#Disney's 'Wish' premiere in | Explore Tumblr Posts and Blogs

cheriladycl01 · 1 month

Text

POLL TIME!

With my Olympic Sport Series now about halfway through. It’s now time I move onto another! Since my last poll I’ve come up with some more ideas to add for my Grid Series! So here they are vote for which one you want to see next!

The Famous Career Series

- It's not hard to meet other famous people when you yourself have a status. Be it an actress, artist, musician, influencer, YouTuber, Model reader will be in the limelight, each coming with a different career for a different driver!

The Sporting Career Series

- Reader is an athlete in any other sport other than F1. They may be a team player in a sport, and play in the Women's English Premier league for the likes of Chelsea or Man U, or maybe she's an individual golfer and is friends with Lily He. Who knows what it will bring!

The Mundane Career Series

- Reader somehow despite all odds meets a driver even though they have an average joe job, ranging from a bartender to a chef, to a 9-5 office girlie, to a vet or a teacher or even a uni student doing their best to get a good degree.

Disney Princess Series

- in Au universes find your fave driver following the plot line of a love interest/ or an enemy to our Disney women, whether they are a princess, daughter of the village chief or looking to not grow up! You’ll fine it all here …

Special Interest Series:

- As a woman of ADHD, I’ve had my fair share of special interests … how do the drivers cater to their neurodivergent significant other and their special interests. (I get that some people could find this offence but to me, as someone who loves it when my friends or partners involve themselves in hyper fixation or special interests this would be a real comfort to write about)

Taglist:

@littlesatanicassholebitch @hockey-racing-fubol @laura-naruto-fan1998 @22yuki @simxican @sinofwriting @lewisroscoelove @cmleitora @daemyratwst @lauralarsen @the-untamed-soul @thewulf @itsjustkhaos @purplephantomwolf @chasing-liberosis @summissss @gulphulp @starfusionsworld @jspitwall @sierruhhhh @georgeparisole @youcannotcancelquidditch @tallbrownhairsarcastic @ourteenagetragedy @peachiicherries @formulas-bitch @cherry-piee @spilled-coffee-cup @mehrmonga @bigsimperika @blueberry64857959 @eiraethh @lilypadlover @curseofhecate @alliwantisadonut @dark-night-sky-99 @i-wish-this-was-me @tallrock35 @butterfly-lover @barnestatic @landossainz @darleneslane @barcelonaloverf1life @r0nnsblog @ilove-tswizzle @laneyspaulding19 @malynn @viennakarma @landosgirlxoxo @marie0v @yourbane @teamnovalak @nikfigueiredo @fionaschicken @0picels0 @seomako @urdad-hot @tinydeskwriter @ironmaiden1313 @splaterparty0-0 @formula1mount @styl1shl1v

23 notes · View notes

fans4wga · 11 months

Note

Hello. I have a few questions about the ongoing WGA/SAG-AFTRA strikes: Will this affect even animated films (counting those made prior to the strikes)? Is there a likelihood that animators will join the strikes?

I'm asking this because of the recent news surrounding the animators' experience on Spider-Man: Across the Spider-Verse as well as the fact that there are animated films like Paw Patrol: The Mighty Movie (Paramount), Wish (Walt Disney Animation Studios) and Trolls Band Together (Dreamworks) set to be released later this year.

I'm not too familiar with filmmaking and premieres, but all I can speculate is that if the strikes last beyond the final quarter of 2023, it's likely that premieres for films such as the aforementioned along with live-action films scheduled for this time are going to be canceled.

Those are my thoughts, but I'm curious as to what you think of this?

Anything made prior to the strike is unlikely to have its release date affected, since WGA and SAG-AFTRA members would have completed their work a long time ago. (Marketing would be affected since actors/writers aren't doing promotion right now, but I imagine most release dates for things that are completed will stay the same, unless the strike drags on so long the studios attempt to stretch out their schedules.)

It is unlikely that TAG (The Animation Guild) will join the strike. The only reason the WGA and SAG-AFTRA are striking at the same time was because their contract negotiations were scheduled around the same time, May-July 2023. TAG has contract negotiations in different years and will next have a negotiation in 2024. Members from TAG and other unions can picket in solidarity, of course, but without the disputes that arise from a contract negotiation, a full strike is unlikely. The stories coming out of the Spider-Verse situation hopefully lead to the union taking a strong stance on the fairness of their negotiations in 2024!

The studios are going to try to pretend that everything is normal to placate Wall Street/investors so it also seems unlikely that premieres will be canceled/delayed; they just go on without actors and writers, like the Haunted Mansion premiere at Disney this week that had Disney characters walking the red carpet instead!

#sag strike #sag-aftra strike #wga strike #writers strike

107 notes · View notes

grits-galraisedinthesouth · 3 months

Text

The Sussexes🍋 have delivered little since signing w/the steamer in 2020

"Meghan and Harry’s $100 Million Netflix Deal Is a Hollywood Miss | Emily Smith Feb 28, 2024

When Prince Harry and Meghan Markle’s lucrative Spotify deal fell apart in 2023, Bill Simmons, The Ringer’s founder and managing director, was incensed.

“I wish I had been involved in the ‘Meghan and Harry leave Spotify’ negotiation,” Simmons, the head of podcast innovation and monetization at Spotify, which owns The Ringer, said on his self-titled show. “‘The F–king Grifters.’ That’s the podcast we should have launched with them.”

Simmons’ astonishing comments followed the collapse of the Montecito, California-based Duke and Duchess of Sussex’s $20 million deal with Spotify, signed in December of 2020. They delivered just 12 episodes of Markle’s “Archetypes” podcast.

But the Spotify contract paled in comparison to the estimated $100 million Netflix agreed in September 2020 to pay them, a deal which produced a documentary series “Harry & Meghan” two years later — and little else since then.

Aside from the docuseries, the exclusive Netflix deal produced the “Heart of Invictus” in August 2023, which covered Prince Harry’s games for wounded warriors, and “Live to Lead,” about inspiring world leaders and featured interviews with Ruth Bader Ginsburg and Gloria Steinem. That series premiered on Dec. 31, 2022.

Unproduced is an animated series created by Markle titled “Pearl,” which Netflix axed in May 2022 as part of a series of cutbacks. There is little else close to production.

What’s gone wrong? TheWrap spoke to multiple insiders who say the Sussexes have worn out their welcome in Hollywood with an iron-fisted desire for control, combined with a lack of experience. A revolving door of executives have departed the couple’s production company, Archewell, in the past two years while a long list of exhausted agents, producers and other industry veterans have stamped it with a “life’s too short” reputation.

The Sussexes founded Archewell Productions in the name of their four-year-old son, Archie. It includes their nonprofit charitable foundation, plus a for-profit arm focused on media projects.

“Everything with them was fraught and complicated because they wanted complete control,” one Hollywood creative who has worked with them, who declined to be identified, told TheWrap.

Another insider with knowledge of the management of Archewell agreed, saying the couple have proven to be stubborn to the point of alienating others.

“It appears that they just want what they want and won’t take advice,” the insider said.

“Taking on Harry and Meghan was a great coup for Netflix,” public relations and image guru Mark Borkowski told TheWrap. “It probably got a lot of eyeballs and subscriptions, but they [Harry and Markle] never delivered.”

Borkowski added that the clients he works with are closely watching their budgets and costs, but, given the former royals’ lifestyle, “The amount of income this pair has to raise is enormous.”

An insider with knowledge of the Netflix deal with Archewell said it is an “overhead agreement,” meaning not all the money would go to the Sussexes, but it also helps fund their staff, office and development fees.

Archewell and the Sussexes declined to comment for this story.

The former royal couple were initially a hot property. Before signing with Netflix, they also had discussions with Apple, Disney and NBCUniversal, The New York Times first reported. Meghan previously narrated a documentary about elephants for Disney+, and Harry collaborated with Oprah Winfrey on a docuseries about mental health for Apple TV+.

The “Harry & Meghan” docuseries, directed by Liz Garbus, was a legitimate hit, setting a record for the biggest debut for a Netflix documentary with a total 81.6 million hours watched on its first four days of availability, amounting to more than 28 million households watching.

The series was an intimate glimpse inside the Sussexes’ marriage and made headlines for their criticism of the British royal family for failing to support them, including allegations of racism and a narrative that the couple was essentially forced to leave England for the U.S.

But production was apparently difficult. One individual with knowledge of the series said dealing with the former royal couple was a “nightmare” as they were fiercely protective of their story.

“Harry and Meghan made the collaborative process very hard, to the point that there was no collaboration at all,” the insider said.

Other projects have not gotten off the ground.

Netflix and Markle announced “Pearl” with much fanfare in 2021. The animated series — co-executive produced by Markle and David Furnish — was to center on the adventures of a 12-year-old girl who finds inspiration in a variety of influential women throughout history. Netflix canceled it the following year while it was still in the development stage.

There have been reports Netflix bought the romantic Carley Fortune book “Meet Me at the Lake” for $1 million for the pair to produce into a movie. Other plans included a TV drama feminist retelling of Miss Havisham from Charles Dickens’ “Great Expectations” and a documentary about Prince Harry traveling solo in Africa. But these all seem far from getting off the ground.

Another Archewell insider told TheWrap that “Meet Me at the Lake” was “in active development,” but has not yet been cast. And Harry’s trip to Africa has not been scheduled. Some projects will be announced in the next few months, the insider added.

“They have a couple of unscripted things they’re working on,” Netflix’s chief content officer Bela Bajaria said at the “Next on Netflix” event on Feb. 1 of Markle and Harry, including “a movie in development” and “a [scripted] series.”

Bajaria emphasized that these projects were still in “early development,” which raises the question what exactly has been going on between Archewell and Netflix? COVID struck at the start of their deal, Markle went on maternity leave and then the writers’ and actors’ strikes halted production for much of last year. But with all that, it is it is remarkable how little the couple have actually made work for the streamer.

Reps for Netflix, which has also pulled back on its TV and film expenditure during the work stoppages, declined to comment. Harry and Markle do not have guild relationships so any non-U.S. productions would not have been affected.

Markle recently announced she’s joining forces with Lemonada Media — whose tag line is “Making Life Suck 🍋 Less” — for a new podcast, and it will also rerun her “Archetypes” podcast. The company, founded in 2019 by Jessica Cordova Kramer and Stephanie Wittels Wachs, is small and is not expected to be a big pay day for Markle.

The actress is still earning residuals from “Suits,” which recently found an entirely new audience on Netflix.

Archewell turnover: Meanwhile, there has been a dramatic executive turnover at Archewell — particularly those negotiating TV, film and media deals. Mandana Dayani, a human rights activist and business executive, was the president of Archewell from May 2021 to December 2022 and stepped down just days before Harry and Markle’s docuseries aired, with no reason offered.

The company also lost its BAFTA-winning head of content Ben Browning in January 2023 after his contract expired. Browning, who worked on “Harry & Meghan” and the “Archetypes” podcast, returned to his former employer, FilmNation Entertainment as president of production.

Bennett Levine, their production manager, also left in January, as did Rebecca Sananes, Markle and Harry’s head of audio who left to work as a freelance writer and podcast producer after the “Archetypes” podcasts were concluded.

The company has also parted ways with their SVP of scripted television, “Fargo” producer Nishika Kumble, who lasted less than two years in the role.

“Meghan and Harry don’t have a quality team around them,” Borkowski said. “They drive this ship, they are in the wheelhouse. Whether you are the Obamas or Meghan and Harry, you have to defer to people who can really get the job done.

“They just need to sort out a proper production company, they need significant hires,” he added. “People who can actually develop scripts, wrangle talent.”

The Archewell insider insisted the couple has hired talented new executives. Tracy Ryerson was brought in as the new head of scripted content. She formerly worked at the production company behind “Peaky Blinders,” Caryn Mandabach Productions, and starred in a reality show titled “The Real L Word.” Former Disney+ executive Chanel Pysnik joined in 2021 as head of unscripted.

The Sussexes made a surprise appearance at the Jamaica premiere of the Bob Marley biopic “One Love” in late January, sparking speculation about a possible deal with the film’s distributor Paramount Pictures, especially given that they reportedly travelled with the company’s boss Brian Robbins — who is a neighbor in Montecito — via a Paramount private jet.

Yet parent company Paramount Global is strongly rumored to be up for sale, so it is unlikely to be a safe landing pad for the couple.

Last August it was announced that WME signed Markle to be repped by Endeavor CEO Ari Emanuel, Brad Slater and Jill Smoller. Archewell is also being repped by the agency, which didn’t comment to TheWrap.

“She is extremely ambitious and knows what she wants,” an industry insider told TheWrap of Markle’s discussions with the talent agency. “But there have been issues with executive turnover inside Archewell.”

In the meantime, The Sussexes need to make money to keep up their California lifestyle and their $14.65 million mansion. The U.K.’s Daily Mail reported that they made around $20 million from their tell-all documentary, while Harry made an estimated $15 million from his memoir “Spare.”

“I think possibly Netflix has dodged a bullet,” Borkowski said. “They know their content, they are data wonks, they know where the interest is. So they’ve got a very good idea or not whether there is a huge amount of excitement around Meghan and Harry.”

The viewing public may not be interested in a romantic movie from the Sussexes, he said. “They create a lot of column inches, but do people want content from them unless it is revealing something extraordinary [about themselves or the British royals]?” he said. “I don’t know how much more they can reveal.”

https://www.thewrap.com/

After Prince Harry and Meghan Markle pulled the plug on their $20 million podcast deal with Spotify this week, Bill Simmons, the streamer’s head of podcast innovation and monetization and CEO of The Ringer, called them “f—ing grifters” on the latest episode of his podcast.

The deal, which was struck in 2020, resulted in only one show, the one-season, Markle-hosted “Archetypes.”

“I wish I had been involved in the ‘Meghan and Harry’ leave Spotify negotiation, the f–ing grifters,” he told guest Joe House on Friday’s episode of “The Bill Simmons Podcast.” “I gotta get drunk one night and tell the story of the Zoom I had with Harry to help him with a podcast idea. It’s one of my best stories. F— the grifters.”

The Wall Street Journal reported on Thursday that Harry and Meghan would not receive the full $20 million from their payout. The two signed a deal with Netflix in 2020 to produce documentaries and series, and released their first show — a docuseries called “Harry & Meghan” — earlier this year.

Simmons, who founded sports and pop culture website The Ringer, sold it to Spotify in 2020 for $250 million. He’s in charge of several Ringer-branded podcasts at the podcast giant.

https://x.com/rBillSimmonsPod/status/1669665129393160192?s=20

#sussex sucks🍋#megxit #netflix #spare us #meghan markle #worldwide privacy tour #like a spare #brf #money laundering #Tyler Perry #Bill Simmons #grifters #megflix bust #markled

33 notes · View notes

evanpetersgoddess · 8 months

Text

Such a great day to be an Evan Peters stan!! 2 new photos and news he’s going to be doing a voiceover for Disney’s movie “Wish” which premieres on Nov 22, 2023!!!! ♥️ so proud of this man 🥹

#evan peters #evan thomas peters #evanpetersgoddess #evan peters fandom #evanpetersfandom #evan peters edits #james march #james patrick march #kai anderson #american horror story

56 notes · View notes

experimentkc · 8 months

Text

Happy (belated) anniversary to Lilo & Stitch: The Series and Stitch!

Yes, I know that the twentieth anniversary of the premiere of Lilo & Stitch: The Series (on ABC Kids) was on September 20th. I was sick back then, though. So, I'm celebrating it today on the anniversary of its Disney Channel premiere instead.

Lilo & Stitch: The Series continued our beloved titular human-alien duo's adventures on their home island of Kaua'i after the first film and the show's pilot film Stitch! The Movie. Throughout the course of 65 episodes over two seasons that aired within almost three years (September 2003 to June/July 2006), they went around the island (and occasionally elsewhere) to find, capture, and rehabilitate Jumba's other genetic experiments by giving them a place where they truly belonged. They also dealt with the ex-Captain Gantu, now working for Jumba's ex-partner Dr. Jacques von Hämsterviel, as they hunted down the experiments.

While Lilo & Stitch creator Chris Sanders, who reprised his voice role as Stitch in the show (as did almost all of the original film's voice cast reprising their roles), never really intended for his film to go anywhere beyond the one film he made, Lilo & Stitch: The Series has left a lasting impact with Lilo & Stitch fans everywhere that can still be seen to this day. Dr. Hämsterviel and his Python-esque Frenchman-sounding voice became recognizable while giving the franchise a proper villain. Gantu was fleshed out more as a character instead of just being a brute enforcer for someone else, especially through his interactions with the memorably lazy, wisecracking, sandwich-loving, reluctant sidekick Experiment 625, who we know today as Reuben. The second season did crossovers with other Disney properties before it was cool, with the casts of Kim Possible, American Dragon: Jake Long, The Proud Family, and Recess each joining our duo's 'ohana for an episode. Then there are the genetic experiments themselves, with their fun designs and wide and sometimes wacky abilities making a lasting impression on those who enjoyed seeing Stitch and his mischief while expanding on the (admittedly crazy and inconsistent) lore of Lilo & Stitch's universe. One of them, X-619/Splodyhead, even made a cameo in a Walt Disney Animation Studios film in Big Hero 6, while another, X-221/Sparky, who debuted in Stitch! The Movie, became a boss in Kingdom Hearts: Birth by Sleep. And we can't talk about experiments without mentioning X-624/Angel, Stitch's love interest and mate who became so popular in her own right that she now gets a regular influx of merchandise and has made several video game appearances, including most recently in Disney Speedstorm.

Not to be forgotten, the Stitch! anime series also recently celebrated its fifteenth anniversary of its premiere back on October 8th. The first spin-off made after the original Western continuity, Stitch! had the little blue alien crash-land on a small fictional island in the Ryukyu Islands called Izayoi, where he meets and befriends the tomboyish Yuna. During the first two seasons, which were animated by Madhouse, Yuna and Stitch go on their own adventures around the island, befriending yokai who live in the island's Chitama Forest, and dealing with Hämsterviel, Gantu, and Reuben again. Some of the experiments even return in this show, especially Angel, who became an intergalactic pop star in the (in-universe) years since we first met her on Kaua'i. The main plot of these two seasons is about Stitch getting enough good deeds to have the magical Chitama Spiritual Stone grant him a wish, which was apparently to become "ruler of the universe". However, by the end, he decides that living with Yuna is better. After Madhouse's 56 episodes (which includes two post-season specials), Shin-Ei Animation took over for the third season, retooling it by having Yuna and Stitch move to a fictional Okinawan city called New Town, going on wackier adventures there with her new classmates, while Hämsterviel now goes after Stitch on behalf of a big-eared humanoid alien woman named Delia to gain a power cell within him, using several experiments that he "transmutated" to do his dirty work. The 30-episode (again, including another post-season special) season also had Stitch reuniting with Lilo, now all grown up with a daughter of her own, for one episode. The main series of three seasons ran from 2008 to 2011; they were followed by two more specials, Stitch and the Planet of Sand in 2012 and Stitch! Perfect Memory (or Stitch! A Perfect Memory) in 2015.

Infamously, the English dub of the anime established itself as a post-Lilo continuation from the get-go with probably the worst-chosen opening lines to any sequel show ever, when Jumba claimed (later proven false by Lilo's aforementioned third-season appearance) that Stitch left her because Lilo became more interested in a boyfriend over him; such lines, which weren't in the Japanese original, caused many fans to swear off the anime series as "not 'ohana". However, as the years passed since Stitch! ended, the anime faded to relative obscurity, which in turn caused much of the hate it received to die down. In more recent years, it's now garnered some appreciation in its own right after years of ridicule and vitriol, with those such as Saberspark enjoying the show for what it is and making videos about their more positive thoughts on it.

My friend @angoraram made the drawing at the top of this post for this special occasion featuring Stitch, Reuben, Angel, and several other experiments well-known and obscure from throughout Lilo & Stitch: The Series (plus Dorkifier from Stitch!). She already shared this picture on her DeviantArt galley last month, but she also allowed me to share some special 5K desktop wallpaper edits I made of her drawing available in 16:9 and 16:10 aspect ratio versions. You can download these over here.

#Lilo & Stitch #Lilo and Stitch #Lilo & Stitch: The Series #Lilo and Stitch: The Series #Stitch!#Stitch! anime #anniversary #Disney Stitch #Stitch #Lilo & Stitch experiments #Lilo and Stitch experiments #genetic experiments #fan art #artwork #AngoraRam #computer wallpaper #desktop wallpaper #desktop background

53 notes · View notes