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#it's hilarious that people fall for his scary persona and think he's the ultimate evil bad guy sith dictator but he's actually the asshole
eorzeashan · 1 year
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there's something unbelievably funny about Jadus spreading his arms and bellowing revel in the power of the Dark Council when you know he doesn't even attend their meetings in the first place
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comic-panels · 5 years
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Comic Review – Mister Miracle
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Darkseid has often been presented as THE big bad for large DC Comics events. Much like how the Marvel Movies used Thanos (Thanos is basically a mashup of Darkseid and Metron). He is the existential threat, the final boss and because it's comic books he is an evil rock monster in space that Superman can punch. Darkseid can fill that role fine, but in comics I would say he suffers from overplay. It's hard to remain scary when you lose so many times.
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More modern comics (Specifically Grant Morrison's work) have explored the Darkseid as a more internal threat. 
"Darkseid is."
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Really playing on the pun of his name, he is the dark side of everyone. As with a lot of Jack Kirby’s work, Darkseid is both metaphor and supremely literal and frankly I think the magic of superhero comics lies in that duality. The part that’s metaphor allows them to be relatable and inspiring, but looking at them as pure metaphor and they break down. The X-Men don’t work as a representational metaphor because being gay doesn’t make you a living weapon who can murder people by looking at them, but it also can work because it can feel like that’s how the world treats you. Ideally there’s a balance.
Also there’s part where Darkseid is a joke.
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My first experience with Darkseid was in Superman the Animated Series where he was a legitimately intimidating villain both because of the great voicework by Michael Ironside, and because the actions he took and their real impact.
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But as a recurring existential threat he falls flat. Because he's pure evil, he's immutable. He's inflexible.
"Darkseid is."
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Maybe that’s not fair. I think he can be a good recurring threat, but often isn’t because resolving a conflict with him takes a certain tact. As scary as he is, as powerful as he is, he’s a villain in Superhero comics. If it comes down to a fight he is going to lose. Superman will win that 1 on 1.
Darkseid as an in your face threat can fall flat because that pure good vs pure evil beat down is straightforward. Where Darkseid shines as a villain is in the shadows. The puppet master pulling the string. Because then Darkseid isn’t just a giant evil rock man in space for Superman to punch, he is also Granny Goodness, Desad, Kalibak, Lex Luthor, and every two bit crook along the way. He is every pain along the way, every compromise, every dark thought, every mistake, every failure.
“Darkseid is.”
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But Darkseid is also a literal evil rock man in a skirt. And a joke. So the other way Darkseid really works is when he shows up on your couch.
“Darkseid is.”
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Sometimes it’s just a comfy chair or handing you your McDonalds order but the point is he’s just there in the mundane part of the character’s life. His evil permeates everything and because he’s a literal evil rock monster from space sometimes that means an evil eight foot rock monster in a skirt is sitting in your house waiting for you when you get home. “Couchseid” he is sometimes called.
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The reason I went through all that is that’s the thoughts and feelings I had about Darkseid going into this comic. The baggage of expectation and desire I had going in. And before I get into the details I just want to say that this comic completely nails this idea. In fact the entire comic embodies it, extending it out to the entire Fourth World. Contrasting the high fantasy war of good and evil Gods with the mundanity of normal life at every level.
Ok, now let’s dig into Mister Miracle.
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Mister Miracle written by Tom King with art by Mitch Gerads and lettering by Clayton Cowles opens with Mister Miracle bleeding out in his bathroom having slit his wrists in a suicide attempt. That’s where we start.
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“Darkseid is.”
Jack Kirby’s New Gods #1 opens with an epilogue. “There came a time when the old Gods Died!” That’s where we start.
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Mister Miracle is a book about dealing with trauma and the trauma at the heart of The New Gods is the exchange; where Darkseid and Highfather exchanged sons to end a vicious war and bring peace to their worlds. This is the first comic I’ve seen question if that exchange was worth it. What does it say about Highfather that he was willing to sacrifice his infant son and condemn him to hell, even though that meant saving countless lives?
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This comic can do that because this version of Mister Miracle, Scott Free, is so clearly suffering from abuse and trauma and PTSD and this version of Orion is such a jerk and unheroic.
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For Scott and Big Barda the Earth is their home, they have an apartment there, they have normal domestic concerts. Being New Gods and fighting in that war is their day job. But for Orion that war is his life. He is single minded in his desire to destroy Darkseid and his own moral authority. He sees only in absolutes. He’s a cartoon, and in the real world that makes him a monster.
“Darkseid is.”
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So there’s another aspect of Mister Miracle that I haven’t talked about that I love and that all starts with Funky Flashman.
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Funky Flashman is Jack Kirby’s parody of Stan Lee. Well, of the public persona of Stan Lee. He’s out here shouting “ Excelsior!” and whatnot. Tom King and Mitch Gerads make the most of getting to have Stan Lee in their comic. The whole other layer to Mister Miracle beyond its plot is that it’s also a tremendous tribute to Kirby himself, including his work at Marvel. It’s extra crazy that that made it into this DC comic.
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There’s Scott Free’s trial, which takes place in his apartment, that can be read as Kirby up against Steve Ditko’s objectivist beliefs. But the most blatant and amazing is a retelling of The Coming of Galactus and its place within this story. This is legitimately one of my favorite things in any comic I’ve ever read.
It just makes me so happy.
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Mister Miracle is a comic I can’t get out of my head. It has so many perfect moments, whether they’re heartbreaking and tragic or uplifting and life affirming; emotional or frivolous, serious or hilarious. It knocks it out of the park on every front. It’s an unbelievable piece of craft.
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Back to Darkseid.
In Kirby’s Fourth World Good is always stronger than Evil. That’s foundational. Superman is going to win. Darkseid eventually loses no matter how scary or intimidating he is. But...
“Darkseid is.”
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He’s also pernicious and enduring. Ultimately, punches alone aren’t going to solve him. There is some catharsis in that. That’s how Superman: The Animated Series ended; with Superman pummeling Darkseid into submission. But it’s not quite what you want, or at least it’s not quite enough. What’s the answer to “Darkseid is?” What’s the counterpoint? “Darkseid is” is the setup, but you need a punchline.
At the end of Mister Miracle we get exactly that. It’s simple and perfect.
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Mister Miracle written by Tom King with art by Mitch Gerads and lettering by Clayton Cowles is a masterpiece and I cannot recommend it highly enough.
So it goes.
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Thank You For Your Time.
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