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#don't think too much about the birth year i gave him i just made smth up
onenightbreak · 2 years
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hey so:
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so depending on when you think pla takes place:
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hello! so i've read all of your dad!daemon fics in one night and 1) your works are SO beautiful I cried so many times! feel all of it! 2) since daemon has/had have neglectful tendencies and in the part 1 on hcs for having children you mentioned rhaegon and alyssa being more of daddy's children i've got an idea. (not totally your au i guess but whatever) daemon's wife has always been worried about being bad mother (mb since not having good relationships with her own). when she gave birth to the first son she had some kind of postpartum depression (not really but). she cried a lot and felt tired and even envy of daemon being her child's fav parent (seeing herself as not enough). that made her even more emotionally distant but she tried her best to support her son and to not let him see her inner conflict. however, her husband was able to comfort her! and a couple of years was full of pure joy to have a little lovely family.
but then the second child came. a daughter. this was even harder bc this child is female and all the concerns doubled up. daemon's pure adoration of her was no help. although mom!reader had already felt twice as bad as a parent and twice as not loved by the children, she started to feel neglected by her own husband. lots of cries, silent moments and even alcohol (actually i can imagine daemon's wife standing by the window looking at rhaegon running after his father who's holding alyssa and laughing, looking awfully tired, sad, with the bags under her eyes and a goblet of wine in her hand). probably, daemon needs to comfort her again (can see her also not talking to him as much as before). or she finds her peace only when maegon is born. or rhaegon sees it and has to make his father (who's occupied with the daughter) see it too. there's obviously a happy ending but i was too focused on the emotions and daemon x reader dynamic. it'd be great if you liked it and maybe write smth bc your works are like- my pure love and respect. but pls don't feel pressed! no intention to make you feel uncomfortable! sorry if it's too much. i just achingly like this idea. thanks for listening(?), though. have a nice day/morning/night! take care!
hello my love!! how are you doing? first, omg thank you for binge reading my stories 🥹 💖
i can totally see the vision. poor mom!reader has been through so much, postpartum depression would make sense. you totally got me at the alcohol part, it's so cersei of her to cry with wine on her hand.
i think maegon's birth comforting her is the perfect thing, like she bonded with him instantly just like daemon and alyssa did.
the daemon x reader dynamic is very interesting, bc when one person is depressed in a relationship i like to call it a crisis. like, daemon is not very good with feelings and it takes him a while to realize there is something wrong.
i could write that, i'm in my angst era and i'm loving it. thank so much for your amazing idea.
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wickedpact · 3 years
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A ranking of all the TTT stories in order of how much I liked them.
(Oh god this is so long)
1 My Mother's Axe
BABY ANDYYYYYYYYYYYY. Honestly this one had the trifecta of developing a character's motivations, developing a character's backstory, & developing their personality. The story starting out with Andy teaching Nile to use the axe was so charming and fun, and you could feel that chemistry they had in Opening Fire, the way they teased and bickered with each other so naturally. I loved the wedge between them on the subject of the axe, how Nile was perhaps a little too young to understand Andy's feelings about whether or not its the 'same' axe. I also love how the axe is obviously the symbol of the franchise and hugely important, but you never get a sense of exactly how important it is to Andy until you read the story.
I love the entire Ship of Theseus theme, and how it feels so natural that for Andy she has to get attached to the idea of things rather than the things themselves because she'll always outlive the things themselves-- the axe is symbolically her mom's axe, even if physically it isn't. And I love how she clearly clings to that concept so tightly. "This is the labrys she held in her hands...." IT GETS ME.
And the fact that this sense of BELONGING, of FAMILY, of CULTURE is so important to Andy that she clings to it (figuratively and literally) with both hands. And of course it's important to her, she spent so long alone that the woman doesn't even remember her birth name. That axe (or the idea of that axe) is all she has left of her mother and that family/culture she was born into.
PLUS on that note I love how Andy doesn't remember if her mom was her actual biological mother, but it doesn't matter to her. This woman was her mother in all the ways that counted. And how her mom BETRAYED AND KILLED Andy but Andy loved her so much that she avenged her and carried her axe for thousands of years. THOUSANDS OF YEARS!!!!!!
I also loved how the story transcends the timeline of the whole franchise and seeing Andy through the years. Loved seeing her with the varying squads and with varying axes. Also baby Andy was so cute. It was cool seeing her so young. like holy fuck. Andromache The Scythian, Immortal Warrior (but smol). Love that.
Also I think this one is one of the few ttt stories that doesn't suffer from length problems.
tldr: goddammit greg you've done it again.
2 Zanzibar and Other Harbors
Zanzibar my beloved. I've said before, but it's downright comedic how little regard there was for Joe and Nicky's character designs in this story. The same person who does the colors for the regular comic did the colors for this one too, and you can tell, every panel of this story was Beautiful.
Ik there was A Lot of criticism of this one (lmao @ how the fandom had no idea what was to come) but I thought a lot of The Discourse was a bit dramatic. I did think Nicky came off as a little oblivious to Joe's feelings in this story, but I've said before, I honestly think that was a 'tone not translating' thing. It felt like Nicky was nagging Joe for [checks notes] saving innocent people, but Joe was so amused by Nicky's complaints I really do think it was supposed to come off as teasing.
Plus I know the 'Joe running off into danger and Nicky reluctantly following' dynamic wasn't popular (I'm a pretty meh on it meself) but I did love how Joe's impulsiveness (if you want to call it that) was interpreted as heroism and not hot-hotheadedness. All of the examples Nicky and Joe talked about included Joe explicitly saving people. (and it also took A Lot for the nazi to actually provoke Joe).
I also feel like their characterization here was closest to the movie canon-- the bit where they hear the woman scream and Joe goes running in to save her while Nicky swoops in on Joe's heels to comfort her while Joe and the nazi were fighting reminds me of the train car scene. Joe had suggested First that they go find Nile because she needed to be protected, and Nicky later added that Nile probably also needed emotional support. Similar reactions.
But it was So Good, the themes of queer community and the enduring nature of queer culture are Not themes you see in media that often and it was such a delight how it was done. Also it's one of the few more modern TTT stories that has a completely valid excuse for taking place when it did. Chef's kiss.
3 Passchendaele
I love the Duality between seeing baby Andy and then seeing Mama Andy in the very next issue. This story doesn't have a ton of meat to it, but the entire concept of Andy adopting a war orphan straight off the battlefield PLUCKS MY TENDER LITTLE HEARTSTRINGS, and I think it's especially poignant for comic!Andy. I think most people wouldn't think twice about movie!Andy doing something like that but comic Andy is so hardened and almost cruel sometimes, and seeing that even for her the world hasn't beaten all of the compassion from her yet is SO!!!!!!! this woman contains MULTITUDES okay, she's violent and angry and tired and Done but she's also so kind and compassionate and THE STRENGTH OF HER!!!!! Also the idea of her and Yitzhak co-raising a kid together is so damn cute. It was #mysterious pre-Yitzhak-story but now it's cute. holy fuck. It's cute.
& the headbonk panel of her and Zeus lives in my heart. anyways.
4 Many Happy Returns
I Know people weren't thrilled about Booker being in this one, but I've developed a pet-peeve about that: this story was *not* booker-centric. Booker only exists in this story to the extent required to explain the importance of the gesture Nile makes towards him. If there was a story about Booker making some grand gesture of kindness to Nile no one would be saying it was Nile-centric. bc it wouldn't be! Booker exists in this story to explore Nile's kindness, its not about him. I saw that a couple times and it bothered me. anyways.
AAAAAAAAAA I loved this one, the art was beautiful, I loved how Andy Nile and Booker were drawn (like their comic selves but.. more looking like actual people). I loved Andy and Nile's Bants, how Andy wanted to jump right in and Do Violence but Nile was basically telling her to hold her horses.
I feel like I'm just repeating the post I made on this story a few days ago, but I LOVED how Nile's plan revolves not around violence or Cool Mercenary Skills but on Nile's own life skills (as she canonly did a lot of minimum wage job-hopping before the marines in comics canon). Her plan used her skills, not the skills of an immortal warrior, and HER SKILLS were in fact more useful for the situation! lov to see Nile's resourcefulness and planning skills.
AND HOW NILE WAS PROBABLY WATCHING BOOKER??? it's so Much bc 1.) nile knew booker A SINGLE DAY and yet he made such an impression on her emotionally that she had to keep an eye on him and 2.) she said in the movie she wanted Booker to get off free with an apology. Yes she's a member of the team but that doesn't mean she's necessarily going to follow orders like a good little soldier. I also love how she convinced Andy to go along with it. her HEART, her KINDNESS, her THOUGHTFULNESS, UGH.
5 The Bear
Honestly I have like no negative things to say about this one other than a.) character design issues which is less about the story itself and is more of a 'tog comic in general' criticism and b.) too short, but it was supposed to be a tease, so.
But I loved Yitzhak, I wasn't expecting to really like him at all but like I said in my other post, he tickled me. I love characters who are Kind™, especially if they have little reason to be so given their backgrounds. Chef's kiss. Lov him.
6 Bonsai Shokunin
I know this one was a little controversial bc of the outsider POV but whenever I see people upset about that they never point out that the Outsider Guy (the samurai) existed as a reflection on Noriko. His ideas are explained in the text to develop hers. The whole story follows how she gave mercy to a scared young man and in response he murdered Noriko, repeatedly! Who gave him the right to inflict such pain and suffering on the world? In his opinion, the lack of response from the gods was his permission. And for Noriko-- over and over again she dies and suffers because she gave mercy, which lines up with her ideas in FM about how it's their fate to rule mortals and if they don't align with that plan/fate/whatever then they suffer. It shows some background to those ideas and how they developed in her mind outside of Ocean Madness™. Additionally, his idea of 'the Gods have done nothing to strike me down so it's fine if I do these things' kind of explains how Noriko may justify her own morally corrupt actions-- she's died so many times and it's never stuck. Maybe if she did die any of those times, or while she was in the water, maybe that would've been a sign she was doing something right, or at least doing something normal. But she hasn't died. Fate isn't done with Noriko yet. And maybe there's a reason for that. In her mind, it's just not a very pleasant reason, is all.
There were things I was kind of meh about tho. I did kind of wish we saw something of Noriko and the team, or smth explaining the way she was before her dip in the pool-- personality, likes dislikes, etc. but it wasn't bad or anything. It was super vague tho, I had to read it a few times before I got what it was going for. Liked the art. Liked the bonsai metaphor. And of course I Respect the decision to use the 1300s (1200s? I don't remember off the top of my head) rather than using the last 200 years.
7 Strong Medicine
Honestly looking back, this one made me kind of sad because both this one and Bonsai Shokunin explored character's ideas on Fate and The Divine and how that intersects with immortality and I totally thought that theme would be continued, especially with Love Letters. But Then It Wasn't™.
Admittedly.... I had to re-read this one to remember most of it. I liked Booker's ideas on God, 'The conductor of the symphony just may not be very good at his trade' but the plot itself was kind of forgettable. Some fuckin cowboys try to kill a doctor (their second) because he couldn't save their sickly brother. Book tries to stop them, gets killed, and then comes back and kills them all before they get the doctor. Alright. I liked the artstyle because the characters were ugly in a similar way that leandro's are, but way more bearable.
I love the Irony of Booker concluding that there is no such thing as fate or destiny and nothing has meaning, AS HE UNKNOWINGLY SAVES MERRICK'S GRANDFATHER FROM BEING KILLED. Booker getting fucked over by life/god/destiny yet again. It also kind of explains about where the fuck hell Merrick's interest in immortal mercenaries even came from.
I originally had this one a lot higher and then I thought about it and moved it down like two spots.
8 Never Gets Old
I liked seeing Booker interact with his kid. And we got a name for the kid! Philippe was a little bitch though, he was a little obnoxious. I liked how Booker was so thrilled to experience a restaurant with his kid (and since we know he was there before, it can be assumed he went with all of his kids and yet he was so charmed each time). It fits with his line to Nicky in the moon landing story about how you don't appreciate beautiful things 'unless you have someone to share them with'. It was charming to see Booker interact with his kid, and to see him so happy. Also lmao @ Booker's big fat Ye Olde Crush on Andy.
However at the same time it was like.. of all the things to write about,,, I guess? Booker's Night Out...... alright. Especially since Book had so many stories.
I don't know, it was alright. The old man killing him really came out of nowhere, (but the 'Salut, asshole!' panel was funny tho).
9 How To Make a Ghost Town
I've hit a point where talking about these stories has gotten less fun. I liked this one but I felt like Achilles getting lynched was not really necessary for a story that was already tragic (a story that already involved Achilles doing a lot of suffering at the hand of bigots). When we first got the blurb for this story I thought it would be about Andy returning to the squad and making friends with Booker after losing Achilles and them butting heads on the idea of family and when to cut off ties. So a little bit of my underwhelmedness about this one might be just my expectations being different.
Honestly I was pretty interested in Andy and Achilles' relationship and I would've liked to see more of them-- like, what was their dynamic like? What did they love about each other?
But anyways Andy leaving and Achilles getting killed anyways feels so pointlessly tragic (which I suppose is the point..... I don't like tragedies) she left to save him and yet people killed him anyway. Meh.
I did love the bits about Andy wanting to have a domestic life (Andy and her multitudes again) and the little detail about how she buried her axe near the road but he buried his guns under his bed-- he was an escaped slave, he never had the luxury of assuredness like Andy did. It was a sad story.
10 Lacus Solitudinis
'You put this one above love letters crim??? how could you???' easy, lmao.
There was stuff in this one I liked. But to talk about stuff I didn't like: (I'll keep it brief, I know ragging on this story has been done time and time again)
UH, setting aside the 6 year cold shoulder between Joe and Nicky, I thought their chosen method of conflict resolution was... bad at best. Nicky's inability to talk about his feelings was also annoying, especially since the entire point of this story is a fight Joe and Nicky had, and yet we don't get both sides to the story, which is...... important? That fact is especially annoying bc in the absence of Nicky explaining his side of the story, it's absolutely a possible (and admittedly probably unintentional) interpretation of the text that we do get that Joe routinely resolves conflict between him and Nicky by simply cutting Nicky out of his life entirely until Nicky just. caves? Even if it takes years?
WHICH i could get into that interpretation and how fucked up i find it. but im not going to. out of restraint.
I don't know, I think there are a lot of interesting ways to go about this conflict but 'Nicky wants to kill a guy and Joe refuses to acknowledge his existence until he stops because he thinks Nicky is too much of a Good Boy to get his hands dirty like that' ('I wont watch as the world turns his (...) compassion into something ugly'. ) wasn't.. how I would've done it. (I mean you know Joe doesn't give a shit about what Nicky is doing in a moral way, because Joe doesn't even care or mention that Booker is killing those cops too. Joe only cares because he doesn't like the idea of Nicky changing in a way he finds undesirable.)
admittedly I've said before, I do like the emphasis Joe's reaction puts on Nicky's kindness. Joe has a complete inability to cope with Nicky simply Not Being Kind. It speaks to the steadiness of Nicky's compassion all those years. but still that fact doesn't make it the conflict feel worth it
hm. I said I would be brief and I wasn't.
oh well. basically I thought there was interesting conflict potential there but it wasn't done the way I would've liked, and the way it was done leaves a lot of disturbing (and again probably unintended) interpretations to lie.
What I did like? Andy and Joe having that pessimist/optimist dynamic. Joe nerding out about science. Andy not being impressed by The Achievements Of Man. I loved Booker needling at Nicky about his outdated slang and also trying to give him Older Brother advice practically in the same breath. I loved Booker giving The Worst relationship advice ever and Nicky being like 'I Will Not Do That, Ever, Thanks.' the family vibes were so good. The Joenicky vibes left a lot to be desired tho.
11 Love Letters
I talked about my problems with Nicky in this story (and Lacus Solitudinis). I don't know, the story isn't bad but I do hold a little bit of a grudge towards it because its very existence begs the existence of a solo Joe story and we didn't get one. If we never got this story, then we could happily count Lacus Solitudinis and Zanzibar as The Joenicky Stories™ and move on with our lives. sigh.
I remember when we first got the blurb for this story I was really curious about why Nicky specifically + the setting, and the answer kind of feels like 'the author had an idea for a story like this and saw ttt as a good enough place to utilize that idea'. Plus I was really underwhelmed by the Romantic Sentiment in the letter. If you look at it line-by-line, the majority of the letter is actually Nicky talking about how lonely and disturbed he is, rather than actual,, yknow,,, Romantic Sentiment. I mean, compare the van speech and this letter and this letter is just kind of meh in comparison. I liked nicky calling joe wise! and I liked the brief sun/moon metaphor! and otherwise it was eh. It didn't even have cute squad banter, which is why Lacus Solitudinis is above this one.
12 An Old Soul
Nun orgy. Nun orgy?????? Nun orgy.......
The whole story felt like a setup to have a nun orgy. Why did Booker have abs? Why did they do that to Andy's nose? ?????? the art was good at least.
nun orgy.
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Oooh could you expand on why you liked the op?? I honestly don't know what to make of it yet, especially since it felt so different from other ops, but I'd love to hear your thoughts!
Absolutely will do!! This took longer than I wanted cause everytime I sat down to write I started getting distracted from the OP and just listening to it on repeat lmao
To start this off, I should add that throughout the week leading up to release date, I was following a couple of leakers on twitter who did drop some info on the OP; mainly that Shinsei Kamattechan were returning, the title, that it wasnt gonna feature any characters and instead be a metaphor for the “cruelty of war”. Knowing all of that had me pretty excited but also gave me the right expectations, so it wasnt too jarring to see at first. 
But, to jump into this, first of all, I just loooove the visual style in general. It mostly just being static shades of white and light grey, with these very washed out colors exploding and flowing onto the image...it’s absolutely gorgeous! Like I just really dig this color scheme. And it’s highlighted even further by the gorgeous, fluid animation...these explosions look so good! I’m also just a big sucker for familiar characters/entities being represented in a sort of timeless way...be it a portrait, a statue, a monument, whatever (think smth like this), so seeing Eren and the other titans at the end there was just an absolute treat. Whatever that thing is, I want some kind of print/purchasable piece of merch of it because that heap of titans looks amazing. 
The song also just bangs tbh. It’s such a weird agglomeration of instruments and vocals but I find it comes together really well. The childrens choir, the piano at the beginning, the distorted vocals and most importantly that E-violin!!! so fucking good! Honestly I just love the way this song sounds and Im more hyped for the full version than the ost release atm (even tho I love what we heard so far from that too). The combination of the visuals with the music too is great here...I’ve never seen a flamethrower used in combination with the beat of a song before (outside of mad max fury road I guess lol?) but goddamn its just such a cool fucking combination I cant get over it. 
I have some thoughts on the imagery and the symbolism and my interpretations of it all, and I wanna get into those too, but really, the main thing I absolutely love about this OP is how different it is. Just as the marley arc is probably the most different of all in the manga, just as the new studio has made a show that, in many ways, looks feels and sounds vastly different from the old Attack on Titan, the OP encapsulates all of that by just being this new thing and succeeding at it
I love WIT’s OP’s, I love Linked Horizon’s work on the show. But honestly, the “Linked Horizon hype OP” genre pretty much peaked with Guren no Yumiya for me. I still like all the others, but overall, OP 1, 2, 3 and 5 just feel a bit too same-y for me, especially given that I honestly don’t think any of the follow ups surpass the original. Heck all these other songs even reference GnY in some capacity--I cant help but feel like they could never let go of Guren’s success and never tried something else. Except for Red Swan of course, which is also my 2nd favorite WIT OP. It’s slower, it’s sadder, it’s melancholic, and vastly different from all the others, and I really appreciate that. It tries to be its own thing and it succeeded for me. And “My War” even more so feels like it has a very distinct, unique vision, goes all out in that way, and it just works beautifully.   
And it’s that distinct, unique vision that I wanna dig into lastly here, because, just as the marley arc does for this manga, I find that out of all the OP’s, My War most explicitely depicts and visualizes many of the core thematic ideas of Attack on Titan and brings them directly into the forefront. I’ve seen a bunch of cool interpretations of the song at this point, and someone may have somewhere already said all this, but I wanna throw it in here regardless
After countless battles, sacrifices, victories and losses, Eren and the survey corps were able to win the war against the titans that their walled world was stuck in for a hundred years. Their gigantic enemies were defeated, and freedom ought to lie ahead. But no, beyond the shores is just more...more oppression, more war, more death and more sacrifice. The history their king to from them is one of war and oppression, a never ending cycle of violence, spanning back 2000 years, continuing forward. One oppressive regime falls, only for the next to take its place. This has been the history of mankind since the dawn of man, and it continues on and on and on. 
This is what this episode shows us, another military battle around another walled encampment, and this is what this opening shows us...a world perpetually at war. Man’s hatred for one another leads to conflict, to war: it’s continued existence in history and continued technological advancements are the perfect visual representation of this. Man’s capacity for war breeds more war, and it takes lives and it takes freedom and it doesnt stop, it just keeps consuming. 
The Opening starts off with battleships, artillery fire, mortars, flamethrowers, nuclear explosions and a titan spine forming among them all, until the birds of freedom fall dead out of the sky. Neverending armies of soldiers march the streets, airships rule the sky, but all the soldiers, all the military craft, the marleyan military and the paradisian soldiers all fall to pieces and get destroyed. War and conflict rage on and all the pieces fall to the ground, littering the earth in nothing but death and destruction. And at the end, atop this mountain of corpses and mayhem, the titans arise, reaching forward, attacking. They are born from mankinds neverending cycle of destruction, the physical manifestation of our inner demons that lead us to kill each other. 
I thoroughly believe that this sequence of events most perfectly encapsulates all of attack on titan. Look at the marley arc: the years of their attempts to wipe out Paradis island lead the island and the attack titan straight to them, delivering a terrible blow to them during their declaration of war. 2000 years ago it was the warmongering, slave hording king fritz who had a girl hunted for sport who brought about the era of the eldian empire, creating a system to eternally maintain the titan’s ability to wage war and rule the lands that would wind up ripping humanity apart. Look at the final arc: all of humanities hatred towards the island devils birthed the final attack titan and his horde of demons who have come to trample the world underfoot. The titans have always arisen as the consequence of man’s tendency towards conflict and death. Eren’s titan first formed from inside a titan who just killed him, his last titan was born out of his own death yet again. Titans are man’s desire to kill given shape, and the more man kills and fights, the more titans arise. 
It’s a bleak and terrible look at the cruelty of the world, that I think the OP highlights immensly well. It’s a gorgeous looking and sounding 90 seconds, and despite its contents being essentially horrifying, its fun to look at and listen to. Isayama once said about Eren’s attack in marley that “what eren does here is the worst thing. but if you were able to feel just a little bit of excitement from it, then it was worth drawing manga all this time”. Somehow, one way or another, we’re drawn to conflict, despite how terrible it is. And I think this opening manifests this beautifully 
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