#traspaderne

[modernbrutalismus]

San Eduardo Church, Madrid, Spain.

(Arch. Luis Cubillo Arteaga, 1971-79)

Photo by Carlos Traspaderne with Hasselblad 500 C/M & Ilford film.

#Architecture #brutalism #brutalist #beton brut #brut #concrete #Hasselblad #Carlos Traspaderne #traspaderne #modern architecture #modernist architecture #madrid #spanish architecture #mid century modern #photography #ilford #film #film photography

[mybeingthere]

Monument to political prisoners, interned and deported, Split, Croatia. (Sculp. Željko Radmilović / Arch. Vuko Bombardelli, 1976). Photo by Carlos Traspaderne.

[rivaltimes]

The young Sudanese who tests asylum in Spain: "I have the right to enter legally"

The young Sudanese who tests asylum in Spain: “I have the right to enter legally”

Basir (from behind), fictitious name of the young Sudanese who has requested asylum at the Spanish Embassy. together with his lawyers, Adilia de las Mercedes and Arsenio Cores, on Tuesday in Rabat.Maria Traspaderne (EFE) The Sudanese Basir (not his real name), 24 years old, has spent almost half his life risking the type. At the age of 15, he was presumed dead in the troubled region of South…

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[wortmuster]

Walden 7 Building, Sant Just Desvern, Barcelona, Spain.

(Arch. Ricardo Bofill, 1970-75)

Photo by Carlos Traspaderne with Hasselblad 500 C/M & Ilford film

via modernbrutalismus

#walden #building #black and white #brutalism #barcelona #spain #carlos traspaderne #hasselblad #ilford #wortmuster

[gianlucavisconti]

RIP Gérard Grandval, a real brutalist hero.

Les Choux, Créteil, Paris, France.

(Arch. Gérard Grandval, 1969-74)

photo by Carlos Traspaderne

[architectuul]

Become Architectuul’s Next FOMA Curator!

Architectuul invites individuals, institutions, organizations and universities to collect and document Forgotten Masterpieces (FOMA). If you are interested in participating to our monthly curatorial campaign don’t be shy!

Share your own FOMA to the Architectuul’s Facebook, Instagram or Twitter with #foma or send your proposals to [email protected] and become Architectuul’s next Forgotten Masterpieces curator!

Belgrade Airport by Atelier LIK after the opening (1962). | Photo via exyuaviation

Dosan Canning Factory by Aydın Boysan in Yenisehir. | Photo Reha Günay

Moroshito summer house by Paul Stohrer. | Photo via Ruppenstein

The O’Donnell 34 office by Antonio Lamela. | Photo © Carlos Traspaderne

#foma #forgotten masterpieces

[relampagocosmico]

Welbeck Street car park, London, United Kingdom.

(Arch. Michael Blampied, 1968-71)

Photo by Carlos Traspaderne with Hasselblad 500 C/M & Ilford film.

#arquitectura #celosia

[carmddi]

Shakespeare Tower, Barbican Estate, London, United Kingdom. (Arch. Chamberlin, Powell & Bon, 1965-76) Photo by Carlos Traspaderne with Hasselblad 500 C/M & Ilford film. BRUTALISMUS.

[logroagenda-blog]

Ya estamos a jueves!. Agenda de hoy 6 de febrero:

11:00h Ópera Imagina sin límites en Aula Fórmate Parque Rioja

17:00h Ruta hechicera solo para muggles en Santos Ochoa

17:45h Cuentos Infinitos, cuentacuentos infantiles y solidarios en Santos Ochoa

18:00h Quien más sufre el maltrato del planeta no eres tú en Centro Ibercaja Logroño

18:00h Trivial Harry Potter en Casa del Libro

19:00h Evaluar para aprender en Centro Ibercaja Logroñ

19:00h Luna de Sangre en Casa del Libro

19:00h La mirada de Carlos Traspaderne en Sala Amós Salvador

19:30h El máster de la vida en Santos Ochoa

19:30h La nueva poesía: de la pantalla al corazón en Centro Ibercaja Logroño

19:30h El botellón y las bebidas energéticas en La Gota de Leche

20:30h Carolina o la doma de un leopardo en Teatro Bretón

20:30h Cata maridada Bodegas Parcelas de Aradón en La Tavina

21:00h Kind of Two en Sala Negra Café-Teatro

22:30h Edu cuentacuentos en Cafe Pub Lorca

Y acuérdate de las exposiciones, hoy hay abiertas 15!!

#ociologroño #quehacerhoy #hoyenlogroño #Logroño #LogroAgenda

[anapatrimoya]

EL SÓTANO DEL ORNITORRINCO - ENTREVISTAS MINIMALISTAS - ADRIANA BAÑARES

EL SÓTANO DEL ORNITORRINCO – ENTREVISTAS MINIMALISTAS – ADRIANA BAÑARES

Recibimos el 2019 con nueva entrevista minimalista en El sótano del ornitorrinco; en esta ocasión, contamos con Adriana Bañares (narradora, poeta, editora, librera y gestora cultural). Deseamos que disfrutéis de sus más que interesantes respuestas.

Carlos Traspaderne

Adriana Bañares (Logroño, 1988). Estudió Filosofía en la Universidad de Valladolid y Bayreuth (Alemania). Editora de Aloha…

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#Adriana Bañares #Ana Patricia Moya #El sótano del ornitorrinco #Entrevistas minimalistas #Literatura #Poesía

[modernbrutalismus]

MUPAG Rehabilitation Centre, Madrid, Spain.

(Arch. Miguel Fisac, 1969-73)

Photo by Carlos Traspaderne with Hasselblad 500 C/M & Ilford film.

[hanakogames]

#photography #london #glasses

[fotografobcn]

Carlos Traspaderne y Myriam Correa en Bfoto

BFOTO: FESTIVAL DE FOTOGRAFÍA EMERGENTE. BARBASTRO / 1 A 30 JUNIO 2018. Centro de Congresos y Exposiciones de Barbastro

Presentamos dos visiones diferentes: Riberia, un trabajo documental de Carlos Traspaderne muy integrado en la temática del festival, que nos llega con la colaboración de Galería Spectrum-Sotos, y además la ganadora de la Beca Visionados-Escuelas de la última edición: Myriam Correa, con su proyecto Nocturnal Fears.

Durante las actividades del fin de semana, tras la sesión de visionados de la tarde, Myriam Correa explicará el desarrollo de su proyecto en esa misma sala (viernes 1 de junio a las 18.00 h).

Carlos Traspaderne. Riberia

Un proyecto de fotografía documental que retrata la particular relación del ser humano con su entorno, en este caso alrededor de la ribera del Ebro. Una relación intensa con el paisaje, que el habitante de Riberia altera a su gusto con una arquitectura vernácula y efímera que se adapta a sus necesidades.

Carlos Traspaderne (Logroño, 1983) cursó las licenciaturas de Historia del Arte y Comunicación Audiovisual en la Universidad de Salamanca. Tras realizar diversos proyectos audiovisuales, tanto de ficción como documentales, actualmente es responsable del archivo histórico de la Casa de la Imagen. Entre sus publicaciones, centradas en la fotografía antigua, destaca El archivo de Tánger, crónica de la Gran Guerra (2014). Riberia, publicado como libro de fotografía por la editorial Aloha en 2016, es su primer proyecto de fotografía de autor, siendo premiado en la XXXI Muestra de Arte Joven de La Rioja.

Más información en http://www.bfoto.org/trabajos/carlos-traspaderne/

Myriam Correa. Nocturnal fears

En junio de 2017 presenta el work in progress “Nocturnal Fears”. Se trata de un esbozo personal, hecho a modo de ensayo, para tratar de comprender la naturaleza de sus graves episodios de insomnio y pánicos nocturnos, que sufre durante una época de oscuridad y sombra. Gana la Beca Visionados y decide ampliar el proyecto dándole un sentido y una finalización.

Myriam del Alba. (Maresme, 1988). Fotógrafa, educadora social especializada en drogodependencias, iniciada en el Budismo, escribe, viaja. Empieza a trabajar con trastornos de conducta y decide reinventarse, a los 26 años, y entrar en contacto con su faceta favorita cursando los estudios de fotografía en IEFC. A raíz de sus proyectos realizados durante su época de estudiante, participa en varias exposiciones conjuntas y gana la beca para asistir a la residencia artística dirigida por Antoine d’Agata en Arles (Francia) en 2017: el proyecto que nace allí se difunde en el mismo Arles, así como en FotoLeggendo (Italia) y La Nuit de l’Instant (Marsella). Poco después, participa en BFOTO 2017, donde gana la Beca Emergentes.

Decantada por la fotografía de autor, su obra habla de los procesos psicológicos y emocionales propios y del mundo. Busca incansablemente la intensidad, encontrando, a menudo, el drama de la vida interior.

Más información en http://www.bfoto.org/trabajos/myriam-correa/

El post Carlos Traspaderne y Myriam Correa en Bfoto fue publicado por primera vez en DNG Photo Magazine.

https://ift.tt/2ITHBUL via Fotografo Barcelona

#IFTTT #DNG Photo Magazine

[architectuul]

FOMA 24: Towards A Certain Spanish Modernity

Carlos Traspaderne’s FOMA presents Antonio Lamela’s architectures with the photographic overview on Lamela’s Forgotten Masterpieces.

In order from left to right: Amador Lamela (Antonio's brother), Antonio Lamela, Rudy Fliterman and José Veiga in front of the Colon Towers construction in Madrid. | Photo via Metalocus

Antonio Lamela (Madrid, 1926-2017) is a unique, almost heroic figure of the Spanish architectural scene of the second half of the 20th century. His determination to introduce the latest construction innovations in the country, without ties to schools or trends, distinguishes him from the post-war generation, divided between triumphant historicism and a certain elitist vanguard. A visionary individualism seems to have eclipsed his figure, which deserves to be claimed by his keen perception of how his country’s present and future should be.

Colon Towers were considered as the building with the most advanced construction building technology up to 1975. | Photo © Estudio Lamela

The intention of this article is not to tell a purely architectural narrative of his work, but to paint a visual perspective of his career and what it meant as a transformation of the Spanish capital, represented in its first moment in Madrid, almost completely conserved since its construction. These buildings I have portrayed with my Hasselblad 500 C/M analog camera, almost contemporary to these constructions that paved a new way of understanding architecture in Spain.

The work that inaugurates Lamela’s ambitious career is the O’Donnell 33 building. Initiated in 1956 and erected on a street of Madrid that was at the time divided between the precarious and the deserted, it immediately became a landmark of modernity in a country that was still dormant by the post-war dictatorship. His innovations ranged from the inclusion of a garage (at a time when there were nearly no roads), centralized air-conditioning, to the mosaic-clad surfaces that fill its recessed narrow facade, playing with the staggered plastic surfaces, to the play of light and shadow cast by the balconies overlooking the street. This building, apart from a display of his style and taste, became the home of the architect himself.

On the opposite sidewalk, the O’Donnell 34 office building became Lamela’s headquarters upon its completion in 1964. Lamela returns to play with the staggering zigzag rhythm, with lights and shadows. This time he orients them diagonally Tod the road, instead of perpendicularly. He also accentuates the facade’s vertical elements with a contrast of dark glass trimmings and snow-white marble bands, a play of variation that seems to pounce on the pedestrian passing under this corner building, projected onto the street like the bow of a boat.

The white marble cladding was also to envelope the Centro Princesa from the same period. A gigantic complex of offices and apartments dominated by the slender figure of a luxury hotel, modelled by continuous bands of windows that repeat over the white lines, like an eternal pentagram in its height. Below, the covered entryways on the ground floor form a hexagonal block, all these geometries competing to form a small fortified city, dominated by its special tower of homage; a fortress closing in on itself, independent from its surroundings.

The Pirámide building is located in the financial district of Madrid, on Paseo de la Castellana. Lamela goes back to the reinforced look and the play of tensions between open and closed, light and dark, but upon a pyramid trunk’s figure that shapes an office building into a modern ziggurat, its skin of shimmery bronze. The contrast now resides between its basic figure and the hollow concaves of the windows, between the primitive and the most rabid modernity of the seventies.

To these four examples prior to Franco’s death and the end of dictatorship, I will add another aspect of his achievement. Something that’s hidden by the genius of his great works such as the Colon Towers and succeeding projects, far from the bustling capital, but another symptom of that search for modernity: the publicity of tourism. 

Torremolinos, on the southern coast of Spain, was at the beginning of the sixties, the epicenter of tourism and the point of entry for international visitors from all over the world. This was where Lamela would experiment with Carabelas hotel, designing a herringbone layout that guaranteed light to every balcony and room while providing them with shade by the projected panels. In turn, the dynamism of the facade was guaranteed by the play of surface and concave, giving a further twist to his taste for zigzagging surfaces. We can no longer appreciate the subtlety of this design rather that in old photographs, as the complex was demolished a few years ago by disregard and ignorance. 

Rooms shaped a block set parallel to the road, seeking views of the garden and a southeast orientation, with large private balconies. | Photo © Estudio Lamela

A somber ending that reminds us of the necessity to protect Forgotten Masterpieces of this period, especially those of Antonio Lamela, a figure that deserves to be claimed a year after his decease as the creator of a certain Spanish modernity: its modernity.

---

#FOMA 24: Carlos Traspaderne

Carlos at Les Choux de Créteil. | Photo © Adriana Bañares

Carlos Traspaderne (Logroño, 1983) is a Spanish photographer who specializes in historic photography. He only shoots with film cameras. Check his newest shoots at his blog Brutalismus and Ariadna en sitios.

Photos (except 1,2, 20, 21) © Carlos Traspaderne

#forgotten masterpiece #foma

[fotodng]

Carlos Traspaderne y Myriam Correa en Bfoto

Carlos Traspaderne y Myriam Correa @festivalbfoto

BFOTO: FESTIVAL DE FOTOGRAFÍA EMERGENTE. BARBASTRO / 1 A 30 JUNIO 2018. Centro de Congresos y Exposiciones de Barbastro

Presentamos dos visiones diferentes: Riberia, un trabajo documental de Carlos Traspaderne muy integrado en la temática del festival, que nos llega con la colaboración de Galería Spectrum-Sotos, y además la ganadora de la Beca Visionados-Escuelas de la última edición: Myriam…

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#Eventos #Festivales #Notas de prensa

[terrapursuits]

Les Choux, Créteil, Paris, France. (Arch. Gérard Grandval, 1969-74) Photo by Carlos Traspaderne with Hasselblad 500 C/M & Ilford film.