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new animal just dropped
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i'm so sorry i don't want to be the "the party ended 5 years ago and he's still here" person but dark phoenix's final scene is still SO funny to me. especially to see how erik plays charles like a fiddle
like: he shows up with NO helmet AND a chess set. (he did this last time in days of the future past, and it worked, right? so it should work again, right? right???)
so, he sits, completely uninvited mind you, and he tries (and fails terribly bless his heart) at starting a normal conversation, he asks charles about his retirement, probably trying to get charles to like, talk about it or whatever
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(rip erik's hairline)
charles is not having any of it, which... valid. the last time he and erik had a full conversation, erik told him to shut the fuck up 
anyways, erik realizes his failed attempt at being casual did NOT work like he wanted, so he pulls out plan b - he calls charles his old friend (which, if you pay attention, in the prequels they use 'old friend' as a term to de-escalate the situation)
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which WORKS, for some reason, and charles immediately deflates and gives erik the tiniest smile in existence, because erik showing he cares always seems to do it for charles lmao
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(he's so embarrassing . god bless. @ x men: is this your leader)
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anyhow, erik pulls out the second part of his plan b - he asks charles if he wants to play a game. still playing casual. just two buddies. just two guys. some guys. just some friends having a toootal normal n casual conversation.
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and you can immediately see charles close himself up, he crosses his arms and avoids looking erik in the eye. erik managed to soften him up with the 'old friend' and having his helmet off, but it's not enough YET so erik pulls out his plan c. luckily his last one, christ, charles really does like to keep them waiting doesn't he
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keep an eye on erik's entire demeanor in this scene, his position is not closed off like charles', he's open, he leans on the table, and maintains eye contact with charles. his head is tilted to one side and everything, completely harmless
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i'm so obsessed with charles' microexpressions here james mcavoy you are so insane
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anwyays, charles uncrosses his arms and his position does come off a little more open, but if you watch the scene you can see him shake his head. this obviously touches him - but he's probably intending to say still no. probably because he has the biggest martyr complex i've ever seen in a fictional character 
so, erik pulls up his fucking plan d (lol) and hopefully this time IT WILL be the last. he pulls the pawn out of his jacket pocket.
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(why the fuck is this played like a fucking romantic scene i'm so serious, why is he smiling to himself like that)
mind you, erik had the pawn in his pocket the entire time, which could mean either of two things:
charles looks surprised/confused the entire scene, but in THIS part he doesn't look confused, he just looks like he's still trying to figure out what erik is trying to do. so it either means erik makes charles play this 'guess where it's hiding' game all the time (????) which doesn't really sound likely for him to do, but erik is always begging charles to get into his head so it wouldn't surprise me if he actually did this every time. god knows he's desperate enough or
erik was expecting charles to reject his offer right away, and had multiple other plans shoved up his ass if this was the case. this also seems likely, he's obsessive enough to have thought multiple ways through. 
anyways, he puts his two fists up and pulls up the most mortal sentence in existence. one he knows charles won't be able to deny him
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"just ONE game 🥺 for old time's sake???? 🥺🥺🥺" man stfu you are 62 years old GET UPPPP 
anyways - pay attention to his wording. 
"just one game" because erik came ALLLL this way for charles, so charles might as well play ONE game with him, and then erik could be gone - if charles wanted it that way. 
"for old's time sake" when things were easier and when they were more at peace - when they were on each other's side. when they were together and the mansion, just after charles had saved him and gave him a hom- oh wait 
(also, there's 100% a hidden meaning here. and there’s also a 100% chance i’m reaching but idc. the pawn could be in his left hand or his right. the possibility is 50/50. the only way charles could know with 100% certainty was if he entered erik's mind - if he took up erik's offer. but he could also not get into erik's mind and just... guess and fail - by thus, not taking erik's offer. erik is giving him an out, a choice to make the first move)
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(and the chess piece he offers charles a WHITE pawn. the white pieces are the first ones to move. 
also also if you have paid attention to the previous movies, erik is always the one to use the white pieces, this is the first movie where we see charles play with white)
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anyways, charles does struggle a bit with the choice, but ultimately he decides to accept erik's proposal and """guesses""" right.  
and going from erik's... entire face and smirk lmao i'm guessing charles went into his head to get it right. mind you, this is like sex for them
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charles accepts - erik is very relieved to know he's not the only one who's down horrendously. and after the worst guessing game in history (seriously, the pawn was in erik's right pocket and then he had it hidden in his right hand... man i guessed that shit and i'm not even a telepath) they start rearranging the board
so anyway, erik gives charles this look like he wants to climb him like a tree, which means that playing edward 'down embarrassingly bad' rochester in jane eyre (2011) finally fucking paid off
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erik doesn't even blink mind you, and charles doesn't take his eyes off erik either way, which means they are just STARING at each other without blinking for god knows how long LMAOOO 😭😭😭
once everything is said and done, erik makes a silly little joke and charles rebuts. then erik gives him the biggest smile i've ever seen him give to someone since magda, and then he follows it up with a smaller, softer smile with no teeth
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seeing this for the first time in the theater was like getting shot in the chest, no joke
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mind you erik stopped trying like three minutes ago but for some reason, the first time we finally see charles soften up in the ENTIRE movie is after he sees erik smiling at him. which could mean nothing.
and the thing is: charles does have a big heart, and he means well, most of the time, but he also doesn’t necessarily has… the best way of showing it with his actions lol. erik knows this, and he knows charles has a thing for lost causes, for people the society has given up on. charles threw himself into the freezing water to save erik - even when he didn't KNOW him. 
AND he also knows charles has the biggest soft spot for him, he KNOWS - because all those years ago, charles' biggest accussation wasn't "you paralyzed me" it was "you left me". because after erik lost his wife and daughter, charles rushed to find him, to make sure he was okay. because nine years ago, charles looked at apocalypse and said "fuck you you are twisting erik's grief, and you are hurting him" to A GOD BTW. TO HIS FUCKING FACE NO FUCKS GIVEN AT ALL
tldr: call erik the fucking violinist because boy he sure knows how to play charles like a fucking instrument and how to press all the right keys to get him to say yes to him. he gave charles an out if he didn't want to come with him, but he also came PREPARED for it, mind you, he came PREPARED to take charles with him to genosha. he didn't get to take charles with him 30 years ago, and he was going to be dammed if he didn't take charles with him NOW (this time with no bullet wound and no helmet lol)
and the most insane thing to me is, that he knows charles has a soft spot for him, he's known this for 30 years, and yet, the only time he uses it in his favor is to get charles to say yes to him on this. the only time he uses it is when he thinks he can do something to help charles - to give him back all the kindness charles gave to him 30 years ago. 
anways i'm insane. i'll be back here eating glass if you need me. i'm so normal about them. simon kinberg broke something in me 5 years ago
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being as i am an idiot, and having been one my whole life, i just wanna say that i find it very easy to do nothing, and go nowhere. i eat chocolate late at night in the dark. i stand in the garden also. and i’m often waiting for something to happen. and i’m stupid.
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PACING IS ABOUT LOAD BEARING WALLS.
*staples violently to my own forehead*
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reminder to worldbuilders: don't get caught up in things that aren't important to the story you're writing, like plot and characters! instead, try to focus on what readers actually care about: detailed plate tectonics
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no punctuation we read like romans
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kitten chewing marker asmr
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put those awesome boobs away dude now isn't the time
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So I was watching a video on ptarmigans and it was mentioned that they dig burrows in the snow for shelter and protection. Which, cool! Burrowing bird! Then they showed this picture and
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It's perfect
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hi (hat from here)
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inspired by this post i will say. when i say ‘gortash would do anything, truly anything, to further conquer, shape, bend & break the world after his image’ most people agree. but as soon as i elaborate ‘and horrific sexual manipulation & sometimes even assault is included in that, because again, anything as long as he deems it necessary he will not only do, but see as something to be prideful about, as a victory.’ everyone goes crazy (negatively)
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its really crazy how people love to blorbopost about how their blorbo is a War Criminal Scrunkly but those same people will act like you ate their dog if you so much as imply that scrunkly has any textual relation to sexual violence
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BOOKS READ IN 2021
The Hitchhiker’s Guide to the Galaxy | Douglas Adams
Infinity itself looks flat and uninteresting. Looking up into the night sky is looking into infinity - distance is incomprehensible and therefore meaningless.
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Apparently Miles is a JJK fan (in the comics)
If you put these two in a room together I think the result would be adorable 🥺
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ROOM TIED TO A BALLOON (THE FLOATING HOUSE)
I'll upload a better take later.
This is from a story like collection of piano pieces which are always heavily improvised. This part in particular is "A Room Tied to a Balloon", which takes place after "City on a Hat"
City on a Hat uses some of same themes more intricately, and details the visions of the life of an entire little city which is balanced on a hat, as the hat moves or tilts when its carrier lives it's life, those in the city have grown used to a life in constant sway, some perhaps hang up their clothes to dry the very instant the world tilts the poles holding the lines may sway to their balcony, everything in sync and balance--- except for one that breaks their little abode free by balloon, taking to the air, thus leading to this piece, a fragment of the previous theme which lightly floats up....down..up...until it it comes to rest.
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