I got to say I really liked the episode (despite only having watched exu calamity of the exu series) and I think maybe Matt needed a breather after so many fast paced, lore filled episodes.
however, I am kinda bummed that the fcg processing has been put on hold for (at least) two weeks now and that means that, despite them being great actors that truly merge with their characters at the table, their reactions will be much less raw and there’s a chance some of them will forget tidbits of information, emotions they felt when it happened because they (as role players) will have had time to process it out of the game and it might create a dissonance in the game. tbf I kind of felt the difference even between the end of ep 91 and the beginning of 92 but it made sense because technically they were still running and couldn’t afford to process. idk. I have hope that we’ll still see that raw emotion, but I fear it won’t be as impactful as it could’ve been, especially if they’ll have to put the “reporting for duty” hat on immediately when they get to the camp
I think being a little bummed about the sort of unexpected hiatus on the Bell's Hells/Post F.C.G processing is super understandable! As someone who also really did enjoy the Crownskeepers return (hello im still yelling about Opal internally), I'm kind of in the same camp of being kind of thrown/disappointed about not getting to really dig into/sit with the Bell's Hells post-F.C.G loss. Like, LOVED the Crownkeepers, fascinating second half, kind of meh on the specific timing.
I'm holding my reservations about whether they're going to have to keep running/moving once we return to their portion of the story, since hey, until it happens (or doesn't!), we don't know, so I don't feel like getting too in my head about it until then.
That said! I do think that in general the cast puts characterization and staying true to the emotions of the character/story as a very high priority within the campaign. I think you're right that it won't be the exact same as if they had done a big emotional blowup/goodbye/processing scene in the same ep where they lost F.C.G, or immediately after. I don't think that means it has to be less impactful, just that- yeah, they'll have had more time to actually think/process it.
But they're also all professional voice actors who have, IMO, thus far shown how much they think about the inner lives of their characters and enjoy really digging deep into the emotional/interpersonal aspects of roleplay.
My assumption (my hope?) is that with additional time to think about + process a devastating/deeply emotional loss for their character(s), they'd choose to lean into that more, and not less. It wont be the same as the immediate raw reactions, thats true! But i dont think that means it has to be less impactful, even if they (as people) have had more time to process, and will be choosing how their characters, fresh off the loss, react. I dont think thats a guarantee it will be less impactful/emotional (maybe the additional thinking would actually enhance the reactions being true/insightful to the characters vs gut reactions from cast), but it will be different.
But if the cast chooses to lean into the heartbreak/emotions, and the circumstances of the BH in the upcoming ep enable it, I'm sure they can still kick my ass (emotionally), timeskip or not.
In general, I'm cautiously optimistic about what could happen next! Even if I don't love the timing thus far. I think there's still plenty of ways for me to get what I'm hoping for wrt F.C.G/BH. :] There are plenty of ways for me to get let down too, probably, but until it happens, or doesn't, I'm opting to not get too doomery about it. We'll see.
I uh. Hope that helps? A bit? Being bummed about specific things you were hoping for being off the table is totally reasonable. just hoping to lend an alternate way of viewing it, if desired.
(i wrote the sentence: "don't be lamenting your chickens before they hatch" and then went "what the fuck" out loud. i spent 4 hours at work today just doing systems diagramming and my brain is fried. clearly. keeping this here for my own entertainment.)
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ok. migi & dali opening. i am going to talk about it now.
throughout the opening we see so many Things. the entire series up until the second to last episode, i hadn't paid that close attention to it because god that song is a banger and honestly i was more focused on the music than the animation, despite being captivated by it every episode. but that episode for some reason. i paid more attention that time and had some Realizations.
one question i've had every single time the opening has played has been "why does one of them take the cherry pie and the other does not?" throughout the opening the two of them are seen doing the same things, effectively mirroring each other, which makes sense considering it was most of the plot for the first few episodes, so i really didn't think about it too much. but with that pattern established, it's extremely strange when, at the end, one of them strays from the shared course of action to take one of the slices of cherry pie that's sitting on the chairs.
another thing i noticed when i actually paid attention was that the one in the shadows in all their activities is always dali.
and if that's not enough, we have this shot of migi and dali as sun and moon respectively, and i think we all have enough media literacy to understand the implications of that.
then we have this shot of them, showing migi floating higher and dali sinking lower.
all of these screenshots to say that the opening animation tells us exactly what the series, or at least the part that the anime currently covers, is about at its core. we see it in the series time and time again as these two try to make their way through the world.
migi is portrayed in the series as somewhat childish, frequently to a fault - generally more hopeful in what he believes, which shows in his actions and the way he interacts with others in a genuine way. dali is severe and bitter, much more driven by the idea of getting revenge for their mother, seemingly just for the sake of it at this point, and being willing to do it at any cost because he doesn't value anything other than his brother.
migi sees the good in things and, while still helping dali with their shared goal, is genuinely enjoying his life with this family and in this town. dali, on the other hand, is dedicating everything he has to their goal, not caring or bothering to invest any part of himself into anything else. (this is portrayed also by migi being in the light, enjoying the activities he's doing, and dali being in the shadows, spending all his time trying to solve their mystery.)
this conflict of priority between them results in the fight they have in episode 9. a showdown between hope and despair, over a bike in a river, all as a result of migi's off-comment about wanting to eat cherry pie again.
and now the bike. they state this explicitly in the dialogue, but it's the first gift migi has ever gotten. so when dali throws it in, he does not hesitate even a little bit to jump in and get it. the bike is meaningless to dali - just another thing to toss and discard for the sake of moving forward. he gives up on everything so easily because he never bothered getting attached in the first place. he's so quickly ready to abandon anything and everything aside from migi. there's no way that he can be happy like that and migi knows that. migi is all he has and they both know that.
the jealousy he expresses is just jealousy that migi is able to find happiness and value in things other than him while he's unable to do the same, as a result of his bitterness and his fixation on finding their mother's killer. he's jealous that migi is growing closer to other people and making connections that are important enough to him that he's not willing to just throw them away with the toss of a bike.
so he takes his brother down. he forces his head underwater, and asks if he's still thinking about that cherry pie (THIS LINE IS SO FUCKING GOOD!!!!!!!!!!!). he tries to drag migi down with him into his own despair, tries to convince migi that his beloved cherry pie isn't really all that important. that it's not worth as much as migi's acting like it is.
he tries to literally beat the hope out of migi. he is so desperate to be hopeless that he beats the shit out of his brother over and over about it.
but, of course, that would never be enough to stop him.
and we're back to the cherry pie. dali finally caves and agrees to go back and try to sort things out, not because it's what he thinks is best for their safety, but because it's what migi wants for his happiness. he realizes that he'll only continue to hurt migi if he pushes his own cynicism on him and forces him to leave everything behind, since he had the guts to get attached. even though dali doesn't really understand the value of the cherry pie, he sees how much it matters to his brother. he sees his resolve to experience those small moments of happiness again.
the cherry pie is taken from migi's side of the shot.
throughout the entire story, migi has been the one to see the value in the simple things, like taking walks with the dog, having friends to hang out with and do wacky bird shit with, riding a bike, and eating cherry pie together. he is not afraid to experience joy and is willing to fight for it, for both him and his brother, even if his brother doesn't see the value in it quite yet.
migi will see the good in things. he will have hope for the future. and he will take the cherry pie.
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Me: Okay, gotta go to sleep so I can wake up early and continue stressing over finals, so I’m gonna think calm scenarios with low stakes to fall asleep to
Me: Like…an older captain having a crush on a younger crewmate that wasn’t even ranked high enough to be on the bridge, so the captain of course never said or did anything about the crush, staying completely professional the entire time, but now they don’t work together anymore
Me: And now the captain is wondering if they should pursue a relationship with them, because they aren’t currently working on the same ship anymore, but the captain is still ranked higher then them overall, and then there’s the issue with the age gap, it’s not really a big one, but it’s still There™️
Me: And several other crewmembers have joked about seeing the captain as a parent figure because they act so professional and competent and dependable and stuff that it just makes the captain come across as way older and oh god what if the crewmate is just horrified to find out the captain has a crush on them??
Me: And they’re wondering if they should just not pursue anything, especially since the crewmate has recently accepted to go on a date with another person, but they also kinda don’t wanna give up because getting to hang out with that crewmate more in non-work settings (cause most of the crew stayed in contact and constantly meet up to hang out) has made their infatuation grow, so they quietly and indecisively pine
My brain, for some goddamn reason: Mhm, and then, it turns out that person the crewmate agreed to go on a date with, is actually a huge creep trying to stalk their poor ex using the crewmate as a coverup (claiming to innocently be on a date, totally unknowing the ex would be there (lies)), so not only is the date really crappy, but because this creep isn’t actually listening to what the crewmate is saying, they tune them out about their deadly allergies
Brain: And then to seem like a good date to keep the coverup going, they stop by a flower shop (still stalking their ex, the crewmate isn’t aware of that, but is aware this date sucks and is trying to think of how to politely leave) rushes in, and then comes out and shoves a bouquet into the crewmate’s face as a “thoughtful” gift, and it’s the flowers they just mentioned being extremely allergic to-
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「Family Portrait | Mission 2」
Turns out that this is a Yuri centric chapter, and it sounds like the guy might actually get less sleep than Loid. This was hinted at before, but at the time, I thought it might just be because of the mission he was on.
Yuri really told his captain that he "...took a nap three days ago in the break room," when asked about the last time he slept. I'm going to go ahead and assume that nap lasted less than 6 hours. I'm pretty sure the Eyes Only fan book said that Loid gets two hours of sleep a night on average.
It also seems that this chapter took place during some sort of federal holiday as Yor also had the day off initially, and so my fears about Ostania not having any holidays have been somewhat put to rest. The only thing giving me pause here is I'm not sure if this novel is considered canon. In theory, they could have animated it as part of season two, but obviously opted not to do that. That being said, I do hope that this book is canonical as there as there are some cute moments and interesting tidbits in it.
I think this chapter also did a good job of showing that Yuri likes Anya at least a little bit more than he realizes as he did start to take her hand without thinking about it partway through their outing together. Then again, Anya did have to threaten Yuri to get him to take her out while he was watching her for Yor, so it's safe to say he's got a long ways to go.
(There's some manga spoilers below, fyi)
I found the part at Kid Street Workplace where he's pretending to be a police officer and gets way too into the fake interrogation to be kind of interesting as well. It was almost like he couldn't stop himself from going into full SSS mode, and in the end he questioned why he put so much effort into the fake interrogation. Ultimately, he decides that it's because the man he was interrogating reminded him of Loid. The fact that he didn't even take the time to listen to the whole briefing before starting the interrogation, and his willingness to kill the man accused of abusing his wife with his own hands, really puts his impulsive and ruthless bature on full display.
It also brings to mind something that Franky said during the war arc
I just think this could have some interesting implications for how things could go down if and when Yuri learns that Loid is Twilight.
At least this chapter ends on a high note with Yuri and Anya heading home to give Yor the accessories they made for her, and Yor noting that Yuri spending time with Anya seemed to bring out his inner child.
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