#patricia phelps de cisneros

[garadinervi]

Geo-metrías. Abstracción geométrica latinoamericana en la Colección Cisneros, Museo de Arte Latinoamericano de Buenos Aires (MALBA) and la Fundación Cisneros, Buenos Aires , 2003

Contributions: essay by Ariel Jiménez; interview with Patricia Phelps de Cisneros by Luis Pérez-Oramas

Exhibition: MALBA, Buenos Aires, 2003

Feat. works by: Joaquín Torres García, Carmelo Arden Quin, Carlos Cruz Diez, Jesús Soto, Alejandro Otero, Gego, Gyula Kosice, Enio Iommi, Raúl Lozza, Helio Oiticica, Lygia Clark, Sergio de Camargo, Alfredo Volpi, and Mira Schendel among others

#graphic design #typography #art #exhibition #catalogue #catalog #cover #ariel jiménez #patricia phelps de cisneros #luis pérez oramas #fundación malba #fundación cisneros #2000s

[mybeingthere]

Untitled, Gerd Leufert, 1955, MoMA: Painting and Sculpture.

Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund

Size: 

24 7/16 × 20 ¼" (62 × 51.5 cm)

Medium: Casein on wood

http://www.moma.org/collection/works/205959

[damnvm]

Rosângela Rennó. Paisagem de Casamento. 1996. Negativos de gelatina e prata e acrílica. 44 3/4 × 58 1/2 × 1/2" (113.7 × 148.6 × 1.3 cm). The Museum of Modern Art, New York. Doação de Patricia Phelps de Cisneros através do Latin American and Caribbean Fund em honra de Sarah Hermanson Meister © 2022 Rosângela Rennó

#Rosângela Rennó

[pirapopnoticias]

#americas #empresário #homenageia #society

[citylifeorg]

MoMA Presents a Major Exhibition of Contemporary Latin American Art Centered Around Works Gifted to the Museum by The Colección Patricia Phelps De Cisneros

Cildo Meireles. Fio (Thread), 1990-95. 48 bales of hay, 1 18-carat gold needle, 100 meters of gold thread. Dimensions variable, approximately 7′ 1″ x 6′ 1 1/16″ x 72″ (215.9 x 185.5 x 182.9 cm). Gift of Patricia Phelps de Cisneros. © Cildo Meireles The Exhibition Also Features New Acquisitions, Loans, and Commissions That Address the Themes of History, Heritage, and Remembrance Chosen Memories:…

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[moma-prints]

Untitled, Gego, 1970, MoMA: Drawings and Prints

Gift of Patricia Phelps de Cisneros in memory of Warren Lowry Size: 25 3/4 x 19 3/4" (65.4 x 50.2 cm) Medium: Colored ink on paper

http://www.moma.org/collection/works/82265

#museumarchive #museumofmodernart

[fanzinhapoeta]

Hélio Oiticica, L'après-midi quase evening (1973)

Medium: Cibachrome prints pasted on paper

Dimensions: 11 9/16 × 17 11/16" (29.3 × 45 cm)

Credit: Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund

Image from MoMA

#helio oiticica

[halmoney]

i think it’s rlly damaging to think that institutions and pedagogy are like... necessary or inherent to the art world. art has existed in time without those things, and i think it’s important to imagine a future without them. institutions and pedagogy have in fact done so much to hurt artists under the guise of building the industry. This isn’t to say that things like museums or schools don’t have value or anything like that, but i think it’s really harmful to dismiss the damage they have done to the way we view and treat art. These institutions are the ones that choose what is successful, and rather than oppose the status quo, they uphold it. which is to say they will often, if not always, have an outlook that has elitist, classist, and racist values. take MoMA for instance, an institution that has amassed wealth through its ties to colonial and imperial violence. Leon Black, who was the chairman (and has decided to step down since) had ties to Jeffrey Epstein. Patricia Phelps de Cisneros, who sits on the board of MoMa, is married to Gustavo Cisneros, who has ties Barrick Gold’s mining in the DR, which is leaving entire communities without clean water. Or let’s talk about the racism and anti-blackness that exist within institutions like museums and schools. I don’t know if anyone knows this, but at the height of the BLM movement earlier last year, a bunch of instagram accounts popped up highlighting anonymous stories from Black students and their experiences with institutionalized racism. (you can check out @/blackatsva or @/blackatrisd, both of which are accounts linked to two of the biggest art schools in america) There is no way you can look at these things and say that these institutions don’t participate in a system of abuse and violence. These are the people putting up your art exhibitions, curating your shows, deciding what makes the cut, and what doesn’t. They’re the ones choosing those spot illustrations for The New Yorker, New York Times, whatever. And all this shit starts in the classroom.

Art can exist outside of the frame of institutions and i think it’s especially important to resist by imagining a future without these structures.

#just me talking

[art-now-germany]

- SOLD - Swamp Forest, Collection: S. Ribbe,, Wolfgang Schmidt

Swamp Forest - Sumpfwald Sincerely to: Andy Hall, Sheikha Al Mayassa bint Hamad bin Khalifa Al-Thani, Paul Allen, Edythe L. and Eli Broad, Rosa and Carlos de la Cruz, Patricia and Gustavo Phelps de Cisneros (Venezuela and Dominican Republic), Donald and Mera Rubell, Steven A. Cohen, Theo Danjuma, Maria Baibakova, Adrian Cheng, Ingvild Goetz (München), Victoria and David Beckham, Leonardo Dicaprio, Alan Lau, Camilla Barella, Ralph DeLuca, Arthur de Ganay, Ramin Salsali, Moises Cosio, Pedro Barbosa, Monique and Max Burger, Joaquin Diez-Cascon, Luciano Benetton, Roman Abramovich and Dasha Zhukova (Russia), Robbie Antonio (Philippines), Hélène and Bernard Arnault (France), Maria and Bill Bell (United States), Peter Benedek (United States), Debra and Leon Black (United States), Christian and Karen Boros (Germany), Irma and Norman Braman (United States), Peter Brant (United States), Basma Al Sulaiman, Marc Andreessen, Laura and John Arnold, Camilla Barella, Swizz Beatz, Claudia Beck, Andrew Gruft, Robert and Renée Belfer, Lawrence Benenson, Frieder Burda (Germany), Richard Chang (United States), Kim Chang-il (Korea), David Chau and Kelly Ying (China), Pierre T.M. Chen (Taiwan), Adrian Cheng (China), Kemal Has Cingillioglu (United Kingdom), Nicolas Berggruen, Jill and Jay Bernstein, Ernesto Bertarelli, James Brett, Jim Breyer, Christian Bührle, Valentino D. Carlotti, Edouard Carmignac, Trudy and Paul Cejas, Dimitris Daskalopoulos (Greece), Zöe and Joel Dictrow (United States), George Economou (Greece), Alan Faena (Argentina), Mark Falcone and Ellen Bruss (United States), Amy and Vernon Faulconer (United States), Howard and Patricia Farber (United States), Larry and Marilyn Fields (United States), Marie Chaix, Michael and Eva Chow, Frank Cohen, Michael and Eileen Cohen, Isabel and Agustín Coppel, Anthony D'Offay, Hélène and Michel David-Weill, Antoine de Galbert, Ralph DeLuca, Amanda and Glenn Fuhrman (United States), Danielle and David Ganek (United States), Ken Griffin (United States), Agnes Gund (United States), Steven and Kathy Guttman (United States), Andrew and Christine Hall (United States), Lin Han (China), Henk and Victoria de Heus-Zomer (Holland), Grant Hill (United States), Maja Hoffmann (Switzerland), Erika Hoffmann-Koenige (Germany), Tiqui Atencio Demirdjian, Beth Rudin DeWoody, Eric Diefenbach and JK Brown, David C. Driskell, Mandy and Cliff Einstein, Rebecca and Martin Eisenberg, Ginevra Elkann, Tim and Gina Fairfax, Dana Farouki, Michael and Susan Hort (United States), Guillaume Houzé (France), Wang Jianlin (China), Dakis Joannou (Greece), Alan Lau (China), Joseph Lau (China), Melva Bucksbaum and Raymond Learsy (United States), Agnes and Edward Lee (United Kingdom), Aaron and Barbara Levine (United States), Adam Lindemann (United States), Eugenio López (Mexico), Jho Low (China), Susan and Leonard Feinstein, Nicoletta Fiorucci, Josée and Marc Gensollen, Alan and Jenny Gibbs, Noam Gottesman, Florence and Daniel Guerlain, Paul Harris, Barbara and Axel Haubrok, Alan Howard, Fatima and Eskandar Maleki (United Kingdom), Martin Margulies (United States), Peter Marino (United States), Donald Marron (United States), David MartÍnez (United Kingdom and Mexico), Raymond J. McGuire (United States), Rodney M. Miller Sr. (United States), Simon and Catriona Mordant (Australia), Arif Naqvi (United Kingdom), Peter Norton (United States), Shi Jian, Elton John, Tomislav Kličko, Mo Koyfman, Jan Kulczyk, Svetlana Kuzmicheva-Uspenskaya, Pierre Lagrange, Eric and Liz Lefkofsky, Robert Lehrman, François Odermatt (Canada), Bernardo de Mello Paz (Brazil), José Olympio & Andréa Pereira (Brazil), Catherine Petitgas (United Kingdom), Victor Pinchuk (Ukraine), Alden and Janelle Pinnell (United States),Ron and Ann Pizzuti (United States), Michael Platt (Switzerland), Miuccia Prada and Patrizio Bertelli (Italy), Howard and Cindy Rachofsky (United States), Mitchell and Emily Rales (United States), Dan Loeb, George Lucas, Ninah and Michael Lynne, Lewis Manilow, Marissa Mayer, David Mirvish, Lakshmi Mittal, Valeria Napoleone, John Paulson, Amy and John Phelan, Ellen and Michael Ringier (Switzerland), David Roberts (United Kingdom), Hilary and Wilbur L. Ross Jr. (United States), Dmitry Rybolovlev (Russia), Lily Safra (Brazil),Tony Salamé (Lebanon), Patrizia Sandretto (Italy), Eric Schmidt (United States), Alison Pincus, Heather Podesta, Colette and Michel Poitevin, Thomas J. and Margot Pritzker, Bob Rennie, Craig Robins, Deedie and Rusty Rose, Stephen Ross, Alex Sainsbury, Alain Servais (Belgium), Carlos Slim (Mexico), Julia Stoschek (Germany), Budi Tek (Indonesia), Janine and J. Tomilson Hill III (United States), Trevor Traina (United States), Alice Walton (United States), Robert & Nicky Wilson (United Kingdom), Elaine Wynn (United States), Lu Xun (China), Muriel and Freddy Salem, Denise and Andrew Saul, Steven A. Schwarzman, Carole Server and Oliver Frankel, Ramin Salsali, David Shuman, Stefan Simchowitz, Elizabeth and Frederick Singer, Jay Smith and Laura Rapp, Jeffrey and Catherine Soros, Jerry Yang and Akiko Young (United States), Liu Yiqian and Wang Wei (China), Anita and Poju Zabludowicz (United Kingdom), Jochen Zeitz (South Africa), Qiao Zhibing (China), Jerry Speyer and Katherine G. Farley, Susana and Ricardo Steinbruch, Kai van Hasselt, Francesca von Habsburg, David Walsh, Artur Walther, Derek and Christen Wilson, Michael Wilson, Owen Wilson, Zhou Chong, Doris and Donald Fisher, Ronnie and Samuel Heyman, Marie-Josee and Henry R. Kravis, Evelyn and Leonard Lauder, Jo Carole and Ronald S. Laude, Francois Pinault (France), Udo Brandhost (Köln), Harald Falckenberg (Hamburg), Anna and Joseph Froehlich (Stuttgart), Hans Grothe (Bremen), UN Knecht (Stuttgart), Arendt Oetker (Köln), Inge Rodenstock (Grünwald), Ute and Rudolf Scharpff (Stuttgart), Reiner Speck (Köln), Eleonore and Michael Stoffel (Köln), Reinhold Würth (Niedernhall), Wilhelm and Gaby Schürmann, Ivo Wessel, Heiner and Celine Bastian, Friedrich Karl Flick, Monique and Jean-Paul Barbier-Mueller (Genf), Christa and Thomas Bechtler (Zürich), David Bowie (Lausanne), Ulla and Richard Dreyfus (Binningen und Gstaad), Georges Embiricos (Jouxtens and Gstaad), Friedrich Christian "Mick" Flick (Hergiswil and Gstaad), Esther Grether (Bottmingen), Donald Hess (Bolligen), Elsa and Theo Hotz (Meilen), Baroness Marion and Baron Philippe Lambert (Genf), Gabi and Werner Merzbacher (Zürich), Robert Miller (Gstaad), Philip Niarchos (St. Moritz), Jacqueline and Philippe Nordmann (Genf), Maja Oeri and Hans Bodenmann (Basel), George Ortiz (Vandoeuvres), Graf and Gräfin Giuseppe Panza di Biumo (Massagno), Ellen and Michael Ringier (Zürich), Andrew Loyd Webber, Steve Martin, Gerhard Lenz, Elisabeth and Rudolf Leopold.

https://www.saatchiart.com/art/Drawing-SOLD-Swamp-Forest-Collection-S-Ribbe/694205/2784259/view

#conceptual #abstract #fineart #WolfgangSchmidt #realism #expressionism

[artbookdap]

Just a few of the remarkable artworks collected in 'Sur moderno: Journeys of Abstraction, The Patricia Phelps de Cisneros Gift,' a staff pick for Hispanic History Month.⁠⁠ ⁠⁠ 'Sur moderno' explores the abstract and Concrete art movements that flourished in South America between the mid-1940s and the late 1970s in light of the profound cultural transformations that gave rise to them. Published in conjunction with a major exhibition @themuseumofmodernart in New York, 'Sur moderno' features work by artists from Argentina, Uruguay, Brazil and Venezuela—including Lidy Prati, Tomás Maldonado, Rhod Rothfuss, Lygia Clark, Hélio Oiticica, Jesús Rafael Soto and Alejandro Otero—who advanced the achievements of early-20th-century geometric abstraction and built a new modern vision of the region.⁠⁠ ⁠⁠ This richly illustrated volume highlights a selection of works gifted to MoMA by Patricia Phelps de Cisneros between 1997 and 2016—a donation that has had a transformative impact on the Museum’s holdings of Latin American art. The Cisneros Modern Collection, which includes paintings, sculptures and works on paper, allows for in-depth study of the art produced in the region at mid-century, enabling the Museum to represent a more comprehensive, plural, and robust narrative of artistic practices and to demonstrate the integral role Latin America played in the development of modern art.⁠⁠ ⁠⁠ Read more via linkinbio.⁠⁠ ⁠⁠ @cppcisneros #cisneroscollection #surmoderno #abstractart #concreteart #southamericanart #southamericanabstraction #southamericanconcreteart #hispanichistory #hispanichistorymonth https://www.instagram.com/p/CTSigIyJvzs/?utm_medium=tumblr

#cisneroscollection #surmoderno #abstractart #concreteart #southamericanart #southamericanabstraction #southamericanconcreteart #hispanichistory #hispanichistorymonth

[garadinervi]

Guillermo Kuitca, Poema Pedagogico II, 1996 [Sperone Westwater, New York, NY. Colección Patricia Phelps de Cisneros, New York, NY]

#art #mixed media #drawing #pattern #guillermo kuitca #sperone westwater #colección patricia phelps de cisneros

[afrouif]

Lygia Clark

Escada (Stairs), 1948

Oil on canvas

55.4 x 46.4 cm

Coléccion Patricia Phelps de Cisneros

[maralmarr]

Feliciano Centurión, Medusas (Jellyfish), 1994. Acrylic and crochet on blanket, 78 ¾ × 74 ¾ inches (200 × 190 cm). Museo Nacional Centro de Arte Reina Sofia, Madrid. Long-term loan of the Fundación Museo Reina Sofía, 2020 (Donation of Patricia Phelps de Cisneros in honor of Gustavo Bruzzone). © Estate of the Artist, Familia Feliciano Centurión.

[rob-art]

(via Alejandro Otero's Colorhythms | Colección Patricia Phelps de Cisneros)

ALEJANDRO OTERO

[paca-artistinresidence]

El Premio Eugenio Mendoza 2019

Las obras y proyectos seleccionados por los curadores reflejan, contienen y traducen las preocupaciones discursivas y narrativas de sus creadores, y en esta ocasión la reflexión apunta a los inconvenientes que atraviesa la Venezuela actual: la migración, la diáspora, la movilidad y sus consecuencias ontológicas, políticas e históricas; el vacío de información; el deterioro y la ruina; el hambre y la necesidad; el sometimiento y sus implicaciones físicas, corporales y psicológicas; la indolencia oficial frente a la violencia —temas que ocupan a nuestros creadores más nóveles y que se encontrarán en los espacios de la Fundación Sala Mendoza.

  https://www.fundacionsalamendoza.com/premio

Para esta edición, el Premio se ha regido, una vez más, bajo la modalidad de convocatoria abierta, permitiendo participar a artistas venezolanos, residentes o no en el país, y a extranjeros residentes menores de 40 años. Se recibieron casi cien postulaciones de proyectos que fueron evaluados por seis curadores, venezolanos y extranjeros. Cada uno de ellos seleccionó a dos finalistas, justificando su elección a través de un texto curatorial: 

David Ayala-Alfonso,artista, curador e investigador colombiano residenciado entre Bogotá y Londres, se decantó por la propuesta de Emily Jolie y Néstor García;Jesús Alcaide,crítico de arte y comisario independiente español residenciado en España, por Alejandro Miguel Torrealba y Cristian Guardia; María Carlota Pérez-Appelbaum, curadora y asesora de arte venezolana residenciada en Nueva York, por Manuel Eduardo González y Valentina Alvarado Matos; Patricia Hambrona,curadora independiente española residenciada en Canadá, por Dianora Pérez y Rafael Arteaga; Rigel García, investigadora-curadora venezolana del Museo de Bellas Artes de Caracas, por María Niño y MAx Provenzano; Yuri Liscano, creador visual e investigador venezolano, Gerente General de la Sala TAC, por Malu Valerio y Saúl Rivas.

El jurado de premiación, lo conforman Álvaro Sotillo, diseñador gráfico venezolano; Dulce Gómez, artista plástico venezolana; Geaninne Gutiérrez-Guimarães, curadora del Museo y Fundación Solomon R. Guggenheim en Nueva York, y Rafael Romero, Director Emérito de la Colección Patricia Phelps de Cisneros. Este prestigioso grupo será el encargado de determinar cuál de los artistas finalistas resultará ganador del Premio, quien disfrutará de una residencia artística de tres meses en Lugar a dudas, centro de arte contemporáneo ubicado en Cali, Colombia, y una exposición individual en la Sala Principal de la Sala Mendoza en el año 2020. Además del ganador de esta edición #15, este año contamos con distintas menciones especiales gracias al apoyo de nuestros patrocinantes y amigos: La Embajada de España en Venezuela ofrece la mención Artista Emergente de la Embajada de España, galardón otorgado a Dianora Pérez que contempla una residencia de tres semanas en PACA, un artist-run space ubicado en Gijón, España,además de una muestra de proyecto en la Sala Mendoza el próximo año.  

[nevver]

Purple Haze, Suwon Lee