Life Is Strange 2 Fancast
LIS fancast
LIS BTS fancast
LIS TC Fancast
Michael Cimino as Sean Diaz
Santiago Segura as Older Sean Diaz
Davi Martins as Daniel Diaz
Hunter Payton Mendoza as Teen Daniel(Parted Ways, Lone Wolf and Blood Brother endings)
Jeff Wahlberg as Adult Daniel Diaz(Redemption ending)
Manny Montana as Esteban Diaz
Elizabeth Yu as Lyla Park
Awkwafina as older Lyla Park
Jeremy Shada as Brett Foster
Graham McTavish as Hank Stamper
Jonah Hill as Brody Holloway
Alley Mills as Claire Reynolds
Alan Dale as Stephen Reynolds
Dean Woodward as Chris Eriksen
Finn Jones as Charles Eriksen
Natalia Dyer as Cassidy/Lucy Rose Jones
Joseph Quinn as Finn McNamara
Devery Jacobs as Hannah Reyome
Alton Mason as Dean Mickael Baptist
Gabriel LaBelle as Jacob Hackerman
Ellie Duckles as Ingrid
Mike Vogel as Anders
Rob Morgan as Merrill
Chris Sullivan as Big Joe
Katherine Heigl as Karen Reynolds
Everleigh Primrose as Sarah Lee Hackerman
Eiza González as Agent Maria Elena Flores
Lance Gross as Joey Peterson
John Goodman as Anton Oates
Rooney Mara as Lisbeth Fischer
Because of tumblr’s new layout with the 30 picture limit, I cannot add more pictures, so here’s the rest.
Brendan Fehr as Nicholas Durand
David Harbour as David Madsen
Ben Affleck as Arthur Peterson
Stanley Tucci as Stanley Petersen
Laura Dern as Joan Marcus
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Request Guideline (2023 Edition)
if you haven’t read my last post (i’ll link it here if you want to read) i’ve decided to revamp my page a little. i’m getting back into writing so i thought i should make another request guideline that better aligns with me and what i want to write and who i want to write for. so enjoy ;)
please make requests here. if there’s any problem with the link let me know! (the link doesn’t work at the moment i’ll add it as soon as i get my laptop back — click the link in my bio or on my masterlist in the mean time :) )
Guidelines:
When requesting please give me the character/celebrity, the show or movie they are from, a description of what you want, whether it will be fluff, angst, smut etc and if you want to be tagged.
i may not always do smut, especially if it’s not something i’m comfortable with. this is not always the case however but if it is then i’ll let u know if i cannot complete the request.
Please specify if you would like it to be a female, gender neutral or male reader. Just as i explained in my previous post i do not write malexmale smut as it is nothing something i have any experience with - sorry. I will do threesomes (or more) where at least one woman is present :)
I wont write an imagine about a gay character being straight.
I am willing to write imagines about darker topics. Such as depression, suicide, eating disorders, etc. I will not however write in detail about rape but i am okay with it being mentioned/ hinted.
My intention is not to glorify or romantise any of these thing, especially since some of them are things i have gone through myself. In the past i haven’t always been sensitive or appropriate with the way i’ve handled them and i’m incredibly sorry if i’ve ever offended anyone or triggered them - this was never my intention. I have taken down some of the work i no longer feel comfortable being public for this reason so please do let me know if something i write bothers you and i’ll take it down.
I also dont like writing imagines where the character/celebrity is a kidnapper or murderer sorry. I also wont do incest relationships.
I dont do ships. I do reader imagines or if youd like to add a name to your request then ill more than happily do it like that.
I will do imagines on plus sizes readers. I will do imagines for family imagines as well and platonic ones too - please assure this is clear within the request.
When you request something dont expect it to be up straightaway but i will try my hardest to be as quick as possible. I know with my track record that’s not saying much but i really do intend to be better and i’ll try and be more transparent about where i’m at with requests.
In the future there may be some changes to this list based on what i am interested in at the current time. Also if a character you want to request for isnt on the list but the actor is feel free to ask if i’ll do it for that character :)
I dont consent to anyone using my work without permission and if you see anyone doing that please let me know :)
If you dont like my work then feel free to block/ ignore it but please do not sned hate (i’m too soft for that shit) I will take criticism and welcome corrections if necessary. If you like it please like the post and if possible reblog it. Thank you!!
The Last Of Us:
Joel Miller — this can be both romantic and platonic
Ellie Williams (aged up)
Tommy Miller
Tess Servopoulos
Henry Burrell
Sarah Miller (aged up)
The Walking Dead:
Rick Grimes
Daryl Dixon
Michonne
Glenn Rhee
Maggie
Carl Grimes
Negan
Doctor Who:
Tenth Doctor
Eleventh Doctor
Martha Jones
Rose Tyler
Clara Oswald
Rory Williams
Donna Noble
Ninth Doctor
Amy Pond
Pedro Pascal & Co:
Joel Miller
Frankie Morales
Javier Gutierrez
Javier Peña
Marcus Moreno
Dieter Bravo
Cillian Murphy & Co:
Tommy Shelby
Patricia Kitten Braden
Jonathan Crane
Fischer
Capa (Sunshine)
Jim (28 days later)
Neil (Watching the Detectives)
Spiderman (Homecoming-):
Peter Parker
MJ
Liz Allan
Ned
Teen Wolf:
Stiles Stilinski
Lydia Martin
Scott Mcall
Kira Yukimura
Stranger Things:
Steve Harrington
Robin Buckley
Max Mayfield (aged up)
Eddie Munson
Lucas Sinclair (aged up)
Please bear in mind that if a character isn’t on here that you can still just ask me if i do them :) You can also check out my previous request guidelines for the character list of who i write for because i may still write for some of them :))
*NONE OF THESE GIFS ARE MINE. CREDITS TO THE OWNERS*
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CLAIRE DENIS’S “Both Sides of the Blade”: ‘You’re going on junk….”
by James Clark 2022
The films of Claire Denis have a penchant for disaster. Understanding her way must not be a quick take. Reaching her range involves much sophistication. In fact, we must involve the novel, Remembrance of Things Past, by novelist, Marcel Proust.
Here I want to open the enigma with a wealth of the shock of Surrealism.
The enigma, however, involves Surrealism being old hat. That doesn’t sound like Denis. (In the Ingmar Bergman film, Thirst [1949], there were many stunning visual presentations, by way of the cameraman, Gunner Fischer.) Why, though, this matter now, after all these years. Of course Denis must have very good reasons for us to ponder. We’ll begin with a primer, and see what can develop. Surrealist thinking was, and still does, have a hope. A small hope. We begin, however, the hope of the new. The new, but normal. Looking to the normal, in any way, could give one a horrible time.
However, we have marvelous resources in the form of novelist Marcel Proust (1871-1922). Denis engaging Proust? Yes. Watch and be thrilled! One of the protagonists of Denis’s film is a former lover (of the main actress, Sara). His name is Francois. He gets around. Another mover, is the busy and wise servant of the protagonist to Proust, namely Francoise.
Sara and Jean are not of the same era. Sara is about twenty years younger than him. But they adhere to helping new immigrants to France. Rather peculiar, Denis opens with a tropical fling. They alone tread the wonders, and Jean embraces her as if he were in a Hollywood flick. One with much business caressing her. “Twisting,” being in several moments in difficult films. After that, there is darkness in a subway, which turns to a station that does not allow places to step. The rooftops of Paris! Fog along the river. Fog everywhere! Mail under the door. Digging for what. (Proust was seldom a traveller. He seldom left his bedroom. His family riches allowed concentration.) Sara owned the flat. Her taste in features was incisive. Her taste in men was something else. (All these considerations require thought. Denis delivers.) Tickling, kissing, her long graceful hands and fingers. Long needs. In shadow, a sort of monster. Then on the phone. “Yes, Mom, it’s me. Yeah, it was great… Give her a kiss… Sara sends her love. We relaxed, it was nice, we took it easy…” (Taking it easy may not be the best choice.)
This pair are humanitarians. Humanitarians mean well. In this family it goes badly. Years ago, a woman in Paris, Nelly, took an abandoned baby to love and give him years of love. The baby, Marcus, a black, is now an adolescent, and if he ever loved the lady, he certainly doesn’t know. A saga of engineering. In fact, it was Jean who had placed the boy; but (“we took it easy”) was his method. (“I just want to know where Marcus is heading.) “Here’s where It’s going… “What do you want for lunch?” “I’m not hungry.” “You’re going on junk. You’re not serious.” “I’m in a rush, Grandma.” “Don’t forget your mask!” (Were she a little bit savvy, she’d know about drugs.) At a well known friendly grocery, she hopes to understand a problem. (On the way to this transaction, she tells herself, “I’m too old to be a real grandmother. I can’t, anymore.”) “I got my bank statement [two old hands]. And look!” “You’re overdrawn. There were several receipts with withdrawals.” “What could have happened? I don’t know…” “So yeah, it’s unusual…” (Cut to the worker’s blue glove… a Visa card.) “Did anyone borrow your card, Mrs. Charles? Do you have it on you?” “Yes, here.” “You see? Did you give the Pin to anyone?” “Of course…” (Cut to, “Mister I’m in a rush.” Then a jungle. And then, “Dad , are you there? Call me back…”)
More outrages. Back to the sweet helper. Jean was in prison, and couldn’t raise a son. It’s not your fault. He did something stupid and it backfired. But he survived. Now his son is screwing up, a little. (A little!) But it’s no big deal. (No big deal?) Nelly tells her, “I can’t manage Marcus anymore. He needs someone strong. (He needs a strong cell.) Someone to admire. You don’t admire your grandmother, and work around the house. He loves you, he mentions you every time.” (Nelly: “Does his mother ever call? But Marcus has to go to Martiqui, to see his mother. It’s important.”)
Jean presumes to straighten out Marcus. Marcus tells Jean that he wants to go into retail. The idea-man tells the boy about the hazards of retail. Along the way, he insists that Blacks and Arabs can never get employment, because they are unable to think independently. Thinking for oneself is a great skill. Jean has no doubt that choosing retail is a sentence for cleaning toilets. “Take time to think, to grow…” Marcus has his own ways. His kind of effectiveness infuriates the big talker. “So, in fact, nothing mattered.Coming here, serves no purpose.” (The boy’s sense of enterprise involves stealing goods. Many inventions look to a bright solution. Their directions are hopeless.) While Jean wastes his time, he does pose, for our perspective, a flow of possibilities. “Being smart is where you have two paths.” (In fact, there is a third to play. Dialectic.) The kid is happy with his allowance. The smart guy says, “If you need anything, ask?”
Another no-show. Jean and Sara, in bed. (Francois, her former lover, wanted to know if I was still with you.) Jean: “You never told him?” Sara: “Well, now he knows. Sara is not comfortable with this flow. Jean: “I don’t work with people who clam up. No way!” Sara: “Was he surprised we’re still together? He couldn’t have imagined we could be a couple!” (Many moves, many crashes.) Jean: “I don’t give a fuck what Francois thinks.” (She cries. ) Sara, in deep shadows: “My love, my love…” (He tries to penetrate.) Both sides of the blade. More crying. Then both of them on their backs. Like a morgue. They hold hands. He looks at her, in suspicion… The two sets of hands. Inert. Then Sara, amidst white sheets.
It’s morning. Francois has some appeal. She finds Francois amidst Jean’s new scheme. “You work with Francois, so I’ll see Francois.” The magic has disappeared. “I’ll ask him to dinner one day. So, you can see him. You’re beautiful… Crazy how pretty you are.” Desperate. The end game. A woman’s thigh; and two fingers, with two missing. Francois eating candy. “I’ll leave my number.” Francois: “You’re as pretty as ever.” Sara in the bathroom mirror. She murmurs to herself. A long way from the zenith.
The flat is her’s; and she wants him to get lost. Sara tells Jean, “You’re unbearable… I don’t want to see you anymore. Leave. please.” He babbles about some documents… “I never sent a text… I’m not afraid…” Glad to hear it. Now get out. What texts… I saw them! It’s not true. There’s no use lying, really. Get out. What texts? What did they say? I want to see what they said. They said, “I love you, I love you. I think about you… I love your smile. (She bushes him.) I love your scent.” (He screams as he marches around.)” No one can tear us apart.” (She says nothing.)” It’s all on me? I don’t give a fuck about him (Francois). Move or I’ll you.” He screams…” I can’t stand it anymore! What did I do to deserve this? Why is this happening to me? I can’t stand it! Want to drive me crazy? You want to be able to! You know why? Because it’s over! Let me go! Stop it!” She was crying. “You think I was ever free in my life? I don’t give a fuck… Listen to me! Do I have to go to prison for this? I was never free, never in my whole life! I toe the line. Obey, obey. obey… Sara racing around the flat… I don’t give a fuck. Figure it out… I can’t bear this anymore! I’m going to Francois’ place. Let me explain.” There’s nothing to explain. You don’t understand. Go on, call him! …Don’t give a fuck, about him.” He doesn’t give a fuck, either. (The missing need.) More screaming from the civilization experts…” I’ll destroy everything. I’ll wreck it all. There’s a gun, it’s loaded too. Think you’re going back to prison to make you happy?” Sara: “Call me! Call me back!” This Francois is not virtuous. In the second part of our essay, treating the miraculous, Marcel Proust, there is a Francois to love.
(Sara in the bathtub and her phone.) Jean: “The other day, when you said you loved Francois, it hurt. Physically. Now it’s over. I’ll let you live. I want you to know that I’m capable of living without the person I love.” (Forms of need.)
He leaves with a lot of things. She leaves with nothing. It takes a while to understand for Sara what nothing has become. Everything erased from her property. Starting again. Think of it! Think of the height. (Of course, she could have engaged recent colleagues. But the workload, here, would be very arduous.) Think of the heart of Marcel Proust.
“We are not provided with wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can take for us, an effort which no one can spare for us, for our wisdom is the point of view from which we come, which we come at last to regard the world. The lives that you admire, attitudes that seem noble to you are not the result of training at home, by a father, or by masters at school, they have sprung from beginnings of a very different order, by reaction from the influence of everything evil or commonplace that prevailed around them. They represent a struggle and a victory. I can see the picture of what we once were, in early youth, may not be recognizable and cannot, certainly, be pleasing to contemplate in later life. But we must not deny the truth of it, for it is evidence that we have really lived, that is accordance with the laws of life and of the mind that we have, from the common elements of life and of mind that we have, from the common elements of the studios, of artistic groups—assuming common that one is a painter—extracted something that goes beyond them.” This being a sidebar (from the saga of the writer’s novel for presenting the wit of France). We’ll touch upon several moments, in hopes of finding the right fit. There is, no doubt, a right fit. The wisdom of France is a fine place to work. Our first chapter does not represent the wisdom of France.
Because the dream world is not the waking world, it does not follow that the waking world is less genuine, far from it. In the world of sleep, our perceptions are so overcharged , each of them increased by a counterpart which doubles its bulk and blinds its bulk and blinds it to no purpose, that we are not able even to distinguish what is happening in the bewilderment of awakening; as it was Francoise that had come to me, or I that, tired of waiting, went to her? Silence at that moment was the only way not to reveal anything, as at the moment when we are brought before a magistrate cognizant of all charges against us, when we have not been informed ourselves.
Meanwhile there was one person who never took her’s [eyes] from what could be made out of my grandmother’s altered features, at which her daughter dared not look, a person who fastened on them a gaze wondering, indiscreet and of evil omen: this was Francoise. Not that she was not sincerely attached to my grandmother (indeed she had been disappointed and almost scandalized by the coldness shewn by Mamma, whom she would have licked to see fling herself weeping into her mother’s arms, but she had a certain a tendency always to look at the worse side of things, she had retained from her childhood two peculiarities which would seem to be the mutually exclusive, but combined, strengthened one another: the want of restraint coming among people of humble origin who make no attempt to conceal the impression, in other words, the painful alarm, aroused in them by the sight of a physical change which it would be in better taste to appeal to notice, and the unfeeling coarseness of the peasant who begins by tearing the wings of a dragon-fly until she is allowed to conceal the interest that she feels in the sight of suffering flesh…
Francoise was of infinite value to us owing to her faculty of doing without sleep, of performing the most arduous tasks. And if , when she had gone to bed after several nights spent in the sick-room, we were obliged to call her a quarter of an hour after she had fallen asleep, she was so happy to be able to do the most tiring duties as if they had been the simplest things in the world that, so far from looking cross, her face would light up with a satisfaction tinged with modesty.
Often the sun would disappear behind a cloud, which impinged on its roundness, but whose edge the sun gilded in return. The brightness, though not the light of day, would then be shut off from a landscape in which all life appeared to be suspended, while the little village of Roussainville carved in relief upon the sky the white mass of gables, with a startling precision of detail. A gust of wind blew from its perch, a rook, which floated away and settled in the distance, while beneath a paling sky the woods on the horizon assumed a deeper tone of blue, as though they were painted in one of those cameos which you still find decorating the walls of old houses.
But on other days the rain would begin to fall, of which we had had due warning from the little barometer-figure which the spectacle-making hung out in his doorway. Its drops, like migrating birds which fly off in a body at a given moment, would come down out of the sky in a close marching order. They would never drift apart, would never make movement at random in their rapid course, but each one, keeping in its place, would draw after it the drop which was following, and the sky would be as greatly darkened as by the swallows flying south. We could take refuge among the trees. And when it seemed that their flight was accomplished, a few last drops. feebler and slower than the rest, would still come done. But we would emerge from our shelter, for the rain was playing a game, now, among the branches, and even it was almost dry underfoot, a stray drop or two. lingering in the hollow of a leaf, would run down and hang glistening from the point of it until suddenly it splashed plump upon our upturned faces from the whole height of the tree.
The new sanitarium to which I retired at that time did not cure me any more than had the first and a long time elapsed before I left it. During the railway journey back to Paris, I fell to thinking of my lack of literary talent which I had early suspected along the Guermantes way, and had recognized with still more sadness on my daily walks with Gilberte at Tansonville before going home to dinner very late in the night, and which, the evening before leaving that country estate, while reading some pages from the journal of the Goncourt brothers, I had very largely attributed to the vanity and falseness of literature. This idea, less painful perhaps but still more dispiriting if I explained it, not by a deficiency peculiar to me personally, but as due to the non-existence of the ideal in which I had formerly believed, had not recurred to me for a long time past, but now it struck me anew and with more crushing force than before. I recall that it was while the train had halted out in the open country. The declining sun shone halfway down the trunks of the trees that lined the railway track. “Trees,” thought to myself, “you have nothing more to say to me; my deadened heart no longer hears you. Behold me in the midst of nature’s beauty and yet it is with indifference and ennui that my eyes take note of the line that separates the sun-bathed foliage from the shadowed trunk. If there was once a time when I was able to believe myself as a poet, I know that I am not. In the new chapter of my life which is opening before me, perhaps amenable to believing myself a poet to appear…And yet, even as I offered myself… I knew that I was merely of no value.
Another twist: theoreticians. “No more literature! Give us life!” “The idea of a popular art, like that of patriotic art, seems to me ridiculous, even if it had not been dangerous.” “From the changes which had occurred in society I could readily extract some important truths, suitable to give cohesiveness to part of my book, because they were in no way peculiar to our time, as I might at first have been tempted to believe.”
… “And just as certain creatures are the last surviving testimony to a form of life which nature has discarded, I asked myself if music were not the unique example of what might have been—if there had not come the invention of language, the formation of words, the analysis of ideas—the means of communication between one spirit and another. It is like a possibility which has ended in nothing; humanity has developed along other lines, those of spoken and written language. But this return to the unanalyzed was so inebriating, that on emerging from that paradie, contact with people who were more or less intelligent seemed to me of an extraordinary significance. People—I had been able during the music to remember them, to blend them with it; or rather I blended with the music little more than the memory of one person only, which was Albertine [the protagonist’s poisonous lover]. And the phrase that ended the andante seemed to me so sublime that I said to myself that it was a pity that Albertine did not know it, and, had she known it, would not have understood what what an honour it was to be blended with anything so great as this phrase which brought us together, and the pathetic voice of which she seemed to have borrowed. But, once the music was interrupted, the people who were present seemed utterly lifeless… Meanwhile, the septet had begun again and was moving towards its close; again and again one phrase or another from the sonata recurred, but always changed, its rhythm and harmony different, the same and yet something else, as things recur in life; and they were phrases of the sort which without our being able to understand what affinity assigns to them as their sole and necessity home the past life of certain composer, are to be found only in his work, and appear constantly in it, where are fairies. the dryads, the household gods; I had at the start distinguished in the septet two or three which reminded me of the sonata. Presently—bathed in the violet mist which rose particular in Vinteuil’s later workers, so much so that even when he introduced a dance measure, it remained captive in the heart of an opal—I caught the sound of another phrase from the sonata, still hovering so remote that I barely recognized it; hesitating, as it approached, vanished as though in alarm, then returned, hands joined hands with others, come, as Iearned later on, from other works, summoned yet others which became in their turn attractive and persuasive, as soon as they were tamed. and took their places in the ring, a ring divine but permanently invisible to the bulk of the audience, who, having before their eyes only a thick veil through which they saw nothing, punctuated arbitrarily with admiring exclamations a continuous boredom which was becoming deadly.” (Proust, spoiling the joy here, due to his weakness.)
Although it seems to be too late to matter, our constitution might surprise. Yes, planet Earth is about to empty. But for those who persevere, much can be thrilling! There is a large reach of affection. Passion often reaches mystery, for a while, leaving us thinking that there should be a way to find one’s balance. A matter of working harder. A matter of embracing the elements. A matter of appreciation to live one’s life and then one’s death.
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