Farin Urlaub turned 60 today, and for once I was actually prepared!
Here are my two attempts with arts, and two different art mediums:
^This one's art medium was not anything too common - I actually decided to try and paint Farin with tea. The face might not look 100% like FU, but I also didn't think I'd able to paint anything resembling a human in general (+ I have never liked water colours, I don't know how to paint!), so I'm more than happy with the final result.
^ And this one was my Plan A turned into a Plan B when I figured this one was too small to be painted with tea, but could save me if the tea painting would not work out. This one was drawn with my beloved ProMarkers. The face, again, might now look 100% like FU, but he still has a face that is near impossible to draw and I think it still looks like him, even tho I think I somehow managed to make him look younger despite the reference photo being from last year :D
Reblogs would mean the world to me! Thank you ^^
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4, 7, 10, 13, 16, 20, 29 and 30 for the artist ask 👀
Thanks!!! That is so many (and I am delighted!) /gen
Also get some snacks or something because this is going to be a long, LONG post :D You know how much I love talking about arts!
4. Fav character/subject that’s a bitch to draw
HORSES. They make no sense, the anatomy is fucked up, and they are impossible to draw well!!! I drew them sometimes as a kid, then I started actually practicing drawing them after the age of 11 thanks to the DreamWorks film Spirit: the Stallion of the Cimarron. (Or whatever the fuck it is how the name is written, I never remember the articles correctly!)
It took me years to draw them using references and I think I did reach a point where I could draw the legs semi-well without references, but honestly, I still don't understand the legs. AND I AM A HORSE GROOM. I have been STUDYING horse anatomy for school, I had to study and learn and be able to name the bones and tendons in horses' legs, and I have stared at images and photos of both horse skeletons as well as alive horses, and also photos of horses with a skeleton painted on their fur, and I have been looking at and handling real horses' legs from up close many many times - and I still cannot grasp how on earth the bones between the knee and hoof go when drawing. I don't know what is it, the second I see the skin and fur and hoof there (since there is no muscles from the horse's knee down, only skin and bones and tendons), my brain starts adding there bones and joints that are not there.
Here's my so far newest horse drawings, after over 20 years of practice:
And they are drawn without any references and I'm pretty proud of the legs even tho they're not exactly correct. But I guess I still have it even when I don't draw them that often anymore!
7. A medium of art you don’t work in but appreciate
Oil paint and acrylic paint, or painting in general. I have never ever been a painter, but more of liked to work with pencils and markers and just anything that is capable of precise tiny details. As a kid all my drawings used to be so so detailed and tiny that it took me one water colour lesson in middle school to understand that hey, I possibly cannot finish this painting ever if the paper is A3 and I draw there objects that are less than 1cmx1cm in size, and I especially cannot colour them properly with water colour because it's not made for small details at all. I have always struggled with bigger sized artworks, my comics etc. are always quite small, but photorealism is usually on papers sized A4 cos there I then again suck at drawing e.g. faces that are smalled than a hand.
But yeah. Painting, it looks awesome and the paint (especially oil and acrylic, but also guache and in some cases water colour) blend in ways that pencils and markers are not capable of. They are great for landscapes for example, cos abstract brush patterns work great as leaves etc. for trees, but that is something that is difficult to achieve with my tools of choice that work with detailed images better. I did lots of acrylic painting in school and art school, and I never ever liked it because it's so messy and I was probably too young to understand how to work with them properly. I probably should give them a try again one day, because I have slowly been trying out water colours again after learning to hate them at school due to wrong supplies (too thin paper, or a rubbish brush for example), and it's not as bad as I remembered it. Maybe I could view acrylic paint differently too as an adult, and while having the power to choose my topics.
10. Favorite piece of clothing to draw
Hmmmm. I'm not a fan of drawing clothes, all the loose fabric is very hard to imagine, but I also don't want to draw characters naked so I'm just gonna draw them clothes XD Back in the day I would have said: shoes. But my current drawings have very boring shoes - except for that one time when I drew Rod with his New Rock flame boots which were so much fun to draw as a New Rock shoes fan! :D It was this one:
But I think my actual favourite to draw is the blue 80s jackets Bela and Farin often wore, they are SO MUCH FUN to draw with markers! And this is why:
Okay in general anything coloured with this blue marker works - but I just LOVE IT how it reacts to the blender marker (lifts off colour very efficiently!) and how you get this texture that actually makes the colour look like the jacket was 3D! (This one is taken from my Richy Guitar comic from 2022.) I don't know why it doesn't work this well with other colours tho.
13. A creator who you admire but whose work isn’t your thing
There is this one Japanese... manga? artist whose works I sometimes see on my dash or in videos about art. They are often in black&white, made with ink or something. I really like the technique in those and in a way it resembles it how I sometimes make my b&w marker drawings. All the art I have seen from him looks really neat and the topics are interesting, but it's just that manga/anime style that is not my cup of tea and what causes it that I haven't gotten into his works. I can't even remember his name but it's possible that someone might recognize whom I am talking about if someone else is reading this, that's how popular he is also among the western world.
16. Something you are good at but don’t really have fun doing
I am gonna say: photorealistic portraits of people. I have many of them because every time there's been a while since the previous, I start to think about how I wanna draw another one but I have always forgotten about how the drawing process is actually not that enjoyable. It's so restricted. I have to draw a grid or my brain and eye will fuck up the proportions. My brain has temper tantrums even when following the grid because it claims I'm doing it wrong, but in the end the grid was always correct and I just can't SEE the proportions right. I can't improvise pretty much at all because then I will fuck up the proportions again. I need the faces to look like who they are supposed to be, or I will hate myself and feel like I disrespected the person I'm trying to draw. So it's stressful. It's lots of redrawing and erasing until the paper it so worn out the colour is no longer lifting off and there's nothing I can do about it.
The succesful end result always looks neat, but oh so boring. I can recreate a photo with a pencil, so what? It can't get any more boring than that. It's just boasting with "hey look I can copy an image with my hand!" but there's nothing else to it. There is no soul to the drawing. There was no learning going on, unless it was something for the tools or techniques, but no learning about how to draw something specific. It's just redrawing until it looks close enough and lots of blood and tears. People online really like photorealistic drawings because many non-artist people don't understand how it's done, but for me photorealistic drawings and paintings have become really boring to look at, and progress videos are boring because I know how that is done and I know how it's gonna end up looking like. There is no surprise to me, because I understand the key elements of drawing: shadows, midtones and highlights.
I really want to have a semi-realistic style that would look neater and less confusing with my shippy drawings, but I just suck at drawing proportions and faces so I'm unable to draw them so that they would look like my targets. That's why photorealism is not fun, because it just reminds me of how I can't draw human faces even without a grid.
20. Something everyone else finds hard to draw but you enjoy
People often hate drawings hands and avoid doing that because they find it difficult to do, but I actually enjoy it. They're still difficult, but that's why I often use my own hands as a reference. And if I can't see my hands in a posture I want from my own POV, then I will just take a photo with my phone and use that. The easiest way of getting references ever, no need to google for the exact specific posture when I can just grab my phone and there I have it. This has also allowed me to memorize stuff in the muscle memory and especially with my comics I need the references less and less, which is nice. I think my style in drawing hands is evolving and I'm enjoying the results more and more. (Fun fact: people in my comics always have 5 fingers instead of 4!)
This is from one of my newest drawings:
I like so much how this turned out! Tho the cost was that the 3 other hands did not turn out that well - but at least this one did and I really like it :D (And also how it reminds me of my own favourite comics from when I was growing up - aka the French and Belgian comics such as Asterix or Lucky Luke!)
It's from this drawing which I have posted on Tumblr as its own post before:
29. Media you love, but doesn’t inspire you artistically
Oh there are so many medias I enjoy but don't do any kind of fanart of, if this is what it's asking. My fandom behaviour is so weird cos usually I channel my artistic tendencies on just one media or hyperfixation at a time, and the others don't make me want to draw a single thing about them.
And then what comes to medias created through visual arts... such as cartoons, animations or comics. Well usually I am drawn to the visual side of them too. That is one big reason why I don't watch anime and don't real manga, because the art style is not my cup of tea at all, so I would find it hard to focus on the stories either. The same goes for most modern-day cartoons, I just hate the art style majority of them uses, and I'm so visual person myself that I just can't even think about trying them out cos I'm pretty sure I wouldn't be able to get used to them even if the story would be somewhat funny or interesting.
You can see lots of influence in my art from the comics and cartoons I grew up reading and watching, occasionally I feel like you can even see the Dream Works (or Pixar) animations in my art because I, also, grew up watching some of those films. That is what I do, when a media is artistically appealing to me, as a tribute I will take inspiration and pieces of it to my own art but make sure to not base it fully on anything. My art really is a collection of all the art styles I like, and I feel like if lookng at them closely, you can see "cameos" of art styles from everything from Asterix comics to, say, Tim Burton characters.
30. What piece of yours do you think is underrated
Everything? :DDDDDDD No but, every single piece that makes me go "OMG THIS IS PROBABLY THE BEST THING I'VE EVER DRAWN" and which always gets the most quiet response ever. Those I feel are the most underrated pieces. Often the ones that get the most feedback or notes/likes are the ones that make me ask "but why this? what's so special about this? " and I never get any answers.
Anyway, as of today, I still think this is the most underrated piece what I have drawn. I'm still so proud of this, the puns(?), and how much there is going on, and how no one can tell what my original idea was. Even I can't tell, because I'm not sure. It can be interpreted in so many ways, and I like each of them.
THANK YOU SO MUCH it was so much fun to answer to these!!! /gen
I hope you also have fun reading these :D
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