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#my first request ever wrow
statichorizon · 2 years
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I requested a ship fanart of the Highway rat and the mouse from Gruffalo?
The mouse wearing a handsome green tyrolean outfit
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first request done! I dont know who they are but the mouse looks very polite and i can imagine the higway rat sounding like blaidd from elden ring for some reason. more stuff under the cut :0
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here's a screenshot of the little practice doodles and stuff i did as a little bonus I had some trouble designing the mouse's outfit tbhsdkjdskjs but i hope u enjoy it!
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4, 5, 6, 8, 12, and 15 for catasharky and 3, 4, 5, and 6 for beccroix (i’m allowed to do 2 bc i love you)
ur allowed to do 2 because ur my best friend and i love u
under the cut because...Long
catasharky aka the two biggest morons in hoe county
4. Who is more likely to tell the other a pun and what is the other’s reaction to the pun?
Sharky tells puns all the time and Cata barely gets like 80% of them OR it takes her long enough so he thinks it has not been funny but then she starts laughing and he’s like “ok I still got it”. Honestly Cata just thinks he’s gotdang hilarious even if his puns are the worst so she always ends up laughing anyway. That’s why he can’t stop telling them, he just likes it when she laughs.
5. When one of them has a bad day, what does the other do to help cheer them up?
They just hang out together on the trailer park, climb up to one of the trailers, legs dangling and they drink beer and talk about whatever, mostly it’s just Sharky oversharing shit but it makes Cata laugh so she does forget about whatever it was that upset her. In Sharky’s case it’s mostly just her presence that cheers him up! She’s always there when he needs her and if she’s busy or at work she still takes at least a couple of minutes to send him a dumb text or call him to chat for a bit. If they’re at the trailer park she rests her head on his shoulder while he vents about what’s troubling him and she squeezes his hand to let him know she’s still listening and that she’s there for him.
6. If they got to pick what one another wears for a day, what would one another wear?
I mean...none of them are actually peak fashion sense so whatever they wear is going to be casual and comfortable because that’s the only thing on their wardrobes. Cata would get rid of his hoodie for once and maybe switch the look for a plain t-shirt + denim jacket with the sleeves rolled up (and NO baseball cap allowed, let her ruffle his hair!). Sharky likes it when she wears shirts with a few unbottoned buttons (but like...not too much, let’s not get thotty) and waist up jeans with plain sneakers! Casual...but make it fancy-ish!
8. In a coffee shop AU, who would be the coffee shop employee and who would be the customer?
Cata as the employee and Sharky as the guy who absolutely doesn’t like coffee but thinks the bartender is cute and pretends to like it just so he can talk to her a bit each morning. He sits like a buffoon with a cup of coffee he doesn’t even drink just because she’s the nice girl who always greets him with a smile!
12. When did they know that loved each other, and when did they first tell each other that they loved one another?
Ok wrow let’s see. Sharky probably crushed on her quickly because she’s just...a very warm and loving person and she knows how to make people feel welcome and comfortable and honestly she encouraged him to talk about things and never shut him down and actually remembered the things he told her and laughed at his jokes and he was like wow I can’t believe she’s the love of my life. For Cata it was...a bit weirder I guess? She probably didn’t even notice she loved him Like That until she talked to someone about it, she just thought he was a Very Good Friend! (Cata/Santi solidarity is that they’re both oblivious dumbasses)
Also the first time they said I love you to each other was like 2 days after becoming friends because Cata gave him half her nuggets and then he shared his soda with her.
15. Who would bring their partner on a romantic date under the stars?
Neither of them are the romantic type so they probably just happened to be outside at night and there were a bunch of star so it’s like wrow isn’t this romantic....totally planned....i just so happen to have a can of pringles we can share...as a romance meal. Really peak dumbassery.
beccroix aka my emotional support vampires
3. Who compliments the other in front of everyone?
They never hang out with anyone because L*cr**x has no friends other than Becca because he’s an ass but if they did it’d probably be Becca because he would only compliment her if they were alone because he’s just like that.
4. Who is more likely to tell the other a pun and what is the other’s reaction to the pun?
Sebby doesn’t have a sense of humour because it died with him like 200 years ago (if he ever had one!) so Becca is the one who tells puns (that don’t even make sense because you know, welcome to my malkavian twisted mind) and he either 1) ignores them because they were obviously not even funny or 2) was too busy gazing longingly into her eyes to even pay attention to it in which case he just looks stupid for a while
5. When one of them has a bad day, what does the other do to help cheer them up?
Seb doesn’t usually reach out to people when he’s had a bad day but if he’s had a particularly straining meeting or if he has lots of things on his mind he might send her an email (so short, impersonal and formal it almost seems like he’s calling for a staff meeting) and request her presence for some urgent matter (yeah that’s a lie) BUT Becca knows him and he never tells her to come so she shows up ready to start rambling about whatever and for some casual hand holding (that he only allows because it has proven to be good for concentration!). She also lets him ramble and vent about what’s been troubling him so by the time the night is over he feels better! It’s…surprisingly easy for Becca to cheer mousy up.
When Becca has had a bad day it usually shows. She doesn’t say it and you can’t really tell by looking at her face or listening to her talk but if you’ve known her for a while (which L*cr**x has, for better or worse) you start noticing things! She doesn’t wear her usual colourful (and hideously combined) clothing and if it’s been a rough week she’s probably sporting a very normal hair colour with no neon scrunchies. She usually keeps her troubles to herself (or only confides on Cass) so if she’s feeling lonely or sad she avoids going to Ventrue Tower altogether! BUT if they meet and Seb notices it (and he does notice it, all the time) he probably is the one to start conversations, asking her opinion or something or about her latest Hollywood adventure (he even asks her about her Toreador friend, even if just pronouncing her name leaves a bitter taste on his mouth, thanks Great Mural Incident of 2002).
6. If they got to pick what one another wears for a day, what would one another wear?“
Please don’t ever let Becca pick what L*cr**x has to wear unless you want him to call a blood hunt on her. IF she had to pick clothes from his own wardrobe (which is just identical suits and ties because he is Boring) she’d probably go for the most casual look she could find because she finds his slightly disheveled look to be very Cute. So ditch the suit jacket, shirt sleeves rolled up, no tie whatsoever and for the love of god go easy on the hair gel and let her mess it up a bit!
Mousy would, surprisingly, not try to make her look fancy. He complained nonstop about how she was an eyesore for a long time but now he just likes how she clashes with everything that surrounds him. He has a soft spot for her champagne pink hair dye or the pastel orange/peachy one (not that he would say it of course), particularly if she wears it loose or braided. As for clothing…her demin jacket with stars embroidered on it, black leggins and her favourite yellow sneakers. He probably can’t believe he’s picking that instead of a clean cut suit but imagining her wearing something so formal just feels wrong. 
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camelliacried · 6 years
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            WROW  I’m finally gonna write down Tsubaki’s P5 verse !
            Tsubaki Yayoi is seventeen, and she attends Kosei High School; she’s an art student, a prominent member of the student council, and comes from an incredibly prestigious family among the political elite. She’s calm, intelligent, modest, and above all incredibly compassionate; although she studies art and sings in her spare time, she has every intention of helping better the lives of others when she graduates. It is because of her unwavering belief in justice, due process, and law and order that she grows to despise the Phantom Thieves and their rise to fame. It isn’t that she’s jealous of their success, or that she disapproves of their motives --- but she cannot oblige the fact that they deem themselves above the law.
            Unflinchingly traditional, the Yayoi family often practices in arranged marriages --- and although it’s never been confirmed, rumors have circulated for years that the majority of those marriages are kept within the family. Throughout the game, she also comes to learn that her family’s practices aren’t as upright and honest as they (as well as the bribed tabloids) claim; exploitation, bribery, and blackmail have all been kept under wraps by carefully-worded legal arrangements and money under quite a few tables. This revelation combined with mentions of a potential ‘arrangement’ for Tsubaki in the near future lead her to seek the help of the very people she condemned: the Phantom Thieves. Coming to the conclusion that there was no use seeking assistance within the justice system --- a prominent Yayoi domain that still bears signs of their influence --- and growing more desperate by the week, she submits a name to the Aficionado Website: that of the current Yayoi family head, her own father. 
            The Thieves must first investigate in Mementos, and upon doing so, they discover it’s already become a full-fledged Palace. As she submitted the request anonymously, they have no way of knowing she would willingly cooperate --- so once Yusuke informs them she attends the same school, they set about tailing her to see if they can acquire more information about her family. Tsubaki catches on rather quickly, and upon realizing their true identities, agrees to assist them. During a thorough search of the Yayoi family home, the correct keywords to enter her father’s Palace are accidentally spoken --- thus, she finds herself dragged in with them. She had been quietly festering and seething inside ever since she first stumbled upon some of her family’s illicit dealings, and to see the Palace with her own eyes --- a mixture of old and new, sprawling grounds with seemingly endless hallways, several traditional Japanese mansions juxtaposed much like the Yayoi’s ancient traditions and modern vices... Tsubaki refuses to leave without seeing it for herself, and retreats further inside when the Thieves insist otherwise. As they attempt to give chase, they encounter several clues that detail more of her life: headstones that detail at least eight siblings, none of which made it past their first year --- all born before Tsubaki; a sprawling family tree, written in elegant hand with ink on a traditional canvas, whose branches’ names overlap repeatedly with one another; a cognitive version of a younger Tsubaki that seems to represent an angel, bathed in light, surrounded by her household; cognitive versions of those the family have exploited and cheated over the years --- young and old, business and pleasure, workers and business partners and enemies alike. 
            They eventually catch up to the real Tsubaki, on her knees before the cognition of her father that reigns over the Palace. Dressed in traditional garb, he informs her that everything the Yayoi family has done has had a ‘noble’ purpose: to further the survival of their bloodline. Decades prior, a family head realized that the deciding factor in many political stations was a combination of incredible intelligence and charisma; thus, all marriages sought to foster these qualities... Until ultimately the only candidates deemed suitable were those within their own bloodline. When Tsubaki was born, it was deemed a miracle --- especially that she was born so strong, physically and mentally, and carried the best traits of a Yayoi. To further her excellence, to maintain the family’s sterling reputation, to keep their ‘breeding’ practices away from public view... Every not-so-noble act was motivated by these ‘noble’ needs. It’s at this point that she breaks down, forced to call everything into question; not only has she fully processed that everything she knew and held dear --- every facet of morality she’d clung to and upheld --- was a lie, but she was also led to believe her very birth was the biggest catalyst. With the help of the Thieves, however, she comes to the conclusion that none of it was her fault; she was only an excuse to justify the means as well as the ends. It’s with this revelation, and the promise to  SEEK OUT AND UPHOLD HER OWN JUSTICE  , that she awakens her persona:  BRYNHILDR . Tsubaki’s outfit resembles her  canon outfit  when releasing Zero Type: Izayoi; her persona has a similar motif, resembling a typical valkyrie and wielding the same sword. Because of the wings, angelic appearance, and her exasperated explanation of who Brynhildr was, her codename becomes  VALKYRIE  . Her secondary weapons are dual handguns. Her persona deals both Bless and Curse damage, but is still weak to the latter. 
            Upon defeating her father, she admits that she’s aware --- and dreads --- the full truth of her family will come to light, her birth included. She resolves to face it with her head held high, though, for the sake of all the people her family has hurt. Much of her confidant deals with her attempt to protect and perpetuate her own justice, as she declared she would upon her awakening. This includes personally seeing to it that injured parties get proper reparations; making amends with her father while he’s incarcerated; assisting however she can in the ongoing investigation into her family, the legitimacy of their assets, and so forth. Halfway through her confidant, she admits to the protagonist that there’s been a significant amount of pressure from the student body as well as concerned parents for her to not only resign from the student council, but in some cases be expelled ‘out of basic principle’. Tsubaki also admits that she was aware of her family’s marriage practices all along, as well as the circumstances of her birth; she believes in part that perhaps she should comply with the school’s demands, considering herself complicit in that regard. Ultimately, however, the protagonist convinces her that she needs to fight --- for the sake of truth and justice, no less --- and at the very least see to it that she’s heard. Her passion, sincerity, and articulation see to it that at least the majority of her peers are swayed; although she mentions she still has to deal with jeers here and there, she is allowed to stay enrolled and on the student council. She also thanks the protagonist for instilling courage in her when she needed it the most. She acknowledges that her future career goals --- be it the military, the justice system, or politics --- would be hindered greatly by her family’s scandal, but that she has no intention of laying down and taking it. 
            Some additional tidbits:
Tsubaki’s confidant deals with art, but also has numerous motifs with flowers: if the protagonist works at the flower shop, she will occasionally be waiting there and will explain flower language to him throughout different points in the game. the gift she gives the protagonist upon maxing out her confidant is a painting she made of a camellia flower --- a play on her name that also translates to ‘longing’ and ‘waiting’ in flower language. if the confidant is a romantic one, on christma/s she will admit that she’s taken the liberty of hanging her gift in the attic: a painting of edelweiss (to encourage him he does have power and should always have courage), hibiscus (to remind him to be gentle, always), and a third flower that’s a little more difficult to place but resembles angel’s wings. she will inform him that it’s referred to as habenaria radiata (sagisō in japanese), or the white egret flower. it means, according to her, ‘my thoughts will follow you into your dreams’. she intended it to convey her feelings in a lasting, sincere manner, having no idea how poignant they’d be considering where he’d soon be going...
she loves historical dramas --- be it plays, movies, or literature. taking her to see a period movie, buying her appropriate merchandise or reading material, it’ll all please her immensely and she’ll chatter on excitedly about them for hours. 
in idles whenever they meet as a group in the protagonist’s attic, she’s often either reading a book, adjusting something into its proper place, or wiping her finger along a shelf as if inspecting for dust. 
in one conversation randomly activated between confidant conversations, Tsubaki admits that she often watched Yusuke intensely as they were in the same art class and his work always caught her attention. she also remarks that since he’s been spending time with the protagonist, he hesitates less and has a ‘better energy’ when painting.
when Makoto leads the study group among her classmates, Tsubaki will also show up for a time and assist --- explaining that they’ve helped each other study on occasion. 
one of her all-time favorite historical figures is a renowned folk hero of the feudal era, and she gets flustered just referring to him. her mother told her all the stories surrounding him, and she even owns several plushies modeled after a cartoon character meant to portray him on television.
her phrase during criticals is ‘let justice... be served !’; there’s also scales of justice and wings littered among camellia flowers in her finisher portrait after an all-out attack.
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