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#mako mori test
warchord · 4 months
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oh my god i fucked up the guitar on the left. ignore that please it was very late last night when i drew this.
i think yuma should have cheered for her. i think she should have been allowed to duel. i think she should have been able to wear cute clothes without older men being creepy. i think she should play guitar.
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letamreviews · 1 year
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Mini Review - The Blackening (2023)
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i really like it (high tier?) 🤔
Quite a Black-ass funny-ass horror, but much more of an interesting Black movie than a horror. Like, the main horror is in the racist murderer at a cabin in the woods. Like,... I'm not even gonna explain that. You either get it or you don't. Which brings me to the main thing I wanna say. This really is for Black people. I wouldn't recommend it for people who aren't in some way "Black" (biracials, getcha ass in here).
I'm serious when I say this isn't for Euros. Like, y'all really shouldn't* watch this unless you were out of the blue invited by Black people or are yourself very involved with Blackness in some way. (whatever dafuq that means) Should full-on Euros who have no actual exposure to Blackness see this movie? Absolutely not. Everything's dangerous in the wrong hands, and some of y'all asses are gonna do the absolute wrong shit with this. Intentionally or not.
*Pre-Edit: I heard a room of Black people (including some cast members) completely disagree with me in Way Up With Angela Yee’s video (timestamped).
Now that I'm done talking to the non-Blacks, let's get on with it.
for the African Descended
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Y'all, this some shit. God damn. So glad I just happened to see this in a small theatre filled to a third with mostly Afros. Got to enjoy the reactions almost as much as the movie. Is it great, though? As a Black movie, yeah. As a horror movie, nah. As a Black horror, yep. As a Black comedy horror, hell yeah. And to be real, I don't think non-Black reviews/opinions/criticisms should even be taken into account for this one. Like, I read 7 recent reviews on Letterboxd before getting to Darryl Buckhanan's and seeing all the convincing I needed. This ain't for everybody. And I'm glad it ain't. Let ma ass be. Real talk,... how many o'y'all would'a failed that shit? 💀
Real talk, I didn't trust this movie to not be for Euros because of the director (Tim Story). Here me out! Of his 23 movies listed on Letterboxd, I've only seen five: Barbershop (2002), Fantastic Four (2005), Fantastic Four: Rise of the Silver Surfer (2007), Think Like a Man (2012) (they just had to put Rihana’s abuser in this 🙄), and this one. While I enjoyed all of the other four, I 1) haven't seen his other Black-casted works and 2) strongly suspected Shaft (2019) of being made for Euros everytime I saw its preview in theatres. Never bothered to confirm that suspicion, but I don't feel the need to. Fortunately, that review convinced me of this one and I saw it yesterday.
Side Notes:
Would not recommend watching 3Peat Presents: The Blackening - Uncensored before the movie if you're already interested. If you ain't, then go ahead and ask yourself if you want a feature length film inspired by this 4 minute Comedy Central skit. (the answer is yes)
Already saw it and interested in hearing some of the cast and crew talk about it? Here ya go:
‘The Blackening’ Cast on How a Comedy Short Turned Into the Feature Film | TIFF 2022 - The Hollywood Reporter
list of Critqal's mini interviews with the cast
THE BLACKENING Hilarious Cast Interview | Grace Byers, Antoinette Robertson and Sinqua Walls - Jake's Takes
The Blackening "World Premiere" | Cast Q&A TIFF 2022 - Antoinette Robertson
We Can't All Die First! Dishin' All Things, Horror & Comedy with The Blackening Movie Cast! - Dish Nation
The Blackening Interviews: Dewayne Perkins, Jermaine Fowler, Tim Story & More - JoBlo Celebrity Interviews
The Blackening Cast and Writers on Subverting Horror Tropes and Cracking Up on Set | TIFF 2022 - Collider Interviews
The Blackening Cast Talks Chemistry Between Cast Members, Horror Movies + More - Way Up With Angela Yee
The Cast Of 'The Blackening' Speaks On Creating A Horror Film From The Black Perspective + More - Breakfast Club Power 105.1 FM
Waitin' for my favorite Afro streamers to talk about The Blackening. fuckers better come on
Happy Juneteenth, mofos
Pre-Edit: I realized while listening to interviews and doing my Crew Data that this movie probably won't fully succeed unless Euros watch it too. That’s the business side of it. I’m speaking on more of a personal matter in comparison. meh 🤷🏿‍♂️ Shortly after typing the above, I heard a room of Black people (including some cast members) completely disagree with me in Way Up With Angela Yee’s video (timestamped).
Tests:
I’m gonna skip 4 crew tests and hold off on posting Crew Data for now. Here’s the test process for the other 16, though.
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no, the Mario movie doesn't pass the Bechdel Test- but (imo) Peach does pass the Mako Mori* and Sexy Lamp** Tests and I think we should acknowledge that
*Mako Mori Test: a female character has an independent plot/character arc that does not simply exist to support a male character's arc **Sexy Lamp Test: a female character cannot be lifted out of the story and replaced by a sexy lamp or similar object
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mantisgodsdomain · 5 months
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Apparently there's a fic reading challenge thing this year, but after doing a quick skim of the goals... we don't think we'll be touching it with a ten-foot stick. Some of these goals put a VERY bad taste in our mouth. The idea of a "diversity checklist" isn't supposed to be... literal, we don't think? No? We're remembering that one quote about "listening to people of color being like eating your vegetables for white activists" and we're feeling like it may actually have been understating whatever the hell is going on here.
#we speak#also really funny to be seeing shit like “read fic from a fandom with under 250 works”. buddy we're WRITING for one of those#but also like. “read a fic where the main character is BIPOC”. “read a fic where the main character is neurodivergent"#“read a fic that passes the bechdel test”.#like we get the INTENT we guess but we're not in the target audience AT ALL#and a whole fuckin lot of the goals here are very romance focused up against us a guy who deliberately filters out ships#we're also really concerned that “passes the bechdel test” is a bar for fic but also we know The Scene here#and “passing the mako mori test”. is indeed a difficult one to find in a lot of fandoms#as someone who tends to like female characters we notice this. A Fucking Lot#we are so insanely picky with fic bc even with ao3's tagging system we need to slog through dozens of fics to find one good one#and a lot of the time we. REALLY don't have the patience for fic that doesn't have decent depictions for the gals#you have no clue how much zel da fic especially we drop for being Really Fucking Weird About Gender (in a bad way)#sometimes we forget that people exist in bigger fandoms that actually have fic reading habits like this#we feel like we're in another dimension. what do you mean you guys live like this#also what. does “deals heavily (and healthily) with a mental illness” mean. you guys arent just reading this to eat ur vegetables right?#...right???#anyways reading through things like “read fics with all the major LGBTQIA2 identities” is giving us hives#if you read our fic then we beg of you read it because it sounds like it has a nice plot not just like. because Some Guy is ace or intersex#please. gender identity should NOT be that much of a priority. read through and flag on the weird gender shit and go “oh thats queer!”#or “oh thats like me” or “oh (whatever)” but please. there are so many things here more relevant than shit like sexuality.#we need to go read through our fics and make sure we dont have any overly modern lingo in there#if you want to know about a characters sexuality or gender identity figure it out yourself from. fuck we dont know. psychic beams.#though we rationally know the reason that things in modern queer spaces are so often Like This its still poison to our brain#and we want nothing to do with it#negative chatter
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olderthannetfic · 4 months
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Until I read the comments on that one post I had no idea the Bechdel Test was a joke and wasn't supposed to be a serious measuring stick by which you gauged if something was feminist or not. Everywhere I'd ever heard it brought up, it was brought up as a very serious thing, and it was a failure of media if it didn't pass it. I remember the debate about Mako Mori from Pacific Rim and if she was a character you were "allowed" to like as a progressive person despite the fact that Pacific Rim doesn't pass the Bechdel Test, the discourse, the discussion of if the director was sexist for not writing in another woman for her to chat with about non-men related stuff, the camp of people trying to insist that having a fully realized character arc and being as developed as any of the male leads = good writing even if she doesn't talk to another girl...
And I've also had the remark about my writing not passing the test, just not to my face. I searched my fanfic's name once, curious to see if anyone was discussing it outside of tumblr and AO3, and found a Tiktok complaining about it not passing the Bechdel Test. The top comment was "motherfucker YOU don't pass the test but we still watch your ass". I cackled and moved on, but neither the commenter, poster, nor I had any awareness this wasn't Feminist Media Critique 101 theory and was, in fact, a goof.
Right now there's a segment of fandom debating if Blue Eye Samurai is feminist since when Mizu and Akemi talk, they do bring up men, since, y'know. Women aren't considered people with rights in their era in Japan and thus it's something they mention instead of only talking about being cool girlboss badasses who never bring up gender. If something doesn't pass the Bechdel Test, a smug segment of the internet high-fives itself and congratulates one another on being More Feminist Than Thou.
They then get really angry if you disagree, even though by this metric, Sleeping Beauty (the original animated one, where Aurora has only 16 lines of dialogue) is more feminist than Blue Eye Samurai.
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*DYING*
Okay, so, nonnie....
Dykes to Watch Out For (1983-2008) was a long-running comic and major piece of lesbian media. I grew up buying compiled volumes at the bookstore. To be honest, that kind of 90s-ish lesbian culture isn't really my scene despite me being bi, but it was very nice to have this slice of life-y somewhat realistic, occasionally somewhat parody, look at the queer communities around me. It's up there with Tales of the City for me in terms of being a window into a particular culture and time and place.
If anybody is interested in queer history, in addition to looking up factual info, I think a read of the complete Dykes would give a really good overview of how people were thinking about things and what issues came up a lot. You'll see things like Barnes & Noble increasingly putting feminist bookstores out of business in the 90s, attitudes towards porn in lesbian circles—all kinds of cultural issues of the day.
I drifted away as I got later in my teens and found more genre fiction I cared about, but at one point, this comic was a very welcome antidote to the glurgey coming out stories that made up a lot of the more realistic media.
Anyway, here's the comic itself, reproduced in its entirety because I think it's important to actually understand the context.
This is from 1985, so the era of Rambo, Conan, and Death Wish, each of which you can see being made fun of here. It's based on Bechdel's friend Liz Wallace's actual rule for seeing movies.
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That's it. That's the origin of this whole stupid test.
"LOL, fuck 80s action movies". That's it. That's the joke.
The fact that blockbusters still routinely fail to pass in the 2020s is shameful, but that was never the point of the strip.
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torturedpoetemotions · 9 months
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The Kenough Test
A test to determine if the women in a film about men are treated as well as Ken in the Barbie movie
In order to pass this test the following criteria must be met:
There are roughly the same number of women as men in the film
The women regularly interact with each other throughout the film
They have personalities, emotions, and interiority and are presented sympathetically to the audience
None of them are villainized, even if they are functioning as antagonists
At least one woman in the film passes both the Bechdel and Mako Mori tests
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wasted-women · 5 months
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ROUND 1C, MATCH 3 OUT OF 8!
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Causes of Death & Propaganda Under the Cut:
Tara Maclay
Cause of Death: Shot in crossfire
Propaganda:
Ok so idk if she actually counts but I'm submitting her and please throw her out if not. Here's why I think Tara was fridged: the sole purpose of her death was to further the plot and cause pain to other characters. Now, because it's Buffy, these other characters were women. So her death was only to cause pain to her girlfriend (ex-girlfriend? They were broken up but mending) Willow, cause her to relapse into magic, and then make her essentially the big bad of the season. All of this was then to cause Buffy, the protag, to have to fight her best friend and be told she needed to either stop her or kill her. So while Buffy and Willow are both women, Tara's death was solely to cause them pain as significant other and protagonist and to further the plot. (It's also bury your guys and Joss Whedon sooooo). Tara literally was killed sloppily for no other reason than as a plot device in a desperate "well we already killed our protag and brought her back to life, how do we raise the stakes from here" ploy necessitated by crappy writing. If she doesn't count, again please throw her out, but I feel like she counts as fridging esp when looking at how Joss Whedon rights Buffy in this season to essentially bc a self insert of man pain but as a woman.
this is the only lgbt example I can think of but it definitely counts imo. link to death scene here (scene starts a minute into the video, with obvious trigger warnings for death and blood and gunshots): https://youtu.be/01NxsKojYyM?si=dxZvcvOhp3x6S8ha
Stuffing a woman in the fridge is one thing, but stuffing a queer woman who was one half of a beloved same-sex couple on a TV show famous for its strong female characters for the sake of drama while enforcing negative LGBT+ stereotypes in the process is really something else.
Her girlfriend, Willow essentially plays the role of the man in the relationship. Tara dies to facilitate her villain arc. Xander is also sad about her death and he is a man.
Mako Mori
Cause of Death: Exploded in a helicopter
Propaganda:
The Mako Mori test has been proposed as a "better" version of the Bechdel Test (which I'm well aware of the bechdel tests point and common misuse) she has a full, rich arc that is not romance oriented in the first movie. Also she pilots a giant robot. In the second movie she's textbook definition fridged.
Daenerys Targareon
Cause of Death: Stabbed by her lover for becoming a tyrant
Propaganda:
I'm just. I can't believe she hasn't been submitted yet. Classic example of end game fridging, where she *had* to be killed by her male lover to bring him pain and Man Tears TM. Clearly it effects him (sad) more than her (dead). Now obv Dany had a whole plot prior to this, but her death itself is such a classic example of fridging that I have to submit her, it legit only happened for a stupid "plot" to bring Jon ManPain. It was a death so stupid that GOT, what once was a cultural touchstone, isn't talked about except in how bad the end was
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wildwoodart · 1 year
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Why not watch Pacific Rim (2013)? We’ve got:
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Raleigh Becket: Actual Golden Retriever
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Mako Mori: So cool she has her own anti-sexism test
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Stacker Pentecost: Coolest dad in the universe
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Chuck Hansen: Probably would have been a Frat Boy if not for the Apocalypse.
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Newt Geizler and Hermann Gottlieb: Chaotic dating. It’s honestly a miracle their lab hasn’t blown up.
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tsunflowers · 2 years
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remember when people liked the movie pacific rim and particularly the character mako mori but they realized the movie didnt pass the bechdel test and thought they had to make up a new test for it to pass so they could still say it was feminist. that was a dark time
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I think it's time we made a test for male characters like the Bechtel test or the Mako Mori test.
Hence I propose: the Alex Louis Armstrong test. Requirements are:
1) Does he show his emotions in a healthy manner?
2) Does he treat others around himself kindly and caringly?
3) Does he strip at least once?
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Round 1 starts Monday, September 4, 2023!
Here are your match-ups (links under the cut):
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Preliminaries:
Balloon and Suitcase (Suitloon) from Inanimate Insanity vs. Test Tube and Fan (Fantube) from Inanimate Insanity
Round 1:
Chance and Shadow from WOE.BEGONE vs. Zolf Smith and Oscar Wilde (Zoscar) from Rusty Quill Gaming Podcast
Karina Lyle and Ryan Goldsmith (goldenrose) from Tiger & Bunny vs. Barbie "Malibu" Roberts and Barbie "Brooklyn" Roberts (Barbie^2) from Barbie
Lord Viren and King Harrow (Virrow) from The Dragon Prince vs. Balloon and Suitcase (Suitloon) from Inanimate Insanity
Ainsley Ainsley, Antone Postminger, and The Gap (horseycule) from Legendlark vs. Kurusu Kazuki and Suwa Rei (Kazurei) from Buddy Daddies
John Doe and Arthur Lester from Malevolent vs. Caspar von Bergliez and Linhardt von Hevring (Casphardt) from Fire Emblem: Three Houses
Ronan Lynch and Richard Campbell Gansey III (Ronsey) from The Raven Cycle vs. Kotetsu T. Kaburagi and Barnaby Brooks Jr. (Taibani) from Tiger and Bunny
Rosé, York, and Grendan from Drawtectives vs. Bakugou Katsuki and Kirishima Eijirou (Kiribaku) from My Hero Academia
Adagumo no Yaorochi and Sukune Katano (YaoSuku) from Le'en Project vs. Hardwon Surefoot and Moonshine Cybin (Hardshine) from Not Another D&D Podcast
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Crowley and Aziraphale (Ineffable Husbands) from Good Omens vs. Jonathan Sims and Alice “Daisy” Tonner (JonDaisy) from The Magnus Archives
Hooty and Lilith from The Owl House vs. Jane McKeene and Katherine Deveraux from Dread Nation
Moiraine Damodred and Lan Mandragoran from Wheel of Time vs. Jennifer Walters and Patsy Walker (patsyjen) from Marvel
Camilla Hect and Palamades Sextus (Campal) from The Locked Tomb vs. Kazuma Asogi and Ryunosuke Naruhodo (Asoryuu) from The Great Ace Attorney
Steve Harrington and Robin Buckley (Stobin) from Stranger Things vs. Bells Broussard and Emma Robledo from Sidekick Squad series
Daisy Tonner and Basira Hussain (Daisira) from The Magnus Archives vs. Percival King and Ramsey Murdoch (Ramsival) from Epithet: Erased
Sakuko Kodama and Satoru Takahashi from Koisenu Futari vs. Jughead Jones and Sabrina Spellman from Jughead Jones
Gon Freecs and Killua Zoldyck (Killugon) from Hunter × Hunter vs. Mako Mori and Raleigh Beckett from Pacific Rim
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Stanford Pines and Fiddleford McGucket (Fiddauthor) from Gravity Falls vs. Jem Carstairs and Will Herondale (Heronstairs) from The Shadowhunter Chronicles
Roy Mustang and Riza Hawkeye (royai) from Fullmetal Alchemist vs. Stanley Barber and Sydney Novak from I Am Not Okay With This
Maz Kanata and Dexter Jettster from Star Wars the High Republic vs. The Doctor and Missy from Doctor Who
Fennec Shand and Boba Fett from Star Wars vs. Curt Mega and Tatiana Slozhno from Spies Are Forever
Lapis Lazuli and Peridot (Lapidot) from Steven Universe vs. Gwen Poole and Quentin Quire (Gwentin) from West Coast Avengers
The Doctor and Jack Harkness from Doctor Who vs. John - 117 and Cortanna from Halo
Ellie Miller and Alec Hardy (Millardy) from Broadchurch vs. Moomintroll and Snufkin (Snufmin) from Moominvalley
Beth Tezuka and Plum (PlumBeth) from Bravest Warriors vs. Allan and Weird Barbie from The Barbie Movie
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Edgin Darvis and Holga Kilgore from Dungeons and Dragons: Honor Among Thieves vs. Jolteon and Crap Gorps from Dogs In Love 2
Starscream and Skyfire (Skystar) from Transformers vs. Anne, Marcy, and Sasha (Sashannarcy) from Amphibia
Robbie & factoryAI from Void Terrarium vs. Perle and Dejean from Our Bloody Pearl
Matilda and Drea from Everything's Gonna Be Okay vs. Taion and Eunie (TaiEunie) from Xenoblade Chronicles 3
Nepeta Leijon and Equius Zahhak (Meowrails) from Homestuck vs. Jessie and James from Pokémon
Roxas and Xion from Kingdom Hearts vs. Tang and Pigsy (Freenoodles) from LEGO Monkie Kid
Zelda and Link (Zelink) from Tears of the Kingdom vs. Shin and Noi from Dorohedoro
MK and Mei (goldendragon) from LEGO Monkie Kid vs. Yelena Belova and Kate Bishop (Bishova) from Marvel
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playsgods · 5 months
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*   ◟   :   〔  MELISSA   BARRERA ,   CIS   WOMAN   +   SHE   /   HER  〕  SAVANNAH   JUÁREZ ,   some   say   you’re   a  THIRTY   THREE   YEAR   OLD  lost   soul   among   the   neon   lights.   known   for   being   both  INGENIOUS  and  INCREDULOUS ,   one   can’t   help   but   think   of  FLEURS   CAPTIVES  by  NICOLE   DOLLANGANGER  when   you   walk   by.   are   you   still   a  PRIVATE   SECURITY   GUARD ,   DEFECTIVE   ASSASSIN  for  SENTRY   SOLUTIONS ,   RED   EYE ,   even   with   your   reputation   as  THE   FOIL?   i   think   we’ll   be   seeing   more   of   you   and  THE   CONSTANT   FEAR   OF   DISCOVERY   (   LOOKING   OVER   YOUR   SHOULDERS   ,   YOUR   BACK   ALWAYS   TO   THE   WALL   ⸻   YOU   WILL   NEVER   KNOW   PEACE   ,   SOLDIER   ,   NOT   WHILE   YOU'RE   STILL   ALIVE   )   /   A   WARM   EMBRACE   YOU'VE   LONG   SINCE   FORGOTTEN   ,   FOR   THEY'VE   FLUSHED   OUT   YOUR   WEAKNESSES   FOR   A   CREATION   OF   THEIR   OWN   MAKING   (   FROM   THERE   ,   PAIN   IS   THE   ONLY   LANGUAGE   YOU   WILL   LEARN   TO   SPEAK   ,   TO   ACCEPT   AND   FOLLOW   )   /   A   PILE   OF   BODIES   ,   AND   A   RIVER   OF   BLOOD   THAT   NEVER   RUNS   DRIES   (   THEY'VE   MADE   A   KILLER   OUT   OF   YOU   ,   AND   THAT   IS   A   HISTORY   THAT   CAN   NEVER   BE   SCRUBBED   CLEAN   ),   although   we   can’t   help   but   think   of  BUCKY   BARNES   (   MARVEL   )   +   MAKO   MORI   (   PACIFIC   RIM   )   +   ARYA   STARK   (   GAME   OF   THRONES   )   whenever   we   see   you   down   these   rainy   streets.
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*    &  ◞    𝐢    .    𝐁𝐀𝐒𝐈𝐂𝐒    .
 full name : savannah   juárez   ,   born   maya   estrada.  nickname(s) : sav   /   savi.  age + bday : 33   +   april  3rd.  gender + pronouns : cis   female   +   she   /   her .  sexuality : pansexual   +   panromantic.  birthplace : mérida   ,    yucatán   ,   mexico.  languages : spanish   ,   english   ,   russian   ,   french   ,   american   sign   language   +   conversational   levels   of   japanese   ,   mandarin   &   german.  accent : has   no   traceable   accent   in   any   language.  current location : east   harlem   ,   manhattan   ,   new   york city.  occupation : private   security   guard   with   sentry   solutions.  loyalty : herself   ,   her   found   family  family : gabriel   estrada   —   father   (   estranged   )    ,    daniela   estrada   —   mother   (   estranged   )    ,    maria   estrada   —   sister  (   estranged   ).
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*    &  ◞    𝐢𝐢    .    𝐁𝐀𝐂𝐊𝐆𝐑𝐎𝐔𝐍𝐃    .
  — childhood   stretches   behind   you   like   a   trail   of   landmines   ⸻   one   wrong   step   and   the   whole   thing   is   set   to   explode.    there   is   a   vague   remembrance   of   a   happier   childhood   ,     of   a   loving   mother   and   father   ,    a   baby   sister   who'd   just   begun   to   take   her   first   steps.    you   remember   the   warmth   of   their   embrace   ,     the   happy   squeals   of   children's   laughter.    leading   a   pack   of   neighbourhood   children   ,    causing   trouble   and   mayhem   ,    a   mind   sharp   and   full   of  imagination.    well   no   one   could   have   imagined   where   it   would   one   day   lead.    cold   tunnels   and   the   makings   of   a   machine   ,    they   grab   you   in   broad   daylight   ,     and   that's   the   last   of   sunlight   you'll   see   in   a   long   ,  long   time.
  — seven   years   old   and   the   perfect   test   subject.    you   don't   know   it   yet   ,    but   it   is   the   curse   of   genetics   that   births   you   with   a   target   on   your   back.   your   mother   heralded   ⸻   genius   ,    your   father   utterly   brilliant.    a   duo   of   unmatched   aptitude   who   brought   forth   ideas   and   change.   what   a   terrifying   thing   it   was   ,    to   leave   all   that  possibility   in the   hands   of   a   couple   that   would   strive   to   better   society   and   the   world   around   them.   who   believed   in   equality   and   using   their   abilities   for   the  greater   good.    and while   they   could   not   use   your   parents   ,    they   could   certainly   make   do   with  you.
  — small   limbs   strapped   down   to   a   metal   table   ⸻   you   remember   how   it   chilled   you   to   the  bone.   cutting   and   carving   ,    they   break   you   down   down   down   ,    and   then   they   begin   to  rebuild.    in   a   shape   most   suited   ,    a   sharpened   tool   to   be   used.   here   your   childhood   is   awash   in   red   ,    in   lengthy   stretches   of   pain   and   power.    (   the   more   you   lose   ,    the   more   you  gain.    not   for   yourself   ,    but   for   those   who   expect   the   most   from   you.    unwilling   and   unyielding   ,    but   you   crumble   just   the   same   ). 
  — soldiers   have   no   use   but   to   follow   orders   as   they   are   given.   ten   ,    fourteen   ,    time   passes   in   flashes   of   glitching   lights   and   your   scars   proudly   earned.   at   least   that's   what   they   tell   you   ⸻   praising   ,    encouraging.   the   words   a   twisted   knife   to   turn   and   turn   and   turn   ,    to   thank   them   after   they've   sliced   it   free.    missions   counted   by   the   lives   you've   taken   ,    and   never   once   do   you   come   back   incomplete   ,  unsuccessful.    beautifully   crafted   and   wonderfully   honed   ,    their   creature   of   death   and   desolation   that   will  always   deliver. 
  — twenty   four   years   old   and   ready   to   report   ,    you   are   blood   stained   and   clutching   at   life   in   a   mission   gone   astray.    wounded   to   a   point   you've   never   been   before   ,    there   is   a   face   on   the   billboards   that   catch   your   eye   and   call   forth   memory.   buried   beneath   the   teachings   of   your   handlers   ,    beyond   the   brutality   of   your   youth.   your   mother's   face   is   a   glowing   beacon   in   the   dark   of   the   night.   hidden   within   the   shadows   and   standing   beneath   its   light   ,    there   is   a   ⸻    spark   ,    recognition.    who   is   she   ,    who   is   she   ,    who   is   she.    why   does   your   heart   ache   and   your   head   split   ,    blood   pounding   hard   as   it   pools ?   your   handler   finds   you   and   drags   you   home   ,    but   this   is   where   you   learn   to remember   , begin to    forget   to   forget.
  — freedom   comes   ⸻   swift   and   sadistic.   an   unexpected   plunge   into   the   deep   end   as   your   fight   tooth   and   nail   to   experience.  to   experience.   twenty   six   years   old   ,    and   your   never   forget   your   mother's   face.    as   you   spend   every   single   second   you  do   not   have   on   missions   researching   and   obsessing.   daniela   estrada   and   her   family   (  your   family   ,    something   haunted   screams   )   ,    and   the   curiosities   of   the   daughter   they'd   lost   ,    the   daughter   that   remained.    you   can   never   go  home   ,    but   red   eye   cannot   remain   home   either.   one   last   mission   ,    and   you   cut   out   your   chips   and   trackers.    you   break   something   free   ,    not   yourself   ,  not   yet   ,    but   this   is   a   start.
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*    &  ◞    𝐢𝐢𝐢    .    𝐃𝐄𝐓𝐀𝐈𝐋𝐒    .
  — has   been   on   the   run   from   red   eye   for   the   past   seven   years   !    a   lot   of   this   time   was   spent   with   sav   running   around   the   globe   ,    hopping   from   place   to   place   to   keep   ten   steps   ahead   and  under   the   radar ,    but   also   kept   busy   simply  exploring.   with   twenty   years   spent   under   the   organization's   thumb   ,    she's   been   sheltered   from   much   of  anything   that   they   deemed   unimportant   for   her   to   know.   so   much   of   this   time   has   been   sav   busy   with   her   travels   and   ...    soul   searching   ??    aiewjfnawef
  — currently   works   for   sentry   solutions   and   has   been   for   about   two   years.    while   she   was   trained   to   be   a   lean   mean   fighting   machine   ,     she's   discovered   self   -   fulfillment   in   being   able   to   finally   use   her   skills   for  good.   she   enjoys   fighting   ,    she's  good   at   it   ,    but   now   she   can   finally   do   it   to  protect   and   not   harm.  
  — incredibly   intelligent   !   her   parents   were   noted   as   both   having   genius   level   intellect   ,    and   sav   was   something   of   a   child   prodigy   inheriting   the   best   of   both   of   them.    and   well   ,     red   eye   very   much   took   advantage   of   what   she   had   to   offer.   from   using   her   mind   to   help   in   their   own   research   ,    to   sending   her   on   missions   that   required a keen mind.   even   after   losing   her   left   leg   from   the   knee   down   ,    she   aided   in   the   development   of   her   own   prosthetic. 
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swordofsun · 8 months
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I don't normally make If You've Complained About X You Should Watch Y posts. I try to just make my own little posts and reblog gifsets and cool art and if it intrigues you it intrigues you. If not all good.
But I do think that if you've ever complained about genre TV not having enough women (either as main, secondary, or background characters) or despaired at seeing a genre show consistently and reliably pass the Bechdel Test let alone having every female character pass the Mako Mori test? You should give Wheel of Time a shot.
You don't need to have read the books to enjoy the show. If you bounced off the books the show is different enough to be worth checking out. It's pretty fun.
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driftwithme · 9 months
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Pacific Rim worldbuilding details:
The only one in-world PPDC videogame was created during the golden era of the jaeger program. It was shaped as a mini games type were you could fight kaijus with your chosen jarger, solve puzzles as a j-tech or escape from a collapsing lab as a k-scientist.
The number of teens applying for the PPDC was always high. Especially kids left orphaned. Most of those candidates would end becoming j-techs or part of the strike force or some other thing. It's why Raleigh and Chuck are the favorite of the young public.
There are a few jaeger movies made to promote the PPDC and the jeager effort. That was not even their idea, but some directors got too excited about it.
The amount of songs name dropping j-pilots and jaegers is insane. Back at the golden age of the jaeger program there was a betting pool about it. It became common again after Pitfall.
The PPDC never gave consent for any movie or anything else explicitly made about real life j-pilots. Even during the rockstar era it felt too invasive.
The influence of Mako Mori's blue bangs hairstyle post-Pitfall is and always be a cultural changing moment. You bet that everyone wanted to be the rookie raised by the Marshall himself that shut the breach and piloted with Raleigh freaking Becket.
Kids growing up post the kaiju invasion would forever remember the kaiju drills and evacuation protocols. They would hear people talk about a world without kaiju and feel robbed, feel mistreated and abused. They could never imagine a world without kaijus --or jaegers.
There's an insane amount of pets named after kaijus.
There's also an insane amount of cars modified to have a kaiju-look.
Back school kids would literallt bully others over hypothetical drift tests and compatibility. That was a very serious thing that happened. Nerds would suffer hearing they'd probably be compatible with a kaiju or find a "kaiju partner" and kids would get called "kaiju girlfriends or boyfriends" and such.
There are whole ass game shows based on testing the "drift compatibility" ofna certain duo or group, where the people involved had to guess what an individual is thinking or about to do.
Kids calling principals "Marshall" is, as you might think, very common.
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olderthannetfic · 4 months
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I know about the origins of the Bechdel Test, but I do think it's inaccurate to say it's not meant as a criticism of movies that don't do that. I think that when people stop thinking in binary terms of "is this feminist?" or "is this anti-feminist?" and instead look at things more holistically, that you can recognize both that a character like Mako Mori is great, a step in the right direction for female characters in action movies and especially WOC, go forth and stan her and write all the fanfic you want.... but yeah, it is also a valid criticism of the movie (and many others like it) that she doesn't talk to or have relationships with any other woman in the film.
I think one thing to help people realize just HOW much of women's lives are being left out of media representation when we never talk to other named women about something other than a man in movies, is to just think about your own life. I talk to my mom every day, and if we are not talking about my stepdad or my brother-in-law (and I don't think we've ever had a conversation that wasn't at least IN PART not about them or another man), then it passes the test. I'm a professor and when I talk to a female student about her homework or project (which is, again, something that happens pretty much every day I teach), that's passing the test. If I order food from a female cashier and she has a name tag, that's passing the Bechdel Test! It's literally just constant for the vast majority of women on the planet, and that's what's being left out of our stories.
Like, I like the takes I've seen about how part of the joke in Dykes to Watch Out For is that this is *particularly* alienating to lesbians - as a lesbian myself I agree - but I also think it should be frustrating to straight and bi and ace women as well, because like unless you are like exclusively interacting with your husband or male relatives every single day + you work in a workplace where you are literally the only woman, you are almost certainly passing the test constantly. That's a pretty big part of women's lives that Hollywood is leaving out!
But I think it's important to view it as just one piece of the discussion about feminism and women's representation in film, not the final judge on if a film is feminist or not. Which it wasn't intended to be - as you said, it was mostly a joke on the extreme maleness of 80s action movies. Honestly, I do not miss those days on Tumblr where people were obsessed with declaring certain movies/TV shows/other fandoms they liked as "feminist" or "anti-feminist" and the really bizarre granular discussions people would have between two works that BOTH had a long way to go in terms of representing women. I remember people in the Fullmetal Alchemist fandom would use this to argue about if the original anime or Brotherhood/the manga was better - when both have some fantastic female supporting characters, but are ultimately male-centered stories where even a lot of those women's lives and stories are centered around their male love interests and family members. It's better than a lot of shounen, but if that's your bar for feminism - either version - you have a long way to go (and need to watch WAY more anime because there's sooooo much of it that is female-centric). I also remember people coming up with other tests that were blatantly silly: like I thought the Mako Mori test about "if a woman has a motivation/story that isn't centered on a man" was fair because it did point out a legitimate criticism, but there was that ridiculous "Tauriel Test" where it was "a woman who is good at her job." And it was entirely about someone just disliking that movie critics and feminist commentators alike were down on the Hobbit movie trilogy, which a) were bad movies, sorry you have bad taste, b) are absolutely not where you should focus your attention if you're so concerned about women's representation in film, Tolkein has always been a sausage fest! And her big thing was being mad that people thought Judi Dench's M in Skyfall was a better female character, and so she arbitrarily decided she was "bad at her job" and Tauriel was "good at her job" even though that's completely subjective and can be challenged in both cases.... but also, once again, why are you looking to the fucking JAMES BOND franchise for movie feminism! There's nothing like comparing the relative "feminism levels" of JAMES BOND and LOTR to make it obvious that this is 100% about validating your subjective taste preferences by giving it a "progressive" excuse, not actually about feminism and not actually caring about women's representation beyond how it makes you look good. And yet SO many people took that transparently stupid post seriously. I'd see professional articles mention the Tauriel Test as "one of the new tests" like there was anything serious about it.
And then on the flip side, over-reliance on the Bechdel Test alone led to some clueless conclusions especially in anime fandom, given that anime has an abundance of shows that exclusively feature female characters in school clubs being cute, where those characters are nonetheless two-dimensional archetypes designed for the male gaze. Someone like fandomsandfeminism did a presentation at an anime con that called one of those types of shows "feminist" and some Japanese user eviscerated it, but that just led to the equally shallow fandom analysis of "everything a Japanese person says about anime is automatically more valid" and "any Westerner who wants to criticize anime on feminist/progressive grounds is culturally appropriating and ultimately coming from a place of ignorance, even if they literally have a degree in Asian studies."
Wow, this turned into a rant about the history of bad "feminist media criticism" on this website. Sorry about that, I think I had a point in here somewhere. I guess that the Bechdel Test is indeed a joke and those origins should be understood, but also, I don't think it's wrong to say that it identifies a real problem and one that people could probably take MORE seriously than they do - but as just one part of the conversation, not the Feminism Litmus Test, and certainly not as a dick-measuring contest about whose fandom gets them more progressive brownie points.
--
I think as long as we grasp that the joke is "The bar is so far under the ground that we might as well go home and eat popcorn there", it's fine.
The real issue with the test is that people started thinking a pass was meaningful.
If you say something like "X% of 2020s movies can't even manage this weaksauce level of women existing", that's a meaningful statistic. Even if you got a couple of data points wrong, you're not factually wrong enough for it to matter because X is going to be some massive, massive percentage, and the overall trend is so clear.
But a pass is nothing to celebrate, and that's where we went wrong.
Like you say, litigating which of two big franchises that barely do anything with women wins on tumblr points is idiocy.
I think people are so unaware of what media that genuinely centers women even looks like that it's hard for them to even begin having a discussion.
I personally have been a massive fujoshi type from adolescence, and media that centers female characters isn't actually what I typically want. (Though media that is by and for women and that doesn't give a fuck what men think of this is.) I am also not much of a fan of slice of life in general...
But when I was coming out and figuring my shit out, being able to go buy collections of Dykes to Watch Out For was incredibly valuable to me.
Ditto the other lesbian comic books that were just sitting there in the bookstore. I'm sure if I went back and reread them all now, I could find things to nitpick or ways they were more for lesbians and less for me as a bi girl, but the really distinctive thing they did was let me exist in a world where media isn't all 80s sausagefest action movies where women are not people.
In fact, they were a world where men don't matter terribly much—not because they're dramatically rejecting men in some facile and reactionary way but because... who cares? They just had other priorities... and this was normal.
It feels like people who've never taken a vacation from really mainstream media just have no concept of what it would feel like to exist in some other space.
And I think that's a pity even if, like me, they later choose to go read mostly BL later instead of focusing on female characters or they genuinely love trash 80s action movies despite everything wrong with them. It's not just sexist media that's the issue: it's that feeling like the fish can't see the water it's swimming in.
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thehorrortree · 2 months
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Submission Window: March 15th-21st POC, March 22nd-April 15th, everyone Payment: 3 cents per word, with a minimum of $20 Theme: Speculative Fiction in the science fiction or fantasy variety We are open annually for submissions from March 15th through April 15th for our August issue, and from September 15th through October 15th for our February issue. The first week of submissions (March 15-21 and Sept 15-21) is reserved for writers of color. The remainder of the window will be for general submissions. If you’re a writer of color who submits during that first week and you hear back from us before the general window closes, you’re welcome to send a second submission during that time. We are not interested in machine-generated (AI/LLM) characters, plots, or text of any kind. Spellcheckers and grammar checkers that run off machine learning are absolutely fine by us (though we also don’t want you to let a machine strip out your natural writing voice in the name of someone else’s idealized grammar!) HOW TO SUBMIT SUBMIT YOUR STORIES HERE WHAT TO SUBMIT The short version: We pay $0.03 per word with a minimum of $20 in exchange for first world electronic rights in English. We ask for an exclusivity period of 3 months from date of publication. Maximum 5,000 words. Your story must contain speculative elements: that means science fiction or fantasy. We do not accept nonfiction. No simultaneous submissions. Only one submission per writer per open period. We aim to make our final decisions within a month and a half of the close of submissions (i.e. by May 31st for the spring period, and by November 30th for the fall period). You will often receive a response much sooner. If you haven’t heard from us by that time, please query at the above address. The long version: Broadly defined, the type of fiction we are looking for is “fun”. Yes, that descriptor is highly subjective, and ultimately it comes down to the personal preferences of the editors. However, here are a few road signs to get you started on the path into our hearts. A fun story, at its core, is one that works on the premise that things aren’t all bad; that ultimately, good wins out. This doesn’t necessarily mean that your story has to be silly or lighthearted (though it certainly can be). Joy can be made all the more powerful when juxtaposed against tragedy. In the end, though, there should be hope, and we want stories that are truly fun for as many different kinds of people as possible. Swashbuckling adventure, deadly intrigue, and gleeful romance are some of the most obvious examples of what we’re looking for, but we won’t say no to more subtle or complicated topics, as long as they fit under the wider “fun” umbrella. We HIGHLY ENCOURAGE submissions from authors of marginalized ethnicities, sexualities, genders, abilities and perspectives. If you are an author whose experience is not often represented, we absolutely want to hear from you. YES, YOU. If you’re comfortable sharing this information with us in your cover letter, please do. What we’re enthusiastic about: Characters of all genders and sexualities or lack thereof Settings in non-Western cultures Friendship Happy marriages Stories that pass the Bechdel test and/or the Mako Mori test Afrofuturism Neurodivergent characters Characters with disabilities What we’re NOT looking for: Non-speculative fiction. That means no historical stories (outside of historical fantasy), no contemporary romance, no general literary fiction. Pedophilia and rape, especially stories that glorify those things or use them as cheap ways of sidelining female characters. Violence is okay, but torture porn is not. In other words, the violence should serve the story, not BE the story. Similarly, sex is okay, but erotica is not. (There’s nothing wrong with erotica! We’re just not the market for it.) No fanfiction. No revenge fantasies against shrewish, nagging wives and girlfriends. No stories about how humanity is basically terrible.
No works previously published in English. This includes anything that has been published on your own website. In other words, we don’t accept reprints unless it was previously published in a language other than English. No stories that we’ve already rejected unless we specifically request a rewrite. If you’re not sure if your story is what we’re looking for, please send it to us and let us decide! DON’T SELF REJECT. Via: Translunar Travelers Lounge.
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