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#Star Wars D6
oldschoolfrp · 1 year
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There's a schematic for everything in the SWEU (Ewok Village Main Level map from Galaxy Guide 5: Return of the Jedi, West End Games, 1990 & 1995)
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starblightbindery · 2 months
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Editor's Note from The Black Sands of Socorro by Patricia A. Jackson
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While researching Patricia A. Jackson’s entire body of Star Wars work for a short story anthology, I came across the West End Games sourcebook Star Wars: The Black Sands of Socorro (1997.) It’s a crucial work of Star Wars ephemera: The first creator of color writing for Star Wars in an official capacity, writing not just about individual characters of color, but centering entire cultures populated by non-white characters. A young Black woman in the 1990s wrote science fiction for Star Wars, worldbuilding with concepts like antislavery, indigeneity, linguistic divergence, and settler colonialism...while Disney-Lucasfilm in the 2020s ineffectually positions Star Wars as a post-racial fantasy.
I non-hyperbolically refer to Patricia A. Jackson as the “Octavia Butler of Star Wars,” not because fans of color need to be officially sanctioned by Lucasfilm to create Star Wars content, but because of how difficult it is to carve out anti-racist space in a transmedia storytelling empire. Challenging even in transformational fandom spaces (e.g. fan works), to broach race in affirmational fandom spaces—or while writing content for the property holder—is to be unflinchingly subversive.
And Jackson did it first. In an interview with Rob Wolf in 2022, Jackson described her experience writing race into Star Wars in the 1990s as an “experiment.” The planet, peoples, and cultures of Socorro were a way for Jackson to obliquely, yet concretely, center Blackness and racial justice into Star Wars, pushing the racial allegory constrained by the original trilogy to its limits.
Since it’s inception, Star Wars has spent much of it’s storytelling on the fringes of the galaxy (whether it’s Tatooine or Jakku, Nevarro or Ajan Kloss.) The Black Sands of Socorro is an extension of that trope, but where the Star Wars films used indigeneity as set dressing (eg. “Sand People”, Ewoks, Gungans, etc.) Jackson creates a vivid world where indigenous culture and settler colonists collide; where characters are coded with dark skin and central to the action. The planet Socorro is distinct as a Star Wars setting. As one of the only places in the galaxy where slavery is eradicated with a vengeance, Socorro refuses to let go of a plot line Star Wars media often leaves behind. Socorro is a haven from Imperial fascism, a space where readers are invited to imagine a story that does not center around occupation.
When I learned that Patricia A. Jackson no longer has a physical copy of The Black Sands of Socorro, I realized that I had the materials and the means to create a fanbound hard copy for her home library (well, and also for my own home library.) While this handmade book is not an exact reproduction of the RPG supplement, I hope my renvisioning of the supplement as an in-universe travel guide lives up to the original work.
As the idea of creating a travel guidebook based on the original material percolated, I reflected on the State of Race in Star Wars in the year since I compiled Designs of Fate, an anthology of my favorite Patricia A. Jackson short stories. In May 2022, actress Moses Ingram debuted as Inquisitor Reva Sevander, the deuteragonist in the Dinsey+ streaming Obi-Wan Kenobi series. As predicted by Lucasfilm—and any fan sick of alt-right Star Wars related “whitelash”—Ingram was promptly subjected to a firehose of racialized harassment and misogynoir.
Yep, fascist self-proclaimed fanboys complained about a Black woman Inquisitor in 2022, having no idea (or deliberately whitewashing) that one of creators of the entire freakin’ concept of Inquisitors was a Black woman writing for the Star Wars Adventure Journal three decades ago.
Then, a public facing Star Wars account (@StarWars on Twitter) broke precedent and slapped back at the trolls. Lead actor Ewan McGregor filmed a video retort, posted on @StarWars, stating “racism has no place in this world” and telling off the racist bullies: “you’re no Star Wars fan in my mind.” A few months later, Disney+ debuted it’s second flagship Star Wars streaming series of the year, starring a Latino actor as the protagonist. In the opening episode of Andor, a police chief describes Diego Luna’s eponymous lead as a “dark-featured human,” perhaps the closest the franchise has ever gotten to acknowledging out-of-universe constructions of race, to date. The series explored aspects of imperialism with more depth than Star Wars had previously done on screen, such as the Empire’s treatment of the native people of Aldhani. And, in November, the The Acolyte, a Disney+ series co-developed by Rayne Roberts, announced Amandla Stenberg and Korean actor Lee Jung-jae as its top-billed leads. Stenberg will be the first Gen Z, mixed race, Black, Inuit, queer, and non-binary actor to lead a major Star Wars series.
On the Patricia A. Jackson Star Wars front, in 2022, Jackson’s character Fable Astin was an easter egg in the Obi-Wan Kenobi series. Jackson will again write for Star Wars in an official capacity in From a Certain Point of View: Return of the Jedi, due for publication in Fall 2023. A series about Lando Calrissian, the galaxy’s most famous Socorran, is still in production, so I have my fingers crossed that we may soon see Socorro on camera.
I wonder if this past year will have been a fulcrum year for BIPOC fandom. Maybe Disney has finally realized it’s bad for business that the alt-right uses social media algorithms and Star Wars fan spaces as a soft recruiting ground to radicalize young white men? Maybe Star Wars as a franchise will continue to loudly disavow fan whitelash and firmly position performers of color in true leading roles? I really hope so. On the other hand, as much as I am in favor of increased representation in Star Wars storytelling, I am also troubled by Disney-Lucasfilm’s framing of the Galaxy Far, Far Away (GFFA) as “colorblind.” Recently, Star Wars fans have been asked to accept that in the (a long time ago) sci-fi futurepast GFFA, humans have always been post-racial, and it’s just a coincidence that racialized people were not caught on camera the way white characters have been for years. The galaxy is post-racial and it’s just acoincidence that the movers and shakers of the galaxy have largely been depicted as white men for the past 40 years of media.
For example, in the decade since Disney rebooted the expanded universe, fans have learned that Star Wars’s biggest galactic war criminal to never be depicted on screen is Admiral Rae Sloane, a bisexual Black woman who was the leader of Imperial remnant forces, one of the architects of the First Order, and personal mentor to General Hux. Under Disney-Lucasfilm’s post-racial retcon of the Star Wars universe, the allegorical fascists are intersectional equal opportunity employers (at least in expanded universe content like animation, video games, and novels.) Along those lines, several of the franchise’s newly introduced, prominent women of color have been part of the Empire: Imperial loyalist Cienna Ree (Lost Stars), Inferno Squad leader Iden Versio (Star Wars: Battlefront II) former stormtrooper Jannah (Episode IX), First Order pilot Tamara Ryvora (Star Wars: Resistance), Inquisitor Trilla Sundari (Jedi: Fallen Order), Captain Terisa Kerrill (Star Wars: Squadron) and, most recently, Inquisitor Reva Sevander. Once the sole purview of stodgy, very white and very British men (demonstrably so even in the sequel trilogy movies,) now anyone can be a stooge of the Empire.
That’s not to say that marginalized people can’t collude with fascism, or that there haven’t been heroic characters of color introduced in recent years. Rather, I posit that in order to sell audiences on the post-racial/colorblind GFFA, fascist-of-color characters like Rae Sloane or Giancarlo Esposito’s Moff Gideon (The Mandalorian) are created by necessity. The franchise wants to at once be racially inclusive and yet never directly address race. In Star Wars, real world oppression is primarily explored through allegory—such as Solo (2018)’s bit on droid rights, the clone army, or the myriad of non-human alien bodies that nonetheless are coded with racial stereotypes. A lot has been said about how allegory in sci-fi allows audiences to grapple with inequality from a comfortable distance, and not enough has been said about which audience is being prioritized for comfort.
What does it mean when race is supposedly a non-issue for humans in the GFFA, but creators and actors with marginalized identities cannot participate in Star Wars in any capacity without experiencing identity-targeted harassment? In the past ten years, this has been true even for white women like Kathleen Kennedy and Daisy Ridley, but the vitriol has been most strongly directed towards Black women like Lucasfilm Story Group lead Kiri Hart, author Justina Ireland and The High Republic Show host Krystina Arielle. Can the Galaxy Far, Far Away truly be “colorblind” or “post-racial” (never-racial?) if the narrative continually centers white characters and replicates all the common racial inequities seen in commercialized Hollywood storytelling? Upon the release of The Force Awakens in 2015, critic Andre Seewood aptly described Finn’s positioning in the story as “hyper-⁠tokenism,” even presciently predicting that Finn would continue to be hyper-⁠tokenized in Episodes VIII and IX. As the narrative veered away from Finn, it also left unrealized a stormtrooper rebellion plot line where Finn could have been, in effect, a Black abolitionist. Actor John Boyega’s critique of his experience in the sequel trilogy aligns with Seewald’s assessment: “Do not bring out a Black character, market them to be much more important to the franchise than they are and then have them pushed to the side.”
Published in 1997, The Black Sands of Socorro came before Finn, before Mace Windu, back when all the melanin of Star Wars could be found in Billy Dee Williams’s singular swagger and James Earl Jones’s distinctive voice. Back then, the most prominent Black actress in the original trilogy was dancer Femi Taylor, who played Oola, the hypersexualized green twi’lek fed to the rancor in Return of the Jedi. Bantam Spectra, the publisher that held the license for Star Wars from 1991 to 1999, had no leading characters of color in its’ Expanded Universe. The first full length Star Wars novel by a writer of color, Steven Barnes’s The Cestus Deception15, would not be published until 2004. Even though the book featured two protagonists of color, they would not be depicted on the cover. At Comic-Con in 2010, I spoke with Tom Taylor, a white Australian comic book writer who tried to make the lead family in Star Wars: Invasion (2009) a Black one, but was shut down during the creative process. The comic instead depicts a family of blondes, because the publishers did not think fans would embrace leads of color. All this to say, the inclusion of melanated characters in Star Wars has been so, so hard fought. It’s incredible The Black Sands of Socorro exists at all. It’s more than worthy of celebration, and I’m floored that more attention has not been brought to it.
Patricia A. Jackson is a smuggler.
This sourcebook was explicitly written to assist fans in telling their own Star Wars stories, and in it Patricia A. Jackson smuggled in emphatic allusions to the Black Panther movement and the trans-Atlantic slave trade, smuggled in commentary on indigeneity and settler colonialism, and smuggled in multiple ways for fans to envision characters of color. Her writing has consistently added richness to the GFFA, and in The Black Sands of Socorro she envisions multiple histories for multiple cultures coded as non-white. She ensured the existence of not mere tokens, but flourishing societies of people of color in Star Wars.
The coda for The Last Jedi again shows how perilously close to tokenization characters of color, particularly Black characters, are in modern day Star Wars. In this film, the franchise returns to itsprevious exploration of slavery with the depiction of enslaved children on Canto Bight. The last speaking lines of the film are from Oniho Zaya (played by Josiah Oniha, a young Black British actor) who recounts Luke Skywalker’s heroic exploits to the other children. The film then closes out by showing that one of the downtrodden children is Force-sensitive—a future hero in the Star Wars mythos. In a film where every single Force-user depicted is white, the next generation kid with the potential is, again, a young white boy. Once again, the Black character can only serve the narrative in a supporting role. A franchise depicting a colorblind fantasy continually reifies racial and gender hierarchies in America. With The Acolyte, scheduled for release in 2024, it’s possible the franchise may finally be shifting past hyper-tokenism. In the meantime, fans of color and our erstwhile allies will continue doodling in the margins.
In the end, the sequel trilogy left the Canto Bight plot line (and the overarching slavery plot line started in Episode I) unresolved. I’d like to think the Black Bha’lir strafed Canto Bight and grabbed those kids. It seems like something they would do. Out among the stars, Oniho Zaya is adventuring with Drake Paulsen, and his story does not bracket another characters’; he is central. The Black Sands of Socorro is a launching pad for stories like that. It represents how fans of color have always carved out pieces of Star Wars for ourselves.
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geoffreytoday · 1 year
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In the Star Wars RPG I'm running, the party is currently on a planet that's having it's big annual Harvest Festival. The festivities include a Harvest Kween* Pageant.
I now call upon Monster Fucker Tumblr to render judgment on my fake space beauty pageant!
Please Reblog for reach, as I don't have a lot of followers, and be sure to keep the tag "kween" for the benefit of my players so they can block this post and not be spoiled!
*"Kween" being a non-gendered word for monarch on this planet.
Alright, here we go!
Here are your Harvest Kween Contestants!
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You're bound to love Buttercup Hazelburry!
Hailing from Pandala city on the east coast of Macbraulth, Buttercup, or "Butters" to her friends, is a personal trainer who enjoys hiking, skiing, and participating in the local burlesque scene!
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Always on the cutting edge of style, here comes Cleo!
Local fashion icon Cleo is making her Harvest Kween debut this year, and she couldn't be more excited. Growing up here in Zamora, Cleo has been something of a local entrepreneur since childhood, when she started her own fashion line while still in primary school!
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What more need be said other than his name? This is...
✨ Destiel ✨
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An awed hush please for our next contestant, Karga!
A bouncer and local Rap-Battle participant, Karga is a force to be reckoned with, possessing brains, brawn, and beauty! We could not be more thrilled to have her in this year's competition.
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A tour guide at Magmar park, on the famous Vulcorr expanse, please welcome Palmenno Frolins!
Palmenno brings his signature joie de vivre to everything he does. Whether he's hard at work, or hard at play, Palmenno's personality is always front and centaur!
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All the way from Iscandar, this is Starsha!
This mysterious beauty from a distant star came to Hibor to work as an astronautical engineer on The Ring, and are we ever glad she did!
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Hey Fam! It's Strombella!
Zamora's most prolific Holo-Tok "influencer", Strombella Enduran is a near constant presence at every event in our fair city, so it should come as no surprise to see her here today!
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Just when you thought it was safe to go back in the water, here comes Tibur Jauzen!
Tibur comes to the Midron system all the way from the opposite side of the mid-rim, from the aquatic planet of Karkarodahn. Here on Hibor, they work as an engineer at the Kazzanth deep sea power station. A dangerous job, but "Danger" is their middle name!
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A visitor from the planet Bofuunidal, it's our pleasure to introduce you to Todd.
In his own words: "I thought I was in line for the concession stand, but it turned out to be the line for the Harvest Kween competition! By the time I realized my mistake, I figured What the hell."
Priceless. Good luck Todd. Win or lose, we'll make sure you get fed!
And now, our final contestant...
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He's 8 feet of trouble in a 4 foot body, this is Tommy Midnight!
Tommy is a loner, a rebel, a bad boy with a heart of gold who's nothing but trouble, or so his business card says. Tommy is unemployed by day, and an unemployed musician by night. If you have a band looking for a front man, Tommy is interested.
And now it's up to you!
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hishgraphics · 2 months
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Star Wars RPG character artwork: Kin Asa Goddard captain of the YT-2000 Rough Profits, now a member of the New Republic Rangers.
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oh-no-eu-didnt · 2 years
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Rendili StarDrive light corvettes were a type of patrol ship. Exclusively contracted to the Empire, light corvettes were used for planetary patrols, intended to discourage smuggling, perform inspections, and combat pirates. They were able to hold their own against many type of freighter and starfighter.
Source: Starships of the Galaxy (Art: Langdon Foss; 2007)
First Appearance: Galaxy Guide 6: Tramp Freighters (1990)
Read more on Wookieepedia.
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honouredsnakeprincess · 7 months
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So, I might be in a star wars d6 campaign next year, and the GM has (foolishly!) permitted me to devise my own species for my character.
As such, I give you the Mireltih. They are a Mirialan offshoot species from a mountainous planet in the unknown regions, which has only recently regained contact with the wider galaxy after thousands of years of isolation following a brief Sith occupation. Strictly speaking, the name "Mireltih" is just a corruption of a Sith word for their species, which was itself a loadword from Galactic Basic.
In terms of the physiology, the Mireltih are somewhat shorter and stockier than their Mirialan kin, with short antlers and sharper teeth. They're fairly carnivorous, since their homeworld, Chiada, can't support much in the way of plant agriculture, especially outside the equator. The days on Chiada are only about 22 hours each, so Mireltih who venture offworld frequently suffer jetlag for months until they can adapt to the longer cycles of day and night.
Mireltih religion bears some superficial similarities to the indigenous religion of the Mirialans, though with less Jedi influence due to their isolationism. They both place an emphasis on a sort of culminative destiny that one's actions work towards, but for the Mireltih, this is something that must be seized or captured, it is not given automatically. One must be good enough to have a destiny, or one will have no destiny. The Mireltih generally do not tattoo themselves in the ways Mirialans do, but a couple isolated villages near the south pole have been known to bear ritual tattoos on occasion.
Also present in Mireltih religious life is the honouring of sacred ancestors, which a given village may or may not interpret as literally being their ancestors. Despite the Sith occupation lasting for long enough that some interbreeding did occur, Sith are generally not worshipped as sacred ancestors even if a clear genealogical link can be shown. A couple villages do worship the "Knight of Cathar", however, a mysterious jedi or sith figure that they credit with ending or otherwise affecting the occupation period in a manner beneficial to the Mireltih.
The other thing I had fun doing was coming up with Mireltih names that share some etymology with Mirialan names without being clearly the same. My character's name is, as such, Vasl Endulih, with Endulih sharing a common root with Unduli. Unlike Luminara, of course, Vasl is not actually force sensitive and is instead a pilgrim seeking to reconsecrate one of her village's holy relics in the sacred waters of Cathar.
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unordinarytales · 2 years
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Game Setting Search
Andor dropped this week on Disney+, which is the latest entry into the Star Wars universe. I watched the first episode and it begins in the Corporate Sector Authority showing a world far from the original trilogy. It’s a darker more gritty Star Wars and I love they are trying new things with the universe.
Similarly, my gaming group is on a new adventure as well. I am looking for a new system to run a Star Wars roleplaying game. As much as I love the game from West End Games I referenced in my last post the system has its faults.
The system is very accessible with a attribute plus skill mechanic (see the template below). For instance, if a hero wanted to shoot their blaster rifle they would roll their Dexterity attribute dice (e.g. 4D) and then any skill dice they put in the skill (e.g. 2D) and roll them for a set target number.
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The characters gain experience over their adventures and then they increase their skills over time to represent their own adventures. It truly is rather elegant.
Yet, that elegance comes with some less than ideal aspects that I have discovered over the last campaign.
As characters advance it can be anti-climatic.
Nothing differentiates character with the same attribute dice and skill dice mechanically. This leads to a certain “sameness”.
No benefit for beating the target number no matter how high you roll (e.g. if you have 8D in blaster and roll 25 for a target number 15 there is no additional effect).
The system has been out of print for years so the ruleset lacks official support (and continued expansion).
We will be looking for a new system that can be ported to the Star Wars that captures the feel of Star Wars though could also be used for other genres (more on that later). We have committed to having several small adventures in different systems and seeing if we can find one that works for us. I plan on writing about the different games and the experience in further posts.
If anyone has any recommendations for systems to try please feel free to leave them in the comments.
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theresattrpgforthat · 9 months
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i want to destroy the god king and begin an anarchist uprising. culminating in participating in the aftermath building a new world
You and me both buddy. Let’s get started.
THEME: Destroy God
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Dethrone Skeleton God, by emmy verse.
DETHRONE SKELETON GOD. THAT IS ALL YOU HAVE TO DO.
In this gmless role playing game you will set out on a journey to find and dethrone the aforementioned god. You will need some d6s, a d12, and some writing materials.
This game pulls a lot of inspiration from some pretty stellar games, including No Stone Unturned, EXTRACAUSAL, Trophy, and Blades in the Dark. You will play racing against three Fallout Tracks, which track the collapse of the material world, the immaterial world, and the Skeleton God’s Power. When all tracks are full, the game is over, and you narrate how the world ends.
If nobody in your group wants the burden/responsibility of running a game, this game is an excellent option as it is both GM-less and lightweight. It’s only 16 pages long and covers creating location elements and exploring them as a group. Everything is collaborative, so if you’re interested in games that let you come up with a story together as you go, you might want to check out this game.
Dead Gods, by Trollish Delver Games.
After the Cataclysm of Heaven it all changed. Murdered gods fell from the sky, sundering the land and casting their sacred relics about the world. From the woodwork crawl Warcults, scavengers of god-relics to further their own twisted gains. The Eternal seek power over death itself. The Order of the Stars seek relics to unlock god-like omniscience. The Pale Druids imbibe relics to acquire power over nature itself. The Black Maw will create a new, hungrier god under their control. 
Pick up a lovingly-designed weird cult and pit them against your friend in a desperate effort to grab a sacred god-relic in this miniatures skirmish game. Each player will control a number of different kinds of war cult members, and there are 4 war cults to embody in the upcoming skirmish. Great for PvP and lovers of combat, but if you want narrative you’ll want to pick up something else or mostly RP it out. You can also check out Unholy Scavengers, for more relics, more scenarios, more models - more more more!
Karanduun - Make God Bleed, by makapatag.(@makapatag)
Karanduun is a modern Filipino Epic RPG about worthless heroes dismantling God, whatever cycle of oppression that must be.  Inspired by modern Filipino folklore and culture. You play as young heroes who must make their legend known and become a legendary Karanduun by making God (whichever oppressive system and tyrant that is) bleed.
Lovers of Kill Six Billion Demons will probably get a big kick out of this game. The god Batala is already dead, but that doesn’t mean there isn’t room for some rebellion of your own. There are demons, corrupt angels, and other Kings of the Earth to defeat, in a post-American world inspired by the Philippines. If you’re looking for some narrative play, this game has got you covered, with rules inspired by Exalted 1e and PbtA. You can check out the physical version of this game on SoulMuppet’s website!
Skorne, by Dreaming Dragonslayer.
You are renegades, part of mankind’s insurrection against SKORNE who is devil prince, commander of demon rulers and their armies, and the darkness that reigns. Overthrow the evil Tyrants. Free chained captives. Fight to the last man.
Part of the NSR movement, Skorne is inspired by media such as Berserk, MORK BORG, and games like Dark Souls and Elden Ring. The game itself is only 4 pages long, with a really interesting system for character creation. You roll for your abilities and then use their values to determine your starting kit. The language in the game is also great for putting you into the fiction, such as the instructions found for character name choice:
“In the beginning, give thy renegade a name, though it will not save them.”
You want gritty and dire circumstances? You want to kill demon princes? You wanna play a game with random tyrant generation? This is for you.
Extreme Meatpunks Forever, by Sinister Beard Games.
"In the beginning, there was meat. A decaying chunk of flesh from a dying god, hurtling through the void of space, thousands of miles wide. A million eyes, a billion hands grasping for purchase against nothingness itself.  This is where we live.”
EXTREME MEATPUNKS FOREVER is a tabletop roleplaying game where you’ll play as a gang of queer antifascists in a strange place called Meatworld. Spinning through space on the screaming corpse of a dead god under the glow of an absent sun, the people of Meatworld harvest its flesh to make their technology.
Embody your queer rage and kill fascists in meat-mechs in Extreme Meatpunks Forever. A PbtA game, this option is narrative-heavy and allows you to pick from some pretty metal weapons, including (but not limited to) Excellent Seasoning, A Bit Stick What Has Shrapnel In It, and Deathfucker Cannon. In your downtime, you can kiss your friends and work to heal and deal with your trauma. If you want a game that feels metal and also presents you with extremely punchable enemies, this is your game!
Other Recommendations
If you want some more recommendations you can also check out the Attack and Dethrone God Jam on itch.io, or my Revolution recommendation post.
If you’re interested in what happens after you end the world, then I recommend my Post-Apocalyptic Community Building recommendations!
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~smut request prompts~
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reqs are open, so pick a dialogue (1-2) + smutty prompt (1-3) + character/fandom (1-3)!
- MA (marvel)
- SW (star wars)
- ST (stranger things)
- AV (james cameron's avatar)
- Other (specify)
~dialogue prompts~
D1. “Let me see those eyes.”
D2. "Open your mouth for me.”
D3. “Please kiss me.”
D4. “Use your words.”
D5. “Tell me what you want.”
D6. “You look so good beneath me.” 
D7. “You can take it.”
D8. “I can take it.”
D9. “You take me so well.”
D10. “Spread your legs wider.”
D11. “Louder. Let me hear you.”
D12. “Keep your eyes on me.”
D13. “Touch yourself.”
D14. “Do you want my fingers?”
D15. “I can’t get enough of you.”
D16. “You taste so good.”
D17. “Hands behind your back.”
D18. “Swallow.”
D19. “You are doing so well.”
D20. “Breathe through your nose.”
D21. “Don’t hold back.”
D22. “Show me how much you need me.”
D23. “Say my name.”
D24. “You can do better than that.”
D25. “Does that feel good?”
D26. “I want you to ruin me.”
D27. “Do you think you deserve this?”
D28. “I want to have my way with you.”
D29. “Touch me there. Right there.”
D30. “I will never get enough of you.” 
D31. "Mhm, so wet and sticky for me."
D32. "Stop acting like you're better than that. You're not."
D33. "Slurp it up, that's right."
D34. "Aw, are you crying? Too bad."
D35. "No, no, let me check. Show me your other hand."
D36. "Oh, really? Well what's that behind you then?"
D37. "...were you doing what I..think you were just doing?"
D38. "Stop it. Behave."
D39. "Louder, I want everyone to hear you."
D40. "How does that feel? Does that feel good?"
D41. "Ah-ah...there, there it is, there we go sweetheart."
D42. "Stop gagging, stop those theatrics..I know you can take it deeper."
D43. "Well, since I already saw you anyway.."
~kink/theme prompts~
K1. breeding kink
K2. somnophilia
K3. size kink
K4. fingering
K5. mutual masturbation
K6. bondage
K7. age gap
K8. breast/nipple play
K9. choking
K10. cockwarming
K11. car sex
K12. cum play
K13. exhibitionism
K14. dry humping
K15. poly (1-2 extra people besides reader)
K16. mommy/daddy + babygirl/babyboy kink
K17. degradation kink
K18. oral sex / oral fixation
K19. praise kink
K20. morning sex
K21. fem!dom reader
K22. thigh riding
K23. face sitting
K24. pussy spanking
K25. corruption
K26. jealous sex
K27. spit kink
K28. rough sex
K29. soft sex
K30. noise/vocal kink
K31. mirror sex
K32. overstimulation
K33. edging
K34. dumbification
K35. shower sex
K36. voyeurism
K37. impact play/spanking
K38. thigh fucking
K39. foodplay
K40. humiliation/patronization/condescention
K41. sloppy/messy sex kink
K42. weight gain/plus size
K43. whispering/intimacy kink
also some more tags bc i figure y'all would like this (lmk if u hate it and i'll cut u out!): @enamorededdie @spicedchaiandromeda @stargirlfics @anythingjimhopper @goodboyriddler @spideyheartsmaryjane-blog @anisbaby @princesssmimi @thedanoriddler @lost-in-sokovia @killerlookz @kelsiejayy @mypoisonedvine @creme-bruhlee @spilledkauffie @kaylawritesfics @inklore @babybugwrites @littlepadika @underratedcharactersimagines @becca-e-barnes @callsign-rogueone @wishilovedyouinthe80s @jaiheats @freshfleshandblood @axen-gers @wingedjellyfishrebel @interplanetarytraveler @starg1rlsthings @jessmarianosslut @sp3ct0rs @what-is-happening-helpp @bigbutchenergee @jamesspenc @miacancli26 @riddikulus-obsessions @iabrokengirl @kato-ptris @okkathryn @srag69
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unseenphil · 7 days
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So I backed a kickstarter...
...Nearly 13 years ago, and it failed hard. It was one of first early 'big successes' in the RPG kickstarter field, earning nearly 50K (You've got to understand, that was -huge-, 5-10 times the amount of similarly successful kickstarters at the time, and was fairly early days for kickstarter itself.) But a combination of delays, aggressive defensive behavior on behalf of the developer and some legal action for refunds led by the state of Washington, lead to basically everyone writing it off.
It was called Into the Far West and I got the published book in the mail on Friday.
Is it any good? Friends, it's the d6 system from WEG Star Wars with Fate aspects bolted on awkwardly. A lot of the art is a photoshop sepia layer over what's probably movie stills. One of the factions is just "What if the rangers the Lone Ranger belonged to were an orthodox kung fu sect that was betrayed and destroyed with only a few wandering heroes who take up apprentices here and there.' There's a destruction of Shaolin homage that references the musical Oklahoma.
It never had a chance of being good, but there's good -bits-. For a start, "Wanderers of the Dust Road" as a name for an Old West version of the Wulin is pretty fucking good, honestly. Maybe even great.
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tiwaztyrsfist · 1 year
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Here's my weird dice.
The two big d6's are sized to be used as a 5 foot and 10 foot gelatinous cube on a standard ttrpg grid map
Odd count dice: d30, d24, d16, 2d7, 2d5, d3.
There's a d12 with room shapes for creating a random dungeon.
Some d20's with special numbering for use with (I think) the Cipher system.
A full polyhedral set numbered in Kanji.
A spherical d6
A set of 13 tarot dice. Each face represents a different card.
And lastly, a set of Star Wars storycubes.
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oldschoolfrp · 1 year
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A heavy recovery vehicle attached to Hell’s Hammers, an elite armor unit of the Empire  (Joe Johnston concept art for what became the AT-AT in The Empire Strikes Back, from the Imperial Sourcebook for Star Wars the Roleplaying Game by Greg Gordon, West End Games, 1989)  WEG’s writers used previously unseen art from the files of Lucasfilm, Ltd, as the basis of many new additions to the Star Wars expanded universe.  Hell’s Hammers are mentioned again in Imperial Entanglements (1996) in a scenario for Star Wars Miniatures Battles featuring a recovery crew on foot attempting to retrieve an immobilized repulsortank.
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BRACKETS + ROUND 1 MASTERPOST
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Below is a written version of brackets, including links to each poll
Fandom- Characters
GROUP A
A1. Sky Children of the Light- The Valley Elders (aka Sah and Mek) VS Devil May Cry- Dante and Vergil
A2. Lego Ninjago- Krux and Acronix (The Time Twins) VS The Evillious Chronicles- Riliane Lucifen d'Autriche and Allen Avadonia
A3. Roman Mythology- Romulus and Remus VS Sanders Sides- Roman and Remus Sanders
A4. Happy Tree Friends- Shifty and Lifty VS The Penumbra Podcast- Juno and Benzaiten Steel
A5. Blue Exorcist- Rin and Yukio Okumura VS Avatar the Last Airbender- Lo and Li
A6. IDOLiSH7- Nanase Riku and Kujo Tenn VS Critical Role: The Legend of Vox Machina- Vex and Vax
A7. Don’t Starve- Wendy and Abigail VS Legend of Korra- Eska and Desna
A8. The Parent Trap- Annie and Hallie VS Mother 3 (aka Earthbound)- Lucas and Claus
GROUP B
B1. A Song of Ice and Fire- Jaime and Cersie Lannister VS MCU- Wanda and Pietro Maximoff
B2. Masters of the Universe- Adam and Adora VS Dimension 20: A Crown of Candy- Jet and Ruby Rocks
B3. Super Mario Bros- Mario and Luigi VS Ducktales (2017)- Della and Donald Duck
B4. Ensemble Stars- Hinata and Yuta Aoi VS Mystic Messenger- 707 and Unknown (aka Saeyoung and Saeran Choi)
B5. The Adventure Zone- Lup and Taako VS The Suite Life of Zack & Cody- Zack and Cody
B6. Gravity Falls- Dipper and Mabel VS Obey Me!- Beelzebub and Belphegor
B7. Transformers- Sunstreaker and Sideswipe VS Haikyuu- Osamu and Atsumu Miya
B8. Honkai Impact 3rd- Liliya and Rozaliya Olenyeva VS All For the Game- Andrew and Aaron Minyard
GROUP C
C1. Bob’s Burgers- Andy and Ollie Pesto VS Pokémon- Emmet and Ingo
C2. Final Fantasy XIV- Alphinaud and Alisaie Leveilleur VS The Locked Tomb- Ianthe and Coronabeth Tridentarius
C3. Liv and Maddie- Liv and Maddie VS Greek Mythology- Apollo and Artemis
C4. Genshin Impact- Lumine and Aether VS Rise of the Teenage Mutant Ninja Turtles- Leo and Donnie Hamato
C5. Trigun- Vash and Knives VS Twisted Wonderland- Jade and Floyd Leech
C6. Black Butler- Ciel and “Ciel” Phantomhive VS Cursed Princess Club- Gwen and Jaime
C7. Red VS Blue- Agent North Dakota and Agent South Dakota VS Animal Crossing- Timmy and Tommy
C8. Ace Attorney- Dahlia Hawthorne and Sister Iris VS Rugrats- Phil and Lillian
GROUP D
D1. The Twelfth Night- Viola and Sebastian VS Dungeons and Daddies- Lark and Sparrow Oak
D2. Dragonlance- Caramon and Raistlin VS Archie Comics- Cheryl and Jason Blossom
D3. Star Wars- Luke and Leia VS Ouran High School Club- Hikaru and Kaoru Hitachiin
D4. Steven Universe- The Rutile twins VS Disney Fairies- Tinkerbell and Periwinkle
D5. How To Train Your Dragon- Ruffnut and Tuffnut VS Highschool Musical- Sharpay and Ryan Evans
D6. Percy Jackson- Castor and Pollux VS Re: Zero- Rem and Ram
D7. Danganronpa- Junko Enoshima and Mukuro Ikusaba VS The Owl House- Edric and Emira Blight
D8. The Simarillion- Amrod and Amras VS Identity V- Joseph and Claude Desaulniers
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geoffreytoday · 2 years
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Tonight’s Star Wars session went really well I think. I had an excellent time, and despite anxiety brain, I am pretty sure my players did too. It’s always exciting to roll with (see what I did there?) the unexpected shit that happens during the game.
I got to introduce a number of NPC's I've been really looking forward to bringing in. I'm excited for the direction things are going, and I can't wait to see what the crew does next.
Here's this sessions opening crawl:
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For funsies I switched it up a bit this time and went with the Battlestar Galactica theme in place of the Star Wars theme. Gotta keep them on their toes :)
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Tonight's new NPCs were, from left to right: Geppetto the Besalisk Mechanic, Archie the antique dealer and junkshop owner, and Moff Duncan Cawg, the regional governor for the system in which our story takes place.
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hishgraphics · 3 months
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Star Wars RPG character artwork: Zor Draco from the Atrisian Commonwealth, a former TIE pilot now a Supervisor-Captain of the New Republic Rangers.
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oh-no-eu-didnt · 2 years
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Republic-class Star Destroyers were a type of starship manufactured by Rendili StarDrive. Designed by Walex Blissex as an improvement to his Victory-class, the Republic-class was obviously intended for use by the New Republic. It outclassed Imperial I-class Star Destroyers, and served as an important step in manufacturing warships for the former Rebellion.
Source: Cracken’s Threat Dossier (1997)
First Appearance: Shield of Lies (1996)
Read more on Wookieepedia.
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