#leah brotherhead
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Perry Fitzpatrick, Leah Brotherhead, and Matilda Firth on the set of Hullraisers S2
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hi there, i hope you're well!! i was wondering if i could have some female face claim suggestions for someone who has apocalyptic resources and/or otherwise fits that kind of vibe, please? i'm looking for anyone within the 20s or 30s age range, i don't mind which + a variety might actually help a lot. thank you so much!!
Catalina Sandino Moreno (1981) Colombian - From.
Lee Si Young (1982) Korean - Sweet Home, Zombieverse.
Cara Gee (1983) Ojibwe - Stange Empire, The Call of the Wind.
Lupita Nyong'o (1983) Mexican Luo Kenyan - Little Monsters.
Emily Blunt (1983) - A Quiet Place.
Mary Elizabeth Winstead (1984) - Kate, Birds of Prey, 10 Cloverfield Lane.
Elle-Maija Tailfeathers (1985) Kainai Blackfoot and Northern Sami - Blood Quantum.
Jennifer Cheon (1985) Indigenous Mexican and Korean - Van Helsing, The Wheel of Time.
Olivia Thirlby (1986) Ashkenazi Jewish / English, Bohemian Czech - Y: The Last Man.
Kim Ok Bin (1987) Korean - Arthdal Chronicles.
Hera Hilmar (1988) - Mortal Engines, See.
Hannah John-Kamen (1989) Nigerian / Norwegian - Resident Evil: Welcome to Raccoon City.
Nora Arnezeder (1989) Sephardi Jewish, Ashkenazi Jewish / Austrian - Army of the Dead, Tides.
Park Shin Hye (1990) Korean - #Alive.
Cara Theobold (1990) - Zomboat!
Christian Serratos (1990) Mexican / Italian - The Walking Dead.
Aliza Vellani (1991) Indian - Sweet Tooth.
Tanaya Beatty (1991) Himalayan / Da'naxda'xw - Murder at Yellowstone.
Ellora Torchia (1992) South African Indian / Italian - In the Earth, Beowulf: Return to the Shieldlands.
Ashley Romans (1992) African-American - Y: The Last Man.
Georgina Campbell (1992) Afro Jamaican / English - Bird Box Barcelona.
Adwoa Aboah (1992) Ghanaian / English - Willow.
Jessica Henwick (1992) Chinese Singaporean / English - Love and Monsters.
Millie Brady (1993) - The Last Kingdom.
Luciane Buchanan (1993) Tongan and Scottish - The New Legends of Monkey.
Zoë Robins (1993) Nigerian - The Wheel of Time.
Mia Goth (1993) Ashkenazi Jewish, Brazilian [Portuguese, including Azorean, small amount of African, possibly other], English, Irish, Scottish, French-Canadian - Infinity Pool.
Devery Jacobs (1993) Mohawh - is queer - Blood Quantum.
Park Gyu Young (1993) Korean - Sweet Home.
Anna Leong Brophy (1993) Irish, Chinese, and Kadazan - Shadow and Bone.
Taylor Russell (1994) Black Canadian / European - Bones and All.
Han So Hee (1994) Korean - My Name.
Avery Konrad (1994) - From.
Ivana Baquero (1994) - The Shannara Chronicles.
Christine Lee (1994) Hongkonger - Black Summer.
Jessie Mei Li (1995) Hongkonger / English - is a gender nonconforming woman who uses she/they - Shadow and Bone.
Alexa Mansour (1996) Mexican and Egyptian - The Walking Dead: World Beyond.
Go Youn Jung (1996) Korean - Sweet Home.
Thaddea Graham (1997) Chinese - The Irregulars.
Amber Midthunder (1997) Hunkpapa Lakota Sioux, Hudeshabina Nakoda Sioux, Sissiton-Wahpeton Oyate Dakota Sioux, Norwegian / Chinese, English - Prey.
Amita Suman (1997) Bhojpuri Nepalese - Shadow and Bone.
Ella Purnell (1996) - Army of the Dead, Yellowjackets.
Morgan Holmstrom (1998) Metis of Cree descent, Ilocano and Sambal Filipino - Day of the Dead (series).
Annalise Basso (1998) - Snowpiercer.
Stefania LaVie Owen (2000) Cuban [Spanish, possibly other] / Unspecified - Sweet Tooth.
Pegah Ghafoori (2000) Iranian - From.
Natalie Malaika (?) Black Canadian - Day of the Dead (series).
Paula Silva (?) Uruguayan - Virus-32.
Leah Brotherhead (?) - Zomboat!
Mia Tomlinson (?) - The Lost Pirate Kingdom.
Chloe Van Landschoot (?) Unspecified - is queer - From.
Here you go!
#fc help#rph#rpc#post apocalyptic fc#I FEEL AS THOUGH I'M MISSING SO MANY SUGGESTIONS BC I'M AN A-POC NERD I'LL PROBABLY UPDATE THIS LATER!
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New cast announced and first look pictures revealed for Channel 4 comedy, Hullraisers
Channel 4 and Fable Pictures announce Tom Bennett (Trying, Brassic, After Life, Phone Shop) and Sam Swainsbury (Mum, Ruby Speaking) to join the cast for the second series of the Hull based comedy, written by Caroline Moran and Anne-Marie O’Connor.
Tom Bennett and Sam Swainsbury join returning cast members, RTS Award nominated Leah Brotherhead, Sinead Matthews, BAFTA Award nominated Taj Atwal,…
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Inspired by: Leah Brotherhead
Outer Material: 100% Real Leather
Inside Material: Viscose Lining
Front Style: Zip-Up Closure
Collar: Lapel Style
Pockets: Four Zipper Pockets at Front and One Internal
Color: Black
Sleeves: Full Length with Buttoned Cuffs
Shop Now
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Zomboat! - A new undead apocalypse comedy series
Zomboat! – A new undead apocalypse comedy series
Zomboat! is a 2019 British-American comedy-horror TV series about four young people trying to survive an undead apocalypse using a canal boat.
Created by William Hartley and Adam Miller, the series stars Leah Brotherhead, Hamza Jeetooa, Ryan McKen, Cara Theobold and Callum Kerr.
Plot:
A zombie apocalypse is unleashed in Birmingham and sisters Kat and Jo, together with unlikely travel companions…
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#British#canal boat#Cara Theobold#Hamza Jeetooa#Leah Brotherhead#review#reviews#Ryan McKen#series#zombies#Zomboat!
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Review- Zomboat! Episode 6
Review- Zomboat! Episode 6
It is the final episode of Season 1, and as expected following the somewhat calmness of last week’s episodethis week is about to go off the scale. Our crew are stopped on their travels by the army and taken to a local evacuation centre ran by Mr. Harrison (George Potts). Kat (Leah Brotherhead) is immediately not convinced with the way Harrison is running things and also questions the army and…
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What's the Net Worth of Leah Brotherhead?
What’s the Net Worth of Leah Brotherhead?
Born Name Leah Brotherhead Nationality British Ethnicity British Profession Actor Net Worth $1.4 million
Last Updated on February 16, 2020
If you guys are into Zombie sitcom, then you might love to watch the series, Zomboat. Today’s article is all about Leah Brotherhead, who is one of the cast members of Zomboat.
Leah is the upcoming star who is in the TV industry since 2011. She…
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Landing Dramaturgy: Antler @ Edfringe 2017
LANDS
by Antler Theatre
2 performers, a mini trampoline and a 1000 piece puzzle.
Leah and Sophie have been together, here, for a long time. They are happy here.
But there’s a problem. There’s a massive f**king problem and soon they’re going to have to talk about it.
The award-winning Antler return to the fringe with a playful, intimate dissection of a relationship teetering on the edge of collapse.
Exploring the impossibility of relationships, our inability to understand one another, and the lands we isolate ourselves on, this is an absurd tragi-comedy for our times.
What was the inspiration for this performance?
It's inspired by a number of things, from political events in the last year, personal events in our lives and ongoing questions and struggles we have with and in the world. It's about how we reconcile what we want with what other people want. It's about two people trying to understand each other. The inspiration for all of this was a mini trampoline.
Is performance still a good space for the public discussion of ideas?
It's the perfect space for the consideration of ideas. Whether this translates to discussion is another thing, but it's certainly my favourite place to be provoked about the way the world works and the way people behave. The liveness of it is unescapable. The actual theatre is often difficult to escape. So when/where better to think about something
difficult.
How did you become interested in making performance?
Feel pretty privileged to have had parents who took me to see a lot of theatre. I ended up at a Youth Theatre, anxiously watching other people improvising and hoping I wouldn't be picked on to do anything. But there was definitely something about it. I also loved making things, making songs, making cards, bossing people around whenever we had a drama exercise set in English. I spent my art GCSE making sculptures out of litter. Hopefully I've got better at making art since then. It seemed obvious in the end that my love for watching theatre would result in wanting to make it for other people, in wanting to understand how it works and how to make it work well.
Is there any particular approach to the making of the show?
Not really. Each show is slightly different. I try to stick by the rules of play first, think later. Finding the game. Rules give you freedom etc etc. Mining for meaning.
Does the show fit with your usual productions?
Yes and no. This is our first show without narrative and character in a traditional sense. In a traditional 'play' sense. It's not set in 'the white' (Where The White Stops) or at an advertising agency (If I Were Me). It's happening in the room. Although there is narrative. And there is character. I guess we're not pretending it's anything other than it is. And yes- because I think it has the same sense of humour - the same enjoyment of the absurd, the silly, the bleak.
What do you hope that the audience will experience?
I'm not sure it's useful to say too much. I hope they see themselves in the story, and see themselves both Leah and Sophie's situations.
I hope that it will be disturbing and comforting in equal measure... I've probably said too much now....
What strategies did you consider towards shaping this audience experience?
Well that's everything isn't it. Loads of strategies, key overriding strategies and thousands of micro strategies. I guess that's about what I think makes good art and how i go about it. Not sure I could do that question justice, succinctly- but generalise massively, it comes back to truth doesn't it? How do you achieve that? I'll let you know when I've worked it out.
Developed at Battersea Arts Centre
Created by Antler
Directed and devised by Jasmine Woodcock-Stewart
Performed and devised by Leah Brotherhead and Sophie Steer
Originally devised with Richard Perryman and Nasi Voutsas
Produced by Hannah Smith and Claire Gaydon
About Antler
Antler are an associate company at The Bush. Winner of the IdeasTap Underbelly Award, winner of Pulse Festival Suitcase Prize, nominated for The Stage Best Ensemble Award, and winner of Best Short Fiction at BFI Future Film Festival, Antler have transferred shows to The Bush, Soho Theatre and toured the UK.
Antler are Jasmine Woodcock-Stewart, Nasi Voutsas, Daniela Pasquini and Richard Perryman. Working together for three years under the mentorship of Uri Roodner and East 15's Contemporary Course, they made their debut at the 2012 Edinburgh Fringe. Their previous shows include This Way Up (2012), Maria 1968 (2012), Where The White Stops (2013-2014), If I Were Me (2015-2016) and Lands (2017).
Biographies
Jasmine Woodcock-Stewart
Jasmine is a founding member and co-Artistic Director of Antler.
Jasmine trained on the National Theatre Studio Director's Course and on the Acting and Contemporary Theatre course at East 15. She was a finalist for JMK Award 2016 at The Young Vic with her production of Woyzeck by Georg Buchner. She recently assisted Tim Crouch on the international tour of Adler and Gibb, and was Resident Director on Lazarus, directed by Ivo van Hove. In September, she will continue working with Ivo van Hove as Staff Director on Network at the National Theatre.
Sophie Steer
Sophie trained at LAMDA.
THEATRE INCLUDES: TANK, National Tour (Breach Theatre); STILL ILL, New Diorama (Kandinsky Theatre); ASTRONAUTS OF HARTLEPOOL by Tim Foley, winner of Vaults festival Origins Awards for New Work; SPARKS by Simon Longman, Old Red Lion; BUCKETS, Orange Tree Theatre; ROMEO & JULIET, Watermill Theatre.
TV INCLUDES: CHICKENS, Big Talk Productions. Short films include, CALIBANS CAVE, short film adaptation of Tim Crouchs 'I, Caliban'; A THOUSAND EMPTY GLASSES, nominated for Best Short at Raindance/ Palm Springs.
Leah Brotherhead
THEATRE INCLUDES: Two Gentlemen of Verona (The Globe Theatre/Liverpool Everyman); Wolf Hall & Bring Up The Bodies (RSC/Aldwych Theatre/The Winter Gardens On Broadway); Another Place (Theatre Royal Plymouth); Pride and Prejudice (Regent’s Park Open Air Theatre); Doctor Faustus(West Yorkshire Playhouse/Glasgow Citizen’s); People Like Us (Pleasance); Euphoria (Ensemble 52); DNA (Hull Truck/UK tour); The Kitchen Sink (Bush)
TV INCLUDES: Doctors, Vera, Casualty, Boy meets Girl
FILM: Jess//Jim.
RADIO: Leah is a BBC Carleton Hobbs award winner and has played numerous roles for the BBC Radio rep company.
Claire Gaydon
Claire trained at East 15 Acting School before creating Everything I Own theatre company; Rémy (Edinburgh Fringe, Arcola Theatre, Lincoln Drill Hall), Somebody I Used to Know (Lincoln Performing Arts Centre, Camden People’s Theatre, Edinburgh Fringe, Harrogate Theatre). She is currently developing new solo show, How to Live Forever (Lincoln Performing Arts Centre).
Claire has recently begun producing work including immersive dining experience The Wake of Percy Clements (Last Tuesday Society) and currently Lands (ANTLER theatre).
Hannah Smith
Hannah is an independent producer, who has worked with Fuel, The Wardrobe Ensemble, Cardboard Citizens, curious directive and is an alumni of Stage One. Producing credits include; Education, Education, Education (The Wardrobe Ensemble), 1972: The Future of Sex (The Wardrobe Ensemble), If I Were Me (RADAR at Bush Theatre; Pulse; CPT; Edinburgh Fringe), Hellscreen (VAULT Festival); How does a Snake Shed its Skin? (Oval House; BAC, Summerhall; Camden People's Theatre); if what I hear is true (The Yard), ANGLE at the Bush (Bush Theatre). As tour manager; Your Last Breath (Korean tour), Where the White Stops (Mac Birmingham, York Theatre Royal, the egg, Theatre Royal Bath, rural touring with The Touring Network), Idiot-Syncrasy, Spot the Difference.
Venue: Anatomy Lecture Theatre, Summerhall, Summerhall Pl, Edinburgh EH9 1PL
Time: 12.00pm
Running Time: 50 mins
Dates: Tuesday 8th August – Sunday 20th August 2017 (not 14th Aug)
Tickets: £10 (£8 concessions)
Bookings: summerhall.co.uk
from the vileblog http://ift.tt/2vpCpAb
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Perry Fitzpatrick, Leah Brotherhead, and Matilda Firth on the set of Hullraisers S1
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Perry Fitzpatrick with Leah Brotherhead and Matilda Firth on the set of Hullraisers S1
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Behind the scenes of Hullraisers (x)
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Perry Fitzpatrick was spotted filming the new Channel 4 comedy Hullraisers alongside Leah Brotherhead. (x)
The series explores the hilarious and agonising reality of what it is to be a working class woman juggling work, kids, demanding friends, family and frustrating parents from the school playground - all whilst trying to have some fun too.
Channel 4 press release
A release date has not yet been announced.
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Review- Zomboat! Episode 5
Review- Zomboat! Episode 5
Episode 5 of Zomboat! is the penultimate episode of Season 1 and it gave the audience a chance to catch their breath before the grand finale. Instead of the fast paced action we have gotten used to we take a turn at some character development.
As the episode begins Zombie Jude (Callum Kerr) is still following them and Jo (Cara Theobold) is growing more concerned about his obsession with her. How…
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Review- Zomboat! Episode 4
Review- Zomboat! Episode 4
In Zomboat! Episode 4 we discover that even a shopping trip can be hazardous to your health in post-apocalyptic Birmingham.
With the boat moored and apparently safe Amar (Ryan McKen) and Jo (Cara Theobold) decide that food and supplies are a priority and head to the supermarket where Jo used to work. Kat (Leah Brotherhead) and Sunny (Hamza Jeetooa) stay behind to secure the boat.
Upon arriving…
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