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my-sherlock221b · 3 years

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Supernatural Rewatch Ramblings: Wendigo

Wendigo

The long line of the MoTW series in Supernatural starts off with the Woman in White which is fairly well- known legend/ myth in most countries. Then we get this one next which claims origin from the Native American mythology.

Here is a review of the Wendigo episode with thoughts from me and @soulmates-for-real

I have always wondered why they were not so inclusive or better at being inclusive as a show. Yes, they did have many women and people of colour in important and strong roles, both positive and negative (though they could have done so much better!). But they steered clear from some of the huge mythology lores like that from Native Americans, Hindu, Latin American cultures. This may have been a wise political strategy to avoid conflict and so they stuck to the Judeo- Christian core but still managed a rather radical take on it!

Spoiler alert:

*God was the final villain?! Who would have guessed? And that the angels were dicks, relentlessly, and demons were in fact ex-humans.*

So back to Wendigo.

What a monster the Wendigo is!! In later seasons when we got only angels and demons and some vampires etc the other monsters were monsters in and of themselves. Like they were born that way—needing to eat human pituitary glands or whatever.

But Woman in White and Wendigo, and even Dead in the Water, or the Shapeshifter --the monster was created by circumstances. Betrayal and infidelity leading to murder suicides, extreme starvation leading to cannibalism and eternal hunger.

Far more terrifying than someone who is born a ghoul perhaps.

So here we are in Wendigo, at the forest/camp site with these fake, charming, rather useless camp rangers who carry M&Ms (nice touch and throwback to E.T. !), don’t wear shorts ( which anyway seems like a weird thing to wear when there is grass and stuff—why would you want to expose your legs?!), can’t see bear traps ( Seriously Dean?! ).

Sam is still restless and bristling at Jess’s death, as well as angry at Dad. All those years of separation do not seem to have given him any peace in his relationship with his father. Now to add massive insult to his already injured sense of self—he has lost his girlfriend in exactly the same way as his father lost his wife—making them even more identical.

So he is cranky and unwilling to give in to any of Dean’s suggestions. He denies his own nightmares, refuses good advice and food and is generally misanthropic. While Dean on the other hand seems to be enjoying this like a happy jolly road trip. The monster is almost like a secondary priority now.

What is most important, (and this becomes even more obvious in a re-watch post finale)—what is THE most important thing is that Sammy is riding shotgun, is in front of his eyes and safe.

Miserable and bitchy but safe.

That allows Dean to dial back a bit and bring into focus what has always been, for him, the really important part of their lives—saving people. This is always more important to him that hunting things. So, when he finds out about someone’s brother being lost and the coordinates match what his dad has left, well there is no choice really.

They have to find a way to save him.

If they find Dad there, well, good, but that is suddenly not a priority for him at all. He turned up at Sam’s doorstep, and as we know from the finale, waited there for HOURS since he was unsure of his welcome, then broke in at 3 am or something like an idiot….but anyway…..all that was because Dad had been away on a hunting trip and hadn’t been home in a few days…blah blah blah.

The first contact Dean makes with Sam who left home to go to college is to recruit him to help find Dad—the same guy who told Sam that if he went away to stay away.

And then suddenly now that Sam is with him, finding Dad is like meh. If we find him somewhere by the wayside while you and I hunt monsters Sammy, then yeah sure, great.

If not…well….we have stuff to do you and I…saving people, hunting things. The family business.

And John Winchester….well, what can I possibly say about him without taking up pages in ranting?! Why did he ditch the first monster? Why was he in SUCH a hurry to leave that he left his journal behind??

My theory of course is that he had to run away from the Woman in White since he had been unfaithful to Mary ( yes yes I know it had been YEARS at that point, but hello, this man made his life a crusade for revenge and sacrificed his kids’ lives also to that darkness, so…yes, being with Adam’s mother was an infidelity and you can’t change my mind on that !).

So naturally John was afraid he would be killed.

But still….he left coordinates for the next hunt in the journal and just ran off?!

The other question is what the hell is happening in motels across USA? Guys like these can just check- in on fake credit cards, leave a room full of satanic and serial killer-y documents, sometimes dead bodies, lots of salt at the door and windows, and just disappear without checking out….

Though the police do seem quite alert and swift in action in the Pilot compared to some of the laidback and clueless ones we see later.

What is most interesting is to see the character of season 1 Dean emerge.

He sass, he boss, he flirt, he lie, he charm, he fight, he save.

In fact, the very first time I saw Supernatural, it seemed that Dean occupied so much of the narrative space that I barely noticed Sam except as a foil to and a brother to Dean.

Now in the re-watch what is fascinating in retrospect is to watch Sam slide into ‘the life’ without a hiccup. He reads the journal, he figures out it’s a wendigo, he gets the civilians to cooperate, he also fights and saves.

And that look he gives Dean in the car?

Well, those who missed the signs in Pilot and didn’t ship Wincest from day one, surely started doing it then!

https://www.geekgirlauthority.com/supernatural-rewatch-s01e02-wendigo/

This is also the first episode that gives a clear parallel to the Sam and Dean relationship through the B plot. When Haley says she MUST go to find her brother –Dean nods in instant understanding while Sam is pissed off at having to ‘babysit.’

We see this in many more episodes in the future, and what is fascinating is to see Sam gain insights into his brother with every such parallel. To recognize what being the big brother has meant to Dean and how much he has done and given and even suffered for that. We will discuss this in more detail in the next episode review! ( Dead in the Water)

The chemistry and ease, almost a fluid sense of flow between the two actors is unmistakable in this episode. Even as Sam is really being a bitch and Dean is being a jerk, there is a definite undercurrent of something holding them together. It may be all about revenge for Jess’s death and finding Dad for Sam, but he will still stick with Dean and want to protect him as fiercely as Dean wants to protect Sam.

Sheila O’Malley has given a detailed explanation for the acting styles of Jared and Jensen and what she said about Jared is spot on and brilliant. He does what she calls active listening.

It is amazing how once you realize that you notice it all the time.

The reason why Dean can manage such perfect comedic timing or non- verbal communication is because Sam is always ALWAYS tuned into him. Listening, watching, reacting, observing.

Once again, for those of you interested in the meta and more erudite and informed reviews that this one 😊 do read what Sheila O’Malley has written.

Here are some excerpts which will entice you!

“David Nutter, who directed the pilot, also directed episode 2, and there’s a new DP here, the phenomenally talented Serge Ladouceur, who is still shooting the show. If the DP for the pilot, Aaron Schneider, helped establish the dark mood and horror-movie feel of the series, then Ladouceur just helped deepen and strengthen that continuum. The look of the show has changed, by Season 9. I would say that it has a more glamorous look now, more colorful, while certainly still very dramatic (even melodramatic). Supernatural is (and has been) one of the best looking shows on television.”

“The ranger comes in to talk to them, and they pose as environmental studies majors at the university in Boulder. Sam says they are “working on a paper”, clearly improvising, and you can watch the glorious schtick of Jensen Ackles as he adjusts to the new information of who he is supposed to be pretending to be. God is in the details, people, and it’s the detailed scene work of both Ackles and Padalecki that keeps this show going. David Nutter referred to Jensen Ackles once as a “meticulous actor” in terms of his preparation for every scene, no matter how small, and it pays off. He knows what the fuck he is doing. So does Padalecki. I couldn’t give two shits about the demons. It’s that DYNAMIC that is so entertaining and watch-able.”

And here are some thoughts on the episode from @soulmates-for-real, my partner in crime for the rewatch 😊

Except the fact that Sam is quite secretive about his nightmares but his body language is quite open and his expressions easy to read. On the contrary, I saw Dean posturing a lot with other people, pouting, flirting, making eyes...trying to be all nonchalant. But when it comes to Sam we see a different Dean - the more antsy and angsty Sam gets, the more intensely Dean reacts to him and you can see Dean's concern shining through. Leading to Sam coming to some kind of resolution and giving Dean 'that look' at the end!

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