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forever-yours-simdate · 9 months

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Okay I'm too impatient to do these like in order and do all the SFWs before I jump NSFW, I need Tama NSFW alphabet or I'm going to perish like a Victorian woman who dies from having too many or too few pillows while she sleeps-

👍

A = Aftercare (what they’re like after sex)

In the beginning, he's very quiet and pefers to be left alone with his thoughts. After a bit though he gets a little clingy and lets himself get sleepy. Always good about making sure he and his partner stay hydrated afterwards though (probably has a britta filter on his nightstand....). Not very good at the emotional-reassurance side of aftercare for several reasons.

B = Body part (their favorite body part of theirs and also their partner’s)

He likes his teeth! Very good for biting, which he likes doing.

He likes any part of his partner's body. But he tends to focus on the torso/neck area because it's very versatile. Lots of places to bite and touch and bruise, it's really warm and easy to hug.

C = Cum (anything to do with cum, basically)

Doesn't really jerk off and it reflects that.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Bought a collar and then hide it deep in his closet out of embarrassment.

E = Experience (how experienced are they? do they know what they’re doing?)

Ultra virgin. Never had friends let alone dated because of his parents' influence and his only priority in most of his life being studying.

F = Favorite position (this goes without saying)

Ones where he can use his strength/weight to restrain or pin down his partner. He can't decide if he wants to face them or not.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

He's basically as serious as he would be in any other situation... so quite serious, but doesn't treat it like a grand, sacred thing. Gets embarrassed when silly things happen.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Yeah the hair matches, trims but not too short. Does the minimum amount of care. Scared of hurting himself with scissors.

I = Intimacy (how are they during the moment? the romantic aspect)

Can be surprisingly tender and soft (well, soft for him), and definitely is clingy (although he'd deny it). Tries to hold his partner close and affectionately bite them, so while his expressions of romantic affection aren't exactly conventional, they're definitely there.

J = Jack off (masturbation headcanon)

Again, doesn't really do it. If he gets horny he goes to take a cold shower or sweat it off with some exercise-- which for the most part works. When it doesn't, he'll try to get off ASAP with minimal prep so he can go back to whatever he was doing before.

K = Kink (one or more of their kinks)

Not exactly a kink but he loves it when his partner wears his clothes/accessories. It makes him feel very... possessive. Other than that, biting and restraints. Mildly into petplay but it's moreso the collaring/caging/care and nickname aspects rather than the roleplay.

L = Location (favorite places to do the do)

Probably usually prefers a bed because that's what you're "supposed" to do, but also likes doing it on the couch since he's usually on a couch more often than his own bed anyways.

M = Motivation (what turns them on, gets them going)

Having a little bit of a fight/playful(?) resistance really helps get him going. If you actually manage to pin him down or overpower him he's very surprised and honestly pretty into it.

N = No (something they wouldn’t do, turn offs)

Public/stealth stuff. He would rather explode and die. Even doing it in a semi-private place (like a bathroom stall) makes him incredibly uncomfortable. Just regards the outside as "too gross" of a place to be having sex.

O = Oral (preference in giving or receiving, skill, etc.)

Probably would prefer receiving over giving, considering he has 0 skills and if anything would find it kinda uncomfortable, and get frustrated if he tries and his partner doesn't feel good due to his clumsiness.

P = Pace (are they fast and rough? slow and sensual? etc.)

Usually really fast/rough. Even when he's loving, he can't take it slow.

Q = Quickie (their opinions on quickies, how often, etc.)

Probably would be okay with them every so often. The frequency would bother him more than the quickie itself.

R = Risk (are they game to experiment? do they take risks? etc.)

Would experiment but only a little. Would probably prefer more vanilla practices-- or the more kinkier things he does in the bedroom don't register to him as kink but rather things he wants to do impulsively with other goals in mind.

S = Stamina (how many rounds can they go for? how long do they last?)

Athletic guy can go for A While. Way longer than the average person. If you get him horny enough. Uh. Well. Good luck solider o7 I pray for you.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Does not own toys. Would probably just go with whatever his partner already owns/gets, but isn't too into them. If this guy holds a dildo or a vibrator in his hands, he will look so uncomfortable it'd look silly. Likes impromptu/home-made restraints (ropes, ties, belts, etc) over cuffs.

U = Unfair (how much they like to tease)

Doesn't try to tease, and if he does, it's unintentional.

V = Volume (how loud they are, what sounds they make, etc.)

Very grunt-y, and breaths/sighs heavily. When he's feeling particularly good he has low, throaty moans, but otherwise really quiet, especially in the beginning. Doesn't dirt talk, unless he's angry.

W = Wild card (a random headcanon for the character)

Surprisingly not sadistic (when he's not angry) so bullying his partner doesn't really occur to him. When he is angry, his sadism mostly comes out as just him venting his blind rage and being violently possessive rather than wanting to tease/pleasure his partner. Still bite-y regardless though, he usually apologizes when he does it during regular sex.

X = X-ray (let’s see what’s going on under those clothes)

All my characters are Schrodinger's genitalia but I also do have semi-canon* dick sizes for the guys + Harper (sourced from my dick-haver friend), so in the case Tama does have a dick it's 5' (hard). 1.5' (soft).

*genuinely I do not care what you wanna do. If you want to give Tama a 6ft pole go ahead. If you want to give him a cunt also go ahead. 👍 The world your oyster. Do what your heart desires. What I have written down is just what I would draw them with. (this applies to all fy characters)

Y = Yearning (how high is their sex drive?)

It's probably like. on the lower end. He doesn't have a very strong desire to have sex all that often.

Z = Zzz (how quickly they fall asleep afterwards)

Doesn't usually fall asleep right after, and spends most of the night staring at the roof before eventually falling asleep. Fall asleep faster if he wears himself out (by being more rough and emotional).

#keni.ask #oc : tama #nsfwask

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jamiewintons · 2 years

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William Agar Smut Alphabet

The fourth in a series of smut alphabets that I’ll be writing for the Baynton Boys. Let me know which boy you’d like to see next!

18+ ONLY! F!Reader. Reblogs and comments are always appreciated <3

A = Aftercare (what they’re like after sex)

William is absolutely speechless, every single time, no matter how many times you have sex. He'll lay there with wide eyes, unable to believe how amazing it was.

B = Body part (favorite body part of their partner’s)

He fixates on the most random body parts, like your wrists or ankles. Just catching a glimpse of them - especially if you happen to be in public - turns him on like nothing else.

C = Collar (do they mark you as theirs in some way?)

William doesn't like the idea of marring your beautiful skin, truly... but in the heat of the moment, something comes over him, and you end up with hickeys all over your neck and chest. He's so apologetic afterward, and he'll be rambling on about how sorry he is until you tell him that it's okay. You don't mind him leaving his mark on you.

D = Dominant (do they prefer to dominate, or be dominated? are they a top or a bottom?)

William is an interesting case. He definitely seems like a sub outside of the bedroom, since he's willing to do pretty much anything you ask, but once you're in bed together, it's like a switch clicks in his brain and he's a lot more dominant. He does everything for your pleasure, though, and he always ensures that you're satisfied.

E = Experience (how experienced are they? do they know what they’re doing?)

William is a virgin when you meet him (unless he does end up married to Mina, and you get together with him afterward). However, even with his lack of experience, he has a lot of knowledge about anatomy and knows exactly how to touch you, and wants nothing more than to please you.

F = Fuck (do they prefer to fuck or make love?)

Make love. Even when he gets the tiniest bit rough, you can still tell how much he adores you.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

William is serious, 100%. Sex is a serious, intense matter for him, and he's definitely not going to be making jokes.

H = Hot (what turns them on, gets them going)

Touching William in any way, even if it's the gentlest touch of his hand, really gets him going. You showing off your intelligence really turns him on too.

I = Insatiable (how do they act when they’re desperate to have you?)

After you've had sex for the first few times, when William is really turned on he'll grab you and pull you against him, kissing you like his life depends on it (of course, he'll give you a chance to tell him no or push him away if you want to).

J = Jack off (masturbation headcanon)

Surprisingly, considering his almost nuclear levels of horniness, William has only masturbated a few times (thanks to Victorian attitudes about such things). After you're married, you basically have to teach him that it's okay for him to enjoy himself.

K = Kink (one or more of their kinks)

Once you're able to get him to open up and talk about sex more, you find that he has some interest in roleplay. Doctor/patient roleplay would be something he'd be really into - with him as the doctor and you as the patient at first, but after some time he'll become more comfortable with reversing the roles.

L = Location (favorite places to do the do)

If you ask William that question, his answer would be your bed, of course! (But honestly, he also enjoys desk sex, whether on his desk in his study at home, or at work).

M = Mood (what’s the foreplay like? how do you get them in the mood?)

William will have his mouth and hands all over your body before you actually have sex. Getting him in the mood is incredibly easy, as I said earlier all you really need to do is touch him.

N = No (something they wouldn’t do, turn offs)

He won't do anything to hurt or degrade you - he only wants to please and praise you.

O = Oral (preference in giving or receiving, skill, etc.)

No man on earth loves giving oral more than William Agar. If he could, he'd spend the rest of his life with his face between your legs, and he's good at it. He loves it so much, that a lot of time he forgets that him receiving is even an option.

P = Pace (are they fast and rough? slow and sensual? etc.)

Mostly slow (then fast) and sensual, but if he's feeling really turned on, he can get just a little bit rough.

Q = Quickie (their opinions on quickies, how often, etc.)

While William prefers to take his time and spend like an hour worshipping every inch of your body, when you come and visit him at work and "seduce him" (you really don't have to do much), there's no way he's saying no.

R = Risk (are they game to experiment? do they take risks? etc.)

The only risk William really takes sexually is the risk that someone might catch the two of you having sex on his desk at work (and his mind is so addled by arousal that he's not really thinking about the fact someone might walk in).

S = Stamina (how many rounds can they go for? how long do they last?)

William can only really go for one round before having to take a break - he puts so much into it, and it's exhausting - but he can usually last a really long time. No matter what, you'll end up satisfied, because even if he doesn't last particularly long for whatever reason, he's more than happy to use his fingers and/or mouth to ensure you're happy.

T = Tryst (are they into casual sex or one night stands?)

No way. He only wants to have sex with you if he loves you.

U = Unfair (how much they like to tease)

He'll spend so long worshipping your body with his hands and mouth, though he doesn't intend to tease you, because if you ask him to hurry up and get to the point, he definitely will.

V = Volume (how loud they are, what sounds they make, etc.)

William is loud, to the point that he's embarrassed about the noises he's made after you're both finished. Sometimes, if you're at risk of being heard, you have to kiss him to stop him from getting too loud.

W = Wait (how long do they wait before having sex with their partner for the first time?)

You don't have sex until your wedding night. As much as he desires you before you're married, William doesn't want to risk ruining your reputation so he holds himself back a great deal.

X = X-ray (let’s see what’s going on under those clothes)

William is a little shy about his body - once again, thanks to Victorian era ideas - but he'll get a little bit more confident thanks to you and how attracted you are to him.

Size-wise, William is pretty average, but he definitely knows how to use what he's got to his (and your) advantage.

Y = Yearning (how high is their sex drive?)

Really high, probably the highest out of all the Baynton Boys. Though he definitely needs a break between sessions, he could probably be up to having sex two or three times a day.

Z = Zzz (how quickly they fall asleep afterwards)

William is pretty exhausted after sex, but he doesn't always fall asleep afterward - especially since you often have sex during the day. But at nighttime, he'll probably want to talk to you for a while before dozing off.

#william agar x reader #william agar imagine #william agar smut #william agar fanfiction #bbc quacks imagine #quacks imagine #bbc quacks fanfiction #quacks fanfiction #x reader smut #x reader fic #x reader fanfiction #mari's stuff #nsft text

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hellofastestnewsfan · 5 years

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Now in its 40th season, the PBS home-improvement show This Old House feels like the TV equivalent of New England clam chowder: hearty, wholesome, and old-school. The cast—headed up by the master carpenter Norm Abram and rounded out by the contractor Tom Silva, gardener Roger Cook, plumber Richard Trethewey, and host Kevin O’Connor—returns autumn after autumn, as consistently as uncles you might see every year at Thanksgiving dinner. The look and feel of the series hasn’t changed much since its debut in February 1979. Each episode still zeroes in on a few elements of home construction, such as installing a skylight or shoring up a foundation. In one of the rare, subtle signs that four decades have passed, Silva appears to be wearing an Apple Watch in a recent episode.

Every program on HGTV arguably owes its existence to This Old House, which first turned home renovation and real estate into television. Without it, viewers might never have gotten Property Brothers, or Fixer Upper, or probably even House Hunters International. All the same, it can be difficult to locate the similarities between This Old House and its descendants. These newer programs often unfold like reality TV–esque hero’s journeys, with the hosts figuring as creative geniuses who marshal old or otherwise sad houses through a rapid-fire rehabilitation and beautification process. This Old House, meanwhile, has no single star and little concern for dramatic narrative arcs. Its chief goal is, as it always has been, to put skilled tradespeople and the work they do in front of the camera.

On This Old House, workers solve technical problems that seldom merit a mention on programs of the HGTV variety. In a recent episode, the crew is briefly flummoxed over where to install electrical outlets in a modern, minimalist kitchen that has prioritized windows over usable wall space. The building code mandates that outlets should be placed every few feet, but O’Connor clarifies the problem for the audience, asking, “Where do you put an outlet when there’s no wall?” The supervising electrician, Heath Eastman, devises an ingenious solution: He conceals the outlets in receptacles that can be pressed down into the countertop. The homeowner, Sunil, isn’t enthused about the prospect of disrupting the clean lines of the counter with pop-ups, but he takes a sensible view of the matter. “I personally wouldn’t want anything on the surface, but code is code and we have to have it,” he says.

The scene is quintessential This Old House. What could’ve been framed as a melodramatic battle of the wills is instead presented as a teachable moment between the tradesman and the homeowner. The show is fairly unusual among home-renovation programs in allowing workers like Eastman to speak at length and explain their craft to a national audience. This Old House keeps them at the forefront of the action, perhaps realizing that, without them, there’d be no action at all.

When This Old House first launched, there was little to suggest that it would be the progenitor of a new genre of TV. That inaugural, 13-episode season from 1979 initially seemed to be a Boston-area curiosity, accessible only to local residents via WGBH. But it struck a chord with viewers, almost 250,000 of whom tuned in every week to watch the titular house—a struggling Victorian in Boston’s Dorchester neighborhood—undergo its gradual metamorphosis. The surge of interest allowed This Old House to vault into the primary PBS lineup a year later, where it has remained ever since.

Since the 1980s, the show has developed into a multiplatform media powerhouse. In addition to the flagship program, viewers can tune in to the spin-off TV show Ask This Old House, in which the cast helps homeowners with smaller-scale repairs and upgrades. Fans can also read This Old House magazine or follow the brand on Twitter, where the account cheerfully dispenses home-maintenance advice to 198,000 followers.

This Old House, of course, competes for eyeballs with a slate of newer shows hosted by highly telegenic and charismatic individuals. Audiences marvel at the gracious collectedness of Fixer Upper’s Joanna Gaines (who alone has 1.4 million Twitter followers), and wonder how she puts up with her goofy husband, Chip, as she floats around imposing a neutral-hued elegance on recalcitrant domestic interiors. Drew and Jonathan Scott hold together each episode of their various Property Brothers shows with their banter, fraternal competition, and identical good looks. It’s not for nothing that the Gaineses and the Scotts regularly feature on the covers of tabloids. These stars are their shows, because they seemingly carry the entire weight of the production on their shoulders.

All the celebrity attached to home-improvement show hosts means that little attention is paid to the skilled tradespeople who improve the homes in question. When these workers do appear on camera, it’s usually in montages. Their movements are often sped up for the sake of time, so they scuttle around like chipmunks, hammering, carrying, plastering, painting. Their work, whether intentionally or not, is positioned as secondary to the dynamism of the main stars.

We see this clearly on HGTV’s new show Windy City Rehab, which recently ended its first season. The title suggests that the show is about renovating homes in Chicago, but it’s really about Alison Victoria, the star, who poses with a sledgehammer in promotional shots. Victoria is a professional home flipper, and it’s hard not to admire her style. She evaluates properties with a caustic realism that brings to mind Simon Cowell: “The windows are a mess, the awning is awful, the glass block is disgusting.” As a home flipper, Victoria chiefly aims to turn the largest profit possible from selling her creations, and we watch her battle against time, weather, and occasional bureaucratic red tape to accomplish it.

Victoria has an edge to her, which is likely a requirement for a woman trying to succeed in a field that is still dominated by men. “It’s not for the weak,” she says of her chosen profession in a March episode. Understandably, she strives to control as many aspects of the project as possible. “If you want something done right, you do it yourself,” she remarks, after a set of kitchen cabinets turns out too short due to a measuring error on the part of a contractor. When she sources vintage pieces at a furniture restorer’s workshop, the exchange largely consists of her telling the craftsman what she wants. Workers only fleetingly appear in the usual construction montages. This overlooking of tradespeople is certainly not unique to Victoria’s show—it’s only the latest manifestation of a pattern that has come to define home-renovation TV as a whole.

If skilled workers are largely written out of television shows that rely on their expertise to function, it’s not surprising that fewer young people than ever are pursuing careers in trade. There is a genuine shortage of skilled labor in the United States, caused by, according to The Washington Post, lingering effects of the Great Recession, the retirement of veteran laborers, and “the fact that many high-school graduates are not interested in blue-collar jobs.” This issue is undoubtedly a complex one, but media representations of trade might bear at least some scrutiny. Who wants to be reduced to the backdrop while the true drama takes place in the foreground?

This Old House stands apart from its competition by keeping its workers in the spotlight—young apprentices included. The 16th episode of Season 40, titled “Apprentice Sill School,” features the great Norm Abram instructing two apprentices, Carly and Erick, in how to install a “sill,” or layer of wood, on the foundation of a home. This hidden piece keeps our walls from falling in on us—it supports a building’s frame and floor joists. As viewers watch, they see Carly and Erick learning exactly how a house comes together. Their movements are a little awkward as they use hammers to smooth the edges of the foundation before the sills can be installed. Their work is slow and hesitant. The only noticeable sounds in these scenes are Abram’s voice and the clink of metal on concrete.

It’s no accident that This Old House devotes so much time to apprentices like Carly and Erick. They’re on-screen as part of the show’s “Generation Next” initiative—a broad program aimed at recruiting more people to the trades. In launching this initiative, the show is attempting to counter the U.S. labor shortage by making carpentry and other hands-on professions seem more accessible to young men and women alike. Generation Next has been putting apprentices on the show since 2017, providing them with training and national-television exposure. “There’s every reason to go into the building trades today,” Tom Silva has said. “If you are good, you will absolutely have work.” He’s not exaggerating: The Bureau of Labor Statistics forecasts enticing job prospects for workers in a variety of fields, including plumbers, glaziers, and masons.

Generation Next is a natural offshoot of what was already present in the structure and priorities of This Old House from the beginning, especially in the way that it provides a voice and visibility to skilled tradesmen and women. As the series moves into its fifth decade, its investment in younger workers signifies a promising new direction: a way for this admittedly old show to reach the audience that most needs to absorb its message.

from The Atlantic http://bit.ly/2ElJipN

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