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#Festival Screening
cookeccc · 10 months
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C4D|Screening Room
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lilybug-02 · 20 days
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Eimmet High...temmiE high. OMG!
Part 28 || First || Previous || Next...
--Full Series--
Next update may take...much longer! I have finals and an internship and not to mention I have to draw- A LOT :')
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We are very excited to announce that Portuguese festival FEST – New Directors/New Films Festival has selected Noise Film, Suburb and Heartwood.
Heartwood will be screening in the ‘FESTinha SUB10’ competition competing for the FESTinha Sub10 award.
Noise Film has been selected for the ‘Silver Lynx Animation Short’ competition and will be competing for the SILVER LYNX ANIMATION SHORT AWARD.
Suburb will be in the NEXXT competition, competing for the NEXXT AWARD.
The festival is an all-encompassing celebration of the new tendencies of world cinema. The event focuses on a competitive and non-competitive showcase of the most promising new figures and works from around the globe.
The 18th edition of the festival started yesterday and will run until the 27th of June 2022, in the seaside town of Espinho in Portugal.
Congratulations and good luck all round!
https://site.fest.pt/pt
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randimason · 7 months
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THE PICKET LINE: A ROAD TO PAY EQUITY AND SUSTAINABILITY - WOODSTOCK FILM FESTIVAL
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SPEAKERS: Neil Gaiman, Dana Weissman, Jo Miller
MODERATOR: Thelma Adams
The Creative Industry has been radically transformed in the last several years due to the pandemic, economic turmoil, advances in digital technology, and production efficiencies.
Yet, creators of content, writers, actors, and many others that are instrumental to media development are still struggling to ensure economic sustainability.
To date, over 11,000 writers and 150,000 members of SAG AFTRA have taken up protest to be heard and galvanize change.
Come hear as the experts and those on the front lines, union members from Writers Guild of America East (WGAE), and Screen Actors Guild/ Aftra, discuss what has been done to update contracts that no longer serve current working conditions, and a critical look at what the public can do to support their efforts.
New York Women in Film & Television (NYWIFT) advocates for equality in the moving image industry and supports women in every stage of their careers. An entertainment industry association for women in New York, NYWIFT energizes women by illuminating their achievements, presenting training and professional development programs, awarding scholarships and grants, and providing access to a supportive community of peers.
To learn more about NYWIFT please visit: www.nywift.org. Please become a member and join the movement of women to ensure women gain their rightful place in the media and entertainment industry.
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ladamarossa · 5 months
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Door (1988)
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nezoid · 4 months
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Miller's Girl Q&A at Palm Springs International Film Festival with Jenna Ortega, Martin Freeman and Jade Halley Bartlett.
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steinwayandhissons · 11 months
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lately ive been obsessed with the fact that when alex sings on stage, he can never keep his eyes open for more than a few seconds at a time, and even then they’re half-lidded
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sadmages · 3 months
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heeheehoohoo they're showing my gradfilm in TWO programmes at the film festival <33333
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em-mermaid · 2 years
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Everyone is talking about the hc recap covering the empires crossover, but it will also have to include the king being overthrown within the same week…
Just the fact that these happened within a couple days of each other baffles me
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maschinen-mensch · 10 months
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I had the chance to see "Anatomie d'une chute", this year's Palm d'Or winner, at the Locarno Film Festival (on the Piazza Grande with 8000 other people) and I am happy to report that the film has a handsome silver fox who at one point wears a black turtleneck/grey jacket outfit. 5 stars.
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cookeccc · 10 months
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C4D|Screening Room
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aetheternity · 1 year
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"Venti stans are low key annoying complaining about Venti not being the main focus of the Windblume festival."
First off we do not care. Second off ok???? Literally every character stan complains about their fave not getting enough screen time hop off.
It isn't even about screen time for me. It's about the fact that Venti hasn't truly felt like Venti in several updates. The last time he truly felt like himself was during Weinlesefest but even then he still didn't feel like the Venti we met all the way back during the first archon quest. And I don't wanna hear "hE hAd cHaRaCtEr dEvLoPmEnT." Cause no that isn't what happened, he regressed as a character. He's becoming fanon Venti in game. He gets used for alcohol jokes and Paimon calls him lazy then he dips. 🙄
"He was just in the Lantern Rite.." Shut Up. Shut Up. Shut all the fucking way up! He was terrible in LR and honestly if you cut Venti out of LR you basically have the same event. He did literally nothing of substance and he shouldn't have been there at all.
The first Windblume festival centered around Venti and showed us more of Venti being Mondstadt's archon. The second Windblume festival has barely anything to do with him. Excuse us if we're fucking disappointed, we have every right to be. Like I said literally every character's stans complain about them not getting enough screen time. Yeah sure if every Mondstadt event centered Venti it'd get old but the biggest problem is they decided to center a MONDSTADT EVENT around fucking SUMERU CHARACTERS. Fucking Collei gets more screen time than any Mondstadt character. Which wouldn't be a problem but this is a main Mondstadt event. Even though Venti was in LR 3 he wasn't a main focus he was a background character to the rest of the cast. Which is what Collei should've been cut out Tighnari and Cyno.
Mondstadt has so many underutilized characters and their screen time got spliced for the Sumeru fuckers who already have too much screen time. The entire last five updates have had Cyno in almost everything and Tighnari as well and while Collei has less screen time than them she has yet to be under used. If this was about Collei meeting up with Amber again they could've had that in a different event. If this was about Collei facing her anxiety it could've happened in a different event. They should've just had Sucrose helping Mondstadters cause guess what? You think this is going to be the last time a nation's event gets characters bombarding in? Hell no Fontaine is coming soon we're one hundred percent going to get nation festivals with random characters that have nothing to do with anything probably until the end of the game.
We'll see how happy ya'll are when your fave gets less screen time for some randos that have nothing to do with the nation you care about.
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We are excited to announce that Suburb has been selected for the Midsummer Scream, Screaming Room Festival at the Midsummer Scream Halloween and Horror Convention. The festival will take place on July 29, 30, and 31 at the Long Beach Convention Center in Long Beach, California. All the frights and fun of Halloween over one summer weekend. Tickets are now on sale should you find yourself in the vicinity.
https://midsummerscream.org/
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commodorez · 1 year
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Behind the Screens – Genericable - VCF East XVIII
Round 3 of really cool broadcast technology, from weather channel stuff, to character generators, to broadcast descrambler examples.
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brian-in-finance · 3 months
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Video 📹 from Instagram
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Remember… (about Caitríona in Money Monster) she’s so good in the film, and such a trooper. I wish she was my assistant director. — Jodie Foster
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filmnoirfoundation · 5 months
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NOIR CITY 21
Celebrating its 21st year, NOIR CITY, the largest annual film noir festival in the world, returns to Oakland's Grand Lake Theatre, January 19-28, 2024. FNF president Eddie Muller will present a dozen double bills pairing an English language noir with a similarly themed foreign language film—24 films over 10 days. Whatever the country of origin, there are heists, prison breaks, missing persons, cultural alienation, love triangles, and lots of plain old-fashioned murder.
Muller says this edition "has been tailored to satisfy those folks who love noir filled with the colorful vernacular slang so essential to American and British noir—as well as adventurous viewers intrigued by seeing a familiar story—typically a crime committed for passion or profit—play out in cultures with different values, mores, and styles." Through his programming of NOIR CITY festivals around the nation and his hosting of the popular Noir Alley franchise on Turner Classic Movies, Muller aims to move audiences past the idea that film noir is a strictly American genre.
Joining him this year, as co-programmer and co-host, is acclaimed film scholar Imogen Sara Smith, a familiar commentator on The Criterion Channel streaming service. "Attending NOIR CITY in the Bay Area has been a highlight of my year for over a decade," says Smith, "and I'm thrilled to be joining Eddie as co-host this year. I'm especially excited that the program we've put together will introduce audiences to some rare international titles, alongside Hollywood classics. It's going to be a stellar festival."
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Kicking off the collection of rarities is the FNF's most recent restoration — 1952's Argentine film Never Open That Door (No abras nunca esa puerta) — based on two short stories by American master of suspense fiction, Cornell Woolrich. The picture was preserved by the Film Noir Foundation in 2013 and has now been completely restored by the FNF through UCLA Film & Television Archive, thanks in part to a grant from the Golden Globe Foundation (formerly HFPA). Fernando Martín Peña, Argentina's pre-eminent cinephile, will be on hand to introduce the film with Eddie Muller.
Included on the 2024 schedule are English-language rarities such as Black Tuesday (1954), Plunder Road (1957), Across the Bridge (1957), and Strongroom (1962). Little-seen international titles include The Human Beast (France, 1938), Aimless Bullet (South Korea, 1960), Bitter Rice (Italy, 1949), Four Against the World (Mexico, 1950), Zero Focus (Japan, 1961), and Smog (1962), a forgotten surrealist masterpiece by Italian director Franco Rossi freshly restored by UCLA Film & Television Archive. Explore the full line up, buy tickets for individual double features and Passports (All-Access Passes) at the festival website.
GO TO NOIR CITY
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