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metalshockfinland · 1 month
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Metal Super Trio SMOKE AxD Announce New EP "Vaya Con Dios", New Single 'The Codes We Chose' Out Now
Where there’s smoke, there’s fire! Newly formed supergroup SMOKE AxD has announced their first EP, Vaya Con Dios, will be released on May 7th. Brought together in a haze of ganja and a shared passion for heavy riffs, the trio of hardcore brethren, Lord Ezec (Crown of Thornz, Skarhead), Hoya Roc (ex-Madball) and Sean Martin (ex-Hatebreed/Twitching Tongues), have assembled to create some of the…
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ms-understand · 3 months
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Danny Diablo DMS Lord EZEC speaks
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guerrilla-operator · 3 years
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CROWN OF THORNZ
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pamphletstoinspire · 6 years
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BOOK OF JOB - From The Douay-Rheims Bible - Latin Vulgate
Chapter 12
The Book of Job shows how human affairs are ruled by Divine Providence using probable arguments.
"Although you hide these things in your heart, I know that you still remember everything." - (Job speaking to God)  
***
INTRODUCTION.
This Book takes its name from the holy man, of whom it treats; who, according to the more probable opinion, was of the race of Esau, and the same as Jobab, king of Edom, mentioned Gen. xxxvi. 33. It is uncertain who was the writer of it. Some attribute it to Job himself; others to Moses, or some one of the prophets. In the Hebrew it is written in verse, from the beginning of the third chapter to the forty-second chapter. Ch. --- The beginning and conclusion are historical, and in prose. Some have divided this work into a kind of tragedy, the first act extending to C. xv., the second to C. xxii., the third to C. xxxviii., where God appears, and the plot is unfolded. They suppose that the sentiments of the speakers are expressed, though not their own words. This may be very probable: but the opinion of those who look upon the work as a mere allegory, must be rejected with horror. The sacred writers speak of Job as of a personage who had really existed, (C.) and set the most noble pattern of virtue, and particularly of patience. Tob. ii. 12. Ezec. xiv. 14. Jam. v. 11. Philo and Josephus pass over this history, as they do those of Tobias, Judith, &c. H. --- The time when Job lived is not clearly ascertained. Some have supposed (C.) that he was a contemporary with Esther; (D. Thalmud) on which supposition, the work is here placed in its chronological order. But Job more probably live during the period when the Hebrews groaned under the Egyptian bondage, (H.) or sojourned in the wilderness. Num. xiv. 9. The Syrians place the book at the head of the Scriptures. C. --- Its situation has often varied, and is of no great importance. The subject which is here treated, is of far more; as it is intended to shew that the wicked sometimes prosper, while the good are afflicted. H. --- This had seldom been witnessed before the days of Abraham: but as God had now selected his family to be witnesses and guardians of religion, a new order of things was beginning to appear. This greatly perplexed Job himself; who, therefore, confesses that he had not sufficiently understood the ways of God, till he had deigned to explain them in the parable of the two great beasts. C. xlii. 3. We cannot condemn the sentiments expressed by Job, since God has declared that they were right, (ib. v. 8) and reprimands Elihu, (C. xxxviii. 2.) and the other three friends of Job, for maintaining a false opinion, though, from the history of past times, they had judge it to be true. This remark may excupate them from the stain of wilful lying, and vain declamation. Houbigant. --- However, as they assert what was false, their words of themselves are of no authority; and they are even considered as the forerunners of heretics. S. Greg. S. Aug. &c. T. --- Job refutes them by sound logic. S. Jerom. --- We may discover in this book the sum of Christian morality, (W.) for which purpose it has been chiefly explained by S. Gregory. The style is very poetical, (H.) though at the same time simple, like that of Moses. D. --- It is interspersed with many Arabic and Chaldaic idioms; (S. Jer.) whence some have concluded, that it was written originally by Job and his friends (H.) in Arabic, and translated into Heb. by Moses, for the consolation of his brethren. W. --- The Heb. text is in many places incorrect; (Houbig.) and the Sept. seem to have omitted several verses. Orig. --- S. Jerom says almost eight hundred, (C.) each consisting of about six words. H. --- Shultens, in 1747, expressed his dissatisfaction with the labours of all preceding commentators. To explain this book may not therefore be an easy task: but we must be as short as possible. H. --- Those who desire farther information, may consult Pineda, (W.) whose voluminous work, in two folios, will nearly (H.) give all necessary information. C.
The additional Notes in this Edition of the New Testament will be marked with the letter A. Such as are taken from various Interpreters and Commentators, will be marked as in the Old Testament. B. Bristow, C. Calmet, Ch. Challoner, D. Du Hamel, E. Estius, J. Jansenius, M. Menochius, Po. Polus, P. Pastorini, T. Tirinus, V. Bible de Vence, W. Worthington, Wi. Witham. — The names of other authors, who may be occasionally consulted, will be given at full length.
Verses are in English and Latin.
HAYDOCK CATHOLIC BIBLE COMMENTARY
This Catholic commentary on the Old Testament, following the Douay-Rheims Bible text, was originally compiled by Catholic priest and biblical scholar Rev. George Leo Haydock (1774-1849). This transcription is based on Haydock's notes as they appear in the 1859 edition of Haydock's Catholic Family Bible and Commentary printed by Edward Dunigan and Brother, New York, New York.
TRANSCRIBER'S NOTES
Changes made to the original text for this transcription include the following:
Greek letters. The original text sometimes includes Greek expressions spelled out in Greek letters. In this transcription, those expressions have been transliterated from Greek letters to English letters, put in italics, and underlined. The following substitution scheme has been used: A for Alpha; B for Beta; G for Gamma; D for Delta; E for Epsilon; Z for Zeta; E for Eta; Th for Theta; I for Iota; K for Kappa; L for Lamda; M for Mu; N for Nu; X for Xi; O for Omicron; P for Pi; R for Rho; S for Sigma; T for Tau; U for Upsilon; Ph for Phi; Ch for Chi; Ps for Psi; O for Omega. For example, where the name, Jesus, is spelled out in the original text in Greek letters, Iota-eta-sigma-omicron-upsilon-sigma, it is transliterated in this transcription as, Iesous. Greek diacritical marks have not been represented in this transcription.
Footnotes. The original text indicates footnotes with special characters, including the astrisk (*) and printers' marks, such as the dagger mark, the double dagger mark, the section mark, the parallels mark, and the paragraph mark. In this transcription all these special characters have been replaced by numbers in square brackets, such as [1], [2], [3], etc.
Accent marks. The original text contains some English letters represented with accent marks. In this transcription, those letters have been rendered in this transcription without their accent marks.
Other special characters.
Solid horizontal lines of various lengths that appear in the original text have been represented as a series of consecutive hyphens of approximately the same length, such as ---.
Ligatures, single characters containing two letters united, in the original text in some Latin expressions have been represented in this transcription as separate letters. The ligature formed by uniting A and E is represented as Ae, that of a and e as ae, that of O and E as Oe, and that of o and e as oe.
Monetary sums in the original text represented with a preceding British pound sterling symbol (a stylized L, transected by a short horizontal line) are represented in this transcription with a following pound symbol, l.
The half symbol (1/2) and three-quarters symbol (3/4) in the original text have been represented in this transcription with their decimal equivalent, (.5) and (.75) respectively.
Unreadable text. Places where the transcriber's copy of the original text is unreadable have been indicated in this transcription by an empty set of square brackets, [].
Chapter 12
Job's reply to Sophar. He extols God's power and wisdom.
[1] When Job answered, and said:
Respondens autem Job, dixit :
[2] Are you then men alone, and shall wisdom die with you?
Ergo vos estis soli homines, et vobiscum morietur sapientia?
[3] I also have a heart as well as you: for who is ignorant of these things, which you know?
Et mihi est cor sicut et vobis, nec inferior vestri sum; quis enim haec quae nostis ignorat?
[4] He that is mocked by his friends as I, shall call upon God and he will hear him: for the simplicity of the just man is laughed to scorn.
Qui deridetur ab amico suo, sicut ego, invocabit Deum, et exaudiet eum; deridetur enim justi simplicitas.
[5] The lamp despised in the thoughts of the rich, is ready for the time appointed.
Lampas contempta apud cogitationes divitum, parata ad tempus statutum.
[6] The tabernacles of robbers abound, and they provoke God boldly; whereas it is he that hath given all into their hands:
Abundant tabernacula praedonum, et audacter provocant Deum, cum ipse dederit omnia in manus eorum.
[7] But ask now the beasts, and they shall teach thee: and the birds of the air, and they shall tell thee.
Nimirum interroga jumenta, et docebunt te; et volatilia caeli, et indicabunt tibi.
[8] Speak to the earth, and it shall answer thee: and the fishes of the sea shall tell.
Loquere terrae, et respondebit tibi; et narrabunt pisces maris.
[9] Who is ignorant that the hand of the Lord hath made all these things?
Quis ignorat quod omnia haec manus Domini fecerit?
[10] In whose hand is the soul of every living thing, and the spirit of all flesh of man.
In cujus manu anima omnis viventis, et spiritus universae carnis hominis.
[11] Doth not the ear discern words, and the palate of him that eateth, the taste?
Nonne auris verba dijudicat? Et fauces comedentis, saporem?
[12] In the ancient is wisdom, and in length of days prudence.
In antiquis est sapientia, et in multo tempore prudentia.
[13] With him is wisdom and strength, he hath counsel and understanding.
Apud ipsum est sapientia et fortitudo; ipse habet consilium et intelligentiam.
[14] If he pull down, there is no man that can build up: if he shut up a man, there is none that can open.
Si destruxerit, nemo est qui aedificet; si incluserit hominem, nullus est qui aperiat.
[15] If he withhold the waters, all things shall be dried up: and if he send them out, they shall overturn the earth.
Si continuerit aquas, omnia siccabuntur; et si emiserit eas, subvertent terram.
[16] With him is strength and wisdom: he knoweth both the deceiver, and him that is deceived.
Apud ipsum est fortitudo et sapientia; ipse novit et decipientem, et eum qui decipitur.
[17] He bringeth counsellors to a foolish end, and judges to insensibility.
Adducit consiliarios in stultum finem, et judices in stuporem.
[18] He looseth the belt of kings, and girdeth their loins with a cord.
Balteum regum dissolvit, et praecingit fune renes eorum.
[19] He leadeth away priests without glory, and overthroweth nobles.
Ducit sacerdotes inglorios, et optimates supplantat;
[20] He changeth the speech of the true speakers, and taketh away the doctrine of the aged.
commutans labium veracium, et doctrinam senum auferens.
[21] He poureth contempt upon princes, and relieveth them that were oppressed.
Effundit despectionem super principes, eos qui oppressi fuerant relevans.
[22] He discovereth deep things out of darkness, and bringeth up to light the shadow of death.
Qui revelat profunda de tenebris, et producit in lucem umbram mortis.
[23] He multiplieth nations, and destroyeth them, and restoreth them again after they were overthrown.
Qui multiplicat gentes, et perdit eas, et subversas in integrum restituit.
[24] He changeth the heart of the princes of the people of the earth, and deceiveth them that they walk in vain where there is no way.
Qui immutat cor principum populi terrae, et decipit eos ut frustra incedant per invium.
[25] They shall grope as in the dark, and not in the light, and he shall make them stagger like men that are drunk.
Palpabunt quasi in tenebris, et non in luce, et errare eos faciet quasi ebrios.
Commentary:
Ver. 2. You. Heb. "truly you are the people, and wisdom will die with you!" This irony is very sharp. C. --- "Are you alone men? or shall?" &c. Sept. Syr.
Ver. 4. Mocked. He retaliates on Sophar, (C. xi. 3. H.) who had very seriously exhorted Job to call on God, as if he had been ignorant of this duty. C. --- God will one day force the wicked to retract their false notion, in despising his servants. Wisd. v. 3. W.
Ver. 5. The lamp. Such is the just man, who under affliction is (H.) exposed to the ridicule of men who live at their ease. --- For. Heb. "to fall." C. --- Sept. "It was appointed for me to fall under others at the time fixed."
Ver. 6. Abound. Heb. "are at peace." C. --- The prosperity of the wicked is therefore no proof that they are pleasing to him. H. --- All nature testifies that God exercises a sovereign dominion over his works. He may therefore cause the just to suffer, though they be guiltless. This is one of Job's grand maxims. C.
Ver. 11. Taste. For this no master is requisite; so I stood in no need of your information, (C.) of such trite remarks. H.
Ver. 12. Ancient. He rather chides the youth of Sophar for offering to give him lessons. Old age is indeed commonly wiser and more experienced. Yet, what is man's knowledge compared to that of God! v. 3.
Ver. 17. To a. Heb. "to be despoiled" of their wisdom and riches. C. --- Sept. "into captivity." H. --- Crafty plotters at last fall into such misconduct, as to be derided by men of the meanest capacity. W.
Ver. 18. Looseth. Sept. "setteth kings upon the throne," &c. --- Belt. This was usually very magnificent, and a military ornament. See that of Pallas described. Æn. x. Job intimates that God derives kings of their authority, at pleasure. Heb. may also signify that he looseth the bond or prisoner of kings, and reduces themselves to slavery. C. --- Things never remain long in the same state. H. --- Even kings are sometimes obliged to beg. M.
Ver. 19. Without. Heb. "despoiled." Sept. "captives." Cohanim, may comprise both sacred ministers and civil princes. 1 K. viii. 18. All are equally subject to God. C.
Ver. 20. Speakers. Permitting them to speak deceitfully, (C.) or causing their oracles to be contemned. H. --- Heb. "he withdraws speech from men of confidence." C. --- Neemanim, (H.) ambassadors or prime ministers. Num. xii. 7. He disconcerteth the best concerted plans.
Ver. 21. Relieveth. Heb. "ungirdeth (disarms) the strong." C. --- Sept. "but the lowly (humble) he has healed."
Ver. 22. Of death. Tsalmaveth (H.) may perhaps simply denote darkness. C. --- God bringeth to light the most hidden things. H.
Ver. 23. Multiplieth. Heb. Sept. and Syr. "deceiveth," (C.) suffering them to confide too much in their strength, so that they fall an easy prey. H. --- How many nations, once so powerful, are now fallen; while others of no account have risen to eminence!
Ver. 24. Changeth. Heb. "taketh away the heart," or prudence "of princes." Hence they follow the most absurd counsels. Isai. xxix. 19. C. - No way. This was the case of Pharao, when he pursued the Israelites into the sea; (T.) and the like may rationally be feared by those princes, who attempt to make innovations in the true religion, or in the sound laws of a kingdom. M.
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milkmoneyzine · 4 years
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"WHO THE FUCK DO YOU THINK YOU ARE?" #3
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#Follow4FollowMyGuy asks: As an artist in uncertain times, how can I keep promoting my music from quarantine?
M$: The first thing you need to do is find some compromising evidence on a friend that runs a website. Then you blackmail them into letting you write a pointless Advice Column that no one actually cares about. That’s the most important place to start.
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Once you’ve got that secured, and the money from the blog is flowing endlessly into your account, then you just hustle. Hustling is a lost art these days. There are so many online outlets, and so many different social media platforms that it can get overwhelming pretty quickly. The key is to not let that happen. Focus on one or two at a time. Get weird on Twitter and sneak in some links. Ask for questions on your Instagram story, then find a way to relate your answers to songs you can post. Dive into the hellscape that is Reddit and find a thread that your music fits with, and drop a link. Not all of this is going to work, but it’s worth a shot.
The other important thing to remember is that you don’t have to promote a specific song, or an album, or a video. Just interact with people. Everyone else is online all the time, so just be visible, be friendly, and be accessible. As long as you’re doing something online, no one is going to forget about you.
Maybe don’t use the band page to drop heart eyes on thirst trap photos. Slide into those DM’s from your own account, you know? The last thing you want is the fucking bass player seeing their reply first and stealing your thunder. But then again, all is fair in love and hardrock.
Dan Price asks: Can I have your milk money?
M$:
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@FiendingForMosh asks: When are shows coming back?
M$: The real answer is that no one knows. Probably sooner than you think, which is also probably too soon. It’s kind of a lose/lose situation.
Live music is in a weird spot. To go from “Everyone needs to practice social distancing until we can get a handle on this extremely contagious thing” to “Well, it’s not contained, and we don’t have a vaccine, but fuck it. Go ahead and pack as many people as you can into a tiny, poorly ventilated space and let them all slam into each other” in the span of a couple of weeks seems insane.
There are some medical experts that say live shows shouldn’t start again until 2021. That’s not going to happen. That can’t happen. Every place that relies on a steady stream of smaller touring acts and local shows—which is almost all of them—will close if that’s the case. No one wants that. Venues need to make money and bands need to make money. The only way to do that is with shows.
What’s going to be really interesting is seeing who takes the risk. Some bands are going to hit the road two days after “shelter in place” ends. There will be venues ready to host the shows, and people dying to see them—no matter who that band is. The very idea of getting back out in public and seeing their friends is going to be enough for a lot of people. Those bands are probably going to do pretty well, and play for a lot of grateful people every night.
Then there are going to be other bands that take the whole rest of the year off. To them, the juice won’t be worth the squeeze. They’ll stay home, write new songs, make a new record, and continue to wait it out. The bands that take this route are probably the bands that are a little more established, and have other sources of income. Some bands can afford not to tour. Others can’t.
There are also going to be a lot of people who just don’t trust anyone in a large crowd for a while.
“I’d love to see that band. But there’s no way in hell I’m going to stand in the dark while a drunk, sweaty guy—still wearing a heavy denim jacket in fucking July for some reason—brushes his damp hair across my face as he tries to squeeze through an already tiny space.”
It’s weird, it’s scary, and it’s pretty unprecedented. But it is going to be okay. Live music will always be something that people enjoy, and there will always be someone who figures out how to make the most of it. Things aren’t going back to normal anytime soon, but maybe that’s a good thing. It gives everyone a chance to decide what the new normal is.
There is one upside that could come from this, and one that Milk Money wholeheartedly supports: Maybe venues/bars/clubs will actually keep their bathrooms clean, stocked, and operational.
Ahhh, who are we kidding? No one is going to learn anything from the last five weeks.
XtestpressX asks: Who are M$’s favorite current #SLCHC bands?
M$:
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M$ PRESENTS THE #SLCHC2020LOVE THE MIXTAPE: 1. Victim To None - Sacred 2. Devoid - Another Life Wasted 3. Ape $hit - Pretty Neat ft. Dea Giokas 4. Degeneration XXX - Bitter End 5. Dirty Mike - Angel (Prod. by Teemane) 6. Zodiac Killer - Serpent's Tongue 7. Crow Killer - Close Grip 8. Witchtrial - Burn 9. Absent - Dimmed Love 10. Tamerlane - Absense
Run tha trak!
Milk Money Mixtapes
·
M$ presents #SLCHC2020LOVE The Mixtape
@StatuteOfLimitations asks: What is your wildest tour story? Dan$: As all of Milk Money will attest, my memory is not the hottest. But I’ve been blessed with a metric shit-ton of sketchy/amazing tour experiences, so here’s a montage of pretty true events... - Coming up with the idea for Milk Money with Trevor on west coast Cherem runs.
- Roger Miret teaching me his prison workout regimen in an old church in Switzerland. 
- Watching Madball and Obituary festival sets in Turino, Italy from the fancy comfort of an above-ground pool.
- Breaking up fights between American soldiers and German hardcore kids.
- Breaking up fights between American soldiers and Japanese hardcore kids.
- Getting into fights with American soldiers in foreign lands.
- The time Lord Ezec asked me if I wanted to smoke some crack with him.
- The time the moon crashed into Idaho.
- Hiding outside the backstage tent of symphonic metal cover band Apocalyptica in a giant mud puddle during a Czech Republic downpour with Vinnie Stigma, waiting for them to take the stage, so we could sneak in and steal coffee from their espresso machine.
- Taking Matt Mascarenas to the beach for the first time in his life.
- Fuck Nick Cannon. - Watching an aggro road-rager freak and back down a steep-ass, 500-foot grassy slope into a cow pasture after he pulled us over to fight. - The Lightkeeper’s Trail (What's good, Countdown to Life/Broadway Calls?!?!?!) - Watching Sparky from Demented Are Go bite the head straight off a dead rat, pound a bottle of vodka, and say, “That’ll clean it up.” - Chasing a not-be-identified drummer from brothel to brothel in Graz, Austria to watch him dance with girls for a few seconds before running to the next brothel… just to make sure he didn’t get left behind by the bus.
- Not joining Hatebreed in a backstage jacuzzi full of actual erotic dancers. - 30 Seconds to Mars telling us we were “pretty heavy” when we shared a venue in Minneapolis. - Moshing in a Drum’n’Bass tent at a Euro festival with a not-to-be-identified NYHC band who were skying way high on ecstasy. = Learning so many important lessons the hard way while making all of my closest friends cuz… hardcore. Trevor$: I don’t have nearly as many globe-trotting adventures as Dan, but some of my favorite moments with my friends happened on tour. - Spending two full days at a Fazoli’s (the only kind-of vegan option in the city) in Grand Island, Nebraska on our first tour because the transmission went out 13 hours after we bought the van. - Directions to a venue that were “Turn left at the women’s prison, and drive to the end of the road. It’s in the junkyard.” Once inside the junkyard, getting the instructions “Stay away from the fences. That’s where the ladies have ‘yard time’ and the guards in the tower get really angry when we talk to them.” - Air guitar and autographs with a drunk guy named “Deth” in Tijuana. - Almost having to fight a promoter in New Mexico because he accused us of stealing a microphone, only to find out ten minutes after leaving that Bill accidentally put it in the pocket of his cargo shorts and forgot. - Swimming too far out in the Florida ocean and getting stopped by the beach patrol just before the shelf drops off and all the bull sharks hang out. - Going on tour without confirming anything, then having to beg every promoter to let us play when we showed up. - Trying to pretend there wasn’t a fight happening in the crowd until Jake pushed his drums out of the way to jump in at every single out-of-state show Tamerlane ever played. So what we're saying here is, once this plague blows off, GET IN THE FUCKIN VAN CUZ LIFE IS SHORT AND YOU SHOULD LIVE IT!
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Until next time, this is Milk Money saying, “Tamerlane is not the Five Finger Death Punch of Salt Lake Hardcore."
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possible-streetwear · 2 years
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sassydazecoffee · 4 years
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New video Generation Rebel | A Docu-Short on Danny “Lord Ezec”...
New video Generation Rebel | A Docu-Short on Danny “Lord Ezec” Singer on @YouTube
Via Mass Appeal Danny “Lord Ezec” Singer is a legend on the New York Hardcore scene and beyond.
from hip hop news source https://bit.ly/2AhJOpI via YouTube music video promotion
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New video Generation Rebel | A Docu-Short on Danny “Lord Ezec”...
New video Generation Rebel | A Docu-Short on Danny “Lord Ezec” Singer on @YouTube
Via Mass Appeal Danny “Lord Ezec” Singer is a legend on the New York Hardcore scene and beyond.
from hip hop news source https://ift.tt/3gAu8P3 via what is social marketing
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ms-understand · 3 months
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Generation Rebel | A Docu-Short on Danny "Lord Ezec" Singer
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guerrilla-operator · 3 years
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FREDDY MADBALL AND LORD EZEC
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New video Generation Rebel | A Docu-Short on Danny “Lord Ezec”...
New video Generation Rebel | A Docu-Short on Danny “Lord Ezec” Singer on @YouTube
Via Mass Appeal Danny “Lord Ezec” Singer is a legend on the New York Hardcore scene and beyond.
from hip hop news source https://ift.tt/3gAu8P3 via the social media business
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alabama-connected · 4 years
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New video by Mass Appeal: Generation Rebel | A Docu-Short on Danny "Lord Ezec" Singer https://youtu.be/dtOT9Ypszko SUBMIT CONTENT >> Radio Airplay
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kentuckyconnected · 4 years
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New video by Mass Appeal: Generation Rebel | A Docu-Short on Danny "Lord Ezec" Singer https://youtu.be/dtOT9Ypszko SUBMIT CONTENT >> Radio Airplay
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tennesseeconnected · 4 years
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New video by Mass Appeal: Generation Rebel | A Docu-Short on Danny "Lord Ezec" Singer https://youtu.be/dtOT9Ypszko SUBMIT CONTENT >> Radio Airplay
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