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medicatedmaniac · 2 days

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This is for @medicatedmaniac who asked for a Ficlet set in the Proof of Life Universe: “Proof of Life my beloved - maybe the leadup to the Pulitzer prize being awarded? Maybe the night of and their in their hotel room getting ready to go to the ceremony? Or they get a letter about being nominated in the mail and maybe have mixed feelings on the nomination?”

1. She gets caught as she stands on the threshold of the hotel room, déjà vu suddenly overlaying her vision like a slide into a projector. The window is in the same place. The desk. The carpet is the same, though cleaner. If she closed her eyes she would hear a spat of gunfire. She does not close her eyes.

“Scully?” says Mulder from behind her with a gentle hand on her upper back.

She has stayed in hotel rooms since being held hostage in Africa, but this one…this one has a layout so similar to the one in which she was held that her amygdala takes over her higher functions. For a moment. One moment. Then she swallows and forces herself to breathe again. Forces herself to calm.

“Jesus fucking Christ,” Mulder whispers. He has come up more closely behind her, is looking over her shoulder into the room.

He is the only other person in the world who would get it, and does.

In a moment, the bags he was holding hit the floor and he brushes past her, marches into the room with purpose, directly to the desk, where he picks up the telephone receiver.

“I’m getting us a different room,” he says.

Scully swallows thickly and finally does close her eyes, breathing deeply through her nose. She does not hear gunfire. They are an ocean away from that place.

“Wait,” she says, then moves into the room herself. Stands in the center and takes a slow turn. Mulder, still standing at the desk, still holding the phone receiver in his hand, watches her.

She turns to him calmly, and, she thinks, with dignity.

“Before you call,” she says, “take my picture.”

“Take your-”

“Take my picture,” she says. “In front of the window.”

Mulder slowly lowers the phone. Glances at her. Glances at the window. She doesn’t have to explain what she means. He understands immediately.

“A journey of a thousand days,” he husks.

Scully nods. “The light,” she goes on, “is perfect.”

2. Africa again, but far east of the jungle mountains and lowlands besieged by war, they are now in the shadows of Kilimanjaro, the savannah stretching before them as paper unfurls from a scroll.

Scully is here for six months, the resident doctor in a rural hospital built and supplied by a Canadian charity. She treats diseases long dead in the First World west, urges the women to collect water from the new well six miles away rather than the river that is only two.

She has a local guide and contact who works for the charity, a lanky Maasai man who goes by the Christian name of James. He wears ropes of delicate and colorful beads and a lion's tooth on a cord around his neck. Under his red tunic he wears a white Hanes wifebeater and sandals made of old tires. He is missing a tooth on the side of his smile, which he is also always wearing.

“Good morning, Doctor,” he says in his friendly accent when she emerges from the clinic door to see if there is anyone waiting for treatment.

“Jambo!” Scully says at a volume and enthusiasm which makes her uncomfortable. She would rather a quiet hello and nod, but the culture she is living in necessitates jovial greetings at all times.

James is leaning against a post just beyond clinic porch and holding a spear which means he was likely out in the bush.

“Have you seen Mulder?” she asks.

“Yes,” he says. “He got a call. He asked me to come and get you.”

At this, Scully raises her eyes. Cell phone reception is spotty here at best. She hasn’t bothered to carry her phone with her in weeks. Mulder always has his out in the field, but the clinic is in a dead zone and there’s really no point.

James pulls his own cell phone out of a pouch that’s looped around his waist. He presses a button and hands it to her.

“Scully?” says a tinny voice punctuated by static. She puts the phone to her ear.

“Mulder?”

“Scully,” Mulder says. “Call Benjamin and Savato, tell them we have to leave early.” He explains his statement in a rush and Scully is dumbfounded when she silently hands the phone back to James.

He nods at her and steps back respectfully. When she’s halfway through the door of the clinic, she comes back to herself and spins around.

“James!” She calls out. “How does your phone work here?”

James smiles widely, showing the gap in his mouth.

“Magic,” he says.

3. The day is sullen; gray and without cheer. Outside the window, the rain comes down in a defenestrating assault.

In the bright doorway of the bathroom — they have a top floor suite — Mulder stands, struggling with the knot of a bow tie.

“Monkey suit,” he says, a little whiny.

Scully smiles and walks up to him, the silk sheath dress she’s wearing whispering as she moves. She’s not wearing heels yet and has to tilt her head back to look up at him.

“It’s only for an evening,” she says, reaching up and taking over the knotting. “And if the big mucks at Columbia hear you complaining, they might take back your award.”

Mulder lifts his chin to give her more room to work. After a moment she feels his warm hands settle on her waist.

“There,” she says, straightening his bow tie. His hands stay where they are.

“Does it feel weird?” He asks her quietly. “To be here? For this?”

She pulls a stray hair — hers — from his white sleeve.

“A little,” she says.

4. “…for fairly obvious reasons, the areas of arts of scholarly arenas live close to my heart and lived experience. Over these two decades, so much has changed in our world. And we all know those changes have had huge impacts on journalism, the arts and scholarship. But three things have remained true. One, is that we value these roles of journalism, the arts and scholarship, and that has remained central to a good life. Personally, socially and politically. The second is that good and talented people continue to join these professions. And the third is that the Pulitzer Prizes annually provide the world with the occasion like tonight, to honor and celebrate these critically important areas of human endeavor, and the people who perform at the highest levels in them…”

The speaker continues to drone on. Scully pushes the remainder of her short rib around on her plate. Mulder has barely touched his fish.

The picture of Scully standing in the window of room 1055 at the Hilton has been projected on a giant screen behind the podium for the last several minutes, and Scully can feel the eyes of the gathered assemblage flitting to her on a near constant basis.

They’re probably thinking of her trauma, of her experience, and they have most certainly read the stories that were breathlessly published about her and Mulder. Most of them have seen up close and personal the ravages of war and upheaval. There are several journalists she knows here, acquaintances she left behind when she resigned from CNN. Most of them approached before the ceremony and politely inquired about her, her health, what she was up to now. Many with a sad, pitying look on their faces.

She sets down her fork and turns the wedding ring around in circles on her finger. She doesn’t feel pity when she looks at that picture. The look on that woman’s face displays nothing but courage, and the eye behind the camera nothing but love.

When Mulder heads up to the stage a moment later to be handed the certificate he won, the applause that spreads through the room is thunderous. His eyes never once leave hers.

5. The lobby of the auditorium is thick with people and humidity, joyous voices rising up over the static of tires sloshing over rainy streets just beyond the front doors. They’ve been back in the States for a week, but Scully still isn’t used to the crowds. The noise.

From behind her, Mulder touches the bare skin of her shoulder. He’s just returned from the coat check and holds up the red wool coat she’d had to buy at Nordstrom two days before. She puts her arms through the silken sleeves.

All around them winners and colleagues and friends are making plans to go out and celebrate their accomplishments. One man in a charcoal suit has a bottle of Veuve in his hand that he swiped off of one of the tables. Several people have invited them to join them.

Mulder tips his head to whisper in her ear.

“We can slip out right now when no one’s looking,” he says.

She doesn’t even wait to answer, using her small stature to slip in between several people and out into the cold damp.

They’ve been provided a town car and driver for the evening, but it’s too hard to find him in the chaos outside the auditorium, so they hail a cab instead. Once they’re on their way back to their hotel, Mulder pulls the certificate out from under his coat where it was sheltered from the rain and looks at it.

“I’m starving,” he says to the piece of paper.

“You barely ate,” Scully points out.

“I was nervous,” he explains.

Scully takes the certificate gently from his hands and looks at it. The gold foil. The calligraphy.

“If we call in a room service order now, it should be to our room by the time we get out of the shower,” she says.

“God I love you,” Mulder says reverently.

They gorge themsevles on cheeseburgers and truffle fries, and, on a whim, a bottle of champagne (Mumm’s rather than Veuve, as, Mulder points out, he isn’t about to spend his prize money on booze) as they sit around in fluffy white robes with HBO on mute on the big TV in the corner.

On the desktop, under their room key, sits the Pulitzer certificate.

“That’s as much yours as it is mine,” Mulder finally says to her, nodding towards it.

“Yes,” she agrees, and sets a half full glass of bubbles on the bedside table. She reaches for the terry cloth tie of his robe.

Later, it’s all soft sighs on soft sheets and Mulder fills her with himself until they become each other.

#screaming and crying and in love #the x-files #txf #proof of life #msr

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