#There is so much to do to make this project a reality and the less time I can spend on other work and just the game

[sqeeebus]

Saw a post about this and would like to share my take on it, no use clogging up this person’s tumblr and all that when I could just make my own point.

Big tw for non-con/rape, sexual abuse, etc

Besides, it doesn’t matter that much because this is a fictional character and not an actual person, so it’s nothing to really fight over— unless people who believe this actually support/enjoy/do non-con and other such gross things in real life, in which case— kindly omit yourself from this planet because you are sick and we don’t need people who actually find shit like this “hot” or would even do it themselves. Fuck you, I am a victim. If you like to believe this aspect is canon because it adds something for you (that is hopefully not erotic or romantic…) then do what you want, I guess. Not my thing, but I can just stay away from it so it’s not a big deal. Again, it is a fictional character but your opinions on what they do is REAL and can affect you and your actions.

Also when you post about that shit and justify it or whatever, you’re making multiple people feel unsafe and you’re making multiple rapists feel VERY safe, just so you know. So maybe make it clearer that you’re not about that in reality.

Anyway, all that done, let’s talk about the more specific and less important argument;

I see people so often characterize Hannibal as someone who is okay with or practices non-con and other such sexually heinous things, based on his attitude and actions in the show.

In my opinion, while we see Hannibal commit obviously horrible things— like murder and cannibalism, creating awful power imbalances and malpractices, as well as performing non-consensual and non-sexual actions on others— we don’t see him doing anything sexually heinous, and in my opinion I don’t believe he would do so.

For one, he encourages Margot to kill her abuser, Mason. Not that this isn’t a thing he would do regardless, but he also drugs and has Mason self-torture, paralyzes Mason to elongate his suffering and to also leave the revenge up to Margot herself, and even aids in the killing of Mason. We do know that he sexually violates Mason, but it isn’t for sexual motivation, as it is a clinical violation in order to harvest his sperm. I will admit, this is rather gross and sexually heinous, but not done for sexual pleasure or in support of sexual assault (rather the opposite I’d think).

This post I saw pointed out that Hannibal also said that he “liked this dragon” in regard to Francis Dolarhyde, who sexually assaulted his victims. This is a good point, and the only real opposition I have for this is that he only said so to get on Will’s nerves, or that he meant it in an entirely different way— that he’d like to kill the dragon/have Will kill the dragon, as that’s why he’d sent the man to his house in the first place (not knowing Will wouldn’t necessarily be there), because Francis already had a vendetta against Will and Hannibal would like to have Will get back into killing. I do know that Hannibal is well-aware of Francis’s crimes, as he reads about them through the paper and so I can’t say that he didn’t know about the necrophilic part of his killings, and that any of them very well could’ve been subject to it. I can only refute by saying he expected Will to kill Dolarhyde and “become the dragon” before any of that could happen.

Hannibal’s whole motto is “eat the rude” and I’d say people who commit sexually heinous crimes would be considered very rude, and he even seems to dislike them when they’re not even targeting himself.

This is not about projecting morality onto dark characters as much as it is my personal take and also to those who need to hear it: stop projecting your creepiness onto dark characters. They can be dark characters without being sexually disturbing.

I guess, personally, I’d just like to have a favorite character/favorite ship that does not perform/support sexual violations. Don’t know how you can fault me for that.

#Hannibal #will graham #hannibal lecter #nbc hannibal #hugh dancy #mads mikkelsen #hannigram #opinion post #important post #discussion post #Hannibal discussion #Hannibal morality post #eat the rude #Hannibal would hate you 💀 #he’d ask for your business card man #^not directed at anyone just those who it applies to

[regal-bones]

Hey everyone - Patreon has been a lil discouraging this past month with way more ppl leaving than joining. If u would like to support my art, pls consider tossing me £1 at this link here! Here’s some secret stuff that’s been in the works for last sprout, and this is really just the tip of the iceberg!! There’s so much more up there, and again it is just £1!

My rent is increasing at the start of the new year so I could really really use ur help or else I won’t be able to work on this! Anyway, thank you so much for your time and I hope ur day is awesome!!

#🌱 #patreon #support #thank u to everyone who is supporting me! #And to everyone who is commissioning me at the moment to! That helps out so so much! #There is so much to do to make this project a reality and the less time I can spend on other work and just the game #Brings it one step closer to being playable! Not just art but like managing a team takes a LOT of energy!!!! #(managing an incredibly talented and hardworking team that is ❤️)

[creatingblackcharacters]

“Why’s she so rude?” (She’s Not)- Stereotypes, pt2

So I'm sure that you all thought I was going to give a blow-by-blow list of "visual stereotypes to avoid". I'm going to be honest here, I thought about it, and figured it would be redundant. My page already includes sensitivity on depicting Black people. So instead, I'm going to focus on stereotypical "character" concepts, so that you can 1) not write it in your stories and/or 2) recognize it in media (fiction and reality!) and in life!

Two major resources: the Jim Crow Museum website is an EXCELLENT resource to understand the imagery of antiblack racism in U.S. history and society. The other, White Tears, Brown Scars by Ruby Hamad. The book focuses on the many racist stereotypes projected onto women of color and how that purposeful, systemic negative perception of us bleeds into every aspect of our lives- specifically by white women/white feminists who believe that they are not contributing to said oppression.

I'll start with Black women, just because I’m passionate about it (obviously) and there are so many things I wish I had and hadn’t seen growing up. We deserve better by the year of our lord 2024.

TRIGGER WARNINGS: mention of sexual assault, assault

Misogynoir

What I want everyone to understand, before I get into this, is the concept of intersectionality, and more specifically, misogynoir. Misogynoir is the specific type of contempt and prejudice that Black women face at the intersection of race and gender. I say this because you might read these things and go “oh, as a woman, I experience these things!” I get it, but I want you to PAUSE, and remember, that right now, we are talking about Black women’s experiences. And those will often be different, due to that intersection of identities. And that understanding will have an effect on how you understand (and thus, write) those experiences.

The Jezebel

The link goes into much deeper detail, but the Jezebel is the idea that a Black woman or girl who is sexual is somehow “fast”, “salacious”, “a hoe”, “driven by desire/doesn’t understand purity”, and at its worst, unable to be r*ped/a victim because she is less valuable yet somehow inherently seductive to men.

This gets thrown around CONSTANTLY in media and life for Black women (my first experience of treated like I was ‘fast’ was when I was like… twelve?) One major, visible example is Megan Thee Stallion. Meg has a college degree, she likes anime, she’s a brilliant rapper, and has an entire personality and struggles she’s shared… But she also likes to dress scantily clad and have sex. By doing those things, she ‘lessened in value’. And because of this, when she was shot at and assaulted, even Black people questioned her character, rather than understanding that she could have been anyone, and she still wouldn’t have deserved to be assaulted. She's not allowed to be multi-faceted; she "brought it on herself".

Black girls and women who happen to take charge of their own sexuality, to the discomfort of society, are treated as Jezebels- as whores. Think about it- if one of Taylor Swift's recent boyfriends shot at her, would the media question her value or her word? Question her equivalently high ‘body count’?

Question how you write your Black woman- she can enjoy sex! She can be sexy! We love to see it! But if you're punishing her specifically, or judging her within the narrative, versus your other characters who are allowed to safely explore and act upon their sexuality… Check your judgment! Why do you feel the way you do about this character? Why do you think that your Black character is the one that should be judged for her actions. Would you feel this way if it were a nonblack character?

The Sapphire/Angry Black Woman

Ohohoho, I have infinite amounts of feelings about this one.

This is the "sassy Black friend", the "aggressive Black boss", “step on me angry mommy”, the one who does the z formation and makes everyone "uncomfortable". She’s not allowed to be confident, assertive, or self-assured- she’s arrogant, rude, and aggressive.

I discussed it in part one, but I'll reemphasize it: your Black woman doesn't have to be an ‘Angry Black Woman’ in order to be angry! Just like any other human being on the planet, we are allowed to be mad. (In my honest opinion, we have a lot to be mad about, but I digress 😅)

If the only character that ever gets angry is your Black character, I want you to consider why. What is she angry at? Was this something you wanted the reader to understand or empathize with? Are we supposed to disagree? How does everyone around her treat her anger? Is her anger righteous? Is she always shut down or dismissed for it? Is it only meant to defend her friends, but never herself? Does the narrative suggest that it’s only good in use of others and not herself? Would this be the same reaction if one of the nonblack characters was angry? Is this something you did on purpose?

Very often, we're called 'angry Black women/girls' to invalidate our emotions. My therapist once said anger is a protective emotion. We might be hurt, overstimulated, sad, depressed, frightened, anxious… But we are often not allowed the grace of others digging deeper to see that. Even if the other characters do not understand her anger, even if her motives are not meant to be understood at the moment… you as the writer should be aware. But if every time it’s time to show anger or upset, it’s your Black character… consider why this is the one you thought would best convey that message, and how your Black readers might feel seeing that this character (who may not even be the ‘bad guy’) is the one that is ‘only’ angry. No other development, no other emotions, just… there to be mad.

I take this one to heart, as someone who feels very passionately about things… this is one of those things where I wish, in life and in media, people would have more grace for Black women. We're human, too. We have feelings, too.

The Mammy

This one isn’t as visually blatant anymore in media as it was in the past (like every Mammy doesnt look like Aunt Jemima), but you may have seen this one as "the mommy figure". The "lesbian that parents the silly gay boys". The one that’s always encouraging the ship of the white boys, but never the one allowed to be in the ship (especially when her ship is canon!)

A good example of this was how people expected Jessica Drew from ATSV to be "more loving" to Gwen, rather than the mentor and boss she was (plus, as a Black woman with a Black mother… trust and believe, she was quite direct and gentle). And in comparison to her counterpart, white man Peter B. Parker, was decried far worse for similar detrimental actions.

The Mammy often serves in opposition to the Jezebel and Sapphire/Angry Black Woman. What makes the Mammy particularly annoying is that it implies that the only good Black woman character is a ‘nice’, demure, unthreatening, homely, motherly figure whose job it is to make sure to center the (usually) white ones. The Mammy is expected to coddle everyone, to her own detriment. She's a ‘good Black’ because she causes no issue, raises no fuss, never shows a negative feeling, knows that she has to ‘be strong’ but to always defer because the white characters know best. She’s ‘not a threat’, and that’s why she’s ‘allowed’ to be around. We shouldn’t have to be those things in order for our stories to be heard and understood, in order to be empathized with or treated like someone of value.

The Strong Black Woman

If I never hear this phrase again in my life, if we eradicate it from future generations for Black girls and women, I'll cry of joy lmao. I hate it, and it's not for the reasons most nonblack people would expect. Lord, this one. Anyway. The ‘strong Black woman’ is meant to protect everyone, no help needed! Whenever something is wrong and we all need a pickup, here she comes to ‘let me do it’ and everything is going to be okay! She did all the necessary suffering so that your characters don't have to! She can sweep in and save the day!

Now here's the dissonance kicks in. This one on its surface probably sounds like a good thing. She's a hero! She’s resilient! She's great! Who wouldn't want to be superwoman? Who wouldn't want to reject being a love interest, all women are always love interests! Let us be the badass that kicks ass and shows the men what for! Who wouldn’t want that, 24/7?!

The answer: US. 👍🏾🤣

This is a long, separate conversation on its own, but we have to understand that Black women (women of color, really) and White women do not always share the same end goals and understanding of "strong woman character" or even feminism. We certainly aren't always the love interest. Very usually not, in fact. We are always pushed to the side. We are already the hero in our lives, we're already the "strong woman".

Not everyone yearns to be the Singular Hero who will Fix It All as many of us are already expected to do. It's exhausting having to swallow your own needs for everyone else all the time, especially when it's suggested that you have no value otherwise if you don't. Heroism is Exhausting, and it's something worth looking into when you’re characterizing your Black girls and women. I’m not saying that we can’t be strong! We are, and it’s impressive! But I also want us to add some nuance to that strength, the way we would for any other character. What it means to have community, rather than to do it all alone. How even if she wants to be the hero (and that’s okay! That’s fine!) how it would still wear on her. Surrounding your Black girl character with unconditional support, to have a lover that actually wants to pull some weight- that's something many of us actually would like to see, because we're usually shafted to the side as 'someone who can do it all herself' (in order to hide that no one thinks we need or are deserving of the help).

It's okay to let your Black woman and girls show weakness, to rest, to be taken care of! It's not "less feminist" to accept that we're humans that need help and can't carry it all, too. That it’s okay to want to feel valued and protected. Because god knows, I wish I didn’t grow up strong and resilient, I wish I grew up knowing that the world cared that I was safe.

Standards of Beauty

These standards are not the same! I've mentioned it before in my lesson on skin tones, but very often when we think of "beauty", it’s easy to fall into the idea of whiteness. Pale skin, thin hair textures, etc. If those are our existing standards of beauty, then it doesn’t matter what any of us look like- we’re ugly! When I was in high school, I remember a classmate saying that Swedish people were the most beautiful people because of "white hair and pale skin". Without even meaning to, that guy basically said everyone darker than a stack of loose leaf printer paper was ugly by proxy of not being Nordic White (no matter how pretty they actually might be!!) 🤣

It’s also of note that whiteness/paleness tends to be connected with innocence and cleanliness in western culture, while blackness/darkness tends to be considered dirty, sinful, fearful. Now, while the origin of this idea may not be racist itself, when you spend hundreds of years implying that Blackness is bad- to the point that, in the U.S. they came up with an entire slur one step past “negro” (meaning ‘Black’) to deem you less than- it’s hard to say that the societal connotation didn’t apply.

Now we've already discussed working on describing our Black characters better! I continually remind you all that you should be describing them as wonderfully made as you do your white characters. Keep in mind that we live in a world where from day one when we enter the world, Blackness and Black features are not seen as beautiful nor emphasized. Whiteness is the standard of beauty that we, for a long time and still, are expected to adhere to. If you'd like to do better by your characters, remember that you don't have to give them "white features" or use "white" as an adjective to do that!

Black Women as Women

“There was literally nothing, not a thing, that a white woman could ever have that was worth more than her sexual virtue, and this obligated mandatory chasteness and sexual vulnerability… If the most important thing a woman has is virtue, and only white women can have virtue, then by definition, only white women can be women.” Ruby Hamad, ‘Only White Women Can Be Damsels’, White Tears, Brown Scars

Often, Black women by definition are not included under the societal banner of “women”, from our features, to our personalities, to our 'role' in life. "True Womanhood" is denied us, cis and trans, because of our Blackness. The things that make women ‘women’, we are not included under, because systemically, the only ‘women’ that were meant to mean anything were white.

I bring up Megan Thee Stallion again. Meg is probably one of the most beautiful, feminine women I've ever seen in my life. Men still call her a man, due to her height, due to her confidence, and due to their insecurities. Same with Serena Williams; Serena is damn near built like a god in my eyes. She was told she was manly from the beginning of her career, no matter how beyond skilled she was in women's tennis. Even when she damn near died giving birth- the most basic of 'tasks' women are seen as having in this society, it didn't matter. Black women are 'less womanly', 'less valuable', 'less in need' of that protection and identity that society swears Women™ need (and not in the honest way that we do need protection).

Consider that you're making sure that your Black women have the options of range of gender expression and emotions (and if they aren't allowed to, is that on purpose). If you're only ever creating us and we're in service of some dainty white woman and never the other way around... consider how that may reflect what you think our role is in your story, and in your mind.

Adultification

“Awkward moment when Rue is some black girl and not the innocent blond girl you imagine.” twitter: sw4q

It has been shown that Black girls the same age as their white girl counterparts are deemed older and less in need of protection, and supposed to 'be more mature'. Imagine that. Deemed inherently less innocent, due to your skin color. Having to parent our siblings, get jobs to contribute, do all the cleaning, and more. Yet, when we act with the maturity that we've been forced to grow into, we're "fast". A little 12-year-old girl, now to society, the Jezebel. All because she wanted to try pink lip gloss or wear a skirt; things that little tween girls might try to understand the big world around them and push boundaries. Now she's a woman, now she can never be a victim. Now she can be beat on and hurt and it's her fault.

I explain this for two reasons: One, for you to think about how your write your Black girls, and Two, for you to hold more grace for Black girls- real and fake. Do you hold her to a higher standard than your white characters of similar age? Does she inherently seem less innocent to you for reasons outside the plot? Is she as human to you as your other characters? Is she allowed to be a child? To act like one? To make mistakes? Are you as empathetic or understanding about that childishness as you are towards nonblack characters? Do you make these decisions on purpose?

It's not like Black girls can never be YA protags or anything- ofc we can. But keep in mind that she's not somehow automatically "stronger" by proxy of her Blackness, that she'd "be tougher". She's a kid. Let her be one.

Conclusion

There’s a LOT you have to consider when writing Black girls and women. I’m not going to sit here and say it’s easy, because being Black, and being a Black woman, is not easy. If you’re stressed reading it, imagine being stressed living it lmao. It’s a constant chain of quick-time events every day of your life to prevent nonblack nuclear meltdown in response to your every single action. I’m not going to apologize for it, either.

That being said, I don’t expect you to understand everything, especially not all at once. I just want you all to keep these things in mind, to question yourself when you’re writing your character- are you treating her differently on purpose? Or are you treating her differently because of a bias you might not even notice you have? It might help to go back, to read how you treat all of your characters. Or, if you’ve never written before, to maybe outline the traits of your characters and figure out where things balance out. As always, all you can do is practice at it. Because it's the thought that counts, but the action that delivers.

Whew, I'm actually emotionally strained after this one. My chest is beating fast. Let me go get some groceries now.

#creatingblackcharacters #character design #black characters #black character design #writing #creative writing #stereotypes #antiblackness #racism

[bananami]

STFUATTDLAGG

character/s: choso kamo x afab!reader

SYNOPSIS: meangirl!reader x loser!choso is a pairing that lives in my head rent free so when you all voted for choso to be the next hot man i wrote for i knew this was what would come out of it so let’s get into it whores

WARNINGS: this is college based bc u know why. 18+, nsfw, mdni, the whole shebang, kiddos avert ur eyes IT'S ALL SMUT / also just be aware i did use fem language for reader. as always, i did not proof read xxx

A/N: delusion is like drugs for simps, and i am the crackhead

Choso isn't like a nerdy loser, more like he’s just an emo boy, he’s got that alternative look going on and in a school full of preppy rich kids he stands out like a sore thumb. Of course this leads to some not so nice kids being not so nice to him, to which like he literally could not care less. He pays no mind to what anyone thinks of him beyond of course what his brothers think of him.

And as much as people aren’t nice to him, they do not fuck with him directly, lowkey scared of his reactions. Especially following a specfic incident in which someone tried to pick a fight with him. At first he was going to just let it slide but then they said something rude about Yuuji and this man laid them out. People were sent to urgent care and everything. Choso was put on suspension and almost kicked out, but their family friend is a lawyer and threatened to sue the school and anyways (if you know who you know who) so he was allowed back at school and everyone’s a little weary of him. This doesn’t stop the mean comments from coming.

And you. You’re no exception. You made fun of him every chance you got. The way he always did his hair in that weird double bun updo, or how he had his nails painted black, his various piercings and tattoos, the way he dressed so much different, was so much different, than any of the other guys you knew at school.

And you were so disgustingly attracted to him. While everyone would sneer and make fun of him and you played along, in reality you were internally berating yourself.

Choso did his best to ignore you but to be honest in the end you were just too fun to mess with. He thought it was cute how you thought you could hurt his feelings, how you really tried, and didn’t realize that he had a thing for brats and that’s just what you were. Everyone else was too afraid to say it straight to his face ever since the fight except for you.

One time he caught you staring at him and he couldn’t help himself, leaning over with a careless smirk. "If you spent less time staring at me and more time paying attention to the lecture maybe you wouldn’t be failing the class."

"Fuck you, Choso.”

"You’d like that, wouldn’t you?”

You hoped he’d mistake your embarrassment for anger. He didn’t. You snapped back, as usual. "Maybe if you didn’t dress like such a freak, you’d actually have some friends.”

"Maybe if you weren’t such a bitch your boyfriends would actually stick around for longer than a few months."

The one stung, and you tried not to let it show. Thrown off your game, all you could bring yourself to reply back was: “don’t call me a bitch.”

He shrugged, as though he were bored with the conversation already. "I never said it was a bad thing, just that you keep dating dudes who can’t handle you."

"What the fuck is that supposed to mean?”

He doesn't answer though, and you spend way too much time thinking about what he could've meant. Was he implying that he could handle you? Was that why he constantly found ways to poke at you? Did he like when you were a brat? Did it matter if he liked it? It led your fantasies down a deep and dark rabbit hole that you spent weeks harping on.

Things get even worse after you realize that Choso might’ve been right about your grades slipping and staring at him in class and whatnot. And (for plot reasons of course) that would mean your professor paired you up with him for the final project so that you’d stand a better chance at passing the class.

Which is how you find yourself standing outside of his apartment door, debating how much you need to actually pass the course for your degree. You kept coming to the same conclusion. You definitely needed to.

"You just gonna stand at my door like a creep or can you move so i can let you inside?” He stood at the top of the staircase up to his apartment, watching you with another bored expression.

You're reaction is second nature. "I’m the creep? How long were you just standing there watching me? Maybe I’d already knocked and you didn’t answer so I was waiting. Let’s get on with it, I don’t need anyone seeing me hanging around-”

"Alright relax, princess. No one’s around to hear you act like you hate me. Come inside and I’ll grab us something to drink.” He opened the door to let you both inside, holding it open for you to enter first.

"First off, I do hate you. And second, how do I know you’re not going to poison me?”

"Don’t worry, I wouldn’t poison you. The plan was going more in the direction of choking.”

"Choked to death? Good to know.”

"You implied killing. All i said was choking.”

"Oh, gross.” You groaned. You pushed away the images that were brought to your mind. Choso's hand around your throat, fingers in your mouth, his breathy whispers telling you what else he'd have you choking on by the end of the night.

It's not too bad for the first few hours. You start out working on the project in the living room, but Choso’s neighbors are loud as all hell and you eventually ask if you guys can move into a room away from that shared wall. And (of course for plot purposes) that would be his bedroom.

"Your bedroom is exactly as I pictured it would be."

"This is the part where I make fun of you for picturing what my bedroom looks like."

"Yeah weird and creepy, just like you.”

"Your insults are getting less and less creative.”

"Yeah well….shut up.”

He’s surprised at that, usually you’d come back at him with something witty and clever and he actually enjoyed it.

It’s quiet and he’s sitting at his desk while you lay casually on his bed when he decides now’s as good a time as ever, and he might never actually get you alone again to say it.

"You ever gonna admit that you find me attractive or keep lying to the both of us?"

You wince. "I don't find you attractive. Stop flattering yourself."

"You flatter me enough with all the staring and drooling you do over me in class."

"You're obsessive," you snap at him.

"At least i can admit it."

You're caught off guard, stuck between wanting to ask what he means and not wanting to give in to the obvious baiting he's doing. When he throws the study material down on to his desk and plops down in front of you on his bed, it seems like he's resigned to not giving you that choice.

"Tell you what, I'll tell you all of the dirty and depraved things I think about on a daily basis, and you can decide after whether you'd like to share those same thoughts of yours with me or not."

"Why would I want to hear any of the thoughts in your head?"

"Because a lot of them revolve directly around you." He's leaned so close you're almost touching one another. Your silence is enough to spur him on. "I think you've never been fucked properly before."

You can't contain the look that falls on your face. "Seriously? This what you think about? My sex life is none of your business, but I'm doing just fine in that department, thank you very much."

He ignores you. "I don't think you've ever been told to shut the fuck up and take it like the good girl I know you can be." That shut you up real quick. Choso is on his knees in front of you, hands cupping around your neck, his thumbs running across your cheeks. "You're whiney little fucking attitude not do it for your boyfriends?" He teased. "They not know how to deal with you when you're being a brat, huh?"

You're head moves without conscious effort, nodding to agree with him.

"You just want some attention, don't you?"

Another nod.

"You want my attention, don't you?"

Hesitation. But you can't help yourself, his presence looming heavy over you, pushing you to admit what you'd kept in the dark for so long.

One of his hands slithers from your throat, down your chest, under the sweats you threw on in a rush to get to his apartment. You're so distracted by his fingers that you don't notice his face moving closer until his mouth is prying yours open. That's all it takes from him to have you stroking your fingers through his hair, pulling it out of the buns they typically are held in.

"Such a little brat." He's hovering over you, pushing your hips into the soft cushion of his bed with his. "Feel how hard it makes me?" He teases as he grinds his hips down, his clothed cock sliding against your center. Your eyes flutter and he grips onto your face with one hand, squeezing firmly. "You're gonna fuck me tonight. Nod if you understand."

You can't believe how quick your head moves up and down. "You're gonna take off those pretty little panties you wore hoping I'd get to see and slide up and down my dick until I tell you to stop. I don't want you cumming until I feel you've begged enough."

It takes no time at all for him to flip the two of you and prop himself up on his forearms. His pants are shimmied off and thrown to his bedroom floor alongside yours.

Your hands are desperate to line him up, anticipation building to have him deep inside of you, but his shoot out to pull them up and place them against his chest. "No, no, no. You don't get me inside you yet, not until you prove to me you deserve it." He urges you along his shaft, flat against his stomach. "That's right, be a good little slut for me and let me feel that pussy slide against my dick."

You watch him from above, his face contorting from concentration to pleasure to near desperation. You've never felt as powerful as you did riding him. Not a single one of your boyfriends ever turning you on as much as Choso was right now. He made you work for it, praising you when you did what he asked, and you chased that praise.

"Shit, look at that baby," he grabbed your hair and yanked your face down to watch yourself slide against him. "Need to feel you squeeze that pussy around me. Fuck, slide me in, slide me in-" his loud groans matched your high pitched sound of relief at having him seated inside you. "Fuck this."

He flipped the two of you back over, gripping each of your legs and forcing them up. "Hold right under your knees for me. Good girl, keep yourself open for me, let me just use you." He fell to his forearms as he plowed into you, giving you no time to get used to any sort of pace.

You tried your best to hold your legs, but you wanted so badly to touch him. One of your hands wandered back up into his lose hair.

He could barely keep his eyes open, mumbling all kinds of truths you were sure he would've kept locked inside had he not been so drunk on the feel of being inside you. "So fucking pretty," he kissed you sloppily, "such a stupid fucking brat, just needed my cock inside you. Feel like heaven, baby. Gonna let me cum inside your little cunt, right? Made me wait so fucking long to have you, I deserve it. Don't I deserve it?"

You can barely form any coherent words, setting for nodding and breathy uh huhs.

"So fucking mean to me, and look how good I'm being to you, huh?" You feel the light slap of his head against your cheek. "Say your sorry, beg me to cum inside your pussy."

You do beg, your apology comes out in between the stuttering and slurring of your words, but you beg and plead with him until he concedes. It his own orgasm that pushes you over, his groans and relentlessness that follow, pushing himself passed the point of no return. You can see the beginning of what looks like tears in his eyes, and he has to force himself to stop, his hips jerking from the overstimulation.

He kisses you ruthlessly, letting his tongue claim your mouth in a manner more harsh than it is anything else. And when he pulls away and his eyes settle back on yours they're equally as harsh.

"No more shitty little boyfriends that can't handle you. I'll handle you. You want my cock, you ask nicely. Understand?"

"Yes," you let your lips peck his, surprising him, "what if I don't wanna be nice about it?"

He smirks, "try it and find out. Now get on your knees and suck my cock like the good girl I know you can be."

#choso x reader #jjk smut #jjk x reader #choso smut #jjk choso #choso x you #choso x female reader #choso kamo x reader #choso kamo #jujutsu kaisen choso

[cybernaght]

The fandom echo chamber: fanon, microanalysis and conspiracy brain 

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we? 

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 

Eventually, this chimaera becomes a reality. 

Part two. Microanalysis 

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling. 

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 

Part three. The Conspiracy Brain. 

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To. 

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake 

C) this must be done on purpose

D) here is why 

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 

Three, Intentionality 

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed. 

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 

Unfortunately, people make mistakes. We are all fallible that way. 

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 

Conspiracy theories create alternate realities, very much like we all do here. 

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 

All I am saying is… listen.

Do you hear that echo? 

I do. 

#fandom thoughts #fanon #good omens #good omens 2 #bbc sherlock #merlin bbc #think piece #it's been years and I still have no idea how to tag #conspiracy theories #fandom content #all fandoms

[owliellder]

Two's A Crowd

College Bully! Leon Kennedy x fem! Reader

MDNI 18+

(Chapter 1, Chapter 2, Chapter 3, Chapter 4, Chapter 5)

Description: College is proving to be a lot harder than you imagined. You cannot fail this math class. So when you've tried everything else, a well-known student is recommended to you by your professor for tutoring lessons, not really leaving you with much of a choice but to work with him.

Warnings: Not proofread, No Use of Y/N, Dub-Con, Unprotected Sex, Bullying, Yelling, Cursing

Tags: College AU, Bully! Leon, Shy! Reader, both are in their early 20's, Leon is Rude AF in the beginning, Loss of Virginity, Oral Sex, Fingering, Angst, Hurt/Comfort, Additional Tags to be Added

Author's Note: Yay!! New multi-chapter fic in honor of 800 followers!!

I'm a sucker for tropes and mean Leon is one I can't keep out of my head. If you're not good at math then this is the fic for you! (also don't mind me slipping some Sky lore in here...)

Cross-posted onto AO3

Chapter 1

Growing up, college had always been a big dream of yours, leaving you fantasizing day in and out about all the possibilities that would open up, along with actually getting to live through the renowned “college experience”.

In reality, college was a lot harder than you were expecting. Your parents had told you to jump right into it after high school, fearing taking a gap year would ruin your good streak. The stress was starting to get to you and it was only a semester into your freshman year. All the tests, projects, and general studying really wore down on your mental health, not to mention you were failing the one math class you had.

You couldn’t tell your parents, no, they’d probably have a heart attack, especially since that math class was a prerequisite to another class that you needed to take. They were already worried enough that you hadn’t picked a major yet, so who knows how they’d take the news that you were failing right off the bat.

It was hard enough that you were feeling homesick. This was the first time you’d ever been this far away from home, studying at a university when you would’ve been perfectly content going to a community college closer to home. Your roommate was nice, but the two of you weren’t growing any closer than mere acquaintances, so it always felt awkward to just exist in your own dorm room.

Your eating habits worsened with the lack of any real food within five miles of campus. Sure there were a couple fast food chains on the campus itself, but they closed incredibly early. By the time you finished studying, which was around six in the evening, it had already closed. Not to mention that when they were open, the lines were comically long. University food was out of the question after you got violently ill from their “chicken nuggets”, so you were left with the little money your parents provided once a week to order takeout or make quick trips to the store to buy a frozen meal. Only one, since the mini fridge in your dorm was almost always occupied by your roommates stuff.

Everything was so exhausting and you were way out of your comfort zone having to use the community bathrooms for all your hygienic routines. Walking in always made you feel like you were interrupting a meeting in the president’s oval office with how many nasty looks you were given when all you were trying to do was brush your teeth.

The first thing you saw whenever you opened up Canvas was a massive F staring you down from the little box that comprised the majority of your math assignments and tests, making you feel less than worthless. This one semester alone helped you understand why so many people dropped out, this was hard.

By now you’d already gone to your math professor multiple times asking for redos or extra credit work. He was probably sick of seeing you since you showed up after almost every single assignment’s grades were submitted.

“Heeeyyy, Mr. Lebovic..” You said after knocking your knuckle against his open door to grab his attention. “Listen, about that last quiz, I-”

He cut you off with a wave of his hand before gesturing towards one of the chairs sitting in front of his desk. You hurried to sit down, watching nervously as he slowly pulled his eyes off his computer and onto you. “I get it, you don’t need to explain yourself.” His relaxed tone and faint smile was enough to ease your nerves a bit, letting your shoulders slump with a sigh. “You’ve been trying really hard, I can easily recognize that.”

You nodded eagerly, licking your dry lips as you opened your mouth to speak, only to be cut off again. “I’ve been looking into studying options that might help you. Resources are scarce for this material, but I think I finally have a tutor to help you out.” 

A wave of relief washed over you at the mention of tutor. Maybe you wouldn’t have to face the wrath of your parent’s disappointment after all! “Oh.. o-okay…” you stuttered, eyebrows furrowing as you silently beckoned him to continue.

“I teach another math class, it’s higher level, but I have a student in there that’s just taken up tutoring the material you’re learning.” Your professor seemed just as happy as you were about the opportunity. “His name is Leon Kennedy, he’s got one of the study rooms in the library from three to five in the afternoon on Mondays, Wednesdays, and Fridays.”

It took you a second to process everything Mr. Lebovic was telling you before you scrambled to pull out a sticky note and a pen to write all the information down on. You heard the older man chuckle softly, looking over at him when he held out a small piece of paper to you. “I wrote it down already for you, don’t worry.” You wished you could’ve thanked him tenfold, but his office hours were closed for the day now, so you said a quick goodbye and hurried back to your dorm, holding onto the piece of paper like a lifeline.

Contrary to what your math professor thinks, you knew the name “Leon Kennedy”. You had a couple friends that you hung out with occasionally out in the grass in front of the science building and they’d brought him up before. The few vague bits of info that you’d heard weren’t flattering, painting this Leon in quite a bad light; the stereotypical jock in a frat flying by on a full-ride scholarship. However, he was your saving grace now and you needed to develop more of an unbiased opinion of him if he was going to help you raise your grade from an F.

“Yeesh, sorry I’m not better at math or I would’ve helped you.” One of your friends, Sky, spoke up as they read the piece of paper your professor gave you yesterday from over your shoulder. “Even if you were better at math, I still wouldn’t trust you.” Ella, your other friend, laughed out.

“Ha ha, yeah, Sky failed math four times. Big whoop.” Sky waved their hands dramatically before walking over to sit down next to Ella in the dead grass. “Seriously though, you’re better off taking a failing grade and dealing with your parents. Kennedy is the devil incarnate.”

“The devil incarnate sounds easier to put up with than my parents, so I’ll take my chances..” You grumbled, taking a seat on a medium-sized rock close to the pair. “Maybe he’s turning a new leaf? Deciding to tutor?” 

Sky crossed her arms and rolled her eyes which made Ella elbow them in the side before giving you a sympathetic smile. “Maybe so, but please just be careful. I don’t want you having to put up with some jackass that has an ego bigger than Texas.” 

You nodded with a slight frown, moving your foot side to side lazily to push the grass blades around. You didn’t even think to consider the repercussions of studying with some random junior. “I’m sure it’ll be alright. Besides, just tell Sky and I if he’s giving you any trouble. I know damn well no man likes to put up with two women yelling in his face.” Sky nodded and pointed to Ella for added dramatics. “Yeah, and I bite. My top six teeth are porcelain so that shit hurts. Trust me.”

Your friends never failed to make you laugh, a slight resolve in a pool full of worries, you suppose. “Don’t worry, you guys’ll be the first to know if Leon is mean.”

“Good. Now, when’re you gonna go see the guy?” Sky rested their arms on their knees before looking up at you. “Uh.. in a couple hours I guess. I already made the appointment.” Your response seemed to surprise both of your friends, giving them a confused look in response to their shocked ones. “Is that.. Is that not a good time?”

“No no, just.. I thought you would’ve maybe taken a little longer to go and see him.” Ella shrugged, reaching a hand up to scratch behind their neck. “Proud of you, taking the initiative like that.” She then looked at her phone before pulling herself off the ground with a small groan. “I got class in a couple minutes. Good luck with the frat boy.” 

She patted your shoulder as she walked off towards the larger building on campus, leaving you and Sky alone for the rest of the time. Part of you wished both of your friends could walk you to the library when the time came, but having Sky was enough. “So.. Leon’s bad bad?” You needed a bit more clarification on the guy you were going to spend one-on-one time with, something to calm you down after running through countless scenarios in your head.

“He’s not all bad, 'least I don't think. I’ve exchanged a few ‘hello’s’ and ‘excuse me’s’ with him here and there since we apparently frequent the same building.” Sky scooted over to the rock you were sitting on, placing the back of their head on your legs. A couple brown leaves blew over from a nearby tree which they grabbed and crunched with their hand. “I haven’t personally experienced any bad happenings around him, but he is part of a pretty notoriously rowdy frat, so you have to promise me that you’ll only study with him on campus and never go to that frat house or any frat house in general, alright?”

Sky pointed up at you, poking the underside of your chin which made you laugh again and swat their hand away. “As much as I rave about wanting to have the stereotypical college experience, going to a frat house was never part of my daydreaming.”

“Good. Keep it that way.” They switched their fingers to give you a quick thumbs up before letting their arm flop down into their lap, eyes closing with a sigh. “Anyways, besides all that, wanna go get some food? I don’t have another class today and you’ve got about an hour and a half to spare, so actually you have no choice. Get up.”

You stood up with a shake of your head once Sky pushed off of your legs who stood up as well with a small stretch. “Don’t burn me at the stake, but I kinda want grocery store sushi. I’m feeling lucky.”

“Please don’t.” You sighed, pocketing the piece of paper before beginning to follow behind Sky as they started to walk across the grass. 

After the two of you shared a sandwich from some random shop not too far off campus, Sky walked with you up to the library, stopping just before the front desk. They agreed to not wander in with you under the condition that you’ll go to their dorm straight after to discuss details.

To say you were nervous was an understatement. Most of what you heard about this guy meant he was bad news, though you really didn’t have much of a choice when it came to seeing him. Like your math professor said, there weren’t a lot of options when it came to studying the material you were learning. Sure you had the internet and other students in the class, but you preferred the idea of a tutor since you’d already exhausted yourself trying to follow along with various youtube videos. You needed the in-person teaching, it just stuck better in your head that way.

Slowly starting to walk, you made your way over to the study rooms lining the back of the library. The rooms seemed pretty private with the only window being on the door, which had glass nearly top to bottom. Thankfully the rooms were numbered and Leon had texted you which room to go to when you made the appointment with him, you had no idea what he looked like and you didn’t want to look like a creep eyeballing people through the door until you hopefully found the right person.

Standing off to the side, you could see the number you were looking for sitting above the door, taking a brief moment to collect yourself and hype yourself up to talk to someone who didn’t have the greatest reputation. Set aside everything you’ve heard and just hope for the best..

You took in a deep breath as you strode over to the door, glancing inside through the window before knocking to let him know you were there. The table was angled off more to the left so you didn’t immediately see him until he leaned over the table to see who had knocked. Confidence left you as soon as you made eye contact with Leon due to the groan you could hear through the door. It took you a couple seconds, but you eventually managed to get your body to work with you, hand turning the handle to let yourself in.

“-the last thing I need..” You caught the end of his little rant to himself as you opened the door. The saying “fake it ‘till you make it” is harder than it sounds since your entire body decided to betray you, deciding that shrinking in was the best move. Quietly, you shuffled over to sit across from him at the table, placing your backpack in your lap in some weird way to provide comfort in this situation.

“You weren’t supposed to show up.” Leon grumbled, sitting far back in the tilted chair as his feet lifted the front end of the chair slightly. His arms were crossed and he was giving you probably the nastiest look you’ve ever seen, next to your parents, of course. All you did was sit there giving him a blank stare. It was obvious what he’d said, yet the sheer forwardness of that snide comment had you more than confused. “What?-”

“You weren’t supposed to show up.” Apparently he felt the need to repeat himself with some added bite, barely letting you get a word in. “No one ever shows up to these shitty tutor- whatever the fucks.”

Wow. Okay. “Uh..” You didn’t even know what to say to that. It completely caught you off guard. You’d run through countless ways this interaction would go in your head, but this wasn’t one of those ways. The two of you sat in a very tense silence with Leon just glaring at you from across the table, continuing to rock back and forth in the chair.

Without uncrossing his arms, Leon lifted a hand and waved it around slightly while shaking his head. “Are you actually still gonna sit here orrr…?” The sound of his voice finally snapped you out of shock, causing you to shoot your gaze down to your backpack, fumbling with its partially broken zipper. “I-.. Mr. Lebovic recommended you..?”

You pulled out a few of your failed assignments from your bag before setting them down on the table with shaky hands, keeping your eyes glued to the papers to avoid that burning stare the man in front of you has. “I need-.. I need help..?”

“Do you?” Leon let the chair fall forward, his sarcastic tone starting to make your whole body tremble. “You don’t sound like you do.” He snatched one of your assignments from the table and held it up, pursing his lips as he studied the various red marks made on it closely. You chose to not respond to that, letting your hands rest on top of your backpack so you had something to squeeze.

He turned the page around, the sound of the paper wobbling the only thing you could hear right after the sound of the central heat blowing through the vent in the room. Suddenly, Leon started chuckling to himself, shaking his head incredulously as he flipped the paper back and forth a couple times before letting it fall back to the table. “This is terrible!” His laugh grew louder as he tilted his body to the side to pull out his phone, taking a picture of the assignments you’d put on the table. 

How on earth were you supposed to react to that other than just sitting quietly? He was actually making fun of you right to your face. Hell, he might as well point and laugh if he’s going to be this brasen. 

The most you could muster up was a quiet yet high-pitched “... huh?” in response to him. This whole ordeal was spiraling a little too fast for you to keep up with. You were expecting to put up with some grown man with a bratty attitude or even just a very uninterested, not all there jock with how Leon’s been described to you, not blatant bullying.

“Huh?” He mocked, taking one last look at his phone while loudly sucking on his teeth before pocketing it again. “Anyways, this is actually sad. How are you managing to fuck simple math up like this?” He roughly grabbed all the papers on the table and stacked them before partially tossing them back at you, some slipping onto the floor. “You’re too far gone, even I can’t fix that.”

You let out a gasp when the papers were tossed at your face, scrambling to catch some of them. Pushing the chair back, you leaned over to grab the few that fell on the floor, desperately holding back tears. “Please, you don’t understand.” You pleaded, voice cracking as you tried your best not to start crying in front of him. “I-I need to pass this class. I’m passing everything else, I just can’t keep up with this one!” You were speed-talking to try and argue your case, sitting back up with the small pile of papers that you struggled to stack properly.

Leon started rocking back in his chair again, arms back across his chest as he watched you with squinted eyes. The corners of his lips soon turned up into a smirk, taking in your sorry state before rolling his eyes with a dramatic groan. “Alright, alright, stop whining, jesus..” He cleared his throat, letting his head fall over the back of the chair. “I’ll help you only because I feel bad for you.” It’s not like he was going to admit that he was being forced to be a tutor, no one needs leverage over him like that

You couldn’t help but give a small smile despite his implication. It was a start. “And I’m not gonna do it today, either.” Well, the sooner the better, but still, it’s a start.

He then stood up from the chair, fixing his jacket with a sigh. “If you show up even a minute late on Friday, I’m not helping” and before you even had a chance to reply, he walked out of the room, the door shutting with a slam which made you flinch. Luckily, you were a very punctual person when it came to this kind of stuff. This was important, so if you had to show up early, so be it. You hurriedly shoved your assignments back into your backpack, not even fully zipping it up before rushing out of the study room, back through the library, and to the dorms.

“He said that?!” Sky yelled, quickly wiping their hand over their mouth to quiet themself once you shushed them. “I don’t really feel comfortable with you going to another ‘study session’ with that guy if he’s just gonna bully you.”

“I wouldn’t call it bullying-”

“He was bullying you.”

“OKAY! So what if he was?!” You fell back onto Sky’s bed with a sigh, arms splayed out with your legs dangling off the side. “I can handle it. As long as I get my grade up, who cares?”

Sky sat down next to you on their bed, giving you a sad look as you sat yourself up with your elbows. “I care. So does Ella. You shouldn’t put up with that just for a grade. I’m sure if you explain to your professor and-”

“And what? Tell him that I’m a grown woman getting bullied over something I should know by now?” You sat yourself up fully now, leaning forward to place your elbows on your thighs as your head rested in your hands. “It’s only until finals are over and we’re already halfway through October. Maybe I won’t even need that much time, maybe I’m just missing one simple… math move and it’ll get the gears in my brain moving again.”

You tilted your head to the side to look at Sky, head now resting only in your right hand as you took in their annoyed look. “Trust me. I can handle this.”

“If you say so.” They ran their fingers through her hair before looking away from you, directing their attention forward to stare off at nothing. “Just remember that I bite and I’m not afraid to use my fake chompers on that no good-”

“I don’t wanna think about escalations right now, but thank you.” You chuckled, playfully nudging Sky with your free hand before moving it back to hold your head up with the other. Though you were trying to convince Sky on this, you were mostly just trying to convince yourself that you could handle this. Handle Leon and his.. alluring charm..

Only until finals, maybe even sooner.

#college au my beloved #resident evil #leon kennedy x reader #leon kennedy #leon kennedy x you #leon s kennedy x reader #leon s kennedy x you #leon scott kennedy x reader #leon s kennedy #leon kennedy smut #leon s kennedy smut #re4 #leon kennedy fic #leon kennedy fanfic #leon scott kennedy #leon s kennedy x fem!reader #leon s kennedy x y/n #leon kennedy x reader smut #leon kennedy x y/n #bully leon #college AU #leon scott kennedy x fem reader #leon scott kennedy x you #multi chap fic #multichapter

[suppose-i-was-worm]

Like A Lamb

**Idea taken from @nerdpoe's post- What the hell is this "Infinite Realms"?**

John Constantine would never call himself a kind man, much less a good man, but the kid at the corner table of this fast food restaurant was making him want to be both.

Not that John’s kindness would really help the kid, in the long run.

He’d seen so many things in all the time he’d been alive- wondrous and horrific in equal measure, but this boy- this teenager, barely out of childhood, was probably the most heart-breaking.

John had known sacrifices- marked by both men and demons. He’d seen the crumpled bodies after the fact, and sometimes he’d been able to save them beforehand. None of them were like this boy. Marked like a sacrificial lamb down to his bones by the universe- an inevitable end.

The teen was the beginning and the end of worlds- his death would shake the foundations of all that was, could be, and is. Time would stutter to a stop before restarting with a different beat, and John could do nothing to delay or stop what was coming.

How in the world could this kid still smile and laugh with his friends? How could he not feel the weight of an entire reality on his shoulders? If John, sitting across a dining room from him, could feel the pressure, why wasn’t the boy buckling under it?

John’s phone alerted him to a text from Zatanna- he was needed by the JLD.

With a sigh, he fished out the strongest protection amulet he had on him. It wouldn’t save the teen, but maybe it would make the rest of his life a little easier.

The kid looked up at him as he approached, all smiles and young innocence. John Constantine thrust the amulet into his hand and then turned, stalking out of the Nasty Burger.

He needed to tell the Justice League. Amity Park needed protection- there was a kid there whose death would change the world.

~~~

Danny flipped the little charm around in his hands, trying to figure it out. The sad trenchcoat man had handed it to him before leaving, and he had no idea why.

“What do you think it is, Danny?”

He shrugged. For some reason he didn’t want to hand it over to Sam for her to inspect it.

“Dunno. It feels important, though. I might take it to Pandora- she’s been teaching me a bit of magic stuff, so she can probably parse it out.”

For some reason, Danny knew he would recognize that man again if he ever saw him, despite only having looked at him for a moment. Something in his core rumbled contently as he tucked the amulet carefully into the back of his phone case.

The next few weeks, Danny found himself having suspiciously good luck. The food at home didn’t come to life, ghosts didn’t attack as much, Dash wasn’t a problem at school, and even the Fentons hadn’t been as insistent on catching Phantom.

That was another weird thing- His brain didn’t seem to compute that Jack and Maddie were his mom and dad anymore. He knew he’d been creeping toward that ever since his death, but it was like a switch had been flipped overnight. The Fenton adults no longer registered as his parents.

Finally he had a chance to slip into the Realms and head for Pandora, who took one look at the amulet he held out to her and laughed.

“You have been adopted, young one, and your core accepted.”

“Adopted?”

“Your nature is to protect- it sings in your blood and guides your instincts. An adult offered you protection, a safe haven, and you took them up on it. Had someone your own age done the same, your relationship with them would be vastly different.”

Danny frowned at the charm, but he didn’t put it down- it didn’t even occur to him to get rid of it.

“Why did he- what made him do that?”

Pandora ruffled his hair.

“He saw someone who needed protecting, I assume, and acted as he ought.”

~~~

“Bats, I don’t know what the Infinite Realms are. Yes, I know they exist. I just don’t know when they started to exist, and when my knowledge of the afterlife became outdated.”

Batman glared, and John rolled his eyes at the other man.

“Magic shit happens all the time. Zatanna can tell you just as well as I can that the Realms didn’t exist a year ago- and also that they’ve existed for millenia.”

“I’ve found a summoning spell for the king of the realms, but it requires a magic user. Zatanna is off-planet, so you’re up.”

John looked over at the speaker, Red Robin, whose slight form and dark hair made him think of the boy he’d left to die.

He’d thought of the boy more often than not- any research into the kind of sacrifice that would have so much power came to a dead end, and John Constantine hated that there was really and truly nothing he could do for the kid.

Maybe this Infinite Realms person might know something?

“Fine. What are the details?”

Red Robin perked up and handed over a heavy tome.

“Batman and I already set up the ritual space in the conference room, and a few other heroes are there to help out if the king is hostile.”

“Of course you have. Let’s go, then.”

The two bats swept off down the hallway, and John followed behind, studying the spell he would need to cast. It was fairly simple, and luckily wouldn’t require blood. He hated the ones that required blood.

As he stood over the sigils and spoke the ritual spells, the floor inside the protective circle began to writhe and bubble a toxic neon green. It was all John could do to stand straight as a rush of air spilled from the portal into the wide room, bringing with it the heavy taste of caution.

The Justice League took a step back as the first clawed hand reached out from the green, white and stretched beyond humanity. It scrabbled for purchase before finding it and pulling.

The creature that exited the swirling mass was something John had never seen before. If the situation wasn’t so tense, he might describe the creature as catlike, with a black body and white legs, as well as piercing green eyes. The similarities stopped, however, when the inky body flickered and lit up from within with the pinpricks of millions of stars and endless void.

This was a baby god, filled with the dreams of deities long forgotten and fueled by the hope of those still clinging on to life.

Its green eyes swept over the gathered heroes before coming to rest on John, and for a moment he felt as if his tattered soul was being judged by the cosmos.

And then the creature folded in on itself, the tense air around it changing from bitter caution to sweet relief, and John found himself face to face with the teenager from Amity Park.

“Hi.”

The boy sounded winded, but happy, and he reached inside his shirt to pull out a small chain necklace. John’s amulet was hanging off it, obviously well treasured and cared for.

“Did you know that you’re technically my dad now?”

Something on John’s face must have told the boy- the god, the sacrifice both dead and alive- that he was unaware of this fact. The kid shuffled a little, looking sheepishly at the floor.

“You- uh. Unintentionally offered safe haven. And I accepted without realizing what was going on, and- it’s weird. I collected your soul for you! Didn’t bring it with me, but I’ve got the pieces you’re missing.”

“I think you both need to sit down and discuss this.”

Bless Diana.

“Can you leave the circle, young one?”

The teen beamed at Diana and stepped out of the protective circle, smudging the sigils as he did and closing the portal.

“I can, yeah. Pandora says hi, by the way.”

John watched as the boy chattered away about his ghost friends to Diana while she led him to a seat, and then sighed, moving to join them. If he needed help with being a new dad, surely Bats could help, right?

#dp x dc #dp x dc fanfic #danny phantom #john constantine #eldritch danny #dp x dc crossover #ghost king danny

[bitterchocoo]

Hello!! I hope your doing well! I was reading some of your works then I had some ideas that were just ✨️✨️what if reader was like Layla from Genshin? I think it'll go well with Dr.Ratio, wether reader is an IPC or one of his students is all up to you!

Feel free to ignore this if you don't want to do it! Take care and stay safe!! ^^

Sweet Dreams

Dr. Veritas Ratio | M. Reader as Layla [Genshin Impact]

----------

"Scorching hot days and freezing cold nights... I—I don't think I'm gonna make it..."

----------

Work.

Work, and work.

Work, and work, and work.

Work, and work, and work, and work.

That's all he does.. it's tiring... he couldn't help but sometimes look at the other IPC's employees with envy. His colleagues seems to have a less tiring job than him. Why can't he be as carefree as them? Without feeling so sleep deprive? Don't get him wrong, he enjoys his work, but sometimes it just gets... tiring..

He slumped on his desk, feeling drained by the amount of work there is and the paperwork that's been placed on his desk.

"I bet someone who's good enough to get a job like him never has to worry about whether their projects will get approved or be successful. Wait... Oh shoot, if he's a Doctor, he probably doesn't have to do any projects in the first place. So lucky..." The man sighs as he thought of the other, he looks so carefree, so relax, and--SMACK! "AH!" His hands shot up to the back of his head, the sudden pain brought him back to reality. "Stop daydreaming [Name]."

Fixing his position, he sits properly on his seat as he look at the direction of the voice and saw none other than Dr. Veritas Ratio himself, the man he was thinking about. "But do you really have to hit my head with your book..?"

"How could I get it through your thick skull if I don't?"

The other groans in response knowing there's no way to talk his way out of this. Not with Dr. Veritas Ratio.

----------

Penacony.. the land of dreams..

Yeah, he would fit right in.

The dreamscape is just so.. beautiful.. it's nothing like the real world. Unlike in the real world, [Name] doesn't need to worry about his projects so much. That amount of stress is horrible for one's mind.

If he could, he'll stay there.

To sleep for as long as he wants, to experience new things in a.. "different way..", to be able to live as free as a bird.

But alas...

Some dreams just don't come true and he was brought back to reality by his colleagues. Their mission. Their objective for accepting Penacony's invite.

"Wake up, [Name]."

"Hmm.."

"Honestly...."

Opening his eyes, he was met by the Doctor himself. "Oh so you're finally awake, I've been trying to wake you up for almost half a system hour."

"Hmm.. ten minutes.."

"NO!"

He groans, grudgingly sits up from his lying position, how he wishes he could stay asleep.. this is Penacony after all.. so why can't he sleep? Of course work has to be the one being prioritized... "Please Ratio.." "No."

With a defeated sigh [Name] leans forward and gives the other a peck on the lips. "Ten minutes." and with that, he falls back onto the bed and went back to sleep. Leaving a flustered Doctor.

#seme male reader #top male reader #x male reader #honkai star rail #honkai star rail x male reader #honkai star rail x reader #hsr #hsr x reader #hsr x male reader #dr ratio x reader #dr ratio x male reader #hsr dr ratio #dr ratio #genshin #genshin layla #dr veritas ratio #veritas ratio #genshin impact

[reasonsforhope]

No-paywall version.

"You can never really see the future, only imagine it, then try to make sense of the new world when it arrives.

Just a few years ago, climate projections for this century looked quite apocalyptic, with most scientists warning that continuing “business as usual” would bring the world four or even five degrees Celsius of warming — a change disruptive enough to call forth not only predictions of food crises and heat stress, state conflict and economic strife, but, from some corners, warnings of civilizational collapse and even a sort of human endgame. (Perhaps you’ve had nightmares about each of these and seen premonitions of them in your newsfeed.)

Now, with the world already 1.2 degrees hotter, scientists believe that warming this century will most likely fall between two or three degrees. (A United Nations report released this week ahead of the COP27 climate conference in Sharm el Sheikh, Egypt, confirmed that range.) A little lower is possible, with much more concerted action; a little higher, too, with slower action and bad climate luck. Those numbers may sound abstract, but what they suggest is this: Thanks to astonishing declines in the price of renewables, a truly global political mobilization, a clearer picture of the energy future and serious policy focus from world leaders,

we have cut expected warming almost in half in just five years.

...Conventional wisdom has dictated that meeting the most ambitious goals of the Paris agreement by limiting warming to 1.5 degrees could allow for some continuing normal, but failing to take rapid action on emissions, and allowing warming above three or even four degrees, spelled doom.

Neither of those futures looks all that likely now, with the most terrifying predictions made improbable by decarbonization and the most hopeful ones practically foreclosed by tragic delay. The window of possible climate futures is narrowing, and as a result, we are getting a clearer sense of what’s to come: a new world, full of disruption but also billions of people, well past climate normal and yet mercifully short of true climate apocalypse.

Over the last several months, I’ve had dozens of conversations — with climate scientists and economists and policymakers, advocates and activists and novelists and philosophers — about that new world and the ways we might conceptualize it. Perhaps the most capacious and galvanizing account is one I heard from Kate Marvel of NASA, a lead chapter author on the fifth National Climate Assessment: “The world will be what we make it.” Personally, I find myself returning to three sets of guideposts, which help map the landscape of possibility.

First, worst-case temperature scenarios that recently seemed plausible now look much less so, which is inarguably good news and, in a time of climate panic and despair, a truly underappreciated sign of genuine and world-shaping progress...

[I cut number two for being focused on negatives. This is a reasons for hope blog.]

Third, humanity retains an enormous amount of control — over just how hot it will get and how much we will do to protect one another through those assaults and disruptions. Acknowledging that truly apocalyptic warming now looks considerably less likely than it did just a few years ago pulls the future out of the realm of myth and returns it to the plane of history: contested, combative, combining suffering and flourishing — though not in equal measure for every group...

“We live in a terrible world, and we live in a wonderful world,” Marvel says. “It’s a terrible world that’s more than a degree Celsius warmer. But also a wonderful world in which we have so many ways to generate electricity that are cheaper and more cost-effective and easier to deploy than I would’ve ever imagined. People are writing credible papers in scientific journals making the case that switching rapidly to renewable energy isn’t a net cost; it will be a net financial benefit,” she says with a head-shake of near-disbelief. “If you had told me five years ago that that would be the case, I would’ve thought, wow, that’s a miracle.”"

-via The New York Times Magazine, October 26, 2022

#climate change #global warming #renewable energy #climate anxiety #climate crisis #humanity #green energy #green future #apocalypse #natural disasters #good news #hope #research #hope posting

[annabelle--cane]

I guess the thing that makes me not so fond of Jon's addiction allegory is that it's only coherent to a certain extent? Like I think people sometimes forget that he's actively violating these people

anon, through no fault of your own you have accidentally hit upon my sleeper agent trigger phrase. I have layers of answers to this.

so first off, yeah, it's not a 1:1 direct metaphor, it's a soupy dream logic fantasy plot device with flavors of a lot of different things. there's quite a lot of addiction in there, there's some abuse of power, there's some cyclical nature of trauma, there's a dash of disability, there's a few notes of gendered violence, there's a good bit of just. violence violence and being kind of a motherfucker because goddammit it feels good to be an active agent about something in your life, even if it's just choosing to be a worse version of yourself than you strictly need to be. a lot of tma's worldbuilding is very allegorical, but apart from aspects of individual statements nothing really matches up quite 1:1 with a real world counterpart, and if more things did then it probably wouldn't be a fantasy show anymore.

secondly. okay to contextualize this answer a little bit I have a kind of hypothetical video essay project about vampirism and addiction that I like to spend a few hours thinking about every so often but am almost certainly never going to make because the full research burden required is a lot higher than I actually have the time to properly do. but because of that I've spent a lot of time sorting through why framing vampires as addicts really works for me in a way that it doesn't seem to for everyone, and I think a lot of my thoughts on that also apply to jon. there's going to be a bit of a detour here before we get back to talking about tma, but we'll get there, I prommy.

I've seen a lot of people take issue with various paranormal addiction allegories because, a lot of the time, the act that is meant to metaphorically represent the act of use itself is something that is directly and inherently harmful to others, e.g. drinking human blood, handing over power to your hedonistic Evil alter ego, holding the cursed amulet and going crazy going stupid, slurping trauma out of the head of some guy you ran into on a boat to norway, etc., and yeah, I do get that. substance use is not inherently harmful like that to anyone except sometimes the user themself, and addicts are not inherently fucked up and destructive people; those are dangerous stereotypes that often lead to the demonizing of a whole group of sick people.

here's the thing for me, though: those are definitely truths I want explored and represented when it comes to portrayals of non-allegorical actual addicts, but fantasy fiction isn't for showing the world as it is, it's for showing a subjective fun house mirror version of reality where certain aspects are minimized and magnified depending on how it feels to live through it. and yes, absolutely in real life drug use is not an inherently evil act and it does not make you an inherently evil person, but... doesn't it kind of feel like that? sort of? absolutely no one is living their best life nor on their best behavior while experiencing any kind of major mental illness episode, and when it comes to addiction you've got a very clear tangible symbol of when The Episode is happening that it feels like you have much more control over than when it comes to other illnesses. it's also a thing where people are a lot more likely to be openly angry and distrustful of you if they find out it's happening. so you mix together the ideas of "I know I get worse as a result of doing this one specific thing" + "I act less like myself when I'm using, it rearranges my priorities and I care less about hurting people because that's what happens when you're experiencing The Horrors" + "society at large/people directly around me are pretty quick to say that doing this is evil," and you get the subjective emotional result of "I hurt people by using and it makes me monstrous." I tend to respond to those kinds of paranormal allegories like they're just cutting out the middle man of those subjective fears. "using makes me monstrous" -> "using is monstrous."

anyway. jon archivist.

don't get me wrong, I totally understand if this aspect of metaphor doesn't gel for some people and they only like taking it exactly as far as the text explicitly makes them, but I really get a lot out of reading jon's connection to the fears as addiction precisely because he does genuinely awful things to people as a result of it. he's a person in a very bad physical and mental place with little to no support who is constantly being told by both allies and enemies that he's already a monster just by being alive, and he copes with that by secretly falling further and further into an compulsive act of consumption that skews his priorities and makes him care less about hurting people because at least sometimes getting to be the cause of pain makes him feel a little bit less powerless when he has to be the subject of pain the rest of the time. then he's found out and is made to stop, and he has to grapple not just with the physical toll of withdrawal but with knowing there is a not insignificant part of him that will excuse any act of malice if he knows he'll feel better afterwards.

the end of tma is very explicit in the fact that the rules of its world are shaped by the subjective worst fears of those who live in it, it's "an exercise in unreliably reality" as jonny sims put it once, and I think that principle extends backwards in some ways to apply to the rest of the show. I don't think the fact that there are only entities of fear and not hope or love is meant to be a full commentary on the total nature of the real world, it's a reflection of what fear and suffering can make the world feel like. eric and melanie both go to really harsh extremes to extricate themselves from the fears and live peaceful lives, and in both cases something happens that foils their plans (getting murdered + the apocalypse, respectively), but I don't think the intended message is to say that is definitively how real life works, they are metaphors for the limits of individual agency in larger systems and represent two types of worst-case-scenarios. similarly, I don't think reading jon as an addict implies that addiction inherently involves violence or that the reactions of those around him were completely unjustified, it's just a subjective exploration of the kinds of fears that can come with addiction dialed up to 100.

#also to be clear after the first paragraph I'm using 'you' in a general sense not directly to You The Anon Who Sent This #I'm not trying to insinuate anything about whether You The Anon Who Sent This does or doesn't have any experience w substance use #tma #answered #anons

[yourdyingwish]

"How much of your art, would you say, is a direct projection of your feelings or experiences, and is it hard to separate the stories you tell from your public persona and your sense of identity?"

"I'll start with the first part–I basically feel like an artist is a filter. I feel like we're all experiencing reality together, and how you see it and convey that experience to other people is what makes you, you, I think. That's why there's able to be--I think people say there's seven stories, maybe less, universal stories, [those are] just the ones that exist but we keep hearing them over and over. But we're hearing something different each time, people are seeing a sunset differently, like, the way you'd describe it is different the way they'd describe it. And that's kind of the most important thing, as an artist, when you're able to explore death, for example. Numerous times, numerous people [have explored it], I think that's where your sense of identity comes from. For the second part, how it's hard to separate from the public persona and sense of identity: it's really easy to kind of lose yourself in all that. What I really started to enjoy was kind of the craft, like I actually re-found my love of physically performing music again in a live space, writing it, in that way and kind of reconnected with it–I began to realize there was this very automatic thing that would happen up there. And the more I realized that, the more I was able to detach from the entire thing in a really positive way. I spent a lot of time rediscovering or discovering who I was, in the period where I wasn't really doing much of anything, besides writing comics. So it became very easy. It was just, like... I don't know if it's a persona. I just get up there and do this thing, and then I get off the stage and act like I didn't just do the thing."

–Gerard from this clip of the OCSA masterclass

#I think it's so interesting how separate the stage stuff and his own life is clearly but also it's about action vs expression? really cool #like we've known this all along LOL but 'i do this thing and then act like i didn't just do this thing' is killing me

[kulapti]

Aug 2023, bookbinding of The Silent Isle Imbowers by Tharkuun.

I’m sooo so so pleased to finally share this! I have been actively working on this for many months and waited until Tharkuun received her copy before posting so the final result would be a surprise.

-----------About this bookbinding under the cut

This binding has been one of the more elaborate pieces I have attempted so far. This has been my first binding where I (1) made three copies of a piece at once, (2) used a modified a historical illustration, (3) collaborated directly with another artist on the decorative elements, (4) finished matching art for the cover and title page, and (5) layered paint and heat-transfer vinyl for the covers. These are also (6) the first non-tiny books I have made with this style of hinge and cover attachment.

Pretty much immediately after I first read this story I felt I had to make myself a copy of this. I had a strong mental image of a vintage-looking cover for a fairy tale, with a deceptively simple design of flowers on the cover, probably with fancy metallic accents, the kind of thing you’d find in an interesting used bookstore with no summary, no text on the back, no dust jacket, just the flowers and maybe a title. I’m going to make a separate post about making this cover design a reality because oh man has it been a journey lol! I designed and drew the digital art for the cover (digital because of the cut and application method), as well as the corresponding title page illustration (pencil and dip pen, scanned, title added digitally).

When I asked Tharkuun about it she was excited to suggest I get in touch with quillingwords, who generously agreed to collaborate with me! Among her talents quilling writes calligraphy, and hand wrote both the book title and chapter headers for me to incorporate into my plans. Check OUT those chapter headers! So fancy! A font could never!! Quilling has also been very encouraging and let me yell about this project in dms for months so the final result could be a surprise for Tharkuun. Thank u so much quillingwords, your calligraphy adds invaluable amounts of swag to this project.

I was going to do some kinda neat font for the chapter headers, but quilling’s work is too cool for that and I decided to use a modified piece of a historical illustration instead. The illustration also happens to be cool as heck: I was browsing the Artstor database (an academic quality resource available for free via Jstor, my beloved) and found E. N. Neureuther's 1836 gorgeous etching for etching of the fairy tale Briar Rose, an illustration made for a printing of a Brothers Grimm recorded German fairy tale with Sleeping Beauty elements. Much to my delight this illustration not only matches the general look I wanted but is actually relevant to the story, itself a Sleeping Beauty spinoff.

Slightly less stylistically consistent are the endpapers, which are prints of two different paintings by Arnold Böcklin: Isle of the Dead (1883) in the front and Isle of Life (1888). The first painting had occurred to me as an excellent visual to go with the story, and Tharkuun and I discussed this and agreed that pairing it with the related later, more optimistic piece was too thematically appropriate to resist.

I had fun and learned a lot making these books and I am very pleased with the result!!

Materials: Archival bookboard, cardstock, cotton cheesecloth mull, archival PVA glue, linen thread coated in beeswax, paper cord, red cotton embroidery floss. Blue cotton backed with archival paper, acrylic paint, machine cut black and gold heat-transfer vinyl. Laser printed text and illustrations. Metallic scrapbooking paper.

#artists on tumblr #bookbinding #ficbinding #fanbinding #dreamling #my art #here there be fandom #the sandman #the silent isle imbowers #tharkuun #described #id in alt text #pls imagine me screaming continuously about this project for oh idk 4 or 5 months? oh I can make shiny books?? #im not allowed to @ people in this post apparently #links and fic rec in reblog #laying on the floor I found a few missing words I must have deleted on accident while fixing formatting #poppies (Papaver somniferum) and mugwort (Artemisia vulgaris) #tailfeather binding

[luckykiwiii101]

MASTERLIST - XoXo 💋

💋 💌- HOW TO CHANGE YOUR SELF CONCEPT AND MANIFEST YOUR DREAM LIFE WITHIN A WEEK. (Answers most questions about manifestation!!)

💋 💌- HOW TO APPLY STATES FOR THE VOID (Not my post!)

💋 💌- SUCCESS STORIES

💋 💌- HOW TO ENTER THE VOID INSTANTLY! (DISTRACTION METHOD!!!)

💋 💌 - MY FIRST VOID SUCCESS

💋 💌- DISTRACTION IS KEY TO ENTER THE VOID FOR THE FIRST TIME CONSCIOUSLY!!!

💋 💌 - HOW TO ENTER THE VOID WITHOUT VOID CONCEPT (GUARANTEED)

💋 💌- HOW TO SEMI-EXPERIENCE THE VOID STATE WITHOUT BEING IN THE VOID STATE!!

💋 💌- STOP IDENTIFYING WITH FAILURE!!!

💋 💌 - A 9 YEAR OLD ENTERED THE VOID STATE!!

XoXo - Gossip Girl:

💋 💌 - XoXo - Gossip Girl (You will have your dream life in the next 7 days)

💋 💌 - The Blair Bitch Project

💋 💌 - Much “I Do” About Nothing

💋 💌 - You aren’t a Victim, So Drop the Act!

💋 💌 - Feel like overconsuming?

💋 💌 - How do realities work? (What happens when you manifest?)

💋 💌 - Are You Scared Of The Void State?

💋 💌 - Enter The Void In Less Than 2 Minutes

💋 💌 - How To Get Your Mind To Shut Up Whilst Entering The Void State

💋 💌 - Are you really going to let HER win?

💋 💌 - Not So Sugar&Spice and EVERYTHING Nice After All

💋 💌 - How To Make Everything Sugar&Spice And EVERYTHING Nice After All (Guide to EVERYTHING)

💋 💌 - Tumblr Is NOT Your Safe Place!!!

💋 💌 - Does A Certain Queen B Feel Like Giving Up?

💋 💌 - What Would Blair Waldorf Do?

💋 💌 - Your 3D Face May Be Drenched In Tears, But Your 4D One Isn’t (You can still be unmotivated and manifest)

💋 💌 -THE 3D IS A FAKE WANNABE

💋 💌- DOUBTING THE LAW?

💋 💌- EPIPHANY #1

💋 💌 - HOW TO ACTUALLY FEEL FULFILLED

💋💌 - EPIPHANY #2 (The Law is Failproof)

💋💌 - EPIPHANY #3 (The 3D Conforms Fast)

💋💌 - IMAGINATION, LIFE IS YOUR CREATION

💋💌 - MOTIVATION IS NOT THE KEY

💋💌 - HOW TO MAKE YOUR DESIRE NATURAL 2 YOU

💋💌 - PLACEBO? I THINK NOT!

💋💌 - STOP REPEATING THE OLD STORY (WHAT’S YOUR FAVOURITE SCARY MOVIE?)

💋💌 - STOP EMBODYING THE UNDESIRED STATE (WHY’D SHE LEAVE? WHY’D SHE RETURN?)

💋💌 - “UPPER EAST SIDE QUEENS AREN’T BORN AT THE TOP. THEY CLIMB THEIR WAY UP IN HEELS, NO MATTER WHO THEY HAVE TO TREAD ON TO DO IT.”

💋💌 - NUMB TO THE FEELING

💋💌 - “NOTHING FULFILLS ME”

💋💌 - HEY IT’S ME, YOUR IMAGINATION

💋💌- GET UNCOMFORTABLE 2 GET COMFORTABLE

💋💌 - FEELING…? WHAT’S THAT?

💋💌 - NEVER RETURN TO THE OLD STATE

Quotes:

💋💌 Come On, Vogue!

SPRING/SUMMER MANIFESTATION “CHALLENGE”

💋💌 - THE ACTUAL CHALLENGE

💋💌 - PARTICIPATING USERS + PART 2

💋💌 - CHALLENGE INSTRUCTIONS

💋💌 - POSTS TO COMMENT UNDER

The Ultimate Manifestation Mindset:

Hey Upper East Siders. Want THE perfect self concept? Here’s how:

💋💌 - WORK LIKE A HUMPHREY

💋💌 - THINK LIKE A BASS

💋💌 - ACT LIKE A WALDORF

💋💌 - LOOK LIKE AN ARCHIBALD

💋💌 - DRESS LIKE A VAN DER WOODSEN

#loassumption #loa tumblr #loablr #loa blog #loa success #law of assumption #void concept #void state #void #manifestation #neville goddard #success stories #success story

[elysiansparadise]

Degrees Observations IX

🟤People with Saturn in the 00° are independent from an early age. They like to be taken seriously and in turn they take seriously everything that is significant to them. They can enjoy their solitude a lot and feel that they work better on their own. People may find them admirable and somewhat intimidating, even somewhat unapproachable, but the reality is that they are cordial but reserved. They don't reveal much about themselves, much less what they feel, but it's easier for them to talk about what they think. They are irritated by people who are unproductive, incompetent, or who slow down their work or that of others. They feel the need to be productive and achieve great things in life, they may fear failure or make public/resounding mistakes. 

🟤Those with Jupiter in the 01°, 10°, 13°, 22°, 25° may feel they have more luck doing things on their own or working alone. Many of them may find it difficult to work in a team and instead may find more success if they develop their independence. It is likely that from a young age they have experienced this feeling of preferring to do things on their own, being the product of a childhood in which they had to take care of many things. When they develop their projects autonomously and without paying much attention to the pessimism or negative criticism of the rest, they can be very lucky.

🟤When Mars or Venus are at 02°, 14° or 26° the native's movements are seen as sensual and alluring, as well as graceful and assertive. People may find the way you sit, walk, or speak in public attractive. These people can have a very attractive style and pay a lot of attention to details of their body such as their skin, their scent and their hairstyle, which makes them irresistible to other people.

🟤Having Moon in the 08°, 10°, 20° or 22° makes the native feel things more intensely, especially sadness, anger or emotions that bring more emotional charge. When they're in a tense mood it can be extreme on many levels. Many of them have a complex emotional world but have the ability and tendency to always project themselves as chill and in control, even if they are collapsing inside. It is likely that since they were young they have had to deal with problems and emotions that are too intense and have somehow learned to develop this mask of serenity in the face of any storm.

🟤Having Venus in water degrees (04°, 08°, 12°, 16°, 20°, 24°, 28°) makes the person's features mesmerizing. Their eyes project mystery, they seem to try to read your soul, they look at you in a sublime, attentive way and you are paralyzed by that warm but mystical glow. Your gaze lowers to their lips, which tempt yours to leave a kiss on them, they look beautiful and plump, curiously they also seem seductive to you. Their face is the perfect combination of softness and sexyness, it is a dangerous sweetness that once you decide to look at, it can’t escape your mind.

🟤Those with Saturn in 06°, 18° can be seen as very perfectionist by many, especially by themselves. They may be annoyed by disorganized, chaotic or noisy environments, bad spelling, or they may be very picky about food. They have difficulty looking favorably on what they do and may have a very critical eye on their own work. Despite the fact that many describe themselves as perfectionists, those I have met with this placement are usually people who can find the work of others beautiful because they know that it takes work to make them.

🟤When someone has Venus in the 07°, 12°, 19° or 24° they can be delighted and attracted when they feel they can relax with that person. They like the idea of ​​someone teaching them to slow down and give and treat themselves more gently. They are attracted to those kinds of relationships in which the couple is willing to be a team with them, where the other does not carry so many burdens and rather support each other unconditionally.

🟤Those with Moon in the 00° are very emotional people who easily feel the emotions of others, tend to do a lot of introspection regarding their own emotional world. Many of them absorb the emotions of the people around them and can be influenced by the moods of the people around them. They are bothered by violence, shouting and everything that implies uncomfortable sensations, since they are sensitive to their environment. They can vividly remember the past, and may have melancholic tendencies. They enjoy spending time in what they consider home, although this does not make them lovers of routine, they are attracted to what is familiar and what gives them comfortable sensations. They may prefer to watch movies they have seen before and tend to order the drinks or food they always order. They like the idea of ​​people being comfortable with them.

🟤Those who have Venus in the 02°, 04°, 14°, 16°, 26°, 28° become very touchy when they are with their partners. Their love language can be a mixture of physical touch and quality time, since feeling close to their partner is crucial for them, both physically and emotionally.

🟤Rising in the 10° or 22° they develop from a very young age the idea that they want to be respected or admired. It is likely that when they were young they had a hard time recognizing their value as people, their abilities or simply feeling comfortable with themselves, so they choose to start loving and respecting themselves. Precocious maturity is very likely, in addition to the fact that they may have had to see or realize the harshness of reality, about their family or even about things that they considered part of their values ​​that shook their inner world.

🟤Those with Neptune in 04°, 16° or 28° feel that they must detach themselves from their feelings and emotional responses. It is very likely that they are very disconnected with sincere displays of affection from people, they may have grown up in an environment where they were not provided with much on an emotional level, where they could not feel close to other people and that their ties could not last or that they did not they could find support in them.

🟤Another thing about them is that they usually have problems with the sensation of sleeping alone. Many of them may have the need to sleep hugging a pillow or really soft blankets. Most with Neptune in this degree tend to sleep on their side and have very irregular periods of sleep, having nights in which they either sleep a lot or sleep little.

🟤Those with Saturn in the 03°, 15°, 27° may have a tendency to expect the worst in situations. They are very rational and sometimes skeptical people. They always seek to communicate clearly and concisely and can sometimes be too frank. They have difficulty doing more than one thing at a time and tend to doubt their intelligence a lot, when the reality is that they have a lot of knowledge about different subjects.

🟤03°, 15° or 27° in the cusp of the 12th house often have difficulty speaking in public and may be seen as very quiet or reserved. They are people with great creative potential and talent for writing. They may have periods of anxiety or nervousness and have a need to be in constant movement, bite their nails or have a nervous tic. Intrusive thoughts are very likely with this overlay and the feeling of not being able to shut up your mind can increase as the night arrives.

🟤Saturn in 16°, 20°, 24°, 28° have a huge tendency to repress their intense or deep emotions through work. It can be literally working on work or academic issues, or it can also refer to doing things that they consider productive or necessary to do at that moment. Many times they do this to avoid sinking into an emotional loop that begins with having had a bad day and ends in the abysses of their past to which it is not very pleasant to return.

🟤Those with 10° or 22° on the cusp of the 12th house have a tendency to depression and struggle with these kinds of very low moods, despite that, that will always be a side of themselves that they keep hidden and not dare to show anyone. They may have trouble falling asleep due to stress and have a greater tendency to remember things they regret right before bed. They fear not being enough and they fear not being able to use their potential to the full, sometimes they feel that they are not capable.

🟤Chiron in 09°, 11°, 21° or 23° often feel that they are judged by the way they see things, the way they think or the way they express themselves. They can feel left out by people many times and it is very likely that some want to make them feel silly or ridiculous for the way they think. Ironically, what others judge and point out can be seen as very charismatic in the eyes of other people, since it makes them stand out as original and spontaneous people.

🟤Having an Earth Venus in 07°, 19° can make a person very attractive. Their figure is sublimely sculpted, their features well defined and they have an elegant quality in their beauty, from their mannerisms, style or, if they like it, their way of makeup can be, although light, very favorable on them.

#astro notes #astro observations #astrology notes #astrology observations #astrology #degrees observations #degrees notes #Chiron #Venus #Saturn #Neptune #Mars #Jupiter #Moon #natal chart #birth chart

[theriverbeyond]

some meandering thoughts on Lyctoral reproduction, contraception, and why I DON'T think Pyrrha hit it raw

this was originally a reblog of another post but it became SO LONG i am just posting it by itself. anyway cracks knuckles:

I think from a reproductive health standpoint the Lyctors are, despite having been exposed to extreme pre-ressurection levels of radiation, not sterile per say, but homeostatically fixed at the point of ascension with any changes made to themselves after that being a concious theorem. See: Cytherea is frozen as sick as she was when she ascended, but when she wanted to fight she could walk around fine, and Harrow when cold, can pad her fat reserves. So they CAN change their bodies, but it's still a Thing They Have To Do vs. a truly autonomous bolidy process.

Also, we know Lyctoral Healing is a thing dependant on nerve fibers -- why a severed limb (Nona/Gideon-in-Harrow aside) is not supposed to automatically regrow (but can be intentionally regrown, with thought and effort), and why in order to imbue Ianthe's bone arm with regenerative power Harrow had to make sure it was properly innervated

(The reason I believe they are not inherently sterile despite having been exposed to massive amounts of radiation is simply because that radiation does not discriminate and would have destroyed the rest of their physical bodies as well. basically, I think any radiation induced infertility would have been fixed in the Ressurection Process, same as the radiation induced. death.)

At the same time, the biological changes a human body must undergo to fertilize an egg and then bring a pregnancy to term are many (on a physical and physiologic level) and all must happen in the correct sequence at the correct time. the adult unaltered, non-Lyctoral body (most of the time) naturally knows how to follow this path, but in order for a Lyctoral Body to bring a pregnancy to term all those minute changes would have to be done manually, lest the Lyctoral Body revert to its homeostatically frozen state.

Therefore, my thoughts are: a Lyctor wouldn't really be able to become pregnant on accident to begin with, much less carry a pregnancy to term unwillingly. Every minute step or shift or change in hormone levels, uterine stretch, etc would have to be manually preformed and then monitored 24/7 which just seems incredibly exausting if not annoying. Then, of course, you have the reality that the Lyctor is going to outlive their child by thousands of years if not forever, and after the catastrophic grief they all carry for their cavaliers I cannot imagine any of them willingly putting themselves in that situation.

why, then, did Pyrrha think Gideon was her child?

WELL! the above theoretical process is specific to a Lyctor becoming pregnant, either from Lyctor or non-Lyctor. For Pyrrha/G1deon, the person who may have become pregnant from their encounters was WAKE, a (as far as we know) physiologically normal human, whose body would be able to like. in the presense of viable sperm, get pregnant the usual way without need for necromantic initiation and maintenence. Not only that, but at the time, Wake could NOT have been taking any sort of continuous contraceptive, as the planning/execution/impregnation of Dios Apate Major/Project Bomb was happening at the same time as Wake was fucking Pyrrha and G1deon. Like I know Mercy gave her the dolls but like Wake was able to turkey baster herself pretty quickly after their failure which means there was an open window of time where Wake was fucking PyrrhaG1deon and definitely fertile.

I could see G1deon as being able to tie off his ductus deferens, or whatever, while he is having sex to prevent physical ejaculation but as we know from Gideon-in-Harrow and Pyrrha-in-G1deon and Cam-when-Pal-Was-Inside, the cavalier's soul cannot preform necromancy whilst in the driver's seat. SO, following that, Pyrrha would be unable to necromantically prevent herself from ejaculating whilst doing the deed.

and finally, we have come to the part where I explain why I do NOT believe Pyrrha was having unprotected sex. as funny it is to imagine them all hitting it raw with a huge breeding kink, given Pyrrha and not to mention WAKE'S general competency (and also like if Wake is trying to get pregnant with the key to the Emperor's Tomb, being already pregnant would have been really inconvinient!!! considering again that the impregnation of ProjectBomb happened at the same time as she was fucking PyrrhaG1deon, Wake HAS to have been taking steps to prevent an unwanted, competing pregnancy), I have to take the controversial position that the condom broke.

Imagine you are a soul fragment, 10,000 years old, and you are betraying your God and Emperor AND your other half, by fucking a rebel comander (using your other half's body) while both of them are unaware. and then the condom breaks. wyd

#pyrrha dve #awake remberance of these valiant dead #tlt meta #lyctoral reproduction #cannot believe i wrote this. i feel insane. #should i go into witness protection. #lyctorhood #gideon the first #also sorry but there is NO WAY 'we never fixed maternity' John gaius would have been giving people secret abortions 💀

[mymarifae]

every time someone says "an should have been vbs's leader" or "saki should have been leo/need's leader" i want to . slam my head through concrete. oh you missed the point so bad

1. the "leader" thing is kind of really fucking insignificant outside of where each group's story begins and promo materials. it doesn't mean one character is the "main character" of the group. project sekai doesn't HAVE a main character in the first place it's not that kind of story. each individual character is equally important to not only their group's story but the over-arching story of the whole game

2. leo/need's story begins with ichika because she is ultimately the one that brings them all back together. not saki. it is ichika's determination and frankly stubbornness that gets through to shiho and honami. like, saki was literally ready to give up on reconnecting with honami! (out of love and respect for her choices but like) if she was the focus leo/need would have been honami-less!! but ichika refuses to let it go. much like she refused to let go of their friendships throughout all of middle school.

when the story begins, we see ichika burnt out and hopeless. but that's only after years of trying and trying and trying and trying again to reconnect with shiho and later honami. this fandom does not understand ichika's character well . she's not meek and she doesn't back down easily she's not some like... fumbling "girlflop" she's incredibly driven and strong-willed. she lost some of that due to depression and isolation but as of leo/need's most recent arc ender she has pretty much regained her fiery spirit. she's leo/need's lead singer and MC for a reason

3. vivid bad squad's story opens with kohane because she's the only one who hasn't grown up/partially grown up on vivid street. if an or akito had been the "leader" we would have lost the magic of getting to know vivid street and its people and unique culture. it's all average every day life for them, but kohane is experiencing it all for the first time. it's only through her eyes that the audience can understand just how very special vivid street is

4. one more thing: you could say that the "leaders" represent the themes of each group and the general direction of their story arcs. vivid bad squad, among several other things, is all about improvement and growth and overcoming challenges and creating something new and finding a place to call home within a community. who better to represent that but the socially anxious newbie who never felt like she belongs anywhere and would never do anything with her life?

leo/need is about love and the ability to endure all hardships and preserve that love . it's about having a heart big enough to hope for the impossible and the willpower to make it reality. ichika, in all her hard-headed stubborn painfully persistent glory, is perfect for that.

similarly, mafuyu isn't nightcord's leader because nightcord is ultimately about healing. hope. finding a way to make life worth living again. these aren't paths he would have chosen on his own. he gave up on himself a long time ago. as did ena and mizuki, in their own ways. the best person to represent hope is the one who refuses to give up on anyone and stubbornly believes she can save them all

wonderlands x showtime is about moving forward to a brighter future and not letting the past keep you shackled in place. it's also about having lofty dreams and the selfishness to pursue those dreams. both of these things are why emu Isn't wxs's leader; she lacks that selfishness (i'm not using this word in a negative sense btw; i think being selfish can be a good thing. and sometimes being selfless is a bad one) tsukasa (and rui) has, and she often clings to the past.

and as far as more more jump and all their own themes of hope and never giving up go, of course their leader has to be minori. she brought three disillusioned, jaded ex-idols hope and reignited their passion! she's the walking embodiment of hope itself

#i'm going to chew on rocks #project sekai #yeah sure main tag thiswhy not