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#ive been meticulously training my art specifically for this
dog1teeth · 2 months
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You always draw him grumpy I'm so here for it
angry little man
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penaltyboxboxbox · 29 days
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how long have you been drawing for ? your art seems so confident (that seems mean but it’s a compliment i promise) like your strokes and stuff just seem so… educated? like you don’t need to sketch you already know what you want to do ?
my whole life!!!!! ive been drawing since i was a little childdddd like the second i could hold a pencil i was drawing! i got put into art classes very young as well cause i liked to draw so much. i started formal classes at like? 6/7 years old probably? and i did some form of either art class at school, out of school, or some combination from that age until i was an adult. So i've had a decent amount of formal training as a kid and have always just genuinely loved drawing so on top of that i was always drawing for fun too.
I think things really shifted for me when I was like?? 21/22 ish and i got very very into portraiture specifically- i really honed a lot of my skills in that department and honestly just became so obsessed with form. I would draw so much realism, tons of studies, i loved to work backwards- draw the shape/form of a thing first, usually in paint or marker, and then add the lines/details on top. i generally during this time also completely stopped working in any erasable mediums. i became and still am to this day a pens only artist, i cant stand to draw with a pencil.
Doing this gave me what i think is one of the best skills to have as an illustrator- a very confident stroke. Being able to attack a piece, not be afraid of the marks you make, working with what you have rather than fussing until you think it's perfect, made my work much more striking and made me a lot more comfortable with messing up and figuring out a way to fix it. or even start over.
i think generally heavily and meticulously sketching in pencil is what leads a lot of artists to tons of frustration. the linework never looks as good as the sketch, you sketched for hours and only now you realized something is off, takes forever to go back, etc etc etc. I find it to often be very demoralizing- so i always advise just to get as comfortable as you can with as few lines as possible. focusing on FORM and PROPORTION rather than the skeleton method or going over with tiny little pencil strokes. everyone has different methods that work best for them, but that was one thing i taught myself that really changed art for me!
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deepfriedtwinkie · 7 years
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Kingsman: A Trainee’s Mission (Pt. VI)
PREQUEL FIC, this section ~2kw
note: this is the only part without any Merlin in it BUT IT’S IMPORTANT FOR LATER OKAY (don’t cry, Harry will think you don’t like him)
pt. I  | pt. II  | pt. III  | pt. IV  | pt. V
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By now, the compound has been home for so long that Harry is almost enamored to see London again. It’s easy to forget how much he loves these streets, the shops, the throngs of people going about their days. Easy to forget, but easier to remember.
He walks primly at the elbow of his proposing agent, a man named Martin Turner. The same who’d first met him as a ten-year-old, enthralling him with images of the world of gentleman spies. A world he’d never known to be real, until then, even with what his mother did for a living. Gentlemen were a much rarer breed in her work, after all. Some of her stories could turn a woman to the nunnery.
As Agent Lamorak, Martin has been kept away for nearly the whole of Harry’s training so far, busy with some mission or other, always jet-setting this way or that. They’ve spoken only a couple of times, but it’s no bother. Obviously, it’s more than understandable. All the more reason to take him up on his sudden invitation, delivered in person this morning in the training room, clear out of the blue.
They enter the tailor shop, Martin holding the door. Harry smiles, hands in his pockets, taking in the atmosphere for the first time through a proper candidate’s eyes. His last visit here felt like a new world. This time, it feels like coming home. He’s quite ready to get used to that feeling.
“’Morning, Simons,” Martin greets the headtailor.
“Good morning to you, sir.” The old man’s only movement seems to be the quiver of his mustache. “May I be of assistance to you gentlemen?”
“Yes, in fact, you may, Simons.” Martin’s head tips toward him. “I’d like for you to meet Harry Hart, my proposal for one of the open positions.”
As he was raised to do, Harry gives his hand, and the headtailor accepts. They shake. “How do you do, sir,” Harry says with a smile.
“Very well, thank you.”
“Simons here is nothing less than the best this business has got, Harry,” Martin boasts. “You’ll be taken good care of with him.”
“Oh, I have no doubt, sir.”
Then he blinks so rapidly he may have to blame the mothballs.
“Wait, sir… ‘Taken care of?’”
Simons politely withdraws his hand, which is fine, because it leaves Harry’s free to drop to his side like the dead weight it is. The way Martin is looking at him makes him wonder if perhaps there’s a television camera hidden somewhere, and his own expression will be plastered on newsstands and billboards by morning.
“You didn’t think I’d let you finish out the program without your own Kingsman souvenir, did you?” Martin grins. “The hell with that. It’s time you were fitted for your first proper bespoke. Unless you object, of course.”
“No sir!” Well, that could have been less of a yelp. He swallows, tempers himself, and tries again, managing formality despite his whole face splitting ear-to-ear. “I mean…no, sir. Thank you, sir. I’d be quite honored.”
“Mmhm. That’s what I thought.” The agent points to a heavy door of oak, off to Harry’s left. Simons comes out from behind the counter, a cloth tape measure hung over his shoulder, and Martin claps him on the back. “Give him the works now. This young man is our honored guest.”
“Of course, sir.” Simons does his best impersonation of a five-star doorman, motioning Harry into the room. “This way, please, Mr. Hart. Fitting room one.”
It’s the last thing on earth he’d have to be asked twice. He hustles forward, grateful it doesn’t turn into a cartwheel.
“I’ll be out here when you’re through,” Martin calls.
The fitting room is one of the plainest cubicles of space ever knocked together by man, little more than patterned wallpaper, brass hooks, and varnished wainscoting, but it takes Harry all of four seconds to decide that he loves it every bit as much as the rest of the place. He’s patient with Simons’s meticulous taking of his measurements, lifting arms on command, turning this way and that, holding various swatches of fabric to his chest for God knows how long. That’s the difference between the Kingsman Tailors and anywhere else. When he works here, he’s going to have to do something kind for Simons. A thank-you note, perhaps, with something for his trouble inside. Cinema tickets or something. It’s terribly kind of him to go out of his way for this.
In good time, the tailor excuses himself, returning moments later with a garment bag draping both tabled arms. “Try this, sir,” he bids, hanging the bag on one of the hooks. “It should give you a fair idea. If you find it’s to your liking, then we will proceed with alterations.”
He’s never stared so reverently at a bag before. “Thank you… Thank you kindly.”
“My pleasure, sir.”
This is it. This is the moment he’s imagined since he was a ten-year-old boy, pinning horrible drawings of suits between the butterflies on his walls. The concrete start of his new life.
The garment bag is shed to the floor before Simons is even fully gone. His brain suggests some analogy to a chrysalis, but he can’t be bothered to spare a thought to connect it. He strips to briefs and socks, dressing quickly, his back turned staunchly to the mirror. Stealing a glance too soon will ruin something about this. He isn’t sure what, but it matters.
In a moment, it’s done. He feels the places that need taking in—cuffs at his knuckles, rumpled elbows, puddles at his feet—but he doesn’t care. It’s the most comfortable thing in the world.
He turns around.
The suit is blue, he notices properly. A very, very dark navy blue. Fine pinstripes crawl the length of it. Simons has picked him a tie to match. Navy, with a slim white stripe, centered with a slimmer note of red. He takes in the two rows of handmade buttons. The press of the lapel.
Harry blinks the blur from his eyes. It is the most exquisite thing he’s ever worn.
We’ve done it, Mother. I wish you could see your boy now.
He’s making a mental note to phone her as soon as possible when another tap comes on the door. “Pardon me, sir. Agent Lamorak requests to have a look, if you’ll oblige coming out for a moment.”
He’s absolutely bursting to show someone, anyway. Lamorak will do wonderfully for now. Harry turns the heavy knob, consciously matching his stride to the elegance a suit like this commands. His expression, on the other hand, is under no such control.
Martin stands from the couch, letting out a long whistle. “You’ve outdone yourself, Simons. A few tucks and it’s a work of art.”
“Very kind of you to say, sir.”
“And this comes in the lot, yes?”
“Already ordered to your specifications, sir.”
“You’re a fucking gem.” Martin smiles Harry’s way, holding out a finger with each next word. “Bulletproof, water-resistant, flame-resistant, and conceals up to thirteen highly-classified armaments. There’ll be nothing you can’t do in this, believe you me.”
He believed it already. In front of the showroom mirror, Harry gives a crisp tug to the jacket, straightening his posture even further than it was to begin with. “I really don’t know what to say, sir. I can’t possibly thank you enough; I know this isn’t typical for only a candidate…”
“Nonsense. You’ve earned it.” His mentor takes a pull from a rock glass he’s been holding. Gin, it looks like. “Your weapons and written test scores were absolutely phenomenal.”
Yes, they were, weren’t they? He can’t help it. He’s had a feeling.
“And I’m not permitted to tell you specifics, but I can say that you’ve earned Arthur’s attention on almost every one of your practical tasks.”
That reminds him to ask. He makes eye contact through the mirror, rather than twist round in the suit. “If I may, sir, what was in those parcels we retrieved on the mountain, anyway?”
“In the envelopes? Those were floppy disks.” Swallowing another sip, Martin makes quotations with his hands. “‘Encrypted files of critical importance to international security.’ That’s this year’s bullshit for ‘Arthur’s Doctor Who fan club mailing list.’ Gives him an excuse for missing the last fifteen meetings.”
“You’re kidding.” Of course he isn’t.
“Of course I’m not.”
Why did I ask?
He’s basking in the jovial moment until Martin’s demeanor goes stony, his gaze laser-focused through the window. His tone changes in the drop of a hat.
“Harry, do as I say. Whatever you do, don’t counteract or seem suspicious,” he mutters levelly. “Time to prove your place in the family business.”
The miniature bell above the door jingles. In comes a portly man in an expensive windbreaker, lighting directly on Lamorak. Harry watches, indifferent neutrality on his face, as the newcomer ignores Simons entirely, no acknowledgment—sorry, Simons, he’d do well to remember you’re a person, too—and instead, steps up to grasp Lamorak’s hand.
They shake cordially. “Mr. Kuznetsov,” Lamorak’s far brighter with his greeting than he might’ve been. “On schedule as always.”
“Mr. Evansbee.” An alias; his name is Turner. And this man’s accent is Russian. “How could I miss one of our treasured conversations?” Lamorak set this meeting. Not the first, or the tenth, either. What kind of conversations?
“Please, allow me to introduce a star pupil of mine from the university. I’m helping him to look his finest when he represents us at St. Hugh’s next month. Oliver Greene, this is Mr. Kuznetsov, one of my trustworthiest colleagues.”
Harry doesn’t need a cue. Seamlessly he adopts his new self, shaking the hand he’s offered. “How do you do, sir.”
“I get by.”
He sends Lamorak the most innocuous look he’s got. “Shall I leave you to it, Professor? You’ve been more than enough help already.”
It’s the right decision. Nothing he gets in return suggests a forthcoming reprimand. “Yes, good lad, Oliver. You can go and get your things. I’ll see you in lecture on Monday.”
“Very good, sir. Lovely to meet you, Mr. Kuznetsov.”
“The pleasure is all mine, of course.”
Whatever you do, don’t counteract. His only move is to beeline for the fitting room, then, the outing finished just as quick as it began. The last he sees of Martin, he’s hooked an arm around the Russian’s shoulders, leading the way to the sofas, carrying on a lively discussion in whispers.
So this trip was no coincidence. Harry is implicitly careful as he removes each piece of his suit, hanging one at a time for Simons to collect. He isn’t disappointed. It should have occurred to him from this morning. Whatever Lamorak’s working on must be drawing to a close.
Besides. He could have met the contact here alone. No part of that required having a custom suit made.
Be grateful you were invited in the first place, and don’t ask why it’s over.
Well. He can’t make promises about the second part.
“Good-bye, Simons,” he says aloud near the exit, after saying a silent one to the suit in the fitting room. “I’ve left everything sorted for you.”
“Wonderful, sir. Good-bye.” It’s almost their last exchange, until the tailor catches himself. “Oh, and one more thing, sir?” He’s scribbling in a leather folder.
Harry stops, halfway through the door jamb, hoping it doesn’t count as counteraction. “Yes?”
Simons looks up, beaming friendliness. “I’ve located your file with us to store your measurements. Isn’t today your birthday, sir?”
Yes, it is. He’s all but forgotten that for the past ten minutes.
Harry smiles back. “Twenty-first,” he confirms.
“Happy birthday, sir.”
It’s certainly shaping up to be.
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pt. VII  | pt. VIII  | pt. IX
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