anything on 13 and 14 for the bigeneration?
-since there’s already two of them, fourteen never gets shot, which means fifteen won’t be around for a while yet 😔. it also means that both the doctors play their own games against the toymaker! fourteen sticks with highest card, thirteen goes with mario kart (and wins, for the record. yes she will be holding the fact that she won her game and fourteen lost over his head forever. oh what’s that his game was pure chance and doesn’t have anything to do with his level of skill? tough)
-donna's spare room only has one bed, and they argue over who gets it for like an hour (thirteen's like i sleep on the floor a lot anyway it's fine you take the bed and fourteen's like you literally died like 5 hours ago YOU take the bed) until donna's like Why Doesn't Somebody Take The Fucking Sofa. that somebody is thirteen bc fourteen's really tall lmao. donna comes downstairs the next morning to find fourteen curled up on the floor next to the sofa anyway and is like hm i sure hope this won't be representative of their general relationship!
-for the first week, thirteen is very much not fun to be around for reasons of she literally just fucking died and was kind of hoping that it would mean she didn't have to deal with any of that unresolved trauma (spoiler alert it's still there but It's Worse Now). eventually even fourteen starts avoiding her, which makes it ten times worse (turns out she's uh kinda bleeding psychically. that's what happens when two aliens rip open your memories again and again and then your best enemy forces a regeneration on you). this goes on until she snaps at rose, at which point donna sits her down in the shed and is like we're going to talk or else i will physically kick you out. an hour (and a lot of tears) later she brings fourteen in too. they end up having semi regular check in sessions after that and it really does help
-around a month in, they just Vanish and the tardis is gone too, and donna's like well they could've left a fucking note. but i get it. and then rose is like mum come look!!! and takes her into the shed, which is now bigger on the inside and has two full rooms, one with rose's workshop (now with a bunch of vintage sewing and knitting machines in) and one with the tardis and a hammock (for thirteen) and a sofa bed (for fourteen). donna's like oh you definitely should be in seperate rooms you guys are unhealthily close and they're like we can't hear you over our amazing coping methods
-yeah they're like. really codependent. they also have vastly different ways of getting comfort (fourteen needs to be touching somebody at all times, and also loves comfortable silences; thirteen needs a five foot cube of personal space and also can't stop talking ever Or Else The Thoughts Get Her) which isn't a super great way to live tbh! luckily you kinda need surgical tools to seperate donna and fourteen, and rose and thirteen can talk at each other for hours, so it kinda balances out. the fact that they physically need to interact with other people really helps dskjldsajklds
-while fourteen isn't ten, he's just like a more mature version of him, so he slots very easily back into donna and wilf (and even sylvia)'s lives. thirteen, on the other hand, is a completely new person, and does often feel a little out of place. once everyone else realises she feels like this they're like what the fuck are you talking about. you're sad and feral. that's the doctor
-they do eventually get better with uh lots of therapy and also getting desk jobs at unit (fourteen ends up more with the organisational side while thirteen is just Generally Sciencey. she has like forty experiments going at once. kate only knows about around 2/3 of them) plus the shed expands eventually and thirteen gets her own workshop and tinkering really helps calm her down. meanwhile fourteen starts getting into baking, and that helps him too. they both just really needed a breather, yknow?
83 notes
·
View notes
Happy 5/14!!!!
Aaaaahh not sure if this is my best work 😭 I just really wanted to draw smth for vettonso day but my brain hasn't really been functioning well LOL so I kept dreading working on this, especially bcs its so important to me, y'know? I hope it's good????? I'm happy with the concept, but I was just so unsure on so many of the angles and it was killing me. I did the color thing bcs I thought it'd add something interesting to it :) since I didn't paint it as I usually would
Anyways! Process!
Now I will explain all of them:
Boy king au is where it all starts of course. I think their relationship is the most developed in this compared to the others, but at the same point, they just start from such a different point, especially affection-wise. All of these kinda have a power dynamic, except the last one, and this is the most imbalanced. Fernando is being subservient, the only part of Seb he may kiss(in public lol) is his hand.
Matador au next. They hurt themselves when they try to be affectionate, because they live in the culture of a sport of violence and death. The sword separates them, their love for the sport keeps them apart, in fear that they hurt each other. Seb, yet again, looks down upon Fernando. Seb haunts Fernando's whole career, the constant overhanging presence. Also aside from that, shame that you can't see his three musketeers look bcs of the black background 😔
2012 core!!! I think this one is pretty easy to understand. Both of them often kiss their trophies, more so than any driver. So they're both trying to claim the wdc trophy by kissing it. Maybe you guys should just get rid of the trophy altogether and claim each other! But yes, just like the sword in the matador au one, the trophy and their ambitions divides, keeps them from ever bridging the vast gap between them, at least at that point in time.
The conclusion! Aka what I wish we will get at Imola 2024- kidding kidding. But it is 2024. Finally there is no conflict between them, there's no big thing keeping them in conflict, they can finally come together. Finally they can touch, there is no gap to bridge, they can appreciate each other, and appreciate what they failed to in years past.
The thesis is basically that they always have their aspirations between them, and their aspirations happen to be basically the same thing. Until those are resolved, the gap between them is too vast for them to recognize and/or find any commonality. How do you get along with someone when you're both fighting for the same thing? How do you get along when it feels like one of you is winning more? How do you get along when there's such a vast gap?
In boy king au, it's going to take a while before they both feel settled about the issue of the throne. That's what makes that au interesting, they're trapped in this state of non-closure and they have to actually solve their issues without the matter of one of them simply removing themselves from the equation. They have to find a way to get over themselves and their aspirations, because like it or not they're stuck with each other. I think with the hand kissing, it represents how Fernando, at that point, is only willing to play along with the game if it's tradition, and he often won't budge in other ways. Yes, I will show subservience, but only in this detached, formal way that I don't connect personally to. He's still holding his own bitterness over meaningfully appreciating Seb. Though it's not like Seb isn't at fault. It takes a while for him to not hold things over Fernando, and constantly humiliate him. One day they will meaningfully show affection, and it won't be some sort of power play.
I think matador au is pretty similar to real life, and the 2010s era(it's basically just their actual plot line but in the context of bullfighting.) They're forever going to have this big elephant in the room, and it only really gets resolved when one of them leaves the sport. Once they're not fighting directly against each other, they realize what they've been missing out on and what they were not appreciating for so many years beforehand. They finally come together because they can't just rely anymore on the sport keeping them together. They actually have to make that step to be in each other's lives, rather than just taking their presence for granted.
Also the text on the comic. "We keep missing, and missing, and missing, and finally kissing." It's basically: we keep missing the point of it all, we keep failing to appreciate each other presence in our lives and in our own individual grand stories. But when we're not forced together anymore, we have to make the choice to come together again ourselves. We keep missing what we actually need to do. Missing each other in favor of our aspirations. Etc etc. One day we will finally embrace and there will be nothing keeping us apart.
48 notes
·
View notes
Hello I haven’t talked much about him in a while but Amelarius’s journey, especially how his appearance has changed so much is a very important part of him.
I’m comparing his look that we all know and love, which he’s had from saplinghood, to how he looks post EoD in the edit above (respectively of course). Amel’s struggled a lot with how he views himself, from originally being so self centered and insecure, to a guy who learned over time to love himself and his body.
Throughout the story his appearance changes the most out of the commanders, as he becomes more confident he starts playing with his hair more and grows it out. Then later on he’s branded as Aurene’s champion and his hair and glow become a shifting pink/purple, and he grows little crystal blooms on his body (that Thalys likes to mess with). He’s always just been naturally very thin but Amelarius also had a hard time eating enough during his commander duties, usually opting for small and unsatisfying food. Eating was just a maintenance task for him until much later in his life, when his commander duties were coming to an end. By EoD he’s started actually enjoying good food and gains some tummy. He was a little self conscious about it at first until he realized he’d actually been feeling better about himself since gaining some weight! He’s slowing down and finally getting to enjoy life alongside his dearheart.
29 notes
·
View notes
WOAAH your colouring is absolutely gorgeous!! Your art is so cool and retro looking... Reminds me of old comic and book covers!! Alsooo I see you have ocs 👀 is there anywhere I can learn more about them??
WAHH THANK YOU!! ✨ So nice of you to say, I appreciate it!!
And I may or may not have a ridiculous amount of characters haha but here are my main ones!
Yulis is a driver-for-hire, employed by Paul’s company to get him to work on time. He’s volatile, quick-to-act, but pretty dependable. Paul writes articles for work, but wants to be his own author, so he overworks himself writing, and is late because of it. He’s frazzled, constantly nervous and stressed, and Yulis is pretty much his only constant in his life.
Here’s their introduction, and their latest comic!
Then there’s the Metropolis Cocktail bunch! I’ve had each of these characters for a LONG while, but they’ve changed a whole lot over time. Lou’s an alien bodyguard, Cap’s his partner and a schemer, Pepperell’s a carefree-clown-type, and Brunette’s a researcher (and a nervous wreck.)
You can go through any of their tags, and there’s literally YEARS of drawings, but here’s a good intro for Cap & Lou’s relationship, a little comic about Brunette & Pepperell, and their lineup!
(I did also start a bigger comic with them all, but I didn’t get it out in time, so it’ll only like a quarter-way done haha I do plan on finishing it next fall! )
Honorable mention is Thylo, I haven’t posted a whole lot about him, and I only made one comic with him, but his design is still one of my favorites, and I would REALLY love to continue his comics at some point. He’s a flyweight fighter, a bit of an underdog, quick-to-anger, impulsive, but has the best intentions to stay cool under pressure.
Sorry for rambling, but thanks so much again for asking!!
18 notes
·
View notes