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#ilie wacs
chicinsilk · 1 year
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US Vogue May 1974
From left to right :
By Mimi Sunshine, bias dress in black and white striped cotton.
From John Kloss for the Kreisler Group, a perfect little black and ivory printed crepe with a scoop neckline and soft elasticated waist. In acetate and nylon (Gallery Screen Prints fabric).
André Laug's fine and transparent woolen veil multicolored polka dots on cream, soft pleats, soft tie.
At Ilie Wacs, the cream silk pajama safari shirt and matching pants.
Geoffrey Beene's crepe de chine pajamas in black and white checks with a long-sleeved shirt top. Of polyester.
From Diane Von Furstenberg, the Art Deco printed pajamas in brown and white. In cotton and rayon.De gauche à droite :
De Mimi Sunshine, robe biaisée en coton rayé noir et blanc.
De John Kloss pour le groupe Kreisler, un parfait petit crêpe imprimé noir et ivoire avec une encolure dégagée et une taille élastiquée douce. En acétate et nylon (tissu Gallery Screen Prints).
Le voile de laine fin et transparent d'André Laug pois multicolores sur crème, plis souples, lien souple.
Chez Ilie Wacs, la chemise safari pyjama en soie crème et le pantalon assorti.
Le pyjama en crêpe de Chine de Geoffrey Beene à carreaux noirs et blancs avec un haut chemise à manches longues. De polyester.
De Diane Von Furstenberg, le pyjama imprimé Art Déco en marron et blanc. En coton et rayonne.
Hair/Coiffure Maury Hopson, François of Suga Salon
Models/Modèles : Anne Holbrook, Charly Stember, Barbara Minty, Kathy Quirk?
Photo Oliviero Toscani
vogue archive
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loueale · 10 months
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Six models, seated cross-legged in a row and wearing print summer dresses and pajamas, from left: striped dress with cap sleeves by Mimi Sunshine; crepe dress with scoop neck by John Kloss; sheer voile dress with pleats by Andre Laug; silk safari pajama by Ilie Wacs; plaid crepe pajama by Geoffrey Beene; and Art Deco print pajama by Diane Von Furstenberg
Vogue May 1 1974
Oliviero Toscani
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Check out this listing I just added to my Poshmark closet: Ilie WACs I. Magnin Vintage 1980's Pantsuit Black Size 6.
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thebeastofblackmoor · 4 years
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I have absolutely no explanation for this, other than to say I should not be allowed to make edits
THIS RULES THANK YOU FOR THE SUBMISSION @trademarknickersoncharm
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trashlie · 3 years
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!!! omg yes yes i’d love for you to write more about that!!!! and! the first post from you i saw about kousuke and how he subverts the trope of the ml??? it was SO GOOD!! and you got another ask that mentioned how people saw yeonggi as the happy go lucky character! it reminded me of this ask which is very long i sent to @somebody-909 😭 i was just gushingggg about secondary male leads bc i for some reason always end up rooting for them and how yeonggi has the vibes even though he’s a main character 😩 and also we talked about other characters like kyo but i forgot that tohru also had dealt with abuse from her own family so in the end it’s like. it’s a story about two survivors finding happiness etc etc 😔🥺 idk idk all of you guys who make analysis are so cool
I hope you don't mind me answering these two asks separately, because I just know if I didn't I would miss too many things, haha!
I'm not sure if I could write a very good analysis of Yeonggi subverting the secondlead trope, but I sure could try! I feel like it's a little more biased because I DO ship Stalkyoo, but I think I can try to work with it! I also remember seeing that ask (I was going through their blog the other day) and I really enjoyed it! Like you, I tend to favor secondary leads, which I think is also because I have a tendency to love the act of yearning and pining lmao and man second leads sure do pine a lot, right? Also because second leads often (though mercifully not always) have a tendency to hesitate and miss their timing or just plain don't act on their feelings, and it creates a big sense of what could have been, and I think when you are someone who favors underdogs, you really fall into that "what could have been" thing, right?
(I think there's also a conversation to be had about first vs second leads and traits of masculinity, but I am admittedly not well-versed enough to do this, but some general food for thought is: often in the case where I favored a first to a second lead, it's because the first lead evoked a lot of traits of masculinity that I don't care for? Jealousy, possessiveness, being cold and not showing their emotions esp compared to a second lead who was often portrayed as gentle with his heart on his sleeve, kind. In a lot of these cases, the second lead is often not favored by the majority of the audience because "he just feels like a friend" aka he lacks the masculine traits people think a man should have~ or blah blah blah. I wonder if this is still a prevalent thing these days? I tend to avoid love triangles so I'm not sure, but, it's something I would like to throw in if I talk about Nol subervting the second lead trope aaahhhhh now I'm just on a whole other tangent lmao)
Here's an embarrassing admission: in the past, when I was young, back in like, 2007 in my first year of college and I started reading Fruits Basket and I watched the original anime lmaooooo I actually really favored Yukki, because I'm a gross sucker for gentle prince types lmaoooo but as I've gotten older, being able to understand what made Kyo and Tohru work so well was really satisfying!
I've become really enamored with the idea of Nol and Shinae as mirrors to each other, able to help each other identify and work on the parts of them where they are weaker or struggle, and the idea of these two people coming from uneasy lives and finding comfort in the sanctuary they create together? WHOLESOME. I live for that shit. (I don't ever want it to read though like I want Shinae to "fix" Nol or anything like that - he has a lot of work to put himself, just like she has for herself, but I like the idea that as they become people who heal themselves, they help each other heal, too, in the ways that they reflect each other, if that makes sense?) Survivors creating their own sense of home, out of the mess that they've endured is.... AAHHHHHH satisfying! There's something so strong about survival, let alone finding comfort in the wreckage of all that tried to destroy you, isn't it? Shinae has been dealt a bad hand in life, lacked opportunities others had, was judged mercilessly without anyone getting to know her; the idea of her becoming a person who can face the world without feeling like she's ill-fit, without feeling like she's out of place, because she's finally learned her value? Hhhhhh I love it! And likewise, Nol being able to face his awful family knowing that he is more than they ever saw in him, that he was never the villain he was made to believe? PLS my heart!!!!!!!!
(You know, my first time I read ILY, before I realized it was deeper than the surface and than I gave it credit for, I was also convinced Nol was a second lead interest, simply based on the fact that so often characters like Kousuke are coded the first lead and that characters like Nol are there to make us sad lmao. I think that's what made writing the Kousuke analysis so easy for me! At one point I decided to a read where I did not view anything through a romantic lens - not even things like the hospital balcony scene or the wac hand holding - to try to judge just what else could be going on under the surface, that's when I started to realize that a lot of scenes are kind of kind of a couple things superimposed over each other. Kousuke and Nol look like they're competing for Shinae's favor when they each remove their jackets, but what does it REALLY mean. Ironically enough, reading without a romantic lens made me favor Nol and Stalkyoo EVEN MORE lmao because I was finally able to pay attention to the nuanced depth and character development, and the way their relationship progressed as she came to trust him and their friendship solidified really made the framework feel obvious. But the point is: like you I tend to favor second leads and I was already favoring Nol on the principle that he's so sad and I just wanted to see it all turn around for him for once lmaooooo)
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wcamino-confessions · 4 years
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just wanted to remind wac users that neopronouns and xenogenders are valid and if I see one more jerk try to make fun of or invalidate peoples pronouns/gender im going to fricking break their shins. just like respect people bro. anywho uh yall are hella valid, ily, and if someone invalidates you dm me and I'll punch them or something idk conflict is scary.
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reidslibrarybook · 2 years
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🎈S🎈Y🎈D🎈
13/21
lmaooo why does the title thing look very 'it'-esque? anyways, i just combined like the next 2 packages in one and the last few gifs will prob be smushed into one too lmaooo. ily bae, happy b-day. i'm just tryna extend this incredible day as long as i can for you. ALSO i was looking at one of the gifs and was like 'damn this gives off early 2010s vibes?' lmaoo ily. also excuse the decrease in quality lmao, i ran out of procreate textures and shit to use so i was just improvising 😭@reidsacademia
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YOU MAKE ME SNORTLE. PERIODT.
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THIS IS THE EARLY 2010S VIBES ONE LMAOOO. i'm kinda sad that the thing covered his hair but i love you and you are loving and i love you 😭
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do i need to explain this one? you drink coffee like you should be drinking liquor
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can you tell my little captions are getting shorter lmaoo, i made these at like 3am and i had a blast with the wac ass music that was playing (edit: i'm leaving these cuz they're kinda funny, you can see my diminishing energy 😭)
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I NEED TO COMMENT ON THE COLOR. THIS IS WEIRD BUT WHY DID I THINK THIS WAS A FITTING COLOR CUZ YOU'D BE DRINKING AND MAYBE GETTING WASTED AND MAYBE EXPELLING...STUFF
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YOU WRITER CREATIVE HOE, THE IDEAS YOU COME UP WITH MAKE ME SO JELLY. YOU AND YOUR AWESOMELY CREATIVE IDEAS MAKE ME 💀💀😪😪😭😌😉😩😵‍💫😳
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i love you, you are loyal to me and i you....per our oath 😌
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haneys · 3 years
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Hi angel ily ❤️ What r some of ur favorite artists and songs? I know a lil bit of what u like but I wanna know more and I wanna listen to Haney music! 😸
hi kurtie I lobe you i love polish rap, Sobel and his album Pułapka Na Motyle I'm listening a lot to i even made a post with it's covers, Bedoes, Szpaku, Kizo, schafter, Oki, Mata, Chivas, Wac Toja, chillwagon, Adi Nowak, DZIARMA, i could go on but i think it's not needed haha!!! I also love countrywmusic very much. I think you should vibe to Pułapka Na Motyle honestly im just obsessed with it!
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“One Spring, Gurs Camp, 1941” by Karl Robert Bodek (1905–1942) and Kurt Conrad Löw (1914–1980). Image courtesy of Yad Vashem. Ilie Wacs wrote that “Everything we’d been through suddenly paled in comparison. The hunger, the disease…the poverty, none of it mattered anymore. We were lucky. Nobody gassed us. We had our lives.” All content derived from my original research as presented in my 2014 MA Thesis --> https://bit.ly/2CLCrnV. . . . #history #jewishhistory #holocaust #holocausthistory #refugees #refugeehistory #immigrationhistory #shanghai #jewishdiaspora #jewishrefugeecommunityofshanghai #historicitywasalreadytaken #historyblogger #historylovers #historigram https://www.instagram.com/historicity_wasalreadytaken/p/BwktLz6Fynp/?utm_source=ig_tumblr_share&igshid=gauw0hvpeh7n
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ierogenvy · 2 years
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send me asks i am too drunk to be coherent and im 1 million % likely to just wac poetic abt how much ily
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finderskeepersny1 · 4 years
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I just added this listing on Poshmark: 💐 VNT Ilie Wacs blazer 80’s red dress top.
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chicinsilk · 2 years
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US Vogue September 1, 1972 ❤️❤️❤️❤️❤️
Model Pola?
My big crush of the day 💕
This coat that wraps and ties... in tweed. You pull it up, tie the belt, put anything and everything underneath - it's the most racy way to wear a coat. ... The Originala's tweed wrap, designed by Ilie Wacs, in brown and beige cream double-sided chevron. Everything is spacious and loose - large notched collar, large patch pockets, raglan sleeves - but nothing overwhelming. That's what makes it so completely casual, and the way you wear it: a fluffy hat on your head, a soft shirt collar pulled back. Spun wool and rayon coat.
Hair Ara Gallant
Photo Richard Avedon
vogue archive
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chicinsilk · 3 years
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US Vogue July 1973❤️❤️❤️❤️❤️
Karen Graham (left) wears a belted and cinched overblouse in navy jersey and a pleated jersey and wool-blend skirt from Damon Sport.
Lauren Hutton (right) wears a black knit cardigan highlighted in leather over a brick-colored wool jersey shirt and pants by Ilie Wacs.
Photo Richard Avedon
Editor Polly Mellen
Hair Ara Gallant
vogue archive
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wcamino-confessions · 4 years
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so im in this group chat named hell and theres 23 or 24 people in it and ive made awesome friends so i just wanna say ily guys sm if you read wac so :)
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Hongkew homes destroyed by US bombs, July 1945. Image courtesy of the Leo Baeck Institute. The “bombs fell like rain,” wrote Ilie Wacs. “Until that moment, despite all our hardships, I had considered myself a spectator of the war, staring out my window, drawing the life below. As the ground shook...it occurred to me I might not be around to see what happened next.” Some, such as Otto Schnepp, felt intense relief at the American bombing. “The tremendous feeling of isolation in the world is a very deep thing...All of a sudden there was this connection to the outside world.” The American bombs killed thirty-five Jewish refugees, thousands of Chinese civilians, and wounded two hundred and fifty persons. Arms, legs, and body parts lay strewn across the streets of Hongkew. Deborah Strobin recalled that “The bombing stopped. I’d been given lessons through the Red Cross. I put on my white cap with the identifiable Red Cross stitched on it. I grabbed my bag, full of bandages, and ran out into the streets... The whole neighborhood had rushed to help…I was ten years old, but I had to be of use. I had no choice about it. I had to grow up fast in case I didn’t grow up altogether.” All content derived from my original research as presented in my 2014 MA Thesis --> https://bit.ly/2CLCrnV. . . . #history #jewishhistory #worldwarii #secondworldwar #holocaust #holocausthistory #refugees #refugeehistory #immigrationhistory #china #chinesehistory #eastasianhistory #shanghai #alliedforces #japan #japanesehistory #militaryhistory #pacificasiantheater #jewishrefugeecommunityofshanghai #historicitywasalreadytaken #historyblogger #historylovers #historigram https://www.instagram.com/historicity_wasalreadytaken/p/BvZr39hFzIt/?utm_source=ig_tumblr_share&igshid=4xidujnj5gzr
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Woodcut by David Ludwig Bloch, depicting Bloch handing his pass to Mr. Ghoya or Okura, surrounded by script depictions of his emotional state while restricted to Hongkew. Image courtesy of the Leo Baeck Institute. Mr. Ghoya was insecure about his height and behaved aggressively towards adult refugees, particularly the men. Ilie Wacs remembered that “out of nowhere he would jump onto a table and slap a man in the face. Especially if that man was tall…He hated tall men.” He often slapped refugees whose behavior annoyed him on any given day, and once smacked Ursula Bacon’s father over the head with a wooden ruler. However, while Mr. Ghoya was aggressive, his colleague Mr. Okura was cruel. Samuel Iwry wrote that Mr. Okura “would give you a pass depending on what mood he was in. He could be very mean, and if he caught anyone disobeying even the smallest rule, he would punish them harshly. The worst was that he would simply send you off to the Ward Road Jail, which was a death sentence because you would die of typhus.” Jewish encounters with these two officials often proved traumatic, particularly to concentration camp survivors. All content derived from my original research as presented in my 2014 MA Thesis --> https://bit.ly/2CLCrnV. . . . #history #jewishhistory #worldwarii #secondworldwar #holocaust #holocausthistory #refugees #refugeehistory #immigrationhistory #china #chinesehistory #eastasianhistory #shanghai #imperialism #japan #japanesehistory #militaryhistory #jewishrefugeecommunityofshanghai #historicitywasalreadytaken #historyblogger #historylovers #historigram #woodcut #woodblock https://www.instagram.com/historicity_wasalreadytaken/p/BuZinY8lAn6/?utm_source=ig_tumblr_share&igshid=4x447tacqj6r
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