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troglobite · 1 year

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one more time for those in the back: pls don't say anything abt the shows i watch. lol

now here are some more Thoughts

okay i went back and watched the first episode of s3 and i FULLY agree w ppl theorizing that ted is gonna go back to kansas at some point this season, and then likely return.

the ENTIRE EPISODE was ted being like why the fuck am i here?

and yes it was spurred on bc of henry--but that seems to be sort of his main concern and motivation in general

he had to take henry to the airport, had to worry abt his flight, asking him directly if he knows why ted's still there

he even asked beard and beard didn't fucking answer him which. INTERESTING.

and then of course henry and the bullying thing and ted panicking and wanting to be back there in the latest ep.

also fun detail, while he's in the airport, the--what do you call the. speaker? speaker. whatever.

the person over the speaker in the airport noted that the flight to amsterdam was delayed. 👀 now what does that mean? lol

also rebecca quite literally says in the first episode TO KEELEY that she HAS grown. she used to want to crush everything rupert loved--and now she just wants to beat him.

what did i say abt that revenge body era? lol

it's not perfect but christ, again, it's only been 2 years after a TWELVE YEAR MARRIAGE and he is constantly antagonizing her in public. i'd be still hurt and pissed, too.

other thoughts!

nathan. [stares]

yeah honestly it'll be interesting. there's not much to say that hasn't already been said.

but basically rupert is clearly trying to manipulate and control him into a little mini-me that will win everything for him. the car, the look, the office, ms. kakes, etc.

yes also we get the foreshadowing of the tinted window in keeley's office in this episode.

orgasm for the soul is said in the same place that, undoubtedly, keeley & jack have regular orgasms later on. lol

but also she had to schedule time to cry--and later in these next few eps we see that. well. it seems maybe she has a little more wiggle room if she manages to get caught up w jack, etc. lol

also what is WITH barbara and jack? and barbara in general? less so the second one. but the investor sent her over as the cfo. so i'm. hm.

also keeley not knowing what cfo is, and later not knowing what position to give to shandy, officially.

again, she's not stupid--she just doesn't know the ins and outs bc she wasn't raised in that shit.

also idk it's interesting there's a parallel w keeley and nathan in that they both have a person from their past who's reminding them of where they came from

for nathan, it seems to go well w jade at the restaurant--friends or dating. thematically, makes sense.

for keeley, shandy doesn't work out so great. and i'm REALLY wondering what the final takeaway will be about that relationship and how things fell apart. bc believe me, it's not over.

also obviously leslie saying at the beginning they should look to get new blood--initially ted vetoes the idea. doesn't seem to think they need it.

but he just sort of. rolls over. lets it happen. says you got it, i'll be flying like a butterfly stinging like a bee all season, etc.

and his entire conversation w the doc over the phone that i only half paid attention to the first time bc him trimming his nose hair was. Gross. lol

but he literally says

what if i'm doing more harm than good

what if they'd be better off without me

what if i'm holding them back

she says to him "you don't quit things"

as a literal answer--part of why he's there.

everyone is echoing to him the reasons he's offered for staying. he doesn't quit, it's to win the whole fucking thing (as rebecca AND henry remind him).

so yeah i absolutely agree, i think ted is going to leave.

it will. potentially. break the fucking team. they just love him so much. i have no other thoughts or ideas abt how that would go. but it does feel absolutely certain.

also of course higgins suggesting new blood does also foreshadow him suggesting that ted is actually the problem w the team.

and he IS out of it and FEELS out of it and is just questioning his entire purpose there.

meanwhile jamie is soaring, flying, brilliant colors. he's doing GREAT! he's internalized ted's message and ethos, but with his own style. he cares abt the team. he kept his confidence and sometimes allows his ego out.

BOTH times the team starts getting worried in the locker room, it's JAMIE who calms everyone down.

he's not a mini-ted--but he's a very enlightened little jamie! and i'm proud of him.

also would you believe i forgot until this very moment that jamie has that whole stint on a reality tv show and then has such an attitude problem that no teams and no tv shows and no pr firms even want him anymore? and THAT'S how he ends up back at richmond? i completely fucking forgot until this very moment.

anyway, jamie's doing really well, right off the bat.

ALSO

we get TWO hints abt roy's uncertainty having to fill in for nate's position. "i know i'm not a tactical genius like nate" and then keeley saying "roy i know you're worried abt that but--"

very interesting.

roy is insecure.

he has been since the beginning.

and it often seems the anger overcompensates for that.

and yet in those moments, he doesn't have a lot of anger. he looks at keeley like he's HURT, not angry--bc when is he ever angry at her, anyway?

but like he's HURT that she would try and comfort him. as if to say "really? now?"

which. is interesting. bc she says they're on a break, and he says they've broken up.

and yet--

at the end of season 2. it was roy being a big ol baby that keeley wouldn't take two weeks off for vacation with him, and keeley being like "babe, i have to start my own business. i'm gonna be busy."

like. i guess that's not a "and yet" moment.

that's roy.......realizing how badly he needs so much support and how insecure he is. how much he needs to be someone's priority.

we haven't ever met phoebe's mom, and she says that her parents got divorced when she was four. "one of my core beliefs is that nothing lasts forever"

is roy..........

maybe feeling some of the stuff he imagines phoebe might? he has to be there for her bc her mom is--

way. too busy. for her.

yeah. okay. that makes sense. lol

perhaps he wanted a clean cut. even though they agreed that she could still hang out with keeley. ostensibly....

yeah it's interesting.

what else?

beard and roy bonding is nice.

also the hoosiers reference.

interesting. little details are similar.

i'm just sort of. thinking and wondering. what elements are going to be thematically relevant and compelling throughout this season. bc that seems. deliberate.

ALSO realized that season 1 also included/featured ted's getting ready routine--but it was to get ready for bed, instead. this one is to get ready for work.

[stares]

i've connected the dots

you haven't connected shit

i've connected them

[stares at the empty spot where an answer to 'so what?' should be]

HMM!!!!

anyway.

thinky thoughts.

ALSO idk if it was. intentional or relevant.

when they went to the sewer--also ted says that henry wanted to go in order to face his fears. roy says that's fucking smart.

[squints purposefully]

okay anyway when they go to the sewer, the first players to climb down seem to be plot-relevant for the season, which of course makes sense.

but then isaac is on one far end

and colin is on the other

i think roy and jamie are near each other??? idk

basically i am Paying Attention. lol

okay i think that's everything.

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prismatica-the-strange · 3 years

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You literally just wanna grab Daniels ass that’s the prompt

I absolutely love this prompt! I can't stop thinking about that glorious ass! Thank you anon!

18+ only! Minors do not Interact!

Gender Neutral Reader

Warnings: Self harm, the reader's judgment is impaired and they impulsively cut themselves with a scalpel.

A very hands on episode today folks! 😘 I took an idea I had and kinda added it to the prompt

You were off world with another team, SG-6, testing your latest robotics design when you were stung by some sort of bee or insect. Your arm hurt like hell and you started getting light headed, so SG-6 cut the mission short to get you back to Fraiser back on Earth.

After a day or so the pain went away and the swelling went down.

When Daniel got back from his mission with SG-1 and he heard about what happened he was by your side immediately. That's when it started.

While Fraiser was finishing up his post mission check up, you wanted to snuggle into him. So you did.

He looked over at you when you reached out and wrap your arms around him. You hadn't seen each other in a few days so he didn't question it. He just pulled you close by your shoulders and kissed the top of your head.

Once Fraiser gave you the all clear you went back to business as usual.

But something wasn't right. You had the hardest time fighting little urges and intrusive ideas. Especially around Daniel.

He came to your lab and was taken aback when you immediately hug his torso. You couldn't help yourself. You tried, but you couldn't stop yourself from reaching down and grabbing his ass with both hands.

"Whoa!" He jumped back, but you pulled him close again, giggling.

"W-what're you doing there?" He asked, unsure of what to do. For a moment you don't know what to do either. Pull him into a kiss or squeeze his ass?

Your hands move to grip the back of his neck and you pull him into a deep kiss, before reaching down and firmly squeezing his ass.

His eyes go wide.

"Wow. Ok, Y/n?" He says against your lips, "Y/n?"

His hands are on your shoulders while he lightly pushes you back. You whine and tug on the lapels of his jacket.

"What's going on?" He asks, taking your hands in his.

"What do you mean?" You try to pull him close again.

His eyebrows furrow in confusion, "You don't usually try to jump me at work like this."

He sees your eyes light up when he says that.

"That sounds fun!" You grin, pulling your hands from his and going for his belt.

"Hey! No, no, no!" He chuckles nervously, grasping your hands and quickly looking about the room, "That wasn't a suggestion."

The heat of your hands in his just makes you want to hold him more and before you can even think about it, your body moves on it's own. Your arms move around his neck and you cuddle into him.

"You're burning up," he says, his cheek on your forehead.

"Just wanna hold you." You mutter and his confusion grows as he puts his arms around you.

"It seems they're losing the ability to think before they act," Fraiser explains. "I think it may have something to do with the insect that stung them."

"Is there any way to reverse the effect?" Hammond asked from next to Daniel. They watched you stand up and start walking around the room.

"As of now? No," she sighs, "Right now all we can do is help keep their fever down and try to keep them out of any trouble their impulsive behavior might-"

"Ow! Shit!"

The eyes of everyone in the room are on you as the scalpel clatters to the ground and blood starts to pour from the cut on your palm.

Fraiser rushes over and starts to take take care of it.

Daniel insists on staying with you, right by your side after that, to act as your voice of reason. But everyone can tell it's just because he's extremely worried.

They keep you both in an isolation room while they try to figure it out.

And poor Daniel has such a hard time keeping you off him. Especially when you whine his name like that. Oh god it hurts his heart.

He himself only has so much self control when it comes to you and he almost finds it amusing how your roles have switched. But you're almost unbearable with the way you kiss him and try to drag him to the bed in the corner.

He knows his lips are going to be chapped by by the end of the day.

O'Neill throws a few teasing jabs at him through the rooms comms, and he nearly loses it when you tell the colonel to go fuck himself.

"Daniel?" He looks at you on the bed from where he leans against the cement wall, "'M tired."

His eyes shift to your outstretched hand.

"I want cuddles." When he hesitates, "Please?"

How the hell is he supposed to say no when you ask him in such a sleepy voice? Maybe Carter should have been your voice of reason, because he really sucks at not giving in to you.

It doesn't take long before he's sat in bed with you, arms wrapped firmly around your body. You pull him in for a sleepy kiss before you nuzzle your face into his neck and fall asleep.

His heart is pounding in his chest. He loves you so damn much. His face in your hair, kissing the top of your head, and your feverish skin against his.

Doc Fraiser comes in a couple hours later and she tells him the effects should wear off in a day or so.

"Another day?" He almost sounds panicked. He definitely can't take another 24 hours of this, he might literally combust.

He switches off with Teal'c before you wake up. That part is imperative. If you woke up and asked him to stay in your tired morning voice he wouldn't be able to leave.

The next day is rather uneventful. The insect's venom wears off and you come out of the whole ordeal relatively unscathed.

O'Neill will absolutely tease you about this for ages.

Taglist: @mysg1spacemonkey @sgcprometheus @i-am-morrigans-apprentice @malcolm-reeds-pineapple @witching-things

Masterlist

#Poor Danny boy can't seem to catch a break #Daniel Jackson #daniel jackson imagine #Daniel Jackson x reader #Gender Neutral #Gender Neutral reader #Prisma Writes #Daniel Jackson x Gender Neutral reader #Daniel Jackson fluff #cuddles!#Thank you Anon #prisma Answers

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thatiranianphantom · 3 years

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I ask this out of pure curiosity (knowing I can look it up) however there is something special about descriptions through a fans eyes. I’ve been seeing all your posts about Wynona Earp for ages and still have no idea what the show is.

As a fan, and me as a total newbie what would be your best description of the show? I’m always looking for new things to watch and seeing the love for it on my dash made me want to know more.

Ooooh I love this question, and I LOVE talking about Wynonna Earp. Also glad to see the WE spam hasn’t turned anyone off of it!

So the Wikipedia version is that Wynonna Earp is a show about the descendants of Wyatt Earp, dealing with a curse on the family originating with him. When the curse’s heir (the oldest living member of the family) turns 27, their role is activated. Think of it as being kind of Buffy-like. Their job is to kill all 77 of Wyatt Earp’s resurrected kills (they’re called Revenants in the show) with a specific gun called Peacemaker. If they kill all 77 the curse ends, but nobody has managed to do that.

Enter Wynonna, played by the AMAZING Melanie Scrofano (who I highly recommend following on Twitter). When the show starts, she’s just coming back to her hometown of Purgatory on her 27th birthday. The show is about her fighting the curse with her younger sister, Waverly, the town Sheriff Nicole Haught, and Doc Holliday.

So on the tin, Wynonna Earp is not a show I would like, but you watch it and fall in love with it. This IS a supernatural show but it is done in a way that’s not too scifi-like?

At its core, the show is about family, both found and blood, and about legacy. Those are central themes of the show. Wynonna loves her sister more than anyone else in her life, and their relationship is just beautiful. Also, the show makes it clear that Wynonna didn’t choose to be the heir, it was literally a curse on her. She says more than once that she feels cheated because she’s never been given a choice in her life. Wynonna herself is just amazing. She’s VERY snarky and guarded, due to a very rough life, and, you know, the whole curse thing. But she and people around her are written and portrayed so sensitively and so beautifully, you just need things to work out for her.

The show has EXCELLENT LGBTQIA+ representation. There are at least 3 LGBT members of the mains, and they are treated just the same as a straight couple would be. The show is incepted and produced by a woman, and is an incredibly feminist show. It’s dark, it’s funny, it’s silly, it’s cheesy and it’s absolutely a ride. There are moments where it is so dumb but also moments where you can see how much love went into this show.

And on that note! The show is Riverdale’s polar opposite in terms of fandom. Generally speaking, the fandom is very positive (if small). The actors and writers just adore this show, their characters, and each other. They are all very interactive with fans, but unlike Riverdale, it’s in such a positive way. The show is basically a love letter to the fans, and the cast is also like a big family.

(also in the latest season they were allowed to say fuck and it was BEAUTIFUL)

I can’t recommend checking the show out highly enough, and if this hasn’t convinced you, might I introduce you to this dialogue from the second episode.

Deputy Marshall Dolls: Alright, let’s go. Don’t blow it.

Wynonna: I never blow jobs without a please first.

#answered #Wynonna Earp #oh please watch this show #I love it so much #thestaredown #I also love this question #We should start a trend #Ask a fan of a show to describe it #Someone who loves the thing will always describe it better

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ultra-violet-hues · 3 years

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Netflix Shows to Catch Up On During Quarantine:

10. The Queens Gambit

The Queens Gambit is not an absolute must watch, but it is a limited series with few episodes, and what else have you got on the go right now? This isn’t the type of show that I would typically be inclined to watch, but I’m glad that I did. It’s about youth, life, death, relationships, success, tragedy and addiction. The show is set in 1950s/1960s America, and has such a cool retro aesthetic that I promise you’ll enjoy watching.

9. You

You has been around for a few years now, but if you haven’t watched it, or you have yet to watch the second season, do it. Finally, a show that depicts how obsessive and stalker-y people can be. This show is so creepy because, aside from some of the major details in the show that I won’t give away, this sort of thing happens to a lot of women. But can we try to refrain from romantisizing the character of Joe Goldberg? It’s weird.

8. Big Mouth

If you’re just looking for something light and funny to watch while you lay in bed, perhaps slightly hungover, you’ve come to the right place. Big Mouth is so accurate in its depiction of adolescence and puberty. It’s so relatable, it will have you recalling your own embarassing middle-school memories. Yes, it’s a cartoon, but even if that’s not your thing, I still think you’ll enjoy it.

7. Schitts Creek

Oh, Schitts Creek, I never thought I would love you so much. Ugh. This show is so good. As a Canadian, I thought we might never have a show this good (lol), and because of that, I was reluctant to watch it. Dan Levy’s creation isn’t just an acception to bad Canadian television shows, it’s actually one of my favourite shows of all time and it has a huge fan base. I’m not sure if I’ve ever cried harder than the finale of this show. Watch it.

6. Dead to Me

This show is just good. That’s all I have to say. Honestly, everyone that I know loves it, people who watch completely different styles of television share this interest. Not only is Dead to Me entertaining to watch and at times hilarious, it’s actually really dramatic and most episodes will leave you hanging to the point that you will have to binge-watch the rest of it. It’s also just really fun to watch such a complex friendship develop between Jen and Judy.

5. House of Cards

Well, after getting through the 2020 election and all of the craziness that followed, Joe Biden is now the president. You likely feel extremely relieved, but if you were used to having your face glued to the TV all day watching Donald Trump’s escapades, you might be needing your fix of political drama. If you have yet to watch House of Cards, now is the perfect time to do it. Or don’t. You could also just give your brain a rest and watch something a bit easier on the mind.

4. The Office

Here we have the perfect example of the fun and lighthearted kind of show to watch in between the more intense shows on this list. The Office is absolutely hilarious and you’ll love getting to know all of the characters. This has always been one of my go-to comfort shows. I like to watch it before I fall asleep because it’s easy and familiar. The only issue with that is when the theme song comes on blaring at 3:00am. (If you know, you know).

3. Crime Scene: The Vanishing at the Cecil Hotel

If you’re in the mood for a crime drama, murder mystery, etc. I recommend watching Netflix’s latest, The Vanishing at the Cecil Hotel. It’s a bit different from other documentaries of it’s kind, but it’s one of the most bizarre and devastating mysteries I have ever heard of. Ultimately, in the end they come to a conclusion, but many people still feel it is suspicious. The doc touches on more than just this particular case, loosely detailing some of the other eerie events that have taken place inside the walls of The Cecil Hotel.

2. Queer Eye

Whenever I’m feeling down or exhausted by the state of the world, and trying to keep up with all that has been happening, I turn to Queer Eye for a dose of positivity. When I put this show on, it changes my mood and outlook on a lot of things drastically. The fab 5 and the “heroes” are a bundle of good vibes that you need in your life, especially during a world-wide pandemic that feels never ending. This show is a welcomed distraction from it all.

1. The End of the Fucking World

I’m not 100% sure why I saved this for #1, but it felt right. What I do know is that The End of the Fucking World is absolutely worth watching. I’m keeping my fingers crossed that they make more seasons, and soon because that wait between season one and two was way too long. This show is so uniquely done, it’s unlike anything I’ve ever watched before. Plus the soundtrack is absolutely amazing. Binge it, you won’t regret it.

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lightblueterracota · 3 years

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hey, about your hermitshipping post, i wanted to weigh in: im of the opinion that people shouldn't do it (it's complicated though)

i actually agree with viewing hermitcraft through a roleplaying lens. there's a lot of character work involved, much like the stuff that doc and ren are doing, helsknight/evil x, plus the fact that anything we see onscreen is something they've chosen to share (so their persona isn't 100% indicative of their irl self). i think it's a gray area for shipping here (all within boundaries of course) and from what i've seen, the hermits have been neutral-positive about the topic for the most part.

the issue is that the people who vehemently defend hermitshipping are usually self described "anti antis" or "proshippers". there are other posts out there that explain why these labels and mentality are so harmful better than i can. bottom line is, a lot of my discomfort comes from the culture surrounding shipping, and the people terminally online trying to justify gross or triggering behavior (in general, not just within this fandom). i try my best to steer clear of it, just block and move on, yknow?

in general though.. shipping real people is just weird to me? in vintagebeef's latest episode he mentioned his wife and like. stuff like that just cements the fact that these are real people and it's strange seeing people take this stuff super seriously.

so that's my take, i hope it made sense. i'll acknowledge the gray area but it still makes me uncomfy, so i filter block and move on

hi there! thanks for taking the time to send in your thoughts, i’m very open and friendly to discussion!!!! i understand and agree with what you say too about fandom culture tbh. i feel like with way social interactions and content consuming works in our current age with the internet, the way we consume media nowadays has become extremely warped. i’ve seen a lot of really well articulated posts describing why those certain fandom “titles” of anti-anti and proship and all that are really harmful and i completely agree that there really is some irredeemable behavior, a lot of justification of some very bizarre and not okay things under the guise of “fandom culture” in general, not even just for mcyters.

i think it all comes down to how one is able to draw the line between a content creator and well… their content! and how to separate them and then when to acknowledge it’s one of the same and not. for me in particular when i look at hermitcraft, i always thought it was very roleplay esque, similar to how actors take on roles in movies as they act out their really fun lore and stories, and as such i look at their minecraft activities as completely separate from what they actually do as people! of any fun pairings i do see in hermitcraft, i absolutely do not see it beyond the realm of minecraft and their characters of them being fun creatures and supernatural beings and things like that. ( personally i love doc’s lore of him being part creeper. that’s so cool )

(also i didn’t know vintagebeef had a wife and kids that’s really cool! i learned recently that impulse has also a wife and kids and some nephews & nieces too, which was really cool and surprising to hear because imo he sounds so young! but anyway.)

it makes me think about for example ren and doc! both of those have joked about rendoc and encouraged it, all within the realm of their storyline lores and stuff. but irl ren has his own girlfriend and doc is also in a relationship & has a baby, and that’s super fun to hear & is completely separated from whatever minecraft activities. especially in a fantasy type of world that i think minecraft is, esp this season will all the lore, it can be really fun to imagine with! but also just really cementing that i don’t see these youtubers in hermitcraft roleplayer servers really any different from an actor taking on a role in a movie ! of course i think these youtubers are also completely entitled to say “hey, i make this content, so please treat my content as such” when they ask for fandoms Not to be shipping and stuff, which i think is completely understandable since youtube content creation IS a bit more personal!

of course that’s my interpretation tho. some people disagree and think that these hermit characters are one and the same with the people making the content (which i can understand, but also it is obvious they tailor their content to BE presented a certain way!). i think the fact that a lot of people have a lot of difficulty finding that line of interpretation and acting on it peacefully is really lost within fandom spaces due to… internet? new age? a variety of reasons probably. so that’s why i’m curious to hear how other people think of it! the thing is, i don’t really think there IS a universal answer for where that line is between content creation and its creator, because literally everyone is different.

thanks for sharing your two cents, i completely agree with you :) i find irl shipping to be pretty invasive and disrespectful of said irl relationships you and i both mentioned, so as such i avoid it. but for me, i don’t see hermitcraft server as irl, but rather it’s roleplaying a lore storyline as these youtubers create their own characters. so while yeah it is a persona made by them, it’s still a fictional and fabricated persona so i don’t really see it as the same as Shipping Them as Content Creators. unfortunately, that causes a lot of rifts between people, & i do wish people could have normal discussions about these kind of things without needing a million disclaimers asking for peace and civility.

#thanks for being civil about this! i really appreciate it #fandom culture really needs to be reevaluated tbh #the way we interact and consume content nowadays had become incressingly more polarized yet the creators that make the content seem to #get increasingly personal and familiar #all while being tailored at the same time #quite weird!#anyway yeah that was basically a very long winded way for me to say i agree i just like having fun with fictional characters and heres why #why* i see hermits as fictional rather than their irl content creator selves #i guess u could say im pro having fun with content but anti dont be weirdos and disrespectful #and that really cant be summarized easily in fandom terms eh #hate the way fandoms always gotta use absolutes 😐#mine

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keyofjetwolf · 3 years

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Bonus Question Answers! (live action heat 1)

I asked a silly question! You gave me incredible answers. SO VERY MANY INCREDIBLE ANSWERS. Now, I present my favourites!

If your answer is listed below, you’ve earned an entry in a random draw to win a GIFTENING liveblog OF YOUR CHOICE

—

Q: You are a showrunner ready to unleash your latest idea into the world: an original series starring yours truly and Doctor Holligay! Today is your meeting with Netflix. Pitch them your brilliant vision.

* A minor chaos avatar meets an unstoppable, pragmatic Jew. They must work together to solve a mystery, while running into all sorts of shenanigans. Both characters have consistent, supportive, loving partners who band together and help mitigate the damages/results of said shenanigans. They end up with an ensemble cast of wacky characters. -- @amberlilly [Oh I DO love a mystery duo, fund it! And with Mike and Jill too, our long suffering clean-up crew, poor things. MUST WATCH.]

* The Gay and the Restless -- Bitty [I NEED ONLY THE TITLE TO KNOW I WANT IT]

* The Women Who Did Everything: A documentary/reality style show, where Jet and Doc get set up to do various things, of any type: Taught to make macarons in France, Barrel racing in Montana, code cracking with a former operative, DDR championship in Tokyo, skydiving, speedboat racing, Drawing with a disney animator, Spartan competitions, etc and their successes and failures are shown, over and over again, as they go through their quests to Learn and Do everything. Plenty of opportunities for one or the other to fail, and at the end of every episode, there's a fireside chat/giving each other shit session about what they learned, how they did, and the audience vote on which was the "winner" -- @docholligay [I know you’ve got the advantage as half of this question, but fuck me, I DO WANT THIS.]

* Doc Holligay's Finishing School--who will break first, the sharp, confident Doc? Or her clumsiest student yet? A battle of wit, broken china, and self-inflicted wounds. People will be on the edge of their seats, wondering if Jet managed to finish a class, if she can pass it, and not sure if they're praying for her to win or just survive. -- @kumeko [This is it, this is the reality show we all deserve. Especially Holligay.]

* Trainers at rival magical girl academies. -- rain [OUR DIFFERING STYLES ALONE I LOVE THIS CONCEPT]

* I'm always a sucker for mixing entertainment with education. So what I propose is a competition show. Similar to a triathlon each part will have something Doc is good at, something Jet is good at, and something neither of you is good at. For the pilot episode, I propose the first part being setting up and using a blue-ray player, followed by baking challenge, with the challenge being an endurance of watch of Neon Genesis Evangelion. I call it "The Extreme Yuriathon" -- @shavedjudomonkey [The sleeper hit of the year, calling it now. SHE’LL BE SO FRUSTRATED BY THE BLU-RAY IT’LL BE GREAT]

---

I’ll be drawing for the bonus liveblog around the start of THE GIFTENING 2020 (currently looking to be Monday, 11 January 2021). Each bonus question is another chance to earn an entry! I CAN ABSOLUTELY AND SHAMELESSLY BE BOUGHT.

#THE GIFTENING 2020 #THE GIFTENING 2020 admin shit #THE GIFTENING 2020 bonus q

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alipeeps · 3 years

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New tag game: Post pictures of your first ever (fictional/celeb) crush to the latest one and tag five others to continue the game

Thanks to @minmoyu for tagging me and ooof, are you sure you’re ready for this?!! :D I have been around/in fandom for a loooooong time and at first I thought, okay, no way I can list all my crushes, there have been SO many and we’ll be here all day but then as I started compiling a list I found I was having fun reminiscing and decided, what the heck, yeah, let’s do em all... or at least all I can remember! :D

There have absolutely for sure been other more minor crushes and passing fancies along the way, but these are the big ones that I remember (and that, in more recent years, I can track by going through my posted fanfics on AO3 and even *shudder* FFNET and seeing which shows I was into enough to want to write fic about the characters).

[Quick note: with rare exceptions, for actors I am listing them by the character they played rather than just the actor. Whilst there are actors that I like in multiple roles (and conversely, characters who on paper I would normally be into but are played by actors who do nothing for me, and hence the character generally does nothing for me either), for the most part it is the character I really have the crush on.]

I’m going to put this under a readmore cos it has gotten ridiculously long:

So... without further ado:

1. MORTEN HARKET from a-ha - OKay so, dating myself badly here but... I had the *biggest* crush on Morten Harket when I was a teenager. Pretty much the entirety of my side of the bedroom I shared with my sister was covered in posters of a-ha, and Morten in particular. I even had a heart-shaped Morten Harket pillow! :D I loved a-ha’s music (still do!) and I wanted to go see them in concert when I was 14 but my parents wouldn’t let me (*sob*). I did finally get to see them in concert in the early 2000s and they were BRILLIANT live (and Morten was still very very pretty)!

2. RICHARD DEAN ANDERSON as MACGYVER - MacGyver is the first tv character I remember being really into and having a crush on, to the extent that I would record episodes of the show off the tv (onto VHS tape - yes, I am *that* old!) so that I could rewatch them (especially the ones where he got hurt - yeah, I was a whumper even then! :D)

3. KEIFER SUTHERLAND - One of my rare exceptions. I think I first saw him in Lost Boys (and loved him in that film) but it was his role as Doc Scurlock in Young Guns that really made me fall for both the character and him. I definitely remember seeking out any and all films he was in and buying any magazine he was interviewed in (and knowing far more facts about him than was probably healthy! :D) and even drawing a fanart portrait of him. :)

4. KYLE MACLACHLAN as SPECIAL AGENT DALE COOPER - I remember hearing about Twin Peaks before it started airing in the UK and it sounded so different and interesting... I watched it from the very first episode and very quickly developed a crush on Coop.

5. BRENT SPINER as DATA - I think ST: TNG had been airing for a while before I stumbled across it but I quickly became hooked and Data was my favourite character right from the start. I definitely remember at one point buying an (unofficial) episode guide book so that I could look up which episodes were good Data-focused ones (especially ones where he got hurt! :D) so I could go out and buy the videos that had those episodes on (at the time the show was available to buy on VHS-tape with 2 episodes on each tape).

6. DAVID DUCHOVNY as FOX MULDER - Another show that I heard the buzz about and started watching right from the start and, like so many others, I immediately developed a crush on the snarky, enigmatic, troubled FBI agent with the weird name. The X-Files was the first show I ever tried writing (one, never-finished) fanfic for.

7. PAUL GROSS as BENTON FRASER - Man, Due South was such a good show! It was so quirky and clever and funny and Benton Fraser, with his huge heart and his serious demeanour and his gorgeous blue eyes, was just so darn attractive! He also got whumped a fair bit too! :D Due South was also the show that introduced me to the music of Sarah McLachlan (I was enough of a fan that I bought the show soundtrack on CD).

8. HUGH LAURIE as DR GREGORY HOUSE - This was a bit of an odd one for me because I had grown up knowing Hugh Laurie solely as a comedian/comic actor, known mostly for playing buffoons and genial idiots. And suddenly here he was with stubble, an American accent, and a limp, and he was hawt AF! :D It caused quite the feedback loop in my brain for a while which pretty much went “Wow, House is hot.... but it’s Hugh Laurie... but he’s hot... but it’s HUGH LAURIE!!1!”

I *loved* House (the first few seasons, at least) and oof a character with persistent pain (and a self-destructive streak a mile wide!) was a whumper’s dream. House was the first show for which I wrote - and published online - completed fanfics.

8. JOE FLANIGAN as JOHN SHEPPARD - Stargate Atlantis was my first proper online fandom, the first show I prolifically and repeatedly wrote fanfic for, and the first time I ever met in person an actor I was a big fan of (and while the show was still airing, to boot!). It was also my first introduction to the online community of whumpers! A bunch of us from the Shep Whump thread on Gateworld heard that Joe was going to be at a convention in London and we decided to book hotel rooms and meet up and go to the convention together and it was AWESOME! I can still remember seeing Joe *in person* for the first time and just,,,, struggling to believe he was actually here, in person, in front of me! He was super super lovely and humble too and took time to chat to everyone at the signing table and I clearly remember my brain just pretty much fritzing out during the photo session and being intensely aware of the sensation of Joe’s hand on my shoulder....

It was also super lovely to meet fellow fans, and online friends, in person for the first time and we had so much fun, and it kickstarted me going to lots of other conventions, including specific Stargate/SGA ones where I got to know lots of other lovely fans and online friends. I’ve met Joe about 4 or 5 times in total now and he’s been lovely every time.

9. PAUL BLACKTHORNE as HARRY DRESDEN - Gosh I loved the shortlived tv adaptation of The Dresden Files. I loved the fantasy aspect, the stories, the humour, and I especially loved Harry Dresden and how often he got whumped! :D

10. DAVID TENNANT as THE 10TH DOCTOR - I had watched the Christopher Ecclestone revival of Doctor Who and enjoyed it well enough but I can clearly remember watching David Tennant’s first episode as The Doctor - on Christmas Day, at my brother-in-law’s house - and being aware, as I watched it that... ooookay, yes, I’m in trouble here... I like him... I like him a lot... :D I mean, I’m sure the fact that he got whumped so thoroughly in his very first episode had nothing to do with how quickly I fell for him... right? :)

11. ALEX O’LAUGHLIN as MICK ST JOHN - Another show that ended far too soon and just as it was getting *seriously* good. But also a prime example of my point about having a crush on the character not the actor. I looooooved Alex as Mick St John... and yet in Hawaii 5.0 he pretty much does nothing for me (the character is too stoic and the whump often too unrealistically glossed over). Anyway, in Moonlight he was my favourite kind of character - angsty, brooding, dangerous AF when he needed to be... and essentially immortal so you could whump the heck out of him and he’d recover so you could whump him again! :D

12. SIMON BAKER as PATRICK JANE - There is so much to love about Patrick Jane... his smarts, his sass, his angst... and Simon is a rare “against type” blonde crush for me (you may have noticed by now that most of my crushes follow a similar physical aesthetic - tall, slim/wiry, and dark-haired) and again here I think my crush is almost all to do with the character rather than the actor.

12. BENEDICT CUMBERBATCH as SHERLOCK HOLMES - I’m almost ashamed to admit it, given the clusterfuck that both the show and its fandom became, but in the earlier seasons I had quite the crush on Benedict’s Sherlock (and okay, a little bit on Benedict himself - I did definitely enjoy some of his other roles too). It helps that I was already a huge fan of the Sherlock Holmes character (I’ve read all the stories and novels multiple times and was a big fan of the Granada adaptation starring Jeremy Brett - whose Holmes would definitely count as one of my more minor/passing crushes) already. Benedict is another crush that I have met in person, at a (actually, the first!) Sherlock convention and he was lovely in person - very genuine, very articulate and thoughtful.

13. TOM MISON as ICHABOD CRANE - I was excited for Sleepy Hollow as soon as I heard about it and I was SUCH a fan for the first couple of seasons (before TPTB completely destroyed it and it inevitably got cancelled (I didn’t even watch the last season and a half)) and Tom’s Ichabod (and his amazing chemistry with Nicole’s Abbie) was a large part of why. I also quickly became a big fan of Tom himself as he came across as so witty and self-deprecating and *fun* in all the behind the scenes/convention clips etc. I was lucky enough to also meet Tom at a convention and he genuinely is that witty and charming and lovely.

14. TOM WISDOM as ARCHANGEL MICHAEL - I think Dominion was possibly the first show that I got sucked into by seeing whumpy gifsets on tumblr! :D It was such a great show and also to date the most immersive, welcoming, cast-and-crew-interactive fandom I have ever been in. The cast and crew regularly live-tweeted the episodes, and interacted with fans on Twitter, and it was SO much fun. And Tom’s Michael was my favourite character right from the start - seemingly aloof but so much going on under the surface... and some really nice whump, especially in season 2! I was heartbroken when it was cancelled after only 2 seasons (and just as the plot was getting *really* interesting).

15. OLIVER JACKSON-COHEN as LUCAS - I was hooked on Emerald City right from the first episode. It was visually stunning, so atmospheric, and really intruiging. I love love loved Adria Arjona’s Dorothy (ngl, I had a bit of a crush on her too) and she and Lucas together were just... *chef’s kiss*. I mean... what an introduction to a character... she finds him crucified, bleeding, his wrists tied with barbed wire, and amnesiac.... and the whump only gets better and better from there on in! Like the entire first two episodes are just... Lucas whump! :D And his devotion to her... Emerald City was honestly the first show where I really got into a ship. I was *invested* in Dorcas, dammit! Aaaand sadly another excellent show that never made it past its first season.

16. JASON RALPH as QUENTIN COLDWATER - Another show that I watched right from the start, was heavily invested in.... and that the writers absolutely tanked and destroyed in later seasons. *cries* Quentin was such a brilliant viewpoint character for the show and I loved his awkwardness, and his angst, and his enthusiasm, and his adorable floppy hair... and how often he got whumped!

17. COLIN MORGAN - I fell for Colin in Merlin (which I stumbled upon late, long after it had finished airing, and hence was able to binge-watch the entire 5 seasons!) and liked him enough to seek out his other works, such as The Fall, and Humans, and The Living and the Dead, and he was brilliant (and very pretty) in all of them... and his characters also seem to get whumped quite a lot! :D

18. MATT LANTER as WYATT LOGAN - Wyatt was another of my favourite archetypes... absolutely badass and competent... but also tortured and angsty and capable of intense devotion. Another show that I watched because of whumpy gifs on tumblr and the second ever show where I actually got invested in a ship - Lyatt all the way, baby!! :D - aaaaaand yet another show cancelled before its time.

19. NOCTIS LUCIS CAELUM from FINAL FANTASY XV - my very first video game crush! I was recommended to play FFXV by fellow whumpers on the whumpshire discord because it was whumpy... and they were not wrong and I loved the game and I absolutely adored Noctis. FFXV is one of very very VERY few video games that I have actually played right through to the end. And possibly the only video game that has ever affected me to such an extent... I became so invested in the characters and their world and I actually found the last couple of chapters really hard to play because it was actually upsetting me emotionally. I had to take a break for a couple of weeks before I could go back and finish it!

20. CONNOR from DETROIT BECOME HUMAN - and from there I jumped straight into another video game crush! DBH was another game recommended to me for its whump potential and I, and many others, immediately fell in love with the quirky, sassy, self-sacrificing (if you play the game right!) “android sent by Cyberlife”. The game itself is really good too... although, I have tried to play through all the different endings to the story but have never yet managed to make myself play the machine Connor storyline.... I want to complete all the story branches... but I also just want Hank and Connor to be friends and to be happy! :D

21. ZHU YILONG - Ahhh... the beginning of the asian drama arc of my fandom life! I first came across Zhu Yilong after getting sucked into watching Guardian because of pretty (and whumpy) gifs on tumblr... and I’ve never looked back. He is one of the rare entries where I am pretty much guaranteed to like him in pretty much anything he does and my crush extends beyond Shen Wei, or his other characters, and into reblogging his fashion shoot photos, and keeping up with news of his work in general. He’s just... so darn pretty! And also so... blur! :D And the behind the scenes stuff and interviews of him with Bai Yu, during the Guardian era, just made me fall for him all the more. He’s also ridiculously talented - not only a fantastic actor, but a really good singer (I love his singing voice), he plays guitar and piano, and he can paint too!!

He’s also pretty much what made me start learning Chinese... because after Guardian I went seeking his other dramas to watch... only to find that many of them are only partially, or not at all, subbed. So I thought... why not try learning Chinese and then I’ll be able to watch his other shows? :D

21. JI CHANG WOOK - My first kdrama crush, and what a good one to start with! Healer was the first drama I ever watched and can you blame me for falling for JCW... especially when I followed up Healer with The K2?! I’ve liked him in pretty much everything I’ve watched him in. Although I do wish he would go back to doing more action-based shows as he is sooo good at them... but he seems to prefer the romcom genre these days, which is something I am nottt always a fan of tbh.

22. JAKE HSU as MENG SHAO FEI - Yet another show that I got sucked into by tumblr - and also one with a great, fun fandom through which I met lots of lovely people who I still follow/am mutuals with to this day. I just *adored* Jake’s character in History and I also loved the ship - Tang Fan and Meng Shaofei were awesome and adorable together and I was totally invested in both the ship and the gangster/cop/what happened years ago story happening alongside the ship. And Jake is just all kinds of cute.

23. XIAO ZHAN - Aaaand we are pretty much up to current day now... where The Untamed took over my life in the summer of 2019 and has yet to let me go. Xiao Zhan is another disgustingly talented human being - a fantastic singer and a really good actor, and also an artist - and he also just comes across as a genuinely sweet and charming person, and a very thoughful and earnest one too. And lbr he is ridiculously pretty, and his smile is just pure sunshine.

24. LEE DONG WOOK as LEE YEON - The most recent entry to the charts.... a Korean actor I was aware of but whose work I hadn’t watched and whose looks didn’t particularly seem to grab me... until I watched Tale of the Nine Tailed and fell head over heels for Lee Yeon (and daaayum does red hair suit LDW!!) and very quickly began to find LDW’s looks very appealing (and oh my, does Lee Yeon whump well!!). And yes, I have now started watching Goblin. :D

Phew! Aaaand we are done! I’ll admit, I did think of a few more as I was compiling this list but I decided to categorise them as more “minor” crushes and not include them... otherwise we really could be here all day!!

I’m going to tag: @sarah-yyy, @arlothia, @howdydowdy, @thepromiseweheldforlife and @the-wandering-whumper!

#meme #fandom #crushes

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davidmann95 · 4 years

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Superman’s 10 Best of the ‘10s

Good Miracle Monday, folks! The first third Monday of May of a new decade for that matter, and while that means that today in the DC Universe Superman just revealed his secret identity to the world on the latest anniversary of that time he defeated the devil, in ours it puts a capstone on a solid 10 years of his adventures now in the rear view mirror, ripe for reevaluation. And given there’s a nice solid ‘10′ right there I’ll go ahead with the obvious and list my own top ten for Superman comics of the past decade, with links in the titles to those I’ve spoken on in depth before - maybe you’ll find something you overlooked, or at least be reminded of good times.

A plethora of honorable mentions: I’m disqualifying team-ups or analogue character stories, but no list of the great Superman material of the last decade would be complete without bringing up Cave Carson Has A Cybernetic Eye #7, Avengers 34.1, Irredeemable, Sideways Annual #1, Supreme: Blue Rose, Justice League: Sixth Dimension, usage of him in Wonder Twins, (somewhat in spite of itself) Superior, from all I’ve heard New Super-Man, DCeased #5, and Batman: Super Friends. And while they couldn’t quite squeeze in, all due praise to the largely entertaining Superman: Unchained, the decades’ great Luthor epic in Superman: The Black Ring, a brilliant accompaniment to Scott Snyder’s work with Lex in Lex Luthor: Year of the Villain, the bonkers joy of the Superman/Luthor feature in Walmart’s Crisis On Infinite Earths tie-in comics, Geoff Johns and John Romita’s last-minute win in their Superman run with their final story 24 Hours, Tom Taylor’s quiet criticism of the very premise he was working with on Injustice and bitter reflection on the changing tides for the character in The Man of Yesterday, the decades’ most consistent Superman ongoing in Bryan Miller and company’s Smallville Season 11, and Superman: American Alien, which probably would have made the top ten but has been dropped like a hot potato by one and all for Reasons. In addition are several stories from Adventures of Superman, a book with enough winners to merit a class of its own: Rob Williams and Chris Weston’s thoughtful Savior, Kyle Killen and Pia Guerra’s haunting The Way These Things Begin, Marc Guggenheim and Joe Bennett’s heart-wrenching Tears For Krypton, Christos Gage and Eduardo Francisco’s melancholy Flowers For Bizarro, Josh Elder and Victor Ibanez’s deeply sappy but deeply effective Dear Superman, Ron Marz and Doc Shaner’s crowdpleasing Only Child, and Kelly Sue DeConnick and Valentine DeLandro’s super-sweet Mystery Box.

10. Greg Pak/Aaron Kuder’s Action Comics

Oh, what might’ve been. In spite of an all-timer creative team I can’t justify listing this run any higher given how profoundly and comprehensively compromised it is, from the status quo it was working with to the litany of ill-conceived crossovers to regular filler artists to its ignominious non-ending. But with the most visceral, dynamic, and truly humane take on Clark Kent perhaps of all time that still lives up to all Superman entails, and an indisputably iconic instant-classic moment to its name, I can’t justify excluding it either.

9. Action Comics #1000

Arguably the climax to the decade for the character as his original title became the first superhero comic to reach a 1000th issue. While any anthology of this sort is a crapshoot by nature, everyone involved here seemed to understand the enormity of the occasion and stepped up as best they could; while the lack of a Lois Lane story is indefensible, some are inevitably bland, and one or two are more than a bit bizarre, by and large this was a thoroughly charming tribute to the character and his history with a handful of legitimate all-timer short stories.

8. Faster Than A Bullet

Much as Adventures of Superman was rightfully considered an oasis amidst the New 52′s worst excesses post-Morrison and in part pre-Pak, few stories from it seem well-remembered now, and even at the time this third issue inexplicably seemed to draw little attention. Regardless, Matt Kindt and Stephen Segovia’s depiction of an hour in the life of Superman as he saves four planets first thing in the morning without anyone noticing - while clumsy in its efforts at paralleling the main events with a literal subplot of a conversation between Lois and Lex - is one of the best takes I can recall on the scope on which he operates, and ultimately the purpose of Clark Kent.

7. Man and Superman

Seemingly geared on every front against me, built as it was on several ideas of how to handle Superman’s origin I legitimately hate, and by a writer whose work over the years has rarely been to my liking, Marv Wolfman and Claudio Castellini’s Man and Superman somehow came out of nowhere to be one of my favorite takes on Clark Kent’s early days. With a Metropolis and characters within it that feel not only alive but lived-in, it’s shocking that a story written and drawn over ten years before it was actually published prefigured so many future approaches to its subject, and felt so of-the-moment in its depiction of a 20-something scrambling to figure out how to squeeze into his niche in the world when it actually reached stores.

6. Brian Bendis’s run

Controversial in the extreme, and indeed heir to several of Brian Bendis’s longstanding weaknesses as a writer, his work on The Man of Steel, Superman, and Action Comics has nevertheless been defined at least as much by its ambition and intuitive grasp of its lead, as well as fistfuls of some of the best artistic accompaniment in the industry. At turns bombastic space action, disaster flick, spy-fi, oddball crime serial, and family drama, its assorted diversions and legitimate attempts at shaking up the formula - or driving it into new territory altogether, as in the latest, apparently more longterm-minded unmasking of Clark Kent in Truth - have remained anchored and made palatable by an understanding of Superman’s voice, insecurities, and convictions that go virtually unmatched.

5. Strange Visitor

The boldest, most out-of-left-field Superman comic of the past 10 years, Joe Keatinge took the logline of Adventures of Superman to do whatever creators wanted with the character and, rather than getting back to a classic take absent from the mainline titles at the time as most others did, used the opportunity for a wildly expansive exploration of the hero from his second year in action to his far-distant final adventure. Alongside a murderer’s row of artists, Keatinge pulled off one of the few comics purely about how great Superman is that rather than falling prey to hollow self-indulgence actually managed to capture the wonder of its subject.

4. Superman: Up In The Sky

And here’s the other big “Superman’s just the best” comic the decade had to offer that actually pulled it off. Sadly if reasonably best-known for its one true misfire of a chapter, with the increasing antipathy towards Tom King among fans in general likely not helping, what ended up overlooked is that this is a stone-cold classic on moment of arrival. Andy Kubert turns in work that stands alongside the best of his career, Tom King’s style is honed to its cleanest edge by the 12-pager format and subject matter, and the quest they set their lead out on ends up a perfect vehicle to explore Superman’s drive to save others from a multitude of angles. I don’t know what its reputation will end up being in the long-term - I was struck how prosaic and subdued the back cover description was when I got this in hardcover, without any of the fanfare or critic quotes you’d expect from the writer of Mister Miracle and Vision tackling Superman - but while its one big problem prevents me from ranking it higher, this is going to remain an all-timer for me.

3. Jeff Loveness’s stories Help and Glasses

Cheating shamelessly here, but Jeff Loveness’s Help with David Williams and Glasses with Tom Grummett are absolutely two halves of the same coin, a pair of theses on Superman’s enduring relevance as a figure of hope and the core of Lois and Clark’s relationship that end up covering both sides of Superman the icon and Superman the guy. While basically illustrated essays, any sense of detached lecturing is utterly forbidden by the raw emotion on display here that instantly made them some of the most acclaimed Superman stories of the last several years; they’re basically guaranteed to remain in ‘best-of’ collections from now until the end of time.

2. Superman Smashes The Klan

A bitter race for the top spot, but #2 is no shame here; while not quite my favorite Superman story of the past ten years, it’s probably the most perfectly executed. While I don’t think anyone could have quite expected just *how* relevant this would be at the top of the decade, Gene Yang and Gurihiru put together an adventure in the best tradition of the Fleischer shorts and the occasional bystander-centered episodes of Batman: The Animated Series to explore racism’s both overt and subtle infections of society’s norms and institutions, the immigrant experience, and both of its leads’ senses of alienation and justice. Exciting, stirring, and insightful, it’s debuted to largely universal acknowledgement as being the best Superman story in years, and hopefully it’ll be continued to be marketed as such long-term.

1. Grant Morrison’s Action Comics

When it came time to make the hard choice, it came in no small part down to that I don’t think we would have ever seen a major Golden Age Superman revival project like Smashes The Klan in the first place if not for this. Even hampering by that godawful Jim Lee armor, inconsistent (if still generally very good) art, and a fandom that largely misunderstood it on arrival can’t detract from that this is Grant Morrison’s run on a Superman ongoing, a journey through Superman’s development as a character reframed as a coherent arc that takes him from Metropolis’s most beaten-down neighborhoods to the edge of the fifth dimension and the monstrous outermost limits of ‘Superman’ as a concept. It launched discussions of Superman as a corporate icon and his place relative to authority structures that have never entirely vanished, introduced multiple all-time great new villains, and made ‘t-shirt Superman’ a distinct era and mode of operation for the character that I’m skeptical will ever entirely go away. No other work on the character this decade had the bombast, scope, complexity, or ambition of this run, with few able to match its charm or heart. And once again, it was, cannot stress this enough, Grant Morrison on an ongoing Superman book.

#Superman #Miracle Monday #Opinion

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goodshipsherlollipop · 4 years

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Self-interview (but not really)

When I heard about @sherlollyappreciationweek hosting a self-interview event, I thought it would be fun to participate, so people could get to know me better as an author. But, instead of doing a self-interview, I approached some of my readers and asked them to pose questions for me to answer.

I’m not aiming at making this about me personally. It’s all about me as an author. If you want to know about who I really am outside of my writing, feel free to chat with me privately.

The name of the person asking the questions will precede each section. As this interview is rather long, I will do it in two parts.

MossRose10

Q: What personal experiences or skills (in broad strokes), besides your faith, have influenced what you write about for your characters?

A: I know I see Molly differently than most people, in a more wholesome way. When I look at her character on the show, she doesn't seem the type to have a long sexual history, but instead, seems to be someone who has devoted her life to becoming the best pathologist she can be. I adore her character, and to be honest, I put a lot of my own traits into her - including her love of singing and faith. My post TFP Sherlock has had his true nature restored by the events of Sherrinford. Thus, he is emotionally stable and able to love Molly deeply. I can write him that way because I happen to have a romantic, loving husband (lucky me!). A lot of times in my married stories, I draw on experiences I've had that I have fictionalized for the characters. I usually refer to these in author’s notes. I also love writing about their children, and put a lot of thought and personal experience into writing for them from watching my own daughters grow.

As for the other characters, I just write them the way I feel reflects their personalities best from what I’ve observed in the show, working on fleshing out their characters more as I’ve continued 3 years worth of storyline beyond TFP. For example, my version of Mycroft has mellowed a lot and married Lady Smallwodd, and John has also become a Christian and is remarried with a son.

Q: What kinds of characters do you find most challenging to write, and what strategies do you use to write them?

A: I don’t think I necessarily have a lot of issues in writing the canon characters because I have watched the show so many times I feel I know them personally. Probably the most challenging thing is writing for OC’s or peripheral characters I may have brought into a story that we haven't seen a lot of (like Billy Wiggins or Philip Anderson). I must admit, I have written very little about Moriarty, because most of my stories take place after his death.

dmollyc

Q: What character is hardest to write?

A: I kind of addressed this one in the above answer, but I do think I'd find it difficult to write for Moriarty because I'm not sure how well I could get into the psyche of a deranged madman!

Q: Do you get any nasty reviews?

A: Thankfully, not many. Most of the negative ones are people reacting to a story out of context. They will read a story in the middle of my chronological timeline and then complain that the characters are OOC. When I write my continuing stories, I assume that people are familiar with the characters as I’ve written them already, so this can cause confusion.

Because of the Christian themes, I have lost readers who object to the theology I present through my characters. Obviously, I will not please everybody.

But generally speaking, people are very kind about my work when they review it, and I especially love the reviewers who immerse themselves into my world of Sherlock and Molly and embrace my post-TFP version of them.

Q: What do you like best about your stories?

A: Probably what I like best is that I've found a unique niche in the fandom in creating a whole Christian theme, and writing a lot of different stories with the same theme. I've not seen anyone else doing that (although I'd love to see it done by others).

I enjoy writing my own continuing post-TFP happy ending for Sherlock and Molly, expanding their universe and that of the other characters from Sherlock as well.

Also, I enjoy showing Molly as someone with a belief in saving herself for marriage. It's not going to be a popular idea for the general population, but I know many Christians can relate to that desire to keep sex for that special someone rather than experimenting with every boyfriend they date.

I also think I do a pretty good job in writing love scenes that are steamy, but still clean, although I’m aware that some readers are more sensitive who find them too steamy. I write using my own inner guide for how far to take things in the bedroom. Some stories are definitely steamier than others, but there are certain graphic terms I will never use in my writing because I feel they cross the line of my own comfort zone.

Chelseamh98

Q: How have you overcome the challenges of your vision impairment?

A: This is definitely an ongoing process for me. When I began writing, my proofreading would just consist of looking over the chapter a couple times to try to errors. I have issues when typing on my iPad because of the flat keyboard surface. That means I often type a word incorrectly. To help compensate for that, I have hundreds of words in my “text replacement” section, so that certain words I often mis-type automatically correct to the right word. I have a bad tendency to hit the M instead of N or vice versa, for example. A few months after I began publishing, someone suggested I use a text-to-speech app to help me identify incorrectly spelled words. That did help. I copy a chapter into the text-to-speech app and watch my chapter in a split screen as I listen to the words. That has been a big help. Then, this year, I discovered a free website called prowritingaid, which I now use as another editing tool, and it identifies even more spelling and grammar errors. So now I find myself writing, proofreading as I go along several times as I write. When the chapter is finished and I am ready to publish, I do another visual read. Then I use the prowritingaid site as another editing step. After that, I use the text-to-speech app and listen as I read. Finally, I copy the whole thing into Google Docs, add italics and bold type and glance through the chapter again to see if Google Docs has discovered any more errors. It's a very long process, believe me, and it takes so much longer to do the editing and proofreading than to write! For me, the writing part is easy!

Q: Does it (visual impairment) affect the way you write?

A: Physically, yes. I cannot use a computer, because I need to be inches away from the screen to see what I am doing. Sometimes I will sit at a table and write, but usually, I put three cushions on my lap and sit my iPad on top. Over time, that method has caused me to have pretty severe tendonitis, but I have no other way to write, and it's worth the pain to keep writing! Currently, I am also dealing with frozen shoulder as part of the physical issues.

Also, I have to enlarge my text to write. I use the Colored Note app for my chapters, set to the maximum size of 36, and when I go into Google Docs, I set the size to 25 so I can read it.

Q: What part about writing do you find the most challenging? What’s the easiest?

A: As I mentioned above, the most difficult part is definitely the editing/proofreading process because I have to work so much harder than a normally sighted person, and it takes up a huge chunk of time.

Also, I am very particular in trying to write realistic fiction whenever possible. That means a ton of research. For example, in my story where Molly was shot, Confronting Evil and the Truth, I researched a lot about gunshot wounds and how to care for them. In A Honeymoon Journey, my characters went to Stratford-upon-Avon, and I researched that location thoroughly for many of the chapters. In my latest COVID-19 series, I have followed the pandemic closely in the UK and have added many real situations that have happened there. Research, research, research!

The easiest part is definitely writing the story itself, especially dialogue. I can hear the characters in my head telling me what to write. I rarely suffer from writer’s block, unless I am trying to think about how to write a mystery or crime and how to resolve it.

Aslan's Princess

Q: Where do you find inspiration? Is it something specific? Or multiple things?

A: I find inspiration mainly in two areas. First, from watching episodes over and over and analyzing them. Second, I also find inspiration in my own life, in bringing in real experiences I am familiar with (such as pregnancy and childbirth). Occasionally I will read a story or a review where someone tells me something that sparks my imagination. My current WIP, The Good Book, was actually inspired by a gif-set one of my readers, Penelope Chestnut showed me. It got me wondering what would happen if Sherlock suddenly discovered the Bible (shown in TBB) in his bookcase and decided he wanted some answers about the meaning of life.

Justwritebritt

Q: What drives you to keep writing?

A: Certainly, one of the most motivating factors is hearing from readers who enjoy my work. Readers generally have no clue what kind of power they possess when it comes to encouraging a writer to keep going. A pat on the back is always a good thing. I wish more people could understand that.

Aside from that, though, I feel a calling from God to keep writing. I like sharing my faith through Molly (and Sherlock). My hope is that people will find my stories inspiring and encouraging.

Q: What/Who can you absolutely not write without?

A: I cannot write without my iPad. I use it not only to write, but to research and to watch Sherlock on Netflix. it's my all-in-one resource!

Q: What is your favorite story you've published so far?

A: I will always love A Journey to Love, Faith and Marriage, because it is the “mothership” from which all my other stories spring, but my writing technique was not great at the beginning; there’s an obvious improvement in later chapters. But, I am also very fond of Sherlock’s Dream of What Might Have Been. That one tells a story of Sherlock and Molly meeting in uni, and then jumps to the canon, inserting a secret relationship (and child) throughout the series canon. I put a lot of thought into filling in Season 4 backstory as well.

Q: What (in vague terms) story are you looking forward to telling next?

A: I have a few stories in the pipeline that I am looking forward to sharing. One that steps away from the overt Christian themes is a Pretty Woman AU. I haven't seen anyone attempt an AU for that movie, and I look forward to sharing it. Perhaps it will spark interest with a few more readers because it isn't heavily weighted on the Christian theme scale, but is merely one of my more whimsical, creative story ideas. It is the first story I have written that combines elements from both a movie and the Sherlock narrative.

I also have a couple of one-shots that I will publish in the timeline of my WIP Journey to a New Home, one,that deals with the topic of divorce using a Biblical perspective, plus one that sheds light on the subject of depression.

End of Padt 1.

#sherlollyappreciationweek #sherlollyselfinterview20 #interviews20

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The Weekend Warrior 5/7/21: WRATH OF MAN, HERE TODAY, THE UNTHINKABLE, MONSTER, THE WATER MAN and More

It’s a new month, and I guess going by previous years pre-COVID, this weekend would normally be the start of summer. This year, we’re instead getting a summer with a lot of movies that would normally be dumped into April or February or some other uneventful month. That doesn’t mean that there aren’t or won’t be any good movies, but really, there’s nothing that feels like a summer movie until A Quiet Place Part II and Disney’s Cruella open on Memorial Day weekend.

There’s been lots of great developments, though, including the Alamo Drafthouse in Brooklyn reopening this Friday and then in a few short weeks, theaters may be allowed to be open with no capacity rules although social distancing and masks will probably still be in place. Believe me, it’s been a confusing week as the city that got used to being on the backburner when it comes to reopenings, especially with movie theaters, is now dealing with arguing politicians competing to see who could throw open the then most doors fastest. It’s actually pretty embarrassing.

That aside, this week’s The Weekend Warrior column is brought to you by the new album “Coral Island” from Liverpool band The Coral, which I’ve decided to listen to on loop until I finish this column, because it’s taking me so long to get through it. (Eventually, I switched to Teenage Fanclub’s “Endless Arcade,” since I hadn’t had a chance to listen to it yet…. And to an old standby, Royal Blood, with their own excellent new album, “Typhoons.” At least the record business seems to know it’s the summer!)

Before we get to this week’s new movies, a couple tidbits. First of all, I’m thrilled that my friends Larissa Lam and Baldwin Chiu’s documentary FAR EAST DEEP SOUTH can finally be seen by the entire world, or at least the United States. It debuted on PBS World Channel on Tuesday night as part of the “America ReFramed” series, but for the entire month of May until June 3, you can watch it On Demand HERE, and that is huge! (There will be other ways to see it that you can read about here.)

This is an amazing MUST-SEE doc that looks into the little-known Chinese communities that took root in Mississippi in the early 20th Century and how they became such a huge part of that area with their markets, also bonding with the African-American communities that were similarly dealing with racism from the typically white post-Civil War South. It’s not just a history lesson, and it’s an incredibly moving story about a family trying to find its roots in the most unexpected places. There was a good reason why the couple’s short “Finding Cleveland” won the Oxford Film Festival while I was on the jury that year, and Far East Deep South similarly won an award there last year after its World Premiere at Cinequest was almost scuppered by COVID. It’s amazing how much more relevant and important this film has become since I first saw it last year, since both Asians and African-Americans are dealing with serious racial issues, and this movie shows that more than anything, they should be working to boost each other rather than fighting. Do check it out On Demand this month if you get a chance!

Another musician making movies is Mr. Dave Grohl of the Foo Fighters. I mentioned his documentary WHAT DRIVES US last week, but I actually only got to watch it on Thursday, and like his previous film Studio City and HBO mini-series, Sonic Highways, it’s a fantastic look at the music biz, this time through a variety of artists who began their careers by piling into vans and driving around the country. That is, except Lars Ulrich from Metallica, who mentions that the band was never so small or indie that they didn’t have a bus. But Grohl has used his vast connections to bring in a lot of great musicians including The Edge from U2, Flea from the Red Hot Chili Peppers, and more, making this a very entertaining movie both for fans of the various bands but also live music fans in general. I gotta admit that as much as I loved What Drives Us, it did bring me down a bit since it’s been almost 14 months since I’ve seen any live music, and I really miss it. This is now streaming on The Coda Collection, which you can subscribe to through Amazon Prime Video.

Guy Ritchie is back with his latest movie, WRATH OF MAN (Miramax/MGM), which reunites him with Jason Statham for the first time since 2007’s Revolver, I believe. Statham plays the enigmatic Paul “H” Hill who works at cash truck company Fortico, responsible for moving hundreds of million dollars around Los Angeles each week. Fortico has recently been hit by a lethal robbery, and H’s team soon learn that there’s a lot more to their new coworker, who happens to be looking for revenge against the man who murdered his son.

(Unfortunately, reviews for the movie are embargoed until Thursday at 6pm, so I can’t tell you whether it’s any good or not. Until Thursday night. Sorry!)

But I will talk about the movie’s box office prospects, because why not? Ritchie’s last movie, The Gentlemen, opened in January 2020, during the “before times,” with $10.6 million, but that was more of a classic Ritchie ensemble crime-comedy. Wrath of Man is more of the type of movie Statham has been making over the past few years, a cross between a revenge thriller and a heist flick. In fact, Statham has done a pretty good job creating his own brand through a variety of action-thrillers as well as a number of franchises including “The Transporter” movies, “The Expendables,” and eventually joining the “Fast and the Furious” franchise as Deckard Shaw with Furious 7 in 2017. Statham then went off to make Hobbs and Shaw with Dwayne Johnson, which didn’t do bad with $174 million. Before that, Statham starred in The Meg, a summer shark attack movie that grossed $145 million. Statham going back to help his old mate i.e. the director that gave Statham his start is pretty huge.

But as I said earlier, those were all in the “before times” and with the box office the way it is, it’s hard to imagine that the exciting reunion of Statham and Ritchie can open with more than $10 million but maybe closer to $8 million, because MGM/UA just doesn’t have the marketing clout of a Warner Bros. or Universal. Even so, that should be enough to be #1 this weekend as both Mortal Kombat and Demon Slayer continue to fall away. Unfortunately, if the movie *is* any good -- and I can’t tell you one way or another -- then by the time reviews hit, people will already have other plans for the weekend than to go see the movie. So yeah, that’s pretty dumb on the part of MGM, huh?

UPDATE: MGM is putting the movie into 2,876 theaters and maybe I'm being overly optimistic, because, as you'll read below, the movie IS pretty good and reviews have remained positive with the American reviews rolling in last night, still at 70% Fresh at this writing. Maybe that'll help the movie do a little better, maybe as much as $9 million, although I'll probably owe MGM an apology if it cracks $10 million, and I don't think it will.

Mini-Review: If you’ve seen the trailer for Wrath of Man, you might go into Guy Ritchie’s latest thinking you know what to expect, because it’s sure being sold as another typical Jason Statham revenge thriller. Don’t be fooled by the marketing, the movie really is Ritchie’s chance to make his own version of Heat, an L.A. heist movie that owes as much to Rashomon as another movie being released this week.

Wrath of Man begins with the heist of an armored truck that turns deadly with the wanton murder of a couple guards. From there, you might think we know where things are going when Statham’s “H” company whose truck was hit, and on his first day, he stops a similar heist by killing the truck’s attackers. H is immediately the hero of the company, although he still has quite a few suspicious coworkers and the feeling is quite mutual. Ritchie’s film then slips into the second episodic chapter which goes back five months to that initial heist where we learn that Statham’s son was killed by being in the wrong place at the wrong time.

I don’t want to go too much deeper into how the movie and story play out, because like The Gentlemen and some of Ritchie’s more intricate films, there’s a lot that purposefully isn’t made very apparent at the beginning. To many, this movie will be seen as even more macho than most of Ritchie's films, to the point where even the only woman guard, Dana, being just as macho as the men. As the movie begins, there’s a lot of joke-cracking and crotch-grabbing, all while Statham’s character silently observes and only acts when necessary.

The film’s shift to more of a classic Ritchie ensemble does slowly take place, but by the third chapter, it shifts to the group perpetrating the cash truck heists with an “inside person,” taking the movie to yet another place that makes it more obvious that this is Ritchie’s attempt at delving into the L.A. heist genre that other filmmakers have done so well.

Oddly, Statham doesn’t have too many lines, acting almost like a Terminator in his determination to right wrongs, but as always, Ritchie puts together a fantastic ensemble cast including a number of great American character actors who we rarely get to see in such great roles. I was particularly impressed with Jeffrey Donovan, who has appeared in a number of otherwise forgettable crime films this past year. The same can be said for Holt McCallany as H’s truck driver “Bullet,” but Ritchie also cast the likes of Josh Hartnett and Scott Eastwood in smaller yet still significant supporting roles, all of whom become more interesting as you start figuring out who all the players are.

Like I said, the movie is fairly macho and the few women play very small roles, but it’s how things are set-up in the first few acts to then change course and build to an absolutely amazing third act that will undoubtedly bear comparisons to Heat. And yet Wrath of Man (which is actually based on a little-seen French crime-thriller) does branch away from some of Ritchie’s standards, first of all by being far darker and even more violent with any of the wisecracking humor that pervades a lot of Ritchie’s work to counterbalance such violence disappearing once the flashbacks begin. It’s all punctuated by a fantastically tense score by Christopher Benstead, which seems a bit much at first but eventually settles into the perfect pace and tone for the action.

Despite disappearing for a good chunk of the movie, Statham is still great, basically killing everyone as his characters are wont to do, but watching how all of the different ideas come together leads to such a satisfying conclusion that one hopes those who might be put off, thinking they know where it's going due to the somewhat pathetic and obvious marketing will give it a chance to see how Ritchie has changed gears as effortlessly as he did with Aladdin a few years back.

Rating: 7.5/10

After even a longer time since he directed a movie, Billy Crystal once again takes the helm for HERE TODAY (Sony/Stage6), a movie in which he plays comedy writer Charlie Burns, whose chance encounter with Tiffany Haddish’s lounge singer, Emma Payge, leads to an unlikely friendship, as he struggles with early stage dementia.

I’ve known about this movie for over a year now, and I was pretty excited to finally get to see it, since I was such a fan of the other movies Crystal has directed, 1992’s Mr. Saturday Night and 1995’s Forget Paris, and it’s just amazing to me that he hasn’t directed a movie since.

At first, it seems like it’s the type of meet-cute we’ve seen so much in Crystal’s past filmography, but his pairing with Haddish isn’t something that might work on paper, but in fact, their comic styles mesh so perfectly together that it’s amazing that no one thought of putting them together before.

Crystal wrote the film with comic Alan Zweibel, who adapted it from his own short story “The Prize,” which refers to Haddish’s character winning Charlie in an auction for a lunch. Actually, her ex won the lunch, and she decided to use it because… free lunch! It’s a pretty simple set-up but one that allows the filmmakers to explore some of the odder things that happen in life.

Much of the movie’s humor plays upon the differences between the two characters, and how unexpected their friendship is. I can totally relate, because I have a lot of good long-time friends who most people might never expect us to be friends, but Crystal, Zweibel and Haddish pick up on that and create a movie that’s very funny but has enough other characters around the duo toa allow their characters to show how they’re just really nice people. We see that with how Charlie takes a young writer at his late night show under his wing or how Emma livens up the bat mitzvah of Charlie’s granddaughter. Oh yeah, and Haddish sings. She actually has a number of great performances in the movie, and seriously, anyone who watches this movie is gonna wanna see a smart filmmaker put Haddish in a musical immediately.

The film also acts as a truly touching tribute to Crystal’s friend, the late Robin WIlliams, who was diagnosed with the exact same type of dementia after his suicide death, and knowing that fact, makes the film even more poignant. More importantly, it doesn’t use Charlie’s condition for laughs, and for that alone, I feel like this is ten times better than that overrated Oscar winner The Father.

Here Today’s biggest problems come in the third act when it feels like the movie is starting to over-extend its welcome, even going into somewhat expected places, but it recovers from that rough third act to land a really nice ending. Crystal has always proven himself to be a really strong mainstream filmmaker (ala Rob Reiner and others) who makes crowd-pleasing movies, and it’s so nice seeing him going behind the camera for a movie that’s obviously very personal but also highly relatable.

As far as box office, I certainly have high hopes that Crystal still has an older audience of fans who might want to see him on the big screen again. I’m just not sure if this will be in more than 1,000 theaters, and though I’ve seen quite a bit of marketing, I just haven’t seen Crystal or Haddish do nearly as much in terms of getting out there that would be necessary to reach an audience that might want to venture out into movie theaters to see the movie vs. waiting until it’s on cable/streaming. There’s also Tiffany Haddish’ fanbase, and there could be some benefit for the movie coming out the same week as her new CBS show “Kids Say the Darndest Things.”

I’d love to be optimistic with this making $4 to 5 million but it’s probably more likely to be closer to $3 million especially with capacity limits still in place for most theaters and the audience generally being older.

UPDATE: Maybe I was a little too optimistic, because I enjoyed the movie so much and it will probably be closer to $1 or 1.5 million since other reviews aren't as great.

Next, we have two movies finally being released many years after their festival premieres…

The Swedish apocalyptic thriller THE UNTHINKABLE (Magnet), directed by Victor Danell, is finally being released after playing genre fests in 2018 and 2019. It stars Christoffer Nordenrot as Alex, a young piano virtuoso who ran away from home due to his abusive father Bjorn (Jesper Barkselius). Years later, he returns home for his mother’s funeral after she’s killed in a terrorist attack on Sweden. At the same, there’s a virus that’s erasing people’s memories, but Alex is still in love with Anna (Lisa Henni), the girl he had a crush on when he left, and the three of them will have to help each other face all the horrible things hitting their home at the same time.

As I was watching this movie, a lot of it felt eerily familiar to me, but I couldn’t figure out why. The more I watched it, the more I realized that I actually HAD seen the movie before. Sure enough, I saw this movie over two years ago at the “What the Fest?!” in New York two years ago, and I honestly don’t remember loving it. Still, I decided to give it a fresh look, hoping to get more out of it on second viewing.

Some of the same things bothered me on this second viewing, because it’s really hard to figure out exactly what is going on and whether the horrific events are natural, man-made or a combination of both. For some time, we get so mired into Alex’s lame relationship with Anna, and when he returns home, his conspiracy theory-driven father is busy protecting a bunker that’s being invaded by foreign military troops he thinks are Russians. We cut between these two disparate scenarios while sometimes returning to the capital of Sweden and throwing in a few big set pieces. It’s so disjointed that you feel like you’re watching a lot of random unrelated events, maybe a bit like last week’s About Endlessness -- maybe it’s a Swedish thing?

There are aspects of The Unthinkable that are quite commendable, particularly those action moments and how the mystery about what is happening develops as the film goes along. Eventually, the film does find a more consistent pace, and things start becoming a little clearer, which makes the final act better than much of what we’ve watched earlier. Even so, it’s still quite annoying how long it takes to figure out what’s going on, even on a second viewing, and for most people, that may already be far too frustrating to get through it.

Hitting Netflix on Friday over THREE years after it premiered at Sundance is music video director Anthony Mandler’s directorial debut, MONSTER (Netflix), based on the novel by Walter Dean Myers. It stars Kelvin Harrison Jr. (Waves) as Steve Harmon, a 17-year-old film student put in jail, accused of murder in a bodega robbery. His defense lawyer (Jennifer Ehle) is trying to help him be released, but he’s fighting against the odds of a judicial system that sees him as a “monster” because he was in the wrong place at the wrong time.

I have to be honest that I did go to see this at Sundance the week it premiered, and for whatever reason, I just wasn’t feeling it, so I only really caught about twenty minutes of it. Watching it now with more time and a little less weary than I usually am towards the end of Sundance, I was able to appreciate Monster more for what it is. On the surface, it’s just about Steve’s case and how what really happened unfolds before our eyes and we learn more about those around Steve and how their influence may have pulled a smart and studious young man into the criminal world that now has him in prison with much more violent life-long criminals.

We already knew that Harrison was a great actor, but Monster shows us that he was already on his way to greatness with this movie that for whatever reason got buried even as it dealt with issues that have been in the headlines almost every day since this debuted.

Mandler takes an interesting approach, both non-linear and also with blatant nods to Kurosawa’s Rashomon, which is even cited by Steve’s teacher, played by Tim Blake Nelson. Jeffrey Wright and Jennifer Hudson are decent as Steve’s parents, but they’re generally smaller and non-showy roles compared to the moments between Harrison and Ehle. Much of the film takes place in the courtroom with flashbacks showing what happened through the viewpoint of whomever is on the stand, which eventually includes Steve himself.

The way Mandler handles the material may lean more on the artiness rather than something more mainstream -- Michael B. Jordan’s Just Mercy comes to mind -- but it’s just as powerful in showing how someone like Steve can be othered by society into being a criminal. Sure, there have been other handlings of this sort of material that I thought were better films, but if you know anyone who has ever had dealings with the “justice” system and know how unfair and horrible it can be even to the innocent, then Monster will certainly strike a chord.

Also hitting Netflix this week is the new series based on Mark Millar and Frank Quitely‘s comic books, JUPITER’S LEGACY (Netflix), another kind of twist on the superhero genre ala Amazon Prime Video’s series based on Warren Ellis and Darick Robertson’s The Boys. I love the comics, and I can’t wait to finally get around to seeing Netflix’s first adaptation of a Millarworld property.

David Oyelowo makes his directorial debut with THE WATER MAN (RLJEfilms), a movie about a young boy named Gunner Boon (Lonnie Chavis), whose mother (Rosario Dawson) is battling leukemia. In an effort to cure her, Guner goes off on a journey along with a teenage girl named Jo (Amiah Miller) to find the mythical Water Man, who can provide them with a magic token that might save Gunner’s mother’s life.

I’ve interviewed Oyelowo a few times before, and I really like him a lot, so I had really high hopes for him as a director since I feel he’s just a terrific actor. Unfortunately, the material here is just not strong enough that I think even a far more experienced filmmaker could make something out of it.

Set in PIne Hills, we meet Gunner, a bright kid who loves drawing comic books, but he has trouble connecting with his father (Oyelowo), so when he has an idea that might help his sick mother, he goes off with a head-strong teen named Jo, in search of the Water Man, a summertime adventure permeated by a lot of very bad low-budget visual effects.

Honestly, I’m not even sure where to begin with where The Water Man falters, because Oyelowo has such a great cast, including Alfred Molina and Maria Bello in tiny parts. The story is a problem, as is the writing, which is just so bland and dull, that there’s really nothing in Oyelowo’s direction or any of the performances that really can salvage it. Neither of the child actors have much charisma or personality, and even Dawson’s performance, which would normally be a showstopper is repeatedly lessened by the constant cutting back to the kids. (And as someone who beat leukemia myself, I’m never a fan when cancer is depicted in movies as a death sentence rather than just another hurdle in life that needs to be overcome.)

Oyelowo himself may be one of his generation’s best actors, but he brings so little to the role of Gunner’s father, maybe to not take away from his younger star, but it hurts that he doesn’t do more to create a stronger conflict by making the character more horrible to drive Gunner away. The actual Water Man doesn’t improve things when he finally shows up, essentially talking like a pirate but not even remotely paying off.

Honestly, The Water Man seems like such a misguided venture -- Exec. Produced by Oprah, no less -- and it might have been totally forgettable if the characters didn’t keep saying the title of the movie every five minutes.

Hitting theaters Friday after a festival run is Tran Quoc Bao’s action-comedy THE PAPER TIGERS (WELL GO USA), starring ALain Uy, Ron Yuan and Mikel Shannon Jenkins as martial artists once known as “the three tigers but now middle-aged men must set aside old grudges and dad duties to avenge the murder of their teacher. I’ve had a screener of this since last summer when it played at Fantasia Festival in Montreal, and I just never got around to watching it, but if I’m able to squeeze it in before the weekend, check back here for my review.

Streaming on Shudder this Friday is Ryan Kruger's South African comedy-thriller FRIED BARRY (Shudder), starring Gary Green as Barry, a violent street junkie who is abducted by aliens who take over his body in order to… well, actually… they do a lot of drugs, have a lot of sex and other craziness. It’s a pretty strange and bizarre movie that reminds me a little of movies like a lower-fi Under the Skin or Beyond the Black Rainbow, and much of it is driven by the insane and unique performance by Green and the odd characters he encounters that I think will find its fans for sure, but it will definitely be for a very select audience of genre festival fans, as this is by no means a mainstream genre film.

Speaking of which, another movie out this week which I wasn’t allowed to see in advance is Gia Coppola’s MAINSTREAM (IFC Films), starring Maya Hawke as a young woman seeking internet stardom by making YouTube videos with a charismatic stranger, played by Andrew Garfield, until “the dark side of viral celebrity threatens to ruin them both.” Yup, it’s one of THOSE movies. It also stars Nat Wolff, Jason Schwartzman and Johnny Knoxville, but I haven’t heard anything good about it, and I’m not sure my curiosity is piqued enough to spend any of my own personal money to check it out.

Hitting Amazon on Friday is the doc THE BOY FROM MEDELLIN (Amazon) from Matthew Heineman (City of Ghosts, Cartel Land), a portrait of musical superstar J. Balvin, as he prepares for a massive sold-out stadium show in his hometown of Medellin, Colombia, which is hindered by the growing civil unrest in the area.

Lots of other movies this week, but a few that i just wasn’t able to get to this week, including:

ABOVE SUSPICION (Lionsgate) INITIATION (Saban Films) ENFANT TERRIBLE (Dark Star Pictures) QUEEN MARIE (Samuel Goldwyn Films) SILO (Oscilloscope) CITIZEN PENN (Discovery+)

That’s it for this week. Next week, Chris Rock and Samuel L. Jackson star in SPIRAL: FROM THE BOOK OF SAW (Lionsgate) and Angelina Jolie returns for the thriller THOSE WHO WISH ME DEAD (New Line) and Timur Bekmambetov’s thriller, PROFILE (Focus Features). That’s right. This will be the first weekend in over a year where we’ll have three or maybe even four new wide releases.

#TheWeekendWarrior #Movies #Reviews #WrathOfMan #HereToday #Monster #The Unthinkable #TheWaterMan

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