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blackasmidnightcats · 4 years

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QfG Rants and Remakes part 5

Big thanks to both @agathasarmy and @yarasquad for sharing their ideas with me and believing that I could actually make a coherent rant without being too swallowed up by my emotions and hopefully I'll be able to do the same here.

P.S. Imma change the title of the next Rants and Remakes cause it's definitely not focusing on QfG anymore and it's gonna focus of AWWP so yeah...there's that to look forward too.

Chaddick & Yara + Tagatha interlude

Note: This post was originally gonna be titled "Chaddick & Yara + Mourning the Departed" and would have turned out as how it is explained below but as I was writing about Chaddick I realized that I needed to talk about something concerning Tagatha and realized that this post would have been too long for all three so I gonna move the "Mourning of Departed" in its own post. Hope you guys understand. Tagatha has a strong pull with me.

Imma actually gonna outline this cause I need to organize my thoughts and at least with this I could remember the direction that I would be heading.

First part's definitely going to talk about how Chaddick and Yara's death is bs

Then imma explain why them staying alive would have impacted the TCY storyline a lot more meaningfully (p.s. this is where the Tagatha interlude will be found)

And last (and this has been moved to its own post so stay tuned for it), I would also like to nitpick Soman's obvious lack of thought when it comes to the characters that have departed (mainly Callis and Lady Lesso and August Sader) and how it should have affected the characters (mainly Sophie and Agatha)

How Chaddick and Yara could have helped the storyline better

WARNING: I realized while writing this that I kinda made Chaddick and Yara more flawed than they are writen because I have to think about their character growth and they can't have that without having any flaws. So expect some more drama with these two than needed as I share my thoughts on how their characters could have went. They get better in the end believe me.

So I think that everyone in the fandom is one with the idea that Chaddick's death was one of the MOST worst decisions that Soman made.

As @agathasarmy said it once, Chaddick's death is more frustrating than sad because of how out of nowhere it is.

Via @agathasarmy:

but… Chaddick??? dying??? IN THE BEGINNING OF THE SERIES????

IT DOESNT MAKE SENSE, AND THE ONLY WAY IT MAKE SENSE IS COS SOMAN OBVIOUSLY DID IT TO INTRODUCE RHIAN AND THATS THE SHITTIEST THING ABOUT IT

HE REDUCED CHADDICK’S DEATH AS A PLOT DOOR WITHOUT PROPERLY SUBSTANTIATING CHADDICK’S CHARACTER FIRST SO INSTEAD OF US TRULY MOURNING HIS LIFE WE’RE JUST LEFT WITH THIS HOLLOW FEELING OF WHAT HE COULD’VE BEEN AS AN INTEGRAL CHARACTER TO THE PLOT

THIS

Chaddick's death felt hollow because it was a PLOT DEVICE. It didn't (or at least Soman didn't) conscider Chaddick much of a character but a means and once this happens some deaths can be very very hollow.

Like his POV chapter was very hard to read all because especially once you find out that he's dead by the end of it (SHAME SOMAN, SHAME) because his story and plot had so much potential. We weren't able to properly feel sad about his lost because we didn't get to know him better.

It just feels tragic. So much potential lost, all because Soman wanted Tedros to feel vulnerable because he lost his close friend.

WHICH SOMAN DIDN'T REALLY NEED TO DO

I explained already why this is bull and I'm gonna explain later what could have happened for Chaddick's character.

But in summary on why Soman didn't need to do it: EXPECTATIONS

Chaddick and Tedros would have been stressed out with all the expectations and comparison with Arthur and Lancelot. One wrong move could have broke them apart easily.

But Soman could have also not wanted to deal with Chaddick against his Sophie obssession so there could be that too.

SHAME SOMAN

Now, Yara.

Our little Soft Girl

She should not have died.

She really shouldn't have

W h y ?

Because her being alive would have impacted the story more than her death ever did. Just like Chaddick.

And if the problem was what she could have affected in the storyline in TLEA, then she could have been on the sides like. . . as Tristan from time to time or something.

Her being alive would have not affected or change TLEA at all. Like if more important characters like the Coven and the League can fade into the background then so could she.

But I really don't imagine her being in the school for New Evil with Aric as Dean. No, maybe Yuba could have hidden her with the League and she could have accompanied Princess Uma when they were getting Tedros and Agatha and then accompanied the Leuge or something.

Really it would have been that simple. C'mon.

Plus Kiko has been reduced to wreck after that. At least, with Yara being alive she could have fixed herself a bit more.

Okay

So in summary again: CHADDICK AND YARA SHOULD NOT HAVE DIED AND SHAME ON SOMAN FOR KILLING THEM OFF

Now, let's get to the juicier part, what could these two have contributed to the TCY storyline.

On Chaddick

It's pretty obvious what Chaddick's role should have been. He should have been important to the plot because his role would have been about breaking the comparison between the Past and the Present (see Soman, it could have been integrated into your canon plot) between him, Tedros, and Agatha to Lancelot, Arthur, and Gwen.

I'm pretty sure that Camelot has its eyes on these three.

It's pretty freaking convenient that they all have a predecessor to be compared to. And I'm pretty sure that it's not just Camelot who notices the pattern. I mean the whole freaking Woods read about this affair.

So Chaddick, along with Tedros and Agatha, should have been the ones that break this chain. It could have symbolized that Camelot was entering into a new, better era after a similar relationship broke it.

Like, a King, his beloved Queen and his most trusted Knight brought hope but ended in a Tragedy.

Now, another King, his beloved Queen and his most trusted Knight are skeptically judged for having the same pattern and they instead bring the Glory that first trio didn't

With Tedros, Agatha, and Chaddick united with each other bringing Camelot out of its traumatic experience with Tedros's parents, Camelot finally accepting that these three are not the same as Arthur, Gwen, and Lance and fully supporting them DESPITE the fear, would have been a much stronger message of that 'the past doesn't always repeat itself.'

Because with Rhian being known and most propably remembered as Tedros's most trusted Knight and betraying him in the end, it's like a copy of what Lance technically did to Arthur.

It just further proved that Camelot's King would always be betrayed by the ones they trust most.

Sadly for Arthur, he was betrayed by both Gwen and Lance and they left him alone.

While Tedros still has Agatha but without Chaddick the lesson simply is not learned.

Chaddick was integral to this formula because Camelot would have had to face yet another propable tragedy for their beloved King in the hands of the people he loves. With Tedros, Agatha, and Chaddick, complete, proving that they could do better despite having just a strong a bond as what Arthur and co had and Camelot accepting and trsuting this, the previous wounds would be replaced with new Hope.

Because even if that whole affair happened and ruined the Kingdom, at least they have proof that it's not always gonna happen that way.

And that's why Rhian being remembered as Tedros's Knight hurts this idea. Cause he betrayed him too.

Anyway, hopefully I made my point with this legacy thing.

Plus Chaddick and Arthur's Round Table training him. WHY SOMAN WHY?!?!?!

And now, imma explain what I think should have happened with Chaddick and how his character development and his role should have played out.

Because Chaddick is a pretty well rounded character, his POV chapter proves that he's brave, and is willing to die for his friends and what's right, and there isn't really much flaws to him aside from that he can sometimes make the most worst decisions despite being pretty wise.

I honestly cannot tell if he is stupid sometimes or Soman just does this to him cause PLOT.

Fandom I need help with this. Give me some opinions.

Like. . . he's wise enough to know what was right, examples being warning Tedros about Sophie and the first to listen to Agatha in AWWP, but also dumb or ignorant enough to bully Agatha in Book 1 and that VERY IMPORTANT THING ABOUT completely ABUSING Tedros is AWWP.

Like I'm kinda confused with him.

Well maybe we can say that he's a bit ignorant and maybe was raised with privilege so that's why he bullied Agatha in Book 1 and kinda wisened up in Book 2 about her.

But I am not excusing his attitude towards Tedros in AWWP because that was messed up. Well, AWWP was messed up so there is that but if we have to acknowledge that mess and have some closure then I vote for it to come from Chaddick and Yara.

Like maybe the reason why Chaddick is more wise now is because of that very experience. Maybe he could still be a bit guilty about it and that kinda messes with his mind cause he still thinks that Tedros is still the same boy those years ago in their second year and Rhian uses this to his advantage.

Actually, thinking about it this makes so much sense.

Like instead of AGATHA having the trust issues (thought I wouldn't completely vanish it, just not at the same level as she does in canon) it's CHADDICK that has them. Cause he's always kinda gets haunted by what happened in AWWP.

I mean Tedros replaced him with ARIC of all people when he failed to retrieve Agatha. There has to be some animosity between them since. I can imagine that Chaddick kinda felt like him and Tedros could never be as close as when they were during their first year. And he would totally understand it if Tedros never really forgave him for what happened and was at peace with it even if he didn't have enough guts to find a closure for it. He'd respect his friend first and foremost.

But then comes Tedros, all fine and inviting him to be his Knight like that would mess Chaddick up.

He propably couldn't believe it at first and maybe even kindly refused the offer at first but then he sees the heart break in Tedros's face and Chaddick realizes that Tedros really wanted this.

Tedros still sees Chaddick as his closest friend despite what happened in AWWP. And maybe after some thinking, Chaddick realizes that he still wants to have the bond with Tedros like what they had in Book 1. So he accepts.

But of course, they've changed and Chaddick still gets eaten by guilt because I think that he's the kind of person that knows that he did something wrong and wants to repent for it.

So instead of that wise friend that Tedros had in Book 1, Chaddick can't trust his judgement about Tedros because he's scared he'd go too far. So he kinda just agrees to Tedros's ideas and doesn't really give advice. Tedros kinda notices this and tries to talk to Chaddick about it but Chaddick would be all formal to him. Tedros, I don't really know, would think that it would be for his sake with the comparison with Arthur and Lance and all. So he kinda just goes along with it.

It's messy right now guys, I know, I'm kinda butchering Chaddick's character here but I promise it gets better and in my mind he'd be like this for only Book 4. He'd be Wise Chaddick again right after. Just give me a chance to explain.

So they have this kind of miscommunication thing that Canon Tagatha had in QfG instead and that would have made so much more sense and here's why;

Warning: this is officially where the Tagatha interlude starts so if you wanna skip it (why though???) find the sign that states it's the end. It's gonna be in pink too.

The fact that Tagatha was having a miscommunication failure was kinda off with me because 1) they've been over this in AWWP and TLEA. In TLEA Tedros has absolutely no problem with pushing Agatha to share more when she wouldn't and 2) he could easily read her like a book, especially when it counts. Like he could get her favorite food wrong but he always seemed to know what Agatha was having trouble with and was there to help her out and is not afraid to call her out on it (i.e. the Cinderella thing, he was on point there)

Imma provide some examples of Tedros totally getting Agatha when it counts;

AND THIS

AND THIS TOO

WAIT THERE IS MORE (The Tagatha Moment)

AND LET US NOT FORGET

THIS IS WHY TLEA TAGATHA WILL ALWAYS BE BEST TAGATHA.

I get that Agatha's insecure about herself and maybe she was kinda influenced with the Excalibur thing (but I highly doubt it though) but it's no reason for her to get to the conclusion she did at the end of QfG.

I mean girl, you were always thinking that Tedros would be a Great King in TLEA and that's why you've been so insecure about yourself. WHAT HAPPENED TO THAT???

Someone call me out on this PLEASE. I'm hurting myself by judging her too hard.

I can imagine that she would be sceptical with Tedros's ideas and kinda doubting him about it (you guys have no idea how much it hurts typing this) but I can also imagine that she would never doubt that Tedros's heart is in the right place even if she thinks that the way he gets there isn't always the best.

Like we have literal proof that Tedros gets Agatha almost like Sophie does and the best thing is that I'm sure that Tedros would think of the best in mind.

The mess in QfG makes no sense because they should be over this miscommunication bs and it should not have been a thing.

And if it was because of the stress with Excalibur and his responsibilities as King that made Tedros suddenly not get Agatha then WTF Soman!?!?!? I did not ask for this. They were literally about to die in TLEA and yet they could still joke and tease each other and have these cute little scenes with the other.

Instead I got Rhian's b*tch ass being Tedros's therapists when he knows sh*t about this boy and Agatha doubting Tedros like he did something horrible. (Well he did for trusting Rhian but i digress)

I could have had more of these cute Tagatha scenes instead. Like, is it too much to ask for these two to just show their love for each other in other ways than "I will save you" and "You're the best thing ever and I don't want to lose you for this horrible thing that I did or say" like give me small softer moments anytime.

Tedros gently teasing Agatha when she's being difficult and Agatha being totally trying not to show that she's smitten over it.

Agatha trying to be romantic at the most outrageous moments and Tedros being like "?????" but totally finding it cute.

Other character just not getting these two when they do and they are just as confused.

These are the kind of scenes I wanted from them. And if I have to use Chaddick to get it then so be it. (I'm sorry about this, I'm mostly projecting at this point and these really affecting my personal opinions on this matter but I'll try to tone it down a bit so that it's still coherent)

Note: this is the official end of the Tagatha interlude but i'm not keeping any promises that it'll be the last

Anyways, Chaddick and Tedros, they have more reasons with having communication problems because;

They have not been together for a very long time and they've both propably changed since

AWWP. So far, the two of them have had horrible experiences as the last thing that they remember about each other.

As I explained, I headcanon that Chaddick has a somewhat formed a sort of PSTD with it and is very scared that he's gonna mess it up.

I'm not even going to try to explain the PSTD thing cause I feel like I'm not gonna do it justice but I hope you get what I mean.

Chaddick must have become more unsure of himself after AWWP and he must still be trying to fit this new Tedros with the old one that he used to hang out with in Book 1. It would have been a good comparison to show that Tedros has indeed change and grown since then.

Like Chaddick kinda feels like he needs to intervene when Tedros shares a very outrageous suggestion but doesn't know how and kinda ends up in a mess.

Basically imagine Tagatha's problems in QfG and apply to Tedros and Chaddick instead.

And Chaddick would have been suspiscious about Rhian from the beginning. He's a smart savy guy afterall.

So Rhian kinda exploits this and gets the two boys against each other. Because say that Tedros and Chaddick have this big fight propably like the one when Agatha comments that Tedros was being a horrible king but Chaddick's the one that said it instead. Say that this happens around the middle of the Book and it's the final straw between them because they haven't been properly communicating and all the pressure on them. Rhian could easily worm his way to Tedros's side and replace Chaddick nicely. Cause unlile Chaddick, Rhian would make Tedros believe that HE'S the one that believes in him the most.

So they kinda fall apart and Chaddick and Tedros are trying to understand where it all went wrong.

Agatha would try to understand each side and get them to better terms again but she can't do it alone plus a-hole Rhian is butting in.

I imagine that, for me, the logical person that Chaddick might approach on his dilema with Tedros might be Ravan.

Cause the two of them basically think the same way and are usually calm and wise. The only difference would be that Chaddick's more active while Ravan's more passive and choses to observe before making a move. So he calms Chaddick down when he's being too impatient.

Chaddick and Agatha would be talking of course. And I don't know why but I imagine that they're more numb to all the gossip about the three of them especially around each other because they're both sort of level headed and wise then when they're with Tedros individually.

And I imagine this is where the Tagatha drama happens. Only after Rhian cause I wanna be clear that without him, Tagatha would have been fine. He also tries to break them up by saying that Agatha sides with Chaddick and that she doesn't have much faith in Tedros too.

Agatha's going to deny this of course (because it's all bs from Rhian) but Tedros has been too stressed and vulnerable that he sorta starts to believe it and Agatha gets frustrated that Tedros is choosing to believe Rhian when she's known him longer and after everything that they've been through.

But Tedros isn't fully under Rhian's spell. I would have put several times when they would doubt each other especially when Rhian talks crap about Agatha and Chaddick and it would be beserk button for Tedros so Rhian doesn't really go there.

Now Chaddick would be having his little personal battle with himself and Ravan and Agatha would be there to support him and give some advice.

The real kicker would have been when Rhian is adored by Camelot as Tedros's Treasured Knight, someone better than Lancelot and Chaddick kinda has a heartbreaking moment because HE'S supposed to be the one that was known as Tedros's Treasured Knight not this stranger. Not this stranger that stole everything from him especially his best friend.

Agatha hears about this and reflects the time when she gave up her own position as Tedros's queen in TLEA and remembers that Tedros knows her and all her monsters and has been the light to help her fight them.

So she and Chaddick have this talk and she tries to concinve him that Tedros wouldn't want for Chaddick to just give up on him like that. Chaddick thinks about it but is still not completely convinced but Agatha reminds him that Tedros CHOOSE HIM to be his Knight and Liege and they both have to fight for it.

It's Ravan who finally manages to get Chaddick to gear when he asks Chaddick if he's going to regret anything he should choose to either regret letting Tedros go and not fighting for their friendship or make a complete idiot of himself but fight for their friendship instead.

So Chaddick does the latter but everything is too late and the Rhian thing happens as I explained in the first Rants and Remakes post and Chaddick gets tossed into jail with Tedros.

It's in book 5 that I imagine their relationship actually starts to heal itself and they both try to get through everything. I haven't thought of all the kinks out yet but I imagine a lot of fights and Chaddick just kinda shouting what he thinks before he startsvthe regret it and Tedros being this physic and just getting Chaddick too like how he does Agatha.

Again, I haven't thought of everything yet but I'll share it when I do

Now let's move on to Yara

On Yara

Yara would have been more influencial alive then dead and I already explained why how she could have been handled in TLEA cause where I really see exploiting her is in the storyline of TCY.

With the Balance vs Chaos in mind as well as the Lady of the Lake villainess plotline, Yara could have been the answer to this.

She'd be a living reminder of everything that all the characters went through in AWWP and how horribly toxic it is to everyone. Especially those like Yara who lives in the between.

Like with the Lady plotline she would have promoted ultimate purity for both Good and Evil and doesn't believe that each side could be able to understand each other so she thinks that she's promoting Balance that way and that letting each side corrupt the other is Chaos.

She would have believed that Yara is an abomination to the Balance because she is the embodiment of the idea that you can choose some charcteristic from two sides and still be yourself.

Plus with Yara alive the other characters would be forced to rethink their ideals and how to approach this new possibility and reflect on the old ways that have been hurting the ones that are similar to her.

I imagine that Yara's gonna have an internal struggle with this like she's still trying to understand it herself and as she tries to understand it the more that the other characters do as well.

I haven't actually thought out her actual detailed storyline just yet and even though I wanna say more I know that I might butcher her character as I go on but I definitely know her importance to the possible story.

As I explained before, if in TSY was Good VS Evil and that the TCY was about Good AND Evil and how both sides need each other to grow and develop and that the importance of the School still teaching Good and Evil in its most purest form is so that they'd all have a guideline to go by but the curriculum has become more flexible with their beliefs OF Good and Evil and that every student just have shades of grey but choses to go by these either of the two and can still be a Hero or a Villain then Yara could have been the right person to show that it doesn't matter if your not completely on one side and was given the characteristics of the other, it matters what values you choose to follow despite it and how tou choose to use it to help everyone else for the better.

Cause it's canon already that it doesn't matter what they are, it's what they do that counts.

NGL I'm not completely satisfied with how I explained Chaddick and Yara I feel like I didn't do them justice here and I will definitely get back to this when I have organized and fleshed out my thoughts on them

Anyways, if you guys would like to add your own thoughts to this post pls do.

#tedros #agatha #sge #sfgae #tsfgae #the school for good and evil #school for good and evil #soman chainani #chaddick of foxwood #chaddick #yara of avalon towers #tristan of avalon towers #tagatha #agatha of woods beyond #agatha of camelot #tedros of camelot #I personally feel like this was messy and not as detailed as the rest #sorry guys but gonna do them justice #once i've fixed my thoughts m

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agarotado27dejunho · 5 years

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New fics

Hi, guys! I just wrote my first two fics for the School for Good and Evil fandom and I’m really excited! Both of them focus on friendship; more specifically, on potential friendships between Nicholas and Agatha, and Tristan and Agatha. Links are below if you’d like to check them out:

Takes a Second AO3

Takes a Second fanfiction.net

With a Diva in the Background AO3

With a Diva in the Background fanfiction.net

#the school for good and evil #sge #agatha of woods beyond #nicholas #tristan of avalon towers #tedros of camelot #sophie of woods beyond #kiko of neverland #sge fic #my fic #agarotado27dejunho

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catradoracore · 6 years

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not to post abt sge, but....

if...if theres a second movie for the sge books....if they make awwp a movie... forst of all. INCLUDE👏 TRISTAN 👏 /YARA 👏 PLEASE!!! 👏 and i know i am asking for #too much at this point but...(whispers:) acknowledge that she is trans im literally begging u...the book was so Bad with the concept and frankly im still so confused abt it...like wh....make her happy??? as a girl??? hello??? please just. give her what she deserved. please.

also how fucking horrible is it that she got murdered and thats how we find out haha. haha. hey soman. buddy.

#SOMAN CAN U HEAR ME!!!!#PLEASE!!!!!!#This is all i ask of idc what u do with the rest of the movie #just please please pleade give me yara...im literally on my #hands and knees #hhhh #sge #sfgae #tristan/yara #the school for good and evil #soman chainani #tristan of avalon #tristan of avalon towers #yara of avalon #yara #a world without princes

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mounthonora · 6 years

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Soman: Tristan took on the alter ego of Yara purely out of desperation. He was a Boy disguising himself as a Girl.

Us:

Us: Anyway they’re not cis

#i know some people headcanon yara as a trans girl and some people headcanon them as genderfluid so this post kind of encompasses that?#sge #school for good and evil #tristan of avalon towers #yara of avalon towers

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melimarquee · 6 years

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Part 2: SGE Boys + Yara dotpict compilation p.s. I give 0 effort on Aric because I never really like him...

#The School for Good and Evil #tedros of camelot #hort of bloodbrook #rafal the school master #ravan of thicket tumble #chaddick of foxwood #aric of bloodbrook #tristan of avalon towers #yara of avalon towers #filip of mount honora

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powerful-mage · 7 years

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You would not believe your eyes

If you read that Tristan dies

#fireflies #the school for good and evil #tristan of avalon towers #rip Tristan #world without princes

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k1rishiki · 3 years

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i am curious, as someone who’s only exposure to arthurania was reading jane yolen’s young merlin as a child, would you mind saying why hnoc is a bad adaptation? i’m super curious but no worries if not <3

this has been sitting in my inbox for months bc i kept telling myself i needed to write a full essay with proof from medieval lit to make myself feel smarter. however, since i’ve recently lost all credibility bc i can’t articulate points to save my life, and since i’ve realized that i could answer this in a just a couple paragraphs, now seems like the right time to answer this ask. sorry for the wait.

under a cut bc length

also warnings for mentions of racism bc this is hnoc we're talking abt and sexual assault bc this is med lit we're also talking abt

the basic problems are pendragon polycule itself, the story beats of the album, the fridging and lack of characterization of morgan le fay, the clear influence of pop culture arthuriana, and whatever the fuck happened with gawain/e.

pendragon polycule is... just not a good take. there’s a bit in the lancelot-grail abt arthur viewing lancelot like a son (and lancelot not giving a shit abt him). also arthur knew his parents for years before lancelot was even born. plus lancelot just Doesn’t care abt him and i can’t stress this part enough. arthur repeatedly tries to have guinnevere killed, mostly in the lancelot-grail, and guinn didn’t really have any say in marrying him bc she was a teenager. lancelot and guinnevere is a lot better but that’s not saying much. guinn doesn’t exactly treat lancelot too well... like at all, BUT it’s not intrinsic to their relationship and is completely caused by medieval misogyny and i’m all in favor of modern retellings saying fuck that. but also lancelot has multiple pseudo-canon boyfriends (this is med lit after all), and one pseudo-canon husband so like... there were better options. (also lancelot’s husband is basically in a lavender marriage with guinnevere’s maybe girlfriend who most authors just eventually forget abt as the story progresses).

this next one is a problem with a lot of modern arthurian works bc the inclusion of elayne of astolat is too much to ask apparently. the grail quest isn’t tied to the fall of camelot, it just happens to be one of the last grand adventures the knights of the round table have. the event that traditionally sets off the fall is the death of the maiden of astolat/the lady of shalott/elayne of escolat/she has a lot of names, her story has a few variations but usually she either is cursed to stay in a tower and weave and only be able to see the outside world through a mirror positioned across from her window, until lancelot rides by and she rushes to see him out of the actual window and her mirror shatters, setting off her death, or she lives with her father and brothers and takes care of lancelot bc he was injured for a time and she gets to go on adventures to find him and she’s friends with gawaine and she dies bc lancelot rejects her and this version’s a lot more fun but also more happens which makes it harder to explain. the way her story ends however, is that she dies after she makes arrangements for a glorious boat to drift from astolat to camelot carrying nothing but her dead body and a letter explaining that she died of love for lancelot du lac and the court mourns the death of such a beautiful and young maiden (her age varies a lot but i’ve always read her as a young teenager at most). but the important thing is, camelot is doomed from the moment she washes up on its shore bc she’s an omen of the end and has symbolic meaning and all that, the maiden of astolat washes up on camelot’s shores, the court mourns the loss of a maiden in her prime and she marks the end of camelot’s prime as well, morgan le fay reappears after being presumed dead and warns arthur of guinnevere and lancelot’s affair, aggravaine and modred conspire to bring lancelot and guinnevere’s affair to light, they succeed but lancelot escapes, guinnevere is to be burnt at the stake and lancelot rescues her, killing aggravaine, gaheris and gareth (gawaine’s brothers) in the process, gawaine drags his uncle and camelot to war bc he was driven mad due to the loss of his brothers, lancelot accidentally kills gawaine, his best friend and maybe boyfriend (i have RECEIPTS), and gawaine forgives him on his detahbed while lancelot and guinn rejoin arthur, meanwhile modred, who practically had the throne handed to him, usurps and invites the saxons in, camlann happens, and camelot is destroyed. no where in there is the grail quest.

morgan le fay is honestly the most questionable part of the album bc there’s not a single text where she dies. like.... at least with eurydice in udad she died in the original... there’s no basis for morgan dying. also she is NOT modred’s mother and anyone who tells you otherwise is a liar, she interacts with him once in the vulgate bc she had three of her nephews over and that’s IT. it’s a horrible take which originated in the mists of avalon by marion zimmer bradley who is an honest to god monster for reasons i don’t want to trigger tag this post for. also she’s one of the most dynamic and thought-out characters in the entire canon and they just made her a watered down morgause (modred’s actual mother, morgan’s sister, canonical milf)... there was no reason for it to be her apart from the fact that she’s more well known......

pop culture arthuriana is,,, one of my least favorite things. no, morgan wasn’t modred’s mother, no, morgause wasn’t abusive but her husband sure was implied to be, no, aggravaine didn’t kill his mother, that was gaheris, he loved his mother, you’re only saying that bc he has a reputation as the “evil” orkney, no, the once and future king is not a good descriptor for arthur, stop making me read it, no, morgause wasn’t the one to initiate the thing with arthur resulting in modred, no, lancelot and arthur weren’t friends, no, tristan wasn’t a self-centered asshole, tennyson is a fucking liar, no, galahad didn’t have sex or want to, he’s one of the first ever explicitly asexual characters out there, no, galahad’s conception was NOT consensual, lancelot was tricked, and no, elayne of astolat wasn’t galahad’s mother, she’s implied to be younger than him. those are just the big glaring ones, but i swear it’s bc of arthuriana’s reputation as a mythology and the connotations belonging to that word (no one true canon (which is true but there are still things that just AREN’T canon, not completely written down, passed by oral tradition) that causes ppl to see mediocre modern texts and go “oh. well this is abt as close to the original as i’m going to get” and don’t bother to look into so much as malory (who i only name bc he’s one of the most well known medieval authors with the most commonly used storylines, don’t read malory kids, he’s a mediocre-at-best writer even by medieval standards). the big perpetrators of modern arthurian tropes are the books the once and future king by th wh*te, who is a shitty person and lets it bleed into his writing (which isn’t like... nice to read or anything, seriously why do ppl love this book so much it doesn’t have redeeming qualities), and the mists of avalon by marion zimmer bradley (it’s poorly written, the story is a mess, and mzb is honestly a monster and one google search will tell you that), and unfortunately the writings of tennyson, which are mostly good but he clearly didn’t read the povest (a later text that’s also my favorite, known for significantly improving ppl’s opinions on tristan, isolde and co.) before deciding he hated both tristan and isolde and he has HORRIBLE takes on them. high noon over camelot is SEEPED in pop culture arthuriana and i think it would have been so much better if the band had read so much as a SUMMARY of the events of le morte. it’s evident in the song “the once and future king” bc it’s,,,, literally named after one of the worst books in existence. it’s shown in the morgan le fay thing, and it’s shown in the pendragon polycule thing. and hell, i think you can even explain away the lack of elayne of astolat with pop culture arthuriana, bc ppl have had bad takes on her ever since th wh*te combined her character with that of ela*ne of corbenic, and the band probably went “huh, let’s write lancelot’s abuser out of this” and they would’ve been right to do so if that’s who elayne of astolat was.

the final big issue is gawaine, the closest thing the genre has to a protagonist, he’s pretty much canon bi and, in some texts, arospec, he’s a dashing knight of great reknown and he derails every romance to steal hearts, commit murder, and make out with every knight and lady mentioned. and in hnoc he’s... racist. that’s it. it’s,,, almost completely unfounded by the arthurian canon and shows a major misunderstanding of his motivations (like i said earlier, he wants to avenge his brothers bc there’s a reoccuring motif of how much the orkneys value family). i say almost bc in one text it’s his motivations for killing palomydes but i’ve never heard it mentioned by name bc that’s just what it’s known for. most arthuriana fans just look away from it except when critiquing hnoc but that one text is an outlier, shouldn’t be counted, and i highly doubt the mechs made hnoc gawain how he is bc they found this text. it’s just a bad text.

hnoc has,,, quite a few more minor issues, such as villainized ladies of the lake (their ONLY crimes were sealing away merlin bc he tried to assault teenage nimue/ninniane (proto-nimue/vivianne from the vulgate), and that one time vivviane/ninniane kidnapped adopted baby lancelot), assigning brain to merlin (y’know,,, the predator who helped arrange the [redacted] of arthur’s mother and tried to assault a teenager,,,) although merlin is portrayed in a positive light throughout modern arthuriana so i don’t think they knew, giving a song to pellinore, who my perception of has been forever altered bc i was introduced to him through malory and the explanation of torre’s conception, which you can just look up “sir torre arthurian” to find out abt if you can’t just Guess, if they wanted a song abt the questing beast palomydes was Right There AND has been associated with the questing beast for longer, but once again i don’t think they knew.

also namedropping a bunch of knights in the fiction is... it Suggests a bigger world full of all these other stories but they just don’t work bc the world of hnoc wasn’t designed in a way where the appearance of half these characters would make sense. like,, tristan is referenced as dying in the grail quest in the same sentence as bedevere (one of the characters who is known for almost always surviving), but tristan Isn’t one of the knights who dies on the grail quest, his possible deaths (ignoring the potentially happy ending of the povest for a second) are either being murdered by his uncle, king mark (bc mark married tristan’s gf to try and get tristan killed and also to spite him), bc he was driven into a fury bc of tristan and isolde’s affair, or he’s injured and only isolde (the best healer in the world) can save him so he sends for her and if the ship he sent for her is supposed to fly white sails if she’s there, or black sails if she’s not, and the ship flies white sails but his wife (also named isolde) says it’s black sails (the why depends but usually comes down to jealousy), and so he gives up bc he thinks all hope is lost and usually succumbs to his injuries, either way isolde dies of a broken heart over his body. there’s no way for the tristan and isolde story to play out like it’s supposed to in the world of hnoc, just as there’s no way for any story with gawaine (and Oh Boy are there a lot of stories with gawaine) or pretty much anyone else, without severely altering the canon.

of course, there are still parts of hnoc i like a lot, most of the music i adore and i just like the idea of space cowboys and the secret good hnoc that lives in my head. and it has one of my favorite characterizations of galahad, even though galahad hnoc is nothing like galahad arthuriana. it’s not GOOD but i like it and it’s fun to turn my brain off too, and i’ll always value it as my introduction to arthuriana.

also there are modern arthurian tropes i do like such as characters being genre-savvy/knowing they’re fictional/knowing they’ve done this before (which hnoc does wonderfully!) and bedevere-as-the-storyteller (everyone say thank you lord tennyson).

WOW that was longer than expected, i feel very passionately abt this, when i was planning to write a fully sourced essay i meant to include a bit at the bottom with recommendations to get into better arthuriana and i think i’ll keep that in this post.

if you like hnoc for the arthurian music i’d like to suggest heather dale’s arthurian music to you, she does occasionally fall into the trap of modern arthuriana (some parts of lancelot and arthur being close, morgan as modred’s mother), sometimes she’s just wrong (galahad at lancelot’s trial, a lot of tristan and isolde), and her stuff is kinda straightwashed sometimes (sir gawain and the green knight, for example) but i’d be lying if it wasn’t catchy, and it’s not quite as bad as hnoc adaptation-wise. culwch and olwen is pretty accurate (albeit abridged bc culwch and olwen has SO many tangents), as is lily maid (it’s abt elayne of astolat!).

if you liked hnoc for king arthur... in space! then may i recommend to you my own fanfic? it's not posted yet but the second i finish writing the first chapter i'm going to make a Big Deal out of it that'll be impossible to miss!

if you want to learn abt arthuriana through tumblr-osmosis like i did at first, i’d like to recommend the love of my life @acegalahads, first and foremost (it’s me on a sideblog i’m just obsessed with myself), and i can’t recommend my arthuriana mutuals over there, @/gringolet, @/merlinenthusiast, @/jcbookworm, @/elayneofshalott, and @/elaineofascolat (the elayne urls have been popular recently), also i know for a fact that my mutual-in-law, @/itonje makes great arthuriana posts that i look forwards to whenever i open the tag.

here are a few good reference posts, a quick guide to the characters, a guide to characters of color, and a much more comprehensive intro to arthuriana post with even more texts linked to it.

if you want to ease into med lit, i’d like to introduce you to pre-raphaelite poetry, alfred lord tennyson and william morris are my favorites, although tennyson can’t be trusted with tristan and isolde. the poem the lady of shalott is basically a rite of passage for arthuriana fans, although when it comes to tennyson’s writings abt elayne of astolat, i prefer lancelot and elaine, which is part of his much larger story, idylls of the king. for morris, don’t trust what he says abt aggravaine killing his mother, but my favorites of his are sir galahad, a christmas mystery, which sounds like a shitty disney sequel, and palomyde’s quest, which i blame for my love of palomydes (that and the one bit of the povest where he asks tristan to be his greatest enemy and that he wants nothing more, gay ppl,,,,).

if you want to read abt lancelot and his husband, there’s the lancelot-grail cycle, which i believe was taken off of archive dot org and i think i found it on @/tobeisexhausting’s blog but don’t quote me on that.

the povest, which was a religious experience for me and i can’t reccomend enough if you want to like tristan and isolde, is here, i don’t know who scanned it but i think i found it on @/lanzelet’s blog

the dutch texts are just good in general, here’s a link to their section of a(n unfinished) site for hosting various texts by my former mutual @/reynier (who’s no longer on tumblr). i’d like to recommend lancelot and the white hart specifically bc it’s mainly just just gawaine being gay for lancelot.

if you want older works, here’s my scan of the history of the kings of britain, and here’s culwch and olwen and pa gur.

oh wow this is even longer than i thought it would be so i’m going to wrap this up by saying that i always love to talk abt arthuriana more than anything if you have any questions or just are curious!

#med lit on main #asks #hnoc #the mechs #romeo.txt

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orihime00sama · 4 years

Text

FGO Part 2 Opening 2 Theories - Characters (2/2)

Fairy

If we go with a “what if Prototype” perspective, this fairy looks a lot like Manaka due to the seemingly short blonde hair, blue eyes and overall blue colour scheme. So it could be Manaka acting as someone’s vessel.

If we don’t go with that, this fairy could be Titania, as she looks quite regal.

Some think that she’s Morgan Le Fay, since Morgan has always been called “fairy princess” in Fate, with Tristan’s interlude being the more recent example. She’s also standing near a body of water, and Morgan is also a fairy of the lake (Salter’s profile describes her as Vivian’s dark counterpart). I don’t think that might be the case because she doesn’t really look that much like Morgan to me. There might be Lostbelt shenanigans involved that make her look different or maybe this is a different ascension or something, but in Apocrypha, Morgan’s hair was much straighter and paler.

A wild theory is that this fairy is actually Oberon, who is either just super pretty or maybe a genderbend. Something noteworthy about Oberon is that he’s usually is the son Morgan le Fay and Julius Caesar... Which is kinda weird due to the time periods they lived in but never mind that.

Someone pointed out that it looks like the fairy is missing a tooth...?

Blondie with Merlin’s staff

If we went with “what if Prototype”, this could easily be Proto Merlin. However, she looks very different from regular Merlin, which isn’t the case for almost every Prototype Servant, with Perseus being the sole exception (compare Proto to Hollow Ataraxia, both versions are datamined btw), even the ones who are different people like Artoria and Arthur. Honestly, if this does end up being Proto Merlin, I’ll be super disappointed because we got robbed of a fabulous fluffy female Merlin for another Saberface.

My two main ideas were that this could be either Vivian or Melissa.

Vivian, the Lady of the Lake, was Merlin’s apprentice and had some kind of relationship with him until things turned sour and she trapped in the Tower, so it would make sense for her to have a similar staff. Though, her outfit makes her look very young.

Melissa actually isn’t a pure Arthurian character, but she comes from Orlando Furioso, where she was the Paladins’ guide and helped Bradamante get to her hubby Rogero. Melissa came to mind because she was also Merlin’s apprentice and even watched over his tomb, so her relationship with him wasn’t as bad as with Vivian and it would justify her carrying a similar staff. Her outfit also reminds me a lot of Bradamante, who actually mentions being helped by “Merlin’s apprentice” in her lines and profile.

A wild theory is that she’s actually the awaited Caster Artoria due to the hair and the sword at her back. If Artoria took to magecraft and never became the king, then maybe that would explain how things ended so badly for the world of LB6.

Three Gals

These ones confuse me the most. The one in the middle I don't even know where to start, all I know is that armour gives me Saber Alter vibes and the visor seems to have a flower? They all have some form of headgear, but Morgan's crown is a lot bigger and more elaborate.

If we follow the idea that the blonde girl with Merlin's staff is Melissa, then the giant lady might be Marfisa (Rogero's badass twin sister who was separated from him at birth) and the girl with the half-crown might be Alcina (their story’s equivalent of Circe, something that the actual Circe mentions in her profile lines for the Paladins). Alcina in particular is interesting because she is Morgan's sister in Orlando Furioso. Together they were the evil sisters to Logistilla's good.

A very crazy theory is that they're all supposed to represent Morgan or maybe The Morrigan (maybe even both because Case Files brings up a connection between the two). The Morrigan are a triad while in Garden of Avalon, Sir Kay described Morgan as if she "had three women in her" due to how she changed. He mentioned her being "innocent like a fairy, then magnificent like a warrior maiden and then gaining the brutality of a witch."

In Case Files there was also a dagger called "Erosion" that had the ability to split the soul from the body and put it elsewhere. It was going to be used by the King Arthur Revival cult to remove Gray's soul from her body so she could become Artoria's vessel. That dagger belonged to Morgan, so it's possible she removed those different parts from herself and made them into homunculi bodies or something, assuming they weren't already split.

Knight

My first thought was Sir Kay. Sir Kay came to mind because I really want him in the game already. Okay, but on a serious note, thanks to Add in Case Files (Morgan modeled Add’s personality after Kay’s), Kay has a connection to Rhongomyniad, a major element teased for LB6. I’ve also seen some pictures comparing the top of the knight’s armour to the little peek we got at Kay, though it’s hard to tell because in the one shot we got, Kay’s right side had a tattoo while the knight only showed his left side. His hair also looks a lot more spiky and messier than Kay’s.

My second thought was Sir Percival, mostly because of the stabby spear weapon, and because as another candidate to the Grail Quest (confirmed by Gareth in her My Room line for the Grail), he’d be a good foil to Mr. “Not Appearing in this Opening” Galahad, who went out to for cigarettes ever since the events of the Temple of Time.

A wild theory would be Sir Galehaut, who in some stories was famous for being Arthur’s equal in power and only surrendered because he was really into Lancelot. Unfortunately, this epic bromance didn’t last both because Galehaut understood that Lancelot loved Guinevere and because Morgan was a jealous bitch who made Galehaut die of a broken heart after sending him fake news about Lancelot dying. The main thing that ties this knight to Galehaut is the fact that the knight looks like a big dude and Galehaut was half-giant. However, Galehaut is mentioned in Gareth’s profile as one of the knights she defeated, so it’s possible that they’re going for a different version of the story.

#fate grand order #fate grand order spoilers #lb6 #fgo spoilers

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fuwafuwamedb · 4 years

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Raised by a Fou Pt 12 (Hakuno, Arthur)

Previous Parts: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten, Eleven

_____

Hakuno was asleep when he had returned.

Safely tucked under his covers, with her hair braided down her back to keep it out of the way while she slept, Hakuno was entirely lost to the world. Which was probably a good thing, judging from the conversation that he had held with Tristan and Gawain.

The two men had booked it, but there were few places to run when the castle was locked up. He’d cornered them both and found out what the conversation had been about.

Hakuno hadn’t known a thing about being a wife or lover.

That was unsurprising, based on his little conversation previously with Merlin. The woman had been in the Tower of Avalon for a long while. She’d been only around that small doglike creature that was lingering around her from time to time.

Climbing hesitantly into bed, Arthur made sure to remain on his side of the bed.

True, Hakuno had decided to become his wife and his queen. True, there really wasn’t a necessity for him to keep his distance… but Hakuno was his wife and was a person in and of herself. She deserved the respect that a queen normally received by others.

That meant not encroaching upon her when she was resting.

They would slowly become more accustomed to one another. They’d take things one step at a time, with him slowly endearing himself and earning her trust, just as she was doing for him. Moment by moment, they would weave a rich tapestry of affection and caring for one another, carefully reweaving their trust when they would make mistakes or decide a course of action that would not pan out.

Together, over time, he would come to slowly take her hand in his. He would begin with simple affections and gentle touches. She would not come by pain or seduction from him.

Love would grow forth.

He would take his time, since there was so much ti-

Hakuno hummed, rolling onto his back and wrapping her legs and arms around him. He could feel her face against the back of his neck, nuzzling in as he tried to roll away.

In a matter of seconds, with him doing a single movement, he had found himself trapped. Hakuno’s body was enclosed around him like a child hugging their pillow.

“…so pretty… Arthur…”

She’s a sleep talker?!?!

He could feel a heat in the room. The blankets were too much. He could see that the tapestries over the windows were shut and now he was really missing some fresh air. He needed to get out of this bed.

“Arthur…”

She murmured his name again and he had half a mind to call Merlin to his chambers.

Was she a magician as well? Was this some kind of spell?

Perhaps if I face her…

Arthur pressed a hand to the sheets, shifting carefully, slowly around to face this opposition that he had encountered. Her sleeping face was free of any lines or frowns. She was resting so close to him, shivering a moment before she pressed against him more.

WHERE IS HER CHEMISE?!

“Warm…”

He’d just… pray.

Lord help him through this night. His betrothed was far too much for his wellbeing.

#drabble #drabbles

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spidersmiceandeverythingnice · 4 years

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What if Fionn was the Grand Saber

the justice we deserve... I literally have no idea what that would look like in canon but boy oh boy do I have IDEAS and COOL IMAGERY that I want to see regarding this

(read more because it turned out longer than expected WHOOPS lol)

Picture the final stage of the Camelot Lostbelt - the reverse side of Avalon, if you will. A crumbling tower surrounded by black flowers, each one draining mana from the air. Sherlock Holmes is long gone. Da Vinci and the rest of their crew, from the Shadow Border to the Wandering Sea, is far, far, far away. Beryl’s Assassin Servant has killed King Arthur, preventing them from destroying Beryl with a blast from Rhongominyad. Beryl has possession of Excalibur, the Holy Sword of the Planet, and intends to destroy it - the last remnants of the guardians who once protected this cursed land - and unleash his Lostbelt until it covers the world. The Phantasmal Tree is in full bloom, raining stardust. There will be no more gods, or faeries, and Galahad’s protection is as far away as it ever was.

Ritsuka’s power is fading, too. When they first came to Chaldea, they were considered a biological phenomenon - a human with no magic circuits that somehow produced enough mana to power a small city - and they’ve only gotten stronger with time. But it’s not enough. Not against this endless sea of curses, not against the embodiment of wickedness itself.

One by one, the Servants who assisted the remnants of Chaldea begin to fade away. Cu Chulainn, Queen Medb, Fergus and even Scathatch, the True Scathatch of Pan-Human History, who has finally met her end against an opponent she did not train, who she did not even anticipate. It has been a long and bitter war. The knights of the Round Table - first Lancelot, then Tristan, and brave Gareth, and Gawain, and Mordred, though the Traitorous Prince manages to send one last blast of signature red lightning through the skies. It does not reach it’s target, and Mordred slumps before disappearing. Finally, there was Sir Bedivere, winking out like a comet passing over the horizon.

Even if this place hadn’t been so evil, even if Assassin wasn’t so challenging as an opponent, it wouldn’t have mattered. Ritsuka can no longer support the Servants, can no longer cause them to manifest. It is hard to tell if they are dying, or if the flowers have swallowed their very Spiritual Origins, feeding the Phantasmal Tree.

Paracelsus and Jekyll are barely hanging on, trying to keep Assassin busy behind Mash’s cracked and broken barrier. The mold of Camelot is going to fall, and when it does, they will die.

There is one Servant, though, who does not stop fighting even for an instant.

The arc of Moralltach burns through the air. When it comes into contact with the black flowers, the hiss and fade away, filling the air with a burning stench. Diarmuid is nearly as fast as Assassin, and it’s clear that the enemy Servant is getting frustrated.They cannot keep Paracelsus’s spells at bay while simultaneously blocking each of Diarmuid’s attacks forever. Indeed, the dual-classing Servant has proved their greatest weapon in this Lostbelt. Closely attuned to the ancient gods and fey of this world, able to destroy any magic and even cut the threads of fate with his weapons. He even resisted the nega-genesis. Provided that he didn’t get too close to the Phantasmal Tree, Diarmuid seemed able to keep fighting indefinitely. At least, that seemed to be his intent.

Assassin must have realized it, too - and must have realized that Beryl was too busy playing around with the seals of Excalibur to be of any help - and that was why they changed tactics.

Ritsuka saw it unfold in an instant, and opened their mouth to shout a warning.

Assassin changed course. They were not heading for Jekyll, whose work with Diarmuid had given him an extra combative advantage - or for Paracelsus, who was drawing his sword and taking aim.

Instead, they went for the cracks in the Mold Camelot.

They were going to kill Mash.

She could block the blade - and destroy her barrier, leaving them vulnerable to the nega-gensis.

Or she could take the hit, and pray that she was strong enough to stand after Assassin was finished with her.

Time moves very slowly - Ritsuka feels like they are moving through molasses - and then, something happens that they didn’t expect.

Gae Dearg reappears; his Spiritual Origin flickers and shifts, contracts in response to the sudden change - Diarmuid has aimed for a killing blow while Assassin’s back was turned to him.

The red spear sinks into Assassin’s stomach, and then, it disappears -

An illusion! Ritsuka forces their legs to work, and breaks into a run.

Assassin’s blade sinks into his back, sliding cleanly between powerful shoulder blades.

At once, Gae Buidhe stabs outward, slicing a clean line down Assassin’s torso as they leap to get away from the weapon. There’s a spray of blood, and then a scream of delirious laughter, and then the enemy Servant is gone, back to their Master to get healing before they come back to finish the job.

But even though Diarmuid ua Duibhne sinks to his knees, blood streaming into the bed of black flowers beneath him, he does not immediately fade away.

Ritsuka feels a bubble of panic rise like a scream in their throat as they come up to Mash, who is in tears.

“I’m sorry,” she whispers, “I’m sorry. I’m sorry -”

“No,” says Diarmuid, levelly, putting a hand to the exit wound in his chest. “I managed to get a fair number of strikes in. No matter what power source they are drawing from, it cannot last forever. Nothing can. I think we have some time now, anyway. You must hold the barrier, Mash. It’s important for what comes next.”

Mash nods, even as tears streak down her cheeks. “I will! I won’t let go no matter what!”

“Good. Master?”

He looks up, clear-eyed and expectant. Tears prickle in Ritsuka’s eyes.

“You should have given me more of a warning,” they say, choked. “I needed more time.”

Diarmuid smiles, almost sheepishly. “Well, if I’m right about this -” a wet cough; blood bubbles up from his lips and Ritsuka feels cracks spreading in their resolve. “- which I am, then it doesn’t matter what happens to me now. Everything will be fine.”

And even though everything is awful, he says this with such radiant confidence, that Ritsuka believes him.

Diarmuid holds out his hand, and Ritsuka hands him the hunting horn that they had collected from the Wild Hunt. Ritsuka comes close and helps Diarmuid stay upright, pressing their hand tight against the gaping wound, feeling the crackling energy within - Assassin’s poisonous mana - and with gritted teeth, begins running through a healing spell. Please, oh, please, let this work.

Diarmuid speaks in a language that Ritsuka does not know or recognize.

Then he lifts the horn to his lips, and -

All other sound disappears.

A single, clear note, pure as a hawk’s cry.

A breeze washes over them, and only then does Ritsuka realize how unbearably hot this flowerbed was - a greenhouse from hell - and even as the thought crosses their mind, the flowers wither and die. Mana is immediately restored to the area behind Mash’s shield, and immediately, the Earth begins to repair itself. Ritsuka feels it like a pulsing heartbeat, and thinks, Is this Avalon restoring itself? Or is it - the Counterforce?

No, that didn’t make sense. But - at the same time - they are summoning a guardian. The circumstances are extraordinary, and before it was cursed, this was indeed Avalon. So perhaps...

A hand comes down on Ritsuka’s shoulder, and they look up.

A familiar-looking man is standing there, even though there had been nothing here a second before, and there was no way for anyone to enter this place since Beryl had sealed the gateways. He is wearing a blue cape over simple, fur-lined armor. His hair is spun gold; he seems to be glowing faintly. He is at once divine, a giant, and perfectly normal, though he smells faintly of river-flowers and dark woods. His eyes are filled with fire, infinitely gentle and warm, and he carries a sword across his back that is not Excalibur - but -

“Please,” says Fionn MacCumhail. His voice is just as Ritsuka remembers, but at the same time, it seems to come from everywhere. It fills him with a sense of strength and peace, and Ritsuka thinks they might cry all over again, just from sheer relief. “May I?”

Stunned, Ritsuka steps back.

Diarmuid grumbles when Fionn takes a waterskin from his side and pours a measure into his hand.

“Took you long enough,” he says, as Fionn tips the water into his captain’s mouth.

At once, the wound on Diarmuid’s back closes, and Assassin’s poison disappears as if it had never existed. Ritsuka registers a surge of mana - that counts as a mana transfer?

Diarmuid stands, and Fionn claps him on the shoulder.

“You’ve done well to protect these two,” says Fionn. “Now, please - I know it is difficult for you to avoid showing off - but please don’t get in my way.”

Diarmuid smiles thinly, amused. “No promises, my lord.”

“Dear shieldmaiden,” says Fionn, smiling down at Mash. “You have become an exemplary warrior! I see I was right to single you out back then! I have always had a keen eye for talent. Kindly lead the way for us?”

Mash stutters. “But the barrier -”

“It is no longer necessary. I am here now.”

He spoke simply, with no room for arguments. Ritsuka looks at Mash, whose mouth is stretched thing, whose lip is raw from biting into it.

“Mash, do as he says. We’ll take our cues from you -” Ritsuka pauses, blinking at Fionn, trying to get a better read on him and his new status. (A part of Ritsuka honestly hadn’t even believed Diarmuid when he proposed this plan - could summoning a Grand Servant truly be so simple as sounding a hunting horn?) “Saber.”

Fionn smiles. “Ah yes,” he says, with a chuckle, as if just remembering an obvious fact. “I still am a Servant, even like this.” He turns to Diarmuid, who is at attention. “Call for the others, will you? It is time for the Fianna to fulfill our responsibilities. Lady Mash, when I draw my sword - drop the barrier - we shall finish the battle now, without further delays.”

Diarmuid nods, and lifts the horn to his lips.

Fionn takes the sword from his back, and the battle begins again.

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