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drconstellation · 4 months

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Come Back When You Can Make A Whale

This is going to contain some speculation for S3, so you know what to do! Or not do!

SITIS: What did God say? JOB: Um... I'm not sure. I didn't understand much. Things too wonderful for me. Ostriches came into it. SITIS: Ostriches? JOB: And whales. God's very proud of the whale. Went into some detail about... how great whales are. SITIS: But did They explain? JOB: [shakes head] I think the point was, if you want answers, come back when you can make a whale.

Whales, huh?

If you aren't well read, this could be quite the misdirection. It should be reasonably obvious, given who is doing the talking - Job - what he is actually referring to, then we can join a couple of dots to make some speculative leaps.

You still with me?

No? Then let us start with how do you make a whale?

By giving it another name.

Leviathan.

Chapter 41 of the Book of Job is all about the Leviathan, a great sinuous sea serpent with impenetrable scales and breath like fire. It sleeps beneath the sea until the end of days. Over time it came to be associated with any sea monster, then anything large, and what is the largest animal ever known to have lived? The whale.

The top of the matchbox is also worth a look. We have a skull and crossbones, which is classic Memento mori symbolism, fitting in with the resurrection theme of the Second Coming - but look at the way the address of the pub is spelt! Now, this not the same way it is spelt on the record single Maggie gives to Aziraphale; Goatgate is spelt as one word, not two. A little bit of searching reveals the meaning behind this fictional address that backs up and reinforces the quote on the side of the matchbox.

Strong's Concordance for 66 gives us "wild, savage, fierce." Goatgate is an interesting one, because it turns out to be a relatively modern term from the urban dictionary, and I'm just going to refer to the polite version of it here - it's another word for "mouth." So 66 Goatgate is a "fierce and savage mouth." Yes, that does sound about right - in more ways than one, once you know who it is. (If you want to look up the impolite version, go ahead - I'm sure you will still find the connotations very amusing.)

Our metaphorical Leviathan is Crowley. He gave the game away at the end of S1 during the appearance-swap.

This also means Aziraphale is his counterpart, Behemoth. Why - well, I made a bit of joke in my post here that he was playing at being a "river horse" while he wallowed in the bath of holy water during his part of the appearance-swap scene. Modern day scholars think the description of Behemoth in the Bible may be that of a hippopotamus in real life history. If that is so, I'd still be betting this is what the "dark horse" comment from Nina in S2E1 is foreshadowing.

Maybe none of this new to you if you've been hanging around the the fandom for a while. That's fine, I'm just trying to establish the scene. And the next bit we need to talk about is this one, where Job gets a lecture from God.

During this sequence, we hear lines that come from Job 38 and 39.

GOD: Job, if you have questions for me, I have questions for you. Do you know how I created the earth? Where were you when I laid the foundations of the earth, Job? Were you there when all the morning stars sang together and all the Angels shouted for joy?

These lines are paraphrasing some of the beginning of Job 38.

Then we have:

GOD: Do you know the rules of the heavens? Did you set the constellations in the sky? Can you send lightning bolts and get them to report back to you? Did you give wings to peacocks, Job, or teach the ostrich to run?

These lines are again, paraphrasing Job, half from 38 and half from 39.

So then, we need to ask, why highlight these lines in particular?

Job 38 is mainly about setting the boundaries of the universe around us. The Earth might seem impossibly huge to a human, but it started with a single stone at its foundation. Earth and the other planets obey certain laws as they move around the Sun. The patterns of the stars in the sky take so long to change that it seems like they are set and inconstant. Even the chaotic form of lightning respects its Creator and returns to its point of origin.

From the last part of Chapter 38 to the end of 39 God challenges Job with a list of animals. The theme here is about freedom and wildness. Whether it is a noble lion, a loathsome crow, a nimble mountain goat, the head-strong wild ox or the willing war horse, they all flourish upon the Earth under the sight of the Almighty. Even the mightiest and most fierce beasts of all, Behemoth and Leviathan, have a place, although only God has the means to control those two.

None of this needs a human to be involved. We are so often the center of our own universe, and try so hard to control every aspect of the world around us that we lose sight of the bigger picture. Shit happens. Some things are out of our control. That doesn't mean its your fault and you're wicked and damned to go to Hell because of it. And that was the point God was trying to make to Job. The world is a far bigger, wilder and chaotic than you can imagine, but its also incredibly beautiful, and it runs itself within the rules and limits that seem to be set by invisible forces you can't see.

So back to the script from the show.

The first set of questions from God could apply to both of the duo. They were both around when Earth was created and were more than likely there when the "morning stars" (the highest angels, such as Lucifer, Gabriel, Michael and angel!Beelzebub) sang together.

The second set of questions are the ones that seem to have got the most attention so far, with ops cross-matching them to things Crowley does in S2.

Do you know the rules of the heavens?

Did you set the constellations in the sky?

Can you send lightning bolts and get them to report back to you?

Did you give wings to peacocks, Job...

(I make a suggestion this has something to do with Michael, but also see comments below)

...or teach the ostrich to run?

The first three of those questions are fairly straight forward, and I doubt many would dispute what they are referring to. But the reference to the peacock and the ostrich are more subtle and curious, and I would like to take a moment to look at the actual verse - because it is only one verse that is providing both questions - that is being paraphrased here.

Job 39:13 Gavest thou the goodly wings unto the peacocks? or wings and feathers unto the ostrich?

Did you realize that the King James Version of the Bible is the only one that mentions peacocks in this particular verse? All the other versions mentions the first sentence of that verse in relation to the wings of ostriches: "The wings of the ostrich wave proudly." The ostrich is considered a cruel and witless bird in the Bible, pleased with the way it looks, and seemingly careless about its young.

Why does that sound familiar...

Shax thinks this ostrich feather-clad angel in disguise isn't too smart either.

So using the peacock line is a curious choice in the script. Other than the "eyes" in the tail of the peacock having a connection to Michael's many watchful eyes on the world, it's still not clear how Crowley helped them upwards. Unless both lines are supposed to refer to Gabriel, and how the vain peacock was helped to both fly and run to a distant location in the stars.

Edit: Since I first wrote this, @beebopboom pointed me to some more peacock lore, and this helped me delve a bit deeper into them. Peacocks were associated with wealth and royalty, but they were also associated with immortality in early Christian beliefs. There was a belief that the flesh of the peacock did not decay after its death. The bright colours in its tail came from its eating venomous snakes, which reminded people of Christ becoming sin for humanity's sake (think of Crowley downing the laudanum to save Elspeth from Hell in the crypt in 1827, its a similar action.) The "eyes" on the males tail also represented the all-seeing eye of God. So we have a connection with both royalty and resurrection here.

(Oh - just as an interesting connection here - a number of the newer versions of the Bible not only don't mention the peacock in this verse, they compare the ostrich to the stork! The meaning is meant to be that the stork cares more for their young than the ostrich, but if you read the words at face value, you could take a double meaning away...)

Let us return to questions, answers, and whales.

Questions. Always questions. It's like the proverbial toddler who's always asking a never-ending string of "but, why?" for funsies and you just want them to shut up for a moment and think about the last thing you said first. They, too, are a bit like Job. They are the center of their own universe at that age, having not had much experience of the world. They have no grasp of how far it extends beyond them, and how little even we as adults know.

If at this point you're going "oh, no, no, no, no, op, please don't tell me the point of this meta is it's all ineffable," relax. I'm not.

The point was to set you up for some nice, juicy, awesomely sweet S3 speculation.

Because I believe Crowley will finally get to ask his questions of God.

(oh lordy, I made the mistake of taking a break to have a shower before trying to finish this off, because I was having trouble seeing how to finish this in a tidy way, and that caused me to have "shower thoughts" and now the nice sweet simple speculation has turned into a slightly bat-shit crazy kind-of one, although still on the same track as what I was originally thinking. Here goes...)

We have this three card spread from waaay back at the beginning of S1. We all think its something to do with the three babies.

What if its not?

Because we need something like this to happen again - Aziraphale and Crowley either side of a third protagonist. What if it's the King of Kings, Love personified, Jesus, in the middle? (Or Adam again, I wouldn't discount that option either...)

If you would look at the GIF and the screenshot together again and go, well that makes, sense, white for the angel on the right, and green for the demon on the left, I would jump up and shout at you - NO!

Look at the cards again! In the Tarot, that's the Ace of Swords on the right - it belongs to Aziraphale. It's a very powerful card, about new beginnings and change.* Lets call the one of the left Knight of Wands, which also represents the element of Fire. Knights are all about movement and journeys. Who owns the Bentley? And look what Gabriel has instinctively done with his hands - he has held his screen-left hand out to Aziraphale, the Sword, the angel who wears green, and his right hand out to Crowley, the Knight of Fire. The yin and yang qualities are actually swapped. That was what I was trying to tell you in this post. They aren't as obvious as they seem at first glance.

And love is the answer, it turns out. Did you see my comment the other day on another post? In Strong's Concordance 25 = to love.

Anyway, we should get a third parallel scene somewhat like this, and like when Aziraphale and Crowley took Adam out of time to talk to him in S1.

Only this time the three of them (with who ever is in the middle) should be having a talk with God about what is or isn't supposed to happen.

JOB: I think the point was, if you want answers, come back when you can make a whale.

Crowley could be a literal serpent (though I would be very surprised if he did manifest that way) but it should be a metaphorical Leviathan that stands before the Almighty to ask his questions and get his answers. And it will be that he has earned the right to be there, because he finally understands the lessons of Job.

@makewayforbigcrossducks I hope this answers one of your questions

*The Ace of Swords speaks of new beginnings, but it is a two-edged sword that can cut both ways. It is strength in adversity, victory out of struggle, good out of evil, a change in the old order on the way.

#good omens #good omens 2 #good omens meta #crowley #aziraphale #job minisode #book of job #leviathan #behemoth #i only ever asked questions #come back when you can make a whale #gabriel #shax #did you give wings to peacocks?#teach the ostrich to run #king of kings #king of hearts #yin to his yang

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axeboy666 · 2 months

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bildad the she/herite and her lovely wife

#good omens #anthony j crowley #aziraphale x crowley #crowley x aziraphale #good omens 2 #good omens fanart #a.z fell #a.z. fell #aj crowley #bildad the shuhite #book of job #art #artist #fanart #ineffable wives #ineffable husbands #ineffable spouses #she/her crowley

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cheeseplants · 9 months

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Just realised that in S1 Flood scene, Crowley says you can't kill kids and it cuts to a shot of some baby goats and children. And now I realise that Aziraphale knows that Crowley is against the killing of both goats and children, which is why he's so sure he hasn't killed them in Book of Job.

#good omens 2 #aziracrow #goats #neil gaiman #goodomens2 #good omens season 2 #good omens #aziraphale #crowley #book of job #david tennant #michael sheen

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apilgrimsprogress · 1 month

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job 1:21 (nabre)

#o #x #book of job #nabre

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shutanic-temple-art-gallery · 3 months

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Welcome to the Shutanic Temple Art Gallery

Welcome to all budding and accomplished artists on tumblr!

May our gallery be a signal booster for your artworks, which have been dropping in well before the opening, much to our delight. Without you, precious artists on tumblr, nothing of this would be possible.

Our gallery is dedicated to Bildad's world: the land of Uz, Sitis and Job, goats and crows, ox ribs, wine, a certain night in Job's cellar, a sweet and devouring angel of gluttony named Aziraphale* and above all our muse and saviour Bildad the Shuhite.

To be featured in the gallery, use our ask button or simply tag us when you post your Shutanic art. You may as well continue to submit your works directly to @bil-daddy or to me.

@loretta-dont-you-oppress-me

Art Curator of the Shutanic Temple Art Gallery

* @uziraphale

#artists on tumblr #artworks #shutanic temple art gallery #bildaddy #aziraphale #aziraphale of uz #uziraphale #a companion to owls #bildad the shuhite #bildad my beloved #bildad the shuite #bildad nation #bildad #book of job

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arthistoryanimalia · 1 year

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More for #InternationalZebraDay: zebras in a Byzantine Greek illuminated manuscript of the Book of Job, c. 1362. BnF Grec 135, f. 100r and 224r.

#zebra #zebras #mammals #illustration #manuscript #illuminated manuscript #medieval manuscript #Byzantine #Greek #medieval art #Byzantine art #Greek art #14th century #Book of Job #BnF #Bibliothèque nationale de France #International Zebra Day #animals in art

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dreamalittledreamofcopia · 5 months

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blessed the latter part

papa iv/copia x reader

You could watch the snow falling outside where you sat in the library. Your table and chair was tucked away, in a corner by a window, hidden by a few catacombs and bookshelves. This was your favorite spot to sit quietly and be away from the hustle and bustle of life in the abbey, and days where you received your favorite visitor here were all the more special.

You weren’t expecting Copia to come find you today, however. His pillow talk the previous night had consisted of a few regrettable changes to plans for the week due to some meetings that were an ugly surprise from Sister Imperator. Copia’s break was ending, you feared what came next for your lover-in-secret. What started as a few flirty texts while he was away on tour as a cardinal turned into an on and off affair that had been on since Copia brought you on the first leg of the Imperatour. You didn’t want to tell anyone at the ministry about it, but the ghouls knew. The ghouls always knew, but aside from them, as far as you knew, it was secret.

He had also asked you to do some research for him, so like a good partner, you set aside a few hours to attempt to answer a few of his questions about the book of Job and his peculiar award. You could still see the adorable roll of his brows and the creases in his eyelids as he asked you why Job would name his daughter Eyeshadow in the candle light.

You were started, then, when you heard some familiar footfalls echo off the marble walls towards you. He stopped a few feet away from you, his shadow elongating across the snowy window, and cleared his throat timidly. It was one of your favorite Copia noises and you smiled warmly at the welcome sight of your lover.

“Your bangs are curly.”

You looked up to find him standing above you, his jacket off and cracked in his arms. His frame was hugged by his waistcoat, and the sight was intoxicating. You motioned for him to sit at the table — he obliged after some coaxing.

“Yeah-“ you cleared your throat and watched as he sat besides you, “I didn’t have time to straighten them this morning.”

Copia leaned over and gently tapped the end of his pen against your temple. When you giggled, he dragged it through the front part of your hair, a short curl springing out and framing your forehead. “They look so beautiful,” he hummed softly, his other hand moving towards the back of your head. You felt his fingertips pad against your scalp, someplace between a message and a scratch, sensational through your still damp roots. You had to fight your eyes from rolling back into your head and a moan slipping out of your lips, and your efforts only half worked.

“Papa…” you whispered, knowing you were the only two in this part of the library but still scared of someone finding you here like this. So scared of your secret romance finally being exposed. So scared of Imperator hearing you call him by his name and banishing you on the spot.

Copia, sensing your apprehension, just smiled at you calmly. He kept his hand behind your head but brought his over around your face, his fingers gently running over the little curlies around your eyes. “I like them like this, a lot. Very sweet, amore.” He leaned forward and placed a soft kiss above the tail of your eyebrow, his lips gently grazing over your bangs in the process. “My sweet love, dolce amore.”

Copia loved to whisper to you in public. Little words of affection and terms of endearment sent out only for you to receive, his love declared for you in the most visible of secret places. You knew you couldn’t keep this up forever, but you enjoyed the idea that you could and enjoyed that you were fooling everyone so terribly.

“I’m glad I get to see you today,” you whispered, subconsciously leaning into the touch you craved, “I thought I wouldn’t until dinner, if I was lucky.”

“Things are going smoother than anticipated,” Copia grinned, his papal paint slightly smudged around his lips from biting or pursing or the quick good-bye you snuck in this morning or the latte you snuck him later in the day, “I think the ghouls wanted to rush, for some reason.” He leaned forward and gently leaned his forehead against yours, “But I think I can guess. They’re very compassionate.”

You giggled at the thought of the ghouls cooperating just to get Copia back home to you, even if it was just for a fifteen minute break. “That’s so sweet.”

“Aurora told me your hair was cute today,” Copia mused, twirling one of your curled bangs around his fingers, “your hair is cute everyday but she was right about this one. I never get to see this.”

You tilted your chin up to meet Copia’s lips in a soft, delicate kiss, careful of the remaining paint around his lips. He hummed appreciatively, satisfaction coursing through his soul.

“I love you,” he whispered before reconnecting with you in another kiss.

“When will I see you next?” You whispered back, your breath fanning across his lips.

“Dinner, probably,” he said with a wistful sigh, “but I had to see you for some motivation. Tu mi dai la forza, angelo.”

“Mmm, that reminds me,” you said, a dopey smile on your face as you swam in his sweet scent and his sweet words, “I need another Italian lesson, Papa.”

“But you just had one last night,” Copia mused, tapping your chin lovingly, “I’m a busy Papa, you know. Can’t spend all my nights teaching you the language of love.”

That was a lie, or a half truth, perhaps — Copia would be a busy Papa because of you. He would be busy with you, devoting all his time to enjoying and loving and treasuring you. Copia didn’t plan to spend another night apart from you. He’d gladly give all of his nights to you, if you’d have them.

“I’m sure you can tweak your schedule to fit me in,” you pouted. Copia took the opportunity to press a kiss full and flush into your lips, papal makeup be damned.

“Then I’ll prepare a lesson,” he said softly as he stood back up.

“Oh, please don’t go,” you said, reaching up to take his hand in yours.

“mi dispiace, amore,” Copia replied as he laid his other hand on your face, cupping it gently. His thumb gently brushed your curly bangs out of your eyes. “I have to get back so we can end today before six.”

You nodded, turning your head to kiss the inside of his wrist, between the end of his glove and the beginning of his sleeve. “I understand but that doesn’t mean I like it.”

Copia laughed softly and nodded, leaning down to give you one last forehead kiss. “I know, I know. Find me some answers, okay? I trust you.” He stroked your face lovingly, his eyes staring down into yours and drinking you in before he gently patted your cheek. “I’ll see you soon, baby.” He said, almost mournfully as he went back to his meeting and he left you with his research, which would be filled with his name in hearts by the latter half of the hour, more than the former part.

#the band ghost #papa emeritus iv #copia #ghost #copia my beloved #papa emeritus iv x reader #ghost bc #cardinal copia #cardinal copia x reader #cardinal copia fanfic #projecting my curly hair onto the reader #but still tried to be vague #author majored in theology #also projecting my theology degree onto the reader #blessed the latter part more than the former part #book of job #I think biblical theology and ghost project coexist which is cool #Mariana writes

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mrscrazycatman · 4 months

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Nothing like hiding well done nerd art in plain sight and daring normies to find it.

#good omens #crowley x aziraphale #ineffable husbands #bildad the shuhite #neil gaiman #artwork #icons #gallerywall #book of job #crowley #nvh vh #goats #avaunt #artist Theo

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drconstellation · 4 months

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First-Order Archangels

Part 1: Maybe You'll Spot An Archangel

GABRIEL: I told you you could ask. However, I am the only First-Order archangel in the room, or, you know, the Universe, so I'm not gonna answer so much. But you feel free to knock yourself out with all the asking.

While I was writing my meta series The Passion Of Jimbriel it became fairly obvious to me there was something more going on between Crowley and Gabriel in S2 than just the numerous pointers to Crowley's pre-fall angel status. They are acting as both parallels and foils to each other, and in places you can swap their characters and get the same story at a different time – and that just opens up a whole new window of context and insight into things. For pre-reading, see this meta from @vidavalor that nicely lists some obvious parallels. It doesn’t mention everything though, so I’m going to discuss parts in more detail.

A foil is a character who contrasts with the protagonist, to highlight or differentiate certain qualities between the characters. Crowley and Gabriel do this because they have come from essentially the same place, and share some story elements, but they still end up in different places.

There is a lengthy original discussion about Crowley's pre-fall angel status here, for pre-reading. It points out the obvious and some not so obvious points that ops have noticed in S2 telling us about Crowley's pre-fall status. Rather than just go through them all again, I'd like to look at some other scenes in S2 that also tell us something about both the similarities and the differences between these two high-powered entities as I go along. In addition, I’ve done a series of posts looking at Gabriel as a shoulder angel (links at the end of post,) because quite often he’s on the demonic left-hand side – which makes sense when you realize he’s a Crowley parallel.

Take the arrival of Gabriel to Whickber St and the bookshop. I’ve already mentioned this parallel story line a couple of times now, but lets look at it again in more detail. It mirrors the opening of S1E1 where the serpent climbs the wall of the Garden of Eden, morphs into a demon and starts to converse with the angel standing on the wall.

Back in the present day, we have a Gabriel, who also tends to present on the sinister-side, walking up to the gate of the present day Garden (the bookshop), which is still guarded by the same angel as it was 6000 years ago, and basically tells Aziraphale he has “fallen.”

How to we know this? It is a reference to the Fall of Man, when Adam and Eve ate the apple the serpent offered them, they suddenly became aware of their nakedness, and hid from God. Gabriel has already upset the love-apple tomato cart on his way to the door of the bookshop, its a sign of the chaos to come.

The fallen angel is not sure of his name, so he prompts with a question…

And asks for shelter under the (reluctant) angel’s wing..

But there is one thing he does know, the one thing that drew him to Aziraphale in the first place:

AZIRAPHALE: Then why did you come to my shop? GABRIEL: I don't know. I just thought I should. You know what it's like when you- when you don't know anything at all, and yet you're totally certain that everything would be better if you were just near one particular person?

Later, Aziraphale realizes that he must give Gabriel a new name to hide him – because fallen angels take on a new name, don’t they? Just like Crowley did.

Then we get a confession:

Which is what Crowley loves about Aziraphale as well - that bit of unpredictability, because you know how humour kind of works? It throws the unexpected at you.

Early on in S2 we find out they are both in trouble: first His Royal Smugness, then Our Hero himself. Our view is turned upside down, with the angel made the bad guy and the demon the good guy who needs to win. But both of them are being hunted by Shax.

Then we get one of the early clues pointing to Crowley's high status as an angel:

SHAX: A miracle of enormous power happened last night. The kind of miracle only the mightiest of Archangels could've performed. CROWLEY: Mm? SHAX: Somewhere very close to your friend's bookshop. Are you telling me you don't know what caused it? CROWLEY: How'd you know I didn't do it?

Shax stalks and threatens both of them, sometimes at the same time:

Another parallel Gabriel and Crowley shared in S2 were associating their identity - no, lets rephrase that - "essence" was one description I've seen - with boxes.

Gabriel arrives with a box that strategically covers his front, and quickly tosses it aside once Aziraphale opens the door to the bookshop. It lies forgotten until Gabriel mentions it a while later. Inside it is the fly from Beelzebub - an object from Hell - so it really needs to be 'invited' across the threshold of the bookshop by Aziraphale to be able to enter. The box initially appears to be empty, Once inside, the fly is free to roam. It has a message written on one side of it.

The same goes for the matchbox. Message included.

ah, wot? you say. Yep.

The matchbox represents Crowley, probably in more ways than one, but I'll just go through the stuff relevant to this meta here.

I notice I'm not the only op to connect the line from the Book of Job on the side of the matchbox with Crowley. The line is from Verse 41, which talks about Leviathan. Among the various shapes it is described to take is a great sea serpent. This deserves its own meta for further discussion, which I plan to do after this one, because yes, Crowley is Leviathan in disguise, but there is much more to it than that. But for now, just know that the matchbox is Crowley.

Once you know this, it makes sense that Muriel finds it - a discarded cardboard box by the front door to Heaven - and deals with a material object that shouldn't by rights exist in Heaven. Then a certain demon finds Muriel lurking outside during the siege on the bookshop at the end of S2E5, and talks them into letting the certain demon be escorted up into Heaven where he doesn't belong, where he's free to roam around - only he needs a guide because he's not sure where to go. Ah Muriel, you poke the Serpent, he's going to poke you back. Good thing he likes you, and it just was a gentle nudge.

Two empty boxes, two cases of memory-loss. That is what S2 seems to suggest to us at first glance.

Gabriel's seems to be the most straight forward in hindsight - find the fly and restore Gabriel to his original "Gabriel-ness." But its more complicated than that. When pushed to remember, his lilac eyes return and another voice can be heard speaking through him of the past. This happens twice, with the second one being part-prophecy. What is really triggering these episodes of channeling? Is it God or someone else speaking through him? We really aren't sure at this point in time.

Then there are questions around Crowley's memory. Did he have his memory wiped when he fell? Was it wiped repeatedly? Was it not wiped at all, and he just pretends he doesn't remember? Neil has even said he is an unreliable narrator about his own Fall, so who are we to trust at this point? Crowley does seem to understand in the end some of the problems Gabriel is having with his absent memories and that brings them to a temporary truce.

Both Aziraphale and Michael inspect their respective "empty" boxes, and neither notices anything obviously amiss. Gabriel's box just seems empty to Aziraphale, he takes no notice of the fly container in there, and archangel Michael tentatively inspects the matchbox brought to them by Muriel but nothing seems out of place there either.

Crowley's change in costume in Heaven during his little infiltration caper with Muriel is also another clue to his past status as an archangel. He has a silvery-gray suit, similar in style to Saraqael's to reinforce the link with them, but at the same time he is also mocking the other archangels and their elite status. We've assumed for a while now that the appearance of the tactical turtleneck signals that Crowley is up to something sneaky or spy related, but I'm starting to think it also relates to a bit of a power play (and Crowley certainly laid the power on for Mr Brown in the pub!) Looking back at S1, Gabriel's not adverse to wearing one either when he needs to be at his worst (or best. Your choice.)

The way one dresses is a way of expressing and reinforcing authority, and its something both Gabriel and Crowley do without much thought. They have been used to being in a position of power and/or independent authority for much of their existence, and I would say that even if Crowley is a few steps down now from where he started, and he's more cautious around those higher ranking than him than he used to be, he still retains that knowledge of what its like to be at the top.

Crowley's usual near all-black costume is a form of power dressing in itself. Whether is was in the past, when black was an expensive color to buy and maintain in clothing, or in the present day, we are still respectful of those in a stylish cut of black.

Gabriel's impeccable tailoring as Supreme Archangel also commands respect. So it's no wonder that one of Gabriel's first requests on regaining his memories was to ask for new clothes! He wasn't just being the vain archangel we believe him to be (although, I think there is still some of that) you also need to consider the elements of the reference characters that went into his shop assistant character: Granville, the belittled shop assistant nephew from the sitcom Open All Hours, who got stuck with all the shop duties from his uncle and felt like life was passing him by, and the silly Monty Python gumbies, that complained of hurting brains - lovable and much loved characters, but not ones you'd really want to be forever. We all want to be loved, but we want to be respected as well.

For all his fierce posturing around Gabriel, there is a brief moment in S2E3 where Crowley backs down and treats Gabriel as an equal - and that is reflected in a change of dress as well. His outside jacket off and sleeve-garters on, Crowley sports a look we haven't seen since S1 when he was home alone in his Mayfair flat. He patiently explains gravity to a curious Gabriel and then describes his "Operation Lovebirds" plan to his puzzled companion. He admits he hasn't "done weather in ages." It's just a quiet, charming moment, watching two ex-archangels get along together.

You're smiling, aren't you?

This meta continues in Part 2: Foils of War, where the differences between Gabriel and Crowley get explored in more detail, and how Aziraphale and Beelzebub act as mirrors to each other a few times as well.

This meta is part of a series on Gabriel: Gabriel as a Shoulder Angel: S1 Study S2 Study Part 1: Ep.1 The Arrival and Ep. 2 The Clue S2 Study Part 2: Ep.3 I Know Where I'm Going and Ep. 5 The Ball S2 Study Part 3: Ep.6 Every Day

First-Order Archangels Part 2: Foils of War

First-Order Archangels Part 3: Seeing Eye to Eye

#good omens #good omens 2 #good omens meta #crowley #gabriel #the only first-order archangel in the room #or you know the universe #aziraphale #garden of eden #fallen angel #his royal smugness #how will our hero cope #maybe you'll spot an archangel #book of job #vavoom

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