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#Warner Bros.
animatejournal · 2 days
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Merrie Melodies: Wild Wife Director: Robert McKimson Studio: Warner Bros. | USA, 1954
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moviehealthcommunity · 9 months
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Happy to report that Barbie has very minimal use of any strobe-type effects beyond some glittering sequins in an early party scene!
Our detailed evaluation of Barbie will be available on our Patreon page at Patreon.com/MovieHealth later tonight, and on Facebook and Tumblr on Tuesday.
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demifiendrsa · 1 month
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First look at Beetlejuice Beetlejuice
The film is slated to hit theaters on September 6, 2024.
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jwcartoonist · 2 months
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#ReleaseCoyoteVsAcme
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beeclops · 6 months
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Animaniacs guest stars in a new commercial for Falabella.com!
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pi-la · 2 years
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20th-century-man · 11 months
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Vera Miles / publicity photo for Warner Bros., 1956.
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chelledoggo · 1 month
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"i claim this planet in the name of Mars! isn't that lovely?"
been listening to "Mars Forever" by Fantastic Plastic Machine on loop the past few days.
Marvin the Martian is weirdly adorable lol.
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misterlemonztenth · 5 months
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12-09-23 | Hair-Raising Hare, 1946. misterlemonztenth.tumblr.com/archive
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bacallbazaar · 5 months
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An all-wool beige suit adaptable to any season of the year, is worn by glamourous star, Lauren Bacall, in the new Warner Bros. film DARK PASSAGE. Designed by Bernard Newman, the draped-shoulder elegance and soft full sleeves highlight the jacket that boasts huge patch-pockets and round collar of same material. Semi-flared skirt has double-stitched center seam down the front.
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callmeanxietygirl · 6 months
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RIP Matthew Perry
August 1969 - October 2023
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demifiendrsa · 5 months
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Furiosa: A Mad Max Saga | Official Trailer #1
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Poster
Synopsis
As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland, they come across the Citadel presided over by The Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home.
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jwcartoonist · 4 months
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The CEOs say it's a great idea, and when in the history of entertainment have CEOs ever been wrong?
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beeclops · 2 months
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Eric Bauza at the Annie Awards in his Daffy Duck voice: "I hate to be political, but RELEASE COYOTE VS. ACME!"
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pi-la · 2 years
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dweemeister · 9 months
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August 7, 2023
By Maureen Lee Lenker
(Entertainment Weekly) — We'll always have Paris, but for a time, it seemed as if we might not always have Turner Classic Movies.
Since 1994, TCM has aired films, uncut and commercial-free, 24 hours a day, all enhanced by monthly themed and curated programming, hosted introductions and conclusions (known as outros), conversations with filmmakers and talent, and original content. In its nearly 30 years of existence, the network has expanded beyond its already estimable remit as a cable network-meets-film-school, with fan events including a film festival and cruise.
The brand also plays a key role in global film preservation efforts. Restorations of bigger studio titles are typically done by the studios themselves, but TCM is more often than not the showcase for such work — both on air and at the annual film festival. TCM won a Peabody Award in 2008 for its "commitment to film preservation and restoration." 
In 2023 alone, TCM partnered with the Film Foundation and the studio to restore 10 classics for the Warner Bros. 100th anniversary, including 1932's One Way Passage, 1941's The Strawberry Blonde, 1959's Rio Bravo, and 1955's East of Eden, all of which screened at the film festival and aired on the network. Last year, TCM celebrated its expanded partnership with the Film Foundation with the premiere of a 4K restoration of the Elizabeth Taylor/James Dean/Rock Hudson epic Giant at the 2022 festival. (Going even further back, in 2007, TCM tracked down the rights to six "lost" RKO films, including William Powell comedy Double Harness and Ginger Rogers rom-com Rafter Romance, not seen in over 50 years).
But on June 20, all of that seemed to be in peril as news broke that the entire executive leadership team of TCM (most of whom boasted 20-plus years of experience with the network) were being laid off alongside other members of the staff. The latest round of layoffs, which network staff tell EW they were blindsided by, are part of Warner Bros. Discovery's continuing attempts to cut costs across the studio.
Some backtracking from the executives at WBD is alright (especially in terms of staff rehires and bringing back the TCMFF Director), but they cut away at something that wasn't broken to begin with!
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