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#when she was first introduced i was like ugh. a tomboy in the group of guys? how cliche!
clarkgriffon · 1 year
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ALPHABETICAL FAVES ⟹ M is for... Max Mayfield
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miraculouscontent · 3 years
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Askplosion #11:
(note that I know I mentioned a “Voiced Askplosion” last time in the tags for anyone who put a 🎤 in their ask, meaning they wanted to hear me respond verbally to it, but I only got one and it wasn’t anything serious - just a tease from someone I know - so I either won’t be doing it at all or will be holding off)
Asks responding to previous posts:
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ALYA NO!!!
(the idea of Sabrina avoiding not only Ms. Mendeleiev, but also Alya, is very amusing to me)
The fact that the special focuses on the love square instead of Sabrina and Delmar is a crime.
(also note that “Need some help?” is rhetorical in this context; Alya doesn’t care)
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Highly recommended, honestly, otherwise it just turns into a big shame because there are shows I really like but with some content that I don’t like, and why torture myself with it when I can cut it out instead?
Just to give a rough idea, here’s my cut of “Desperada”; mind you, this is just my quick cut of it (basically a “beta” version where I just removed everything I disliked without much care for transitioning/having everything make sense; some of Marinette’s friends talking, the guitar scene, Aspik, etcetera), as I’m not comfortable handing over my “perfect” cut of it since it’s like my personal copy.
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Yeah, that’s a super awkward scene. As much as I’d like to imagine that Adrien just doesn’t understand the “guy time” thing (which I still hate), the fact that they use the word “guy” specifically is--ugh.
I wasn’t aware of what he said in the French dub, so thanks! It’s really painful to see her throw so much love his way, openly and publicly and obviously, then be so humiliated for it, only for Adrien to feel nothing for her.
Say whatever you want about Chat Noir’s advances and how sAAAAAAD he is when she rejects him, but her rejections are just that; in private. There aren’t other heroes who are around and Chat is never really humiliated. Even in “Prime Queen,” Chat wasn’t the target - Ladybug was, and then Ladybug shifted it to Nadja - so Marinette is the one taking all the heat in love while Chat gets to sit on the sidelines (plus, then “Oblivio” happened and now people probably all thing they’re a thing).
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Yeah! That’s the group I was thinking of!
Thank you!
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I’m so sorry that happened. ;—;
I’m not aro but I am ace and I’ve gotten the whole, “oh it’s just because--” stuff before, so I know what it feels like to have people put on the pressure/invalidate you.
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YES.
IT’S GORGEOUS.
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I’m not really familiar with how holidays are celebrated outside of the bare basics of Christmas/New Year (which I am trying my hardest to forget lol), so I couldn’t say.
Sorry!
New Asks:
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10/10 thought, would fantasize again.
Though would also accept MC Audrey just doing some “spring cleaning” of the whole staff in general. I have no idea how she’d replace Jeremy since he’s the company’s poster boy but most of the writers have to go at the very least and Jeremy should be given less power.
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I think MC Audrey would appreciate how Kagami carries herself, though potential bonus if - while Tom and Sabine just openly trust whatever Marinette wants - Audrey does a bunch of digging to make sure Kagami is “worthy” of being with Marinette (she takes this all very seriously).
Double potential bonus if Kagami takes it just as seriously, so here’s Audrey and Kagami acting as if Kagami dating Marinette is like some sort of job interview.
Kagami handing over a “resume” of her accomplishments to Audrey. Audrey has already looked all of it up herself but appreciates the effort put in.
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If the question in Miraculous is, “Do we really need a--” and the thing being introduced is something the staff came up with then the answer is usually “no.”
The movie will look pretty and that’s all I’ll expect. It’s just Jeremy’s take on Miraculous. Luka and Kagami probably won’t even be around so I’m not even interested.
I’ll watch it, but I’m also not interested lol.
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Honestly, I’d rather turn into bubble froth.
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oddly specific but... I mean, damn
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I have no idea, and I try not to throw around words like “spite ship” because I know people could genuinely like the ship, though I will say that I went on AO3 and - unless I read from - the first Maribat fanfiction on there was posted after the airdate of “Chameleon.” I think it might’ve started with inspiration from “Marinette moves schools” ideas at the very least.
Non-Miraculous Asks responding to previous posts:
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Oh, I understood, no worries! It was just funny for the split second it took me to figure it out.
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My bad, that’s not how I meant to come off (especially since “magical girl shows” is a little broad; I mean, obviously I don’t think something like Cardcaptor Sakura is aiming for fanservice when Sakura’s--like... ten). I answered all those asks in the last askplosion in the same day so my brain was a little fried by the time I got to that ask.
I’m not even talking about Sailor Moon either; it’s just that I knew there are shows with fanservice and there are certain magical girl outfits where I kind of give the side-eye.
Absolutely zero problem with girls fighting in pretty outfits though. I fully admit that I’m a bit of a prude so sometimes I see fanservice where there might not be any. Super short skirts without shorts, for example, inherently throw me off (shout-out to Saint Tail - which I discovered while looking up “pretty magical girl outfits” - because the main character does have a skirt in “magical girl” form but also tights/boots and a cute hat, which is one of the more unique ones I’ve seen).
Non-Miraculous Asks:
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Do you mean Sailor Moon Crystal? Yeah, the only reason I hesitate on Sailor Moon in general is because I’m not crazy about the transformed designs. It’s not really a matter of animation but more a design choice that takes me out of the experience.
I have seen all of Cardcaptor Sakura anime though, and then all of the Clear Card arc. I like the former, despise the latter, and I tried to keep up with the manga but once one of the big plot details were revealed, I officially dropped it.
As for Revolutionary Girl Utena, I looked it up a while ago and don’t remember what exactly turned me away. It might’ve been the darker tone though if what you say is accurate that it’s a darker take on a magical girl show.
Also, I may or may not have looked up the ending of at least Princess Tutu and I’m sorry, I’m sure it’s a great anime, but if there isn’t a happy ending then I give whatever anime a hard pass.
(note: yes, I realize the hilarity of saying that when I continue watching Miraculous)
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(More Madoka Magica talk/salt below!)
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Ohhh, it started a trend? I had no idea since I don’t actively keep up with every anime out there; descriptions need to really pull me in (the only current anime I’m keeping up with is Hanyou no Yashahime, Otherside Picnic, and Cells at Work (Season 2)).
The focus on specific--uh--body parts in magical girl transformations also reminds me that I think that’s usually what kills it for me, not because of the sexualization but because I expect transformations (especially ones that get repeated over and over) to be really dynamic with changing angles and such, which is harder to do when the camera is trying to draw focus to specific places.
Obviously you have to do it for some moments (I’ve always imagined Miraculous transformations like a potential sheep or another one for rabbit, then rabbit!Jean from Leave for Mendeleiev and fox!Juleka from LadyBugOut) because things will be weird if you focus on nothing, but I think there are ways to draw the eye without trying to sexualize.
Not having Ladybug-esque bodysuits is a good start. It reminds me too much of the Catwoman with just a bodysuit so it leaves nothing to the imagination.
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How did I forget about that Sayaka scene? omg (though I dunno if the Bechdel Test is hard to pass if there aren’t really any endgame male love interests? are there rules about that? not saying a pass isn’t a pass but it feels like cheating)
It is nice when fans can respect the opinions of others without having to outright attack. I have had a few people come to me with, “I see your point/respect it even if I disagree,” instead of accusing me/others of--well, you get it.
Fandoms can be really messy, particularly as they get larger. I think there’s a certain balance between small fandoms that all know each other and a big fandom that’s out of control. Then there are things like “loud minority” and it’s just uggggh.
Anyway, back to the asks themselves, yeah, I’m not crazy about taking things that are just meant to be positive/cute/whatever and being like, “OKAY BUT WHAT IF IT WAS EDGY AND SAD.”
n o ,  p l z
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Oh, I’ve never heard of that one!
Sayaka dying didn’t really do anything for me either. It’s hard to explain when I saw it so long ago, but it was just Sayaka’s attitude about the whole thing and it made it feel underwhelming. It was a shame too because I liked her and she had potential.
She was Madoka’s friend so I was just like, “Yeah, she’ll die soon.” Probably didn’t help since I knew what I knew about the show being “dark.”
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Madoka/Sayaka is probably what I’d support the most out of all the potential shoujo ai ships. To my knowledge, none of them are really canon, though I remember a special song after the death Sayaka and Kyoko which I guess makes them the most canon and that did basically nothing for me since their relationship didn’t interest me (nor did I care for Kyoko as a character). The PSP game might have more intimate potential between the girls, but I never played them so I can’t make those claims (I only remember something about everyone potentially living and then a bad ending for Sayaka where part of her body was decayed when they didn’t get her soul gem back in time).
The tomboy argument makes me think back to a conversation with a friend of mine where we were discussing tomboys in anime and... we couldn’t really think of any? At least any that really qualify as “tomboy” for me.
Like, Misty from Pokemon, for example. I knoooooow everyone really likes Misty, but regardless of my opinion on her, it’s hard to see her as a tomboy.
I feel like they try to lean that way by making her super aggressive and violent (because... m E N) and I think Ash makes a comment once about her not being “like a girl,” but... I feel like that’s just how general “aggressive” female characters are written?
I mean, that’s tsundere female characters I’ve seen in general. Really loud (and not in a “gIrlS aRe sO lOuD aND ScReEcHY” way but like... the way anime gives them big heads while they scream at whatever male character they’re mad at), angry a lot, short fuse, etcetera.
But Misty is still crazy about clothes and dolls, she still gushes about cute things and romance, and both of those things seem pretty indicative of what “standard girl character” would be defined by, since they’re all “stereotypically girl thing” (I say stereotypically for obvious reasons since boys can like blah and girls can like blah and gender exclusivity is blah--). I get that she dresses differently, but that’s about it, and it comes off like, “she dresses differently and she’s ANGRY and VIOLENT, so she’s a tomboy,” which... yeah. They even gave her three beauty queen sisters with CURVES and BUSTS as if to say, “See?? These are GIRLS, not TOMBOYS.” (busty females can exist who are also tomboys, thank you have a nice day).
This becomes more complicated in magical girl anime since girly clothes are usually part of that so “tomboy” means that frills and skirts probably wouldn’t be a factor.
I mean, if you gave those sorts of outfits to me, I’d be like, “SCREW IT, I’M NOT A MAGICAL GIRL ANYMORE. IF LOOKING PRETTY IS REDUCED TO SKIRTS AND FRILLS, SOMEONE ELSE CAN SAVE THE WORLD.”
I’d also like to see some mixes between personalites and “tomboy” things. Like, non-stereotypical tomboy personalities doing tomboy things. Mix and match, y’know?
This was really rambly, but to answer the question... no, I wouldn’t count Sayaka as a tomboy.
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All of this.
I think it also exemplifies the whole “dark and edgy magical girl show” thing because... ugh, how do I put this...
The “girls are overly emotional” thing is already bad, but then you realize that there not being any magical boys is also because that doesn’t hit the “shock value” threshold as much.
Y’know, because boys equal dark and edgy shows, so if there was even one magical boy it wouldn’t be as shocking when Mami gets her head chomped. They could’ve done, “emotional teenagers are the target because they’re in that vulnerable stage; smarter and more physically capable than children, but not as mature/stable as adults,” but having some boys in there for balance (it makes me feel weird saying that when I’m all for girl power shows with an all female cast, but in this show’s logic, it’s a different ball game) would make the show seem less bright and “girly” and thus lessen the shock value.
Does that make sense?
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sapphiccritique · 4 years
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Character study plus observations of lesbophobic and misogynistic online discourse on LIHKG with regards to a queer JAV porn-star
SapphicCritique here again. Today, I would like to introduce an awesome queer celebrity to you and be a killjoy and rant about what I find to be troubling lesbophobic and misogynistic online discourse on LIHKG in a discussion thread of running commentary on Shiina Sora’s performance in her newest films. I am not going to expose the usernames of these forum participants, but I am going to quote some of them in this blog.
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Shiina Sora is this hot JAV porn-star who came out as a lesbian ciswoman in the year 2013. She is open about her sexual orientation and her personal love life and even produced a series of real-life sex documentary called ‘Bibians’ with her ex-girlfriend (then girlfriend) in the years 2013-2015, making her a pioneer as the first gay woman to come out in the industry in Japan and the first star to produce a real-life sex documentary with her actual lover. Her godly status in the industry is seen in her title, the female version of Taka Kato the Adult Films King (unrelated: why is the male version unmarked and the female marked?) Her performance in adult films is subversive due to her queer identity and high acceptance of different forms of sex. She is supportive of queer rights and sex-positivity, and she is also an active fighter on the front of dispersing AIDS-related attacks on the gay community. She is also known for her genderfucking performance as an occasional casual drag king and a woman penetrating man in some of her films.
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(Shiina Sora with her signature pose, with the same name as her self-dubbed title, the god of Teman [fingering in Japanese])
The discussion thread I meant to discuss here shows the construction of gender ideals on digital media through a homosocial, misogynistic and heteronormative discourse. Namely, it is an online co-construction and re-articulation of the tough masculinity ideal which involves homophobic slurs and sexual objectification of women as vile bodies. It is needless to say I was very mad and dumbfounded to see some forum participants of LIHKG take this female subject who is queer and assumed agency through her openness about sex out of context and objectify her as merely “the sex” and the queer other, and proceed to talk about conquering this “unattainable prize” in the language of rape culture. I believe that online discourse and social reality are co-dependent and what we talk or hear about online affects how we think and act in real life. Therefore, it is highly meaningful for us to always question how online discourse is shaped in such a way that it both informs and re-articulates gender ideals both online and in real life.
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Some of what these forum participants said brought my attention to their alarming lesbophobia and how it is vastly different from homophobia charged towards gay men. Some of the forum participants said and I quote, “Fucking a pretty tomboy is THE dream. Fuck her so hard until she turns fucking straight.” “Since she admitted to the public what her sexual orientation is, it makes it that much more exciting to jerk off to her films.” “Cunt’s fucking unwilling face when she’s getting fucked… like it is I who is fucking her out of her mind and reverting her into a damn normal woman.” It seems significant that this kind of “conversion by sex” criticism is phallocentric, and I seldom hear of criticism of male-identified homosexual people in the same manner. I wonder if it has to do with the notions of the penis as powerful and the man as the conqueror. In this discussion thread, I also catch some hints of gay-suspecting in the forum participants. Some are dissatisfied that one of them found Shiina’s gender performance of ‘female masculinity’ hot and subjugated him to gay-shaming, insinuating that maybe he “wanted to be fucked by her wearing a strap-on dildo” and was latently gay, thereby not belonging there with them. I wonder if these two ideas are conflicting, or if they are two facets of one tough masculinity ideal. Why in the homosocial interaction, the majority of the participants policed dealignment from heterosexual masculinity through a homophobic discourse? Why did one person’s dealignment harm the group’s heterosexual masculinity?
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The group-dynamics in this online locker-room talk is so strange when I notice that both online and in real life, some men tend to boast of their sexual conquests (or made-up sexual conquests) and that it is strictly homosocial yet universal, almost as if they either want or need to massage their and each other’s egos by upholding this façade under some kind of peer pressure. It is deeply troubling that they do not see (or they knowingly ignore) the misogyny in this behaviour. I seldom find women doing this. I think I first became aware of this kind of behaviour when reading Deborah Cameron’s blog, language: a feminist guide, where she noted that nearly all men partake in misogynistic conversation to uphold a kind of strictly heterosexual masculinity and foster heterosexual homosociality, to distance themselves from any doubt that they could be homosexual and thereby not masculine. This leads me to ponder the heterosexual matrix proposed by Judith Butler in Gender Trouble, where sex shapes gender and then shapes desire, and all of them work in tandem with each other such that each one affirms or negates the other. If you are born with a penis, you are a guy and you love women. Contradicting one of these three notions will disqualify the other two. As such, a man who loves another man is not ‘masculine’, and thus is ‘less than’ a man. (huge urgh) In this thread, it seems that it is imperative for these ‘straight cismen’ to appreciate and police Shiina’s body in a misogynist conquering manner while putting down any dissenting gender performance (such as appreciating Shiina’s manliness) lest it harms the masculinity of the whole.
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Another thing that I deem worth looking into is the conflicting desire that the forum participants voice out in the thread. On one hand, they seemed to enjoy criticizing the Shiina’s body and her performance, comparing her to the mainstream porn-star persona. On the other hand, they value her uniqueness and unattainable status, claiming it makes her hotter. This is shown when they argued that as a “tomboy”, she is very hot because “tomboys” are “unattainable” (by men) in real life. At the same time, some of them argued that she can’t be a real lesbian and must instead be a bisexual woman (and must be by deduction “attainable”) (as if women are objects to be acquired) (huger ugh). Why is an ‘unattainable’ female person both more appealing and less appealing to them?
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Yet another mystery bigger than the discussion thread itself is the thread’s oddity in the forum. Although LIHKG users often joke that there are no “sisters” (female users) in the forum and all those whose user name is red (it can be either red or blue) are gay male users, not female users, they also good-naturedly joke that it is the largest local gay forum. They say so because there are often posts advocating for queer rights or promoting equality movements in Hong Kong, and when it is discussed as a big topic, it is more well-received than hated. But in this discussion thread, I see homophobia dominating and underlining a misogynistic discussion over a female body. I can’t help but wonder, where do participants draw the line? What makes the political queer matters serious and deserving support, but Shiina and her fans laughing stocks?
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(meme with the caption: LIHKG The largest local gay forum)
I am probably reading too much out of what these men called ‘having a bit of fun’. But it is definitely not okay when it is at the expense of women or queer people. In fact, it is not okay on any person, and I am not merely being a killjoy when I problematize online discourse oozing in misogyny and lesbophobia. Online discourse and social reality are co-dependent and what we talk or hear about online always affects how we think and act in real life. Normalizing sexual objectification by letting it pass us by without comment is dangerous. We can never be too careful what we take in unconsciously and when we inadvertently help re-articulate ‘toxic’ gender ideals.
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