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#Stuart Elliott
spilladabalia · 2 months
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Cockney Rebel - Tumbling Down
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longliverockback · 1 year
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The Alan Parsons Project The Turn of a Friendly Card [Deluxe Edition] 2023 Legacy Recordings ————————————————— Tracks CD One: 01. May Be a Price to Pay 02. Games People Play 03. Time 04. I Don’t Wanna Go Home 05. The Gold Bug 06. The Turn of a Friendly Card (Part One) 07. Snake Eyes 08. The Ace of Swords 09. Nothing Left to Lose 10. The Turn of a Friendly Card (Part Two) 11. May Be a Price to Pay [intro demo] 12. Nothing Left to Loose [backing track] 13. Nothing Left to Loose [Chris Rainbow vocal overdub] 14. Time [early studio attempt] 14. Games People Play [rough mix] 15. The Gold Bug [demo]
Tracks CD Two: Eric’s Songwriting Diaries 01. May Be a Price to Pay 02. Games People Play 03. Time  04. I Don’t Wanna Go Home 05. The Turn of a Friendly Card 06. Snake Eyes 07. Nothing Left to Loose 08. Turn of a Friendly Card • Snake Eyes • I Don’t Wanna Go Home 09. La La La Lah 10. Next Year 11. Someone Else 12. Taking All Away 13. To Those of You out There
Tracks CD Three: Recording Sessions 01. May Be a Price to Pay [early version - Eric guide vocal & unused guitar solo] 02. Games People Play [early version Eric guide vocal] 03. Time [Orchestra & Chris Rainbow backing vocals] 04. The Gold Bug [early reference version] 05. The Gold Bug [Chris Rainbow backing vocal] 06. The Gold Bug [Clavinet with no delay] 07. The Turn of a Friendly Card (Part One) [early backing track] 08. Snake Eyes [early version - Eric guide vocal] 09. The Ace of Swords [early version with synth orchestra] 10. The Turn of a Friendly Card (Part Two) [Eric guide vocal and extended guitar solo] 11. Games People Play [single edit] 12. The Turn of a Friendly Card [single edit] 13. Snake Eyes [single edit]
Tracks Blu-ray: 01. May Be a Price to Pay 02. Games People Play 03. Time 04. I Don’t Wanna Go Home 05. The Gold Bug 06. The Turn of a Friendly Card (Part One) 07. Snake Eyes 08. The Ace of Swords 09. Nothing Left to Lose 10. The Turn of a Friendly Card (Part Two) Visual Content 11. The Turn of a Friendly Card [album ad] 12. Games People Play [promotional video] 13. The Gold Bug [promotional video] 14.  The Turn of a Friendly Card [promotional video] —————————————————
Ian Bairnson
Stuart Elliott
Elmer Gantry
Alan Parsons
David Paton
Chris Rainbow
Eric Woolfson
Lenny Zarkatek
* Long Live Rock Archive
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mychameleondays · 2 years
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Kate Bush: The Dreaming
EMI Records USA/CEMA Special Markets S11-56886/ST-17084, 1993
Originally released: 13 September 1982
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Netflix's "Alexander: The Making of a God" is finally coming + Soundtrack from the Netflix Series
Good day I’m Elena, happy Sunday and thanks to be here on Alessandro III di Macedonia- Alexander the Great and Hellenism. In two weeks we will finally can watch: Alexander: The Making of a God Hugh Ballantyne, Stuart Elliott Tailfeather Productions in partnership with Lion TV, with executive producers Lucy van Beek and Nick Catliff Alexander: The Making of a God is a six part docudrama series…
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4eternal-life · 2 years
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Cockney Rebel #  Psychomodo
... I seen everything in every shape I seen 1984 in a terrible state I seen Quasimodo hanging on my gate
Oh! he was so hung-up and wasted Oh! he was so physically devastated He was young enough He was well-slung enough, oh...
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he sorta looks like Kristen Stewart here and i love it, also apparently this is the highest compliment that i can give to a man(?) ♥
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pippin-katz · 4 months
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Alright I need help guys
Edit: feel the need to clarify that i'm just making a character of nick's likeness and can't decide on his hair color; not trying to start an existential discussion or anything.
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gatutor · 26 days
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Paula Prentiss-Elliott Gould "La mudanza" (Move) 1970, de Stuart Rosenberg.
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odk-2 · 11 months
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X-Ray Spex - Germfree Adolescents (1978)
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X-Ray Spex - Germfree Adolescents (1978) Poly Styrene from: "Germfree Adolescents" (LP) [Expanded | 2005]
Punk | UK Punk | New Wave
JukeHostUK (left click = play) (320kbps)
Personnel: Poly Styrene: Vocals Jak Airport: Guitar Rudi Thomson: Saxophone Paul Dean: Bass B.P. Hurding: Drums
Produced by Falcon Stuart / X-Ray Spex
Album Recorded: @ Essex Studios in London, England UK during 1978
Album Released on November 10, 1978
EMI Records
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russellmoreton · 9 months
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Palimpsest (Waverley Project) by Russell Moreton Via Flickr: russellmoreton.blogspot.com/ Collage with photographic drawings,materials and notes. Flesh and Stone, The Body and the City in Western Civilization. Richard Sennett Humanity, An Emotional History. Stuart Walton Being Me, What it means to be Human. Pete Moore Architecture and Allegory, Peter Greenaway. Bridget Elliott and Anthony Purdy
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dustedmagazine · 11 months
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Listed: Kid Millions and Sarah Bernstein
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Photo by Caleb Bryant Miller
Kid Millions and Sarah Bernstein both have long CVs in experimental music, Millions as the drummer for Oneida and Man Forever and Bernstein as an avant garde composer and performer with the VEER Quartet, the avant-jazz Sarah Bernstein Quartet, and solo as Exolinger. They’ve been improvising together for roughly a decade, building mesmerizing sonic architectures out of free-form drumming, wild violin pyrotechnics and cryptic spoken word. Of their latest, Live at Forest Park, Margaret Welsh writes, “Bernstein and Colpitts weave sound together into an unsettling fever dream-like warp, growing larger and smaller. All you can do is lay back and surrender to the waves.” Here are some things that inspire the two.
Kid Millions
Billy Harper Quintet — In Europe (Soul Note)
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While I admire and enjoy all of the Quintet albums I’ve heard, this particular one captures something ineffable and transcendent. The Quintet’s personnel changes throughout Harper’s career but this particular session has the tunes, the passion, the reaching and the constant surprises that make it my most listened to album in the last ten years. Fred Hersch is especially sympathetic and powerful on this too. I really want to see this group ASAP. Billy Harper is still playing!
Pete La Roca — Basra (Blue Note)
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La Roca is a drummer who is unappreciated but his playing and compositions stand out. This album gets the slight nod over the legendary Turkish Women at the Bath because it was recorded well. He’s in the same league as Elvin and also wrote some incredible tunes.
George Adams & Don Pullen Quartet — City Gates (Timeless) (but any record is cool)
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I’m leaning on big tenor sounds these days, and George Adams stands in the same universe as Billy Harper because he plays the range of the instrument — there are gorgeous melodies set alongside blistering free blasts. Don Pullen is incredible as well. Near the end of his life he started to write more songs with hooks, but he shreds like Cecil Taylor. I’m digging the stuff that straddles the line between songs and free these days.
Henry Threadgill with Brent Hayes Edwards — Easily Slip Into Another World (memoir)
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This is a brand-new book, and I’m finding lots of inspiration and great advice within the pages. His discussion about how young musicians need to find their way within the tradition, among their peers, and on their own terms applies to all traditions, rock included. In order to really engage with the music, you have to play all the time, with other people. You have to play covers, and you have to play in front of audiences. And you need to be fired. I certainly have!
Marcus Gilmore
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Such an incredible, deep, drummer. You should go see him ASAP!
Sarah Bernstein
Music/poetry films I like:
When It Rains — Charles Burnett (1995)
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Charles Burnett’s work speaks to me as a whole. The films I’ve seen slip into a continuous flow of poetic story/documentary. When It Rains is a 13-minute short film that takes place on a festive New Years Day, but January’s rent needs to be paid. Musicians are among the characters and sound, and it plays like a jazz improvisation. A particular highlight is seeing instrument-maker Juno Lewis on-screen playing his double bell trumpet. The story’s ending will have vinyl collectors smiling.
The Connection — Shirley Clarke (1961)
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Before discovering this movie, I knew director Shirley Clarke from her later film "Ornette: Made in America," also a must-see. The Connection is a film version of Jack Gelber’s play for the burgeoning Living Theatre. Most of the actors from the stage play, and all the musicians, are also in the film. The band is swinging: Freddie Redd composer/pianist, Jackie McLean alto sax, Michael Mattos bass, Larry Ritchie drums. The musicians also act in the story, and even the turntable — playing Charlie Parker’s Marmaduke — provides a key recurring motif in the film.
Poetry In Motion — Ron Mann (1982)
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Poetry in Motion, By Ron Mann from bob stein on Vimeo.
The other movies on this list are ones I’ve seen relatively recently, but Poetry In Motion I watched in an art-house cinema as a teenager, and it had a big impact on me. The documentary shows 40 poets and performers, including Jayne Cortez, Dianne Di Prima, Helen Adam, William S. Burroughs, Amiri Baraka, Allen Ginsburg, Jim Carroll, John Cage, Robert Creeley, Miguel Algarin, to name a few! Also check out Ron Mann’s first feature film: Imagine The Sound (1981), a superb profile of Cecil Taylor, Archie Shepp, Bill Dixon and Paul Bley.
Desolation Center — Stuart Swezey (2018)
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The concert footage is so good. Highlights are Einsturzende Neubauten and Survival Research Labs literally blowing up the desert in Joshua Tree. Also Sonic Youth, Minute Men, Swans, all in DIY festivals and shows taking place in outdoor remote locations in 1980’s SoCal.
Amazing Grace — Alan Elliott/Sydney Pollack (2018)
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Aretha Franklin and choir hold a live concert recording session of her gospel album Amazing Grace over two days in 1972. This is not a documentary with talking heads or explanation, rather the action is all in the music and spirit. Aretha Franklin’s genius and deep interaction with the listeners and choir is riveting and inspiring, even more so with repeat viewing.
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spilladabalia · 2 months
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Cockney Rebel - Hideaway
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longliverockback · 2 years
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The Alan Parsons Project I Robot 1982 Mobile Fidelity Sound Lab ————————————————— Tracks: 01. I Robot 02. I Wouldn’t Want to Be Like You 03. Some Other Time 04. Breakdown 05. Don’t Let It Show 06. The Voice 07. Nucleus 08. Day after Day (the Show Must Go On) 09. Total Eclipse 10. Genesis Ch.1 V.32 —————————————————
Ian Bairnson
Allan Clarke
B.J. Cole
Stuart Elliott
Steve Harley
Jack Harris
John Leach
Duncan MacKay
Alan Parsons
David Paton
Stuart Tosh
Dave Townsend
Eric Woolfson
Lenny Zakatek
* Long Live Rock Archive
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badmovieihave · 2 years
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Bad movie I have Die in a Gunfight 2021
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letterboxd-loggd · 2 months
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Park Row (1952) Samuel Fuller
March 21st 2024
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sataniccapitalist · 6 months
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Someone uploaded one of those viral “help identify this racist jerk” clips featuring a man accosting a street vendor with awful Islamophobic vitriol, and it turned out he was the former US State Department Deputy Director in the Office of Israel and Palestinian Affairs.
It sounds made up, but that’s exactly what just happened; Vice has a whole article out about it. The video was uploaded today, and within hours the man was identified as Stuart Seldowitz, who helped direct US diplomacy on Israel-Palestine from 1999 to 2003 and then served on the Obama administration’s National Security Council. 
Seldowitz’s identity was confirmed by his former employer Gotham Government Relations, who released a statement denouncing him and saying they’ve ended all affiliation with him. 
(234) Stuart Seldowitz Part 2: "If we killed 4,000 Palestinian kids, it wasn't enough" - YouTube
That such a horrible person could climb his way to the highest echelons of the world’s most powerful government — working on Palestinian affairs no less — illustrates an important point about the US empire and what it is. There are no barriers stopping such creatures from rising to the top of that power structure, just the opposite in fact — they get an express lane to the top. That’s why bloodthirsty swamp monsters like John Bolton, Lindsey Graham, Victoria Nuland and Elliott Abrams find themselves so intimately involved with US policymaking.
That’s the true face of the US empire, right there. That’s the empire at its most honest. Not dressed up in affable charm and slick PR work, but sneering and hurling racist invective at immigrants who are just trying to do their jobs in peace. Not performing carefully rehearsed faces of compassion for the Palestinians who are being “tragically” and “unintentionally” killed as “collateral damage” in Israel’s war of “defense” against Hamas, but staring right into the camera and saying “If we killed 4,000 Palestinian kids, you know what? It wasn’t enough.”
Too many people look at Israel as something separate from the US empire, seeing it as a small nation run by a historically mistreated ethnic group that everyone singles out and picks on unfairly. If you look at Israel separately from the US-centralized global power structure, it feels off to have any forceful animosity toward Israel and its government, because it feels like you’re picking on the little guy.
It’s only when you see clearly that Israel is just an arm of the same empire that’s been murdering people by the millions around the world with nonstop invasions, bombing campaigns, proxy conflicts, starvation sanctions and CIA coups that you understand that, yes, Israel really is exactly as evil as it appears to be, and its behavior in Gaza is exactly what it looks like.
The US empire backs Israel for the same reason it backs most of the world’s dictatorships: because a globe-spanning empire can only be held together by nonstop violence and tyranny. Israel and other US-aligned states in the middle east are like the chair and the whip of a lion tamer — weapons used to violently abuse the populations of a crucial geostrategic region into compliance. It suits the empire perfectly to have a nuclear-armed government which exists in a constant state of war in the middle east governed by officials who speak English with American accents and interests which are reliably in alignment with those of the United States.
Stuart Seldowitz is not an aberration but a perfect manifestation of all this. This is the sort of mind which keeps the empire marching along from administration to administration no matter who Americans elect. This is the sort of mind which keeps the weapons flowing, the blood pouring, the fossil fuels burning, and the terrified screams which power the imperial machine continually erupting into the night sky.
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