Tumgik
#leverage cm crossover things
blackbird-brewster · 10 months
Text
Fic Rec Roundup
As I've already mentioned, I participated in @justleaveacommentfest over the past week as a way to challenge myself to read/comment on fanfics. I haven't been doing my Friday Fic Rec lists in a while because I just haven't been reading much, so I wanted to make a post with all the fics Ir ead for the comment fest. Unlike my CM Friday Fic Recs, this list is multi-fandom!
Criminal Minds
Mostly smut, but I also tried some '/reader' fics out for the first time. I still don't think it's really my thing, but I've included the ones I read so other people can check them out too.
Predilection (2007) || Author: harper_m JJ/Emily || Rated: M || WC: 1255 Thin Walls (2022) || Author: calwrites JJ/Emily || Rated: M || WC: 827
bigger (5+1) (2022) || Author: calwrites JJ/Emily || Rated: M || WC: 827
emily mit dem großen schwanz (2023) || Author: Just_a_torn_up_masterpiece JJ/Emily || Rated: E || WC: 1913
After Hit, Nobody Ran (2023) || Author: notabene187 JJ/Emily || Rated: G || WC: 4662
Be Patient (2023) || Author: imfruity Emily/Reader || Rated: E || WC: 455
Warmer (2021) || Author: nocreditinthestraightworld Elle/JJ || Rated: E || WC: 2022
from afar (2023) || Author: just_a_torn_up_masterpiece Tara/Emily || Rated: G || WC: 477
Love Abundant (2021) || Author: sweetmidnights OT3: Penelope/Emily/Tara || Rated: G || WC: 2151
I've Got a Secret, Can You Keep It? (2020) || Author: domromanoff Emily/Reader || Rated: E || WC: 787
Work Tension (2021) || Author: Jem_ily JJ/Emily || Rated: E || WC: 1516
Blackbird (2014) || Author: MadameCissy JJ/Emily || (Unrated) || WC: 27,576
Criminal Minds Bingo 2022 (Anthology) || Author: thelarkascending Multi-Ships || Rated: Teen || WC: 7144
By the Bull (2023) || Author: notabene187 JJ/Emily || Rated: E || WC: 5119
A Year in the Life (2023) || Author: thelarkascending Tara/Emily || Rated: T || WC: 4670
Winning (2010) || Author: crazylittleelf Fringe, CM Crossover || Olivia/Emily || Rated: M || WC: 251
Leverage
First time reading fic for Leverage! Love my OT3 forever and ever, I just had never gotten around to scrolling the tag. SO glad I did, there are so many great fics for these three.
Coming Home to You (2022) || Author: australiansunrise OT3: Parker/Hardison/Eliot || Rated: E || WC: 1031
[DND Character Sheets & Fanart] (2023) || Author: faorism OT3: Parker/Hardison/Eliot || Rated: T || WC: 1013
Legend of the Seeker
Another fandom I've been in since it first aired, but enver read any LotS fic! I was not disappointed, WOW! Incredibly talented authors, can't wait to explore this ship tag more in the future.
Lightness (2012) || Author: simplesetgo OT3: Richard/Cara/Kahlan || Rated: M || WC: 1688
Story Time (2020) || Author: GravityWinsAgain OT3: Richard/Cara/Kahlan || Rated: E || WC: 1378
Critical Role
First two are just faves I revisit a lot. The third was because I was in an Imoda mood, for absolutely no reason ;)
Flowers and Cupcakes (2022) || Author: lavenderthem Beau/Yasha || Rated: G || WC: 929
there was something from the moment I saw her (2021) || Author: transformatron Beau/Yasha (fanart) || Rated: E
Wither and Bloom (2023) || Author: buckles Imogen/Laudna || Rated: T || WC: 486
Thank you so much to @justleaveacommentfest for organising this event, it was so much fun. I'm looking forward to the next one!
2 notes · View notes
aberfaeth · 3 years
Link
Chapters: 1/1 Fandom: Criminal Minds (US TV), Leverage Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Alec Hardison/Parker/Eliot Spencer, Alec Hardison & Penelope Garcia Characters: Alec Hardison, Parker (Leverage), Eliot Spencer (Leverage), Penelope Garcia Additional Tags: Male-Female Friendship, Fluff, Humor, Meeting the Partners, penelope garcia is protective of her friends Series: Part 1 of leverage criminal minds crossover things Summary: 
It’s nearing two in the afternoon on a slow Saturday at the brewpub when Hardison shoots out of his seat. “Oh, shit,” he says, jerking closer to his laptop, typing furiously. 
(penelope finds out about the trio’s dc adventure, and is decidedly Not Pleased)
8 notes · View notes
kaylenellanos-blog · 5 years
Text
If Your Trying To Update Your Television Appear Into The Tcl 32 Inch Hdtv
Many individuals attempt to do things on their personal and Largescalestudios.com up making a mess of issues simply because they did not research what they had been about to do. This can be costly when it comes to setting up your personal satellite system for your house tv viewing. Understanding the distinction between a splitter, diplexer and separator will pay off in the long run. The initial step is purchase the Griffin Complete Distant Software and the IR device. This won't work with out the gadget - its a small unit that plugs into the headphone jack of your iPod and and transmits an infrared sign that is read by your digital boxes. This is the staple of the project. You'll also require the software that comes with the package. First factor you want to do is make sure that you have all the right components. You ought to have the converter box, a remote manage, two AAA batteries, and a rf Antenna Connector. I am not go in detail on stripping wire. This is a stage that is required, but I hope you currently now how to strip wire. The basic is to reduce off the safety surrounding sma connector the wire. The 3 center speakers are also two-way, closed box and reduced-leverage-flux type. There are two generate units built from a n connector cm cone with middle bass range and one 1.nine cm soft dome with a higher variety. The peak output is 100 watts and there is an input impedance of 6 ohms. The crossover frequency has been calculated at 5 kilohertz within a frequency variety of 25 to 60 kilohertz. The speakers measure 266 mm in width, 120 mm in height and fifteen mm in depth. The complete device excess weight is 2.one kg. You may test your flat display Tv keep track of, the device might need some kind of an adjustment and it is all dependent on the brand of Television tuner or USB Television adapter you have purchased. At times all you require to do is enter a setup menu and scan for accessible Television stations. It is good to make use of an current equipment to conserve cost in purchasing new types. Garage sale may be fun but it is still best to preserve and improve usage of our old equipment if they could nonetheless be set or made useful like flat display Tv keep track of for instance.
0 notes
andrewfarmerart · 6 years
Text
I recently made a mammoth stretched canvas (5ft x 5ft) and thought sharing my process might be of use to fellow Artists.
In this detailed tutorial I’ll carefully talk you through my approach to the craft of canvas making, the way I was taught to do it as well as my own adaptions.
I hope you enjoy the following write up and I’d love to hear from you if you decide to give this a go or have any suggestions which could improve on my own approach.
Materials and equipment needed
Canvas. Click here to view useful information about the main types, cotton duck and linen.
Stretcher Bars/Support Bars. Various thicknesses depending on overall canvas size. Click here to view an example
Staple Gun- Lightweight is usually suitable
Canvas Pliers. Click here to view an example
Priming materials (Gesso or traditional rabbit skin glue and oil primer). Click here to view an example
Sharp knife or scissors
Tape measure or string
Brush (size depending on canvas size, apply common sense!)
Example of my blade, canvas pliers and lightweight staple gun.
  Step one- Construct the frame
Sounds and looks easy but this is one of the most crucial stages of canvas making. At this stage you must make sure that the frame is square. 
There’s probably lots of ways to confirm the the frame is square, the method I use involves a piece of string for smaller canvases or a tape measure for much larger canvases.
Once you have pushed together the corner joins of the frame and along with support bars (Larger canvases), lay it flat on the ground or against a wall. Then using string or a tape measure, measure the diagonal from the most outer corner to the opposite corner as shown in the image below.
Write down or remember the measurement and then do exactly the same on the opposite diagonal from corner to corner. This measurement should be as close to identical as possible. If it’s not then simply push on the stretcher bars to adjust and remeasure (This can be fiddly and something you must figure out during the process)
I landed on my feet first time taking an identical measurement on the  first go! Now that is rare, it usually takes me 2-3 adjustments before I’m ready to move on to step 2.
TIP***–String or tape measure? I use string for smaller canvases because I can span the distance with my arms (Make sure to keep the string tight to give accurate reading).
I use a tape measure for much larger canvases when I’m unable to make the span of the frame with my arms. The tape measure has a little 90 degree end which is useful for locking over the corner of the canvas, making sure it doesn’t move. Be very careful that the tape measure doesn’t slip off and retract, it can cause a lot of pain when it hits your knuckles and even cause a cut!
TIP 2***–DO NOT STAPLE THE CORNER JOINTS OF THE FRAME! This is a big mistake that many Artists and canvas manufactures (usually cheaper brands) make. The point of stretcher bars is that small wooden wedges can be installed in the corners of the reverse of the canvas if the material goes slack during the creative process.
The wedges are hammered alternately until the joins in the stretcher bars open and ‘stretch’ the canvas to a desired tension.
Step 2– Making your own support bars (optional)
You could argue that this belongs in step one, constructing the frame. Now, usually the larger stretcher bars are manufactured with holes on the inside of the frame, usually mid point. These holes receive the end of the support bar which is simply slotted in before closing the corner joints of the stretcher bars.
The support bar does exactly as the name suggests, it will give the frame added strength which is crucial to the later stages of stapling and priming the canvas material.
Smaller stretcher bars don’t usually need additional support from a support bar and for this reason, they don’t usually come with the support slots.
So here’s why I’ve given support bars their very own ‘Step’ in this tutorial…..My 5ft stretcher bars didn’t come with the holes! Strange I know and I wish I’d checked before ordering. It’s not such a big deal as they’re super easy to make and attach. However, the downside is that it will add time to the canvas making process.
Here’s what to do if you order larger stretcher bars that didn’t come with the necessary holes for support bars….
To make your own support bars you’ll need some suitable planed timber which you can pick up at any builders merchants or B&Q type stores. The timber I had lying around the studio was left over from a DIY project and is actually bordering on being too lightweight for this particular canvas. I decided to go ahead and get the job done but i know for certain I’ll be adding more robust support bars at a later date.
Marking the mid point of stretcher bars
The first thing I did was to make a mark mid point on all four lengths of stretcher bar. The number of support bars required will depend on the dimensions and format of your canvas frame. As my canvas will be 5ft square I opted for a standard two bar cross. However, if you have a long slim format, a 40inch by 15inch frame for example, it would be wise to only span the shorter distance to stop the longer bars bending inwards later.
Cut support bars to fit snugly into the main canvas frame
support bars joined/slotted at chiseled sections
I then cut the timbers to fit snugly inside the canvas frame and positioned them one on top of the other in the position they would go.
To make the two piece fit flush together, I marked the width of the wood as they laid on one another at the crossover. Using a mallet and chisel I removed 50% of the timber thickness on both support bars. If you get this right the two timbers should fit nicely together.
Attaching the support bars is simple…
Recently I started to use mirror plates as pictured above. I use the side with two holes to screw down into the main canvas frame. I use the single slotted side to fix to the support bar.
But why this way around? inserting only one screw into the support bar can greatly reduce the chance of splitting the timber.
TIP**– As the canvas may need to be stretched at a later date using the small wedges on the reverse, it makes sense to enable the support bars to allow for movement. If not, the corners of the stretcher bars would open and expand but the support bars would pull on the centre of the stretcher bars causing an inwards dip.
Using a slotted mirror plate allows for this expansion eliminating the possibility if warping. Just make sure not to screw down to hard!
TIP 2**– Because you will most likely need to use smaller screws to stop the point piercing through to the canvas, the screw heads might be slightly smaller than the mirror plate slot opening.
If this is the case you can easily solve this problem by first pushing the screw through a small washer which will give the screw head more area.
Step 3– Canvas Cutting
Canvas materials can vary massively, from traditional heavy weight linen to a flexible calico. It’s well worth experimenting with a variety of materials and learn about them through painting on them, you’ll quickly decide on which material suits your painting style/process.
You’ll also learn how to adjust canvas types to suit different projects/canvas size and other factors.
Canvas can be bought in many stores including online stores, Ebay is a perfect place to pick up reasonably priced materials which can be shipped directly to you. If purchasing online you can usually order sample pieces of materials to feel the weights/thickness and weave(fine/course) before making an actual order.
To cut your canvas material, I think it’s good practice to lay down the stretcher bars on top so that you can clearly see the size you require. It’s so easy to make a measuring error resulting in a piece of material 10 cm too short, take it from me!
You can see from the image above that I cut the canvas leaving plenty of material to wrap around the edge and also the back of the stretcher bars. This measurement will vary depending on the stretcher bar dimensions.
When cutting canvas I prefer to use a sharp Stanley knife as I can gain a nice continuous line, this is also possible with good quality fabric scissors (try both and decide for yourself).
TIP– If you decide to cut with a blade like I do, be careful when removing the surplus material. Occasionally the material could still be joined by a thread or two.
Do not pull the material to snap the thread as this can cause the material to crease. Instead carefully cut the thread with the blade.
Step 4–Stapling the canvas
Figure 1. Wrap around and staple the centre
Figure 2. Gripping and tensioning from opposite side of stretcher.
This is the part of the whole process that I love the most.
Don’t have canvas pliers?? Buy some….seriously, having the right kit to get the job done makes the whole process so much more pleasurable and quicker!
You can see from the image above that canvas pliers have a wide end, almost hammer head shark shape. Normal pliers are straight and narrow.
Although it is possible to stretch the material with normal pliers, you will have a much harder time and also massively increase the risk of tearing more lightweight canvas materials.
Canvas pliers help to give a more even and wider pull on the material. Not only this, they usually have a small lug on the underside which helps you to gain leverage against the canvas frame.
Start by laying the canvas frame flat on the canvas material, making sure that the material to wrap around the frame is even the whole way around.
Then, wrap  the material around and staple one edge bang in the middle on the reverse of the stretcher bar. I personally pump 3 staples 2 centimetres apart, I then walk around to the opposite side of the canvas and wrap around the material but this time without stapling.
I hold the material on the frame  and lift it up so that the canvas is standing vertically. Then, using the canvas pliers I grip and pull the material to give tension (Figure 2 above), at this point I pump 3 staples to match the opposite side of the canvas.
The technique I use is this, to work from the middle to the end on each piece of stretcher bar. This way you can really minimise the chances of the material gathering and causing ripples across the finished surface.
Here’s a little sketch showing the above description which might make things more clear.
Stapling diagram. The square represents my canvas, the little dashes represent the staples.
TIP***– It’s easy to think that the unprimed material should be as tight as drum, but this is far from the truth and will cause serious problems when priming. If you do stretch the canvas too much at this stage, once primed the canvas will contract and could cause serious warping of the stretcher bars.
Instead, aim to take up some of the slack, not worrying too much about small creases etc. When you prime the material it will contract as it dries creating greater surface tension, the creases and wrinkles will disappear by themselves (you’ll notice as you prime later).
Finishing corners can be tricky and there’s no easy way to do this. This stage is really down to practice and getting the ‘knack’ of it. I’ve included an image below to show the kind of thing we should be aiming for, something that is tight to the stretcher and looks neat and presentable, especially if the piece is to be exhibited unframed.
Finishing corners.
Step 5–Seizing and/or priming
Priming can be divided into two main camps, the traditional and the non traditional. I’ll be focusing on the non traditional, acrylic gesso priming in this tutorial but plan to create a tutorial dedicated to oil priming at a later date.
Here’s a quick over view of oil priming…
The traditional method entails boiling up a batch of rabbit skin glue which is laid evenly onto the bare canvas with a soft brush and allowing to dry. This acts as a barrier against the traditional oil based primer which is later applied in a minimum of two layers. Depending on your preference for surface type, you can also lightly sand between layers of primer, giving a very smooth surface.
Some of the advantages of oil primer include a very durable and resistant surface as well as a naturally less absorbent finish in comparison to gesso priming. This method of priming is extremely satisfying and I’m sure something that seasoned Art collectors would greatly appreciate.
If you’re the kind of painter that likes to constantly rework images, scrape paint back and work with palette knives, this is definitely a method of priming that you should consider.
The non-traditional, Acrylic Gesso. The brand I use and have always used is Winsor and Newton Galeria which can be bought in various sizes. This method of priming is less time demanding but yields some similar results to oil priming.
I suggest applying this material in 2 layers as a minimum, making sure to fill every pore of the canvas. This acts as a barrier to oil pigments, something which would otherwise eventually rot the natural material of your canvas(as I was taught!).
When I prime with either acrylic or oil primer, I apply generously using a circular motion with the soft brush. Once you have covered the whole surface including the edges of your canvas, you could finish with brush strokes running in a single direction.
The same option to sand between layers also applies here, achieving a smoother finish.
The second coat is applied in the same manner using circular motions. If the first coat was finished using a single direction, this can be done again but applying in the opposite direction, creating a weave with the bristle marks.
Funnily enough, I enjoy working with slightly textured canvases and with this in mind I rarely sand between layers of priming.
TIP**– If you prefer a smooth finish and visible canvas weave, be very careful not to saturate the material surface with primer. But remember that it is key to cover every single part of the front and sides of the canvas to create a barrier for your painting pigments and mediums.
5x5ft canvas, finished with 2 layers of gesso primer.
Taking care of your kit and more tips
Making your own canvases is very satisfying and can be a good way to save money without compromising on quality. In my opinion there’s no real negatives to creating canvases other than the time it might take you.
If you already or are considering to give this a try it’s well worth investing in good equipment. At the end of each canvas making session, it goes without saying that you should take care of your equipment.
Blade/scissors- always make sure that your blade/scissors are sharp, if not, replace. Cutting corners can cost you more in the long run, especially when cutting canvas!
Staple Gun- always keep a supply of extra staples that fit. Before purchasing your staple gun, make sure that extra staples are easy to get a hold of.
Brushes- always wash up with warm soapy water to maintain a soft bristle (Acrylic Gesso). Wash in white spirits or brush cleaner followed by warm soapy water (Oil based primer).
Canvas- left over canvas could be useful for creating smaller canvases or canvas panels, either fold neatly or roll and store in a clean and dry environment.
I suggest finding a suitable tray or rigid box to house everything, keeping the complete kit together. This will save you the headache of trying to locate various bits and pieces as well as saving you valuable time.
The key to great canvas making is to be organised, practice lots and take pride. Good luck!
If you’ve enjoyed this tutorial and would be interested in more helpful tips for Artists then make sure to subscribe to my blog to be notified of future posts. Scroll to the bottom of any webpage to enter your email address.
You can also subscribe to my newsletter for previews of latest works, news and exclusive subscriber offers.
Don’t miss this…
How to make your own wet panel carrier
DIY Panel carrier in action!
      How to make a stretched canvas from start to finish- Artist Tutorial I recently made a mammoth stretched canvas (5ft x 5ft) and thought sharing my process might be of use to fellow Artists.
0 notes
aberfaeth · 3 years
Note
PLEASE tell me more about the hardison garcia friendship
ok so the lovely savannah @grasslandgirl (who has put up with me live-blogging all 15 seasons of cm) and i have talked about this at LENGTH
they met while penny was still acting as the black queen obviously, but hardison was one of the kinder friendlier hackers and so they’ve kept in touch, sending each other extremely encrypted encoded messages and playing WOW together
after the rundown job garcia flies to portland to chew hardison out for being stupid, because taking down crazy murderous terrorists is the bau’s job, not his, and he isn’t supposed to be in danger like that, and she had to read about it from the CASE FILE, alec!!!
she is very excited to meet eliot and parker and sort of embarrassed that their first impression of her is tearing hardison a new one but they all click instantly
when the bau deals with a case that involves corrupt businessmen they can’t take down, like that one rehab center guy, garcia just. quietly sends all the files hardison’s way
during rare crew teamups, it’s very funny to watch hardison and garcia because they almost have their own language with how in sync they are, how fast they talk and always seem to finish each others sentences (it’s the adhd)
alec gets called in to help during 300 bc he’s the Best and penny and spence deserve the best. they need the best. and when garcia stumbles in he wraps her in a LONG hug
he is CONSTANTLY teasing her about luke. and she can’t reciprocate because he’s so openly gooey for eliot and parker so it isn’t fun to tease him because he’s just like “yeah i know they’re the best i’m so lucky :)”
73 notes · View notes
aberfaeth · 3 years
Text
thinking again about how spencer reid and alec hardison both start their respective shows at 23, the baby of the group, the genius. thinking sooo hard about revelations grave danger job parallels. its about getting kidnapped and facing their worst fears and still managing to use their brains to help their teams (families) find them
27 notes · View notes
aberfaeth · 3 years
Note
Tumblr media
I would like to ask your thoughts. If you want to share. I am curiousssss
AHHH OK I TALKED ABT LEVERAGE CM CROSSOVER HERE AND HERE BUT OBVIOUSLY I HAVE MORE THOUGHTS. BRAIN ROTTED ETC
the sheer potential that a collective encounter with mcsweeten and taggert has. the bau has a job in portland and mcsweeten, who has been to the brewpub (db cooper job), is like Oh I Know A Great Place We Can Eat After We Crack The Case. the bau team says sure why not. parker and hardison are, of course, there.
mcsweeten: “oh, agents hagen and thomas! so crazy to run into you!”
morgan, beyond delighted: “agents hagen and thomas. so good to meet you”
hardison: “there’s no chance you don’t tell penelope about this, huh”
morgan, grinning: “what do you think”
additionally, emily who has worked with sterling at interpol and just hates his fucking guts so much. during their first double team up eliot is a bit wary of her, of all of them, until the crew mentions sterling and she goes “oh that dude SUCKS” and he does a full 180 instant trust instant adoration
hotch keeps trying to recruit hardison, very subtly. he knows it’s never gonna happen and he knows that they’d never catch him like they caught penelope because penelope sort of wanted to be caught. but like he has to try.
on the flipside sophie keeps wheedling emily about playing for their team just one more time. “like in marseille, darling, don’t you remember?” and emily’s like “i will cut my feet off before i wear heels that high ever again. don’t try it”
jj and hardison trading parenting tips until she realizes he’s talking about parker2000 his robot parker2000
parker and spencer instantly click. penelope and hardison are delighted by this until they realize they haven’t seen either one in hours because they’ve been sitting in a corner, rapid fire trading off knowledge about lockpicking (which spencer will definitely use to get himself into trouble, penelope is sure of it) and portland’s traffic patterns (parker does NOT need an excuse to skip out on any more red lights)
rossi tries thief juice and sort of has an aneurysm. nate sympathetically pats him on the back.
22 notes · View notes
aberfaeth · 3 years
Text
alec hardison : parker :: penelope garcia : spencer reid
13 notes · View notes
aberfaeth · 3 years
Text
good night everyone. i feel like i didn’t say it enough today but i love alec hardison. also i’m trying 2 write more leverage cm crossover stuff so if u have any ideas or find any concept particularly fun (i’ve talked abt some stuff in my cm leverage crossover things tag) please lmk thank uuu
12 notes · View notes
aberfaeth · 3 years
Text
ok! having finished criminal minds i can now start to compile an excel spreadsheet of the extent of the leverage cm crossover bit actors. i dont pretend to be confident i caught them all but i do think i got most of them so here we come
13 notes · View notes
aberfaeth · 3 years
Text
if anyone is actually interested in the leverage criminal minds bit actor crossover spreadsheet i have linked it here!
6 notes · View notes
aberfaeth · 3 years
Note
i really appreciate your dedication to cm and leverage rn, every time i saw your post with a new update i got excited. looking forward to that spreadsheet ♡
ahhhhh im so glad that u enjoyed my .. Process lmaoooo im making columns for actor name, character name, episode, and alignment (good/bad bc i think it will be cool to see if the character actors normally stick to their archetypes) for each show but if u (or anyone else) has other Parameters u would like me to analyze i am procrastinating my homework by doing this so please feel free to suggest
3 notes · View notes