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#tbh naomi is probably one of my favorite prisoners? i think i did a good job with her character
linagram · 1 year
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[ 𝚌𝚑𝚒𝚋𝚊 𝚗𝚊𝚘𝚖𝚒'𝚜 𝚝𝟷 𝚟𝚘𝚒𝚌𝚎 𝚍𝚛𝚊𝚖𝚊 ] 𝚌𝚑𝚒𝚕𝚍𝚕𝚒𝚔𝚎 𝚌𝚛𝚞𝚎𝚕𝚝𝚢
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naomi's vd is here! i think this one is a little shorter than the other ones? at least it definitely feels like a short one to me.
well, naomi's crime was basically solved on my other blog, so i felt like it wouldn't make sense to try and make it sound more mysterious than it actually is, haha. she's still a very interesting character to me though and i'm excited to see how her trial goes.
(divider link)
(door opens)
(sounds of footsteps)
Miki: I hope we didn't keep you waiting too long..
Naomi: No, no, everything is fine, don't worry about it.
Naomi: I understand that you two are quite busy today, haha. If I recall correctly, you have to extract everyone's songs today, right?
Miki: Y-yes..
Naomi: And I'm only the fourth prisoner. You still have a lot of people to talk to today.
Miki: *nods*
Naomi: Well, do your best then. I'm sure everything will be fine.
Miki: T-thank you so much!
Eiji: *clears his throat*
Eiji: I'm also here, just so you know.
Naomi: Of course. Hello, um..
Naomi: Is it okay if I call you both by your first names? You both are guards, so calling you both "Guard-san" is kind of..
Eiji: Hey, who do you think you are to-
Miki: Yes, that would be so much better!
Naomi: Great. Hello, Eiji-san.
Eiji: (to Miki) What are you doing? She has no right to call us by our first names like that, she's just a prisoner!
Miki: Well, I'm tired of being called "Guard 002" or "Guard-san's assistant" all the time. So yes, I prefer my name better.
Eiji: .. What happened to you?
Miki: Maybe I'm just trying to act more like a guard?
Miki: You can still say her prisoner number and name though. It's your thing, after all.
Eiji: I-I know that..
Naomi: Haha, you two get along so well.
Eiji: So, Prisoner 004, Chiba Naomi.
Eiji: Oh, you also were a teacher before arriving to Milgram.
Naomi: .. Yes, that's right. I was an elementary school teacher, to be more exact.
Miki: That's so cute! To be honest, I can definitely imagine you being a type of person who's good with children.
Naomi: !..
Naomi: Y-yes, a lot of people have told me that..
Eiji: So, an elementary school teacher..
Eiji: Even someone who spent so much time with children still ended up becoming a murderer.
Eiji: There's really no hope for all of you.
Naomi: Yes, I won't deny that I really did murder someone.
Miki: U-um, before we discuss that..
Miki: How about we talk about your life in Milgram?
Naomi: Well.. Sure, why not?
Miki: Do you get along well with other prisoners?
Naomi: Hm, let me think..
Naomi: Other prisoners are very.. interesting people.
Eiji: You mean they're all insane.
Naomi: *laughs* I don't really have a right to judge them for their behavior and for what they've done. I'm just like them, after all.
Naomi: I can't imagine some of them being criminals at all though..
Naomi: Like Yurika-san. She's so kind and gentle!
Naomi: And Aimi-chan. She's such a sweet and polite girl!
Eiji: You haven't mentioned Asahi though.
Eiji: Don't you think it's weird that he's here, since, you know, he's a child?
Naomi: ...
Naomi: Kids can be very cruel too, Eiji-san.
Naomi: Of course, a lot of prisoners here are children. Akio-kun, Aimi-chan, Riku-kun..
Naomi: But.. um.. Asahi-kun definitely seems like the type of child who is not as pure and innocent as you'd expect a child to be.
Eiji: It's like you had to deal with kids like that in the past.
Naomi: You're right.
Naomi: I love kids, I really do, but some of them..
Naomi: .. Can be more evil than any adults.
Naomi: And yes, usually people say that it's okay for children to do horrible things, because again, they're children, they don't understand what they're doing!
Naomi: But that's exactly what makes them so evil.
Naomi: We always say that adults are responsible for what they've done even if they didn't know better, but why do we go easy on children?
Miki: Um.. because they're children?
Naomi: Miki-san, were you ever hurt by a child?
Naomi: And what about you, Eiji-san?
Miki: ...
Eiji: ...
Naomi: Think about it. Refusing to play with someone just because they're "different", making fun of someone for some stupid reason they've just made up, hurting someone and then blaming that person for everything..
Naomi: Children are capable of all those things.
Naomi: I can tell that you two have met children like that before.
Miki: H-how do you know that?..
Naomi: You two are still children in my eyes. I know that a child had to go through something horrible when I look at them.
Naomi: I had to help a lot of my students. Some of them were abused by their own family, some of them were bullied by their classmates, some of them were simply ignored by everyone.
Naomi: And I can tell that you were just like them when you were younger.
Naomi: I'll tell you more, I feel like one of you is still really angry at that child who hurt them in the past, meanwhile the other one..
Naomi: Feels like they were that child who hurt someone very badly when they were younger.
Miki: ...
Eiji: .. Stop it. Let's just talk about your crime already.
Naomi: You're right. Sorry.
Naomi: But before we talk about that.. Can I ask you something?
Naomi: Eiji-san, you want to vote everyone here guilty, right?
Eiji: Haha, how did you know? Was that so obvious?
Eiji: Of course. I hate every single Milgram prisoner.
Naomi: I see. In that case..
Naomi: Can you promise to vote me guilty no matter what?
Miki: .. Huh??
Eiji: Sure, I'd love to!
Miki: No, wait, Chiba-san, what does that mean? Why do you want to be voted guilty?
Naomi: Well.. Because I want someone to tell me that they don't forgive me.
Naomi: I'm sick of it. I know that my crime is unforgivable, but..
Naomi: I've never got punished for it.
Eiji: .. What do you mean by that?
Naomi: My crime.. was seen as something good.
Naomi: Well, not exactly good, but not exactly bad either.
Naomi: Sure, I've never actually told anyone that I was the one who did it, but I just know that people wouldn't say that I'm evil for doing that.
Naomi: They would be okay with that. Even my victim's family would be okay with that.
Naomi: So, please.. Tell me I'm guilty.
Naomi: I will tell you everything you want to know about my crime. Just promise that you won't forgive me like everyone else did.
Eiji: Oh, you don't have to worry about that.
Eiji: Now, about your crime-
(bell rings, machinery sounds)
Miki: No, no, wait! We need more time! We finally can talk to a prisoner who actually wants to tell us everything about their crime, we can't lose that chance!
Eiji: It's okay, we'll learn everything we want to know very soon.
Naomi: But.. Are you sure that video will be enough to judge me properly?
Naomi: What if you decide that I'm innocent after watching it?
Eiji: Well, if that video makes you look sympathetic..
Eiji: It simply means that you actually want to be forgiven.
Naomi: I..
Naomi: I DON'T WANT TO BE FORGIVEN! I DESERVE TO BE PUNISHED! I LITERALLY KILLED A CHILD-
Eiji: Prisoner 004, Naomi, sing your sins!
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dangermousie · 6 years
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Like Georgians, Jacobites and some of the most awesome romance novels? A Patricia Veryan pusher post
I have just discovered that Patricia Veryan, a writer of romance novels set in Georgian and Regency time, has had the bulk of her books reissued on kindle.
So this is a giant pusher post.
Who is Patricia Veryan, you may ask. She was a British writer of romance novels who was old school enough to belong to the style of Georgette Heyer and Jeffery Farnol (who deserves his own pusher post), instead of the newer but now old “bodice ripper, rapey” school like Woodiwiss, Rogers et al. Her novels have plots, no sex scenes and are swoonily, amazingly romantic. She also did her research and they feel like true period novels, not modern people in period clothes prancing about.
They are full of swashbuckling, angsty heroes with awful families, strong heroines fighting off villains, conspiracies unmasked, swords at dawn, tons of hero torture and gorgeousness. Does it sound good? It should.
As I mentioned above, she wrote both regencies and Georgians, but I am gonna talk about the latter series today, because they are all on kindle. Her two Georgian series are The Golden Chronicles (set in the aftermath of Bonnie Prince Charlie's 1745 uprising) and Tales of the Jeweled Men (ditto). TGC follow the supposed treasure that Bonnie Prince Charlie amassed to help his Rebellion, which disappears, and which now the good guys are trying to get to the donors and bad guys want for themselves. There are six books in the series (though there are two earlier books, Mistress of Willowale and The Wicked Widow, which tie into it too. MoW is not available on kindle but TWW is and is a delightful Georgian romp with a rakish, cynical hero who ends up adoring the spunky, cheerful, pragmatic heroine. I am rereading it RN). * Practice to Deceive - Penelope Montgomery always meant to marry Quentin Chandler but he went off and joined the Jacobite rebellion and her family died and she's stuck with her awful aunt and uncle. Quentin resurfaces when he comes to her for assistance but he gets captured by her psycho family and tortured for info about the treasure. Penelope rescues him and they go on the run. I loooove this book. Penny is not flighty or dim or anything but calm, a little reserved, very ladylike, yet awesome. And I have a crush on charming, funny, h/c magnet Quentin. My fave Veryan character, Roland Mathieson, first appears in this one as the bad guy's henchman who kinda wants Penelope. * Journey to Enchantment - the hero of this one is Penelope's brother Geoffrey and heroine a Scottish gal Prudence McTavish. I remember liking it OK (short version - Geoffrey is Jacobite Scarlet Pimpernel) but was not particularly in love. * The Tyrant - love this one. Phoebe Ramsay ends up being stuck in an engagement to Meredith Carruthers as a cover for some Jacobite-related smuggling. I love both fashionable, fun Phoebe and cool, common-sense, angstmuffin Mededith (we are introduced to the first but not the last of Veryan's horrific parents in this one - I am not sure whether I hate his father or his mother more) and we see more of Roland who actually ends up helping the lead couple, in a very ironic, standoffish way, while sneaking bad guy bits now and then. * Love Alters Not - super super super obsession. Dimity Cranford, in order to lead soldiers away from an injured Jacobite family friend, ends up in all sorts of complicated embroglios which ultimately lead her pretending to be someone else entirely, that someone a woman trying to disposess Sir Anthony Farrar, an English army captain in the late Rebellion, who has been ostracized by everyone for running at the battle of Prestopans, leading to the rout of his unit and *da-dun* making Dimity's brother crippled. So much angst and hurt/comfort and awesomeness, you have NO idea. I think Dimity/Anthony are my favorite Veryan OTP which is saying a huge huge deal. Also, I believe I was gibbering and screaming at my book during Anthony's trial. Roland appears again and this is the book I fell for him in - he's sort of Anthony's friend and is thoroughly delicious. * Cherished Enemy - follows Robert McTavish (Prudence's brother) and Rosamond Albritton, sister of a recurring character. Tbh, it's my least fave in the series, though I don't hate it or anything, so I don't remember it much. * The Dedicated Villain - LOOOOOOVE! Roland gets a book! And what a book! Roland is on the hunt for the Jacobite treasure, comes across a troupe of actors (or are they?), which includes the tiny (short ladies represent!) but fierce and awesome Fiona Bradford - will he actually change his mind about his obsession? The Dedicated Villain is my favorite of her Georgians (well, that, and Love Alters Not are probably tied). I mean, Roland and Fiona! This series actually manages to do a convincing job of moving Roland from villain to antihero to hero with me buying the transition; also it explains why he starts out the way he does without making it a full excuse. TDV is also one of the very few books that maxed out my hurt/comfort love - PV never really went much for h/c of the physical as opposed to emotional sort in general but Roland's torture scenes in TDV are beyond brutal, I was kinda reading through my fingers and bawling (one of my vivid memories is being high school age, sitting under a tree during the very hot summer, reading that stuff and sniffling). But oddly, it didn't feel gratuitous because it was sort of karma for some of the stuff he did, especially to Quentin in Practice to Deceive (though what happened to him was miles worse than what happened to Quentin). And props to Veryan for having the guts to give him permanent damage. Jeweled Men follows a nefarious conspiracy to take over certain strategic properties to stage an invasion and a bunch of sexay aristocrats who stumble on the plot and decide to fight it (think 18th century Pimpernel). * Time's Fool - follows Gideon Rossiter, a discharged officer who's just returned from the Continent, and his attempts to figure out why his family's properties and wealth imploded. Heroine is Naomi Lutonville, Gideon's erstwhile fiancee. I normally wouldn't like Naomi - she's high-maintenance and dramatic, but I adore her to bits. I ship them like crazy, too. * Had We Never Loved - my first Veryan! Clearly, I was impressed. Horatio Glendenning (remember Jacobite family friend in Love Alters Not? That's him) fought for Bonnie Prince Charlie so his future is not so good. His OTP is a feisty gypsy, Amy Consett, who is NOT discovered to be a Duke's daughter in disguise or anything. It's a lovely lovely book and they are a lovely lovely OTP. * Ask Me No Questions - Quentin's staid older brother Gordon gets his own books. There are all sorts of machinations, but this is not a huge favorite. Gordon and Ruth Allington are nice people but give me Penny and Quentin's humor and reckless courage any day. If you like nice and mature leads though, this one is for you. * A Shadow's Bliss - like amnesia? This book is for you. Ruth's amnesiac bro Jonathan tries to solve the mystery of a shipwreck he was involved in blah blah heroine is Jennifer Britewell and I literally remember nothing about her. Or Jonathan, for that matter, other than he has amnesia. The reason to read this book is the recurring characters of August Falcon, Jamie Morris, and Gwendolyn Rossiter. I read Jeweled Men as if was coming out and remember devouring each book for even the slightest hint of progress between cynical, cutting August and smart, unimpressed Gwendolyn - they are one of my fave Veryan OTPs, together with Dimity/Anthony, Roland/Fiona, and Mitchell/Charity from Sanguinet books. * Never Doubt I Love - Dimity's bro finds love. Once again, I was in it for finding out what makes August tick, Jamie's adoration of August's sis Katrina, and Gwen and August's sexy sparkle. It’s a good book on its own merits though and has a hero with a disability, which was unusual at the time. * The Mandarin of Mayfair - EEEE! EEEEE! I still remember pre-ordering this book and rolling in mad glee (hyperbole. Or is it?) August and Gwen get their own book, plus the conspiracy gets finally unmasked, there is kissing and hurt/comfort and gals being the ones to propose. The OTP is beyond amazing - August is so smart and lethal and functional despite his major issues arising out of the fact that as 1/4 Chinese he’s looked down as a mongrel by “polite” society (I love that Veryan's heroes never wallow), Gwendolyn is full of common-sense and rescues him from prisons and bad guys and won't let anyone bash him (himself included, but also their friends, which turn on him for spoilery reasons. I still have residual rage about it. Katrina, you are the worst sister ever and dead to me!) I think the ending is a little pat to resolve the very real issues he has with marrying Gwendolyn and dragging her into his life, but at that point they've been through so much hell, I didn't even care.
My favorite OTPs in her Georgian series are are four-way time between ladylike Penelope x incorrigible adventurer Quentin in PtD, tormented and self-abasing Anthony and fearless Dimity in LAN, reformed villain Roland x not really an actress Fiona in TDV, and deadly and messed up August x fearless and clever Gwen (btw, Gwen is a heroine with a disability, which, once again, was an unusual thing at the time.)   Worst father award goes to Roland's father (die in a fire, please!) and worst mother is either August's or Meredith's. Coolest family is either Dimity's or Horatio's. Favorite brother-sister pair are Gwen and Gideon Rossiters.
Basically, you should go read them yesterday!
PS Disclaimer. I used to run a Veryan listserve in the really old days. So I am biased. But she is a rare author I am rereading 20 years later and still love.
PPS If you are a Veryan fan, come talk to me!
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bibliophileiz · 5 years
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The Spear Rewatch Notes
So I missed the season finale of Supernatural because I was out of the country, but now I’m back and have had some time to watch it and my thoughts are thus:
- First scene -- Garth is a dad and Michael’s new vessel is perfection.
- The cereal scene is really cute. - Thematically, I actually find Cas and Jack’s relationship really boring -- I know that’s an unpopular opinion, but Jack’s relationship with Sam is more interesting than his dynamic with Cas and Cas’ parental feelings toward Jack are fascinating primarily in that they’re at least partially rooted in Cas’ loyalty to Kelly, which I don’t think the show explores enough. And I feel like the pair-offs this season have been Cas + Jack (and once Dean + Jack, which was great) and Sam + Dean instead of the more interesting pairings of Jack + Sam and Dean + Cas, which is what we got this episode. But I do like this cereal scene for a number of reasons. - This is the scene where Jack realizes that Cas not only gave up his soul for him, he also gave up his happiness. Both Cas’ deal and his refusal to tell Sam and Dean about it mean he’s going to be in this state of perpetual loneliness. I do think Cas thinks his death is a long way off -- he probably is expecting Sam and Dean to die first, the logic being that the Empty wants Cas miserable and being without Sam and Dean will make Cas miserable. Unlike Jack, Cas has a frame of reference for just how long an angel can live compared to humans -- which is going to come up later in this episode in Jack’s scene with Michael, which is also amazing. - (This isn’t to say that I don’t think Cas’ deal will come back to bite him in the course of the show, because I do think that. I just don’t think Cas thinks that.) - “Did you take the decoder ring out of the box?” “Maybe.”
- Another thing I find fascinating about this episode is the subtle but persistent opposition of Sam’s sense of caution and Dean’s borderline manic optimism. The first scene with Sam, he’s worrying about Garth and Dean’s just like, “He’ll be fine” -- even though Garth will absolutely NOT be fine if he thinks he’s going to outsmart Michael with a trick that didn’t even work on his mom. And Dean’s just like, ‘no biggie, we’ll get him’ which is an attitude he carries all episode, even when Jack gets kidnapped and Michael melts the egg. 
- Also I will give you a hundred dollars if you can give me a good reason why Ketch is still in this show.
- Who is the backwards cap teen werewolf, and why is Robert Berens so obsessed with awkward teen intern monsters? (There’s an intern demon in the episode where the guys rescue Linda Tran from Crowley’s prison, an episode which I’m pretty sure Berens also wrote. It makes me think Berens likes this kind of character.)
- So Michael obviously doesn’t bother sending monsters to get Kaia’s spear because he knows Dean’s going to get it. I did it.
-”When was the last time we had a big, no-strings-attached win like that?” Cas, don’t you feel BAD? - He just doesn’t want to tell Dean about his deal with the Empty because the last time Cas pissed off an all-powerful cosmic being in a way that would get him killed in the near future, Dean didn’t speak to him for a week. - I actually don’t like this scene that much though. Dean’s monologue about wanting to kill Michael needs more weight and more room to breathe-- some pauses, some dramatic music, a little more time which we could have had if you cut the Ketch scene that was drawn out for no reason. - Oh, well, at least Dean and Cas are getting their date finally this season.
- Likewise, the scene between Michael and Sam needed to be heavier, more drawn out. I want Michael to actually be worried about Sam, about how successfully Sam has coordinated and trained the apocalypse hunters from Michael’s world. I want there to be some sense of long-expected meeting, instead of it just looking like Michael bumped into Sam in the post office parking lot and decided to throw him into a van. - Seriously, do you have any idea how long I’ve been WAITING for their one-on-one? (I mean, since the end of Season 13, but still.) - I super want Sam to be the one to kill Michael. Dean killed Lucifer, Sam should get to kill Michael. Also, I like the idea of the brothers killing each other’s tormentors.
- Scene with Kaia is excellent and not just because I’m obsessed with the character. - Her introduction is great -- I’m such a sucker for the girl appearing out of nowhere and threatening a dude with a weapon. (Chalk it up to Arwen in The Lord of the Rings or Jane Barnet in Swashbuckler.) - DarkKaia music theme!! - Dean’s acting like he has a bit more respect for her than he has the last two times he meets her, but he still lies to her face. I’m a Dean girl and all, but I am going to enjoy watching Kaia kick Dean’s ass when she finds out Jack can’t get her back to the Bad Place. - Also you can tell Cas thinks lying to Kaia is a bad idea but he doesn’t want to say anything while Kaia’s got a spear pointed at Dean. Instead he tries to manage the damage on the front end by pointing out Kaia’s withholding things from them. He’s got a lot more emotional intelligence than he used to. - Maybe DarkKaia has a DarkClaire she needs to protect in the Bad Place. - She doesn’t, if she did she wouldn’t have tried to kill original flavorClaire.
- Cas: Sam, don’t you go in there alone.  Sam: I know. *immediately goes in there alone*
- The scene between Michael and Jack is amazing. (TBH, the second half of this episode is better than the first half, which is also kind of typical of Robert Berens. It’s like he just kills time before the high-stakes climax, and said climax is so good it makes you forget the rest of the episode may have only been meh.) - WHO IS PLAYING MICHAEL, SHE’S SO GOOD. According to IMDb, her name is Felisha Terrell and she doesn’t appear to be in the next episode. Fuck you, Supernatural, you’re going to bring Mark Pellegrino back and not this goddess? - Seriously though, she’s really good, I don’t understand how she doesn’t have more credits on IMDb. Maybe she’s more of a stage actress? - She manages to deliver her lines in this scene with a mixture of casualness and gravitas that really nails the topic of the passage of time and how it changes family and loyalties. - If the cereal scene is Jack understanding what Cas lost by making the deal to bring Jack back, then this scene is Jack understanding what HE lost by coming back. As an all-powerful being with archangel grace in his veins, he was bound to be all but immortal anyway, and now he’s using Enochian magic to keep his body functioning -- magic that kept someone who was constantly using it and burning up her soul to do different spells alive for more than 100 years. Imagine how long it’s going to keep Jack alive when he’s not using it for any spells other than keeping his body working and when he’s eventually not even going to need it for that because his grave will naturally regenerate. - Jack told Dean that he wanted to live his life spending more time with his family and then die when that life was over -- now he’s realizing that time will be long after the rest of his family (including Castiel if Michael has his way, it sounds like) is already dead. Long enough that Kelly, Sam and Dean will become just a tiny percentage of his life.  - Of course what Cas knows and Michael DOESN’T know is that longevity doesn’t equal loyalty, or Cas wouldn’t have chosen Dean even after Naomi’s constant reprogramming. - Anyway, Felisha Terrell may be my favorite thing about this episode.
- Love the return of Hair Werewolf and Overly Zealous Intern Werewolf. - Also love the return of Sam Motherfucking Winchester, who takes out even the werewolf who had advance notice he was coming, because he’s Sam Motherfucking Winchester. (Something else Berens does great.) - Can Sam rescue Jack all the time? That really is my favorite of Jack’s relationships.
- Did anyone else think the scene spent a weird amount of time emphasizing Jack’s injury by Garth and Cas’ healing of it? Is Cas’ grace used to heal Jack going to make Jack able to use some of his powers next episode? - Seriously, there was so much time spent on that that I was afraid Jack was about to turn into a werewolf. (Which would have been so dumb, I’m glad they didn’t do that.)
- Fidgety Michael is something I find fascinating. I don’t think we’ve ever seen an angel fidget before. - Michael is so obsessed with these guys knowing his plan/seeing it all play out. He’s the biggest drama queen in this show. (Sorry Crowley.) -  I don’t really understand what Michael says to Cas in the scene where he’s beating him up though. -”You got it.” “I sure did.” He was counting on you getting it, stupid. - I love, love, love how Sam sliding the spear across the floor to Dean is a parallel to Sam throwing the archangel blade to him during his battle with Lucifer in Season 13 (about the only good part of that battle, tbh).
- I guess no one was surprised Michael possessed Dean again. - When Kaia finds out Michael broke her spear, she’s going to kick his ass too. - Also, can we appreciate Michael’s level of drama? He starts his Scotch in one vessel and then finishes it in another. That’s some Extra shit right there. Somewhere in the Empty Crowley’s wishing he’d thought of that.
Overall thoughts: Not the best episode but not the worst either. Ringing endorsement, I know. I just felt it had a lot of potential that it didn’t tap into because it was too busy giving Ketch an unnecessary scene (What would have been wrong with Sam grumbling, “Ketch put the egg in the mail” like in every other episode this season?) and spending a lot of time on Intern Werewolf and other, more boring werewolves when it should have been building the tension in scenes like the one between Michael and Sam, which felt a little rushed and flat.
That said, I loved the new Michael and pretty much all Jack’s scenes were good. And since it looks like there’s going to be some trapping of Michael and some invading of Dean’s head, maybe the high-stakes emotional character stuff is all going to come next episode. I want Michael taunting Cas and Sam about how they’ve failed Dean, Jack doing some rescuing of his own, and Dean being pissed off that Michael changed his clothes again. I also want Mary and Sister Jo to save Kansas City and for Garth to puke up the angel grace and be totally fine and home in time to spend Christmas with his daughter.  
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