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vendetta-ari · 2 months

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Please, write an x reader about the Vs with an angel reader who they want to win over and who happens to be completely oblivious about their intentions because she is very naïve. Oh, and I would appreciate some fluff! If it's okay, I'd like Vox and Val to have romantic intentions while Velvette has platonic ones (ie: wanting to hang out with reader and show off her work). Of course, this last bit about Velvette is completely up to you! Thank you for reading! <3

my first ask back from hiatus, enjoy my dear anon! I'll be honest, I dont know how to write Valentino in a not smutty or angsty way, so I tried my best, velvette's has implications of her liking you but not dating so???

[SUGGESTIVE AND ITS VALENTINO SO IT DESERVES ITS OWN WARNING THERE]

THE VEE'S X ANGEL READER

Vox

☆ Vox found you during extermination day, you weren't an exterminator- just wanted to visit the bright red place they call hell.

☆ took an interest in you, more specifically your naivete. he put on his business smile and led you to the vee's tower wanting to “tour hell” with you

☆ Instead he just ended up falling for you harder than he thought

☆ his original plan was to get you to sign your soul off and he'd use you as branding, something like “even angels live voxtek products!!”

☆ but he ended up liking you more than he should've, he thinks your naive and kinda ditzy, he loves it and think its adorable

☆ however, he doesn't let you leave hell, so I suppose you're a fallen angel now.

☆ no matter, you're with Vox now. you can have everything you ever need and want

☆ And he totally didn't brainwash your brain into thinking that.

☆ “Just don't ask questions, okay angel?”

Valentino

~Valentino saw you wandering hell during extermination, you were not killing anyone though.. what the fuck?

~But you, you looked different then the other angles he'd seen.

~He just had to have you, I mean how could he possibly even resist! it's your fault for looking all dumb and naive like that after all.

~He grabbed your wrist and threw you into his studio, all the explicit content and nudity made your poor virgin eyes look away and blush.

~ “Aren't you a lovely specimen my dear angel? your so much different then the others I've seen, amorcito~” His voice was tinged with lies but you were just too stupid to notice, weren't you?

~You fell hook, line, and sinker for him. you quickly signed a contract with him, he had you right where he wanted you. while him? well you were..just another worker is all. but soon you started getting popular, in videos like Ditzy angel has their first time!~

~It was all acting anyway, what was the harm in making a few videos?

~You quickly became Val's favorite. He didn't treat you badly, you'd sit on his lap while he'd direct his other workers. He'd treat them so badly though! you couldn't help but feel bad so you often calmed val down by snuggling up to him and wrapping your pretty angelic wings around him.

~Upon your touch he usually shuts up, and wraps his own wings around you too. and he would always be gentle with you.

Velvette

-Velvette just found you waltzing around hell like it was no big deal, she was confused as hell but intrigued, you were different

-actually, you were perfect. so she snatched the opportunity while she could.

-She ran up to you, turning up her charm and asking you if you wanted to model for her company

-She showered you with compliments, and it was more like an order and demand rather than her actually asking you.

-no matter, you excitedly agreed. you've always wanted to be a model!

-Your her top model actually, you got a lot of popularity being an angel after all

-She dresses you up in white and blue, not usually her style but she must admit, it looks great on you!

-You never leave her side, she's very protective of you. I mean there are dangerous people out in hell and “I just wanna keep you safe my angelic dolly!~”

-Any of her advances fly right by you, not even noticing she's flirting with you, she does get pissed about it sometimes but she usually just ends up saying “You're a klutz, my dear angel. and your cute and ditzy and clearly not getting that I'm flirting with you so your clearly my type.”

-you look away from the new dress she bought you “Huh? sorry what'd you say Vel? I got distracted..”

-xoxo, Ari

#hazbin hotel #hazbinhotel #vox x reader #hazbin hotel velvette #hazbin hotel vox #vox hazbin hotel #fluff #hazbin hotel fluff #hazbin hotel smut #velvette x reader #Valentino x reader

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familyabolisher · 10 months

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hi if u don’t mind me asking, could u please elaborate on your thoughts on the critique of contemporary anti-intellectualism (specifically on social media)? i’m legitimately curious and enjoy a lot of ur analysis and commentary i mean this in good faith :)

Broadly speaking, the philosophical concept of anti-intellectualism tends to critically describe the ideological + rhetorical relegation of intellectual production to an elitist practice fundamentally at odds with the interests of the layman; and, crucially, the treatment of these categories as fixities. I disagree with the propositions of that philosophical discourse as well, but that’s not always the form that the discourse takes on this website. On here, ‘anti-intellectualism’ is more of a vague catch-all used to describe anything from people who express frustration with the literary canon & mainstream schooling in ways that don’t coddle the sensibilities of people with literature degrees to people who come out with outright fascistic views on provocative art; it attempts to corral what are in fact very disparate positions and perspectives under the umbrella of insufficient ‘intellect,’ often shorthanded to ‘reading comprehension’ or ‘media literacy’ (or ‘[in]curiosity,’ a new favourite) without any materialist investigation into what we mean when we talk about intellect and literacy and a lack thereof or whether this is a politically expedient description of the dynamic[s] in question.

When I say materialism, I mean it in the Marxist sense, ie. as a counter to idealism—because what’s being described here is a fundamentally idealist (and therefore useless) position. The discourse of anti-intellectualism as it exists on this website relies on idealist propositions—people lack curiosity, they lack interest, they are ‘lazy,’ they are ‘illiterate’ where ‘illiterate’ is not a value-neutral statement about one’s relationship to a socially constituted ‘literacy’ but communicating a moral indictment, at its worst they are ‘stupid,’ ‘idiots’—these descriptors rely on an assumption of immutable internal properties rather than providing a materialist description for why things are the way that they are. These aren’t actionable descriptors; at best they’re evasive because they circumvent serious interrogation of the conditions they’re describing, at worst they’re harbingers of an inclination towards eugenicist rhetoric. The discourse casts those who are ‘illiterate’—which in this capacity means those who fail to perform conventional literacy, who lack a traditional education, who don’t demonstrate sufficient interest in classic literature—or the more unkind ‘stupid’ (which, frankly, is what people want to say when they say ‘illiterate’ or ‘incurious’ anyway, lmao) as socially disposable and places the onus of changing one’s behaviour (so as to not be cast as illiterate/incurious/stupid) on them rather than asking what conditions have produced XYZ discourse of social disposability and responding with compassion and ethical diligence; I hope I don’t have to explain why this is eugenicist.

The discourse also lacks an ability to coherently describe what is meant by the ‘intellectualism’ in question—after all, merely appealing to ‘intellectualism’ is a similarly idealist rhetorical move if you don’t have the material grounding to back it up—and indeed tends to dismiss legitimate critiques of intellectual + cultural production as ‘anti-intellectual.’ People love to talk about ‘literacy,’ but don’t like expounding on what they’re actually describing when they do so—the selection of traits and actions that come together to constitute a correct demonstration of ‘literacy’ are built on the bedrock of eg. an ability to thrive within the school system (a mechanism of social control and stratification), fluently speak the dominant language by which this ‘literacy’ is being assessed (in online spaces like Tumblr this is usually English), and engage with the ‘right’ texts in the ‘right’ ways where ‘right’ means ‘invested with legitimacy and authority by the governing body of the academy.’ Literacy is used as a metric of assimilation into hegemonic society by which immigrant and working-class children are made rhetorically disposable unless they demonstrate their ability to integrate into the hegemonic culture (linked post talks about immigrant families being rendered ‘illiterate’ as a tactic of racism in France, but the same applies to the US, UK, etc); similarly, disabled people who for whatever reason will never achieve the level of ‘literacy’ required to not have Tumblr users doing vagueposts about how you deserve a eugenicist death for watching a kids’ show are by this discourse rendered socially disposable, affirming the paradigms which already make up their experience under a social system which reifies ableism in order to sustain itself. (This includes, by the way, the genre of posts making fun of the idea that someone with ADHD could ever struggle with reading theory.) ‘Literacy’ as the ability to understand and respond to a text is difficult and dispersed according to disparate levels of social access, and a lack of what we call literacy is incredibly shameful; any movement towards liberation (and specifically liberatory pedagogy) worth its salt needs to challenge the stigma against illiteracy, but this website’s iteration of ‘anti-intellectualism’ discourse seems to only want to reaffirm it.

Similarly, the discourse dismisses out of hand efforts to give a materialist critique of the academy and the body of texts that make up the ‘canon’—I’m thinking of a post I saw literally this morning positing a hypothetical individual’s disinterest in reading canonical (“classic”) literature as an “anti-intellectual” practice which marked them as an “idiot.” (Obviously, cf. above comments re. ‘stupidity,’ ‘idiocy’ as eugenicist constructions.) People who will outright call themselves Marxists seem to get incredibly uncomfortable at the suggestion that there are individuals for whom the literary canon is not even slightly interesting and who will never in their lives engage with it or desire to engage with it, and this fact does not delegitimise their place in revolutionary thinking and organising (frankly, in many areas, it strengthens it); they seem determined to continue to defer to the canon as a signifier of authority and therefore value, rather than acknowledging its role as a marker of class and classed affects and a rubric by which civility (cf. linked post above) could be enforced. (I believe the introduction to Chris Baldick’s The Social Mission of English Criticism touches on this dimension of literary studies as a civilising mission of sorts, as well as expounding on the ways in which ‘literary studies’ as we presently understand it is a nineteenth-century phenomenon responding to the predictable nineteenth-century crises and contradictions.) People will defer to, for example, Dumas, Baldwin, Morrison, to contravene the idea that the literary canon is made up of ‘straight white men,’ without appreciating that this is a hugely condescending way to talk about their work, that this collapses three very different writers into the singular category of ‘Black canonical writer’ and thus stymies engagement with their work at any level other than that of 'Black canonical literature' (why else put Dumas and Morrison in the same sentence, unless as a cheap rhetorical ‘gotcha’? I like both but they’re completely different writers lmfao), and that this excises from the sphere of legitimacy those Black writers who don’t make it into the authorising space of the canon; and, of course, reaffirms the canon’s authenticity and dismisses out of hand the critique of loyalty to hegemony that the ‘straight white men’ aphorism rightly imposes.

The discourse operates on a unilateral scale by which the more ‘literacy’ (ie. ability to speak the language of the literati) one has, the greater their moral worth, and a lack of said ‘literacy’ indicates the inverse. This overlooks the ways in which the practice of literary criticism wholly in line with what these people would call ‘intellectualism’ has historically been wielded as a tactic of reactionary conservatism; one only has to look at the academic output of Harold Bloom for examples of this. People will often pay lipservice to the hegemony of the academy and the practices by which only certain individuals are allowed access to intellectual production (stratified along classed + racialised lines, of course), but fail to really internalise this idea in understanding that the critical practices they afford a significant degree of legitimacy are inextricable from the academy from which they emerged, and that we can and should be imagining alternative forms of pedagogy and criticism taking place away from sites which restrict access based on allegiance to capital. Part of my communism means believing in the abolition of the university; this is not an ‘anti-intellectual’ position but a straightforwardly materialist one.

A final core problem with the 'anti-intellectualism' discourse is that it's obscurantist. As I explained above, it posits the problem with eg. poor engagement with theoretical concepts, challenging art, etc., to be one of 'intellect' and 'curiosity,' idealist rather than materialist states. In practice, the reasons behind what gets cast as 'anti-intellectualism' are very disparate. Sometimes, we're talking about a situation wherein (as I explained above) someone lacks 'literacy'; sometimes we're talking about the reason for someone's refusal to engage with and interpret art with care and deference being one of bigotry (eg. racist dismissals of non-white artists' work, misogynistic devaluing of women's work, etc.); sometimes we're talking about a reactive discomfort with marginalised people communicating difficult concepts online as a 'know-your-place' response (eg. backlash against 'jargon' on here is almost always attacking posts from/about marginalised people talking about their oppression, with the attacks coming from people who have failed to properly understand that oppression; I've been called a jargonistic elitist for talking about antisemitism, I've seen similar things happen to mutuals who talk about racism and transmisogyny). All of these are incredibly different situations that require incredibly different responses; the person who doesn't care to engage with a text in a way that an English undergrad might because doing so doesn't interest them or they lack the requisite skill level is not comparable to the person who doesn't care to engage with a text because they don't respect the work of a person of colour enough to do so. Collapsing these things under the aegis of 'anti-intellectualism' lacks explanatory power and fails to provide a sufficient actionable response.

Ultimately, the discourse is made up of a lot of people who are very high on their own capabilities when it comes to literary analysis (which, as others have pointed out, seems to be the only arena where all this ever takes place, despite the conventional understanding of ‘media literacy’ referring as much to a discerning eye for propaganda and misinformation as an ability to churn out a cute little essay on Don Quixote) and have managed to find an acceptable outlet for their dislike of anyone who lacks the same, and have provided retroactive justification in the form of the claim that not only is [a specific form of] literary analysis [legible through deference to the authority of the literary canon & the scholarship of the nineteenth century and onward surrounding it] possible for everyone, it is in fact necessary in order to access the full breadth of one’s humanity such that an absence thereof reveals an individual as subhuman and thus socially disposable. A failure to be sufficiently literate is only ever a choice and a personal failing, which is how this discourse escapes accountability for the obviously bigoted presumptions upon which it rests. In this, all materialism is done away with; compassion is done away with, as it becomes possible to describe the multiplicity of reasons why someone cannot or does not demonstrate ‘literacy’ in X, Y or Z ways in the sum total of a couple of adjectives; nothing productive comes of this discourse but a reassertion of the conditions of hegemony in intellectual practice and the bolstering of the smugness of a few people at the expense of alienating everyone else.

As I’ve said countless times before, the way to counteract what we might perceive as ‘incuriosity’ or disinterest in challenging texts is to talk about these challenging texts and our approaches to them as often as we can, to make the pedagogical practices that are usually kept behind the walls of the academy as widely accessible as possible (and to adjust our pedagogy beyond the confines of ideological hegemony that the academy imposes), and to encourage a culture by which people feel empowered to share their thoughts, discuss, ask questions, and explore without being made to feel ashamed for not understanding something. The people who cry ‘anti-intellectualism’ because they saw someone on Tiktok express a disinterest in reading Jane Eyre are accomplishing none of this.

#ask

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athena-swords · 4 months

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🎊 Gifts for our NEW YEAR 🎊

PAC

Disclaimer: people I am doing this in all seriousness and all and no it's not for entertainment purposes but ya collective readings so take what resonates

Pile 1. Pile2.

Pile 3. Pile4.

Pile 1❄️❄️🤍

We keep this love in photographs, so if you wanna buy cameras or just capture moments please go ahead and buy it it will give you lots of joy pile 1 new year could be looking as just any new year coming but you know that things are gonna change and maybe the people you are close with now will have to move and you too to other places so cherish this moments.Are you all joining colleges??or like your graduation is being done anyway congrats wishing you absolutely the best .

Maybe you will take the road less taken which will have its own uncertainty but for sure it's gonna be so worth it ,okay first of all whatever type of exams or test you are planning for they gonna give you your desired or expected results and you could be seeing true faces of your close mates and if you feel that you get easily evil eye or affected by others energies don't worry your guides are there to protect you ,this year you could have on issue in financial matter you are being in open to receive energy I see a energetic shit around you and you actually coming into limelight (attention song being played)you definitely should check your solar return chart could bein fire asc sign ok

And I am seeing or more of sensing lot's of puppy love energy so ya talking stages could happen and you ending up liking someone all over just enjoy your "up in the poppy hills" movie vibe so here comes the end of a eventful year wishing you all the best guys take care 💓

Oracle cards: Give it sometime approx 3 to 4 months,the more you live the less you worry,luck is in your favour,My gurl is the prettiest,Be careful with the people you choose

Please comment on your 2024 wishes and reblog means alot

Pile 2❤️‍🩹🥀

Some of you could be getting married or just getting your"THE ONE" for you if you wanted to meet your soul tribe and have been manifesting some wholesome human bond well I am pleased to tell you , you're making some lifetime connections this year , lots of self care products buying specifically perfumes and scented products if 2023 has been the pain the upcoming one will heal all those wounds and the word hork you thought no one saw wanna check some parts of pile 1?? I would recommend there could be a message for you there

Look you need to stop procrastinating!!!like if we wand our desires to turn into reality we need to put some action okkk and studyyyyy like when you study just put your focus on it if need then gurl you have to read it again n ugh that's more tiring.being more organised and balance is always a gift for you this year and a quote for you is "sometimes rejection is protection in disguise"so just jio lol even if it's your lala world I just said a paradox bit don't come to me fantasy and reality just need a little balance and we are good with it.

If you love gloomy weather then congrats you could experience it alot this year.I think you tend to underestimate your intuition and when it turns out right you regret so this year all about working on this and believing ourselves more then others 💗💗

Oracle cards: make a priority list,oh lala it's a love story, it's a yes, please zindagi jiyo baba...,study remember it's "you reap what you sow".

Please comment on your 2024 wishes and reblog means alot

Pile 3📸🦋

My Roman Empire is..... Idk lol.So travels travels and lots of travels in the list 😸 are you planning to fulfill your bucket list or something kya pile 3 anyway you could start talking again with a dear one with whom you could have stopped interacting or cut ties.Having a reunion of some kind being on backpack this could be the highlight of your year sudden plans being made you shifting family dynamics being changed

You again starting to learn alottt like an instrument, occult knowledge,your ancestors, about the world human body and many moreee.Having watermelon with closed ones on a beach or family farm haa such a vibe and keeping your room clean so it does not look like a messy place

Honestly I don't want to touch this past but somewhere along the line if you started feeling that it's hard uk to be happy like genuinely feel so content of life and kinda just at the starting stage of depression well this year is gonna prove your fact so wrong love muah muah have my love ok💓💓

On a side note your Cooking is good please try more

Oracle cards: Are you pretending love,the fingers create magic , living life king size , friends are the bigger enemy.

Please comment on your 2024 wishes and reblog means alot

Pile 4🪴🦓

Headache ahh you could be having them a bit this year ya but but it's because of all the packed schedule you need to get done with which you will be doing for not overthinking about "this" situation of yours someone from past could come back now it's upto you what you will do with them (it seems romantic connection btw).

Do you put this "I don't care" attitude I see you gotta change this one as there will be things you have to be responsible for alot this year.Emotionally you could be working on yourself listening to podcasts and actually making opinions of yours not just blindly following whatever is being said .you confused about something?? honestly sameee sorry for this just that your biggest gift could be knowing yourself more and handling just how you show yourself to the world

Oracle cards: posh lifestyle,lose yourself a little bit, it's not worth it,it worth trying,you know the answer

Please comment on your 2024 wishes and reblog means alot

Wishing you all a very happy New year 🧿🧿🤍

Pls message me my ishman fam i need someone to talk about them 🤌🤌

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matan4il · 28 days

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911 ep 705 first watch reactions

Of course 911 would "punish" the "You are the boss of you!" guy with an alien hand that attacks him, and does what it wants. Pooor Buck and Eddie paying the price for that...

Okay, love the storyline with Hen and Karen possibly eventually adopting an older girl. Too many shows just find easy, unrealistic ways to give their same sex couples kids, and I am really glad that 911 shows the reality of it, and that it is a more complex struggle for many, that it's an act of continuously choosing to be parents. That's actually an amazing, difficult thing, and it should be faithfully depicted and respected, for all of its heartache, and the little moments of triumph.

Buck and Tommy on a date, and Eddie comes along with Marisol? Love how Buck's bisexual awakening and coming out continues to involve Eddie so much. Tell me they're end game, even if they're not gonna get together right now, without telling me they're...

I did not need to learn Marisol is moving in with Eddie like this, with any build up, or even any sort of insight into the relationship, and nope, that does not bode well for them. IDK how 911 managed to do it, but they have somehow managed to give Eddie a love interest the show is even less invested in than Ana.

And the funniest bit, is that Marisol and Eddie's big development is only there to further Buck's journey anyway.

"You can never have too much closet space" LMAO the way 911 both made me laugh, and feel sorry for poor, baby bi Buck. XD

Hmmm. Were parts of this scene cut out? We don't get to see Eddie on his own date with Marisol, but constantly looking over at Tommy and Buck? Boo. I'm glad we at least got the BTS photos, then. But seriously, why!? That was gonna be so delicious.

Oh, Tommy's breaking up with Buck. I mean, good for him, and he ain't wrong after Buck's "after this, we're gonna go out looking for chicks" reaction, but man do I feel sorry for Buck. Him and Tommy might not be my end game (Buddie forever will be), but I do think this relationship could be good for our baby bi. Tommy being in the same profession, knowing what it's like to have this gap between who you are and the image of guys in your line of work, plus he's got more experience than Buck, is sure of himself, can help our boy figure himself out, and also Buck obviously does like his vibe. He deserves to be with someone he actually likes, not just the first woman willing to be with him that the plot pushed in his way.

Oh, baby Buck. :( You didn't even tell Maddie about Tommy. You really aren't ready it. But also (and as a Buddie shipper, more importantly), Tommy broke things off with Buck, but what is eating him up, is that he lied to Eddie. XD Yeah, this gonna end with wedding bells, sooner or later. On screen, off screen after the show ends with canon Buddie, or only in my head if 911 never dares make Buddie canon, I don't care. That kind of emotional devotion is not something that my hopelessly romantic heart can ignore.

OMG, this is how Buck comes out to Maddie? XD Via random pronoun mention, and as a by product of trying to figure out how to tell Eddie the truth? This is hilarious. lol It really makes it clear that, after all, the issue for Buck really isn't people knowing he is also dating guys (or checking their asses), even when it's the other closest person in the world for him, it's Eddie. Specifically. Buck's ready, even if he doesn't have the exact clear words yet, he's just not ready to tell Eddie. Can't imagine why. XDDD

What was that awkward post-sex scene with Eddie and Marisol? And the issues with her moving in are popping up a second after she has. But yeah, we have no idea who this woman is as a person, she's been a cardboard cut out so far, and then one of the first things we do learn about her, is that she would call her stuff better than Eddie's? Once again, this is not the stuff great romance is made of. Or... even just the stuff any kind of romance is made of.

Wait, Marisol was a nun, and Eddie didn't even know!? This whole ep is telegraphing in the news of how weird and awkward and underdeveloped this r/s is, not just for us as viewers who know nothing about Marisol, but apparently for Eddie as well.

And of course his Catholic guilt is gonna kick in now. I'd care, except 911 has given me absolutely no reason to. Seriously, I care more about Buck and Tommy after just 2 eps, than Eddie and Marisol, even though this is technically her 2nd season on the show.

Of course Buck went to find Eddie, and spotted him at the gym. Forever 201 vibes, with Eddie being the focus of Buck's attention. ^u^

I couldn't care less about Eddie's Catholic guilt crisis, and how it's actually a projection of what his real issues are with Marisol, but it's nice to see that as always, Buck's the one who can tell when something's off, and offer Eddie exactly what he needs (even when that's to talk to someone else, but Buck figures out immediately who the right person to address is), and then they just very naturally switch, because Eddie can also tell when something's off with Buck, and he wants to tell him something. Soulmates. THAT is the stuff that great romance IS made of.

:/ The imagery of Catholic nuns has not been around for over 2,000 years, please stop being ignorant about your own religion, and the very different way it looked in its early days.

Bobby is forgiven, he does give good advice, and his "her ex, the Lord" bit, which prompted that reaction from Eddie, is hilarious. XD

So... when Eddie is having issues with Marisol, he already knows he has to figure out how he feels about her, but instead of doing so, he goes to his safe place... Buck's loft.

Man, Eddie being into Tommy's choice of avoidning relationships with women, and hanging out with boys, after in the past, Eddie had dealt with his Shannon issues by running away from her, and re-enlisting in the army, where he gets to hang out with boys, when we all (Buck included) know why Tommy's "hanging out with boys"... I do like that if they want to (and hopefully they do), this further lays the groundwork for Eddie's own queer realization.

Buck and Eddie helping each other with their respective romantic problems, without realizing they are each other's respective romantic solution is gonna make me chew on my own fists. Again. But I'm not even a little bit surprised that Eddie was totally fine and accepting of Buck being bi, or that the first thing he thought of is how this reflects on them. Because their friendship IS way deeper and closer than normal for platonic friends, and Eddie's little reassurance is also an admission of that.

Man, for a second I was worried they also cut out Eddie in the loft, once more putting his thumb on Buck's pulse point possessively, in a perfect parallel to 303. I would have sued for emotional damages. But yeah, it says so much that the peak of emotional meaningfulness for Buck when coming out is in relation to Eddie, and that the scene itself peaks with Eddie, instead of finishing rushing out to take care of his own romantic business, hurries back to Buck first, to hug him, place his hand on Buck and give him orders. "Sure, you're gonna be dating this guy, but I'm still your real husband."

Well, at least Eddie amitted to himself and Marisol that he doesn't actually know her. But... I have never seen two people being both being so happy about not moving in together, and I'm supposed to think this r/s has a chance? Okay. Suuuure.

The scene with Buck going to Tommy to set things straight ready for something was lovely, it was nice seeing him excited, and get to choose, and hear he's wanted. But since the note Tommy and Buck's storyline in this ep should have ended on, is Buck showing Tommy he's ready enough to let others know he's dating a guy by inviting Tommy to come with Buck to Madney's wedding, then why is the very next scene playing the romantic switch again, making us think Buck's car just arrived at the wedding with him and Tommy, only for Buck and Eddie to walk in together? I see what you did there, 911.

Thank you for reading! If you're looking for more, you can find my s7 reactions tag here, and more of my Buddie meta and content in my pinned post. xoxox

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swap-and-possessions · 1 year

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Graduation Gift

I had finally done it after four years of hard work and sleepless nights – I finished my undergraduate degree. I looked forward to returning to my dorm and sleeping for the rest of the day. I’ve earned that rest. Well – I was about to until I saw a large box on the door's side. Strange… I don’t remember ordering any packages. I checked the side, and it has my complete name and address. As for the sender, it has my parent’s name on it.

I pushed the package inside and found it surprisingly heavy. It grated on the floor, and I was heaving by the time I moved it to the small kitchen of my dorm. I grabbed an old box cutter and hastily ripped apart the box. The contents became apparent bit by bit. I first saw the logo – a distinct letter ‘B’ that everyone knows these days. It was a logo that stands with the giants like ‘Google’ or ‘Apple’. It was a logo that held a lot of meaning, not only for me but for millions of others who desperately wanted to have this product. My heart nearly sank when I saw it. My cuts turned wilder, desperate to uncover the contents within. And finally, I peeled the carton and revealed what was inside.

A man – more specifically, pro model K3-VIN, 15th generation bodysuit. I don’t want to say my parents are poor. I could see them buying this, but it would take them years! I don’t even know if they knew about this stuff. It was the latest version too! The solid bodysuit woke up at the invitation of light from my dim kitchen. It stood from its cramped confines and looked for the nearest chair to sit on.

“Welcome, user Gary. I am model ‘K3-VIN’, but you can simply call me KEVIN. My owner settings have already been preset, so there’s no need for further tweaks. Although, you could always do it by saying the word ‘Setting’,” Kevin said in a rather monotonous voice – a tone that doesn’t fit his seductively sexy voice. I stood there, speechless at the perfection before me. From any angle you look at it, he looked like the usual guy you’d see hanging out at a bar. It looked so human-like. His eyes were fixated on me, and his head would move whenever I walked toward a different location. They say these bodysuits don’t need air, but the way it simulates breathing looked like the real deal. “You have one unread message. Would you like me to tell you?”

“Proceed,”

Suddenly, Kevin’s face lit up. He has this giddy smile that reaches from ear to ear.

“Is this thing working?” Oh shit! It does. Clarisse! Come look.” Of course, my mother Clarisse wasn’t here at my apartment. Kevin was probably speaking a record of my father while he was wearing Kevin. The bodysuit flinched as if somebody hit him in the head. “Clarisse! I was about to do the message. You don’t need to hit me, woman. Anyways… Congrats, Gary! Your mother and I are proud of what you’ve accomplished today. Those four years you’ve complained about were finally over, and you passed it with flying colors! I just wished for us to be personally there to give this gift.”

Kevin looked at his massive pecs and marbled their margins. He pinched his nipples and squirmed at the sensitive touches. Then he flinched once more, on the hand this time.

“Ow! I was merely having a little bit of fun, Clarisse. If I am enjoying this new gizmo, I hope you’ll enjoy this thing as well, Gary. We’re not too old to know about these things. Well… Your brother was actually the one that suggested this, but that’s not important. What was important was that this was your reward after earning your degree. I hope you love it! With regards, Mom and Dad.”

Kevin stood from his seat and hugged me with his massive and sweaty biceps. And judging from the pole poking my legs, Dad must have been erect throughout the message.

“I better get this bodysuit off me before I start getting ideas. End of message.”

All the emotions dissipated from Kevin’s face as he returned from his seat. He sat with his back facing toward me, and I could see a huge gaping hole where I must enter. I was thinking of sleeping, but I guess this must come first. I stepped inside the hole and felt the entire suit bond to my body. I awoke to new heights and strength. I awoke as Kevin. Thanks, Mom and Dad! I will surely come to love this suit.

•·················•·················•

💜Read more stories and shorts at my discord!💜

#Bodysuit #Male Bodysuit #Male Skinsuit #Skinsuit

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dk-wren · 4 months

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Buddy Daddies Week - Papa Rei's Onigiris

Welcome to Day 6 of my Buddy Daddies anniversary celebration week! I am so excited for today (even though it got a little delayed) as I present to you...my attempt at Rei's onigiris from ep. 9!

In all honesty, it's something I've been wanting to do for a long time. And I'm so glad I finally had the time and special occasion to do it! Since episode 9 premiered, I always thought Rei's choice of filling sounded different, but good. Maybe that just says something about my taste buds/food preferences. I don't know.

Anyways, the three fillings I used in my onigiri were based on what Miri, Hinata, and Kotori described in theirs. So, I used strawberry jam, Choco Rings (aka chocolate Cheerios), and grape gummies. I don't think it was specified what flavor of gummies was in Kotori's onigiri, but based on what I thought would taste or pair the best, I went with grape.

Here are my "ingredients:"

I made about a half a cup(?) of rice and was able to make 5 rice balls (of varying sizes). In the end, I made 2 rice balls with Choco rings, 2 with the grape gummy, and 1 with strawberry jam. Here's a cross section of a rice ball with Choco rings as I was attempting to shape it.

After I finished making/shaping the onigiris, I let them sit for an hour to cool down before putting the nori on it.

And finally...the finished product!

But how did they taste, you might ask? Well I got you!

I tried the Choco rings onigiri first because that was the one I thought I would like the best. In all honesty, I was a little let down. I think it was a personal/"chef" error because I forgot to let the rice cool down before making them. As a result, the cereal got soggy, so it didn't have a crunch, which would have added to the its distinctness. Likewise, because it got soggy, I think the cereal lost most of its flavoring since I snacked on some beforehand and could definitely taste the chocolate flavoring. There was a bit of sweetness when taking a bite with a large concentration of the cereal, but otherwise the cereal to rice ratio was not that great (and I was left mostly with rice with a hint of sweetness). Final ranking - 3rd

The second one I tried was the strawberry jam onigiri, which I thought would be my least favorite. Perhaps it was because I was let down by the choco ring one, but this was one ended up being my second favorite. This onigiri was on the larger side, but I was able to (unintentionally) spread the jam more evenly across the whole rice ball. This meant every bite had a bit of sweetness to it, and towards the center, I could really taste the strawberry flavor. What was even better was when I got a bite of the rice, nori, and jam. The flavors of each part mixed pretty well and created a pleasant taste.

The last onigiri I tried was the grape gummy one. This one ended up being my favorite. The ratio of rice to gummy was really good, and the grape flavor was really strong. That being said, because of consistency of the gummy compared to the rice, I was left with more gummy at the end of my bite.

Final Ranking:

Grape gummy onigiri

Strawberry jam onigiri

Choco Ring onigiri

Thank you for reading about my attempt to recreate Papa Rei's onigiris and indulging in my chaos with me! I genuinely had such a fun time doing this.

On another note, based on my personal struggles/difficulties that came up while making these, I can somewhat understand how the rice balls got their shape. If Rei made them with the inexperience I did, he might have not waited for the rice to cool before making the rice balls. Thus, trying to make them round or give it any type of shape became difficult. Likewise, each topping messed with the shape in comparison to how much rice there was for that specific onigiri.

Thank you again for reading and following along as I attempt to cook/make something (I am not a cook by any means and I think everything above supports that claim)!

-Dakota Wren

#buddy daddies #buddy daddies anime #dk wren's bd celebration week #buddy daddies anniversary #papa rei's onigiris #i barely know how to cook so i improvised...like a lot

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princeanxious · 1 year

Note

are you out of the TSS fandom for good, do you think? just burned out on lack of updates?

I mean, it's complicated.

Edit: pressed answer instead of save to drafts while trying to back out, tumblr what the fuck

Anyway, it's complicated. I've become burnt out creatively lately, and I've been part of the sanders sides Fandom since 2018, it's been a big portion of my life, I'm not letting it go that easily.

However, this is my main blog, and I cant really shift everything to a new side blog, so I do feel bad for those who followed me exclusively for sanders sides are now seeing a v distinct lack of it.

But for the most part, yeah, I'm burned out on a lack of updates, I was a fander creator doing as much as I could to create content to entertain myself just as much as for others in-between the hiatus-gaps while awaiting updates. I love these characters with all my heart, but every gap in between has gotten longer and longer, I can't keep waiting for a year at a time for one single update even if the finished product is grand and *absolutely worth* the time it took to make. I was scrambling, bc I no longer have the time I used to to create my own fanart and fanfiction and animatics for this fandom, and I can only reread the library of my favorite saved works over so many times before I feel hollow and under-stimulated.

It'd be one thing if the rest of the fandom was as active as it used to be, I bounce off others creative energy far easier than single handedly manifesting my own inspirations all the time. But it's not, and interaction with my own content slowed way down. (Not to say that I'm leaving just bc of this or anything, but its become a struggle to feel motivated to keep going when there's literally nothing new from Canon to keep riffing from.)

I have the want to finish my remaining fics, specifically The Lost Guardian in particular at the very least, but I just can't solely be a sanders sides blog like I used to be.

I'll be here when that season finale comes out, but at this rate of progression, I think Thomas has overestimated the fact that this could very well be a series finale, not season finale. And I've come to peace with that, if only Thomas would be more transparent abt it.

Sure, Thomas has other content, but funfact, I've had very relatively low interest in getting super into it, there isn't the same level of comfort in shipping characters of a single person with the versions themselves when other characters played by other people are involved, especially when u know that they are alot of his v close friends. I don't ship real world actors together, especially if they play a character very close to representing themselves. The characters they play, maybe, but that's why I'm far more entertained and comfortable with animated media.

In short, I'm tired and burnt out and for now-for *whatever* reason- the silly lanky clown jesters from fnaf have more of a grasp on my brain than sanders sides does. I'm following the serotonin.

I may still create sanders sides content in the future, but getting maybe 100-500 notes on a piece when u have a fandom following of roughly 11.5k followers from over the years has spoken volumes on how active the community is rn. I'm not leaving, but I can't be stagnant and hyperfixate on this anymore after doing so for almost 6 years straight. Yknow?

And for those who have always left a comment, shared my work, interacted with me in any capacity over the years in this fandom, and have made my time in this fandom worth while, thank you. I love you. U have made every second worth it💜

#luka answers

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agbpaints · 7 months

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I like a lot of battlemechs. Some of them look really cool, some of them play like absolute fiends, some of them are absolute piece of shit graft boxes. The Hammer isn't really ant of those, I like it because of its name.

Designed by Gibson Federated Battlemechs in Free Worlds League space and first rolling off production lines in 3053, the HMR-3M Hammer was intended to serve as a direct competitor to the Federated Commonwealth's popular Valkyrie battlemech in the light fire support role. It packs the same throw-weight in missiles, though it splits it into a pair of LRM-5s equipped with Artemis IV Fire Control and fed by a 2 ton ammo bin instead of a single LRM-10, drops the jump jets (though maintains a ground movement profile of 5/8), and carries slightly less armor than contemporary Valkyrie designs like the VLK-QD. It uses this saved weight for a fairly beefy set of sidearms- three medium lasers arranged in a vertical stack up the center torso and into the head. Interestingly, the arms of the design are free of any weapons, implying it has some want to be in melee which the missile racks really do not want it doing. As far as base models go, it's not super inspirint- as a Valkyrie competitor it lacks the mobility to quickly move to firing positions and as a fire support platform it basically serves as a budget Trebuchet, a mech that already sits firmly in Discount Dan's bin of mostly competent missile boats. It's biggest boon is likely its double ammo bins and low BV cost, which easily allows you to add weird LRM ammo like smoke and thunder rounds to a force without sacrificing an archer or something, and even then you waste the Artemis, tonnage which I think is kinda wasted on LRM-5s anyway.

Now, onto the thing that drew me to the Hammer, the variants. You see, each variant of the Hammer has a fun little nickname instead of just a variant code. That's character most mechs don't get outside customs and I think it's kinda cute. Anyway, the HMR-3S 'Slammer' is our first variant and by far the worst. This one pulls two of the medium lasers on favor of *another* 2 tons of LRM ammunition. This allows the Slammer to keep up its fearsome 10 damage barrage for 48 turns, long enough that someone else might have the sense to wander over and kill it dead.

Next, we've got probably the funniest variant, the HMR-3C Claw-Hammer. This is the compulsory 'oops all medium lasers' version of the design, pulling an LRM rack and its attendant ton of ammunition in favor of four more medium lasers. The heat sinks have been upgraded to double strength freezers to cope with the strain of being roughly 40% of a Nova, and to its credit it can more or less handle the heat of its guns.

Finally, we have the HMR-3P Pein-Hammer. Unlike the previous variants which had some long range firepower (even if it was only token like the Claw-Hammer), the Pein-Hammer is 100% a forward unit. It carries a pair each of ER medium lasers, small pulse lasers, and Streak SRM-4 launchers, along with a TAG laser designator for guided munitions and enough double heat sinks to more or less carry the load of its guns. This Hammer has a sort of annoying, weird anti-synergy with the rest of its ilk- despite being obviously a forward observing unit that LRM boats could benefit from, the TAG system it carries is wasted when combined with the Arty-IV every other model has. It does, however, pair fairly well with contemporary ANV-8M Anvil, spotting for the heavier mech's Arrow IV artillery piece.

I decided to get in on the action and make a pair of my own variants. The HMR-3ASC 'Sledge-Hammer' is an extremely low cost iteration on the 3M- rip off the expensive guidance systems of the LRM racks, along with a laser and a heat sink, and just add more missile tubes. 4 LRM-5s means that with Kerensky's blessing, you can deliver a knockdown at long range, while the lack of inbuilt guidance means special munitions are less feelbad.

The HMR-3AT Trench-Hammer is intended specifically for hunting battle armor. 4 jump jets keep it ahead of most of its prey. While the double SRM-6 rack can be loaded with Inferno munitions to make Toads die a firy death, or just regular missiles to soften them up before they get whacked by your force's bigger guns.

#light mech #hammer #mech talk #battletech #battlemech #kills you with hammers

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littleeyesofpallas · 7 months

Note

How do you feel about Ikomikidomoe and hikone? I personally think they’re nice additions to the world but I’ve barely seen anyone else talk about them

I think I did a post on that at some point actually, but I'm not in a position to go digging thru my archive on mobile. (found it, but it's mostly just poking at kanji in names rather than really commenting on the characters themselves, so I guess I can do more of that here.)

Broadly speaking I'm not really big on the LNs, least of all Narita Ryogo's. I know he is kind of the most beloved of the ancillary creators for actually addressing many of Kubo's obnoxious loose ends, my main beef with him is that even though he ties a lot of them off he never ties them off satisfactorily, and seemingly just for the sake of saying he did it; there's generally no thematic meat to any of it, all his hooksjust kinda amount to shuffling around Kubo's left overs. And granted, maybe that's a little harsh or unfair of an assessment, but I'm also not a big fan of light novels as a gimmicky genre/format to begin with, so take all that with a grain of salt.

Anyway. Of all the things he did over course of three books in Can't Fear Your Own World, I do think Hikone was a really neat idea. I like the general idea of exploring artificial souls and synthetic life forms and the hybrid spirits and how that all relates to the nature of the soulking as a lynchpin of reality, I'm just not super about the specific plot he built around it all.

I'm not especially in love with Ikomikidomoe specifically, I feel like it either needed more or just different lore or that it could have been done without entirely. I really think Hikone being an artificial god candidate and the nature of what that means and as an excuse to explore how the other canonical attempts to replace god could/would have gone was enough to center a story around. In particular I was already not super fond of some of the late throw away lore additions about zanpakutou that exist independent of a singular individual. (ala Nanao's family sword, and Oh-etsu's harem). I feel like it raised a lot of questions that got immediately swept under the rug and added nothing of value to the lore at large. I don't implicitly hate the idea of a zanpakutou that embodies a different kind of identity apart from that of an individual wielder, but that idea feels like it requires a LOT of additional explaining that we never got. So the fact that Tsunayashiro has an ancestral sword for no particularly meaningful reason, and that Ikomikidomoe has its whole convoluted backstory always kind of annoyed me.

It's a shame too because Narita seems to ever so slightly brush up against an idea that Kubo himself danced around in world building --that the identity manifested in one's inner world as a sword spirit, and the mask a hollow forms from its heart are the same thing, and thus a Menos accumulating myriad hollows within itself to consolidate into one uniform identity is basically the same process as what Oh-etsu describes is behind creating an Asauchi. So the idea of a powerful hollow becoming a zanpakutou or something similar has precedent, but the weird convoluted choice to make Ikomikidomoe specifically a product of Ichibee and Oh-etsu's intervention, rather than a natural consequence of a Menos ascending toward Vastolorde doesn't sit well with me.

On a side note, it bugs me that Kubo just casually threw in the idea that Asauchi are made of, what, hundreds if not thousands of shinigami souls(?) and then just NEVER addressed this weird implication that Soul Society, and Oh-etsu personally, have just, like, institutionally and systematically been committing mass genocides on the regular for all of recorded history? Huge huge mess of a world building flub. Not that it "couldn't" be answered, but that it wasn't, and that the effort it would take to patch up the apparent plot holes it introduces would just be so much effort for the sake of nothing but maintaining the status quo of the story.

Since you've got me in this rant, it's almost the same with the Ouken thing. I'm already not fond of the awkward retcon(ish) thing Kubo did with making the keys the bones of the Royal Guard as if that somehow answered any questions, when the bigger issue had been the idea that, literal key or not, each of the royal guard members was implicitly baptized in the fire of an apparent Sodom & Gomorrah catastrophes with whole cities or other swathes of land, densely packed with living, spiritually aware people being scraped off the face of the earth, ala Aizen's unfulfilled (and frankly Kubo's seemingly half forgotten) plans for Karakura.

And in the face of that weirdness there was a fun unaddressed parallel in the Royal Guard's private "cities" floating up in the royal realm with the king's palace looking like the perfect inversion of the hypothetical hole in the ground we were shown during the Ouken explanation. Were those cities populated? By whom?? Or were they empty? I don't know which possibility is more interesting to explore; that the royal guard each had a whole cult of ascended spirits living with them, each under the domain of one guard, or that the guard just lived in the hollow shells of the sacrifice it took for them to ascend alone to nigh demi-god status.

Was it that the ouken itself was the condensed souls of thousands of people, just like the later reveal about both the asauchi and White, and they died or were otherwise sacrificed to make this object(or i guess imbue the object that is living bones into becoming it(?) god the bone keys thing was dumb...), or did the souls serve some other purpose? Could it have been that rather than melting down living souls to make the key, as was kind of implied, that to create or imbue a key with the power required to function as the ouken it simply needed the presence of those souls? Did access to the god realm require being actively worshipped as a god, by thousands of people, a united spiritual power of a singleminded cult, a city of followers united in ascending the key holder into the realm of god? Who the hell knows ¯\_(ツ)_/¯

But on that level, you'd think that's the same as the idea of a family zanpakutou, right? If the zanpkautou imprints or a person to reflect their true inner self which then grows stronger and gains power in the material world thru acknowledging and reconciling with, then implicitly the idea of a zanpakutou shared by a family would imply that its spirit is not a reflection of one person's singular traits, but those shared consistently across generations and in exchange for the lack of personal identity it confers the strength of literally multiple people's worth of power, just all reflected in a single persona.(or maybe not, i dunno, maybe the inner world of a family zanpakutou has some atlab avatar state stuff going on, who knows? Probably not Kubo.) What was the Soukyoku's giant execution blade, its destructive power conspicuously described in a measure of zanpakutou, if not a massive communal zanpakutou?(complete with its own spirit manifest as a phoenix) And what is Ichigo's inner spirit of a younger Yhwach if not the communal spirit of the Quincy bloodline? Andi n the context of these sorts of escalations of scale and power, is then the soul king actually a "human soul" in the way the cycle of human/quincy and shinigami and hollow all traffic in the same base elemental "stuff"? Or was the Soul King not that type of a "person" at all, and just a giant collective zanpakutou, a singular spirit reflecting the inner truth of humanity as a whole, and his "bankai" the wheel of reincarnation itself. Anyway that's veering too far off into speculation and potential headcanon.

Getting back to Hikone, though... I like the idea of there being various different approaches to achieving the hybrid spirit form seemingly central to god status. Ichigo was naturally synthesized that way by the circumstances of his birth, Aizen used the hougyoku and "science" to forcibly and unnaturally synthetize himself, Yhwach was seemingly born not by actively joining disparate elements together but by simply being an offshoot of something that was already a hybrid... And then there's Hikone... and while I feel like plot wise there are a lot of issues to there just having been the means to synthesize artificial life just floating around in the background, while characters like Mayuri and Urahara and even Aizen are out there actively struggling with the process, but I like the idea of a kind of middle ground where, ignoring the stupid contrivance of the Gremmy brain thing, Hikone's fundamental contraction isn't quite artificial "life" in the spiritual sense that Bleach deals in so much as it is a "body" without a brain.

But I like the implicit idea of having to draw a line around that. If you can make a thing that fulfills most of the requirements of life, then which things reserved for living personhood can it do and which can it not? If you elevate that to the level of godhood, then it's a fun question that in the grand scheme of things where apparently someone needs to be stripped of their autonomy and sit in the crystal for forever to hold the world together, then can it just be a fake person with no autonomy to lose in the first place? Where as Aizen thought being god would be cool(and was very probably wrong), and Yhwach doesn't seem to want to be god so much as remove him and replace him with ???(unconfirmed: in which it seemed like(ironically) plan A was originally Juugram, and plan B was Uryuu), Hikone is the Indiana Jones rock and the golden idol solution to the problem: Can I just swap god out for this god-shaped bag of rocks and get away with it?

I'm sorry between being at work, and googling images, and then making this silly edit now, I've totally lost my train of thought... Uh... to summarize:

I like Hikone as an idea: I like "synthetic god" as a plot hook.

I like their name having associations with silk and, like, silk worms, as if they were spun and woven like a fiber but also with cocoon imagery attached.

I also think they're a super cute design.

I'd have liked the artificial souls to have more of plot behind them: like what are Urahara and Mayrui's actual goals in making them in the first place, other than just mad science for mad science's sake

I'd have liked for Ichigo's(and Aizen's for that matter; like how was it different and/or insufficient by comparison to Ichgio, or Yhwach or Hikone) hybrid theme to have a better actual conclusion.

I'd have liked better exploration of the nature of god souls and what that requires/means

#bleach meta #bleach #CFYOW #ubuginu hikone

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kenzan-kiwami · 5 months

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(screenshotting the replies and posting because i feel weird replying from my main <\3 hope you don't mind the ping @startledpixel )

i never even thought about it happening that way... haha... excuse me while i go scream in a corner for a couple of minutes

it ties in really well to the sort of recurring motif i see through his life that the only time he's allowed to be truly happy with himself and his place in the world is after his "death" and recovery. kazama is a very complicated character to think about when it comes to his motivations and his relationships with the people he's close with - i don't think he's very good at prioritising his emotional investments (nishiki being the obvious example, but also the way he doesn't send any letters to kiryu in jail until the last day before his parole), so to add an extra layer of tragedy to the whole thing i like to think that he hadn't been making as much time for kashiwagi towards the end than he maybe could have been. not in a premeditated disloyalty sense, of course, but he's got his hands more than full with the whole embezzling 10 billion yen from the tojo coffers gambit... kashiwagi being the way he is though would be all the more desperate for reconciliation, and to then not get it before kazama kicks it would be the icing on the shit cake

but yeah KNOWING adachi was in the building with everyone else must have been like reliving his second-worst nightmare... meeting this man he thought he'd be able to settle down with for the first time in sixty odd years but still constantly having to worry after him. i still adore no idling as an exploration of those feelings after the fact & i find myself coming back to it an awful lot as someone who doesn't generally read fiction more than once or twice unless i'm trying to find something specific (if you may allow me my nerd moment)

it's something i would love to explore more myself, but i don't really feel i have the means to do it in a way in which i'd enjoy the end product... but i suppose that's what commissions are for!

ANYWAY, apparently, everyone kiryu meets in his side story gives him some kind of reward, and i'm having A Time thinking about what he might get from kashiwagi. i'm trying not to set myself up to be disappointed by what happens, but there's a big part of me that hopes kashiwagi pulls "suzuki" to the side and leaves whoever else on the bar for a while so they get a chance to actually catch up. i think at this point both of them really need something like that, because i doubt there's any way kashiwagi didn't get the news that kiryu "died" in 2016

the other big thing that's got me physically shaking is the idea they might finally namedrop him. and uuhhh if they still let us karaoke at survive then i hope judgement gets its own cinematic. : )

#kashiwagi osamu #text #meta #malware #i absolutely need to go and leave a comment on all of your fic because (along with milktrician's)#they're a HUGE part of what kept me interested enough in playing through to 7 and beyond #i'll tell you now yakuza 6 was probably the most difficult time i've had actually finishing a video game ever #sorry if any of this comes across weirdly i feel like i've been noticed by the gods themselves #i opened my notes this morning after i got to work and i'm so glad my boss wasn't in the room because #i could NOT have kept it together in front of her #LIKE normally i'm good at keeping myself composed but this was just... shock and awe. the highest honour i could receive #but i suppose it's not like many people ever talk about minor rgg characters in this much depth #which has been a hangup of mine for a while so i'm glad my stuff is reaching the right audience!#1 spoilers #3 spoilers #7 spoilers

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zenosanalytic · 1 year

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Mass Times Velocity

I have a theory about why John couldn’t in-universe(the obvs Doylist reason is cuz then there’d be no story) kill the trillionaires. It’s pretty simple: they were in space and, as we’ve known since Gideon the Ninth, necromancy doesn’t work in space. Doesn’t matter how much Necromancy you have, even enough to be god, you can’t kill a person with Necromancy if they’re in space(unless you have some gravedirt around).

but Why? And why does the dirt help? Simple: Earth gave him the Necromancy. Necromancy is a product of planets, drawn from planets, so it only works on things influenced by planets.

But that raises a question: the Sun’s in space, the other planets are in space, so why could he affect those but not the ships? Here’s my guess: Gravity!

Necromancy is a influence of planets. Gravity is also an influence of planets(and stars and anything with mass), and gravity is two-way. The Sun’s gravity acts on Earth, but Earth’s gravity also acts on the Sun, which means John’s Necromancy can act on the Sun. And once he has, well, the Sun’s gravity works on all the planets in the Solar system, so as he necrovores Them he can necromantically influence anything in their gravity wells as well.

But wait: the ships were still in the solar system, right? So why not “eat” them first. Well there’s the point John brings up of how incoherent and irrational he was at the time to consider, but I think it’s also constructive here to think about how Gravity works. The further two object are from one another, the weaker their gravity upon one another, and the less massive an object is the weaker it’s gravity is upon the more massive. John tells us that at the time he “didn’t know how to look, you see, only touch” He’s not physically touching anything so what he means is Feel, and what I think he specifically means is “feel through gravity”. From the Sun’s perspective, the gravity of some distant spaceship on it is so insignificant it might as well not be there. He describes “eating” the planets in the same sentence he describes eating “every satellite and craft”; it’s possible “eating” the planets let him feel through their gravity, making it easier to “feel” the gravity of structures in their gravity wells acting upon them. So why couldn’t he find and “eat” the Fleet faster?

Cuz it wasn’t in any of their gravity wells or even in the Solar system proper; it was in the Kuiper belt.

The Kuiper belt is a cloud of debris surrounding the Solar system, and TLT treats it as sort of its “boundary”(larger transKuiper clouds are theorized, but they’re theories and it’s possible TLT is using “Kuiper” as a catchall for all of them anyway). It’s far from the Sun, meaning the Sun’s gravity is weak there. John says that once some of the tugs “launched through the Kuiper” he couldn’t “reach” them anymore. So my guess is, given the vastness of the Belt and the tininess of the ships, and the fact that he was working from the Sun’s gravity, it was really difficult to “feel” the ships, and by the time he did it was, as he says, too late.

#The Locked Tomb Series #Nona the Ninth Spoilers #TLT Spoilers #John Gaius #Necromancy #Gravity #Time #TLT Theories #zA Theorizing #zA Analysis

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maridiayachtclub · 1 month

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let's try documenting a big Satisfactory project!

so i have this facility called SPINE. it's a multi-function structure with a stupid (but cool) name. pics under the cut because they're big:

it's bad and it could stand to be renovated.

it was one of the first large facilities i built. it was conceived as a centrally located factory that would gather in resources from the surrounding area, use them to manufacture various fundamental parts like iron plates and screws and whatnot, and then funnel them outward to specialized factories. where possible, additional functions could be built within what felt at the time like a roomy interior, and the structure could be extended upward to make more factory space within.

in addition, it was built on legs, making space underneath for three purposes:

allowing tractors and other vehicles to pass through (at the time, i had an automated tractor running stuff back and forth between a few buildings, and anticipated having a fleet of little wheely friends going to and fro)

making space for ceiling-mounted conveyor belts that would not just move materials through the building but provide the means to deliver them up into the building's interior for processing

room for aminals to wander through :)

so, seeing as this was going to be the center of a general stream of many different products needed throughout my growing factory-city, it seemed analogous to a a spinal column. hence, SPINE, or rather, S.P.I.N.E. what do the letters stand for? i figured i'd think of an appropriate combination of words eventually, but i never did. the name nevertheless stuck

SPINE has been doing what i have asked of it for a while now. the inside chambers mostly look like this

anyway, as mentioned, this was made early on, and while i think the concept is sound, the implementation has ultimately proven insufficient. the space underneath ended up being too small for the variety of materials i require to move through, as well as all the necessary branches needed to move things back and forth between the transport space on the bottom and the factory spaces inside. here's what the underside looks like:

seriously it fuckin sucks down here bro

i can't just keep extending the conveyor lines further down from the ceiling; making enough space to move all these materials and move them up into the factory requires all sorts of stupid twisty turny conveyor belt tricks. the backside, where everything funnels in, is absolutely embarrassing. wizard-of-oz-man-behind-the-curtain bullshit. glasgow willy wonka experience-ass levels of fulfillment. slapdash mickey mouse duct tape effort. real "I didn't do my homework and now i gotta make up this presentation live in front of the class and they can see me sweating" energy embodied.

the horrid tangle running through SPINE is complicated by its output, set up so that it delivers things to my central storage barn. things need to leave the facility in a very specific way, like so:

this part, at least, works fine. this massive vein of conveyor belts is a bit ugly but it works very well. i put a lot of time into designing my central storage barn (there were spreadsheets involved) and it paid off. look at this shit, look at how neatly everything gets sorted into easily accessed bins

i love it. the power fantasy of living in an organized environment, realized here in digital form!

unfortunately the clean functionality of this building just draws into stark relief how bad SPINE is. even if I spruced up its exterior, fully finishing the walls and adding fripperies such as signage and doors and lights, its core functionality is insufficient for my needs. SPINE was conceptualized and built far in advance of my understanding of what i would actually need it to do and i can't stand it any longer! no more!

so, i'm planning to tear it all down and replace it with a bigger, better-organized SPINE. in addition to making it look nicer, it could actually be expandable without adding another strand into its already tangled guts. it would give me an opportunity to incorporate the functions of numerous smaller satellite facilities, cleaning up the surrounding landscape a bit and making room for other factories i know i will have to build in time. it would, potentially, allow me to incorporate a train station or two, so products could be picked up or delivered as needed... not something i need at this time, but even if i never do, having the capability of entertaining visiting trains is a worthy goal in itself.

anyway i haven't started on that yet. SPINE 2.0 is still in the planning stages, and i'm leaving on a trip in a day or so so i'm not gonna be able to start on this project in earnest for at least a week.

i might keep documenting the project here for funsies. i love Satisfactory; it's a perfect vehicle for one of my favorite things to do in a game: turning nothing into places. if you're in a video game and you see a bunch of hills and trees and rivers and piles of iron ore and other natural features, it doesn't really mean much on its own, but spend enough time there and you grow accustomed to it. you put together a mental map, figure out whatever routes you're going to be taking through it, learn how to navigate it quickly and efficiently, and soon that random bit of wilderness is a place. the rocks you have to navigate around and the rivers you have to jump over become familiar sights. and if it's a building kinda game, and you're populating this unsullied wilderness with the mortal profanity of civilization, that place is even more place-y than before. i very much like the places i have built in Satisfactory, so regardless of how this is received, it's fun to talk about it, get some of my internal thoughts on this project down in a format that can last. at least until tumblr shutters its doors and gets sold to some venture capitalist vultures in 2026

#satisfactory #spinny plays satisfactory

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jinmukangwrites · 9 months

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Weep little lion man (9.5/14)

First - Previous - Next

Fandom: Jedi: Fallen Order / Survivor Rating: T Warnings: N/A Ao3 Notes: next chapter is officially the beginning of the endgame. Thank you everyone who has joined me for this story. This is the final .5 chapter.

Summary: After defeating Dagan Gera for a third and final time, the Compass ends up in Bode's hands without a scratch. He could go back to Jedha with Cal... but he's holding what he wants. He doesn't see the point in pretending any longer. He makes a split-second decision. Or: Bode's betrayal goes a bit differently.

-o0o-

Never in Merrin's life has she been so glad to have so many friends willing to take charge. So many friends that knew how to make quick and effective plans on the fly; allowing her to set her mind on autopilot and simply do as Cere or Cordova tells her to.

They can worry about the specifics, the details, the intricate strands of unwoven tapestries, and she can just work.

"Merrin, can you help find Zee a way up this cliff?"

"Merrin, I need assistance moving some equipment from the smuggler tunnels."

"Hey witch, keep an eye on Caij for me, will you?"

She does everything anybody (except Caij, though the questionable woman never requests anything anyways) asks, because she's happy to help and she's a creature of action. Having a set of instructions and a task at hand helps her keep useful and productive even though she's no good at knowing the history of ancient Jedi civilizations, nor is she much of a use for putting together technology which will make it possible to traverse an un-traversable and chaotic plume of abyss in space.

She at least also got to protect Rambler's Reach from vengeful raiders and even the occasional troupe of Imperial invaders. She knew that she could do the leg-work, she enjoys the leg work. She had spent so long alone on Dathomir, desperately trying to cling to control as the forces of the universe did everything in its power to rip it away from her. Finding Cal... all those years ago... It gave her a greater purpose other than control. He helped her move on and focus on doing something. Let someone else be in charge, let the legacy of her sisters and mother not weigh her down so hard.

Helping Cere and Zee explore old Jedi chambers and temples, helping Cordova build a way to track through the abyss, even just keeping Caij in her sights, it made her feel like she was helping build progress on finally rescuing Cal and figuring out what exactly Bode's problem was. Singe the hairs of his eyebrows while she's at it.

Once Cere found a breakthrough in the mysterious Arrays, once Cordova managed to find a weak and unstable signal on Cal, Merrin couldn't help but think it took the Galaxy long enough to turn in their favor.

"So what's the plan?" She asks, folding her arms across her chest as Cere explains that activating the final Array just outside the Reach would make a temporary safe path through the abyss.

"Merrin, you'll get Zee to the array," Cere explains, her face calm but her voice twinging with undisguisable excitement. "Activate it, and join us on the Mantis. We should have just enough time to fly through the abyss, and with Master Cordova's work on the bounty puck, we'll know where to find Cal."

"Well," Caij says, leaning against the center console of the Mantis, Merrin narrows her eyes at the 'former' bounty hunter. "What are we waiting for?"

-o-o-o-o-

Getting Zee into the final array and getting herself back onto the Mantis was... concerningly uneventful. She thinks most people would celebrate things going easy, but things never went something as simple as easy when involving Cal. Too many things going exactly as planned couldn't mean anything good. Luck and karma didn't work that way for her family.

She kept her worries to herself, however, because if she were asked what was worrying her she wouldn't even be able to explain it. The Mantis hummed perfectly as ever as Greez lifted the old thing up and toward the Koboh atmosphere. The seats were comfortable. BD didn't leak oil. The array stayed lit like a beacon. Caij didn't suddenly get yellow eyes and cut down her family.

Geez punches it towards the triangle puncture going through the abyss, hands only shaking a little, but pure determination kept his flying steady. Silence filtered around the crew (and Caij) as star speckled black space turned into swirls of pink, purple, and blue. It looks like something only a child could draw with those glitter markers she saw once on Coruscant. It feels like flying into the heart of a supernova.

That feeling of something about to go wrong lingers. She can barely restrain herself from fidgeting as she stands behind Geez's pilot chair. She forces herself to look dead ahead at the carved path before them, a squeezing sensation wrapping around her heart.

"The path is getting thinner," Cere says, and Merrin closes her eyes for just a moment to breathe.

The array is shutting itself off, and they're already too far in to turn back. They need to go faster, onward, or they'll lose themselves here.

Cere grabs onto the hyperspace controls, ignores Geez's panicked shouting, and closes her eyes.

Something has finally made itself complicated; and while it seems Cere is about to initiate a solution, Merrin can't help but find a little comfort in the tides turning into currents. Deep down, she knows this will only be the first of many problems, but at least now it's familiar.

"Now!" Cere shouts, mostly to herself, and flicks the switch.

Geez screams, Caij swears, Cordova calmly breathes a visible breath, BD clutches into Merrin's shoulder, and Cere looks dead ahead at the streaks of hyperspace. Merrin... Merrin doesn't know what she does. Everything gets so loud and so real in her brain where if her physical body does anything, it wasn't her consciously controlling it.

She trusts Cere, but she doesn't trust fate. They'll get through this, but whatever is waiting on the other side is promised to be a thousand times worse.

Hold on, Cal, her brain desperately screams, it's almost over.

-o-o-o-o-

With a flash, the empty space above Koboh suddenly finds itself filled.

The pilot, sitting alone within the cockpit that used to belong to his father, frowns beneath his helmet as the signal he had just been tracking suddenly disappears.

He reaches for the puck, moving his gauntleted hands over the small FOB and checking to see if there's a loose wire or something else as temporarily inconvenient. He can't find anything wrong with the tool, which means something else had caused the signal to suddenly disconnect.

A flash of light, and he blinks ahead at a strange cluster of space dust that's settled itself as near to the planet as a moon would. Three beams of light tear through the center of the plumage, though one is in the process of going out.

The bounty hunter glances back at the tracking puck and quickly checks the last known coordinates of his target. He's almost not surprised that they point him directly towards the mysterious abyss.

The third beam gives a final, violent shudder, then flickers out in a blaze of glory. Whatever path it has carved, it's gone now, and so is Caij Vanda.

Only at a slight loss, he bites his lip and looks down at Koboh. He can't give up on his target, not quite yet, and perhaps wherever that broken beam had come from, there will also be someone who knows what the point of it was, and if his target is dead or not.

He has enough of a reputation that simply confirming a death will get most contractors good faith. He can still get paid here, and then he can move on to other bounties with no sleep lost. Bigger bounties, maybe that red-hot one the Empire just tripled.

Turning Slave 1 towards Koboh, Boba Fett makes preparations for landing.

#cal kestis #bode akuna #merrin #nightsister merrin #jedi fallen order #jedi survivor #star wars jedi fallen order #star wars jedi survivor #jin writes #fanfiction

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deusvervemakesgames · 11 months

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Project RBH Devlog 0011

This last week has been something of a busy one. I managed to get quite a bit of groundwork laid for future developments. I’ve been expanding the list of possible upgrades that you can receive, and that means I need to also have the bullet and damage functionality to make those upgrades actually do something. Strictly speaking, I only got two or three upgrades added to the list, but I’m quite pleased with what I had to do to make those work.

The first thing I implemented was the Critical Hit system! That’s right, you can now land crits against enemies! I’ll have to go back and revise this system to make it play nicer with the rest of the damage systems, which I don’t think will be hard since all I have to do is move the code from one script into another and make sure the variable references don’t try to make an invalid reference, but I’ve done that sort of thing before—including with the other thing I did last week—and it shouldn’t be hard at all.

I’m also very pleased with how specifically implemented the system. Like most creative types, game designers are magpies; we steal anything shiny enough to catch our interest. And there’s one Critical Hit system that always comes to mind for me before any other: the Yellow, Orange, and Red Crits from Warframe.

If you don’t know what Warframe is, it’s free, go play it. What’s important here is that in Warframe, it is possible to upgrade a weapon so that its chance of landing a Critical Hit is more than 100%. There’s no official name for this, but damage numbers in Warframe are color-coded, hence why I referred to these as Orange and Red Crits last paragraph. The basic way the system works is that you can Crit multiple times with one attack, with each Crit reapplying the Critical Hit Damage Multiplier. For example, if your weapon has a 150% Critical Hit Chance and a 2x Critical Damage Multiplier, you are guaranteed to do twice as much as your base damage, with a further 50% chance to do four times as much damage instead.

I refer to this as an Overcrit, since Warframe players always refer to this by the color of the damage number—Yellow for a normal crit, Orange for two Crits, Red for three.

And it turns out the Overcrit system is actually super easy to implement! You take a For loop that randomizes an integer between 0 and 100, and if it’s lower than the Critical Chance, apply the Damage Multiplier, subtract 100 from the Critical Chance, and repeat the loop until it fails. I haven’t capped this number yet, meaning that if you could somehow get 1,000% Crit Chance or something you’d have some frankly absurd damage multipliers applied, but that’s half the fun of crazy builds in Roguelikes/lites! If it becomes a problem I can easily fix it later.

(I also took a quick break to fix the upgrade system crashing the game due to an invalid reference when upgrading the player’s Bullet Movement Speed. Like I said before I’ve done this fix a lot; it’s pretty easy. In this case, I took the chance to improve the versatility of the code, as well.)

But when people think of dedicated builds in games like this, one of the ways I generally see it broken down is a Critical Hit Build versus a Status Effect Build, and you’d better believe that I implemented some status effects! Or, one status effect, but the system is designed to be easily expandable, like pretty much everything else in the game. Future-proofing your code is extremely important to avoid coding conflicts later down the line. The further you are in production, the harder adding new things becomes.

Anyway, I Added a simple Burning status effect. I don’t have Overstatuses the way I have Overcrits as a way to further make them play differently from each other, so the Status Check only runs once per Status Effect. Having a dedicated script for handling all my damage handling makes it extremely simple to add new code to it.

There was an issue where I forgot how arrays worked for something like two hours which resulted in my conditional statements failing to find the status effect I was looking for in the array because the arrays were nesting, but once I figures out the problem it wasn’t that hard to fix, albeit somewhat convoluted. Combining arrays like that without duplicating any statuses means I need another For loop to check each entry in the array storing the Bullet’s statuses against the target’s active statuses, and adding any that aren’t there. I also only have a single Status Chance variable, meaning that all status effects have the same chance of applying in a single shot—which doesn’t necessarily mean that it’s all or nothing, but that it’s currently impossible to have a build where you have a better chance of any one status over another. That might be worth changing, but that’s something only playtesting can prove.

For the sake of simple implementation, I created a script that runs every frame to apply every status so that the entire Status Effect Code within each enemy is a single line. Much like the array comparison from before, this is handled with a simple For loop, checking each item in the Status Effect Array and then executing the corresponding script. While this makes it very easy to implement, it made it somewhat tricky for the status effects to actually wear off. See, if I ever set the duration within the script, then it would reset the timer back to full every frame of the game, which isn’t exactly ideal. In the end I had to initialize a specific variable for that status effect, which I set equal to another variable: the player’s Status Duration. This means I can also have upgrades that make status effects last longer, but I’ll also need every enemy to have a timer variable for each status effect. I’ll probably move that to its own script to save me some time, and so that I can update those variables whenever the player gets a Status Duration upgrade.

It also took me some fiddling to get the Damage Over Time of the enemy burning just right. I don’t want a basic enemy to burn to death after a single bullet with no other upgrades, but I also don’t want to damage to be so little that it’s unnoticeable. But after a few different tests of frequency and damage, I got something that I’m happy with.

This is also useful for me for future Status Effects. For example, I want a Bleed Status unique to Critical Hits (once you have the associated upgrade, of course) that’s distinct from Burning or Poison or whatever other Damage Over Time I end up doing. These experiments to get Burning just right will be invaluable for that later.

Though I do need to also adjust some other things so that the Status Effects have other, additional effects, like increasing how much damage an enemy does or takes, for example. That shouldn’t be too difficult, I don’t think, so long as I make sure not to double-up on those effects and accidentally adjust a parameter in a way I wasn’t expecting.

And I got a new keyboard, too, since my last one was having trouble reading my inputs, especially on certain keys.

All in all I think it was a successful week.

Until next Devlog!

-DeusVerve

Special thanks to my Tier 3 Patrons, Haelerin and Christos Kempf!

Support me on Patreon

#devlog #indie dev #game development #indie game #game dev #video games #rbh

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shoppncarticles · 9 months

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The Trubbish Family

People are so mean, you know that? Poor Trubbish was the subject of ENDLESS ridicule when Pokemon Black and White first came out, and once a bunch of Pokemon fans on online forums caught wind of the living trash bag they proclaimed it as a CLEAR sign of Pokemon’s empty barrel of potential design ideas. Never mind the Nazca line sentry drone or the baggy pants hoodlum lizard that came earlier in the generation – or the very next entry that’s a sleekly designed fox monster that I’m sure would make a few people quite happy – no, Trubbish is a perfect indication that Gen 5 has ZERO creative ideas whatsoever.

I really do have to imagine it’s something to do with the negativity bias and older fans growing disillusioned with Pokemon because like, at the end of the day Trubbish is completely inoffensive. It’s a little trash bag with eyes and a mouth and nub feet. What’s the harm that it’s doing, guys. Look, I’m one of the people who will say Grimer and Muk are in their top 10 Pokemon of Generation One, and even I’ll admit Trubbish is more interestingly designed than either of them were.

ANYWAYS, Trubbish itself is a cute little Poison-type monster, as cute as you’ll probably get with a living trash bag. I love that while it does have arms, those arms are formed from pure waste and grim bursting from its sides. It’s also been pointed out that Trubbish’s snaggleteeth could be broken shards of glass if you want to read it a little more realistically, which I’m happy to do. That's a fun little detail to attribute it with. It’s also been pointed out that the two bits at the top of Trubbish’s head – the ends of its top knot – could be seen as rabbit-like ears, and thus making Trubbish a partial dust bunny design, which is charming. That’d be one way to explain the stuff that makes up its arms, being just coalesced lumps of dust and dirt.

Interestingly, Trubbish is said to be the product of excessive garbage and chemical waste, meaning they aren’t naturally occurring Pokemon and instead some mutant species created by humanity’s excess of waste. While kind of a tragic statement, it is certainly interesting that new species of Pokemon can crop up from unlikely places like that, and does raise the question if any species resembling Trubbish existed in ancient times before mass industrialization that merely adapted into resembling trash bags. Makes you think!

Garbodor, Trubbish’s evolution, does a lot more cool things with the idea of being living trash as well. Its main body has grown so large from all the garbage and waste its accumulated, resulting in the bag that used to house its body bursting open and now only covering its head. Notably though are its arms, one being quite diminutive and appearing to be made of rebar. I love that idea a lot, its incredibly small but the idea of a beast made of condensed waste using rebar as a skeleton just makes too much sense in my mind. The other arm is much more complete, and ends in little nozzles that Garbodor can fire globs of muck out of. Y’know, just in case it ever needs to. Garbodor certainly lives up to its title as the Trash Heap Pokemon.

Oh, also, Garbodor’s Japanese name Romanizes to Dustdas, which kind of draws a further connection to that dust bunny idea I mentioned earlier. So that’s neat.

For whatever reason, Garbodor was the only Pokemon not from either Gen 1 or 8 to receive a Gigantamax form come Sword and Shield. Yeah, remember those? Why on Earth Game Freak chose to give Garbodor – one of the Pokemon frequently criticized as being one of their lowest creative points – a new gimmick form (from like a corporate perspective) is beyond me, but hey, I’m not complaining too much.

I like G-Max Garbodor well enough, it seems like a good way to go about giving it a big ultra-strong touch up. I like how it gains so much waste its lower body becomes a shambling mass, and I like how more specific trash objects get littered all over its body… but I do question why they’re all toys instead of like, fishbones and tires and even like, apple cores. Other generic trash object, y’know? It’s not a bad decision, but does have me scratching my head a little. Ah well, it’s still nice to see Garbodor get this weird splash of love from the designers. Glad to know that they won’t pander to the Gen 5 hate crowd all the time.

Score: 5/5

On the same tier as Muk and Weezing for me – they all belong together, after all. Alolan Muk is just the one that shoots that family up to my grand standings, no offense Garbodor. You’re still mighty cool.

[Gen 5 Archive]

#pokemon #pokemon review #trubbish #garbodor #gigantamax garbodor

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