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#Movies tag
myheartissetinmotion · 5 months
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apparently the actors who played the wash crew in wonka have a group chat called “scrub scrub” that’s still active and I Am Going To Cry
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youareinlove · 6 days
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found out my 11 year old brother had never seen high school musical...it's 11 pm but i decided we had to rectify this so we're watching it right now
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astragalomancer · 2 years
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Glass Onion, a great movie if you want to see an asshole billionaire get his just desserts or if you want to see Daniel Craig in a silly little outfit
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wilsonthemoose · 9 months
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Road to Perdition
Director. Sam Mendes
Cinematographer. Conrad Hall
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If you haven’t seen Star Wars, and everyone is telling you “You have to watch Star Wars,” I would encourage you to Not. They’re decent movies, but none of them are as entertaining as people’s reactions when you tell them you haven’t seen Star Wars. 
I have a feeling the same will not apply to Lord of the Rings, though. 
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FAV MOVIES TAG
I was tagged by @marisareadsalot to share my 10 favorite movies of all time which is hard to narrow down but I'll try! Thanks for the tag 💕
I can't rank them so I'm listing them in order of their release:
HOME ALONE (1990)
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FATHER OF THE BRIDE (1991)
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YOU'VE GOT MAIL (1998)
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HOW TO LOSE A GUY IN 10 DAYS (2003)
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SHE'S THE MAN (2006)
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TANGLED (2010)
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LOVE, SIMON (2018)
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JOJO RABBIT (2019)
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PROMISING YOUNG WOMAN (2020)
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PURPLE HEARTS (2022)
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I'm pretty sure there are more but these were the ones that come to mind! Also these are only the English ones, I have lots of Hindi movies i love too! This was fun and I would like to tag @storytime-reviews @tatithetinybooktuber @therefugeofbooks to do this as well but feel free to ignore if you've already done it!
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greppelheks · 2 years
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You ever see a movie that's just a collection of references to other movies, scenes that are meme-able, mandatory activism speech that's like entry level feminism, all so it has stuff that's gonna go viral/be talked about. Like can we just start making movies that are good again?
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myheartissetinmotion · 5 months
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just thinking about how the musical numbers in wonka are so much more fun when you think of them all as diegetic
(i’m gonna put a read more for courtesy but. please click it i put so much thought into this)
some of them are explicitly so-scrub scrub is stated to be the group’s work song, lofty says his own song and dance can’t be stopped once it starts, abacus cues the wash crew on beat as they work behind the scenes of the shop’s opening, etc. this doesn’t happen super often in musical movies nowadays, which adds to the whimsy of this one
in the original catcf book, the demise of each “bad kid” (and the ethics of that is a WHOLE different-and lengthy-post) gets a song from the oompa loompas, and all adaptations include those; the 2005 film is the only one to have no non-diegetic songs, while the 1971 film and west end/bway stage adaptation have loads. this prequel, however, seems to lean hard into the idea of wonka as a showman-but an earnest one-who brings not only a new taste but also a new sound to the Unnamed European City™️ that he turns upside down.
colin’s newfound confidence wins the day when barbara sees him singing and dancing on a table, which is apparently just the kind of adventure she was looking for. willy shows his plan to the wash crew by presenting it in a reprise of their song, like he’s speaking their language. it’s the sound of the newcomer’s siren song, not just the crowd, that draws the scheming cartel to their windows. there are so many interesting things revealed about the characters if you look at it that way
for a moment starts rather quietly, and noodle’s singing to herself; she doesn’t sing aloud to start, but then willy does, and he’s in perfect counterpoint to her melody that he’s barely even heard yet. then, by the end, she’s *really* singing, because she’s finally found someone who’ll listen. they literally invented siblingism i’m gonna cry
and don’t even get me started on sweet tooth. mat and paterson said in an interview that the cartel sort of stops being villainous the second the music starts, that their number is a seduction at its core, which is so damn true. the fact that it’s acknowledged as diegetic-the chief’s “why am i singing”, slugworth’s “let’s give him the big sell”, etc-means that this is something planned and practiced. there is so much comedy in that-scary powerful capitalists working on their fan choreography is a great image-but it also shows just how sinister they are. “conceal” rhymes with “deal”. they knew he’d say yes in the end. it was predetermined all along.
and a world of your own!! (this might not be a whole analysis paragraph i just wanted to say the way the pulse of the orchestration slowly builds starting at “chocolate bushes, chocolate trees” is so thrilling omg i felt like a kid again)
all this to say that i got sucked into this story for good upon hearing pure imagination for the first time in fourth grade and never looked back so it’s so neat that the prequel involves music in such a thoughtful way OKAY BYEEEEEEEE *mic drop*
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youareinlove · 2 months
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all the other couples listening to darcy and elizabeth yap while dancing: ☕️😳🫢🫣
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cloud-ya · 2 months
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outcast of the village
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ayo-edebiri · 1 year
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Spider-Man: Across the Spider-Verse + text posts
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aspiringwriter1111 · 1 month
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RB for a bigger sample size please!
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Time to rewatch Barbie: The Princess and the Pauper. This is the last one of the Barbie movies I own that I remember watching as a kid, (aside from Barbie Diaries, but I have actually rewatched that one in the past... Five years or so), so I'm pretty excited for it.
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whateveryousaycappy · 6 months
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Like father like daughter 🐰🔪
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shayneysides · 1 year
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hobie: kill yourself
pavitr: WHAT THE HELL BRO WHAT DID I DO
original format from @ha-youwish in this post!
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snartles · 7 months
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From my theatre experience. Every time an animatronic would move/disappear the entire audience would GASP AND SCREAM IN SHOCK
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