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#accessible events
fayrobertsuk · 7 months
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Poetry for ALL
Some personal anecdotes and a plea follow...
As quite a few of you know, I’ve been engaged in disability awareness and rights campaigning and other work since sometime in the 90s, so when I was given an opportunity to support and host an event dedicated to making performance poetry as accessible as possible in 2018, I jumped on it.
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Poetry for All is the brainchild (and heartchild, and soulchild) of Rose Drew, who I first met through one of Richard Tyrone Jones’s Utter events in London. She’s an extraordinary writer and performer, and a powerhouse of an events host and organiser. Within about 30 seconds of watching her on stage, I knew I wanted to be like her when I grew up as an artist. When she got in touch three years later to ask if I’d like to help out with what turned out to be the inaugural event, I threw myself into providing as much support as possible with enthusiastic abandon, and we pulled together a line-up which included the extraordinary performers Raymond Antrobus and DL Williams (“DeafFirefly”), both of whom I’d performed with before and was keen to see again. 
Now, there’s a whole section on our new website about the history of the events where you can read the facts, but I want to say here that, personally, that first event in March 2018 (coincidentally on my birthday!) was an absolute eye-opener – seeing how poetry events could expand and develop the ideal of accessibility in ways I hadn’t considered. It was also extremely inspirational as I realised that, well, I was allowed to write about my disabilities. Seeing and hearing artist after artist sharing so much and so eloquently unlocked something in me that I didn’t even know I’d been repressing:
I’m allowed to be an openly disabled poet. I’m allowed to express my neurodivergence. I can tell my truth. 😱🤯
Bit of a culture-shock, but I owe so much to the poets and to Rose (and to Dave Wycherley, BSL interpreter extraordinaire – that’s a hard and physically/ mentally taxing job as it is, but to do that with poetry? on the fly?! breathtaking...) for helping me get to that starting point, knocking down the walls of my own internalised ableism.
So, apart from a paean to self-expression and why representation and finding tribe matters, and a screed of gratitude for new friends made and old friendships strengthened through the course of these events, why am I writing this? What’s with the hashtag? “Plea...?”
Well, so far, since you ask, all of our events have had local funding in York, where they’ve taken place exclusively so far. Rose applied for Arts Council England funding for this and next year for a tour comprising several venues and a host more disabled artists and BSL interpreters from various parts of the UK (all getting paid properly!), but we found out last week that we’d not got the money. Any of it. So our forthcoming event on 24th November in the gorgeous National Centre for Early Music is in jeopardy and, since the thought of Rose (herself a disabled artist on low wages) having to pay for this out of her own pocket was not to be supported, I threw myself at a plan of creating a (somewhat last-minute) Crowdfunder, so that we can at least pay for the venue, the artists’ and interpreters’ fees, the travel and accommodation expenses of those of us coming from out of town, and the costs of producing merchandise to sell. We’ll be producing an anthology in print and ebook form, as a joint publication between indie publishers Stairwell Books and Allographic Press. And, if we exceed our funding goal, there’ll be video and audio available of the event to boot!
We’ve created a frankly very exciting range of pledge rewards for people wanting to support us (all the way from £1 and £2 options, since money is tight, especially for disabled folk, right now, to more chunky ones like private mentoring, workshops, and a publishing package), and we’ve got three weeks(!) to raise our £1,500 to cover the shortfall from ticket and merch sales. Eeep! So, if you’re able to and would like to help us, we’d be ever so grateful. The campaign is here:
https://www.crowdfunder.co.uk/p/poetry-for-all-2023-fundraiser
And if you have absolutely no funds to share with us at all, we’d be incredibly grateful if you shared on social media, with friends, on blogs, all of that!
Thanks for reading all this, and have a great day!
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ableismsucks · 2 months
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The knowledge that we have gained throughout the pandemic should not go to waste. Innovation has seen virtual and hybrid events flourish, with emerging technology helping to gather an unprecedented wealth of rich audience data and insight. Coupled with the efforts made to make events as inclusive and accessible as possible, the sector's landscape has transformed. Rather than thinking of a return to the past, events businesses should be assessing how they can make the events of the future even more relevant, even more effective and even more central to their corporate clients' business success.
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dawnbreakersgaze · 2 months
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Guys I was playing the event stories again one last time before they went away forever and I just noticed the sweetest fucking thing ever
When you first walk up to Zayne and catch him on his phone, look at his face. He goes from his normal neutral expression to the softest little smile when he realizes it's you/mc walking up to him 🥺🥺🥺
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He even straightens himself up a little taller when he sees you i'm dying send help 😩
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I'm gonna squish him 🥲
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gvnchyno2 · 21 days
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quick danlou to add to the pile before s2 drops
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swpdz000 · 9 months
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[REDACTED] the Fortune Teller
Rumor has it there's a student who only appears at night in the library who gives strange predictions.
"Sophie" or "Vincent" is an aloof and quiet schoolmate of the player. They can only be found inside the library after 9PM when the player edits their save files. "Sophie" can assist the player with strangely specific predictions, allowing the player to know what will happen in the next few hours. Their names and gender might change the next time the player meets them, assuming there's a next time. At 40% love, "Sophie" might appear out of nowhere to warn the player if their next action is deemed dangerous.
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psychoticallytrans · 6 months
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There are three main models of disability that are in common use. The moral model, the medical model, and the social model.
You may not have heard of the moral model before, but if you are disabled, you have felt the impact of it. The moral model is disability as a failure of character. It sources the problem of disability in the character of the disabled person. It's the people who insist that if you just tried harder, were better, had a better attitude, that you would no longer be disabled. It is a model that is used by ableists in order to conceptualize of disability as a failing of the individual. An extreme example of this mindset are the Christian Scientists, who believe that all illnesses and disabilities should be healed by the grace of their god and that if you are not healed, something is wrong with you. It is the the most cruel of the models, and the least successful at assisting disabled people.
The medical model is the model used by the medical establishment and by those who put their stock in medical authority. It sources the problem of disability in the body. It measures disability against a theoretical average person, and seeks to make disabled people match that average person more closely. This model works very well for disabled people with disabilities that can be measured, have a potential treatment plan, and want their disability gone. It does not work very well for people who do not match all three criteria. If they match the first and second but not the third, then strict adherents of the medical model often fall back on the moral model, stating that they are stupid, lazy, or selfish for not being interested in being cured. This also often happens if treatment fails to improve the condition of the disabled person.
The social model is a newer model, largely designed by disability activists and scholars and often defined in opposition to the medical model. It sources the problem of disability in the interaction between the disabled person and their physical and social environment. It argues that the solution of disability is to change the environment so that impairments are no longer an issue. This model works very well for disabled people who consider their disability not to be an issue when fully accommodated. It does not work well for people who consider their disability an inherent impairment and/or desire a cure. Strict adherents of the social model often fall back on the moral model when considering these people, stating that they are short-sighted or that they worship the medical model. These are the people who state things such as that depression would not exist in a world without capitalism.
When a disabled person fails to behave as expected by the model a person has of disability, the moral model is almost always the fallback position, because many people cannot conceive of why someone would disagree with them other than a lack of good character. This is a problem, because the moral model proposes no solution but to ignore or abuse the disabled person until they behave as expected.
Another notable interaction is that adherents of the medical model can often be persuaded to support the more traditional parts of the social model, such as providing large text resources to people with impaired vision, so long as there is empirical research backing it. However, they rarely support more radical arguments that challenge how we define disability and how society should be structured or restructured.
All three models have major failure points. The moral model fails every disabled person it is applied to. The medical and social models both fail different disabled people when adhered to strictly. The best approach at the moment seems to be hybridizing the social and medical models, so that they cover each other's weak points and fit the needs of the widest spectrum of disabled people. The main barrier to this is that they are often defined in opposition to each other.
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shepscapades · 1 year
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YAY Week 1 prompts in-detail are here! The Hermitcraft Character Design Event arrives! Feel free to go wild with these prompts as inspiration, or use the above suggestions to help form ideas for creating character designs, drawing, writing, scene-making, anything you like!
1.] Non-Life-Series Hermit on their Red Life: death-game-ify your blorbo of choice! Imagine your character as though they were taking place in one of the Traffic SMP Life Series, and how they may look or have ended up on their Red Life. You could go for one series specifically, or just go for the vibes!
2.] As a D&D Class: Throw your blorbo into RPG Dungeons & Dragons— is it that your mcyt character has been dropped into the world of D&D? Is it an AU? Is it D&D mechanics and features in the world of Minecraft? Up to you!
Reminders: Anyone is welcome to participate, in whatever way and however much! Feel free to apply these prompts to any mcyt blorbo of your choosing! Feel free to use the tag #ShepsHermitDesign23 and/or @me in your posts! I look forward to seeing what everyone creates!
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becca-e-barnes · 1 year
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Don't tell anyone but I love the thought of pornstar Bucky's girl asking to do livestreams with him. The thought of him taking the chat's lead?? Or reading the filthy things they're saying?? 🤤
"They're making fun of you, sweetheart." Bucky teases between chaste kisses placed to the soft inside of your spread thighs.
'Is she wet already?' The most recent message in the chat makes you squirm in your seat. Not that you're getting very far. Bucky is quite well known for his skills with a rope but he's left you just enough wiggle room that you can still grind your cunt desperately against the chair beneath you. It's not much relief but it's something.
"Of course she's wet already. Aren't you, baby? It doesn't take our girl long to get herself all worked up when she knows she's being watched." Bucky smirks up at you, his fingers trailing over the slick lace of your panties, gathering just enough of your arousal on his fingertips to show the camera.
'Our girl' doesn't sit right with you but you know it's all for show. You're his girl. Only his. Those people watching on the stream, whoever they are, mean nothing to you. You know he'll remind you of that later too. Reminding you that you're 'his girl', holding your chin so he can look into your eyes while he slides every inch of his length home over and over.
You whimper at the flood of messages into the chat as your viewers respond to the crystal clear evidence of your arousal on your partner's fingers.
'Fuck, she's making a mess.' 'Always such a good girl.' 'What I'd give to be able to taste her.'
The comments run up the screen so quickly you don't have time to read them all.
'She's so desperate, what a good little slut.' 'You've hardly even touched her and I'm already hard.'
"You're right, I haven't really touched her much, have I?" Bucky asks while reaching over for the wand vibrator he'd picked out for this stream. He clicks it on and the toy buzzes to life.
He seems satisfied with the lowest setting for now. Not that you are. That setting is almost always just for warm-up and that's not what you need in that moment.
"Please." You whine, tugging against the restraints, only feeling satisfied when your partner presses the soft, silicone tip to your clit, over your panties.
Everything feels heightened despite the low setting. You've been so turned on for so long that anything at all is welcome.
'Such a pretty little thing.' 'She sounds so hot when she whines like that.'
You hadn't even noticed yourself whining, much less the way you tried to grind yourself pathetically on the toy, trying to feel more than the featherlight touch Bucky was offering you.
You felt Bucky flicking the toy up a speed, startled by the groan that left your own throat. It sounded desperate. It was filthy and unrestrained and totally shameless.
"You like that?" Bucky's voice was all that could tear you out of your own head. He rolled the head of the toy in vertical motions, laughing quietly to himself when the sensation made you gasp.
'She's so loud tonight.'
The commenter wasn't wrong. You knew you were louder than usual, a testament to just how much you found yourself enjoying this.
"Sit still, sweetheart." You hadn't really registered what was happening until after it was done, although you'd agreed it beforehand anyway. Bucky carefully tugged the side of your underwear away from your skin, cutting the lace and then mirrored his actions on the other side. With the pretty blue lace in tatters, your sex was fully on display.
Bucky pulled the fabric free from underneath you, balling it up in his hand before pressing it to your lips.
"Good girl. Take it." You hadn't expected this. Automatically, brattiness takes over, your defiant natures tells you not to do as you're told. You hold out for a second, up until the toy clicks up one more speed and when you gasp in surprise, the panties are pushed past your lips, resting heavily on your tongue and you get to enjoy the taste of your own arousal.
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linaxart · 8 months
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to safety
for @theartguard's prompt lottery event!
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everyone says they want to be an ally to disabled people and be inclusive until they can’t hold events the way they want to. like thanks for the invite but if the space isn’t accessible and if it isn’t outside and/or masks aren’t required then i can’t even consider going
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neurotypical-sonic · 3 months
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Saw the post about paramount supporting Israel and boycotting and all that, and don't take this as hate or anything, but like... I'm genuinely confused as to why so many people are against Israel? Palestine was literally the ones who bombed them first. So of course Israel is fighting back. Most companies I see are supporting Israel most likely because of that. So... can you explain your side?
You seriously cannot be this fucking ignorant. There are so many resources out there for you to learn this yourself. Hell, on THIS blog, if you look at my "#current events" tag you'll see plenty. Israel has been terrorising Palestine for SEVENTY FIVE years. They are literally committing GENOCIDE as we speak
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arsonist-faerie · 7 months
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Places to donate:
Clicking this button once every 24 hours will send a donation! It's free and you don't need to input any information!
As a black girl I will always stand with the oppressed. We are witnessing a genocide and it is immoral to stay quiet or neutral in the face of such cruelty. Please take the time to educate yourselves and keep a critical eye on Israel's propaganda. It is imperative to continue to call out the misinformation. If anyone wants me to add or change anything in this post please dm me.
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runawaymarbles · 6 months
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at this point i am simply uninterested in any opinion on a hot-button political topic that treats human beings as a mass of meaningless hypotheticals
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skunkes · 8 months
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unsure how to word this but there is something about having ocs with unsavory events happening in their past where it's like. talking about it, even when asked, seems almost gratuitous and inappropriate. and i'd much rather describe it through the oc themself and/or draw Them saying it. which is like. fitting for the subject matter? like of course its weird to talk about somebody else's business...!
and falls back into humanizing em/exploratory writing and development where u consider the impact of words said/words unsaid/HOW those words are said etc etc
#because not all real persons would give u every detail of their trauma obviously#which makes sense but im an overexplainer but also it feels inappropriate to overexplain when it comes to dis#i hope that makes sense#talkys#i once described what went down with al as just directly as possible and it still felt weird. ykwim?? idk why.#well i do know why! i dont want it to seem gratuitous or like That Cheap Writing Element. fine line#same with talon so he'll just keep implying it thru text + dialogue which is how it should be !#the only difference is i think with al i wrote it like he would've said it bc he has more access to that side of himself#and is aware of how it affected him#whereas characterwise talon absolutely would just speak in riddles about and around it#i don't even think he's conscious about the direct effects of it#(but i wouldnt know bc he hasn't made that known to me in my brain)#people respond differently to different things and all that#also im so sorry if half the shit ive said recently is so like. Well Duh. i havent made a new oc in a decade gimme a break LOL#also i realize the. irony? of me even vaguely talking about it in the way i did but 1. i think that's also realistic when you#dont want to do a whole deep dive on someone else's business and 2. people are becoming#curious about my oc(s) and im just thinking about well; significant events and how to handle not speaking about em#FOR them. <- weirdly#idk. they're real to me.#its just so much more interesting to leave it up to them! people can lie people can downplay
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ccatgiri · 1 month
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imo the fact that hermie was born a teenager but also didn't know he was adopted implies that scam gave him false memories of having a childhood (and maybe he lost them/realized they were fake after finding out his true nature?? origin of the 'the man who stole my childhood' line and why hermie suddenly hates scam so much??? but i digress)*
which in turn makes me think he gave hermie's adoptive parents false memories of having raised him all his life. because 1) come on, it's scam and 2) i doubt they would've deemed it necessary to hide hermie's adoption from him if they'd adopted him as a full teenager
which IN TURN makes me think what if hermie's parents lost their memories of him after the original hermie died and then hermie2 comes 'back home' but his parents don't know who he is? there doesn't seem to be a trace he ever existed in this house, even? what are we thinking gang
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