Bernard Brown // Rebecca Bruno // Marco Franco DiDomenico // Morgan Green // Henry Hoke // Ashaki M. Jackson // Douglas Kearney // Mak Kern with Mona Tavakoli and Cary Gallagher// Emily Marchand // Emily Meister // Wendy C. Ortiz // Andrew Pearson // Priyanka Ram // Erin Schneider // Wilfried Souly // Emerson Whitney

For more information visit homeLA’s website. Spaces limited, ticketed only

Neutra VDL House, 2300 Silver Lake Blvd, Los Angeles, CA 90039

Website: One House Twice at the Neutra VDL House

Dec 18, 2016

Neutra VDL Studio and Residence News

Installation & Exhibition at the Richard and Dion Neutra VDL Studio/residences

There are a number of art installations taking place in 2017:

• From the end of January 2017 until April artists Les Frères Chapuisat will have a wood art installation up in the courtyard of the Neutra VDL House.

• From mid September 2017 until mid March 2018 the Neutra VDL House will be hosting the exhibition Tu casa es mi casa funded by the Graham Foundation.

The Neutra VDL Studio and Residence was donated to the Cal Poly Pomona Foundation in 1990 (a non-profit organization classified as a tax-exempt organization pursuant to Section 501(c)(3) of the Internal Revenue Code) and is under the stewardship of the College of Environmental Design (ENV) at Cal Poly Pomona. The primary mission of the College with respect to VDL is: to use the house as an educational resource for ENV students and faculty, to preserve and maintain the property, and to host cultural and artistic programs that strengthen the facility’s mission as a community resource.

TOURS: The Neutra VDL House is open for tours by Cal Poly Pomona architecture students on most Saturday from 11am-3pm. For more info on the Saturday tours, cultural programs and exhibitions visit Neutra VDL Studio and Residences.

Aug 15, 2009

Richard and Dion Neutra VDL Studio

Significance and Survival of Richard and Dion Neutra VDL Studio/residences

On November 20 2009 Richard Neutra’s youngest son Dr Raymond Richard Neutra will be talking at SciArc in Los Angeles about the Significance and Survival of the Richard and Dion Neutra VDL Studio/Residences compound in the Silver Lake district of Los Angeles. This live/work space was built in three phases.

View from VDL II toward the 1939 “Garden Wing”:

View of west elevation of VDLII:

The first designed by Richard Neutra in 1932 accommodated two households and Neutra’s office. It was named after Dutch industrialist van der Leeuw who loaned Neutra the money to build it (hence “VDL”) The second phase was designed by Richard Neutra in 1939 and accommodated another household. In 1963 a fire destroyed the upper floors of the first phase, and Richard Neutra with his son and partner Dion Neutra designed a replacement for that wing (VDLII) on the original prebricated prestressed concrete basement floor which was preserved to house an apprentices room and dark room.

The compound was built on a 60 x 70 foot lot and addressed a number of design questions that are still relevant today: How can we create a beautiful live/work space for multiple households on a small footprint? How can we design landscape so that it beings nature with its sights sounds and smells into this kind of urban dwelling? How can we use new sustainable industrial materials in a beautiful way? How can the social and biological sciences inform our design?

Dr Neutra, Professor Lorenzen (resident direct of VDL) Leo Marmol and Chris Shanley in front of the compound with its sun louvers:

View from patio toward VDLII:

Since 2007 Cal Poly Pomona College of Environmental Design (owners of the compound), helped by the Friends of the VDL Research site has established an active web site ( www.neutra-vdl.org) explaining the significance of the compound, presenting plans and images and a video oral history of the place. A DVD on the compound has also been produced. A distinguished honorary committee with such distinguished architects as Tadao Ando, Richard Meier, Renzo Piano and IM Pei among others have indicated their regard for this historic compound. Architects Marmol and Radziner are working with Dion Neutra and the faculty at Cal Poly to repair the leaking roofs.

The college has started student-led drop-in tours for $10.00 every Saturday from 11am to 3:00 pm.

Julius Shulman signing digital archival prints of his portrait of Richard Neutra:

More that $60,000 has been raised and the distinguished architectural photographer, Julius Shulman before his recent death signed and numbered thirty five digital archival prints that he took of Neutra on the roof of the compound. Those who give leadership level gifts to the roof campaign can receive one of these prints in appreciation. (see www.neutra-vdl.org for information)

Illustrations: all by Raymond Richard Neutra

Careful fenestration of the living room blocks neighbor roofs and emphasizes trees and mountains:

Ripples from Reflection pool on second floor patio reflect light into the interior:

Frosted glass in Garden Wing Living room let’s in light but blocks view of neighbor:

Website: www.neutra-vdl.org

Location: Silver Lake, Los Angeles, Southern California, United States of America

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captainignatiuspigheart · 4 years

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Last week was very short as I managed to squeeze two days off into it. These have largely been spent outside in my garden office sorting and tidying LEGO. It’s very time consuming and satisfying, but does leave me slightly wondering where the time has gone. With a very warm and sunny Friday and Saturday I moved my watching of Agents of SHIELD outside along with dismantling and washing the LEGO Detective’s Office set. It’s a lovely little thing, but it had become very grubby. I’m now trying to rebuild it with a tray overflowing with parts. Inevitably, it’s becoming a quicker process the more of it I’ve built. Feels kinda exponential, as if by the end it will be assembling itself… Marilyn and I have also finally begun a shared build, the LEGO Brick Bank, which has been languishing on my “to be built” shelf for some years now… It’s pretty ace, and is a fine accompaniment to season two of Elementary.

A busy day…

Brick Bank ground floor

In dismantling the Detective’s Office, I re-remembered that I’d built a little half-modular some years ago, but they’ve been joined together for so long I’d somewhat forgotten that it wasn’t part of the set. I snapped a few pics from it before I dismantled it, for posterity, or whatever. The concept was a coffee shop on the ground floor and a bottle shop above. I’d do almost all of it differently now, of course, but I think it did look pretty good. I was very happy to use the Indiana Jones poster tiles to good effect!

On the right is an impostor

Never finished the roof…

Good banister though

Indy!

Booze

Coffee shop action

Alcove!

We’ve started to enjoy strolling around Beeston late at night. I adore the peace and quiet (I’ve been watching bats in our garden!) and I’m in urgent need of more exercise. I’m looking at you, beer… We’ve met up with a couple of our pussy cats pals too, which has been especially lovely. Given the utter clusterfuck of Bojo’s latest update on the UK’s progress with coronavirus, I suspect I’ll be working from home, getting fat, and taking late night walks for some weeks yet.

Hopper’s Beeston

Foxy Loxy

Despite the week’s brevity, I seem to have taken part in two podcast recordings and read some books! Victory all round.

Watching: Agents of S.H.I.E.L.D season 3

Fuck me, I love this show more and more. We’re finally getting into the stuff I remember a little better. It’s getting so hard to summarise… I guess this season is properly focused on the fallout of the Inhuman explosion and on the truly epic and dark history of Hydra! First we have to recover Agent Simmons from the creepy monolith that whisked her away from Fitz’s arms at the end of season two. Turns out its part of an ancient Hydra tradition, who’ve been feeding the terrifying alien entity within on fresh young Hydra enthusiasts for centuries. Their ultimate aim is to unleash the monster on the world! The team do manage to rescue Simmons, but doing so reveals to Hydra that the doorway can indeed be bridged. There are some pretty tense moments, and Daisy/Skye gets to assemble her own team of Secret Warriors, comprised of some of the Inhumans now emerging. The first half of the season focuses on Hydra getting into the alien planet, with former agent Ward becoming the host of the Inhuman ancestor. That’s bad news for everyone… and gives us the second half, in which Ward sets about subsuming other Inhumans and advancing a plan to dominate the whole world. Bad guys with big plans! Mostly though, my heart continues to beat for FitzSimmons, and for Coulson and Agent Mae. Honestly, it’s hard to make any sense of this season if you haven’t seen the previous two, but if you have it really is a gift: long form deepening of relationships, expanding on the major MCU story threads from Civil War, and getting into the backstory of Hydra to a massive extent.

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Doing: The Improv Boost “Happiness” podcast

All round lovely fella, David Escobedo, one of our It’s A Trap: The Improvised Star Wars Show cast members, and rabid user of social media for promoting improv in all its forms, invited me to join him and a few friends for a very short podcast talking about things we feel passionate about. The challenge was to narrow it down to a specific thing to expostulate on for eight minutes. LEGO would be too broad, as would Star Wars, so it sent me down a little rabbit hole of figuring out what I do especially enjoy, rather than the general everything of science fiction and stuff. One of my gateways into SF, or at least one that has cast a lengthy shadow, is the work of the great John Wyndham. Picking The Day of the Triffids was an easy next step. That’s why I read both the abridged US edition then the UK/Penguin edition in a week. The latter is about 10% longer, and just has a little more depth. It’s startlingly apt for our current situation, and I’d recommend it for anyone who finds reassurance in someone else’s words managing to neatly sum up existential and ethical crises. Also, triffids are ace, and plainly the ancestor of all zombie fiction.

Alas, whatever software David was using to stream Zoom into Facebook fucked us over and we lost the last five minutes. Which means you get all of Jac’s enthusing about calculus (whatever the hell that is… :-} ) but lose Vanessa’s final thoughts on our topics which neatly wedded our themes together. Essentially (I think) we’re both talking about aspects of community and how people deal with the situations they find themselves in. Enjoy!

Reading: The Chrysalids by John Wyndham

Having cheerfully chugged down a double dose of The Day of the Triffids I moved straight on to what’s generally regarded as his “best” novel. It’s not my most favourite, but it’s quite a read. Far future post-apocalypse, humanity is struggling to rebuild itself after what appears to be nuclear catastrophe with radioactive fallout causing widespread genetic mutation. As a result, a renewed fervour for purity and the importance of the human (and all other creatures and crops) matching the design laid down by God / government. The consequences of deviation from the norm are severe: death, destruction, banishment to the badlands. None of it’s very appealing.

Our viewpoint is David, a perfectly normal boy: somewhat lazy, chafing a little under the religious intensity of his father and the demands of being in a small farming community in the newly reclaimed lands of Labrador. Only… he’s telepathic, and that makes him a very serious deviation indeed. In the novel we find a lot more of the social awareness and interest in community and individualism that Wyndham show’s in all of his work, and it’s very thought-provoking while being beguiling easy reading. It’s quite a neat trick to cover abominations and socially-mandated murder with such a breezy and familiar writing style. Ultimately, of course, David and his friends have to go on the run from their peers and family. When his younger sister, Petra, who turns out to be an incredibly powerful telepath makes contact with someone in “Zealand”, the whole of David’s world (and ours, since he’s our only view of it) is turned upside down. Moments of bleakness and fear fight with equally delightful epiphanies and hope for true acceptance. It’s great! Read it!

Doing: We Are What We Overcome podcast Special Episode #3 Self Care

Our fortnightly Facebook Live podcast recordings continue to catch me unawares! Mondays are not a good evening for me to have my brain in gear, but I’m trying. Last week we talked about self-care some more. It’s really important to look after yourself at the moment. Divorced of much meaningful in-person human contact, I think we’re all fraying away at the edges. We talked about some of the things that frustrate the act of self-care, and some of the tools we use to keep ourselves as sorted as we can be.

Doing: MissImp’s Virtual Improv Drop-In: Duncan Carty – Artist’s Eye for the Improv Guy

This week we got a really special and different take on improvisation and creativity from our Duncan Carty, combining artistic expression, y’know, like drawing, with how we take inspiration for our scenes and performances. It’s a very good workshop, and I implore you to get out your crayons and walls and go at it. Phew, that’s the eighth improv workshop Emily has wrangled onto our website, and it looks we’re gonna be providing them for the foreseeable future. Enjoy!

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Last Week: Sunday 10 May 2020: lots more LEGO, John Wyndham, two podcasts and general bumbling around… podcast fun with We Are What We Overcome and @improvboost talking about Day of the Triffids! #tv #podcast #improv #books https://wp.me/pbprdx-8Ed Last week was very short as I managed to squeeze two days off into it. These have largely been spent outside in my garden office sorting and tidying LEGO.

#Agents of SHIELD #art and thought #Beeston #David Escobedo #Duncan Carty #John Wyndham tribute #keeping it together with COVID #MissImp: Improv Comedy Theatre Nottingham #The Chrysalids #The Day of The Triffids #The Improv Boost #TV review #virtual improv #We Are What We Overcome

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trapangeles · 5 years

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Drake - Money In The Grave ft. Rick Ross (Music Video)

Official music video by Drake performing “Money In The Grave” ft. Rick Ross – Stream/Download the song here: https://Drake.lnk.to/TBITWPYD

►Subscribe to Drake on YouTube: https://Drake.lnk.to/SubscribeYD

►Exclusive Merch: https://us.octobersveryown.com/

►Follow Drake Online Instagram: https://www.instagram.com/champagnepapi Facebook: https://www.facebook.com/Drake/ Twitter: https://twitter.com/drake Website: https://drakeofficial.com/

Director: Theo Skudra Producers: Jason Aita,. Sarah Park Executive Producers: Christian Tyler, Matthew Budman Production Manager: Jacqueline de Niverville Production Company: Nice & Juicy Creative

Grooming: Luisa Duran Styling: Mellany Sanchez

TORONTO TEAM DOP: Evan Ciniello 1st AD: Chris Simon 1st AC A-CAM: Matthew Veen 2nd AC: Adrian Muir 1st AC B-CAM: Veronique Dagenais 2nd AC B-CAM/Loader: Mack Calistan Gaffer: Alex Poutiainen Best Boy Electric: Cheska Appave 3rd Electric: Alastair Sinclair Package Truck Driver: Tom Rightmyer Key Grip: Brad Spencer Best Boy Grip: Greg Paraskov 3rd Grip: Matt Lavigne Swing: Matt Witty Production Assistant: Nicolas Houghton, Cameron Frengopoulos, Corey McGillivray, Aja Jones, Zach Litzgus

OVOFEST TEAM DOP: Ian MacMillan Camera Operator: Kieran Crilly, Martin Wojtunik Steadi Cam Operator: Ali Khurshid Super 8 Camera Operator: Liam Higgins, Kit Weyman 1st AC: Nick Petrie 2nd AC: Kenny McLaughlin, Calvin D’Souza, Adrian Muir, Aaron Alte, Aiden Carter Film Loader: Robert Murdoch, Janelle Body, Felipe Lopez Runners: Luke Nairn, Kat Zoumboulakis Production Assistant: Emily Jacklin, Danny Brown

LOS ANGELES TEAM Production Company (Los Angeles): Cineaste Films Executive Producer: Taylor Vandegrift UPM's: Andreas Attai, Wes Shade Coordinators: Jessica Lesley, Justin Kappenstein Assistant Director: EV Salomon DP's: Cole Graham & Sing Howe Yam AC's: Ivan Acero, Matthew Borek, Nina Portillo, Lenny Walsh 2AC's: Ambar Capoor, Travis Francis, Colleen Marshall, Cindy Phan Loader's: Natalie Abraham, Marco Escobedo Operator: Ari Robbins Production Designer: Drew Cookson Leadman: Clayton Beisner Gaffer's: Will Elder, Jay Harmon BBE's: Gordon Hale, Vi Han, Mahmoud Tahamtan Electric's: Jared Berman, Maxwell Ciesynski, Keith Fickenwirth, Isaac Han, Kevin Kim, David Nakamura, Mike Swiatek Balloon Tech: Erik Arendt Electric Driver: Andy Grishikian Key Grip's: Tyler Johnson-Williams, Marlow Nunez BB Grip's: Stuart Lock, Daniel Poole Grip's: Justin Bernard, Patrick Blake, Boyd Evans, Han Whitesides Grip Driver’s: Erik Covarrubias, Chris Rauch Location Scout’s: John Henderson, Matthew Stevens, Christina Valverde Site Rep’s: Ellen Gaule, Nancy Snowden Moho Drivers: Brandon Bodecki, John Dunbar, William Jackson Picture Car Detailer - Edwin McWhinnie Catering: Silver Grill Location Catering Craft Service: Adam Lopez Production Assistants: Misty Carbajal, Moises Carranza, Dreanna Castellanos, Darius Gardner, Shane Farragher, Evan Foster, Jonathan January, Miguel Jaramillo, Emiliano Lopez, Janae Marable, Ken Pricher, Alex Shoneck, Lee Smith, Kerry Stitt, Steve Thomas, Ricky Yearwood

POST PRODUCTION

Editor: Noah Kendal Assistant Editors: Evan Whitfield-Smith, Ashton Lewis

Color Services Provided By: Color Collective Colorist: Alex Bickel Producer: Claudia Guevara Color Assistant: Alex Jimenez

Sound Design & Mix By: Sim International - Post Sound Sound Designer: Paul Germann Sound Designer: Brennan Mercer Re-Recording Mixer: Graham Rogers Mix Operator: Will Stephens

Film Processed at FotoKem Los Angeles Senior Dailies Producer: Mary Chamberlain

Special Thanks Anthony Gonzales, Steve Kidd, Kit Weyman, RT, Shamier Anderson, Norman Wong, Kodak

Official “Money In The Grave” ft. Rick Ross Lyrics

Yeah, okay Lil CC on the beat, mmm Yeah, yeah

I mean, where the fuck should I really even start? I got hoes that I'm keepin' in the dark I got my niggas 'cross the street livin' large Thinkin' back to the fact that they dead Thought my raps wasn't facts 'til they sat with the bars I got two phones, one need a charge Yeah, they twins, I could tell they ass apart I got big packs comin' on the way I got big stacks comin' out the safe I got Lil Max with me, he the wave It's a big gap between us in the game In the next life, I'm tryna stay paid When I die, put my money in the grave

When I die, put my money in the grave I really gotta put a couple niggas in they place Really just lapped every nigga in the race I really might tat "Realest Nigga" on my face Lil CC let it slap with the bass I used to save hoes with a mask and a cape Now I'm like, "Nah, love, I'm good, go away" Ain't about to die with no money, I done gave it

I was on top when that shit meant a lot Still on top like I'm scared of the drop Still on top and these niggas wanna swap Niggas wanna swap like it's Slauson or Watts I don't wanna change 'cause I'm good where I'm at Mob ties, so I'm always good where I'm at Word to Junior, Jazzy, Baby J Tell 'em when I die, put my money in the grave

Couple figures...

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#Drake #Rick Ross #Money In The Grave #Rap

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calochortus · 1 month

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Authentic Glamour by Dolldom Photography Via Flickr: with @daeoriginals D.A.E Originals' new collection for Vivian the Miniquin.

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juliandmouton30 · 6 years

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Frida Escobedo designs secluded courtyard for Serpentine Pavilion 2018

Mexican architect Frida Escobedo has been named as the designer of this year's Serpentine Pavilion, which is to feature a latticed enclosure surrounding a pool of water.

Escobedo is the 18th architect to design the Serpentine Pavilion, the prestigious annual commission from the Serpentine Galleries in London.

The architect, who was born in 1979 and set up her Mexico City-based practice in 2006, will be the youngest Serpentine Pavilion architect yet and the first solo woman to take on the project since the inaugural commission by the late Zaha Hadid, in 2000.

Her design is for a courtyard enclosed by dark latticed walls, made from cement tiles. It is intended as a play on the celosia – a typical feature in Mexican architecture that allows breeze to permeate a building.

The perforations will allow views into and out of the pavilion, while the mirrored underside of a curving canopy overhead will reflect the building and a pool beneath.

Frida Escobedo will be the youngest Serpentine Pavilion architect yet and the first solo woman to take on the project since Zaha Hadid in 2000

"My design for the Serpentine Pavilion 2018 is a meeting of material and historical inspirations inseparable from the city of London itself and an idea which has been central to our practice from the beginning: the expression of time in architecture through inventive use of everyday materials and simple forms," said Frida Escobedo.

"For the Serpentine Pavilion, we have added the materials of light and shadow, reflection and refraction, turning the building into a timepiece that charts the passage of the day."

The pavilion will comprise two rectilinear blocks set at an angle to reference the Prime Meridian – a line of longitude at London's Royal Observatory in Greenwich.

"With this bold interior, Frida draws history into the present and redefines the meaning of public space," said Serpentine Galleries director Hans Ulrich Obrist and chief executive Yana Peel.

The pavilion will be open to the public from 15 June to 7 October 2018 in London's Kensington Gardens. It will host a cafe, as well as a programme of art, architecture, music, film and dance events.

Escobedo's design is for a courtyard enclosed by dark latticed walls, made from cement tiles – a play on the Mexican celosia

Escobedo's varied oeuvre includes the conversion of the former home and studio of painter David Alfaro Siqueiros into a public gallery in Mexican city of Cuernavaca. She has also created interiors for two Aesop stores in Florida and an Aztec-inspired installation in the V&A in London.

The announcement follows the news that the Serpentine Pavilion for 2017, by Diébédo Francis Kéré, will find a new permanent home at a Malaysian gallery, following an extended run in London.

The Serpentine Galleries also recently announced its first Serpentine Pavilion commission outside the UK, a structured designed Chinese studio Jiakun Architects that will open in Beijing in May 2018.

Renderings are by Atmósfera.

First foreign Serpentine Pavilion will be built in China this year

The post Frida Escobedo designs secluded courtyard for Serpentine Pavilion 2018 appeared first on Dezeen.

from ifttt-furniture https://www.dezeen.com/2018/02/08/frida-escobedo-serpentine-pavilion-2018-latticed-courtyard-london/

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architectnews · 3 years

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Counterspace combines abstracted fragments of London for carbon-negative Serpentine Pavilion

South African studio Counterspace led by architect Sumayya Vally has unveiled a pink and grey structure built from elements informed by buildings in London as this year's Serpentine Pavilion.

The coronavirus-delayed structure designed by Vally was designed to reference informal meeting spaces in areas of London that have large migrant populations.

"My practice, and this pavilion, is centred around amplifying and collaborating with multiple and diverse voices from many different histories; with an interest in themes of identity, community, belonging and gathering," said Vally.

This year's Serpentine Pavilion was designed by Sumayya Vally of Counterspace

Counterspace's pavilion is the 20th temporary structure to be built in Kensington Gardens near the Serpentine Gallery as part of the annual programme.

Vally, who was recently named one of Time magazine's 100 leaders of the future, is the youngest architect to receive the prestigious commission.

Dezeen has published an exclusive video interview with Vally about the pavilion and has partnered with the Serpentine Gallery to live stream a conversation between her and Serpentine Galleries artistic director Hans Ulrich Obrist at 1:00pm London time on 9 June.

The pavilion was designed as a place of gathering

To create the pavilion, Vally spent four months in London investigating spaces of gathering that were significant to migrant communities.

These include the Fazl Mosque and East London Mosque, which were some of the first mosques built in the city, the Centerprise cooperative bookshops in Hackney, The Four Aces Club on Dalston Lane and The Mangrove Caribbean restaurant in Notting Hill.

Abstracted elements of each of these buildings and many structures that have been demolished were combined to form the pavilion's columns and inbuilt furniture.

The pavilion's forms are abstractions of buildings in London

The resulting pink and grey structure was built from a steel frame wrapped in plywood timber that was CNC-cut to give the building's intricate reliefs.

These boards were largely covered with pink and grey micro-cement sealed with water-based resin, with several black-stained cork panels positioned on the exterior of the pavilion.

Walls are finished with grey and pink micro cement and cork panels

Vally and the organisers aimed to create a pavilion that had a minimal carbon impact. Like all of the previous pavilions, it will be fully dismantled at the end of the summer, when it will be relocated and re-erected by its new owners, spa operator Therme Group.

Consultant AECOM produced a carbon report that takes into account the construction of the building along with its dismantling and transportation of the structure at the end of the summer that concluded the pavilion is a carbon-negative structure.

Inbuilt seating in the pavilion also has forms based on abstractions of London buildings

"When we started 18 months ago, our aim was to do everything to minimise the carbon impact," explained David Glover, technical advisor for the Serpentine Pavilion.

"If you had asked me at the time if we could build a zero-carbon temporary building that needs to be dismantled, removed and rebuilt I would have said it wouldn't be possible – so I always said it would have the 'lowest possible carbon'," he continued.

"But in the end, we built a carbon-negative structure."

The space will be used for events throughout the summer

The temporary building achieved this primarily by making use of steel that had already been used several times by contractor Stage One.

However, the temporary pavilion sits on an 85-square-metre concrete foundation slab that drew criticism when it was poured earlier this year.

According to Glover this slab, which has an average depth of 250 millimetres and was built from low-impact concrete, was necessary due to the height of the pavilion.

After the pavilion is dismantled the slab will be broken up and crushed and reused locally – something that was taken into account in the carbon report.

At the end of the summer, the pavilion will be dismantled

Along with the main pavilion in central London, four fragments of the building have been constructed across the city to extend the reach of the project.

They have been built at New Beacon Books in Finsbury Park, The Tabernacle in Notting Hill; The Albany arts centre in Deptford and Valence Library in Barking and Dagenham.

Elements of the pavilion have been built in four satellite locations across London. Photo is by George Darrell

"The past year has drawn these themes sharply into focus and has allowed me the space to reflect on the incredible generosity of the communities that have been integral to this pavilion," Vally said.

"This has given rise to several initiatives that extend the duration, scale and reach of the pavilion beyond its physical lifespan. In a time of isolation, these initiatives have deepened the pavilion’s intents toward sustained collaboration, and I am excited to continue this engagement with the Serpentine's civic and education teams and our partners over the summer and beyond."

A black section of the pavilion has been installed at the Albany Centre. Photo is by George Darrell

Founded in 2005, Johannesburg-based collaborative architectural studio is directed by Vally. She is the latest architect to design the Serpentine Pavilion since Zaha Hadid created the first in the series in 2005.

Since then, pavilions have been built by numerous architects including Frida Escobedo, Bjarke Ingels and Sou Fujimoto. 2019's pavilion was designed by Junya Ishigami as a "hill made out of rocks". Next year's pavilion is set to be designed by American artist Theaster Gates.

Photography is by Iwan Baan.

The Serpentine Pavilion 2021 is open to the public in London from 11 June to 17 October 2021. Dezeen is live-streaming a talk with architect Sumayya Vally about the pavilion at 1:00pm London time on 9 June 2021. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

The post Counterspace combines abstracted fragments of London for carbon-negative Serpentine Pavilion appeared first on Dezeen.

#Architecture – Dezeen