#fujifilm x-t1 review | Explore Tumblr Posts and Blogs

codachie · 3 years

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カメラを初めた予備校生〜大学生時代は、Canonユーザーでした。

勉強し直した2011年頃から、PENTAXの比率が上がりました。

今は...富士フィルムしか持っていません（デジに関して）。

X100tを2台

X-T1に18-55mm レンズをつけた1台

で、お仕事しています。

今後もう少し広角の明るいレンズと、ボディをもう1台欲しいなと欲張りなきもちになっていますが、実際これで事足りるお仕事しかしていない、というのも事実です。

ポートレート撮影の場合、相手が一般の方です。スマホで撮る/撮られる機会が増えたとはいえ、レンズを向けられると「緊張します〜」という方が多いのが事実です。

そこで、X100tちゃんが「こんにちは！」と顔を出すと、「あら！フィルムカメラ？かわいい！なつかしい」と笑顔がこぼれることが多い。写真館や写真室で、ぬいぐるみを持ったおじさまたちが、お子様の笑顔を引き出すのと同じ手段だと思います。

1人目の先輩が軽く肩に掛けて街ブラ写真を撮っていた姿と、2人目の友人がX-T1を使って魅力的な写真を見せてくれた、色味や構える姿（ビューファインダー搭載なのです）が格好良くて

当時の機材を持てるだけ持って（三脚やフィルムカメラも含め）フジヤカメラで交換してきたのが初号機です。ある時突然動かなくなって修理に出したら「中古で1台買えますね」って富士の修理センターの人と話していたのをきっかけに弐号機を買い足し、

「前撮りして〜」という友達の来沖のタイミングで、X-T1を。先輩2名の完全マネっ子しました。この子たちも軽いです。軽いけどいい仕事してくれます。

よく比較されるGRシリーズ。これもかっこいいんですが「ビューファインダーが外付け」なのがどうしても私には「かっこわるい」と思って次々出る新機種に手が伸びなかった。。。写りが良いのは重々承知！ボディもかっこいい。

横浜パシフィコの展示会で試用させてもらったり、イベントに参加して類似機種を触っていた時にはここまで好きになるとは正直思っていませんでした。

iOSのアプリが時々連携できなくなって「ああ！もう！」って思うこともあるけども、最近は安定しているのでほっとしています。

想定外に「いいな」とおもう異性を発掘して、鼻息荒くつきまとっているキモいファンみたいだな、今の私。恥ずかしいけどいいじゃん、好きなんだもん。

#fujifilm x100t #レンズ一体型（コンパクト）カメラ #camera #photoshoot #murmur #daily #recommend

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photofix101 · 7 years

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Can really old lenses work well on modern bodies. Yep – absolutely. This old Carl Zeiss Jena Tessar can produce beautiful images on the XT1, and you can sometimes find these lenses going for a song at a yard sale or in a thirft shop. Online the prices have risen significantly over the past few years as mirrorless cameras have grown in popularity. Click images for larger. Enjoy.

Fujifilm XT1 + Carl Zeiss Jena Tessar f3.5 Can really old lenses work well on modern bodies. Yep - absolutely. This old Carl Zeiss Jena Tessar can produce beautiful images on the XT1, and you can sometimes find these lenses going for a song at a yard sale or in a thirft shop.

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blogvan883 · 3 years

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Adobe Plug Ins For Mac

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March 21, 2018

5 min to read

How to install Photolemur plugins

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Plugin acquired. Next click on this Install link to open Creative Cloud App and finish installation.

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A plug-in software to enable Mac tethered shooting with the compatible FUJIFILM digital cameras.

Mac for the blind. A plug-in software to enable Mac tethered shooting with the compatible FUJIFILM digital cameras.

Version: 1.16.0

Compatibility: Mac

Product(s):

Disclaimer

Adobe’s privacy policy is not applicable to the use of this app, extension or integration. Please refer to the privacy policy provided by the developer or contact the developer directly for more information about their privacy practices.

Product Info

IMPORTANT NOTICE: - The GFX series limited edition of the plug-in is available for free from: https://exchange.adobe.com/creativecloud.details.20527.fujifilm-tether-shooting-plug-in-pro-for-gfx-mac.html - If you have ”FUJIFILM Tether Shooting Plug-in PRO”( PRO version ), this plug-in is not necessary. Once a FUJIFILM tether shooting capable camera is connected to a computer via USB cable, the Tether Shooting Plug-in allows users to import captured images directly to the computer. X-T2, X-T3, X-T4, X-Pro2, X-Pro3, X-H1, and GFX Series also support Wi-Fi connection instead of USB cable. VIDEO: (English) https://youtu.be/bm52k7LvNHs (Japanese) https://youtu.be/G4ohs1-gz-U CONTACTS: https://www.fujifilm.com/contact/ COMPATIBLE CAMERAS: - FUJIFILM GFX 100 All Versions(USB/Wi-Fi) - FUJIFILM GFX 50R All Versions(USB/Wi-Fi) - FUJIFILM GFX 50S All Versions(USB) / Ver.1.10 or later (Wi-Fi) - FUJIFILM X-T1 Ver.3.10 or later(USB) - FUJIFILM X-T2 Ver.1.10 or later (USB) / Ver.2.10 (Wi-Fi) - FUJIFILM X-T3 All Versions(USB/Wi-Fi) - FUJIFILM X-T4 All Versions(USB/Wi-Fi) - FUJIFILM X-Pro2 Ver.4.00 or later (USB/Wi-Fi) - FUJIFILM X-Pro3 All Versions(USB/Wi-Fi) - FUJIFILM X-H1 All Versions(USB/Wi-Fi) BEFORE STARTING THE PLUG-IN, PLEASE CHECK: - The camera is upgraded with the latest version of the firmware. - NO camera control application other than Lightroom (such as iPhoto, Photos..) is running. - Follow the Owner's Manual or New Feature Guide instruction and set the connection mode to tethering mode. (PC SHOOT AUTO, USB AUTO, USB TETHER SHOOTING AUTO, and so on) - ”FUJIFILM Tether Plugin” is ENABLED at ”File”->”Plug-in Manager” menu of Lightroom menu.

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Select the 4K video you want to watch and click “Open” button. 123 player for mac free download.

Ratings & Reviews

5 stars4 stars3 stars2 stars1 star

Notes & Docs

Ver.1.16.0 - FUJIFILM X-T4 is supported. Ver.1.15.0 - FUJIFILM X-Pro3 is supported. - macOS 10.15 (Catalina) is supported. - WHITE BALANCE name changed: From ”DAYLIGHT” to ”Daylight”. - WHITE BALANCE name changed: From ”CUSTOM1”, ”CUSTOM2”, and ”CUSTOM3” to ”Cus.1”, ”Cus.2”, and ”Cus.3”. Ver.1.14.0 - FUJIFILM GFX 100 is supported. Ver.1.13.0 - macOS 10.14 (Mojave) is supported. Ver.1.7.0 - FUJIFILM X-Pro2, and X-H1 are supported. - FUJIFILM GFX 50R, and X-T3 are supported. Ver.1.6.0 - Wi-Fi connection is supported for X-T2 and GFX 50S. Ver.1.4.0 - FUJIFILM GFX 50S is supported. Ver.1.3.0 - FUJIFILM X-T2 is supported. Ver.1.2.0 - White balance setting can be shown. - File format to save onto the SD card and to transfer to the Mac can be specified.

Where To Find It

WHERE TO FIND THE INSTALLED PLUG-IN: The plugin will be installed onto the modules folder of Lightroom. Once the plug-in is installed successfully, you will find the plug-in at the Lightroom Plug-in Manager window. To open the Plug-in Manager window, please select ”File” -> ”Plug-in Manager” from the Lightroom menu. Please check the installed plug-in is ”enabled” at the Plug-in Manager window. To start the plug-in, please select ”File” -> ”Tethered Capture” -> ”Start Tethered Capture” from the Lightroom menu. IMPORTANT NOTICE: - If you have ”FUJIFILM Tether Shooting Plug-in PRO”( PRO version ), ”FUJIFILM Tether Shooting Plug-in (Mac)”( this plug-in ) is not necessary. BEFORE STARTING THE PLUG-IN, PLEASE CHECK: - In case of macOS 10.15 Catalina, please allow Ligtroom to access your Document folder. - NO camera control application other than Lightroom is running. - Follow the Owner's Manual or New Feature Guide instruction, set the connection mode to tethering mode (PC SHOOT AUTO, USB AUTO, USB TETHER SHOOTING AUTO).

Free Adobe Update For Mac

More By This Producer:

A plug-in software to enable PC tethered shooting with the compatible FUJIFILM digital cameras.

A plug-in software that enables tether shooting with compatible FUJIFILM digital cameras. PRO version is capable of operating on a computer.

A plug-in software that enables tether shooting with the compatible FUJIFILM digital cameras. PRO version is capable of operating on a computer.

FUJIFILM PRIVACY POLICY Please refer App. at: https://www.fujifilm.com/privacy_policy/ NOTICE BEFORE INSTALLING SOFTWARE PROVIDED BY FUJIFILM CORPORATION, PLEASE READ THIS END USER LICENSE AGREEMENT CAREFULLY. ONLY IF YOU DO AGREE TO THIS AGREEMENT, YOU WILL BE ABLE TO USE THE SOFTWARE. End User License Agreement This End User License Agreement (”Agreement” is an agreement between FUJIFILM Corporation (”Fuji” and you, which sets forth the terms and conditions of the license granted for you to use the software provided by Fuji. Third party software may be supplied together. In case a separate agreement is provided by a third party supplier for its software, the provisions of such separate agreement shall apply to the use of such third party software, prevailing over those of this Agreement. 1.?Definitions. (a)?”Software” means the software which is provided to you together with this Agreement. (b)?”Documentation” means the operation manuals of Software and other related written materials which are provided to you together with Software. (c)?”Product” means Software and Documentation collectively. 2.?Use of Software. Fuji grants to you a nontransferable, nonexclusive license: (a)?to install one copy of Software onto one computer in binary machine executable form; (b)?to use Software on the computer onto which Software is installed; and (c)?to make one backup copy of Software. 3.?Restrictions. 3.1?You shall not distribute, rent, lease or otherwise transfer all or any part of Software or Documentation to any third party without Fujiis prior written consent. You also shall not sublicense, assign or otherwise transfer all or any part of the rights granted to you by Fuji under this Agreement without Fujiis prior written consent. 3.2?Except as expressly granted by Fuji hereunder, you shall not copy or reproduce all or any part of Software or Documentation. 3.3?You shall not modify, adapt or translate Software or Documentation. You also shall not alter or remove copyright and other proprietary notices that appear on or in Software or Documentation. 3.4?You shall not, or shall not have any third party, reverse-engineer, decompile, or disassemble Software. 4.?Ownership. All copyrights and other proprietary rights to Software and Documentation are owned and retained by Fuji or the third party suppliers as indicated on or in Software or Documentation. Nothing contained herein shall be construed, expressly or implicitly, as transferring or granting any right, license, or title to you other than those explicitly granted under this Agreement. 5.?Limited Warranty. In case Software is provided with media, such as a CD-ROM, Fuji warrants to you that the media is free from any defect in material and workmanship under normal use for ninety (90) days from the date of your receipt thereof. Should the media not meet the foregoing warranty, Fuji shall replace such defective media with other media bearing no defect. Fujiis entire liability and your sole and exclusive remedy with regard to any defect in media shall be expressly limited to such Fujiis replacement of media as provided herein. 6.?DISCLAIMER OF WARRANTY. EXCEPT AS PROVIDED IN SECTION 5 HEREIN, FUJI PROVIDES PRODUCT iAS ISAEAND WITHOUT WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED. FUJI SHALL MAKE NO WARRANTY, EXPRESS, IMPLIED OR STATUTORY, AS TO ANY OTHER MATTERS, INCLUDING, BUT NOT LIMITED TO, NON-INFRINGEMENT OF ANY COPYRIGHT, PATENT, TRADE SECRET, OR ANY OTHER PROPRIETARY RIGHTS OF ANY THIRD PARTY, MARCHANTABILITY, OR FITNESS FOR ANY PARTICULAR PURPOSE. 7.?LIMITATION OF LIABILITY. IN NO EVENT SHALL FUJI HAVE ANY LIABILITY FOR ANY GENERAL, SPECIAL, DIRECT, INDIRECT, CONSEQUENTIAL, INCIDENTAL, OR OTHER DAMAGES (INCLUDING DAMAGES FOR LOSS OF PROFITS OR LOST SAVINGS) INCURRED FROM THE USE OF OR INABILITY TO USE PRODUCT EVEN IF FUJI HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. 8.?No export. You acknowledge that neither Software nor any part thereof will be transferred or exported to any country or used in any manner in violation of any export control laws and regulations to which Software is subject. 9.?Termination. In case you breach any of the terms and conditions hereof, Fuji may immediately terminate this Agreement without any notice. 10.?Term. This Agreement is effective until the date when you cease to use Software, unless earlier terminated in accordance with Section 9 hereof. 11.?Obligation upon termination. Upon termination or expiration of this Agreement, you shall, at your own responsibility and expense, delete or destroy immediately all Software (including its copies), Documentation and media if Software is provided therewith. 12.?Governing Law. This Agreement shall be governed by and construed in accordance with laws of Japan.

Adobe Plug-ins For Mac

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viewbird · 4 years

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Review of my own camera system -Section 3- Fujifilm X system-01

Fujifilm Xシステムは現在メインで使用するシステムである。

Xシステムで最初に気になったカメラはX-T10。そのクラシカルな佇まいのカメラにとても惹かれ、その存在を気にするようになった。写りではなくあくまでもカメラデザインに惹かれたのである。しかし、流石にデザインだけで手に入れる様なことはしなかった。その当時はフォビオンセンサーの完全なグルーピーであり、FujiのX-Transセンサーの解像感には満足できなかったのである。

ところが"PHOTO YODOBASHI"でX-T10に35mm F2を装着した作例を見た時に今までの価値観が一変してしまった。Section1にも書いたが、フォビオンの絵に疲れ始めていたのかもしれない。実に写真らしい仕上がり。写真らしいとは、「長らく親しんできたフィルムで撮られた写真の様だ」という事。歳のせいもしれないが、いつの間にか美しい画像ではなく、美しい写真を求めるようになっていた。刺激的でインパクトの強い絵ではなく、いつまでも心から離れない絵。Xシステムで撮られたものにはそんな印象を持つ。

＜X-T10、X-T30＞

X-T10は初めて手に入れたXシステムのカメラである。気に入った作例写真で使われていたカメラとレンズ（XF35mmF2 R WR）をそのままのセットで購入した。デザイン、ハンドリング、写真の仕上がり共、本当によく出来たカメラだと思っている。その後、XF35mmF1.4 Rを装着時のバランを考慮しX-T1も手に入れたが、後日そちらは手放してしまっている。X-T１桁シリーズの方がカメラのスペックは高いが、自分の撮影スタイルでは無くても困るものではないし、手に持って「いいなぁ」と思うのはX-T10の方だった。カメラは自身にとって必要な機能が備わっていれば、あとは手に馴染むか否かが重要だと思ってる。X-T30は予備機というか、撮影現場でのレンズ交換を手間を省くため追加購入した。新たに投入されたチャコールシルバーを選んだが、きれいな色である。最新機能を備えた最新スペックのモデルであるが、高速AFを必要とするシーンでない限り、未だX-T10でも十分だと思っている。

＜X100F＞

X100シリーズ４世代目のカメラ。X100シリーズは発売当時から気になっていた存在であり、ハイブリッドビューファインダーは、光学ファインダーに慣れた者にとって使い勝手がよく、気持ちよく撮影ができる。実は２世代目のX100Sを手に入れたことがあったが、細部デザインで気に入らないところがあり手放してしまっている。現在は５台目X100Vが発売されているが、私の中ではXシリーズの完成形はX100Fであり、X100Vは別のカメラとの認識を持っている。搭載レンズが今時のウルトラシャープなものに変わってしまったのだ。順当な進化でありメーカーとしての判断は間違いではないと思うが、世界中のX100シリーズ愛好家から「レンズだけは載せ換えるな」と4世代にわたり継承されてきたレンズが載せ替えられてしまったのである。写真の仕上がりを見ると、完全に別物へと生まれ変わってしまっている。レンズ固定式カメラでレンズの個性を変えてしまったら、それはもう別のカメラである。X100Fの開放f値で撮影された、淡く緩い仕上がりが私はとても好きなのてある。

＜XF35mmF2 R WR＞

先にも書いたが最初に手に入れたレンズで、今でも使っている。写りの他に気に入っているのは、デザインとフォーカススピード。比較対象とされるXF 35mmF1.4 R、Xマウント愛好家からは神レンズと言われているものだが、気に入ったショットが撮れた事がほとんどなく、個人的にはすごいレンズだとの印象はない。多分に漏れず手に入れたが、結局売却してしまった。ずんぐりなデザインも好みでなかったし、フォーカスの遅さが所有欲低下に拍車をかけた。光学的構造へのこだわりで作られたレンズで、評価の高さは「こういう風に作っているのだから写りが良いはずだ」との思い込みによるものではないかと思っている。シャープでボケがきれい、そしてコクのある写りがこのサイズのレンズから生み出せるのであれば、私にとってXF35mmF1.4は必須のレンズではない。

＜XF27mmF2.8＞

フジノンXFレンズで最薄、最軽量のいわゆるパンケーキレンズである。小さくて軽く、その上写りも良い。文句なしのレンズである。富士フィルムのレンズカタログに掲載された作例写真を見て一瞬で惚れ込んでしまった。コントラストとシャープ感のバランスがよく、モノクロでの仕上がりをより一層良いものにしている。このレンズの気に入っているところにその画角もある。35mm版換算で41mm。やや広角寄りな標準レンズと言えば良いか。私の身長170cmだと35mmだと広角すぎるし、50mmだと望遠すぎると感じることが多く、40mm付近はとても使いやすいのである。先に紹介したM4/3の神レンズLUMIX G 20mm / F1.7 ASPHも、換算40mm。今日はレンズを１本持ち出そう、というときはついつい手を出してしまう画角のレンズである。

＜XF60mmF2.4 R Macro＞

FUJIFILMは「Xシリーズ最高レベルの解像力を誇るレンズ」と謳っている。私はXユーザーのブツ撮り作品を見て惚れ込んでしまった。キレの良さだけでなく、ボケの美しさも特質すべき点だと思う。コロナ禍のため出番がなくサンプル写真はほとんど無いが、この程度の写真であっても、ボケの美しさは分かっていただけるだろう。またいつもの事ながら、このサイズに仕上げてくれたのはとても嬉しい。これでサイズが大きければ、私はおそらく購入していない。

※掲載写真での使用レンズは、それぞれ２枚ずつ下記の順である。

X100F

XF35mmF2 R WR

XF27mmF2.8

XF60mmF2.4 R Macro

Fujifilm X system-02へ続く

#x-t10 #x-t30 #x-100f #xf35mmf2 r wr #xf27mmf2.8 #xf60mmf2.4 r macro #fujifilm #x system

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asfeedin · 4 years

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Buying the Fujifilm X-T4? Here Are the Best Prime Lenses to Use With it

The Fujifilm X-T4 will be a superb camera when it finally hits the street, and these are the prime lenses you should pair with it to get the most out of it.

The Fujifilm X-T4 is one of the most highly anticipated cameras of 2020, and while it was already supposed to have been released, we will have to wait a bit longer to be graced by its presence. In the meantime, we can take a look at the best prime lenses to use with this powerful APS-C camera. The prime lens Gods have blessed Fujifilm users with stunning choices for every genre of photography out there, from street photography to portraiture and wildlife photography to macro; Fujfilm has you covered. Not only are Fujifilm primes rock solid when it comes to build quality, but they are stunning performers too. If you’re going to pick up the IBIS rocking Fujifilm X-T4 when it finally launches, these are the prime lenses to snap up.

We were able to get our hands on the Fujifilm X-T4 just a bit earlier this year (read our first impressions post), and were impressed with the camera. The Fujifilm X-T4 retains its gorgeous looks and excellent build quality, and the larger battery goes a long way to making the camera a more viable option for pros in the field. Throw in the articulating screen, the tried and true X-Trans sensor, and IBIS, and you can understand why this camera is so exciting.

We know camera systems are only as good as their lenses. Fortunately, Fujifilm has done a stellar job with their lenses, especially their prime offerings. The Fujifilm primes we have listed below will not disappoint; they all have incredible optics, focus quickly Fujifilm’s newest cameras, render gorgeous colors, and the brand’s film simulations take them over the top! No matter what genres of photography you shoot, you can guarantee that there is a Fujifilm prime that will fit your needs. Before you pick up a Fujifilm X-T4 (or any Fujifilm camera), check out this prime lens guide.

Landscape and Cityscape Photography – Fujifilm 16mm F1.4 R WR

Here are the pros and cons from our full review:

Pros

Very sharp wide open

Very sharp overall

Excellent metal build quality

The focusing ring allows for zone focusing

Pretty decent bokeh for a lens of this type, despite having nine aperture blades

Fast-focusing performance

Weather sealed construction

Keeps distortion down pretty well

Cons

Depth of field scale could have given us more focusing markers

More purple fringing than a modern lens should have despite it easily being removed in post-production

Autofocus is just a hair too slow for street photography.

Buy now: $999

Environmental Portraits – Fujifilm 23mm F2 R WR

Here are the pros and cons from our full review:

Pros

Good image quality

Seriously and surprisingly fast focus. This lens is officially Fujifilm’s fastest.

Fast focus on the X Pro 2, X-T2 and even the X Pro 1. The latter completely shocked me.

Nice colors

Compact size

Weather sealing

Turning the aperture ring feels nice and smooth until the clicks come in. It’s a tactile experience that’s just lovely.

Sharp images

Fairly nice bokeh

Affordable price point

Cons

Something about this lens just simply doesn’t have the magic the 23mm f1.4 R has

Buy now: $449

Documentary Photography – Fujifilm 23mm F1.4 R WR

Here are the pros and cons from our full review:

Pros

Superb image quality

Beautiful bokeh

Lots of great sharpness with even a bit of what seems like micro-contrast

Well built

Snapback focusing ring

Cons

Buy now: $899

Wedding Photography – The Fujifilm 35mm F1.4

Here are the pros and cons from our full review:

Pros

Exceptional image quality

Jaw-dropping sharpness

Focusing speed has improved with further firmware updates

The excellent metal build quality

The finish will make it look like an old lens over time

Cons

Still a bit too slow to focus in some situations, but when you have this kind of image quality, you really can’t complain

Buy now: $599

Pro Tip: Lenses, no matter what you spend on them, need to be taken care of. We always talk about the importance of cleaning lenses, because if you don’t do it often, not only will your image quality suffer, but so will lens performance. You don’t have to spend a fortune to get a good quality lens cleaning kit. This one comes with everything you need. Keep it in your camera bag and clean as you go.

Street Photography – Fujifilm 35mm F2 R WR

Here are the pros and cons from our full review:

Pros

It’s $449

Weather sealing

Fast autofocus performance on the newer cameras (sorry X Pro 1 users)

Sharp optics and image quality

Nice bokeh

Only gets sharper when you use a flash

Pretty compact

Nice build quality

Cons

Buy now: $399

Concert Photography – Fujifilm 56mm R F1.2

Here are the pros and cons from our full review:

Pros

Super sharp wide open. In fact, this is the sharpest lens for Mirrorless cameras we’ve tested.

Excellent resolution and sharpness when studio lighting is used

Dreamy bokeh

Great feel in the hand

In good to fair lighting, its focusing abilities are about as fast as the company’s 35mm f1.4 offering

Almost no reason to stop it down, and you’ll be encouraged to shoot wide open

Cons

Even though it is an f1.2 lens, we wish the aperture were faster

Misfocusing happens a bit more than we’d like it to in low light situations

Fairly expensive

Color rendition from the 35mm f1.4 is a tad better

Buy now: $999

Macro Photography – Fujifilm 80mm F2.8 R LM OIS WR

Here are the pros and cons from our full review:

Pros

Image Stabilization is good

Weather Resistant

Really Sharp

Convenient focal length for macro and portrait work

True 1:1 reproduction

Cons

The lens is loud (honestly sounds like a late 90’s mechanical hard drive at times)

It’s huge compared to most other XF lenses

Buy now: $1,199

Portrait Photography – The 90mm F2 R LM WR

Here are the pros and cons from our full review:

Pros

Superb image quality

Weather sealing

Great bokeh

Very sharp image quality

Makes great use of Fujifilm’s Classic Chrome and Astia film renderings

Well balanced with both the X Pro 1 and the X-T1

Lightweight

Focusing ring feels really big and beefy

Surprisingly fast and accurate focusing

Pretty much no distortion

Perhaps the single best portrait lens Fujifilm has made for the X series camera system: even better than the 56mm f1.2

Cons

Fujifilm’s largest prime lens to date of publishing this review

No image stabilization

Buy now: $949

Pro Tip: When it comes to Fujifilm primes, you’ll find that a lot of them are weather-sealed, but there are a few that aren’t. If you want to go outside and shoot when the weather is not the best, and you want to make sure your lenses and cameras are protected, you should keep some weatherproof camera and lens covers in your camera bag. Slip one of these covers on your camera and lens, and you’ll be able to shoot in any weather you choose.

Sports and Wildlife Photography – 200mm F2 R LM OIS WR

Here are the pros and cons from our full review:

Pros

Great image quality

Crisp

Weather sealed

Fast autofocus

Image Stabilization means you can handhold this lens with the X-T3

Fairly compact

Focus switches

Amazingly lightweight and not at all difficult to carry around

Cons

Buy now: $5,999

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hellohackedtechposts · 4 years

Text

Fujifilm X-T20 review | TechRadar

Our Verdict The X-T2 is one of our favourite cameras at the moment, and with the X-T20 Fujifilm has managed to distill many of these key features into a slightly more compact and affordable camera that's likely to hit the sweet spot for many photographers. For Rich and detailed images Tactile controls Excellent handling Advanced AF system Film simulation modes Against Limited touchscreen control EVF magnification Battery life could be better Just as when it followed up the X-T1 with the X-T10, Fujifilm has taken a lot of the good stuff from the X-T2 and packaged it in a lighter, more affordable body to give us the X-T20. Rather than leaving a 16-month gap between launching the two cameras as it did with the X-T1 and X-T10 though, Fujifilm has hardly missed a beat, announcing the X-T20 just over four months after the X-T2. So should X-T2 owners now be kicking themselves over their purchase, or are there enough differences to separate the two?

Features

APS-C X-Trans CMOS III sensor, 24.3MP Touchscreen control High-resolution electronic viewfinder Just as we’ve seen with the X-Pro2 and X-T2, the X-T20 incorporates Fujifilm’s latest 24.3MP X-Trans CMOS III APS-C sensor. It delivers a significant boost in resolution from the X-T10’s 16.3MP sensor, and brings the new camera in line with pretty much most of its competitors. Fujifilm X-T20 specs Sensor: 24.2MP APS-C CMOS Lens mount: Fujifilm X-mount Screen: 3.0-inch tilt-angle touchscreen, 1,040,000 dots Burst shooting: 8fps Autofocus: 325-point AF Video: 4K Connectivity: Wi-Fi and Bluetooth Battery life: 350 shots Weight: 383g The ISO range gets a boost as well, with a native sensitivity range of ISO200-12,800, compared to ISO200-6,400 on the X-T10, and while the expanded range stretches to the same sensitivity limits of ISO100-51,200, there’s some welcome news here too – unlike on the X-T10, where the expanded range was restricted to JPEG-only files, the X-T20 allows you to shoot raws as well JPEGs at this expanded range. The X-T20 sticks with the same 2.36 million-dot OLED electronic viewfinder as we saw on the X-T10. Interestingly, while the resolution matches that of the EVF used in the X-T2, the magnification isn’t quite as impressive, at 0.62x compared to 0.77x, and not quite a match for the Lumix G80/G85’s 0.74x magnification. While the X-T2 did away with a touchscreen interface at the rear – at the time Fujifilm believed, after feedback from users, that there wasn’t a demand for it – it seems to have had a bit of a change of heart for the X-T20. The X-T20’s 3.0-inch touchscreen doesn’t quite offer the same breadth of control as, say, the one on the Canon EOS M5 or G80/G85 though, limiting you as it does to tapping the display to acquire focus and trigger the shutter, in addition to pinching to zoom when reviewing images; if you’re hoping to be able to toggle and adjust controls on the rear display you’ll be left disappointed. The X-T20 sticks with the same 2.36 million-dot OLED electronic viewfinder as we saw on the X-T10 Resolution receives a boost over the X-T10, increasing from 920k-dots to 1.04m-dots, matching that of the X-T2. Unlike the X-T2, the X-T20’s display doesn’t take advantage of Fuji’s double-jointed design, but the mechanism still allows you to pull the display outwards for waist-level shooting, and downwards should you want to use the camera raised aloft. The X-T20 also comes equipped with Fujifilm’s X-Processor Pro imaging engine, which sees it spring into life a little quicker than the X-T10 at 0.4 seconds, while the shutter lag has been reduced to 0.05 seconds. There’s just a single SD card slot on the X-T20, compared to the X-T2’s two, while it doesn’t support UHS-II cards. The X-T20 offers 4K video capture (3840 x 2160) at 30p as well as Full HD (1920 x 1080) at 60p, both of which support film simulations as well. There’s an input for a microphone, but not for audio monitoring. Best mirrorless camera: 10 top models to suit every budget Read the full article

#DailyNews

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rebeccadeavers · 5 years

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Review Fujifilm X-T3: Autofocus Jempolan untuk Foto Dan Video

Review Fujifilm X-T3: Autofocus Jempolan untuk Foto Dan Video:

Akhirnya saya bisa menjajal kamera Fujifilm X-T3. Saya memang agak-agak penasaran dengan kamera ini. Seperti anak kecil yang penasaran dengan mainan-mainan baru yang ada di etalase online bukalapak.com.

Saya sendiri pengguna Fujifilm X-T1, namun ketika muncul X-T2 saya belum minat upgrade. Tapi, “mainan” yang satu ini beda. “Ini fokusnya cepet banget. Kayak playboy lihat cewek cakep langsung difokus dan dimodus,” ujar teman saya.

Sebuah pengandaian yang agak lebay. Namun, itu bikin saya penasaran untuk jajal. Soalnya, spesifikasi jeroannya sebenarnya tidak terlalu menggiurkan. Biarpun X-T3 punya sensor 26,1 megapiksel baru, tapi itu hanya beda dua megapiksel dari X-T2 sebelumnya.

Tapi, jangan salah. Sensor ini adalah sensor pertama dengan back-illuminated X-Trans yang menjanjikan bisa merekam cahaya lebih baik dan menghasilkan kualitas foto lebih jempolan.

Tetap mengusung kontrol dengan gaya klasik analog di mana setiap kontrol disediakan tombol dial masing-masing (foto: Yuliandi)

FITUR

Ya. Fokus cepat itu memang menggiurkan, karena untuk pemotretan dengan subjek bergerak akan lebih memudahkan. Begitu juga untuk perekaman video. Dari spesifikasinya, sensor baru ini memiliki 2,16 juta sensor phase detection yang menyebar di seluruh area foto.

Performa autofocus yang lebih baik ini juga dibarengi dengan kecepatan perekaman continuous-nya yang lebih cepat juga.

X-T3 mampu merekam pada 11 fps dengan shutter mekaniknya dan 30 fps dalam modus electronic shutter dengan modus 1,25x cropped ‘Sports Finder’ baru pada kamera ini.

Yang lebih mengesankan lagi, khususnya untuk para penyuka videografi, adalah kemampuan untuk merekam video 4K 10 bit hingga 60p dengan colour sampling 4:2:0 (jika menggunakan recorder eksternal, hingga 4:2:2).

Untuk pelaku videografi, ada dukungan rekam video 4K 60p 10 bit. Untuk merekam 4:2:2 10 bit, diperlukan external recorder (foto: Yuliandi)

Spesifikasi rekam video kayak gini tuh terbilang istimewa untuk kamera mirrorless, khususnya lagi di antara kamera bersensor APS-C. Meskipun dari sisi desain tidak banyak perubahan yang terjadi.

BODI & KONTROL

Seperti X-T2 atau X-T1, kontrol kameranya ala kamera film analog. Tidak ada tombol shooting mode bertuliskan APSM, tapi menjadi beberapa jajaran tombol, dari tombol putar shutter speed, ISO hingga ring lensa untuk mengatur aperture.

Saya menjajal X-T3 menggunakan lensa Fujinon 18-55mm f/2.8-4. Dengan lensa ini, mengubah aperture dilakukan dengan memutar cincin pada lensa, dan angkanya ditunjukkan pada display kamera. Bukan di ring lensa.

Display kamera yang jernih dan tajam. Bisa ditekuk-buka tapi tidak bisa fleksibel penuh. Bisa dilipat ke atas, bawah, dan juga ke kiri untuk memudahkan pemotretan portrait (foto: Yuliandi)

Electronic viewfinder X-T3 sempurna. Resolusinya 3,69 juta dot dan Fujifilm menjanjikan refresh rate 100 fps akan memberikan jeda hanya 0,005 detik.

Dengan kemampuan seperti ini, gerakan ketika panning dengan objek yang bergerak cepat seperti mobil balap, akan lebih halus, sehingga memudahkan memposisikan objek tetap di tengah frame.

Ada dua tombol putar dial kontrol, satu di depan dan satu di belakang untuk beragam fungsi selain bisa untuk mengatur shutter speed dan aperture. Tombol ini punya fungsi tambahan jika ditekan untuk akses cepat ke setting tertentu, selain tombol Q.

Bagian belakang kamera juga mempunyai ‘thumbstick’ kecil (focus lever) untuk menggerakkan titik fokus pada frame. Cara lain menggerakkan titik fokus menggunakan touchscreen.

Intinya, untuk pengguna lama kamera-kamera Fujifilm dengan kontrol analog, seperti seri X-Pro, X-E, dan X-T, tidak akan terlalu kesulitan untuk beradaptasi dengan kontrol di kamera ini.

Terdapat tombol putar drive mode di bawah tombol putar ISO di bagian kiri penampang atas dan tombol putar metering di bawah tombol putar shutter speed di sisi kanan (foto: Yuliandi)

PERFORMA

Untuk membuktikan autofocus-nya, saya mencoba kamera ini untuk beberapa kondisi pemotretan: memotret objek bergerak di low light dan memotret makro objek kecil seperti serangga yang biasanya sulit mendapat fokus.

Dan pemotretan untuk objek-objek itu, terasa banget cepat dan mudahnya. Memfokus benda kecil yang bergerak cepat biasanya susah sekali, tapi autofocus ini banyak membantu agar lebih mudah.

Autofocus baru ini terasa cepat dan responsif. Meskipun ini juga tergantung dari lensa Fujinon yang digunakan ya. Dengan lensa Fujinon 27mm f/2.8 memiliki aktuator yang lebih lambat membuat autofocus X-T3 terasa kurang efektif.

X-T3 bisa “menangkap” objek yang bergerak cepat dengan sangat baik, bahkan ketika objek bergerak ke arah kamera. Triknya adalah memilih mode fokus yang tepat, menggunakan ‘zona’ fokus dengan grup titik AF.

Memotret makro dengan objek serangga yang bergerak cepat dan berukuran kecil, biasanya bikin sebel karena susah. Tapi, bisa ditaklukkan X-T3 dengan mulus (foto: Yuliandi)

Dengan kamera mirrorless, biasanya viewfinder elektronik menjadi kelemahan untuk menangkap aksi cepat, nggak cuma di sistem autofocus-nya. Nah, X-T3 terasa bagus kualitas jendela bidiknya.

Tingkat detail yang terekam kamera memuaskan kualitasnya berkat sensor ber-megapixel besarnya. Biarpun tidak menggunakan sensor full frame, kombinasi sensor APS-C tanpa low-pass filter terbukti memuaskan.

Autofocusnya berjalan mulus meskipun ketika digunakan untuk membidik saat kondisi low-light atau minim cahaya (foto: Yuliandi)

JPEG dari kamera ini amat bagus, dengan detail tekstur, dan kontrol noise yang jempolan. Mode Film Simulation kamera ini menawarkan warna-warna yang kaya, pekat, dan terlihat alami untuk pengguna JPEG. Oya, ada simulasi film Eterna untuk foto dan video juga loh di X-T3.

Karena kamera ini diperuntukkan juga bagi penyuka videografi, disediakan juga simulasi film Eterna untuk foto dan video (foto: Yuliandi)

Sayangnya, X-T3 nggak punya stabilisasi gambar di bodinya, tapi banyak lensa Fujinon yang sudah punya stabilisasi gambar, jadi kita bisa memadukan dengan lensa-lensa tersebut agar lebih optimal ketika memotret dinamis atau dalam kondisi low light.

Autofocus yang cepat dan akurat plus ditambah prosesor baru, membuat continuous shooting jadi lebih mulus (foto: Yuliandi)

Secara ergonomis, X-T3 terasa seperti X-T2 dan X-T1 dan feel-nya seperti kamera SLR film jadul. Terasa seimbang ketika digunakan, dengan kontrol yang mantap dan kesan kualitas premium.

Memang resolusinya tidak bertambah banyak, tapi banyak peningkatan yang terasa di jeroan untuk pemrosesan, kapabilitas autofocus, dan video 4K. Ini sudah lebih dari cukup dan performanya mengesankan.

KESIMPULAN

X-T3 sangat bagus di banyak area hingga sangat sulit menemukan kekurangannya. Seandainya buffer depth lebih besar akan lebih membantu untuk pada modus continuous shooting ataupun merekam video. Memang, tidak adanya penstabil guncangan di dalam bodi kamera terasa agak nanggung.

Tapi mengingat harga yang lebih “masuk akal” jika dibandingkan dengan kemampuan kamera ini, kekurangan tersebut bisa ditutupi. Dan buat saya sendiri, autofocus-nya memang bikin takjub. Yang suka motret objek bergerak cepat, akan terasa banyak terbantu.

SPESIFIKASI

Sensor

26 megapixels APS-C (23.5 x 15.6 mm) BSI-CMOS

Prosesor

X-Processor 4

Jumlah titik AF

425

Shutter speed

1/8000 detik (1/32000 detik untuk shutter speed elektronik)

Rentang ISO

Auto, 160-12800 (dipacu hingga 80-51200)

Exposure compensation

-5.0EV - +5.0EV, 1/3EV step

Video

4K(4096×2160) 59.94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps; 4K(3840×2160) 59.94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps; Full HD 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps

Memory card

SD Card/SDHC/SDXC

Layar

3-inci touchscreen, 1040k dots

Konektivitas

Bluetooth, Wi-Fi

Dimensi

133 x 93 x 59 mm

Berat

539 gram (termasuk baterai)

Harga

sekitar Rp 22,9 juta

Penulis: Yuliandi Kusuma

from https://review.bukalapak.com/gadget/review-fujifilm-x-t3-autofocus-jempolan-untuk-foto-dan-video-99343 from https://bukareview0.tumblr.com/post/182184962068

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bukareview0 · 5 years

Link

Saya sendiri pengguna Fujifilm X-T1, namun ketika muncul X-T2 saya belum minat upgrade. Tapi, "mainan" yang satu ini beda. "Ini fokusnya cepet banget. Kayak playboy lihat cewek cakep langsung difokus dan dimodus," ujar teman saya.

Tapi, jangan salah. Sensor ini adalah sensor pertama dengan back-illuminated X-Trans yang menjanjikan bisa merekam cahaya lebih baik dan menghasilkan kualitas foto lebih jempolan.

Tetap mengusung kontrol dengan gaya klasik analog di mana setiap kontrol disediakan tombol dial masing-masing (foto: Yuliandi)

FITUR

Performa autofocus yang lebih baik ini juga dibarengi dengan kecepatan perekaman continuous-nya yang lebih cepat juga.

X-T3 mampu merekam pada 11 fps dengan shutter mekaniknya dan 30 fps dalam modus electronic shutter dengan modus 1,25x cropped ‘Sports Finder’ baru pada kamera ini.

Untuk pelaku videografi, ada dukungan rekam video 4K 60p 10 bit. Untuk merekam 4:2:2 10 bit, diperlukan external recorder (foto: Yuliandi)

Spesifikasi rekam video kayak gini tuh terbilang istimewa untuk kamera mirrorless, khususnya lagi di antara kamera bersensor APS-C. Meskipun dari sisi desain tidak banyak perubahan yang terjadi.

BODI & KONTROL

Display kamera yang jernih dan tajam. Bisa ditekuk-buka tapi tidak bisa fleksibel penuh. Bisa dilipat ke atas, bawah, dan juga ke kiri untuk memudahkan pemotretan portrait (foto: Yuliandi)

Electronic viewfinder X-T3 sempurna. Resolusinya 3,69 juta dot dan Fujifilm menjanjikan refresh rate 100 fps akan memberikan jeda hanya 0,005 detik.

Dengan kemampuan seperti ini, gerakan ketika panning dengan objek yang bergerak cepat seperti mobil balap, akan lebih halus, sehingga memudahkan memposisikan objek tetap di tengah frame.

Bagian belakang kamera juga mempunyai ‘thumbstick’ kecil (focus lever) untuk menggerakkan titik fokus pada frame. Cara lain menggerakkan titik fokus menggunakan touchscreen.

Intinya, untuk pengguna lama kamera-kamera Fujifilm dengan kontrol analog, seperti seri X-Pro, X-E, dan X-T, tidak akan terlalu kesulitan untuk beradaptasi dengan kontrol di kamera ini.

Terdapat tombol putar drive mode di bawah tombol putar ISO di bagian kiri penampang atas dan tombol putar metering di bawah tombol putar shutter speed di sisi kanan (foto: Yuliandi)

PERFORMA

Dan pemotretan untuk objek-objek itu, terasa banget cepat dan mudahnya. Memfokus benda kecil yang bergerak cepat biasanya susah sekali, tapi autofocus ini banyak membantu agar lebih mudah.

X-T3 bisa "menangkap" objek yang bergerak cepat dengan sangat baik, bahkan ketika objek bergerak ke arah kamera. Triknya adalah memilih mode fokus yang tepat, menggunakan ‘zona’ fokus dengan grup titik AF.

Memotret makro dengan objek serangga yang bergerak cepat dan berukuran kecil, biasanya bikin sebel karena susah. Tapi, bisa ditaklukkan X-T3 dengan mulus (foto: Yuliandi)

Dengan kamera mirrorless, biasanya viewfinder elektronik menjadi kelemahan untuk menangkap aksi cepat, nggak cuma di sistem autofocus-nya. Nah, X-T3 terasa bagus kualitas jendela bidiknya.

Autofocusnya berjalan mulus meskipun ketika digunakan untuk membidik saat kondisi low-light atau minim cahaya (foto: Yuliandi)

Karena kamera ini diperuntukkan juga bagi penyuka videografi, disediakan juga simulasi film Eterna untuk foto dan video (foto: Yuliandi)

Autofocus yang cepat dan akurat plus ditambah prosesor baru, membuat continuous shooting jadi lebih mulus (foto: Yuliandi)

Secara ergonomis, X-T3 terasa seperti X-T2 dan X-T1 dan feel-nya seperti kamera SLR film jadul. Terasa seimbang ketika digunakan, dengan kontrol yang mantap dan kesan kualitas premium.

Memang resolusinya tidak bertambah banyak, tapi banyak peningkatan yang terasa di jeroan untuk pemrosesan, kapabilitas autofocus, dan video 4K. Ini sudah lebih dari cukup dan performanya mengesankan.

KESIMPULAN

Tapi mengingat harga yang lebih "masuk akal" jika dibandingkan dengan kemampuan kamera ini, kekurangan tersebut bisa ditutupi. Dan buat saya sendiri, autofocus-nya memang bikin takjub. Yang suka motret objek bergerak cepat, akan terasa banyak terbantu.

SPESIFIKASI

Sensor

26 megapixels APS-C (23.5 x 15.6 mm) BSI-CMOS

Prosesor

X-Processor 4

Jumlah titik AF

425

Shutter speed

1/8000 detik (1/32000 detik untuk shutter speed elektronik)

Rentang ISO

Auto, 160-12800 (dipacu hingga 80-51200)

Exposure compensation

-5.0EV - +5.0EV, 1/3EV step

Video

Memory card

SD Card/SDHC/SDXC

Layar

3-inci touchscreen, 1040k dots

Konektivitas

Bluetooth, Wi-Fi

Dimensi

133 x 93 x 59 mm

Berat

539 gram (termasuk baterai)

Harga

sekitar Rp 22,9 juta

Penulis: Yuliandi Kusuma

from https://review.bukalapak.com/gadget/review-fujifilm-x-t3-autofocus-jempolan-untuk-foto-dan-video-99343

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miniliew-blog · 7 years

Text

Cheap Lens for FujiFilm X-T1 - Kamlan 50mm f1.1

Cheap Lens for FujiFilm X-T1 – Kamlan 50mm f1.1

Date: Oct 19, 2017 I love to take picture with my FujiFilm X-T1. And I love to use a large aperture lens so that it gives nice Bokeh effect. Thanks to him (i.e. Kai Wong) did a review on this Kamlan 50mm f1.1 lens. After watching the video, I immediately logon to Amazon and bought it. And guess what, it delivered to me in Singapore.…

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photofix101 · 7 years

Text

Remember the Fujifilm XT1 is only 16 megapixels but with the right lens and lighting you’d never know the difference between this and many other bodies with more megapixels and newer technology. Paired with the Voigtlander 58mm f1.4 manual focus lens attached via a K&F Concept adaptor, and with the aid of focus peaking, I decided to try out my new Magmod flash modifier mounted on an old Nikon SB800. Needless to say this is not a terribly practical setup as the SB800 is really too big and heavy for the XT1, however I wanted to see what the flash modifier could do paired with a great lens. Results were very impressive. Click pictures for larger view. Enjoy.

Fujifilm XT1 + 58mm Voigtlander + Magmod flash modifier – nice lighting option to soften flash Remember the Fujifilm XT1 is only 16 megapixels but with the right lens and lighting you'd never know the difference between this and many other bodies with more megapixels and newer technology.

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wespottech · 5 years

Text

مراجعة شاملة لكاميرا FUJIFILM X-T2 (المواصفات-السعر-المميزات-العيوب)

أذا كنت من عشاق كاميرات Fujifilm وتتطلع إلى خليفة لكاميرا فوجي فيلم X-T1 أو اذا كنت مجرد أحد هواة التصوير الفوتوغرافي الذين يبحثون عن أداة جديدة وجيدة تساعدهم في ممارسة هوايتهم، فأنت اذاً تريد أن تعرف كل شئ عن كاميرا X-T2 4K Mirrorless Camera. يعد هذا المنتج الجديد من Fujifilm واحدًا من أفضل الكاميرات التي لا تحتوي على مرايا في السوق نظرًا للميزات التي تم اضافتها والتي تم إرفاقها بتصميم عصري أنيق.

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#سعر كاميرا FUJIFILM X-T2 #عيوب كاميرا FUJIFILM X-T2 #مميزات كاميرا FUJIFILM X-T2 #مواصفات كاميرا FUJIFILM X-T2

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Best mirrorless camera 2019: 10 top models to suit every budget If you want to find out what's the best mirrorless camera you can buy in 2019, you've come to the right place. Since Panasonic launched the first mirrorless camera in 2008, the genre has grown massively, with models to suit every budget and ability. Mirrorless cameras allow you to swap and change lenses like a DSLR, but because the mirror inside the camera has been removed (hence the name, with mirrors used to bounce light from the path of the lens up into the optical viewfinder of a DSLR), it has allowed designers to make mirrorless cameras much more compact than DSLRs. No mirror means that instead of optical viewfinders to frame your subject, mirrorless cameras rely on electronic viewfinders instead. Be aware, too, that most cheaper mirrorless cameras don't come with viewfinders at all – instead, you compose the photo on the rear screen, just as you do with most compact cameras or smartphones. You'll find that mirrorless cameras are also known as compact system cameras (or CSCs for short), with models ranging from the simple to use beginner models to sophisticated full-frame monsters that rival the very best DSLRs out there. Why are mirrorless cameras better? Is a mirrorless camera better than a DSLR then? There are still quite a few pros and cons to both designs, so if you want to find out more, read this: Mirrorless vs DSLR cameras: 10 key differences Mirrorless cameras certainly offer more choice. If you're looking to buy a DSLR, there's only really two main players in the shape of Canon and Nikon. If you opt for a mirrorless camera, the choice is much broader, with the likes of Canon, Panasonic, Fujifilm, Sony, Olympus and Leica all offering a wide range of cameras to suit most budgets. Things got really interesting in the last half of 2018, with big announcements from Canon and Nikon in the shape of the EOS R, Z6 and Z7. While it would be very easy to select 10 high-end models to make up our pick of the best mirrorless camera, we've tried to pick out some more affordable options as well. These models might not be dripping in features, but they represent great options for new users and those on a budget. That said, if you're looking specifically for a budget mirrorless camera, take a look at our best mirrorless camera for beginners buying guide. So whether you're after a better camera than the one featured on your smartphone or are looking for an advanced, high-end model to push your creativity even further, read on to find out what are the best mirrorless cameras you can buy right now. Best mirrorless cameras in 2019 As we've touched on, 2018 saw the mirrorless camera market really take off, with a flurry of new launches, from entry-level to professional-focused cameras. 2019 has already seen Sony, Olympus, Panasonic, Canon and Fujifilm announce new mirrorless cameras in the shape of the Alpha A6400, OM-D E-M1X, Lumix S1R, EOS RP and X-T30. For now though, this is our pick of the best mirrorless cameras in 2019. Nikon's Z6 rockets straight to the top of our best mirrorless camera charts, and just edging out its closest rival, the Sony Alpha A7 III. There's not much to choose between them, but we reckon the Z6 just nudges it thanks to its brilliant blend of features and performance which makes it a brilliant choice for the enthusiast photographer or pro photographer looking for a second body. The 24.5MP full-frame sensor delivers beautiful results with great color reproduction and detail, while the 273-point AF system (while not quite as sophisticated as the 693-point AF in the A7 III) and 12fps burst shooting should mean you'll never miss another shot. Handling is polished too, while the large and bright electronic viewfinder is a joy to use. Read our in-depth Nikon Z6 review The Alpha A7 III may sit on the bottom rung of Sony's full-frame mirrorless camera range, but it should no longer be seen as the poor relation to its pricier siblings. This is a brilliant choice for the enthusiast photographer or pro, and when you look at the specification, it's easy to see why. Sony has taken some of the best bits from its flagship Alpha A9 and A7R III cameras, and distilled them into a single camera that offers a fantastic mix of performance and image quality. The full-frame 24.2MP sensor is excellent in a range of lighting conditions, while the advanced 693-point AF looks set to get even better with a firmware upgrade in April. This is one advanced camera that's at a great price considering the features and performance on offer. Read our in-depth Sony Alpha A7 III review Like the sound of the Z6, but want more megapixels? Then the 45.7MP Z7 should do the trick. Sharing an identical design to the Z6, Nikon's first full-frame mirrorless camera is a real triumph. It may be a first-generation camera, but we think Nikon's knocked it out of the park with the Z7 right from the get-go. The densely populated 45.7MP sensor is brilliant, delivering some of the best results we've seen on a mirrorless camera, while the effective in-camera image stabilization also delivers. Factor in a beautiful EVF, excellent handling, very competent AF performance and great response throughout, and it's easy to see why the Z7 is such a pleasure to use. Read our in-depth Nikon Z7 review Like the look of the A7 III but want even more pixels? Step forward the 42.2MP Alpha A7R III. It has to be one of the most complete and versatile cameras available today. With a brilliant full-frame 42.2MP sensor, the Alpha A7R III is supported by an advanced 399-point AF system and 10fps burst shooting, proving you no longer have to sacrifice performance for resolution or vice versa. Did we mention it shoots excellent 4K footage as well? This is a camera that would be equally at home perched on a mountain shooting brooding landscapes, in a studio capturing high-end portraits or shooting fast moving sport or wildlife. Read our in-depth Sony Alpha A7R III review The X-T2 was one of our favorite cameras for a long time, but the X-T3 improves on it in pretty much every single way. The new 26.1MP X-Trans sensor might not be a massive leap in resolution over the 24.3MP sensor in the X-T2, but noise control is even better. Focusing also takes a leap forward, with a staggering 2.16-million phase detect AF pixels (with a maximum of 425 selectable points) to help the X-T3 track focus smoothly. There's also now touchscreen control, 11fps burst shooting and a number of other improvements, particularly when it comes to shooting 4K video. That's not forgetting the array of body-mounted controls that's all wrapped-up in a tactile body, that all goes to make the X-T3 a brilliant camera. Read our in-depth Fujifilm X-T3 review The OM-D E-M10 Mark III might not be a massive leap forward over the Mark II, with much of the camera's specification remaining the same. However, Olympus has refined and tweaked one of our favorite mirrorless cameras to make it an even more tempting proposition for new users and enthusiasts alike. Some will criticise the smaller Micro Four Thirds sensor format (roughly half the area of APS-C) but the effect on image quality is minor and it means that the lenses are as compact and lightweight as the camera itself. Sporting a 5-axis image stabilization system, decent electronic viewfinder, an impressive 8.6fps burst shooting speed and 4K video, it's no toy – the E-M10 Mark III is a properly powerful camera. Read our in-depth Olympus OM-D E-M10 Mark III review You don't have to go full-frame to get the benefit of Sony's great camera technology and this APS-C format model makes a great choice for enthusiasts looking for an alternative to big, heavy DSLR. Sony's equipped the A6400 with a brilliant AF system that not only offers fast focus tracking, but a clever EyeAF system the locks focus on the eye. There's also an excellent electronic viewfinder that makes it easy to see when the subject is sharp and correctly exposed, while the touchscreen can be rotated round 180-degrees that makes it a good choice for vloggers. Image quality is very high and there's built-in Wi-Fi and NFC connectivity to allow to share images via a connected smartphone. Read our in-depth Sony Alpha A6400 review Fujifilm's X-T10 and X-T20 models squished the best bits from the X-T1 and X-T2 respectively into much smaller and cheaper bodies, and the new X-T30 does the same from the X-T3. The result? A powerful, mid-range mirrorless option that's no bother to carry around and is just as much of a star when shooting images as it is 4K video. With a relatively new 26.1MP backlit APS-C sensor, a better autofocus system than before, a tough body and plenty of direct control falling to hand, this is a great all-rounder for a very nice price. Those with larger hands may find its body a little too fiddly, though, which is where the X-T3 (above) has an advantage. Read our in-depth Fujifilm X-T30 hands-on review We're still putting the finishing touches to our review of the Panasonic S1R, but having used it for a while – and having already tested its similar S1 sibling – were pretty confident when we say this camera has the edge over rival bodies in a handful of areas. It's 47.3MP sensor is already impressive as it is, but its ability to output images at 187MP, for example, is insane – superfluous, perhaps, in many environments but with massive possibilities for cropping and for macro work. That 5.76million-dot viewfinder is also streets ahead of the 3.69million-dot alternatives in rival bodies, while the rugged build, effective sensor-based stabilization and cracking 4K video show it to be a camera that excels in a wealth of areas. It's not perfect, but if full-frame shooting is your thing, Panasonic is one to watch right now. Until recently this was the flagship option in Olympus's mirrorless portfolio, and while the E-M1X model tat now sits above it does hold a few advantages, much of what we have there we have here – for about half the price. Built around a 20MP Four Thirds sensor and the Micro Four Thirds lens mount that will happy accept hundreds of different lenses, the weather-sealed E-M1 Mark II boasts a superb image stabilization system, 4K video in both DC1 4K and UHD 4K resolutions, 60fps – yes, 60fps – burst shooting at full resolution and the option to capture images at a 50MP resolution. Sure, the Micro Four Thirds format isn't for everyone, but if you need extra reach with your lenses and speed is a priority, this affordable mirrorless model would serve you beautifully. Read our full in-depth Olympus OM-D E-M1 Mark II review Finally, let's take a quick look at a camera that doesn't quite make the cut in our top 10 mirrorless buying guide, but represents great value. As you can see further up the top you'll see the Alpha A7 III from Sony is one of our favorite mirrorless cameras you can buy right now. If your budget can't quite stretch that far, then why not take a look at the model it replaces? Still available (so is the even cheaper Alpha A7), you get an awful lot of camera for your money. This includes a great 24.2MP full-frame sensor, high-resolution electronic viewfinder and a very capable AF system. Handling isn't quite as refined though as the newer camera, but for the incredibly tempting price, this can be overlooked. You'll be hard pressed to find a better camera for your money. Read our in-depth Sony Alpha A7 II review Best camera Best beginner DSLR Best DSLR Best 4K camera Best full-frame camera Best compact camera What camera should I buy? 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