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theshutterworks · 4 months

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Plantation Shutters and Window Shutters: A Timeless Solution for Modern Homes

In the ever-evolving world of interior design, where trends come and go, certain elements stand the test of time. Among these enduring features are plantation shutters and window shutters, providing a timeless solution for modern homes. These versatile and aesthetically pleasing window coverings not only enhance the visual appeal of a space but also offer numerous practical benefits.

The Timeless Allure of Plantation Shutters

Plantation shutters have a rich history, dating back to the 19th century. Originating in the Southern United States, these shutters were initially designed for plantation homes, offering a balance of light, ventilation, and privacy. Today, their classic design and functionality continue to make them a popular choice for homeowners.

One of the key advantages of plantation shutters in Kingston is their versatility in complementing various architectural styles. Whether your home boasts a contemporary, traditional, or eclectic design, these shutters seamlessly integrate into any setting. The clean lines and adjustable louvers of plantation shutters add a touch of sophistication while allowing homeowners to control natural light and maintain privacy.

Elegance and Functionality in Window Shutters

Window shutters, a broader category that includes plantation shutters, provide an elegant and functional solution for window coverings. Unlike traditional curtains or blinds, shutters offer a unique combination of aesthetic appeal and practical benefits. With their ability to regulate sunlight, provide insulation, and enhance the overall atmosphere of a room, window shutters have become a staple in modern home design.

The timeless appeal of window shutters is evident in their ability to stand out or blend in seamlessly, depending on the desired effect. They contribute to the overall aesthetics of a home, creating a polished and cohesive look. Additionally, window shutters are available in various materials, allowing homeowners to choose options that match their preferences and the existing décor of their homes.

Why Choose Plantation Shutters in Kingston

If you're contemplating window coverings for your home, the choice of plantation shutters in Kingston becomes even more appealing. The picturesque town of Kingston, with its blend of historical charm and contemporary living, provides a perfect backdrop for these timeless window treatments.

The article at theshutterworks.co.uk delves into the specific reasons why plantation shutters are an excellent choice for Kingston residents. From enhancing the architectural aesthetics of historical homes to seamlessly integrating with modern interiors, these shutters cater to a diverse range of preferences.

Benefits Beyond Aesthetics

While the visual appeal of plantation shutters is undeniable, their benefits extend beyond aesthetics. The adjustable louvers allow homeowners to control the amount of natural light entering a room, providing flexibility throughout the day. Moreover, the insulation properties of plantation shutters contribute to energy efficiency, keeping homes cooler in summer and warmer in winter.

In Kingston's unique setting, where historical charm meets contemporary living, plantation shutters offer a practical and visually pleasing solution. Whether you're renovating a period property or adding a touch of timeless elegance to a modern home, these shutters prove to be a valuable investment. In conclusion, the enduring charm of plantation shutters and window shutters in Kingston makes them a timeless solution for modern homes. Their ability to blend seamlessly with various design styles, coupled with practical benefits, ensures their continued popularity in the ever-changing landscape of interior design. For Kingston residents, the choice of plantation shutters becomes even more compelling, adding a touch of sophistication to homes in this picturesque town.

#plantation shutters kingston #window shutters kingston #Surbiton #Kingston #Wimbledon #Teddington #Esher #Kingston upon Thames #Twickenham #Surrey

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canadianjobbank · 20 hours

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Apply now: https://canadianjobbank.org/helper-factory-2/

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superbarrydaveblr · 3 months

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5 Spots You Should Not Miss Out While In Your Pressure Washing Sessions

Are you finally tackling all those outdoor cleaning projects yourself with a rented pressure washer for Patio Cleaning Surrey? This powerful equipment can scrub some surfaces clean, but takes skill handling the spray wand not to damage delicate areas around your property. Keep reading to learn 5 easy-to-miss spots that deserve extra care and attention while pressure washing.

Outdoor Furniture Fabric and Cushions

It’s tempting to simply blast away at grimy patio furniture with a pressure washer! However, most metal or wooden chairs, tables and outdoor sofas also have fabric seat cushions, pillows and delicate décor you don’t want to shred, tear or push the filling out of from the strong water pressure.

When doing best patio cleaning in Surrey, avoid spraying directly at the soft parts of your outdoor furniture, keeping the intense stream to the hard surfaces instead. You can then follow up by gently scrubbing fabric areas by hand with laundry detergent and a soft brush before rinsing.

Wooden Fences, Siding and Deck Boards

Does your backyard wooden fence look almost black from mould, mildew and weather damage? Want that fresh new wood look again? While using a pressure washer to remove greyed exterior stains works great, you have to be very careful adjusting pressure and spray width.

Getting too close or using a narrow high-powered stream can tear up soft aging wood by sinking water behind the splintering surface faster than boards can handle. When you hire pressure washing London outdoor structures and decks, keep a wider fan spray nozzle further back to let soap suds soak instead and test small hidden areas first.

Vinyl Areas Prone to Damage

Home improvement experts will warn against using too strong pressure washers on vinyl siding, faux wood patio covers, shutter panels and the like which can sink water behind to bubble or peel surfaces. Yet lower-powered electric pressure washers with wide-spread tips can still target vinyl safely when you avoid aiming directly at edges and seams.

Just be sure to confirm if your home exterior surfaces can withstand any pressure stream at all before cleaning siding to prevent permanent marred marking and moisture issues.

Glass Windows and Doors

What could be more satisfying than effortlessly blasting months of caked-on dirt and dust off those outdoor glass doors and messy windows? But even mildly powerful pressure could crack window panes or dislodge putty seals around the edges. Adjust nozzles to low pressure, test hidden window corners and keep spraying moving across glass.

Electrical Areas and Light Fixtures

Finally, never intentionally direct the powerful spray jet from your rented pressure washer at any electrical wiring or light fixtures around the exterior of homes. Water finding its way behind fixtures causes unsafe electrical issues. Instead, mask lighting off with plastic bags and carefully hand scrub once protected.

Conclusion

Pressure washers allow fast exterior cleaning when used properly at appropriate distances and settings. But understanding spray limitations matters greatly on more delicate home materials like fabrics, softwoods, glass and vinyl which require cautious low-pressure testing and hand scrubbing combinations for pristine cleaning without permanent damage. Consider if hiring a professional pressure washing London company for patio cleaning in Surrey.

#Pressure washing London #Patio Cleaning Surrey

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civicblinds · 1 year

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Vancouver Blinds and Window Coverings

Transform Your Space with Civic Blinds- Your Window Treatment Destination!

Windows are essential to our homes; they let in natural light, offer beautiful views, and provide ventilation. But without proper window treatments, they can also let in too much light, compromising privacy and failing to complement the décor of the space.

Finding the right Vancouver Blinds and Window Coverings treatment that fits your style and functionality needs can also be challenging. This is where Civic Blinds comes in!

We are your one stop destination if you want the best window treatments in Vancouver. Our experienced team of professionals will work with you to understand your unique style and functionality needs and help you choose the perfect window treatments for your space.

Why Choose Our Service?

If you're wondering why you should choose Civic Blinds North Vancouver as your window treatment destination, here are a few reasons:

i. Quality assurance on all our products:

At Civic Blinds, we prioritize the quality of our products, ensuring that every blind, shade, or shutter is made with the finest materials and craftsmanship. We offer a range of premium window treatments that are durable, energy-efficient, and easy to use, ensuring that your investment lasts for years.

ii. A wide variety of options to choose from:

Every space is unique, so we offer various window treatments to suit every style and function. From traditional to modern blinds, we have something for everyone.

Our collection includes everything from classic Roman shades to sleek, motorized roller shades.

iii. Expert installation and support:

If you are looking for Window Blinds Vancouver provider that offers installation service, Civic Blinds is the perfect choice for you. Our team of experts is highly skilled and experienced in installing a wide range of window treatments.

We take pride in our workmanship and attention to detail, ensuring that your window treatments are installed correctly and function smoothly.

iv. Competitive pricing:

Quality window treatments shouldn't break the bank, so we offer competitive pricing on all our products and services.

So whether you need Roller Blinds Vancouver or zebra shades, our team will work with you to find the best solutions for your budget, ensuring you get the best value for your money.

v. Exceptional customer service:

Our friendly, knowledgeable team is always ready to answer your questions and help you find the perfect window treatments for your space.

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We prioritize your satisfaction and work hard to ensure your experience with us is stress-free and enjoyable.

Conclusion:

If you want high-quality, stylish, and functional window treatments in Vancouver, look no further than Civic Blinds.

With our focus on quality, variety, installation, competitive pricing, and exceptional customer service, we can help you transform your space into the oasis you've always dreamed of.

Find us on Google Map: ( Civic Blinds - Vancouver )

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brightlightshutters01 · 2 years

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What is the difference between shutters and plantation shutters?

Shutters are a terrific alternative to traditional curtains since they allow you to modify light levels and the mood of a room while maintaining your privacy. However, this does not imply that purchasing them is simple. Not only can shutters come in a variety of forms and sizes, but they also come in two separate types with distinct visual styles: classical shutters and plantation shutters.

Understanding traditional window shutters In Surrey, shutters usually have panels that cover windows from the inside, frequently on a hinge or sliding track, as almost everyone knows. They’re more insulating than thin curtains and frequently have a finer appearance; with a strong emphasis on all-or-nothing visibility (they’re either open or closed).

Some will be fully solid and opaque, while others will be latticed or angled like window blinds, but they all work similarly. Our collection shows the various appearances that can be produced.

Understanding plantation shutters A plantation shutter, rather than having a plain block or pattern, is a louvred design that incorporates slanted horizontal slats. They’re made to slope down from the outside in, allowing more light and air in, at least while they’re open.

When a plantation shutter is closed, it blocks practically all light and reduces the quantity of chilly air that enters the window. They’re frequently painted white to reflect heat and light and keep the room cooler like they were on actual plantations. They may be able to fold in on themselves to offer you complete access to the raw glass in some circumstances, but in others maybe a semi-permanent feature.

What are the advantages of plantation shutters? 1. A plantation shutters in Surrey is a combination of a window shutter, a blind, and a curtain, providing excellent heat management and cooling as well as a pair of slats that are very easy to adjust.

2. They’re also incredibly elegant, making them a desirable window addition for those who find curtains and blinds to be too office-like.

3. They’re significantly more adaptable than standard shutters, making them an excellent replacement option if you want to change things up.

4. Shutters can, of course, be utilised with curtains and blinds if you have the space. This can be a positive thing in locations with erratic weather and climates. It’s because you can utilise the plantation shutters and curtains to control how much hot or cold air enters your home.

What is the best plantation shutter material? Plantation shutters were traditionally made of wood, but the modern world has given us more options in terms of how we may design them. As a result, there are more materials to keep track of, each with its own set of benefits and drawbacks.

· Wood is the original, and modern wood has all of the same advantages as before, such as insulation, strength, and high quality, at least if the shutters are installed properly. It’s also the most fashionable and is also commonly used in traditional shutters in Surrey. It’s often the most valuable alternative and will increase the building’s value slightly.

· Waterproof Materials are extremely effective in coping with damp weather and spills and are frequently used in bathrooms, kitchens, and other areas where a lot of water could deform or rot other materials.

· Metal isn’t as common as it once was, but it can still be found in some places. These are commonly employed as a security precaution since they maintain the same wonderful appearance while being robust enough to act as an actual barrier if necessary.

· PVC and similar synthetic materials are widely used for obvious reasons. On paper, it is usually less expensive, more accessible, and stronger than wood, with the most significant drawbacks being style, design, and overall quality. If you need a shutter and don’t care what it’s made of, you’ll frequently resort to materials like this. Get some of the best plantation shutters in Surrey for redecorating your home, living room, and kitchen, only at Bright Light Shutters. They offer a wide range of window shutters in the area, ensuring the highest quality of products and services. Choose them as your preferred destination for traditional and contemporary shutters.

#shuttersinsurrey #windowshutters #plantationshutters

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blightshutters-blog · 4 years

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Bespoke Shutter Companies Near Me| London | Bright Light Shutters Ltd

At Shutters Companies Near me, we invest heavily in furnishing our customers with delightful, excellent shutters at an incredible cost. In case you're searching for quality wooden shutters, we offer a staggering made to gauge administration to guarantee an ideal fit and a delightful look.

#cheap window shutters #window shutters croydon #window shutters surrey #window shutters Surbiton #window shutters Kingston #window shutters Esher #bespoke shutters

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ameliasmith0145-blog · 4 years

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How to fit window shutters Croydon

Window 'break'?

The break is the area throughout the window shutters Croydon. Regularly in UK assets, there is usually a windowsill, with the glass sheets themselves coordinating with the outside divider line. Because of the diameter of dividers, contrasted, and the slenderness of shutters, there is continually going to be a distinction. The break gives a fantastic space to inside screens to be fitted.

This doesn't merely apply to shutters, as there will frequently be a break for different openings all through the home, for example, bay windows, yard entryways, and sounds.

The three principal places where shades can be matched:

External about a break (appending screens to encompassing dividers )

internal each break

Tip of a break (utilizing specific sorts of surfaces to conceal this absence of square encompass)

Step by step instructions to estimate for window shutters Croydon

It is prudent to weigh in at any rate three spots for each top of the screen, to watch that it is conservative and that the tests are steady over the break. You should consistently utilize the roughest estimation, as though the filters are excessively little, they won't match and will necessitate diminishing using a sander or other force device.

For a usual square (or orthogonal) window, the essential advances you will require are:

· estimate the Breadth and Length of the window – this should be internally and externally the break contingent upon how you intend to fit. Make sure to expel regular item resistances from the estimations. Frequently this will be 5mm.

Mass, in any event, three unique focuses for both the stature and afterward width.

Estimating the slanting heights from end to end will give you a thought of whether the shutter is accurate.

Mark the measurements you estimate.

For example, for different sorts of shutters, for instance, sounds, extraordinary shapes, and bay windows, there will be various advances needed, so it will be subject to the amount you believe your DIY aptitudes to hit the nail on the head.

You may necessitate relying on the administrations of a confided in shade provider to take estimations, request, and fit these, as these will regularly not be cooked for with person-administration screen sites.

FAQ's about installation

Q1. Would you be capable of putting shades on any window?

Adding screens to a house is a simple method to help its control offer. Window shutters Croydon establishment is a bright venture and, contingent upon what number of windows you ought, the activity can be finished in an evening with the proper devices and some essential DIY aptitudes.

Q2. Would I be able to introduce my ranch screens?

Shades are an ageless, tough decision for homes of any style, yet they can be scary to introduce outwardly expert assistance. Inside inventive new plan, the Simplicity Wood Shutter is anything but difficult to present, in any event, for a window amateur.

#Shutter companies near me #cheap window shutters #window shutters surrey #window shutters #wooden shutters

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cityandcountryshutters · 3 years

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Shutter Blinds in Surrey

https://cityandcountryshutters.co.uk/portfolio/shutters-broxbourne-hertfordshire/

Check out the best shutter blinds in Surrey. We provide the best solution for blinds, curtains and shutters. Install these at your home now! Visit the site for more!

#cityandcountry shutter window surrey

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pronouncingitwang · 4 years

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annabelle cane with a dash of mikaele salesa | 1.2K words | annabelle arrives on the upton house grounds

Annabelle is not used to having nice things.

The Mother keeps her alive, but she is not, by any means, indulgent. Annabelle eats what she is given to survive and sleeps when a flat surface is provided. It’s comforting, knowing that as long as she remains useful, the worries of the rest of the world—finances, friendships, professional failures—will never need to cross her mind. Most of the time, at least. Other times, when she finds herself, say, shaving her head over a garbage bin every month because the Mother would rather she not direct her energy towards maintaining it, she reconsiders her stance.

Upton House is pretty much the dictionary definition of “nice things.” Annabelle should probably feel lucky that one of the neutral zones of the apocalypse happens to be The World’s Poshest House connected to The World’s Poshest Gardens, but she can’t shake off her sense of unease right now. Stepping onto the grounds, Annabelle feels the same way she did when she first spied the clean lines and shining glass of the Surrey campus. Like there was an elaborate joke playing out in the universe around her, and the punchline was you don’t belong here.

When Annabelle was a child, she was, like most children, afraid. The things she feared shifted day-to-day depending on the latest story her brother Chris had told her and the last thing she’d watched on television. Lying awake at night, hearing the snores of her sisters beside her, she would become convinced that a creak of the floor or a thud outside the door was something trying to get her. Eventually, she’d found that the best way to quell her fear was to flip the script.

“You better run,” she would whisper to the air, “You’re not the ghost. I’m the ghost. I’m haunting you.” And again, “You’re not the ghost. I’m the ghost,” and again, until the steely determination in her voice settled deep and solid in her belly.

Of course, this meant that, after she’d encountered that giant spider in the old chip shop, she’d run home in tears, whispering through sobs, “You’re not a scary spider. I’m a scary spider,” which… well. Annabelle can appreciate foreshadowing.

As she walks toward the door of the house, Annabelle employs a similar fear-banishing method. “You don’t live here,” she whispers, stepping forward. Her boot makes a mark in the immaculate grass, and she grinds her heel down harder. “I live here.”

Soon, Annabelle’s close enough to the house to see the texture of the brick, to begin to count the separate segments of the window shutters. At the first glimmer of a light inside, she bites back an incredulous laugh. This place is real. And, she reminds herself, she lives here.

What would Annabelle’s childhood be like, if she’d grown up in a place like this? If her family could sit around the dinner table without accidentally kicking one another in the shins? If they didn’t need to fight over the bathroom? If, after fights, they could go to their own, separate rooms to calm down and formulate apologies? If, as they wiped away their tears and took deep breaths the way her mother taught them—come on, Annabelle, in, out, in, out… that’s it, baby—they could see trees and flower beds outside their windows?

You don’t live here. I live here.

Annabelle feels the Mother’s influence loosening the closer she gets. Her steps become less mechanical. She sways more when she walks, and her limbs feel heavy, like whatever was holding them up had stopped trying so hard. Perhaps, though, some of her feet-dragging comes from genuine reluctance. Annabelle has read the statements. If Mikaele Salesa is as good of a man as his crew suggests, she doesn’t want to kill him for the right to stay.

You don’t live here. I live here.

The exhaustion and hunger hit Annabelle as soon as she reaches the house’s doorstep. She staggers forward, grabbing for the door. She hadn’t expected the handle to turn so easily. Then, she sees Mikaele standing in the doorway, waiting. Unlocked deliberately, then. He probably has a good view of the grounds from the house’s many, many windows.

Mikaele doesn’t scream, or even pull a face at Annabelle’s entrance. She watches him calmly take in the caved-in side of her skull, count her eight eyes, and draw his conclusions. All without saying a word. Maybe he knows not to provoke the Web. Maybe he’s seen too many oddities in his life for Annabelle to unnerve him. Either way, it’s not a promising sign.

You don’t live here. I live here.

Back when her new eyes were just beginning to grow in, Annabelle had been so afraid. She’d thought about sewing them shut, or stabbing them until they became sunken pits in her forehead, but clearly, they’re still there right now, unharmed. You’re not going to do it, a voice—hers? the Mother’s?—had taunted every time she’d reached for her sewing needle. You’re already imagining how much it could hurt. The voice was right, of course. It was silly of her to pretend the decision hadn’t already been made.

Mikaele is not, it seems, afraid. Unfortunate. There goes the intimidate-him-into-giving-up-the-camera strategy. But he also isn’t holding a weapon. He’d been the one to unlock the door. He practically reeks of loneliness. And maybe part of why he hadn’t flinched when he saw her was because he, too, knows how alienating it is for strangers, upon meeting you, to stumble backwards and say, “you’re not what I expected.”

You don’t live here. I live here.

You do live here, but maybe, also…

“I live here,” Annabelle says.

“Okay,” Mikaele says. Just like that.

Relief and shock bubble up inside Annabelle. She wants to jump up and down and cheer, but Mikaele is watching her reaction closely. Instead, she orders her legs to stay still and her face to stay neutral. Annabelle allows herself a little movement—just enough to nod curtly—then steps through the doorway. She will process the gilt-edge chairs and the polished floors later; right now, she’s too focused on staying lucid. It takes effort, but she manages to stay upright all the way up the stairs. At the sight of the first empty bedroom, she groans, stumbles in, and collapses face-first onto a satin bedspread.

When Annabelle wakes, she finds a pile of provisions outside her door. Ten granola bars, still packaged, and several water bottles with unbroken seals, as if to say, “look, I didn’t poison this.” Whether the gesture was born of caution or general goodwill or both, Annabelle’s not sure. She hasn’t studied Mikaele enough to predict his actions with any accuracy. Perhaps in time, she will have.

Annabelle checks again for any tampering, then scarfs the food down as quickly as she can. She gives herself hiccups in the process, but the water helps with that. Bits of oat scatter across the ground as she chews, but she doesn’t mind. The spiders will take care of the crumbs. Then, she returns to bed.

“Maybe I should start growing my hair out again,” she murmurs to the nightstand. Then, she lies down, and falls back asleep in a room she can definitively call her own.

#the magnus archives #tma #annabelle cane #mikaele salesa #magnuspod #fic #disordered eating cw #see ao3 for full warnings

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justforbooks · 4 years

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Terry Jones obituary

One morning Brian Cohen, completely naked, flung open the shutters at his bedroom window to find a mob below hailing him as the Messiah. Mrs Cohen, played by Terry Jones, who has died aged 77, had something to say about that. “He’s not the Messiah. He’s a very naughty boy,” she told the disappointed crowd. It became a classic cinema moment.

The 1979 film Monty Python’s Life of Brian, a satire about an ordinary Jewish boy mistaken for the Messiah, which Jones directed and co-wrote with his fellow Pythons Graham Chapman, John Cleese, Terry Gilliam, Eric Idle and Michael Palin, was banned by 39 British local authorities, and by Ireland and Norway. Jones and his chums were unrepentant: they even launched a Swedish poster campaign with the slogan: “So funny it was banned in Norway.”

As for Jones’s performance as Mandy Cohen, it united two leading facets of the funnyman’s repertoire: his fondness for female impersonation, and his passion for historical revisionism. The latter was evident not just in his work for Monty Python – in which his historian’s sensibility proved essential to the satire of Arthurian England in Monty Python and the Holy Grail (1975), which he co-directed and co-wrote – but also in several documentaries and books in which he stood up for what he took to be the misrepresented Middle Ages.

“We think of medieval England as being a place of unbelievable cruelty and darkness and superstition,” he said. “We think of it as all being about fair maidens in castles, and witch-burning, and a belief that the world was flat. Yet all these things are wrong.”

Arguably, without Jones, Monty Python’s Flying Circus (1969-74) would not have revolutionised British TV comedy. He was key in developing the show’s distinctively trippy, stream-of-consciousness format, where each surreal set-up (the Lumberjack Song, the upper-class twit of the year show, the dead parrot, or the fish-slapping dance) flowed into the next, unpunctuated by punchlines.

For all his directorial flair, though, Jones may well be best remembered for creating such characters as Arthur “Two Sheds” Jackson, Cardinal Biggles of the Spanish Inquisition, the Scottish poet Ewan McTeagle and the monstrous musician rodent beater in the mouse organ sketch who hits specially tuned mice with mallets.

Thanks to the show’s success, Jones was able to diversify into working as a writer, poet, librettist, film director, comedian, actor and historian. “I’ve been very lucky to have been able to act, write and direct and not have to choose just the one thing,” he said.

Jones was a second world war baby, born in Colwyn Bay, north Wales, and brought up by his mother, Dilys (nee Newnes), and grandmother, while his father, Alick Jones, was stationed with the RAF in India. He recalled meeting his father for the first time when he returned from war service: “Through plumes of steam at the end of the platform, he appeared – this lone figure in a forage cap and holding a kit bag. He ran over and kissed my mum, then my brother, then bent down and picked me up and planted one right on me. I’d only ever been kissed by the smooth lips of a lady up until that point, so his bristly moustache was quite disturbing.”

When he was four, the family moved to Surrey so his father could take up an appointment as a bank clerk. Terry attended primary school in Esher and the Royal Grammar school in Guildford. He studied English at St Edmund Hall, Oxford, and developed a lifelong interest in medieval history as a result of reading Chaucer.

At Oxford, he started the Experimental Theatre Company with his friend and contemporary Michael Rudman, performing everything from Brecht to cabaret. He also met Palin and the historian Robert Hewson, and collaborated with them on a satire on the death penalty called Hang Down Your Head and Die. It was set in a circus ring, with Jones playing the condemned man. He and Palin then worked together on the Oxford Revue, a satirical sketch show they performed at the 1964 Edinburgh festival, where he met David Frost as well as Chapman, Idle and Cleese.

After graduation, he was hired as a copywriter for Anglia Television and then taken on as a script editor at the BBC, where he worked as joke writer for BBC2’s Late Night Line-Up (1964-72). Jones and Palin became fixtures on the booming TV satire scene, writing for, among other BBC shows, The Frost Report (1966-67) and The Kathy Kirby Show (1964), as well as the ITV comedy sketch series Do Not Adjust Your Set (1967-69).

In 1967, he and Palin were invited to write and perform for Twice a Fortnight, a BBC sketch show that provided a training ground not only for a third of the Pythons (Jones and Palin), but two-thirds of the Goodies (Graeme Garden and Bill Oddie) and the co-creator of the 1980s political sitcom Yes Minister, Jonathan Lynn.

Jones and Palin wrote and starred in The Complete and Utter History of Britain (1969) for LWT. Its conceit was to relate historical incidents as if TV had existed at the time. In one sketch, Samuel Pepys was a chat show host; in another, a young couple of ancient Britons looking for their first home were shown around the brand-new Stonehenge. “It’s got character, charm – and a slab in the middle,” said the estate agent.

In the same year, he became one of the six founders of Monty Python’s Flying Circus. They expected the show to be quickly decommissioned by BBC bosses. “Every episode we’d be there biting our nails hoping someone might find it funny. Right up until the middle of the second series John Cleese’s mum was still sending him job adverts for supermarket managers cut out from her local newspaper,” Jones recalled. “It was only when they started receiving sackfuls of correspondence from school kids saying they loved it that we knew we were saved.”

After Python finished its run on TV, Jones went on to direct several films with the troupe. The first, Monty Python and the Holy Grail, was, he recalled, “a disaster when we first showed it. The audiences would laugh for the first five minutes and then silence, nothing. So we re-cut it. Then we’d show it in different cities, saying, ‘We’re worried about our film, would you come and look at it?’ And as a result people would come and they’d all be terribly worried about it too, so it was a nightmare.”

He had more fun co-writing and directing two series for the BBC called Ripping Yarns (1976-79) in which Palin starred as a series of heroic characters in mock-adventure stories, among them Across the Andes by Frog, and Roger of the Raj, sending up interwar literature aimed at schoolboys.

Jones directed and starred in Monty Python’s Life of Brian, which some religious groups denounced for supposedly mocking Christianity. Jones defended the film: “It wasn’t about what Christ was saying, but about the people who followed him – the ones who for the next 2,000 years would torture and kill each other because they couldn’t agree on what he was saying about peace and love.”

In 1983 he directed Monty Python’s The Meaning of Life, in which he made, perhaps, his most disgusting appearance, as Mr Creosote, a ludicrously obese diner, who is served dishes while vomiting repeatedly.

During this decade Jones diversified, proving there was life after Python. In 1980, he published Chaucer’s Knight: The Portrait of a Medieval Mercenary, arguing that the supposed paragon of Christian virtue could be demonstrated to be, if one studied the battles Chaucer claimed he was involved in, a typical, perhaps even vicious, mercenary. He also set out to overturn the idea of Richard II presented in the work of Shakespeare “who paints him more like sort of a weak … unmanly character”. Jones portrayed the king as a victim of spin: “There’s a possibility that Richard was actually a popular king,” he said.

He wrote children’s books, starting with The Saga of Erik the Viking (1983), which he composed originally for his son, Bill. A book of rhymes, The Curse of the Vampire’s Socks (1989), featured such characters as the Sewer Kangaroo and Moby Duck.

In 1987, he directed Personal Services, a film about the madam of a suburban brothel catering for older men, starring Julie Walters. The story was inspired by the experiences of the Streatham brothel-keeper Cynthia Payne. Jones proudly related that three of four films banned in Ireland were directed by him – The Life of Brian, The Meaning of Life and Personal Services.

Two years later, he directed Erik the Viking, a film adaptation of his book, with Tim Robbins in the title role of a young Norseman who declines to go into the family line of raping and pillaging. In 1996, he adapted Kenneth Grahame’s Wind in the Willows for the big screen, giving himself the role of Mr Toad, with Ratty and Mole played by Idle and Steve Coogan. But it was rarely screened in cinemas. “It was ruined by studio politicking between Disney and Columbia Tristar,” he said. “We made a really nice film but no one saw it. It didn’t make any money, even though it was well reviewed.”

Jones was also unfortunate with his next film project. Absolutely Anything, based on a script he wrote with the screenwriter Gavin Scott, concerned aliens coming to Earth and giving one person absolute power. Plans were scuppered when a movie with a similar premise, Bruce Almighty, starring Jim Carrey, was released in 2003. Only in 2015 did Jones manage to film Absolutely Anything, in which Simon Pegg, playing a mild-mannered schoolteacher, is given miraculous powers by a council of CGI aliens voiced by Jones and his former Monty Python colleagues. Robin Williams, in one of his last roles, voiced Pegg’s dog.

Jones made well-received history documentaries, including in 2002 The Hidden History of Egypt, The Hidden History of Rome and The Hidden History of Sex & Love, in which he examined the diets, hygiene, careers, sex lives and domestic arrangements of the ancient world, often appearing in the films as an ancient character, sometimes dressed as a woman.

In his book Who Murdered Chaucer? (2003), he wondered if the poet had been killed on behalf of King Henry IV for being politically troublesome.

He wrote for the Guardian, about the poll tax, nuclear power and the ozone layer. He became a vocal opponent of the Iraq war, and his articles on the subject were collected under the title Terry Jones’s War on the War on Terror (2004).

In his 2006 BBC series Barbarians, Jones sought to show that supposedly primitive Celts and savage Goths were nothing of the kind and that the ancient Greeks and Persians were neither as ineffectual nor as effete as the ancient Romans supposed. Best of all, he sought to demonstrate that it was not the Vandals and other north European tribes who destroyed Rome but Rome itself, thanks to the loss of its African tax base.

When Jones was asked what he would like on his tombstone, he did not want to be remembered as a Python, perhaps surprisingly, but for his writing and historical work. “Maybe a description of me as a writer of children’s books or maybe as the man who restored Richard II’s reputation. I think those are my best bits.”

In 2016, it was announced that Jones had been diagnosed with primary progressive aphasia, a form of dementia that impairs the ability to communicate. He and his family and friends spoke about his experiences to help others living with the condition.

Jones is survived by his second wife, Anna (nee Söderström), whom he married in 2012, and their daughter, Siri; and by Bill and Sally, the children of his first marriage, to Alison Telfer, which ended in divorce.

• Terence Graham Parry Jones, writer, actor and director, born 1 February 1942; died 21 January 2020

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

#JUST FOR BOOKS

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brightlightshutters · 8 months

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canadianjobbank · 14 days

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Apply now: https://canadianjobbank.org/helper-factory-3/

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shawnsorangeglasses · 5 years

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Better Conversations - Part 7

3.3k words

very special thank you to @rulerofnocountry and @sauveteen for their input and comments on my google doc. they played a very big part in how this came out so they get writing credit. check out their blogs.

Synopsis: Another assistant AU, you’ve known Shawn since the beginning but you don’t really become friends until a label party in New York. Then he offers you a job as his assistant.

It’s sightseeing day and (Y/N) gets an unexpected visitor in the middle of all the fun.

warnings: none, mostly cute

...

It’s still dark when (Y/N) wakes up, surrounded by warmth. Shawn has sort of rolled onto her in the middle of the night. His heavy arm drapes over her body. She carefully craned her neck over to see his leg crossed over her ankles as well. Her nose is dangerously close to his collarbone. Must be hard sleeping alone all the time, she thinks to herself. She knows the feeling well enough, as many times as she’s fallen asleep by herself in her lofty New York apartment.

As nice as it feels to be wrapped up in another person, (Y/N) knows she has to move before he wakes up. She starts with the ankles, slipping out easily. Shawn doesn’t seem to notice. She takes a deep breath and prepares to move his arm. A sudden and sharp inhale from his nose makes her recoil. He says something incoherent and mumbly in his sleep. (Y/N) eases out of his grasp and onto the floor with a soft thud.

She starts moving things around that don’t need to be moved. Nothing about this looks good. Should someone walk in, they’d be a great deal of trouble.

Just her luck, somebody knocks on the door.

“Housekeeping,” says the other side of the door.

(Y/N) closes her robe and cinches her waist. She tiptoes over to the door and opens it. A tiny and very friendly cleaning lady greets her. (Y/N) knows the woman isn’t there to judge her, but it still feels that way.

“Hi, uhm. Could you come back in, like, an hour?”

“Sure, darling,” says the cleaning lady and she pushes her cart further down the hall to the next room. (Y/N) breathes a sigh of relief and shuts the door as quietly as she can.

“Who was that?”

(Y/N) jumps a few inches into the air and slams her body into the door. Shawn takes a cautious step back. “Fuck, Shawn.”

“Sorry,” he says, covering up his laugh. “I didn’t think I’d scare you.”

Shawn turns back around into the room. (Y/N) doesn’t bother trying to stop herself from staring. No one should look so perfect in the morning. He only had on his shorts, and while she’s seen him shirtless many times before now, it feels different now that he’s the only other person in her hotel room. Anything could happen if they both wanted. Not that it will. Or should. But it could. And that's the problem.

“It was housekeeping,” she says, walking past him. “We have to go. I only asked for an hour.”

"Hey, do you remember if I brought my phone in here last night? I can't find it."

"No," she says, tense and on edge. "Why would I remember that? I don't remember anything."

Shawn pauses to look at her. "Are you good?"

"Yeah, great," (Y/N) squeaks. "Never better."

"Okay," he nods. "If you say so."

And then he gives her a smile. The everything-will-be-alright smile. That smile that almost everybody falls in love with. (Y/N) scurries past him into the bathroom, locking it behind her. Her heart races a mile a minute. She doesn't come back out until she hears his door open and close.

…

"Look, (Y/N)," Shawn holds up a zany frog toy and his phone camera, aiming for her on the other side of the room. "It's you."

He was poking fun for her jumpiness earlier today. (Y/N) looks around the old shop they wandered into. She spots a dopey-looking deer plushie among other cute woodland creature toys in a basket. "And this is you."

After an audible laugh, Shawn uploads the video to his story. Seconds later, (Y/N) gets the notification on her phone. Another side of her for the internet to see. Not that she minded. He has a way of catching her off guard and making it look good.

It's been a few hours out and about in Surrey, and Shawn still hasn't said a word about last night. Even in this lovely little trinket shop on the bustling streets of this small English town, (Y/N) couldn't bring herself to think about anything else. It’s become a mental chore rationalizing her feelings each time they grow stronger, wanting so badly to be better than her heart. For a while, she was good at it, and can easily bring herself back down to earth. Other times she just has to sit in the emotions until they fade.

Shawn, of course was asleep when (Y/N) woke up entangled in him. So, he thinks nothing of it and continues to do cute things, like pointing at random objects and saying dumb things like "it's you." He's not thinking that hard about it. He just knows he enjoys being near her.

Fans linger at a safe distance in small, huddled in groups outside just about every establishment they visit. Shawn already stopped to take pictures with the first wave of young girls and women. (Y/N) realizes that this new group is all fresh faces and lets him know. They all screech and wave when she points them out through a window.

"Can you come with me? Sometimes they have gifts."

(Y/N) follows him out to the sidewalk and the excitement grows. A lot of them are recording. Cameras don't bother (Y/N) anymore. Shawn's supporters are more often than not very respectful to her in public. Every time she attempts to stay in the background, they graciously call her name and want to shake her hand and thank her for helping Shawn remember things.

This is a lively bunch today, but they're more than willing to take direction. Roughly three gifts were exchanged, thankfully all small sturdy things in boxes that (Y/N) could store in her tote for the rest of the day. A few hugs and happy tears later, Shawn opts to take a group photo with everyone. He hands (Y/N) a fluffy, blue phone to take the picture.

"Okay guys, say cheese."

The shutter clicks and Shawn stands up. "Everybody say thank you (Y/N)!"

They sound like a preschool class when they say it all together. (Y/N) gives Shawn a stern, but playful look. He bumps his shoulder into hers, grinning from ear to ear.

“You’re all very welcome.”

Jake steps in and politely asks everyone for some space. Shawn is still of course signing things and making light conversation. (Y/N) steps aside to check her phone again for any updates from Andrew or Cez. It’s then that a very small hand taps her on the forearm. She looks down and the smallest little boy that she’s seen so far this tour is standing there, waving at her. Several of his front teeth are missing. Another young girl, probably a teenager rushes to his side.

“I’m sorry, this is my little brother,” she says in a thick English accent. “He just wants a picture.”

“With me?”

The little boy nods eagerly. (Y/N) looks over at Shawn, who is also nodding.

“O-Okay, yeah that’s fine.” (Y/N) kneels down to him, as he’s only about three feet tall. “What’s your name?”

“Georgie,” he says quietly.

“It’s very nice to meet you Georgie, I’m (Y/N). Can I shake your hand?”

Georgie extends his miniature hand and rests it in hers. (Y/N) can see out of the corner of her eye Shawn logging the entire moment onto his phone. Georgie’s big sister takes the picture and she walks him back into the crowd. Just as quickly as he ran up to her, they were gone. (Y/N) stands there, heart swelled and in awe of what just happened. Shawn jogs to her side, still looking back and waving to everyone.

“That was fucking adorable,” he says into her ear.

“I know,” she whispers back. “You got video of it?”

Shawn replays the twenty-two seconds on his screen for her. Georgie is even cuter the second time. And the third.

"I'm going to melt. He's so cute."

The touring party has moved ahead to the end of the street, right at the crosswalk. The band, Brian, Andrew, and Cez were all waiting behind for them to catch up. (Y/N) reaches into her bag for a water bottle just as Shawn starts to ask for one. He gingerly takes it from her hand. She pats him on the back.

“Let’s not keep everybody waiting.”

A few more blocks and they reach 2nd street. There’s less young people around, which allows the adrenaline to wear off. (Y/N) opens the map on her phone to find the next stop.

“We’re coming up on the next place,” she tells Shawn. “I think you’ll like this one.”

“Is it food?”

“Uh, I think it’s close to food— hang on a second, we just ate like and hour ago.”

Shawn shrugs. “I walked it off?”

(Y/N) sighs. “Alright, well there’s a fish and chips place right across the street from it, so you’re in luck.”

Shawn does a mini celebration dance mid-step. (Y/N)'s phone makes a sad little chirp to let her know it’s dying. She closes every app she’s opened since the start of the walk. Before she can press the power button, a call comes in. The number is unknown, but she accepts it anyways. It could be someone important.

“Hello?”

“Hey, beautiful.”

(Y/N) stops walking and her blood gets hot. "Jason?"

Shawn stops too, once he hears the name. (Y/N) eyes meet his eyes briefly, then go back to the sidewalk. She doesn't need him worrying.

"Why are you calling me?"

"I got a surprise for you. Turn around."

She does, but sees no one and nothing out of the ordinary. "What the fuck am I supposed to be seeing, Jason?"

A figure halfway down the street waves at her. His ball cap obscures his face, but she knows those high end slacks anywhere.

"Okay, hang on," she says and hangs up abruptly. She slides the tote off her shoulder. "Shawn take this, I'll be right back."

"You don't have to go talk to him," he assures her. "Let's just keep walking."

"No, I have to. He doesn't know when to quit. I only need a few minutes, maybe five."

"Do you want me to come with you? Or Jake?"

"No. If Jason tries to start something, you'll get in the middle of it and someone will take a picture or video and that's the last thing we need."

Shawn looks for Jason past the sea of tourists. He's actually standing there like he doesn't have all day to wait around. If only (Y/N) would let him join her, he'd feel a lot better about her having to talk to this asshole. The longer he glares, the more motivated his feet are to walk down there himself. But her small hands on his chest pull him back into reality.

"Just go to the record store— surprise it's a record store— then take everyone to the fish and chips spot. I'll be back."

Shawn's face twists into a worried expression. "I really think it's best if Jake goes with you at least."

"Then who’s going to protect you?"

"I've got Brian and we can run if we need to."

(Y/N) looks over at Brian, who kindly salutes her. Jake comes up to take her tote and his place by her side. These men were not about to let her face anyone alone if it can be helped and she is all the more grateful to have them.

"Five minutes," she tells Shawn. "Then call me. If I don't answer, call the cops. I think it's 999 here."

“It’s not gonna come to that.” Shawn squeezes her hand, then looks at Jake, “Don’t let it come to that please.”

“I got her, don’t worry,” says Jake.

Shawn’s hesitant to let go, but he does eventually pry his hands from hers. She starts off in the opposite direction they came, Jake tailing close behind.

(Y/N) checks her emotions, but they seem to be on autopilot. The whole point of quitting the firm was to be as far away from her old life as possible. Jason showing up out of nowhere, unannounced and uninvited ignites a fire in her chest. Every cell in her body trembles so much so that she has to clench her fists just to focus on walking.

Jason’s sat at an outside a small cafe’s dining table when she approaches. “A bodyguard? Seriously?”

“His name is Jake. He’s friendly as long as you are.”

“What took you so long,” he sneers. “New boyfriend wouldn’t let you go so easy?”

“There is nothing between Shawn and me but a professional, working relationship. Wish I could’ve said the same for us.”

“Are you really blaming me for your having to quit?”

“No, Jason.” She sits across from him. “In fact, not everything revolves around you. Other opportunities came and I needed a change of pace. Now I’ve got friends like Jake who have my back and I have theirs.”

“(Y/N) I didn’t come here to make trouble. I simply want to make an offer.”

She folds her arms across her chest. “Give it your best shot.”

“I know this job can’t be paying you that much and you must be homesick. So I pulled some strings and got a position open for you. You’d be making twice as much as you did as my assistant.”

"This position requires that I still work under you though, doesn’t it,” she asks.

“Y-Yes, but it comes with several perks. Perks you didn’t get before.”

(Y/N) rolls her eyes, “Tantalizing.”

Jason sits back in his chair. “Alright, what’s it going to take for you to come back?” There’s an air of desperation in his words.

A wry smile plays on (Y/N)’s lips. “You’re falling apart back there, aren’t you?”

Jason finally shuts up. She glances at his hands, stiff in his lap. He’s nervous, and for the first time in all the hours they spent together, he is truly the one at her mercy. (Y/N) examines him carefully. The severe bags under his eyes. The bitter frown pushing on his laugh lines. The wrinkles in his clothes. He came here on impulse to try and get her back. A less informed person might think it's vulnerable, but anyone who knows Jason is well aware of how few and far between he does for others out of the kindness of his heart. He has an angle, and (Y/N) can't be bothered to figure out what it is.

“Jason, I’m happy where I’m at. No, it’s not six figures, but it’s about more than money for me. I’m done with fighting for my life.”

“Just consider what you’re doing here, (Y/N).”

“I’ve had two months to consider. My mind was made up when I left. You have to know that.”

(Y/N) rises from her seat and turns to leave with Jake. Jason rushes out of his seat and steps in front of her. Jake instantly moves a dense arm between them, glaring at Jason.

“I have to get back to work, Jason,” (Y/N) heaves. “I only asked for five minutes and we have a bit of a walk now.”

“I’m just telling you, you’re making a mistake. You will regret this.”

It's probably the most blatant threat to ever fall out of his mouth and it makes her stomach churn. Still, she doesn’t give him another word or second of her time. Jake leads them away from the cafe. There's no need for her to look back to know that Jason’s fuming. She can feel the heat of his stare burning the back of her neck.

She’s leading Jake after a while, until they find the record store. Shawn’s still milling around in the rock section with Brian and Andrew. (Y/N) taps the window with her fingernails prompting Shawn to look up. His face brightens like a Christmas tree and he bounds to the exit in two large strides. He catches (Y/N) in a bear hug on the steps of the shop, just barely lifting her off the ground.

“Holy shit, you’re okay.”

“You sent Jake with me,” she giggled. “Nothing was going to happen.”

“I was still losing it. Brian had to talk me down a couple times.”

“He turned us around twice,” Brian says over his shoulder.

"That explains why you guys didn't get too far."

Shawn takes her over to the window. It’s probably the coziest corner of the room, leaving very little space between their bodies. He’s practically hunching over to look her in the eye. Passersby on the other side of the windowpane don’t pay them any mind, but (Y/N)’s body is still so hot all over.

“What did he want,” he asks, hushed and mindful of the space they occupied.

“He had a new job offer for me. More money, stuff like that.”

“Oh...”

“I said no, Shawn.” She bites her lip. “You can relax.”

“Oh! I knew that.”

"Yeah, sure you did."

"Hey you two," Andrew says. "Are we eating today or tomorrow?"

(Y/N) makes unnecessary adjustments to her clothes, tucking her shirt further into her shorts. Shawn pushes back his already tidy hair. They each exchange an awkward smile.

"Shall we," she says to him. He files behind her and the party and out of the record store.

The eatery is near full when they happen upon it. It’s a quaint little shop with specific memorabilia all over the walls and a washed out blue color scheme for the old decor. Surrey natives of all kinds are inside. The staff, though a little hard on the outside, are more than amiable. They even help push a couple of tables and chairs over to a booth to seat everybody.

"You know they're being extra nice because you walked in," (Y/N) nudges Shawn. He looks over at the two female cashiers, sending them into a giggling fit.

"You think?"

"Don't play dumb. We've already established how cute you are."

"I know. Just love hearing you say it."

(Y/N) doesn’t fire back with one of her usual quips and slumps back into the booth. Usually, she sat up straight and attentive to everyone else. All the glow and spirit she started the day with seemed to be sucked out of her. Shawn scoots in next to her, hoping to transfer some of his positive energy with mere proximity. If it were up to him, they would have kept walking when Jason showed up, but it wasn't his decision to make for her. Everybody else is preoccupied with much louder conversations at the crowded table. He moves in close, not necessarily facing in her direction, and taps her forearm.

“Are you sure everything’s okay?

She simply bites her lip and nods silently. Jason must have done something wrong or said something wrong. Shawn knows it isn’t any of his business and she clearly doesn’t want to talk about it. On the seat of her chair is her very fidgety hand, picking away at it’s weathered paint job.

He moves his hand down onto his thigh, daring to get so close in the middle of this much company. No one else can see their side of the table as far as he knows. Furthering himself into the gap that separates them, he stops when his pinky finger can link with hers. He gives it a tight squeeze and she returns the pressure. Her face remains expressionless, as if all the emotion has been redirected to her hand. She's okay is what this tells him, but he holds on for the rest of lunch anyway.

...

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