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#a bit of gale too
cybernightart · 1 month
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I'm going to be doing a FNAF SB themed DnD game with a bunch of friends, And I am playing Freddy!
Small story dump then below is the art!
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I made him into a 7-ft tall flaming tiefling sorcerer, Who was born into a guild of lightning sorcerers however, his magic mainly developed surrounding fire (for lore reasons shall not spoil), This along with him being a tiefling makes him a disappointment among the guild as they think he isn't very strong magically, however, what they don't realize is he could potentially end up being stronger than all of them. It is just because his magic isn't lightning based.
He is also forced to continuously shave down his horns so they're no longer visible, along with hiding or cutting off his tail. (Tieflings in our game can regrow limbs including their tail, also, their tails can basically be used as a third arm and are really strong allowing them to dangle upside down from their tails)
He ends up meeting the rest of the party leaving the walls of the guild to set out to prove himself and to show them that he can be a strong sorcerer. So he ends up signing up for a quest on a quest board where this particular quest has a group sign up thing so he ends up being put with a bunch of strangers which will eventually become the party!
Also, he has complete immunity to fire damage Even though tieflings only have resistance, And he has many other features which don't align with tieflings in this world. Almost implying he isn't entirely full Tiefling But perhaps something else as well 👀 (This is for lore reasons again So I can't explain why right now)
Also cool (heh heh cool lol) little aesthetic thing, He will literally burn up and be hot to the touch based on his emotions and the strength of them. So he has hair that literally lights on fire, And you can even see what looks to be fire where his blood should be running through his veins, all leading to his heart in the middle of his chest, which pulses with light and heat with every heartbeat. Also, eventually when his tail does grow out fully, the tip of his tail is fluffy and looks like a torch and can even act like one due to the fact like his hair. It also can light on fire.
Okay thank you for coming to my TED talk, now art time!
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Here is his design! I might change it up a little bit before we actually start the campaign, But for now this is it!
And some more doodles!
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Fun fact, I literally color picked his skin tone from a roasted marshmallow ✨
Also, you can see his little horns growing out in this one!
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Sorry for lack of posting, I honestly keep forgetting, along with school and stuff so I'm not making as much full drawings if any really XD
I still am working to convince myself that it's okay to just post sketches lol
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jeanivere · 9 months
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sketch feat. the tweets that inspired it
tell me you guys get it tho like why is he built
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smallpapers · 1 month
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some pre-reaping Katniss and etccccc
Random thoughts
Hc that Katniss and Prim wear oversized pre-loved clothes bought from the hob, which are lots of men’s wear left behind by the peacekeepers. And it makes sense to get larger clothes to grow into and whatnot. So yea it doesn’t fit the best but they are mended and presentable! On another note I like the blue grey washed out aesthetic of district 12 in the movies so I tried to put that here
Anw I been struggling to draw esp with this one for like weeeeks so pls pat me on the back for finishing it /sobs
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azperja · 6 months
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Mlem mlem mlem
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s0ftpining · 9 months
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my tiefling monk merritt (they/them) and the bg3 gang!! i couldn't get the image of karlach frying eggs in her palms out of my head...
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inkerii · 1 year
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So I couldn't help but browse the THG tag bc those books own my whole heart. I actually check it now and again, and it's been interesting see how opinions have changed over the years, especially in regards to Gale and Peeta. Going through the evolution of them as just potential love interests to being far more complex than I could have expected has been a wild ride. Crazy how this reads different than from when I was a preteen.
That said, I wanted to give my unsolicited two cents on my boys, because though I have been enjoying the discussion on Peeta and Gale and what they mean to the story, I also feel like reducing them to Peeta = peace and Gale = war is far too simplistic... and oftentimes unfair to one or both of them.
See, I don't think Peeta and Gale are peace and war/destruction. They're compassion and indignation.
Peeta worries about the other tributes, or their families, or how to repay people like Rue and Thresh for what they did.
Gale is indignation at how the Capitol treats its citizens, it's anger at the injustice of inequality and brutality.
Both are needed in a story like THG. You can't have people like even Peeta not say something like "maybe we're wrong about keeping things quiet in the districts", you can't have him not drop the baby bomb, you can't start a revolution without Gale's indignation at the status quo. At deserving a better life but being denied it, at having your kids be mercilessly killed for literal sport.
However, if you start a rebellion and loose sight of your compassion, you end up no better than the people you're fighting against. Gale wasn't a bad person, imo. His heart was in the right place. He was flawed, yes, but so is everyone in this series. Gale, most importantly, lost sight of the line between fighting for the people he cared about and fighting against the people who hurt him.
Reducing Gale's indignation to just revenge and hatred ignores so much of what he stands for. Who hasn't seen laws passed that dehumanize people, who hasn't been angry and furious when someone is elected who fundamentally hates everything you are, who doesn't think some people need to pay for the atrocities they committed? There's a little bit of Gale in every single one of us - and it's important that it's there, because that's what gives us strength to challenge the status quo and make life better for the future generations.
But. You can't let it take over. You can't loose sight of your compassion or your empathy.
That's where Peeta comes in. Peeta is the voice in your head that worries about how many good lives will be lost when they give themselves up for this cause. Peeta is the worry about the people caught in the crossfire. Peeta is rebuilding when it's over and believing that the next generation will have a better life than your own. Peeta is being kind, even to people who may not deserve it.
And Gale... Gale looses sight of his compassion, and he doesn't realize it until it smacks him in the face when the bombs go off and Prim is gone and he's too far gone. Meanwhile, Peeta advocates for the end of the war even though it means the status quo remains - and regardless of what he believes himself, I don't think Suzanne chose him to say those lines by chance. It means both mindsets have their flaws: too kind and things that shouldn't remain will never be challenged and changed, too angry and you may loose sight of what you're fighting for.
And that's just how Suzanne uses her characters, both of them, all of them. Just look at who is with Katniss depending on the situation:
- Katniss chooses to "rebel" after Gale is brutally whipped. She kisses him.
- Katniss realizes that in order for D12 to rebel, everyone would need to be in on it, and she realizes most of them are not like her, that they're scared and she understands, emphasises with them. Peeta walks by her side.
- Katniss finally does it though, shoots the arrow at the force field, and Peeta is taken from her, it's now Gale by her side.
(You can't start a rebellion without indignation, and sometimes you HAVE to do it or things will never change, regardless of the inevitable pain that will come along.)
- Katniss is righteously angry at the Capitol bombing a hospital full of innocents to make a point. Gale remains there.
- Coin twists people's compassion into an army to fight for her own personal gain. Peeta is hijacked and looses his sense of self.
- Katniss and Gale go to District 2 and even though she tries to be like Peeta, she's still shot- reinforcing Gale's views, the person who was with her during that sequence.
- Katniss is angry at Snow, Katniss goes to the Capitol to kill him. Gale is there.
- Katniss gets in way over her head and realizes she is responsible for the death of most of her squad. She shares the lamb stew with Peeta, and later cleans his wounds.
- Finnick dies and she's at her lowest up until that point and all she wants to do is give up and give in to the anger. She kisses Peeta and begs him to stay with her.
... Claiming that Gale is destruction ignores the fact that he's with Katniss through her own moments of strength. Her desire to change things, to fight back, is as important as her compassion. Mockingjay just brutally shows you what war does to your indignation, to your compassion. How easy it is to cross a line between righteous anger and revenge, or how your sense of empathy and compassion can be manipulated into something monstrous by others, or by all the terrible, brutal, painful things you see.
How easy it is to loose yourself- and that goes for both of them.
Peeta and Gale aren't static characters, they go from representations of sentiments regarding an injust government to what happens to those feelings when an extreme situation such as war breaks out. All of that, by the way, while dealing with this duality themselves, because they are still characters who think and feel and struggle and have flaws of their own- and while I love what they stand for, I've seen too many comments that pin everything into what they mean, that they forget that Peeta and Gale are still people, they aren't perfect metaphors. They're human.
Ultimately, Katniss doesn't really choose peace. She wants peace, yes. But what she chooses is compassion. empathy. hope. There's a time and place for anger at injustice. There's a time when fighting back is the right thing to do. There are even times when you wanna give in to your despair and lash out. But if you want peace, then you have to choose Peeta, because Peeta represents what you need to focus on to achieve that peace. You have to let go of the anger or you won't ever rest. So Gale leaves, and does not come back... And yet, Katniss still has her moments of indignation, of making a stand, even as he goes - she still casts her vote at that meeting, she still shoots Coin. Katniss does not abandon that part of who she is. It's just not her main drive anymore.
So then she goes on to make the choice, every single day, to be compassionate to others. To have hope. To rebuild. Of course she chooses Peeta.
... Idk, man. These boys are so much more than what I see them so often reduced to. They're in all of us. There will be times to stand and fight, and times to show mercy and be kind. We just need to find that balance, as Katniss eventually did.
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johnslittlespoon · 8 days
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omg it was so hard to pick butttt could i request 1 and 2 from the smut dialogue list (list 3) with buck and bucky!
prompts | "i want to hear you beg" + "arch your back for me" + playing around with smth a little different for their dynamic <33 ~800 words of filth below the cut >:-) this was so much fun ahh thx sm for the request!!
“Oh, baby,” John rumbles appreciatively, sitting back to get a good look at Gale while he rolls his hips languidly into him. “Look at you.”
Golden hair frames Gale’s head on the pillow like a halo, blue eyes half hidden by heavy eyelids, doll–like lashes fluttering each time John sinks his cock in deeper. Messy love bites mark a trail south, scattered across his chest and stomach and increasing in numbers where angular hip bones and soft thighs had just begged for John’s teeth to make themselves at home.
Gale rocks his hips down, dragging his kiss–bitten bottom lip between his teeth to muffle a needy little noise as John’s eyes rake over him. That just won’t do.
John stills, wrapping firm hands around Gale’s thighs where they drape over his own, squeezing gently.
“Keep going,” Gale breathes out, eyebrows knit together in frustration, still trying to fuck himself on John’s cock.
John purrs out a laugh, heart twisting in his chest at the glare Gale shoots him; it’s hard to look intimidating when he’s laid out pliant and pretty and cock–drunk beneath him, but John doesn’t tell him so. He just snaps his hips forward once, watching with satisfaction when the scowl leaps off of Gale’s face as flushed lips fall open to let out a gasp.
“John,” Gale almost, almost whines when he makes no move to continue, lithe hands coming up to wrap around John’s wrists imploringly, and John hums thoughtfully, stroking his thumbs over Gale’s thighs.
“You need something?” He tilts his head, feeling a little thrill at the huff he gets in return.
Gale levels him with an unimpressed look, but the light flush that creeps over his cheeks betrays him.
“I want you to ask for it,” John murmurs. He grants Gale with the smallest roll of his hips to egg him on when he stays silent, and he feels his hands tighten around his wrists.
“Want you to fuck me, John.” 
And oh, that’s something– his cock twitches at the rare vulgarity, and judging by Gale’s sharp inhale, he feels it. But it’s not quite what John’s looking for.
“That’s good, baby,” he praises him, delighting in the way his flush deepens. He leans down, sliding his hands up Gale’s hips as he goes, settling them on his waist. He brushes his lips against Gale’s in a ghost of a kiss, trailing them along his jaw until he reaches his ear.
“But I wanna hear you beg for me, Gale,” he whispers. 
The immediate pressure around his cock as Gale reflexively clenches down has his head dropping into the crook of Gale’s neck momentarily, cursing under his breath. He can’t help but press his hips forward, needing just a bit of relief, sitting back up once he collects himself, determined to keep the upper hand.
“C’mon,” he rasps out, running his hands up and down Gale’s sides, fingers splaying over his ribcage. “I know you can do it, angel.”
Gale does whine this time, high and desperate in his throat, eyes slipping closed to hide from his own embarrassment. But–
“Please, John,” he says, barely above a whisper. “Need you.”
“Jesus, Gale,” John breathes, head spinning. “Good, so good, baby.”
John’s not going to push– that’s already a lot more than he’s usually able to goad out of Gale, and he’s going to unravel a lot quicker than he intends to if he keeps talking like that.
“Arch your back for me, pretty thing,” John prompts instead, beginning to shallowly fuck into him, and Gale does, tilting his head back on the pillow to bare his neck as his spine curves beneath John’s hands.
The sight nearly knocks the breath out of John, and he groans, sliding one hand under Gale to flatten his palm against the small of his back, feeling the way it flexes as he jerks his hips forward.
Gale cries out so sweetly when he really starts driving his cock into him, grasping desperately at John’s arms, face going slack as he finally gives him what he needs, and it gets to John like nothing else, forever dizzy with the knowledge that he gets to make Gale feel so good.
Dragging those pretty noises out of Gale and feeling him tremble because of him is what really does it for John every time, and it’s what inevitably has him tipping over the edge seconds after Gale spills over his stomach with a broken whimper.
John sinks his teeth into Gale’s collarbone just to feel him squirm beneath him as he fills him up, hands digging into his hips, rutting into him like he can bury his cock impossibly deeper, feeling nails scrabble at his back as the softest mewls escape Gale’s mouth.
He laves his tongue over the fresh indents in apology before lifting his head to capture Gale’s lips in a messy kiss, swallowing his gasps and sighs as he gives him a few more lazy thrusts, chest warm and fuzzy and lovestruck. 
John smiles into the kiss, and Gale laughs softly, and god, he’s going to be the death of him.
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kozh-lucium · 2 months
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The Kiss of Judas Durge
I don’t even know why I made this….
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roomy-ghosted · 9 months
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My feelings towards ao3 this morning.
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lady-ika · 29 days
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🪻🔮
If happiness was a tangible thing, it would be you.
If you'd have told me the feeling you'd bring, I'd think it untrue.
And people search for a wonder like you all of their lives
You still amaze me after all this time.
🔮🪻
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recitedemise · 6 months
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𝗠𝗮𝗻𝘆 𝗼𝗳 𝗚𝗮𝗹𝗲'𝘀 𝘃𝘂𝗹𝗻𝗲𝗿𝗮𝗯𝗶𝗹𝗶𝘁𝗲𝘀 𝘄𝗲𝗿𝗲 𝗮𝗴𝗴𝗿𝗮𝘃𝗮𝘁𝗲𝗱 𝘁𝗼 𝗯𝘂𝘁 𝗱𝗲𝘃𝗲𝗹𝗼𝗽 𝗶𝗻𝘁𝗼 𝘁𝗿𝗮𝘂𝗺𝗮 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀, 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀 𝘁𝗵𝗮𝘁 𝗠𝘆𝘀𝘁𝗿𝗮 𝗮𝗰𝗰𝗲𝗽𝘁𝘀 𝗹𝗶𝘁𝘁𝗹𝗲 𝗰𝘂𝗹𝗽𝗮𝗯𝗶𝗹𝗶𝘁𝘆 𝗳𝗼𝗿. This lengthy headcanon will refer to canon dialogue from mostly Gale, sometimes others. Reader's discretion is very much advised. There will be in depth explorations into grooming, emotional abuse, heavy manipulation, and suicide.
First, let it be said that Gale, a mortal man, will always be the powerless one in his dynamic with Mystra. Of course, nearing forty years of age, he remains entirely responsible for his own actions, his own foul blunders and every hurt he'll cause, but it's important to remember who formed much of who he is: his goddess, his deity, and egregiously, his lover.
Mystra is power. Mystra is possibility. She knows what sway she holds over her Ioyal, vulnerable, and entirely mortal followers. In all ways that matter, they are but lambs she can steer and herd as she sees fit. She knows they can't deny her, and knows they'll never want to. Gale's sheer servitude and complete devotion; to the very quick of his bones, she lapped them up.
Gale: I was just... practising an incantation. Player Character: No, there's more to it than that. I know devotion when I see it. Gale: What can I say? She's—she's Mystra. I can't describe it, the need I sometimes feel to see her - to draw the filaments of fantasy into existence... Mystra is all magic. And as far as I'm concerned, she is all creation. Player Character: I didn't realize the depth of your devotion. Gale: Magic is... my life. I've been touched with the Weave for as long as I can remember. There's nothing like it.
Gale, orb in his chest, doomed to be eaten by the very thing he loves the most, still speaks so reverently of the goddess, of his lover that has left him to die. He conjures images of her memory—and she is all the while forgetting about his.
Minsc: Gale reminds me of vremyonni of my homeland. The man-mages of Rasheman. While the girl-folk go on to rule as wychlaran, Weave-touched boys were hidden away. Trained to work their craft in silence and secrecy. It is an old custom, not well-observed. In truth, I thought it born of caution after some catastrophe of wizardly men-folk of old. Now, I wonder if it was not done to hide them from Mystra, and the snares she sets for young and prideful boys, hm?
Tales of Mystra's treachery spreads far, leaving those familiar waters surrounding Gale's tower in Waterdeep. They whisper her name, afraid to utter it one time too many, suspecting, perhaps, that she'll show in their mirror like some Faerûnian Bloody Mary.
Talent rouses Mystra. She can see who uses the gift of the Weave and feel them, sampling whatever delight sings their veins as they pull from her domain. Not unlike a spider, she'll follows every tremor that strikes her as just a sliver more profound; and Gale, a prodigy, plucked the Weave's web to so garner her focus. And like some black widow scurrying, she surged down that ripple to prey on a boy. There, Gale, so impressionable, was just a mite older than twelve whole summers. He sat so stunned, beholding Mystra as she lured him into the cradle of her Astral domain. Bathed in her magic, pleasantly coddled within that glittering cosmos, Gale felt blessed in a way he'll struggle always to recount, no word, no language, fit to describe it. He felt chosen. He felt seen. And potently, to a child, he felt loved. Now, imagine a child experiencing something like that. Imagine what they'd think, how brilliant they must be when stood beside the rest. She told him he was gifted, made his heart swell not unlike a child's appetite for praise. She knew what she was doing by offering these morsels, by preying on a child's most delicate mind, and Gale, child prodigy, was already so awash in the idea that his value was in magic. Unfortunately, Gale, susceptible, had no way of squirming out of his goddess' grasp.
Reality: She's laid down the seeds to creep into his heart. When he's just old enough—seventeen's sufficient, she thinks—she stakes her claim and makes him hers.
Gale: My virtuosic talent once caught the eye of the goddess of magic herself, Mystra, who named me her chosen and her lover.
Gale is stunned when she takes him to bed the first time. (Is this really happening?) Mystra claims his mouth in a kiss, taking everything she knows he offers so willingly. Mystra, of course, is not so stunned.
Dream Visitor: An elder brain... one of the cruelest and most powerful creatures in existence, enslaved by mere mortals. Gale, tasked with Mystra's missive to sacrifice himself: This is it... I must do as Mystra commands.
Gale has worryingly low self-esteem beyond his magic. As already explored, his entire worth as a man hinged on and was built entirely off his talent as a wizard. He fought tooth and nail for any crumb of affection Mystra would offer his way, something she only gave him at all seeing his gift as a child. He wants her forgiveness. He desires it genuinely. He believes so firmly that he has wronged his goddess, buying into the idea that sacrificing himself will right his wrong. She holds such dominion over him, making him reduce his confidence in himself into a mere, trifling pittance; after all, she wasn't just his lover, but the patron deity he prays to. And regardless, Gale is a people pleaser, his initial acceptance of her missive coming as no surprise.
After all, Gale, at times, goes to incredible lengths to appease his audience. This habit, compulsion, impulse, whatever you want to call it, is a quality that was relentlessly exacerbated in his relationship with his immortal paramour. He wanted to content her, felt all he did was never enough, for as a matter of principle, he was oceans, leagues, and entire galaxies beneath her. Gale figures: well, how can a short-lived dalliance satisfy a god? He had to make her happy. Indeed, he'd done everything she'd ask. He'd bedded her how she liked, kissed her how she wanted, and of course, even said those words she'd said tasted best. She was his lover, a lover that never tended to his own needs and pleasures, and he fooled himself into thinking that's enough. He won't bend backwards for everyone, mind you, but if you're of the ones he would, he would stop at nothing to make you happy. After all, people pleasing is a way to keep oneself safe, a trauma response to sidestep discomfort, and though it achieves only a direly tentative peace, when that is all you've been fed, you will pursue it.
Gale did not want to lose Mystra; he couldn't bare the sting of it. And so, when Elminster visited him, Mystra's call for his death offered oh so callously, Gale, heartbroken, felt that part of him kick up. He couldn't endure the guilt, was so hungry for a chance to let his weighty heart breathe, even if it meant dying in the process.
At least this way, he'll finally do something right. At least this way, Mystra will forgive him, and all his friends will survive.
Gale: After I was afflicted with my condition, I locked myself in my tower for an entire year. I was inconsolable, wallowing in my self-inflicted tragedy. I'd given up on myself.
As a byproduct of people pleasing, Gale, too, is all too quick to accept all guilt. He self-deprecates, gaslights himself to a venomous degree, and twists his reality in so cruel a way as to make him the villain Mystra'd led him to believe. He self-flagellates himself, the first one in the world who will throw Gale of Waterdeep a mental punishment. Mystra's a goddess, after all, seen as utterly faultless, and twined so tightly with a being so mighty in esteem, Gale slipped into the role of the guilty often. When tied with anyone with grandeur like this, so immeasurable in their own self worth, it's important to keep in mind this: you are nothing but a prop in which to fulfill their ego. Gale was not Mystra's, not by a long shot. Rather, Gale was a tool, simply her mortal extension.
And he took every blow meant for her... a common and terrible habit for many people in imbalanced, ego-fueled relationships.
Gale's life beyond her wasn't something that interested her. She took most of Gale's devotion, manipulated his life to be her sole mantle of attention, for Mystra is not a goddess that shares very happily.
Indeed, long before his self-imposed isolation, this jealous deity did well at keeping him isolated.
Player Character: Picture kissing him. With tenderness. Then, with passion. Gale: I... I didn't think— Narrator: You perceive quick-fire embarrassment, trepidation, and finally... elation.
And so, cheated out of love, so reduced in his value as a man and lover both, suffice to say, Gale's slow to believe he can ever be loved. That's what happens when you're with someone so cold, consistent only in their infinite lack of respect. Gale looks at fondness, and he feels—confounded, to be sure. He thinks, is this truly mine to have? He doesn't know what to do, is nearly forty in game, and despite having lived decades devoted to one relationship, he feels, at the same time, entirely out of depth. To be frank, he greets it with embarrassment, like he's been caught red handed with something not his at all. He's like a child caught rummaging with his hand in a cookie jar, all this isn't mine to enjoy, not mine to indulge in, but he thinks, startled, but god, do I want. He wars with disbelief, uncertainty, and need, and in so many ways feeling utterly starved, with just a glimmer of affection, he falls fast into love.
Scenario: (And if properly romanced, it changes his world.)
Gale: In her (Mystra's) likeness, I used to read a thousand stories. She was beauty, wisdom, elegance, power... she contained universes. But now... it is hard to see any redeeming qualities in a lover who condemned you to death. I'd much rather gaze into your eyes than hers. Yours are capable of tenderness and feeling... No god could ever compare.
He says it with sincerity. There is such wonder, such love, and such awe in his eyes. He makes the act of kissing him feel like you've just reached into the trenches to but pluck him soundly from his ruin and despair. You think, Gale Dekarios, how unloved have you been all this time?
Gale: To know you love me for the man I am, and not the magic I command… none have loved me so purely before.
The answer is: entirely.
For so long, Gale thought love was simply being chosen. He knew nothing of being favored for the quality of his character, to be cherished and accepted even in those ways he fumbles and lacks. Again, his needs were seldom met, often treated with utter indifference by Mystra herself, and to meet someone so eager to treasure him, dote on him in a way his heart, his body is somberly new to, raptures his spirit and captures his soul. He's seen for who he is. He's... loved, desired for his silly quips, his easy smiles, and his growing affections. He bares himself to them, and in turn, they cradle his heart like something entirely precious. Gale thinks this has to be dream. He says, at times, you are more than I deserve.
Scenario: (But sometimes, he hopes too strongly and loves too greatly. As it always does, then, like he's once more wanted too much, he watches something beautiful slip right through his fingers. Of course, Gale Dekarios. Of course it does.)
Player Character: I didn't know you felt so strongly, Gale. Gale: Perhaps I should have done more. Been more charming, more flattering, harder to reach... but I was only myself, and sometimes that isn't enough.
They don't love him anymore. It breaks his heart. He hurts so much, so profoundly and deeply, and he doesn't realize that he breaks their heart in turn.
Unable to ever voice his feelings with Mystra in any way that amounted to much, Gale's a tendency to wallow, expressions coming off as potentially 'guilt-tripping' and even, on occasion, passive aggressive. Firstly: Gale NEVER means to manipulate emotions, and he's no intention of twisting anyone's arm, either. Fact is, Gale, never taken seriously when he'd bared his vulnerabilities to the Mother of the Weave, can end up saying just a little too much. He feels very deeply, and for most his life, seldom had an outlet for these weeping sentiments. He sometimes lets slip raw words and oftentimes heart-wrenching expressions; all the same, it's not so pitiful as to shepherd an outcome, but rather, is a gesture taken by a man so desperate to be heard. It may feel like scheming, but the truth is far, far greyer: feeling as though he's no right to share the depth of his heart, Gale simply lets it geyser out in a way he can't cork up. In ways he doesn't realize, he's adapted to this ache, passively reacting so his feelings can at least be seen and recognized—no matter how pitifully unwhole. With someone who values so little his thoughts... well, when he slips into these moods, one can hardly feign shock.
Situation: (And if no one shows him trust and tenderness, any true care in his character or worth, Gale gets swallowed up by how wronged he was.
He thinks: Let me be a god. Let no one hurt like me anymore.)
Gale: They only want us to serve them, pray to them...and ultimately, to die for them. But what if we didn't need them? What if we wielded their power instead and helped ourselves in all the ways they refuse to? I could make that happen.
Gale is not above anger, and as stated, he is not above pettiness; however, more than that, he is not above righting himself whatever wound he was struck. Gale, if not offered much by ways of affection, understanding, is made to believe that one idea that's lived growing in his mind: Gale Dekarios is far from sufficient; he has to be more. He has to be better. Gale, in such an unkind ending for himself, sips too desperately—and perhaps greedily, too, but desperately serves as a far better word—at that idea that he needs power. And so, wresting the Crown of Karsus for himself, he spites Mystra in his own way, becoming a god he feels is leagues better than she will ever be. Damn her thoroughly. Damn her ego, her power, and her endless indifference. He will serve the people, protect them, and in ways Mystra never could, better the world.
Situation: But as a god, he loses all sense of his kindness. Humanity. All who loved him leave him, and even Tara spurns the image he's become. With power, he's gained the respect he thought he always wanted... but in turn, he lost in even greater measure all the love he's known.
Endnote: But healing, knowing to forgive himself and knowing he's deserving of care simply for being Gale Dekarios will remain, always, the best path for him.
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agent-jaselin · 3 months
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I actually liked how Halsin always confesses romance to you, it’s fun when an npc is the one initiating flirting.
And he doesn’t get angry or have actual, mechanical, disapproval if you don’t share his interest because he’s written as an actually mature man unlike Anders from Dragon age.
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kayjaydraws · 8 months
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A doodle of my ranger-monk OC and Gale ¯\_(ツ)_/¯
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copdog1234 · 11 months
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It may end up being an impossible feat for me because i tend to play in a neutral good sort of way, but I really hope that on my first playthrough of BG3 I'll be able to successfully befriend all of the Early Access companions and not have them leave me cause they hate my decisions. I'm attached to all of them.
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verawhisk · 8 months
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I LOVE HIM SOOO MUCH
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rielzero · 1 month
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breaking my neck over page 16, life is big mood atm.
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