#its a little funny that me putting watermarks on my art is kind of a sign of growth??? cause like | Explore Tumblr Posts and Blogs

putris-et-mulier · 7 years

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This shit is why I prefer reading scanlations (as opposed to licensed manga in a graphic novel)

Note: I talk about fangirls and fanboys not referring to gender or sexuality, but in the social structure way of being in a geeky subculture split into two subcultures of its own: consumerist geeks (fanboys) and creative geeks (fangirls)

Honestly, and this is super overdramatic, but I kind of feel loved when I read scanlations. Whether it's funny things like this to cover up unavoidable things that the licensed version could easily get around or a word is misspelled it makes me appreciate the work people have put into it and how proud I am to be part of that tradition.

One page takes multiple people working together just to share something they already have with other fans and depending on the fandom also made it mandatory for work like this to be done by people of different races regions of the country. The Internet was a huge boon because before that it was strictly zines and people in your neighborhood but it also added an element of people from different countries also being required to interact.. It's a lot easier now but in the 90s fangirls, much like our foremothers, somehow worked as a hive mind. No matter who you were or what languages you spoke you could contribute. (Six And I would argue you still can.) I was so lucky to near different Asian communities as well as like a lot of pop culture from Asia. When we were able to go, and had money, we would go and pick up specific titles, if possible, of things the translators wanted or else just get anything that seems the most unfamiliar. It could become a prized jewel of an OTP.

I think it's harder to feel like a community now because the "regular" fans who can't produce art or fiction or translations or brilliant meta have a lot less of a role. They are who kept the community tight and in contact with each other while those of us who could would lose a couple days because we were scanning every single page of a stack of graphic novels or magazines. I knew that if I ever needed to know or find anything I could just shout it out into the fangirl void and I would get an immediate answer because the "regular" fans were librarians on speed. That's how I met one of my closest friends, cosmic, the one I do the podcast and everything with. One of us was very loud and had a platform while the other lurked everywhere and saved everything. When I found out years later that she had seen something I had made before we met and she liked it was amazing. I wasn't upset that other people had taken it and put it on other websites or that she had taken it (and probably immediately delete it, such a jerk) I was really honored.

It always breaks my heart when someone writes in about the podcast or something else and says that they wish they could have friends with a relationship like ours, not just because we are close but because we like different things and have different opinions and not only still get along, we respect each other's opinion and genuinely listen to each other even if we both know we will never let the other person have the last word. I've never met cosmic in person but I've known her for almost half my life exactly but I love her, she's my sister, and we wouldn't have met if the two of us were in fandom now because of the strict class differences.

The "regular" people who surfed around saving pictures and reading over any public conversation knew everything and if they didn't know they knew someone who did. Don't get me wrong, those people who didn't talk to anyone, whether to be informative or just be friendly, were despised lurkers.

The "regular" jobs are easier now but the etiquette laws are a lot more strict. It was a lot simpler when it was all just illegal and "credit to whoever made this" was widely accepted. Mostly because someone would immediately tell everyone who the creator was and people were genuinely interested in the answer because seeing anything new meant that there was something going on somewhere that you aunt and there could be things you have seen yet. It was also a lot easier to excommunicate people from the community who did things like steal fanart/fic because everyone had one IP address.

Everyone's biggest concern was sharing source material with each other, I see fans now who make gifs who are adamant about people not using them or if they do use them to credit them even if they put a watermark on it and I… That perplexes me.

Gifs were my shit, I did them for years and I started back when you did it by taking a screen cap of every frame but you would have to rewind after taking one cap and go back to hope you can identify the next one. It's because videos were impossible for so many people to view but gifs were something everyone could load at least one of if they had a few hours. It was imperative to the fandoms that connected overseas or through a different language like anime and manga fandoms. I would put hours and hours and so many fucking hours into making these things because I was an American with a good Internet connection and parents who hadn't yet found out the dangers™ of the World Wide Web™. I would lovingly make gifs of my OTPs and then begrudgingly make gifs of my nOTPs of things I was even an anti-fan of (usually a competing boy band fandom) because I had the ability to do it and there were tasteless bitches out there who couldn't and might not be able to see it unless I did it and I did this for them and I did because they were my sisters.

Also it made a fandom look bad if the anti-fandom had them out before you.

So, just like sisters.

It's so much easier to make gifs now and the majority of people have the ability to watch the original videos so people making gifs are doing the ones that they love to share with other people that also love them. But that's it? You don't want people to save them and post them as many places as possible so everyone can see what you love? Is that love? It sounds like an abusive relationship, like, "your family is allowed to come over if I know about it in advance but you can't go out with your girl friends anymore" kind of thing.

I get that a majority of fandom still only follows things through gifs so the work is still important but it's so easy to do now and unless you are in a rare fandom someone else is probably already making it. That's why I stopped; but that's another holdover I have from old fandom culture because if I made a gif of something and then someone else did it was a huge insult, and insult I would not make.

Fanart/fic is different so although my being old school makes me less sympathetic to people who don't watermark (and people who cut off watermarks were the scum of the earth) it's also less important than the issue that corporations that have been stealing fanart/fic. Fanart/fic being published, putting fan works under their licenses, it's the thing is a community should be at least concerned about. That goes for people whose fanart is shown on TV or fan fiction is read on TV or a podcast. Fangirls from my era have literally put together legal teams to fight this. I'm proud that a lot of us have used our grown-up skills to still participate in fandom and aren't ashamed of their age.

But gifs? The tiny moving picture you made purely for self-indulgence makes you mad? I get that we came up in different fan cultures but I saw a gif on this website that I had made a decade ago on servers that no longer exist and I cried.

I had made something that I loved and not only did other people love it enough to keep it this whole time but it was thing that people who weren't even born when I made it are enjoying. They are looking at the same little pixels as their foremothers did having the same experience as generations of fans from around the world.

I sound like a fucking hippie but I swear to God I was born in the 80s and I have an obscene amount of Terminator trivia to prove it.

One of our foremothers, who in respect will remain nameless, literally invented slash as the Western genre and she didn't want anyone to know who she was. That seems a little extreme to me but that was the generation before me and so I suppose my generation probably seems out of date.

Regardless of my communist attitude I would be pretty disgruntled doing that job in this current time because you are required to do a great and unique job or no one will even notice what you made. Even if you have a huge talent for it seeing anyone insult you or just not be thankful would be infuriating.

I can also sympathize with the "regular" fans now who feel like they don't have a place. I've had a lot of people tell me that they feel guilty or they are embarrassed that they can't make anything, they can only share it, and I've also had people tell me that they wanted to get into a fandom but because they couldn't make anything they didn't bother because no one cares about them. They didn't watch movies or read books or comic books or listen to music that they may have come to really love and would play an important role in their life. They stick to their wheelhouse and their wheelhouse is what society says people that look or live a certain way determines what the you are allowed to consume.

If that isn't obvious I'll put it simply: diversity becomes more and more scarce this way. People always start with what they are expected to enjoy. Everyone comes into their hobbies and interests starting with what they've been given, already we start out with segregated media/merchandise depending on any minority or "demographic" but people coming into fandom are now coming in already segregated, even amongst people geographically similar to them. The culture of fandom, at least girl fandom, depended on people of different kinds to work together. Diversity is the lifeblood of a subculture like this/these.

The "real" fandom, the part of fandom that has kept the culture going since even the 1700s going, are the ones wasting their time with this because they genuinely love it, if you found something you love that much the fandom becomes your family. Kind of like Drag… Which makes sense because it's art based off of pre-existing work. We form a relatively diverse (based on subcultures) patriarchal communities with people who become closer to us than family, and we half ironically use matriarchal terms and even feminine pronouns universally. Straight dudes in our community were flattered when people assumed they were girls. If a straight dude could pass as a girl on a message board he would get all of the straight girl ass.

I'm not saying that's great or isn't incredibly problematic, I'm just saying… What am I saying? I guess I'm saying that smart straight guys not afraid of masculinity's fragility enough to be effeminate always have stacks of girlfriends. Guys that try that now and fail call it being "friendzoned."

Maybe that's why I love straight guys, I knew all the greatest ones because they were the guys that got into our communities. They were all annoying perverted assholes but they have been some of the best people I've ever known. And they were smart enough to know how to socialize with women naturally enough to understand their relaxed social cues and then they know what the flirting language is amongst general straight women and they use the girls own language to seduce them. That's a good strategy and also safer because you both will have the same expectations of how to broadcast what you are thinking or going to do. And you know how people think that people with foreign accents sound sexy? It's like that but instead of the tone of your voice you could just use a regionless DVD player and some anime.

Straight girls now just have… A bunch of grandmothers around them (you know, people that you don't really want to touch and won't stop telling you what to do) just going on and on about how disappointed they are in you but refusing to even attempt to speak your language so you understand just enough to know you want to get out of the room as quickly as possible and if they suddenly died it would clearly be God's will.

#Christy creare

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helenpattersoon · 6 years

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How to share creative work fairly in the digital age

Reposting beautiful illustrations, inspiring quotes, and funny doodles on social media has become ingrained in our online habits—it’s a new era of digital sharing, and we’re still kinda figuring things out. But there are certainly a few fundamental things to take into consideration before sharing the next illustration that makes you feel, “it me”.

In many cases, these viral gems are original creative works by an artist—an illustrator or graphic designer who has decided to bless us by posting their work online. Artists share their own work as a means of growing their business, to build their portfolio or online presence—of course they want to attract fans and customers who might purchase from their store, hire them for a project, or recommend them to others.

But what often happens is that the original creator’s Instagram handle gets cut off in the process of reposting, or their image is simply uploaded to Twitter without any credit, shared without any trace back to where it came from. There are consequences to this which can affect a designer’s livelihood. So it’s important for all of us to know how to share creative work properly online, whether we want to repost something to a personal channel, or a brand social account. I reached out to artist and author Adam J. Kurtz to learn more and put together this deep dive on how to do it right.

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this is actually sorta the opposite of that old one i posted last week oops

actually just made this today during a zine making workshop i did for @wix’s design playground. it was a fully analog exercise (except for one or two designers who cheated but ok i know it’s hard to not use all our tools!!!) but i just did this little single panel version to share because i like it so much. anyway i had a great time thanks for having me etc.

event photos by @yotiroboti!

A post shared by Adam J. Kurtz (@adamjk) on Jun 18, 2018 at 7:49pm PDT

//www.instagram.com/embed.js

Meet Adam J. Kurtz, an artist and author whose work often goes viral—often without credit

Adam recently published a vlog about his experience of finding his work posted to a company’s social media channel, without his permission or credit. Adam’s first step was to contact the company directly first, asking for the post to be deleted. He received an apology, and was promised that it wouldn’t happen again, however it totally did happen again with the same company. So Adam decided the next step was to request a payment for a ‘retroactive social media license’ for the use of his work—he invoiced the company and was successfully paid. Adam’s vlog is a great explainer on how to share creative work properly online, whether for personal or work use:

youtube

When I first saw Adam’s video I was instantly struck by how well he addressed this new aspect of digital sharing. “I don’t think many of us can exist without sharing our work online”, Adam told me by email, when I asked him about being a very shareable creative in the digital age. “Whether it’s a creative studio portfolio showcase, or individual creatives sharing new work, process, daily warm-ups, or other bits and pieces. It’s how we build our brands, find new fans, and get more clients. This is how the business mostly works now. It can be scary enough to share your work with an audience when you’re worried they might not like it,” Adam explained.

Adam makes a living from his creative work—he’s designed products for the likes of Fish’s Eddy, Urban Outfitters, Tattly, and some of his other clients are Adobe, Instagram, The New York Times, Penguin Random House, Pepsi. Adam’s products, his writing and graphics tap into universal themes that resonate deeply (and are super fun)—it’s understandable that many people connect with what he does and that his work often goes viral.

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the bitch (ur undeniable responsibility for ur own actions) is back

A post shared by Adam J. Kurtz (@adamjk) on Dec 23, 2017 at 9:35am PST

//www.instagram.com/embed.js

While an artist can choose to share their work online to build their own following and establish a presence online—Adam for example has built a following of nearly 200,000 followers on his Instagram account—we need to be more aware of the best way to share designs when it’s created by someone else—whether it’s on our personal account, or when sharing something for a business.

What are the best practices when sharing creative work online?

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inspired by the response to my lil “f u pay me” vlog, here are some guidelines on how to repost my work. in general i’m rly chill and grateful about this but i’m not trying to directly help you sell your granola or meditation classes… when a company wants to use my art for business purposes they can hire me or license something. and of course use your best judgement! . if you’re coming to my instagram or anyone else’s and thinking it’s just a stock image service, you’re mistaken. if you’re enjoying something or feeling encouraged, that’s totally awesome (and the point) and i’m so glad. this post is really more geared towards stopping companies from posting for their own profit, under the guise of “friendly reposts” that undervalue creative work made by real human people. . and if you wanna hear me talk about this for 13 minutes head to YOUTUBE.COM/ADAMJK

i kinda just went in on how our creative work has value and how it’s up to all of us to educate others, especially if we work for a company with a social media team.

the response has honestly got me inspired to talk more and put more videos up. . p.s. i’m not here to publicly shame anyone! that’s not usually the best way to get things done. but if you wanna repost these guidelines or privately share this post with an account you see doing this stuff often, that’d be cool. remember that kindness is often more powerful than anger, especially when trying to educate someone!

A post shared by Adam J. Kurtz (@adamjk) on Jun 18, 2018 at 4:44am PDT

//www.instagram.com/embed.js

Of course if you find something funny or touching, you want to share it with your followers—and there are soooooo many social sharing buttons which make this super easy. But this also makes it easy to accidentally or otherwise cut off the original creator’s handle. When people repost artist’s work to a personal network, this is no doubt a very beneficial action for artists, but you still want to just check quickly that you’ve credited the work properly.

Adam’s tip: When sharing to your personal account, tag the creator in both the image and caption, don’t alter the image, or edit out the creator’s handle or watermark.

Here are some best practises based on Adam’s suggestions, that we encourage everyone (whether for personal or biz use) to consider when sharing creative work—that could be a cartoon, illustration, quote, photo or other image. It’s super helpful advice that can generally be applied to all creative work:

Check that the artist’s credit is not buried under a long comment and paragraph of hashtags. Be mindful of tagging the artist in the first couple of lines underneath the post.

Feature the artist: Is the work being shared because it’s going viral and you want to get in on that, or to showcase the artist? In Adam’s case, he is only ok with brands sharing his work if the point is to showcase the work itself.

Communicate: Brands should not share work without a credit or if the image has been altered. A partnership should not be implied, and the post shouldn’t advertise a sale or promotion if there isn’t one. If you want to set up a partnership with a designer based off an example of their work you like, reach out!

Some of this is common sense, but it’s always good to remind ourselves that there are living, breathing humans behind these designs whose livelihood depends on being properly credited for their work. Why do they post it online if they don’t want us to share it, you ask? Good question! The point is, artists are quite happy for you to share their work—the right way, and with a proper credit. And if you’re a brand using someone’s creative work to build your following online, there should be compensation involved for the artist.

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checklist for getting over common fears — read the book for the actual advice broken down!

. i’m donating 100% of my pride month royalties for @thingsarewhatyoumakeofthem to the @teganandsarafoundation to help them support economic justice, health, and representation for LGBTQ girls and women. . you might remember we raised $7,500 for this great organization with the book preorder campaign last year, but I’m hoping this is a continued opportunity to use my art for good in the same way that @teganandsara continue to use theirs, leading by example for so many of us. . i earn $1.05 per book sold (in bookstores, on amazon, at my 6/13 @strandbookstore event, etc) so we’ll see how much it ends up being! if you haven’t got a copy yet this might be a perfect excuse to help yourself and others. . more details at thingsarewhatyoumakeofthem.com/pride. #thingsare #pride

A post shared by Adam J. Kurtz (@adamjk) on Jun 5, 2018 at 12:47pm PDT

//www.instagram.com/embed.js

I don’t want to scare you from sharing your favourite artist’s work, just be careful about how you share it. Creative people are tired of being told that the ‘exposure’ will be great—if it’s for personal use, a credit can go a long way to bringing new fans (and possible buyers) to a designer’s website. If you’re a brand, unless you’re showcasing the artist’s work only, there’s a responsibility to pay the artist for using their creative work—bills can’t be paid with exposure.

Tips for creators: what to do when you find your work shared without credit

Adam also pointed out to me that the risk for artists these days is not only if the work will be received well, but if it might take on a life of its own without any connection back to the artist, spiralling off into the digital sphere across the umpteen platforms we’re all constantly updating, streaming and scrolling through.

“Now you have to be kind of worried that they will [like it], and might help themselves to it for any number of reasons,” Adam explained. “My perspective is kind of the same for both—make your work and share it. If people don’t like it, they keep on scrolling. If one bad apple out there does repost or otherwise use your work unfairly, you can deal with it then.”

For designers who might be hesitant about sharing their work online, Adam feels that the positive results outweigh the possible risk. “If you don’t share, nobody can ever see anything,” he says. “That is worse than any other negative outcomes. We can’t worry about what we can’t control, so try to let go of those concerns until they become relevant. That’s just good life advice in general, really.”

View this post on Instagram

sometimes laughter is the best medicine… sometimes it’s mood stabilizers! this pin is for anyone working towards balance. about to be sold out for good, i’ve got 20 left.

A post shared by Adam J. Kurtz (@adamjk) on May 19, 2018 at 9:17am PDT

//www.instagram.com/embed.js

If you’re a designer and you find that someone has posted your work without permission or without a credit, here are some tips for creatives that Adam shared with me.

Ask accounts to update their caption: Adam says, “It sucks when it’s already been up for a while, so there’s not the same benefit of having your work seen and a possible influx of followers. But I have a keyboard “text replacement” shortcut on my phone now. With a few taps I can easily paste a little comment that basically says, “Hi thanks for sharing my work but please credit me in the caption so your followers can find my art and books.” It’s not written aggressively, and since I started doing it, most people have responded positively.

Send a private email or direct message first: “There are plenty of people tweeting at big brands and seeing no retweets, no comments, and no response from the brand. So my approach is typically to be direct and discreet first. I DM the brand, email a listed address, or something like that. It keeps people from being on the defensive. And while I can’t really spend the time to educate everybody, it can make a difference later.”

Adam also told us how a proper credit can go a long way for an artist, if their work is featured and shared with a big audience:

When ‘exposure’ is maybe okay but probably not legal: Adam says, “I’ve had one or two popular Instagram accounts […] share my work properly, with clear credit, to audiences of several million. That’s the kind of reposting that we’d all like, where a huge audience gets exposed to our work, and maybe 100+ new followers find us as a result. Reposting content might be questionably legal in the first place, but in the case of those big meme accounts, you can get your ‘payment’ in the form of that proper crediting.”

At the end of the day, if you’re a creative person who’s producing artwork, you should get to decide how that art is used.

Remember, it’s your work—decide how you want your work to be shared: Adam says, “When it’s a company, you are in charge. You might not want a certain business using your art to promote their stuff. You can ask them to delete it, and if they really keep ignoring you, you actually can file a copyright claim through Instagram support. Your work has a value and if a brand hasn’t asked or paid for it first, then you can decide how to respond. It’s your work.”

So, what’s the best way to share my next favourite relatable #content?

In an ideal world everyone would stop and think, “Where did this come from?” before sharing the next pug cartoon or cute illustration which is going viral. When posting to your personal social media channels, make sure you credit the original artist properly with a visible tag, and if an artist has added their name at the bottom of an artwork, don’t cut it off if you’re using a tool which resizes an image (the work should really not be edited at all).

What to do if you’re not sure where an illustration came from? Try to trace it back from where you found it, or use Google reverse image search.

If you’re working for a brand and want to share original work to showcase an artist’s work, at least seek permission first with an explanation as to why you want to make the post, and make sure to add a link to their handle at the top of the description. If the post is being used to promote a business or build brand awareness, contact the artist first to discuss compensation—or commission something especially for you!

Finally, if you notice someone sharing original work without an artist credit, give them a polite heads up and encourage them to repost it with a correction. The artist will love you for it.

Want something created especially for you?

Work directly with a designer to make it happen.

Let’s do it!

The post How to share creative work fairly in the digital age appeared first on 99designs.

via https://99designs.co.uk/blog/

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pamelahetrick · 6 years

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How to share creative work fairly in the digital age

View this post on Instagram

this is actually sorta the opposite of that old one i posted last week oops

event photos by @yotiroboti!

A post shared by Adam J. Kurtz (@adamjk) on Jun 18, 2018 at 7:49pm PDT

Meet Adam J. Kurtz, an artist and author whose work often goes viral—often without credit

View this post on Instagram

the bitch (ur undeniable responsibility for ur own actions) is back

A post shared by Adam J. Kurtz (@adamjk) on Dec 23, 2017 at 9:35am PST

What are the best practices when sharing creative work online?

View this post on Instagram

i kinda just went in on how our creative work has value and how it’s up to all of us to educate others, especially if we work for a company with a social media team.

A post shared by Adam J. Kurtz (@adamjk) on Jun 18, 2018 at 4:44am PDT

Adam’s tip: When sharing to your personal account, tag the creator in both the image and caption, don’t alter the image, or edit out the creator’s handle or watermark.

Check that the artist’s credit is not buried under a long comment and paragraph of hashtags. Be mindful of tagging the artist in the first couple of lines underneath the post.

View this post on Instagram

checklist for getting over common fears — read the book for the actual advice broken down!

A post shared by Adam J. Kurtz (@adamjk) on Jun 5, 2018 at 12:47pm PDT

Tips for creators: what to do when you find your work shared without credit

View this post on Instagram

sometimes laughter is the best medicine… sometimes it’s mood stabilizers! this pin is for anyone working towards balance. about to be sold out for good, i’ve got 20 left.

A post shared by Adam J. Kurtz (@adamjk) on May 19, 2018 at 9:17am PDT

If you’re a designer and you find that someone has posted your work without permission or without a credit, here are some tips for creatives that Adam shared with me.

Adam also told us how a proper credit can go a long way for an artist, if their work is featured and shared with a big audience:

At the end of the day, if you’re a creative person who’s producing artwork, you should get to decide how that art is used.

So, what’s the best way to share my next favourite relatable #content?

What to do if you’re not sure where an illustration came from? Try to trace it back from where you found it, or use Google reverse image search.

Finally, if you notice someone sharing original work without an artist credit, give them a polite heads up and encourage them to repost it with a correction. The artist will love you for it.

Want something created especially for you?

Work directly with a designer to make it happen.

Let's do it!

The post How to share creative work fairly in the digital age appeared first on 99designs.

via 99designs https://99designs.co.uk/blog/marketing-advertising-en-gb/sharing-creative-work-fairly/

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catherinesnyder · 6 years

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How to share creative work fairly in the digital age

View this post on Instagram

this is actually sorta the opposite of that old one i posted last week oops

event photos by @yotiroboti!

A post shared by Adam J. Kurtz (@adamjk) on Jun 18, 2018 at 7:49pm PDT

//www.instagram.com/embed.js

Meet Adam J. Kurtz, an artist and author whose work often goes viral—often without credit

youtube

View this post on Instagram

the bitch (ur undeniable responsibility for ur own actions) is back

A post shared by Adam J. Kurtz (@adamjk) on Dec 23, 2017 at 9:35am PST

//www.instagram.com/embed.js

What are the best practices when sharing creative work online?

View this post on Instagram

i kinda just went in on how our creative work has value and how it’s up to all of us to educate others, especially if we work for a company with a social media team.

A post shared by Adam J. Kurtz (@adamjk) on Jun 18, 2018 at 4:44am PDT

//www.instagram.com/embed.js

Adam’s tip: When sharing to your personal account, tag the creator in both the image and caption, don’t alter the image, or edit out the creator’s handle or watermark.

Check that the artist’s credit is not buried under a long comment and paragraph of hashtags. Be mindful of tagging the artist in the first couple of lines underneath the post.

View this post on Instagram

checklist for getting over common fears — read the book for the actual advice broken down!

A post shared by Adam J. Kurtz (@adamjk) on Jun 5, 2018 at 12:47pm PDT

//www.instagram.com/embed.js

Tips for creators: what to do when you find your work shared without credit

View this post on Instagram

sometimes laughter is the best medicine… sometimes it’s mood stabilizers! this pin is for anyone working towards balance. about to be sold out for good, i’ve got 20 left.

A post shared by Adam J. Kurtz (@adamjk) on May 19, 2018 at 9:17am PDT

//www.instagram.com/embed.js

If you’re a designer and you find that someone has posted your work without permission or without a credit, here are some tips for creatives that Adam shared with me.

Adam also told us how a proper credit can go a long way for an artist, if their work is featured and shared with a big audience:

At the end of the day, if you’re a creative person who’s producing artwork, you should get to decide how that art is used.

So, what’s the best way to share my next favourite relatable #content?

What to do if you’re not sure where an illustration came from? Try to trace it back from where you found it, or use Google reverse image search.

Finally, if you notice someone sharing original work without an artist credit, give them a polite heads up and encourage them to repost it with a correction. The artist will love you for it.

Want something created especially for you?

Work directly with a designer to make it happen.

Let’s do it!

The post How to share creative work fairly in the digital age appeared first on 99designs.

via https://99designs.co.uk/blog/

How to share creative work fairly in the digital age syndicated from https://www.lilpackaging.com/

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