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crisisengine · 4 years

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review: TEENS OF STYLE

Teens of Style was Will Toledo (aka Car Seat Headrest)’s 2015 major label debut. However, rather than being a paradigm shift into new, polished studio-recorded material (which would come on the next record, Teens of Denial), it was instead a laptop-recorded look back at the Will’s lo-fi Bandcamp days, compiling together older songs from different projects (mainly his first non-numbered album My Back is Killing Me Baby and the relentless but captivating breakup record Monomania). Now that Will has a firmly established musical reputation outside of the world of Bandcamp and people are enjoying all his work, both new and old, I thought it would be a good time to explore whether this record holds up in its own right. It is more than just a greatest hits compilation? (short answer: ABSOLUTELY YES!)

I like how the refrain from SUNBURNED SHIRTS closes and opens Car Seat Headrest’s first trilogy of major label albums. It’s cool to see how, on this song and on ‘Twin Fantasy (Those Boys)’, the same words and melodies are used in totally different contexts (though, here, we also get the eargasmic “People here bang on the walls late at night…” part). This one oozes dreamlike, summery vibes. I love the psychedelic sound collage at the start and, from there, it’s a pleasure to watch the song build up into the final rock-out ending.

The opening riff of THE DRUM is perfectly produced. Whenever it appears, sometimes without warning, I get total chills. The guitar tone cuts through like an ice pick. The verses build on this in a muddier fashion but, by the time the vocals come to a head (“The Drum’s in debt!!) I am absolutely won over. Andrew Katz’s spritely drum fills add a fitting contrast to the breakdown and final verse really does give off a bizarre sense of triumph (“he’s got his flag unfurled or something”). I enjoy how, after the opener has gradually drawn us in, this song feels like a decisive overture, a setting of the scene for the album.

SOMETHING SOON is a brilliantly put-together pop song. The verses’ lyrical vignettes of cabin-fever turn into outright desperation in the chorus. It pinpoints these feelings really accurately. The skittering breaks in the verses release themselves into the crashing choruses and outro. Each section is bookended by the same repeating electric piano chord. The explosion from this pared down moment into the final burst of energy just seems so right.

Like ‘The Drum,’ NO PASSION also rests on an exquisite moment of production. In the final chorus when Will sings “I” in his high register, it’s like a shot through the heart. The sarcastic image of failure in the verses compliments this so well – a succession of half-formed images that seem to suck away all feeling. The comparative earnestness of “I just needed more money, more time, more love” hits home. Our generation often try to rationalise things through sarcasm when really there is something more deeply lacking in our lives. The line “All my desires are so poorly drawn” also really resonates with me.

TIMES TO DIE adds to this album’s incredibly strong selection of opening moments of tracks. The wandering bassline interlocks with the chug of a delayed guitar followed by a single note. There’s something incredibly satisfying about it, especially when you are aware of the sound bath you are about to enter. The psychedelic vocal and guitar interplay in the verses is a highlight – in the first, they mirror each other but, in the second, the guitar skirts around the vocals, carving out new crevices. Their two melodies collide at the end of said verse, in a really affecting way (“but he just keeps singing this song”). The use of horns and cut-up vocals enlivens the sound palette. It feels like a series of ancient rooms with each section or lyrics (“and when they took him to the temple…”) leading somewhere new. A light seems to shine through as the melodies cascade upwards. The “most of the time” section provides nice segue into the “divine council” part which feels like an explosion, with the “is it harder to speak?” section as its fallout. The intermingling of imagery or religion and the music business (“got to believe in the one above me, got to believe that [Vince]Lombardi [head of Matador records] loves me”) is playful and dreamlike.

PSST TEENAGERS is a fun interlude that adds some more immediate energy into a generally fairly meditative album.

The opening verses of STRANGERS leave you inquisitive as to where the song is heading. All becomes clear when the tension of the exclamatory chorus is released in the lovely, picked instrumental break that follows (again enhanced by some inventive drum rhythms). The second section is the real stunner though, starting off cocoon-like and vulnerable but leading into a volatile crescendo. The line “I won’t last too much longer” and its raw delivery convey a sense of enigmatic fragility that I find very affecting.

The keyboard riff in MAUD GONE swamps the mix in the best way possible. I love its distorted, wet tones. The sax solo at the song’s crescendo provides the perfect counterpoint to it, too. Its muscular, sinewy texture cuts through emphatically in the context of the album’s drenched sound palette. As the notes reach up, the instrument seems to become an incredible, cathartic pressure valve, leeching out a lot of confused unspoken feelings as the notes reach up. The metaphor of “a full moon every night” is enticingly simple but also utterly apt for the feelings it describes.

LOS BARRACHOS has an infectious opening synth lick. As it bubbles under the verses, I’m just waiting for it to return with its full force. The wry but combative tone of the song’s opening (“let’s […] crush the grapes beneath our feet/ like some heartbroken Bacchus”) reflects Will’s desperate attempt to rekindle this relationship, to change his situation, to turn sadness into hedonism. These illusions can’t last, however. The riff does not return. Instead the song melts into a kind of broken, abject despair. “I miss you.” The disintegration of the song’s subtitle to just “Don’t have any hope left” is heart-breaking. It’s the most visceral portrait of a breakdown I’ve ever heard.

BAD ROLE MODELS, OLD IDOLS EXHUMED is my favourite song title ever. The track (the only new song written for Teens of Style) feels like a self-aware reflection on the nature of this album. The images of a figure from the past who once meant a lot but is now insignificant in the life of the narrator seem to tally somewhat with the way in which the album is made up of songs taken from previous projects. Past relationships, and the hurt they have caused, are dismissed and rationalised into triviality and insignificance. The horns and the final refrain make for a strangely celebratory ending, like a forced annulment of regrets (“You probably looked like an idiot in that hat!”) in the face of a resolve to move forward. This forced, performative break with the past, however, seems only to emphasise how the wounds are still very much open, just as the songs here, despite their pre-dating of the album itself, lose none of their emotional potency.

The chorus of OH, STARVING! is deliberately contradictory but also feels very comprehensible. The boredom of a life that seems superficially better as, opposed to a past delineated by clear highs and lows, is a recognisable feeling. Sometimes things being superficially ‘ok’ just makes you painfully aware of how far away you are from the things you really want in life, while impending pressures can obscure this, making any brief moments of solace much sweeter. In the context of the album, this also seems to imply a sense of nostalgia with regard to the events and feelings laid out in these songs. Even though this album deals with confusion, depression and heartbreak, in hindsight, the potency and simplicity of these feelings (given the separation of time between the writing and re-recording of these tracks) could almost seem preferable to the confused present. Yet, by the end of the song, Will seems to finally be able to let go. Saying “goodbye” to all his “secret files” seems almost ritualistic, like he is purging himself of the confusions of the past and moving on. I like this version of the song best because of the moment, at the very end, when the delicate piano chords and doo-wop harmonies are replaced by raw, shredding guitars and a single voice singing “goodbye” so distortedly the word is almost incomprehensible. The raw power of this moment seems to work up a head of steam, like an exorcism of the kinks and bruises of the past, in favour of something.

There isn’t Car Seat Headrest album I’ve heard that I don’t love. However, I think Teens of Style undoubtedly ranks among the best of them. It might just be one of my favourite albums of all time. It does lack the conceptual charge that powers Twin Fantasy, Monomania, Teens of Denial and even, to some extent, How to Leave Town. However, despite their lack of a heavy overarching theme, these songs flow together really well. The album feels cohesive thanks to its spring-reverbed production aesthetic (which reminds me of being indoors on a hot summer day) and the smaller themes that recur throughout (resentment of the past, confusion in the present, getting signed to a major indie label). The tweaks to the lyrics of many of these songs make the creative intent yet more apparent.

I also think this album definitely does not negate the albums from which these songs are taken. I love Monomania and My Back is Killing Me Baby and, if you haven’t listened to them you should definitely do so right now! There are bunch of essential songs on both albums that are not on this one (‘father, flesh in rags,’ ‘Souls,’ ‘happy news for sadness,’ ‘Sleeping with Strangers,’ I could go on…). However, for me, the songs on this album benefit from being recontextualised and, in certain cases, from being rerecorded. It’s great to be able to experience the stronger standalone songs from these previous records in the context of album that lets them breathe a little more, outside of context.

The most obvious example is ‘Los Barrachos’ which I think works amazingly well as the climactic track for this album. On Monomania, placed somewhere in the middle, it felt more like a just another rung in the downward spiral of heartbreak. On Teens of Style, it has room to breathe and can finally reach its full potential. Similarly, ‘Maud Gone’ benefits hugely from its re-recording. The crisp yet bedraggled sound palette of the new version feels much more fitting than the original and, in the context of a more emotionally diverse album, the catharsis it brings is more powerful (especially coming after ‘Strangers’).

Teens of Style might be made up moments from the past, but it more than proves its worth as a cohesive album that is great in its own right.

#car seat headrest #teens of style #review #will toledo #Andrew katz #1 trait danger #sunburned shirts #the drum #something soon #no passion #times to die #strangers #Maud gone #los barrachos #oh starving!#Jacob bloom #monomania #my back is killing me baby #starving while living

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evenstevensranked · 6 years

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#5: Season 3, Episode 1 - “The Kiss”

Season 3 begins with a bang -- bringing us one of the best, most memorable episodes the show has ever produced! Louis and Tawny accidentally kiss at lunch and the two decide to start dating!!! AHHHH! Everything's great until Tawny has to kiss Zack Estrada (yes, the saga continues once again) in the school play. The subplot is all about Donnie, who feels like a broken human because he never cries.

This is it, guys. The Top 5. The home stretch. The crème de la crème. Let’s go.

This episode was a really big moment in my childhood. I was going through some old VHS tapes I found not too long ago, and came across one with this episode on it! That’s how you know it was a major deal. The first minute or so was cut off on the recording, and this was before all of our TVs had in-depth guides at our fingertips -- so I had no idea what episode was going to be airing. All I knew was “Even Stevens is up next!” So as soon as I saw it was the kiss episode, I popped in that tape and recorded this thing ASAP. I was a tweenage hopeless romantic with a crush on Shia LaBeouf. Of course I had to record the episode where Louis gets a girlfriend.

It opens with Louis and Tawny at lunch together being adorable, trading snacks and sides until each of their lunches are completely different from what they started with. When suddenly, Tawny ~gets something in her eye.~ The oldest cliché in the book! I love it. Louis gets reaaal close to Tawny and goes diggin’ for gold in her eye, eventually identifying the “thing” as a soy cookie crumb. That’s when some person bumps into Louis and thankfully Tawny’s lips are there to break his fall.

The two are in absolute stunned silence once they break apart. It was a magical moment, clearly, as you can see. Ren interrupts their mutual daze by walking over with Zack Estrada and Tom in tow, reminding Tawny that she has a fitting for the school play. This does a hard cut to Louis’ room after school that day. Twitty dramatically spits out his drink when he hears the news: “DUDE! THIS IS HUGE YOU KISSED TAWNY?!?!”

I’ve mentioned before that Even Stevens comes across as more of a ~bro show~ in comparison to the majority of Disney Channel shows which typically follow a teen girl as the lead. This is why I love rare moments like this scene between Louis and Twitty. Two guy best friends freaking out about one of them kissing a girl for the first time. I feel like we never see this on Disney Channel anymore. It feels so real and genuine too, especially for these characters. Louis isn’t entirely sure if it counts as a kiss though, so Twitty demands to get the facts straight. (“Kissing is like basketball, either the ball went in the hoop or it didn’t!”) He asks Louis how long he kissed her for and Louis guesses it was a “one-Mississippi” length. Twitty rejoices.

“SWISH, DUDE! You kissed her!”

Louis is elated. Both of them agree that Louis + Tawny = Beautiful. (Can’t argue there!) So much so, that Louis starts to skip around with happiness. One of my favorite parts of the whole episode is here, when Louis takes a moment to think about how Tawny might be feeling. He has a mental breakdown when he realizes “Wait, whoa. There she was... Eating her lunch... and I, like... JUMPED on her! For all I know, Tawny’s disgusted by me!” Louis Stevens is the kind of guy we all deserve. I know it’s such a small thing, but it’s something that has aged amazingly. This line stood out like a sore thumb to me given today’s political climate and the Me Too era. I’ve said a million times that this show has aged super gracefully because it really has. It’s not entirely perfect though. No show is without its blemishes. There are some things we haven’t made it to yet in the countdown that have definitely not aged very well, but we’ll get to that later. Let’s just say, this one little line shows that Louis has grown exponentially as not only a character, but a guy in general, and sets a good example. Twitty vows to go on a “fact-finding mission” for Louis to figure out how Tawny feels about the situation.

Tawny is still back at school rehearsing for the play which was written by... you guessed it! REN STEVENS! This woman does everything. How does anyone else even have a job at LJH? Ren is in charge of everything ever. Ren’s brilliant and totally not boring play is about Abigail Adams, played by Tawny, and her relationship with John Adams, played by none other than Zack Estrada! Knowing these characters and their history, it’s clear that Zack is still into Tawny to some degree. Coach Tugnut is there because they apparently pay him $92 to be the theater advisor. I love how specific that amount is, lol. He has no problem telling Ren that her play is a pile of trash and needs to be spiced up if she wants to sell any tickets.

I love how Tom is playing the “lowly manservant.” He’s ridiculously dedicated to staying in character at all times throughout the episode. Tom’s the best. Tawny’s pattern mixing though. A plaid dress with red and black striped tights and Docs? She was so ~alternative.~ I love it.

Zack is trying to ask Tawny out for a root beer when Twitty crashes the rehearsal and not so subtly tries to ask Tawny about the kiss, skirting around the issue by nervously asking stupid questions instead like “where are your parents from originally?” But of course, Tawny is freaking awesome and has no time for anyone's bs as usual. She literally says “I’m gonna stop you. Because eventually, you’re going to ask me about the kiss Louis gave me today at lunch. If he wants to talk to me about it, he can talk to me without your help. Tell him to meet me at his locker 10 minutes before first period,” YAAAASSSSSS! TAWNY IS NO NONSENSE AND ONE OF THE GREATEST FEMALE CHARACTERS ON DISNEY. Praise.

The next morning Louis is waiting for Tawny at his locker and you’ve undoubtedly seen this screenshot of when he notices her walking his way:

Smooth. For whatever reason this is one of the main images that comes up as a “Louis Stevens” search result, therefore nearly every single nostalgia article uses it. It’s kind of annoying.

Louis and Tawny have a preciously awkward conversation, talking about how they both couldn’t sleep because they were up thinking about what happened. They’re also sort of skirting around the issue until Tawny puts her foot down once again: “Look, Louis, I like you. I always have. Since the first day I met you.” I am melting. Louis is so freaking happy and says “WHY DIDN’T YOU TELL ME?! WE COULD’A BEEN KISSIN’ UP A STORM!!!” Oh, wow. They immediately start dating and I’m a puddle of goo. Also, this happens. Which... yeah, lol. 95k notes. Wow.

The first gif tho. Louis when Tawny was saying “I like you.” HOW GENUINE IS THAT FACE?! Shia won an Emmy for this so there is justice in the world. But yeah. They are so pure. :’)

This leads into a montage that spans possibly 3 days or so, showing us Louis and Tawny interacting as a couple. I hate that this is all we get. They should’ve stretched this montage into 3 episodes instead tbh. I live for this crap.

“Hey, babe. Want some celery?”

“Only 15 more hours ‘til I see you!”

"Thanks for walking me to rehearsal.” “Oh, anything for my beautiful lady.”

QUALITY CONTENT. Also, gotta love how polite Louis is being by wearing that hideous sweater Tawny knit for him.

I love this episode because we get to see actual ~Boyfriend Louis~ for the first and pretty much only time, and man is it something. Once again this show nails the awkwardness of Junior High relationships. It’s so intense when you’re 14, right?! There’s no such thing as casually dating. You have to be all in, 24/7. It takes over your life because you’re not really equipped to mentally handle a serious relationship at 14. This is why I never get tired of watching TV teen relationships. They’re always endlessly entertaining to me.

After watching a cheesy 1940s “Casablanca” knock-off romance movie with the fam, Ren realizes the “spice” her play needs is the passion of two people in love. She rewrites the play to make it more exciting and even adds in a passionate kiss between Abigail and John... a.k.a. Zack and Tawny... for the big finale. UH-OH! We’re introduced to Donnie’s little subplot there because Steve, Eileen, and even Beans -- bawled their eyes out at the movie but all Donnie could do was burp after stuffing his face through the whole thing. He starts to question “what’s wrong with me?!” because he felt no emotion whatsoever.

Ren announces the script changes at the rehearsal Louis walked Tawny to a few screenshots above. Coach Tugnut observes Louis and Tawny’s obvious couple-y vibe and tells Louis “First girlfriend? Get ready for a lifetime of pain.” Oh, god. That’s the last thing you should tell Louis Stevens. He starts freaking out and it only gets worse when he hears Ren tell everyone about the addition of the big kiss and Zack cheers “YEEEEEAHHHH!!!!!! *transitions into a cough to cover his excitement*” Because as I mentioned, it’s clear that he’s still into Tawny. I feel like if it was anyone other than Zack, Louis might be okay with the kiss. There’s just something about this guy that he absolutely cannot deal with. We first saw Louis' jealousy over Zack and Tawny way back in Season 1 with "Easy Way" and then "Strictly Ballroom." We also see Louis become super jealous over Twitty's friendship with Zack towards the end of the series. Also... I swear, I did not plan for 3 out of 4 episodes in The Zack Estrada Saga to end up in the Top 10 and be counted down in serial order. Pretty cool that it worked out that way though, haha.

Louis feels that Ren’s rewrite is “too predictable” so he decides to write his own ending for the play and presents it to Ren at home that night. He envisions the story concluding with Abigail running to her husband and giving him a haircut. HAHAHA! Anything but a kiss! “I’ve never seen it before!” he says. Welp, he’s definitely right about his idea being unpredictable! lol. Imagine?! Of course, Ren can tell that Louis is actually just freaking out about Zack kissing Tawny and Louis is like “Are you trying to embarrass me in front of the whole school?!” -- But, would it really be that bad though? Would people taunt him like “lol ur girlfriend kissed another guy” or something? Because, like... It’s just a play. But then again, it is middle school. So.

Louis is super down about the whole thing and Tawny finds him sulking on a bench the next day. She’s all “Hey, Cutie Pants! I’ve been looking all over for you!” -- ‘Cutie Pants’ is a little too far, lol. She brought Louis her “Tater Slabs,” which he declines. Side note: Are those supposed to be a form of Tater Tots? Because I feel like Disney Channel has a million different names for Tater Tots. They call them Tater Slabs here. These days, they’re calling them Baby Taters on Andi Mack. It’s just a constant reminder that “Tater Tots” is a registered trademark that Disney can’t say without coughing up the cash, lol.

Tawny asks Louis if something’s the matter and he’s like “I think you should quit the play” and pulls a bunch of bogus excuses out of his butt as for why. Tawny being Tawny cuts right to the chase: “Does this have anything to do with me kissing Zack?” I love this bit. She reassures him that all they’re doing is acting, it’s not real -- and there’s only one person she really wants to kiss. She asks Louis to promise he’ll be okay with it and Louis’ response of “Alright. I promise,” is the softest, most sincere thing I’ve ever heard this character say. It warms my heart every time. Tawny heads off to rehearsal and Louis is feeling prett-ay swaggy knowing he’s ~the only man in Tawny’s life~

I CAN’T DEAL WITH THIS. I also never knew what he was saying here, but I think I just realized he’s mouthing to himself “I’m the only one she really wants to kiss”

Louis was just accepting the fact that it’s ONLY ACTING until he sees the newly unveiled poster for the play that features a cozy picture from dress rehearsal.

CUT TO THE PLAY! It starts with a bit where Tawny/Abigail calls Tom’s character Renee “a loyal and faithful manservant.” Tom originally had a speech, but Ren cut it in her rewrite. So he milks his time on stage by saying “Thank you, thank you, thank you” repeatedly to Abigail. It’s great. Tawny and Zack are up there acting really well together! Louis’ whole family is whispering about how great their chemistry is and Louis is quaking.

One of John’s lines in the play is that he will think of Abigail “on two occasions... when my eyes are open, and when they are closed,” -- Is that a Babyface reference?! HAHA. Louis can’t take it anymore so he goes running backstage and I’m not sure what he was planning to do, but he ends up going completely insane. He somehow managed to steal Tom’s costume right off his back and goes running on stage demanding for John to leave before kissing his wife goodbye. It’s so cringeworthy. I can’t help but laugh though when Louis says “You must come with me at once! You gotta send her a postcard, email, or something! We gotta miss rush-hour traffic!” LOL.

Ren: “How did Louis get your clothes?!”

Tom: “He can be very persuasive...”

What could Louis possibly have said to get Tom to strip?! Omg.

Tom goes running on stage like ^ that in an attempt to save the play somehow and says “Excuse the undergarments, m’lady! I was under the cherry tree napping!” which was always one of my mom’s favorite lines, haha. Tom tries to drag Louis off stage but the entire play officially goes down in flames when Louis starts fighting Tom off of him. He goes rollin’ all over the stage, knocking down everything in his path -- completely ruining the set. It’s funny, but I also feel so bad for Tawny. Ugh.

After Louis destroys the whole shebang, he tries to play it off by doing this... which is truly hilarious:

Louis meets up with Tawny outside after the play and the two have such a dramatic conversation. I love it. Louis apologizes: “You gotta understand... I tried to be mature and cool. And the next thing I know, I’m up on stage wearing Tom’s pants! I’m really sorry.” It’s way more sincere than it sounds. Louis decides that he’s not ready for a relationship. This is actually such great character development for him. Interestingly, he’s mature enough to realize he’s NOT mature enough to seriously date someone. As upsetting and frustrating as it is to see the two break up, it’s also really satisfying to see him own up to his immaturity. This creates a true arc for when they finally get together in the series finale. It feels earned. Like they’re actually ready that time around. They decide to go back to being just friends for the time being. Before they part ways, however, Louis decides to leave Tawny with a super suave kiss?! What the heck?!

This was the biggest kiss of my entire childhood between two TV characters aside from Lizzie and Gordo at the end of The Lizzie McGuire Movie tbh. Everyone was expecting that Lizzie/Gordo kiss though. THIS one was outta left field here! This is so weird to me! He’s super smooth with Beans’ cousin later on and here he’s kissin’ Tawny like a pro. Idk, man.

The episode ends with Donnie finally crying over that Babyface lyric: “When his eyes are open, and when his eyes are closed......... THAT’S ALL THE TIME!”

And that’s it!

Gaaad, this episode is a classic. Like I said, it was a pretty big deal for 10 year old me, let me tell ya! I feel like it’s definitely one of the most memorable episodes ever. Not to mention, it technically has 3 plots (Louis/Tawny, Ren writing the play, and Donnie) and ALL OF THEM ARE INTERTWINED FLAWLESSLY! I gotta commend that. The only department I’d say this episode is lacking in is quotable dialogue. But that’s it really! It checks every box for me otherwise! This episode and the finale probably had a lot to do with Season 3 being my favorite as a kid, haha.

What are your thoughts on this wonderful season opener?! Please add to the conversation via Disqus belowwww!

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#rank #even stevens #season 3 #shia labeouf #louis stevens #christy carlson romano #tawny dean #louis and tawny #louis x tawny #tom gribalski #alan twitty #the zack estrada saga #ren stevens #donnie stevens #beans #tv review #tv #tv shows #lizzie mcguire

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