#just want to be very clear that i absolutely think that jamie and keeley could and should do things on their own

[thetarttfuldickhead]

Like Phil, I’d like to think that Jamie and Keeley still go to Brazil, in spite of the boys’ recent fuck-up, but I’d also like to think that Roy comes with them. Not because Jamie and Keeley can’t be friend on their own or wouldn’t have the best time doing Brazil together – they would! – but because I think Jamie might be conscious, given everything that’s gone down recently, of potentially upsetting what he currently perceives as a rather delicate balance.   

Maybe he brings it up a few days later before they head over to Keeley’s for a joint apology, or maybe it happens already at the holy kebab place, once they’ve had a few bites and a chance to settle back into their normal; a little worse for wear, but with no lasting harm done.

And Jamie fiddles with his sleeves and makes little faces as he tries to decide what to say (and Roy notices and waits with some trepidation) and in the end he just comes right out and says it, because that’s what Jamie does, isn’t it?

“I asked Keeley to go to Brazil with me, for that Nike thing I’m doing.”

Roy blinks. He hadn’t known Jamie was doing a Nike thing. Jamie might have told him, but Roy usually stops listening whenever he starts blathering on about brands and clothes and shit, so yeah, if told he hadn’t heard.

“What did she say?” he asks after a slightly too long and awkward moment of Jamie looking up at him, almost through his fucking eyelashes, trying to gauge his reaction.

“She said yes.” And hastily, as if worried what Roy might say or do if given a moment to, he adds: “I didn’t do it to try to get back together or anything. I mean, I do wanna get back together and she’s my friend and I love her and I thought we’d have a great time, yeah, but also, she’s great at PR and all that stuff, so. Yeah. That’s why I asked her to come. Make sure I don’t fuck it up.”

And because you want her to be your girlfriend. Roy doesn’t say it, though. Neither of them want a repeat of what went down at the bar. This isn’t Jamie trying to goad him or hurt him, he’s pretty fucking sure of that, so he’ll listen carefully to everything Jamie has to say, and then he’ll react like a fucking grown-up.

Probably. Possibly.

“Anyway, I think you should, like, come with us.”

Fucking what now? “What?”

“You should come with me and Keeley to Brazil.” Jamie is nodding his head decisively, as if repeating the statement has fully convinced him of its veracity.

“You want me to come with you and Keeley to fucking Brazil?” Roy is aware of sounding like a demented parrot, but he doesn’t give a fuck, does he, because he doesn’t want there to be any fucking room for misinterpretation here.

Jamie doesn’t seem particularly concerned about Roy’s tone. Too used to it, probably. “Um, yeah. Yeah. I mean, probably can’t get Nike to pay for it, right, but you’re rich, so you can just get your own ticket and you can stay with me and Keeley in this villa they’ll set us up in. Can’t mind that.”

Which all sounds very reasonable, of course, but still doesn’t answer the most pressing question:  “Why?”

Jamie makes a face. “What do you mean, why? Because I don’t want shit to be weird between us, mate. And I think it’d be weird if Keeley and I went away and you stayed here after what happened, you know. Besides,” he adds, and suddenly he looks slightly shy; younger than he actually is, and vulnerable, “It’d probably be fun, yeah? All three of us going, together. Because we’re friends and all.”

And there’s something sharp and jagged turning in Roy’s gut at that, because underneath Jamie’s claim there’s a note of uncertainty that Roy had no trouble whatsoever guessing the origin of, and he adds it to the long list of things he hates himself for.

He doesn’t know how to express any of that, so what he says is, “Yeah. I guess. I’ll think about it.”

Jamie’s grin is immediate and wide; relieved and triumphant in equal measure, like he’s already won – like he already knows for a fact that Roy’s going to say yes.

Roy can’t even find it in him to mind that the little prick is right.

And then they all go to Brazil and I’m currently thinking that nothing further really happened between them there, because apparently they all need to do a little more thinking and feeling and figuring themselves out, but I’m sure they still had a grand, grand time of it.

#just want to be very clear that i absolutely think that jamie and keeley could and should do things on their own #as should keeley and roy #and roy and jamie #no matter what form their future relationship takes #i just think that RIGHT NOW jamie might be conscious of things getting weirdly skewed if him and keeleys goes off on their own #and he very much wants to get back with keeley but he's not ready to sacrifiece his relationship with roy for it #so FOR NOW it's a little bit of a balancing act #jamie tartt #roy kent #roy & jamie #roy/keeley/jamie #roy x jamie x keeley #ficlet #ish #i am trying to write a serious meta about the bar fight AND answer some asks but i keep getting distracted #whoops innit

[daydreamgoddess14]

Saturday Mornings

MASTERLIST

🤸‍♀️ Well , well, well, didn't take long to get me back on my bullshit, did it? 🤣 I bring you a Roy Kent smutty one shot. Enjoy the gorgeousness of this man 🥵

Roy doesn't have a thing for Phoebe's dance teacher. Until he does. 👀

For @littleesilvia 😘

Saturday Mornings

Saturday morning had always been for Phoebe. From the day she was born, Roy had dedicated every Saturday morning to her. In the first weeks of her birth, he'd let himself into his sister's house and picked up a squawking Phoebe from the moses basket and taken care of her from 6-10 am so his sister could get more sleep. In those early days, he'd spoken to her in his deep, gruff voice while she drifted in and out of sleep. Then they'd go for a walk to the shop, the neighbours peeping into the buggy until Roy had growled at them to "Fuck off and stop gawping at her, she's trying to fucking sleep." As she got a little older, it became cartoons and cereal - devoured together on the sofa, and then a trip to the park. He'd arranged everything for 9 years around his Saturday mornings with Phoebe. Even away matches with a midday kick off didn't stop him, it didn't matter if it was an hour, or five hours - match day or no match day, rain or shine, if he was single or not, Uncle Roy would be there. Their time alone together moved through her swimming lessons phase, gymnastics phase, and morphed into his coaching her kids team. He wanted to be on board with this next phase - really, he did. 

 

After 8 weeks of lessons, he'd finally put his finger on what the problem was. The dancing was nothing new, Phoebe had tried ballet, tap, some weird toddler baby dance shit. 16 weeks ago, she'd switched to some kind of pop/tween dance class with a lovely older woman who mostly sat to one side and pointed to each move, each music transition. It had been great, 8.30-9.30am every Saturday, fucking wonderful. Then 8 weeks ago, that woman had switched classes and you had taken over. You, with your tight Tik Tok leggings and your cropped t-shirt. You who showed the kids each move over and over again. The number of dad's attending the class had suddenly gone up. It had been 6 months since he thought that he and Keeley could try again, but she'd made it clear that that was not the case. He'd been single for longer than 6 months before, sure, but not for a long time. Back then in his younger days, he'd thought nothing of a mutually convenient resolution with a friend until he met his next significant other. He’d come to the conclusion now that he was too fucking old for a friends with benefits situation. 

 

If it was just Saturday mornings that were the problem, he could live with that. He started out by taking a book and ignoring the class completely, but Phoebe did not like that at all. So he switched to audiobooks, brought a pair of fucking ear buds so he could drown out the sound of your voice, your gentle encouragement and the giggles. If it wasn’t the leggings going to tip him over the edge, it was going to be the giggles. Or the praise. Weird, he didn’t realise he had a bit of a praise kink before. Then he heard you in a breathy voice saying something that definitely could apply to situations other than a 9 year olds dance class and nearly had to leave the room. No, it wasn’t just Saturday mornings anymore. You came to mind now at the most inconvenient times. Sitting on the bike while Jamie pulled him along at 5am when shouting at Jamie in the street would have been frowned upon and they instead trained quietly, whenever one of the kids dance routine songs came on the radio and he was forced to relive watching you teach them, at night in the dark when he was alone, in the shower… He absolutely had to stop thinking about you like this. Like you’d see it in his eyes when you waved good morning, or when he held his bank card over your little hand held machine to pay for the classes. He also couldn’t stand the very much married men who flirted so openly with you. Clearly telling their wives at home, no love, I’ll take little… Mabel to dance class, you stay here and have a lie in and a cup of tea.  

 

It was funny how they’d migrated from the later morning class which was run by a woman who had the body shape of a fucking pencil. Beautiful, yeah she wasn’t bad. But she didn’t have the strong thighs you did, the sweeping curve of your hip into a cute little waist. He couldn’t go another week like this. Had to stop now, stop being so pervy. He was no better than the other blokes who came to watch their kids' class. Except he was slightly better, because he was actually single. 

“Uncle Roy, we’re here, come on!” Phoebe was already half out of the car. He braced himself for another week of torture.

“Good morning guys! Come in, I’m just getting set up.” You called out from across the room. He was a bit too early really. Not intentionally, of course not. You were still in your hoodie, still setting up the portable speaker and drinking a Costa coffee. You put a song on in the background and he had to hold his breath while you pulled off the warm grey sweater. As it came off, it pulled the baggy cropped t-shirt up as well, exposing your sports bra underneath, the soft skin of your stomach. It was definitely soft whenever he thought about it anyway. You straightened yourself out and sat on the floor, stretching your legs out in front of you and reaching forward to your toes. Phoebe lept out of her seat, threw her coat at Roy and plonked herself down in front of you, mirroring your pose. “Joining me for a warm up Phoebs?” 

“It’s important to warm up. My Uncle Roy is a football coach and he says it’s the most important part.”

“He’s not wrong.” You smiled, moving through some other poses and stretches. He was a dead man. This was it. The end, this was how it was going to go. You stretch your arms up as far as you can reach them, stretching out your back with a little pop. He tried to ignore the fucking Grecian vase shape your body made, truly. Until you’d made a noise a little too close to a moan for his liking, followed by, “Holy shit that feels good.”

 

Fucking hell. Fucking hell .

 

“Sorry Phebs, didn’t mean to swear.”

“It’s ok. I’ll let you off the first time, but you owe me a pound next time.”

“Aww thanks.” The class soon filled up, he wished he’d taken a seat way at the back, out of the way so he could either look at you without it being so noticeable, or ignore you completely. He totally respected your classes, he really did. It was a tricky thing, conducting an age appropriate class for 9 year olds which avoided sexualising dance moves but also made them feel like they were able to move their bodies how they wanted to. Of course, it’s not always the dance moves themselves which could be seen as sexual, more often it’s the person watching who makes that connotation. And he tried so, so hard not to do that. Tried desperately to not think about how your body would move underneath his, on top of his, the beautiful sounds he could draw from you. He needed to get out, feigned a phone call, holding up his phone as he got to the door so you knew he’d be right outside if Phoebe needed anything. He didn’t think you’d even seen him until you gave him a little thumbs up. 

 

At the end of the class, you encourage the kids to just sit for a minute. You all usually end up sprawled on your backs, not having to make eye contact makes it easier for some of the kids to talk openly if they wanted help or an opinion on something. It was somewhat of an eye opener for the parents as well. This week, you had the kids sit up so they could see you, 

“I thought I might take you on a little trip, if you guys fancy it? I was going to go and see the new Barbie film after class next week. If any of you want to come with me, with your grown up - of course - then we could have a really exciting morning! I’m not allowed to take any of you without another grown up though, ok? So you’ll have to check with them first.” You handed each of them a little pink party invite. He already knew before Phoebe asked. Their match next week was on Sunday so he was free all of Saturday morning. He had no excuse to not take her, he also didn’t think he wanted one. 

 

He hoped you were a little bit dumb. It was a horrible thought, he knew that, to wish stupidity on someone. But if there was any chance of him making a full recovery and banishing you to the depths of his mind, never to turn up again - especially not when he was in the shower with his hand around himself, he really fucking hoped that you were dumber than a box of rocks. You weren’t. He already had an inkling of that, but he could still live in hope. 

“Fancy the Barbie movie next week?” You’d asked brightly as he’d held out his card to pay, he wasn’t sure if it was the physical and mental turmoil of having to watch you for the last hour, but he thought he could detect a sliver of hope in your voice.

“Fucking probably, she won’t let me say no.” Phoebe held out a hand for her pound. “Add it to my tab.” 

 

And of course, that’s how he found himself in a dark cinema the following week with a gaggle of kids around him. He was still trying to work out if it was a blessing or a curse that he’d ended up sitting next to you - it had certainly earned him glares from one or two of the other grown ups. As you laughed again at another joke aimed to sail just over pre-teen heads, he knew it was a curse. It had to be. Forced to listen to that laugh for two hours? Fucking torture. When you cried, he knew he was done for. He reached over, just a little and patted the back of your hand in comfort. Just a little there, there gesture. You’d only fucking gripped his hand and squeezed it, he stole a glance at you and you’d given him a watery smile and a little lopsided shrug. Then you’d let go of his hand, and turned back to the movie. He had to spend the remaining 45 minutes of the film trying not to think about your warm hands carefully exploring his body. 

 

The following week, he did it.

“Would you like to go for a coffee sometime?” He asked quietly as his card payment went through. He didn’t think you’d heard him until you looked up sharply.

"Aren't you like way out of my league?"

"What league is that then?”

“Well, you're in the ridiculously fit footballer league? Y’know for people who date supermodels and influencers?”

“I wouldn't fucking know about that.”

“I'm sure you would, I'm sure they don’t kick you out once you retire. Once a fit footballer, always a fit footballer? Is that the name of it? The… F. I. T? Or is it just the R.F.F.L?”

“What's that stand for?”

“No idea, it's your league, you tell me. Footballers Into Tits?”

“That’s a shit acronym”

“I know. I can do better, promise. Give me a minute.”

“I'm sure you'd be alright in that league” He said quietly,

“Excuse me? That was very cheeky. Ohh, maybe it could stand for ‘Filthy rich but Impossibly Tedious’?”

“That’s pretty good, definitely suits some footballers I know. Alright, fine. What fucking league are you in, then?”

“Whatever the Conference equivalent of the F.I.T is.”

“Now that can’t be true.”

“Oh yeah? How do you know?”

“I just fucking do. Is it a yes to coffee?”

“I mean, I still think you’re way too high up the F.I.T for me, but sure.”

“It’s the R.F.F.L actually.” He smirks as you hand him a flyer for the class. 

“My number is on there.” You tell him, then you’d walked away without taking his number, which meant he was going to have to be the one to contact you first. No, you definitely weren’t dumb. Shit .

 

This wasn’t supposed to happen. It was a combination of factors really, a busy week at work meant though he’d messaged you quickly, he wasn’t actually able to meet for coffee until the end of the week. So you’d spent all week in a message exchange which had ranged from the sublime to the ridiculous.

“Would you rather fight 100 tiny Jamie Tartt’s or 1 giant one?”

“100 tiny ones. I’d fucking stamp on them all.”

“Figured out what league you’re in.”

“Enlighten me.”

“Champions League.”

“Fuck off am I. I’ve wikipedia’d your dating history mate. Gina Gershon? I think I should cancel coffee now…”

“Fuck, please don’t.”

“Do you always try so hard to look like you’re not looking at dance class?”

“No idea what you’re talking about.”

“Uhuh. Ok.”

“Yes, I do. Every week is torture.”

“Jamie says I’m too old for the R.F.F.L.”

“Maybe that works in my favour. If I’m up against Gina fucking Gershon, I’d have no chance.”

“You’re not up against anyone.”

“I've been thinking about you all morning.”

“Was that flirting? Were you just flirting with me?”

“Shut up. See you later.”

And now… well. Coffee at 3pm on a Friday turned into dinner at 6pm, dessert at 8pm and a nightcap at 10pm in his kitchen. You tapped the edge of your empty tumbler,

“Another?” He asked, leaning against the counter just across from you.

“No, thank you. I should… go.” The lift at the end meant it could have been a statement, could have been a question. He nodded,

“Early class.”

“Yep. I think we lost track of time.”

“Or not,” he offered,

“Or not,” you bit your lip and he felt indecision fluttering in his chest. He pushed off the counter and closed the gap between you both in only one step.

“If I kissed you now, would you be mad?” He asked softly, he could see your body tremble with the breath you took.

“Think I’d be more mad if you didn’t.” He watched you hold his gaze for as long as you could before looking at his mouth. He took the tumbler from you and put it on the counter before placing a careful hand on your hip and leaning down to kiss you. The warm whisky taste of vanilla and honey mingled with the chocolate from your dessert and Roy realised that no, he hadn’t been tortured before, watching you teach a bunch of kids how to dance wasn’t the way he was going to go. This was. Right here in his kitchen with your arms winding around his neck and bringing him as close as you could possibly get him. Your fingers scratching through his hair. He pressed you into the counter, 

“I’ve thought about doing this for a long time,” he whispered, kissing down your neck, making you gasp. He pulled away quickly, worried that it was too much too soon, “Shit, sorry, I don’t know what came over me.” He went to move further back to give you space but your hands gripped his shirt to pull him back in,

“Please, I don’t want to stop,” you breathed heavily, “I don’t want you to stop.” You said, more firmly. He was against you again in an instant,

“Sure?” He asked, “You’re sure?” You stepped up to kiss him, making your feelings very clear,

“I’m sure.” Your fingers flew to the buttons of his shirt, undoing the first couple. He pulled you away from the counter, strong arms wrapped around your back and lifted you enough to move you both to the sofa. You stumbled against the cushions, falling backwards and pulling him with you so that he landed heavily on top of you.

"Oof."

“Fuck, sorry. You ok?” He sits back up on his knees, allowing you to automatically move your legs to either side of his and sit up,

“Never better,” his smile catches you off guard, “fuck, you’re gorgeous.” You mumble, reaching for him. The feeling is more than mutual. He needs to feel your kiss again, desperate to feel your skin on his. It’s better than anything he’d spent the last 8 weeks dreaming of. And the sounds you made as his hands and kisses explored your body were enough to drive him insane. He moves further down your body, pulling your skirt down with him and immediately turns to trail kisses and little bites along your inner thigh while his hand reaches up to link fingers with yours.

“Look at me,” he whispered, his breath hot against your hip. The simple request alone made your body turn to liquid against him. He’d spent so long thinking about (denying, debating, ignoring) the effect you had on him, he hadn’t actually considered that you would be just as affected by him. He wasn’t stupid, he knew he looked y’know, alright , for an older bloke. But still, seeing it first hand… seeing it first hand, hearing it first hand, from you was really something else entirely. You tugged his hand to bring up back up to you but he shook his head, his beard catching the sensitive skin of your inner thighs, “busy,” he said, his voice muffled. He focused on nothing but you, losing himself in each gasp, moan and clutch of your hand still holding his. He worked you through one bone-shaking orgasm without stopping, leaving you a shuddering mess as he went straight for another. Looking up at you, he could see the hand that wasn’t clinging onto him had covered your eyes. This time when you squeezed his hand, he made his way back up your body and settled between your legs. “You ok?” he asked, leaving soft kisses on your jaw before finally capturing your mouth in a filthy kiss. You didn’t speak, just shook your head. “You taste fucking incredible.” He kissed you again and you whimpered, finally moving your hand away from your eyes.

“I’ve got a problem.”

“Oh yeah?” He said, moving back to your neck, a hand slipping behind you to unclip your bra.

“Yeah I thought you’d only want a one night thing but that’s impossible now.”

“It was fucking impossible anyway. One night is definitely not enough time.”

“Oh,” you whispered weakly. “Good. Please-, oh fuck,” he caught a nipple lightly between his teeth, “please don’t stop.” So he didn’t, and he never would again if it was up to him. When he’d been (much) younger, he fully grasped the importance and concept of consent. He was a professional footballer - it wasn’t just important, it was crucial. But as he’d gotten older, he finally realised just how much better saying, and hearing, the words made everything. Being able to ask, “may I?” and “I need to hear you say it” and waiting, waiting, waiting, for the breathy response had never left him so wrecked before. He pushed into you in long, slow strokes while you met him with each roll of your hips. When you hold his jaw tightly to bring his gaze to yours, he nearly falls apart but he's determined to get you there first and he knows you're so close. "You feel so good-," you whisper, "So good."

"Fuck, I need-"

"I know, I'm right with you." His name is on you lips as you come and he thinks it's the most beautiful thing he's ever heard. When he joins you, he kisses you with such depth it's like you were made for him. You lay still together for a while as you catch your breath. He keeps his nose in the crook of your neck while his hand softly smooths across your ribs and the side of your breasts. Your legs no longer lock around him, you stretch out and enjoy the weight of his body covering you. 

"'M crushing you," he mumbles. His voice so low in your ear makes you shiver and despite you not being ready for another round quite so soon, your hips buck, "Fucking hell, give me a minute," he laughs.

"You're not crushing me, and I'm not ready yet either," you grin into his hairline and kiss his temple. 

"Hmm if you say so." He rocks against you, half hard again already, needing to hear the broken little moan that ghosts over his head. "Come on, I want you in a bed this time."

 

He wasn't happy when you had to tear yourself from his bed at 7am to go home. He wasn't happy when he picked Phoebe up at 8am. He wasn't happy in the drive thru Costa queue at 8.10am. He was happy at 8.20am when he finally got to hand you your coffee and see your smile as you stretched out on the floor of the dance studio. He was perfectly happy knowing that you'd be torturing his Saturday mornings for a while longer. 

 

FIN

#ted lasso #ted lasso fanfiction #ted lasso fic #roy kent #roy kent x reader #roy kent imagine #roy kent smut #roy kent x you #roy kent fic #roy kent fanfiction #roy kent fluff

[camelely]

The Betrayal of Ted Lasso S3

Yea. The title is a bit dramatic but I have been one of those people who will defend the Shandy and Zava arcs. I thought everything had a purpose, but really really this season felt like a turn, and part of it felt like the plot belonged in a different show...

They keep saying this was the three season arc they planned. But this felt very rushed, and wrapped all these plots up too neatly too quickly. Ted was reduced to a manic pixie dream girl floating in and out of peoples lives teaching them about love, forgiveness, and to believe.

Lets start with my least favorite thing in the finale. Reducing the Jamie/Keeley/Roy story to a fist fight and a "choose me over him" arc. Belonged in a different show. Pheobe said it best in the first episode "Why are you breaking up?" Nothing they did this season was better because of the Roy x Keeley breakup. Even Keeley's bi arc. Like she has always been implied bi, so they could have just made it clear with Jack being an ex that resurfaced instead of a new relationship. Imagine the version of the KJPR plot with Jack being an ex. No out of date leaked nudes plot. Roy can be jealous because he thinks maybe Keeley does want to get back with this ex, but he sees that is his problem not hers and works on it internally/with Dr. Sharon. And Keeley can think Jack is just trying to help and apologize for the mistakes she made in their relationship, but soon its clear Jack wants to get Keeley back by funding her business and then pulling her funding when things don't go her way. This leaves Keeley wondering if she ever had any value as a business woman and Rebecca and Roy are there to support her. Rebecca as a friend and financial backer and Roy as a supportive BF. Then Keeley can return the favor supporting Rebecca when she is deciding to sell the club or not, and Roy when he is promoted to manager.

The leaked nudes plot belonged on a show that came out like five/six years ago when society first started to shift and see that the celebrities were the victims. I understand it was a true story from the real Keeley, but seriously it dated a show that could have been pretty universal otherwise. I know they deal with issues like racism and homophobia but those things aren't going anywhere. We have to keep fighting, but those people always exist. Meanwhile the nudes thing has seen a pretty quick shift already. They built Shandy up as this vengeful character, Why didn't they have her do something to try and blow up Keeley's business? Even something simple like an attempt at wrongful termination? Shandy could have posted on her socials and been like "Keeley Jones claims shes for women but she fired me for no reason" got a bunch 'eat the rich' activists on her side since Keeley is backed by a billionaire and caused a lot of problems for the PR firm in the press.

Jamie reconnecting with his abusive parent. Honestly this did feel in place for a show thats all about forgiveness. But the more we learned about him the more he felt worse than Rupert. Absolutely awful. A better ending would have been his death and Jamie coping with the conflicted feelings he has vs the sadness he is expected to show by the media. Or even just letting Jamie move on. "I don't need him. I have a great mom, team, friends, and step dad/mom's bf" (I can't remember if they were married or not lol).

Nate simply quitting off screen and then being welcomed back like it was nothing. Belonged on another show. This one's been talked to death but I'll say it anyway. We see Rupert try to push a boundary and Nate left the bad situation and then fast forward, Nate quits and Rupert is being accused of impropriety. The start of the season was so focused on Nate being an ass to the West Ham players and then they just brush that under and rush him coming back? I didn't need a redemption arc. I liked the apology to Will and Ted's speech to Beard. But I did need to see the moments with Nate's choices. Nate made zero on screen choices this season. I mean even coming back was influenced by Jade.

Jade suddenly liking Nate, belonged on a different show. Okay I didn't hate Jade. I didn't hate that she started to date Nate. I think its weird the writers wrote a possibly racist character and then didn't address it but I guess the white af writers room just didn't get it. But I also liked Jade, Nate needed a no nonsense strong person in his life. I feel like his sister could have filled the role a bit better. But the girlfriend route wasn't bad.

Rebecca and the Amsterdam guy belonged in a rom com. Yea it worked a bit since Ted's whole rom com speech. But still, part of what I liked about the Amsterdam plot was that he was a great guy and a great time and then he was just gone. A happy memory to look back on and nothing more. It was so stupid that she randomly ran into him and they just magically got together. With Rebecca's romantic past ruined by Rupert's behavior. And the Sam relationship being kinda cute kinda doomed boss/employee weirdness it felt like Amsterdam guy was the true rebound she needed to move on and start a new path. Rebecca didn't need an endgame romance imo, she needed a fresh start. While I think she should have sold the whole club and moved on from the Rupert chapter of her life, I didn't hate the selling it to the fans thing. That was a decent way to end her journey. If they wanted her to have an endgame romance why not let the fans get to know the guy? Or flash forward to a guy we have never met implying that she eventually found someone?

Rupert hitting the coach also belonged on another show. Rupert is the guy who has everything work out for him. He's cool and collected and confident. Pushing the guy who wouldn't listen to him didn't seem like a Rupert move. Rupert would have fired him and promoted the guy under him. The big change would be if they had that guy quit and then the next guy quit until Rupert was left with no one. Could have also gone back to the Nate thing. If Nate leaving the toxic environment inspired others to do the same. Rupert publicly loosing his cool might have been fun since hes the worst, but it was too neat a wrapped bow.

Beard and Jane. Why did they literally only tell us everything bad about her if they wanted us to root for them? I'm sure she had some good qualities we could have seen. I did like that Beard was the character that got the ending rom com 'stop the plane' moment.

Colin's coming out. I could have done with less Isaac and more Trent or even less angry Isaac and more supportive Isaac but I liked it overall ngl. The kiss in the final episode was the best romantic moment in all of Ted Lasso. My canon favorite ship was RoyxKeeley but they never had a moment I could turn to. This was perfect and Colin was the best character for it.

The Van Damme thing was dumb. The joke about the mask making him 'Zorro' was dumb. I assume they were making fun of Ron Artest/Metta World Peace/Metta Sandiford-Artest but Zoreaux didn't need that. And it was funny for like one month in 2011, get over it.

Ted. Oh sweet Ted. I loved his talk with Trent about changing the name of the book because its not about him, and Trent taking that note but no others. At the end of the day, Ted's whole thing this season is Jason Sudeikis's whole thing in real life. He has a work family in London but his kids and ex in America. He's still low key in love with his ex and doesn't like the new relationship she's in and even though the new relationship ends pretty quickly it still sucks. And that is exactly what ruined the show. I'm sorry Jason is sad, I get people work through their problems in their art. But what a very emotional Jason sees as a good ending for Jason, is not a good ending for Ted. Ted Lasso the character deserved to decide to report Dr. Jacob (sorry Jason you can't report Harry Styles, he didn't do anything unethical... except maybe spit on Chris Pine...). Ted Lasso deserved a solid relationship with his son and a new partner, whoever you ship him with could work. I mean Sassy could have reported Dr. Jacob and told Ted maybe they could make it work since she is spending some time in the US for work. Or Rebecca with her millions saying she can commute as much as they want. Or a third new person in Kansas. The way the show implied Michelle is single and Ted is single. The 'they are getting along' narrative was a bit much.

The dream ending. Yes Bill Lawrence, this worked for Scrubs because JD was a character constantly fantasizing. But thats not Ted Lasso. This show deserved something more unique and more open ended. The final shot could have been Ted on the plane, smiling and that would beat the weird dream flash forward imo.

Yes the show has a central theme about forgiveness. But in previous seasons the person being forgiven earns that forgiveness. Here it was handed out to everyone regardless of who they hurt and what they did. It undermined Rebecca's s1 arc, Nate's multi season arc, Jamie's multi season arc, etc. The only arc that wasn't undermined was maybe Roy, since he ended up in therapy and actively trying to be better. So I guess good for Roy?

Overall my point is Ted Lasso was special because they marched to a positive and hopeful beat while still discussing hard topics. This season took everything special about the show and garbaged it, creating a messy, bland, and insulting final product that was a shell of the show they created. And they managed to do it in three seasons. Congrats guys? I mean most shows take 5-6 seasons to get truly off the rails.

#ted lasso #ted lasso spoilers #rebecca welton #coach beard #roy kent #keeley jones #jamie tartt #dani rojas #colin hughes #rupert mannion #nathan shelley #sassy collins #trent crimm #leslie higgins #sam obisanya #isaac mcadoo #mae #richard montlaur #moe bumbercatch #jan maas #Thierry Zoreaux

[chainofclovers]

Ted Lasso 2x11 thoughts

For an episode that ends with a journalist Ted trusts but has (understandably) recently lied to warning Ted that he’s publishing an article about his panic attacks, it was fitting that this episode seemed entirely about what all of these characters choose to tell each other. And after most of a season of television that Jason Sudeikis has described as the season in which the characters go into their little caves to deal with things on their own, it turns out they are finally able to tell each other quite a lot.

Which is good because, um, wow, a lot is going to happen in the season finale of this show!

Thoughts on the things people tell each other behind the cut!

Roy and Keeley. I absolutely loved the moment during their photoshoot in which they bring up a lot of complicated emotional things and are clearly gutted (“gutted”? Who am I? A GBBO contestant who forgot to turn the oven on?) by what they’ve heard. We already know that Keeley and Roy are great at the kinds of moments they have before the shoot begins, in which Roy builds Keeley up and tells her she’s fucking amazing. From nearly the beginning of their relationship, they’ve supported each other and been each other’s biggest fans. But their relationship has gone on long enough that they’ve progressed from tentative arguments about space and individual needs into really needing to figure out what they mean to each other and how big their feelings are and what that means in relation to everything else. Watching these two confess about the uncomfortable kiss with Nate, the unexpectedly long conversation with Phoebe’s teacher, and—most painfully—the revelation that Jamie still loves Keeley didn’t feel like watching two people who are about to break up. (Although I could see them potentially needing space from each other to get clarity.) It felt like watching two people realize just how much they’d lose if they lost each other, which is an understandably scary feeling even—or especially—when you’re deeply in love but not entirely sure what the future holds. Not entirely sure what you’re capable of when you’ve never felt serious about someone in quite this way, and are realizing you have to take intentional actions to choose that relationship every single day. I’m excited to learn whether Roy and Keeley decide they need to solidify their relationship more (not necessarily an engagement, but maybe moving in together or making sure they’re both comfortable referring to the other as partner and telling people they’re in a committed relationship) or if things go in a different direction for a while.

Sharon and Ted. I’ve had this feeling of “Wow, Ted is going to feel so intense about how honest he’s been with Sharon and is going to end up getting really attached and transfer a lot of emotions onto the connection they have and that is stressful no matter how beneficial it has been for him to finally get therapy!” for a while now. And Sharon’s departure really brought that out and it was indeed stressful. But the amount of growth that’s happened for both of these characters is really stunningly and beautifully conveyed in this episode. Ted is genuinely angry she left without saying goodbye, and he doesn’t bury it some place deep inside him where it will fester for the next thirty years. He expresses his anger. (I also noticed he sweared—mildly—in front of her again, which is really a big tell for how much he has let his carefully-constructed persona relax around her.) He reads her letter even though he said he wasn’t going to, and he’s moved. I don’t think Ted has the words for his connection to Sharon beyond “we had a breakthrough,” but Sharon gets it, and is able to firmly assert a professional boundary by articulating her side of that breakthrough as an experience that has made her a better therapist. And is still able to offer Ted a different kind of closure by suggesting they go out before her train leaves. No matter how you feel about a patient/football manager seeing their therapist/team psychologist colleague socially, I appreciated this story because IMO it didn’t cross big lines but instead was about one final moment in this arc in which both Ted and Sharon saw each other clearly and modeled what it is to give someone what they need and to expect honesty and communication from them. I liked that Ted ends up being the one saying goodbye. (The mustache in the exclamation points!) I like that whether or not Sharon returns in any capacity (Sarah Niles is so wonderful that I hope she does, but I’m not sure), the goodbye these characters forge for themselves here is neither abandonment nor a new, more complicated invitation. It’s the end of a meaningful era, and although the work of healing is the work of a lifetime, it’s very beautiful to have this milestone.

Ted and Rebecca. So, maybe it’s just me, but it kinda feels like these two have a few li’l life things to catch up on?! (HAHHHHHaSdafgsdasdf!) I really adored their interactions in this episode. I maintain that Biscuits With The Boss has been happening this whole time (even when Ted’s apartment was in shambles, there’s biscuit evidence, and I feel like we’ve been seeing the biscuit boxes in Rebecca’s office pretty regularly too), even if it might have been more of a drive-by biscuit drop-off/feelings avoidance ritual. It was really lovely to see Ted on more even footing in Rebecca’s office, joking around until she tells him to shut up, just like the old days. And GOSH—for their 1x9 interaction in Ted’s office to be paralleled in this episode and for Ted to explicitly make note of the parallel in a way Rebecca hears and sees and understands?! MY HEART. In both of Rebecca’s confessions, she is not bringing good news but it is good and meaningful that she chooses to share with Ted. In both situations, Ted takes the moment in stride and offers acceptance equivalent to the gravity of what she has to confess. And in both situations, he’s not some kind of otherworldly saint, able to accept Rebecca no matter what because he’s unaffected by what she shares. He is affected. When he tells her about Sam, you can see a variety of emotions on his face. Rebecca is upset and Ted is calm, and even if I might have liked for him to try to talk about the risk the affair poses to the power dynamics on the team or any number of factors, I also really liked that he just accepts where she is, and—most importantly—does not offer her advice beyond examining herself and taking her own advice. A massive part of being in a relationship with another person (a close relationship of any nature) is figuring out how to support that person without necessarily having to be happy about every single thing they do. It’s so important that Ted connects what she’s just told him about Sam back to what she told him last season about her plot with the club. These both feel like truth bombs to him, and he is at least safe enough to make that clear. These are both things that impact him, things that shape how he sees her and maybe even how he sees himself. He cares about her and is capable of taking in this information; he has room for it. But it’s not something he takes lightly, and neither does she. See you next year.

Tumblr user chainofclovers and the TV show Ted Lasso. My brain is going wild thinking about all the ways the next “truth bomb” conversation could go in 3x11 or whatever. Maybe they go full consistent parallel and Rebecca confesses something else, this time about her and Ted or some other big future thing that impacts him as much or more as the other confessions have. (The same but different.) Maybe the tables turn and Ted has something to confess to her. While the 1x9 conversation ended in an embrace and the 2x11 conversation ended with a bit more physical distance (understandable given the current state of their relationship and the nature of the discussion), the verbal ending of both conversations involved voices moving into a sexier lower register while zooming in to talk specifically about their connection to each other, so I have to assume there will be some consistencies in s3 even if the circumstances will be completely different. I don’t really know where I’m going with this and I obviously will go insane if I sustain this level of anticipatory energy until Fall 2022 but I have a feeling my brain and heart are going to try!

Sam and Rebecca. I know there’s been a lot of criticism about whether this show is being at all realistic about the power dynamics and inevitable professional issues this relationship would create. On some level, I agree; I like that pretty much everyone who knows about the affair has been kind so far, but you can be kind and still ask someone to contend with reality. But I also think that in nearly every plot point on this show, the narrative is driven by how people feel about their circumstances first and foremost. (It’s why the whiteboard in the coaching office and the football commentators tell us more about how the actual football season is going from a points perspective than anyone else.) This episode reminded me how few people know about Sam and Rebecca, and how much their time together so far has been time spent in bed. The private sphere. I thought this episode really expertly brought the public sphere into it, not—thank goodness—through a humiliating exposure or harsh judgment but through an opportunity for Sam that illustrates not only all his potential to do great things but how much Rebecca’s professional position and personal feelings are in conflict with that. Could stand in the way of that. I don’t have a strong gut feeling about where this will go, but I do think Sam’s face in his final scene of this episode is telling. He started the episode wanting to see Rebecca (his most recent text to her was about wanting to connect), and Edwin’s arrival from Ghana really exploded his sense of what is possible for his life. If he’d arrived home to Rebecca sitting on his stoop prior to meeting Edwin, he’d have been delighted. Now he’s conflicted, and whatever decision he makes, he has to reckon with the reality that he cannot have everything he wants. No matter what. And Rebecca—she has taken Ted’s advice and is attempting to be honest about the fact that she can’t control Sam’s decisions but hopes he doesn’t go, and even saying that much feels so inappropriate. And I’m not sure how much she realizes about the inappropriateness of the position she’s putting him in, although maybe she’s getting there considering she exits the scene very quickly. I’ve honestly loved Rebecca’s arc this season. I think it’s realistic that she got obsessed with the intimacy she thought she could find in her phone. I think it’s realistic that her professional and personal ambitions are inappropriately linked. (They certainly were for Rupert. It’s been years since she’s known anything different; even if she’s done some significant recovery work to move on from her abusive marriage and figure out her own priorities, she’s got a long way to go.) I know there are people who will read this interaction between Rebecca and Sam as a totally un-self-aware thing on the part of “the show” or “the writers” but what I saw is two people who enjoyed being in bed together and now have to deal with the reality that they’re in two different places in their lives and that one has great professional power over the other. If that wasn’t in the show, I wouldn’t be able to see it or feel so strongly about it.

Edwin and Sam. I really enjoyed all the complexities of this interaction. Edwin is promising a future for Sam that doesn’t quite exist yet, though he has the financial means to make it happen. He offers this by constructing for Sam a Nigerian—and Ghanaian—experience unlike anything he’s found in London. Sam is amazed that this experience is here, and Edwin’s response is to explain to him that the experience is not here. Not really. The experience in Africa. Sam has of course connected to the other Nigerian players on the team, but this is something else entirely. I’m really curious if Sam is going to end up feeling that what Edwin has to offer is real or not. That sense of home and connection? So real. And so right that he would want to experience that homecoming and would want to be part of building that experience for others. But at the end of the day, he went to a museum full of actors and a pop-up restaurant full of “friends,” and is that constructed authenticity as a stand-in for a real homecoming more or less real than the home he’s building in Richmond? (With other players who stand in solidarity with him, and with well-meaning white coaches who say dumb stuff sometimes, and an a probably-doomed love interest, and a feeling that he should put chicken instead of goat in the jollof, and the ability to stand out as an incredible player on a rising team.)

Nate and everyone. But also Nate and no one. Nate’s story is so painful and I’m so anxious for next week’s episode. For a long time I’ve felt that a lot of Nate’s loyalties are with Richmond, and a lot of his ambitions are around having given so much to this place without getting a lot back, and having a strong feeling that he’s the answer to Richmond’s future. But now I’m not so sure; his ambitions have transferred into asking everyone he knows (except Ted, of course), if they want to be “the boss.” But Nate is all tactics and no communication. When he wants to suggest a new play to Ted, he hasn’t yet learned to read Ted’s language to learn that Ted is eager to hear what he has to say. And while Ted has been really unfortunately distracted about Nate and dismissive of him this season, he clearly respects Nate’s approach to football and was appreciative of the play. Nate just can’t hear that. The suit is such a great metaphor of all the things Nate is in too much pain to be able to hear clearly. Everyone digs at him for wearing the suit Ted bought him (including Will, who’s got to get little cuts in where he can, because he’s got to be sick of the way Nate treats him), but when he gets fed up his solution isn’t to go out on his own and find more clothes he likes; he asks Keeley to help him. And then crosses a major line with her...and no matter how kind she was about it, she was clearly not okay. Everything is going to blow up, and I’m so curious as to whether Nate will end up aligning himself with Rupert in some way or if he’s going to end up screwed over by Rupert and in turn try to screw over his colleagues even worse than he’s already done. Or try desperately to make amends even though it could be too late for some. Either way, I’m fully prepared to feel devastated. (And there’s no way I’m giving up on this character. If he’s able to learn, I truly believe he could end up seeking forgiveness and forging a happier existence for himself. Someday. Like in season 3 or something.)

Ted and Trent. Trent deciding to reveal his source to Ted is a huge deal, and I’m torn between so many emotions about this exposé. I’m glad it’s a Trent Crimm piece and not an Ernie Loundes piece. I’m glad that Trent made the decision to warn Ted and let him know that Nate is his source. I fear—but also hope—that this exposure will set off a chain reaction of Ted learning about some of the things he’s missed while suffering through a really bad bout with his dad-grief and panic disorder. The things Ted doesn’t know would devastate him. I wonder if Ted will want to figure out a way to make Nate feel heard and reconcile with him, and I wonder how that will be complicated if/when he realizes Nate has severely bullied Will, gets more details on how he mistreated Colin, etc. I wonder if Rebecca, whom Nate called a “shrew” right before she announced his promotion, will be in the position of having to ask Ted to fire him, or overriding Ted and doing it herself. So many questions! I have a feeling it’ll go in some wild yet very human-scaled, emotionally-nuanced direction, and I’ll be like “Oh my GOD!” but also like “Oh, of course.”

This VERY SERIOUS AND EMOTIONAL REVIEW has a major flaw, which is that none of the above conversations include mention of the absolute love letter to N*SYNC. Ted passionately explains how things should go while dancing ridiculously! Will turns on the music and starts gyrating! Roy nods supportively! Beard shouts the choreography like the Broadway choreographer of teaching grown men who play football how to dance like a boy band. Everyone is so incredibly proud when they nail it. I love them.

I cannot believe next week is the end. For now. I’m kind of looking forward to letting everything settle during the hiatus, but I’ve really loved the ride.

#ted lasso #ted lasso s2 spoilers #ted lasso 2x11 #meta by me #ALL THE FEELINGS!!!! #a lesbian watches ted lasso

[chainofclovers]

Ted Lasso 2x6 thoughts

I felt like the physical embodiment of a series of iconic reaction GIFs while watching this episode. I felt like Higgins gagging on air and right and wrong choices. As an invested, non-casual Ted Lasso viewer, I feel quite absorbed in the experience of every episode, but I’m not usually a LOUD non-casual Ted Lasso viewer. At one point last night, I shouted “This is the wackiest show ever made!” at @bristler, and that doesn’t even sound like something I would say. And by “wacky” I just meant “all the emotions are happening at once.”

This episode was absolutely great and I knew that every single Rebecca Welton feeling I have would intensify because of this episode and that is exactly what happened.

This is me bravely writing down my episode thoughts after only one viewing (just like last week) and a bad night of sleep! Copious spoilers and emotions ahead...

This show goes all in on hats! A lot of bad hats for giving bad relationship advice and making bad decisions! Feel like you’re gonna do something correctly? Just put on a bad hat, that’ll snap you right out of it. Just had a revelation that you are almost certainly in an abusive relationship? Your girlfriend is hiding in the parking lot with a terrible hat for you! (I love this show.)

Dark forest dark forest dark forest dark forest.

I truly, truly, truly do not mean this to sound judgmental of any other fan, but it’s taking everything in my power not to just type “dark forest” in the comments of every person who is outraged that LDN152 is not Ted.

Gonna get my initial thoughts on the Sam=LDN152 reveal out of the way. I honestly like this choice.

First, I like this choice because of who LDN152 isn���t. I think about how awful it would be if she’d matched with Rupert and realized she’d been manipulated by him and charmed by him all over again, and how, when she gets the same reveal the audience already has, she would end up retraumatized by having been charmed and taken in by Rupert all over again. I think about her matching with Nate (if he’d redownloaded the app) and the inadequacy of her assertiveness advice and how Nate is one of the only non-Rupert characters who’s used sexist language against her and how Nate’s insecurities would be like water trying to co-exist with the oil of Rebecca’s insecurities. Nate and Rebecca are fond of each other and seem to want to be in each other’s lives, but a romantic squishing together via dating app would set them both back lightyears. I think about her matching with Ted, a man currently on a parallel-to-Rebecca trek through a very painfully dark forest, a man swinging wildly between performative attempted wit and utter panic. A man she trusts with her professional and personal challenges. [Her challenging mother comes to town and Keeley and Ted are the people she wants with her at lunch.] Ted and Rebecca, with all their current limitations, and with all the ways the forest obscures the view, are trying to be there for each other in their real, non-romantic comedy versions of their lives, and the discomfort of matching on an app seems like the kind of thing that would make them rear back from each other instead of bringing them even closer together. It is not time. It is so profoundly not time that I would have been furious if the writers had continued the “maybe it’s Ted?” line of thought for another second longer than they did.

Second, I like this choice because of who Sam is. I know. He’s not an appropriate match for her. The power dynamics are all messed up and their ages are all wrong. But this does introduce a potentially interesting parallel between Rupert and his younger women and the scrutiny Rebecca would risk herself and Sam experiencing if she goes for it. Rebecca seems to have tried to put away her Rupert-related trauma, but the specter of Rupert is lurking, and I do see that being a good person making an ethically complicated decision with another good person is very different from being an abuser setting out to take advantage of multiple people...but there are parallels she might have to reckon with. Also, Sam is a kind person with a strong ethical center and a well-documented interest in Rebecca. He and Ted helped each other feel more at home in London during a time of deeply missing other homes, and Sam has internalized a lot of Ted’s ways of living in a way that might genuinely appeal to Rebecca even if she doesn’t fully realize why. The writers on this show don’t write messes for the sake of drama. They write messes because life is painful and complicated and also very funny. I’d be shocked if, however this Bantr thing plays out, it isn’t painful and complicated and also funny.

(I am already a little worried that whatever happens next is going to activate some very ironic fan reactions given this is a show whose thesis statement is about withholding judgment. This fear is based not on Ted Lasso-specific knowledge but on unfortunate patterns of fandom, but...you can fear the impact of racist, sexist, and ageist tropes on two beloved characters without embodying those tropes as a viewer. You can watch characters make decisions that could subject them to harmful scrutiny without performing that harm yourself.)

Ted Lasso is a fictional character who tweeted about the joy of eating out (you know...at the Crown and Anchor) the day before 2x6 launched and during 2x6 Rebecca invited him to eat out at the Crown and Anchor. (I love this show.) I am so, so, so fond of all the little lunch-y things in this episode. Ted can’t bring Henry his lunch because he’s “at work” aka living in London. Ted and Beard surprise each other with secret sandwiches on Fridays. Rebecca is overwhelmed by her mother’s visit (her mother’s performance of a harmful pattern) and wants Keeley and Ted there. The scene at the Crown and Anchor, as painful as all the divorce/separation feelings were, was also so homey and lovely in terms of these characters being friends, being at home in a place despite the very not-at-home feelings emanating from Deborah. The Bake-Off viewing! Ted being the designated driver (probably a good thing on this particular day)! Rebecca feeling discomfort but not shutting down! Also cute British pub feelings. Evidence that Rebecca has talked to her mom about Ted! About personal things about Ted!

Naaaaaaate. His bursts of confidence and insight. The pain and insecurity and anger almost literally bubbling under the surface.

I cannot say enough good things about Higgins. He’s grown so much, and his decision to be honest with Beard regarding his concerns about Jane was absolutely impeccably done. Many, many trusted people in Higgins’ life told him not to do it. They are all good people, and they were all wrong. Sometimes one human being’s honesty makes the difference for someone who is struggling, and that’s exactly what happened here. Beard truly heard Higgins. And of course he didn’t immediately break things off with Jane. But he heard Higgins, and when Jane showed up Beard’s face looked different than it ever has, and Higgins words are with him as he walks off into the night with Jane and that might save him. And Rebecca witnessed it.

And I’m so glad she witnessed Higgins’ choice in the midst of this very difficult experience of a) trying to find Ted because she knows he’s in pain and being unable to and b) watching her mother repeat a pattern that Rebecca herself was able to break. It taught me so much about Rebecca. The way she was punished (and described the experience using the language of punishment) for having an honest reaction to her mother’s decision to leave her father the first time. The way she was taught that love is conditional, that love and reconciliation are things you can purchase with gifts. The way her mother uses the language of self-help without internalizing what it would take to heal, and probably has little use for actual therapy. The way her mother drinks alcohol as a way to feel free.

I don’t even know how to think, much less write, about everything with Roy’s coaching and his image and how Ted feels about it and all the fatherhood things Jamie brings up and all the fatherhood things Ted is missing w/r/t Nate and everyone except for Rebecca taking at face value (or willfully deciding to take at face value) the idea that Ted’s panic attack is actually just him needing to go barf up a fish pie. Ted hugging his backpack in Sharon’s office. Rebecca trying to find him, and Sharon being the one who does. The words “I wanna make an appointment” being the words that conclude the episode at the exact midpoint of the planned-for show. Halfway through the middle season. The moment Ted realizes he’s never going to be okay if he doesn’t give therapy a try.

I also can’t say enough good things about the moment with the team and Sharon, the way she agrees to one drink, the way it’s clear that she adores them all. Sharon is exacting and professional without being cold and calculating, and everything she does in this episode is such a gorgeous model of assertiveness, patience, and moderation...three things Ted struggles with the most.

What a dark forest. What an excellent group of humans.

#ted lasso #ted lasso s2 spoilers #ted lasso 2x6 #meta by me #a lesbian watches ted lasso