💖 Day 3.5 is now available! 💖
For the last couple of months, only Server Boosters had access to the 3.5 update... Buuuuut now it's available for everyone to play in the 14DWY Discord — and soon itch.io once I'm happy with the QA and state of the game — so please don't feel pressured to join unless you want to!!
The full devlog + even more screenshots are under the cut ^^
What's been added to the 3.5 version?
📺 Streamer Mode!
I've been told that it's difficult to stream and monetise age-restricted videos on YouTube and Twitch, so I added an option to remove the sexual content and strong language used in the demo.
Now y'all can invite Ren into your bed for cuddles without putting your streamer career on the line /silly /lh
This won't affect the 18+ rating or dark themes/elements of the game, however! Although Streamer Mode will prevent you from seeing any "gruesome" CGs in the future, most of the core elements of the game will still be tied to the choices and decisions you make. So you won't miss out on the overall experience by using streamer mode!!
⚙️ Custom Pronouns!
It only took me one entire year to get around to it, but you can finally choose your own preferred pronouns (or use a set of pronouns instead)... At the cost of being able to change them mid-game ^^;
Since the original pronoun screen wouldn't update until a new scene was displayed, I temporarily disabled the feature. But once I find a workaround, I'll bring it back!
💗 Choose how others perceive you!
You can now choose how the cast and narration perceive you! Originally, the narration was kept strictly gender-neutral (outside of pronouns and genitalia picked by the player), but this will soon change in future updates.
For more clarity: you don't get to choose the words specifically, but you can choose between masculine, feminine, and androgynous terms!
📋 Separate top and bottom genitalia!
You can now choose your tatas and pps separately! >:3
Alongside that, you can also choose your preferred body type!
I removed the "both" genitalia option because a few players still assumed it was an obscure version of "intersex". That wasn't my intention and I don't want to mislead anyone, so I took it out for now ^^;
I also didn't want to include a screenshot of the new genitalia choices in action (because it's NSFW), so y'all get the same character menu screen for the nth time instead lmao
📱 Relationship Screen Overhaul!
You can now change your own status for more immersion, and long-term Server Boosters will eventually be able to submit and use their own icon within the game as well!
Stalking finding your friends has now become easier by using "Buddy Maps"; a new app that allows you to see the location of all the cast members!
I want to offer players more incentive to check the relationship screen since they tend to miss the status updates, so hopefully this might help ;v;
It also says it "updates every few hours" so folks don't go overboard and check every 5 seconds to see where Ren is gdsghf (also keep in mind that he's a hacker lol)
🖤 Additional Scenes Update!
Day 2 received a brand new CG!!!!! Originally, I planned on only adding a few CGs sporadically throughout the game, but it didn't feel right to leave Day 2 so... empty... so I added a brand new CG to (hopefully) make things feel more balanced and natural!
If you decline Teo's offer on Day 3, Leon will now call and try to convince you to reconsider. However, players are still allowed to decline, and if they do, they'll reach a dead end.
After listening to feedback on itch, I changed some of the dialogue during Days 1-3 to make it seem more consistent! They're only small changes though, so it's honestly not worth looking for sdgjssga
🎶 Updated BGM and SFX!
I wanted to try out a different style of music to see if it fits the vibe of 14DWY more! The BGM features more acoustics to suit the "beachy" theme of Corland Bay, though I made a conscious effort to include piano elements as well to stay true to the original!!
I figured it'd be better to give players a live example before I make a poll (to see if they prefer the change or not) and publish it to Itch.
Some new SFX have also been added, though it's very minimal and honestly not that noticeable.
How to download and play the update?
(warning: clicking on the following links will open Discord!!)
To download the Day 3.5 update, simply join the 14DWY Discord server, verify your age, and visit the "14dwy-updates" channel!
Alternatively, you can also wait until the update is publicly released on Itch to play it as well!! (It normally gets released shortly after a round of QA testing/getting feedback from the server, though I may release it earlier if I feel like it hehe ^^)
Enjoy!!
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Nico who has been deified after his death. Nico who's sure, after all this time, he's finally managed to let go of his older sister's death, of course, it still hurts, and of course, he will never forget her, but that fiery hatred and overtaking sadness, has finally been put to rest.
Nico knows and understands that his sister chose to move on without him, and that's okay, no it's never gonna be okay but he's made his peace with that too, and now, that he's an inmortal himself he never expects to see Bianca again.
Nico lives easy. He works for his father, he sleeps for a couple decades at a time, sometimes he goes back to Camp, takes care of some kids during their quests here and there, but for the most part, he's a chain-free roaming God.
And then, one day at Camp Nico meets her, a tiny little girl, with how long he has lived, time has become almost impossible for Nico to really track down anymore, but he's sure this girl can't be more than 10.
And something about her eyes, her dark, void-like eyes, and her long black hair, and her proud stance. It really reminds him of somebody else.
The girl is all alone, no little brother or older sister of her own, no parents either, apparently, she's a child of Hekate, but that really doesn't matter.
Something about the girl's every move, about the way she approaches the darkness without fear, about the way she approaches him, like she's known him all his life, the way she uses her whole body when talking.
It reminds Nico of Bianca. This girl's soul is just like Bianca's.
And Nico supposes it's no longer a fatal flaw, but he still doesn't know how to let go.
Nico immediately claims her on the spot, lets her sleep on the Hades Cabin, helps her out with everything, takes care of her for years and years.
It's the first time in centuries, that Nico as a God feels connected to his mortal side.
When the little girl cuddles against him, because she's had yet another nightmare about manticores and huge robots, while Nico quietly tries to hug her, and reassure her she's going to be fine, he even starts thinking that maybe his family has grown, yet again.
And then, she's send off on a Quest, Nico loudly protests against it, because he knows how those end.
Because, he still remembers waking up screaming and trashing, in the middle of the night, inside the Hermes Cabin, surrounded by strangers and shadows, as he felt Bianca's soul perish away.
But it's no use, the Oracle of her time had already issued her prophecy, this new girl, Rachel having long since passed away, who Nico feels almost comfortable cursing in the spot, just like his father had done so many centuries ago.
The little girl leaves, and Nico now has nobody to swear to keep her protected. Nico knows it's useless to try to convince her to stay, but he still does, it doesn't work, it never has worked
But truth is, she doesn't even look scared.
She's excited, and ready, and determined, and Nico has to wonder if this is how Bianca looked like, during her last week on Earth, too.
The girl leaves and she doesn't come back.
Nico thinks, it should be easier by now. It isn't, it's never gonna be it
Hades catches Nico roaming mindlessly around Elysium, after noticing his absence from The House, for what's either days, or years.
Hades mournfully reassures Nico that Bianca is not there anymore. No, not this time, not last time, not next time either.
After that, Nico chooses to abandon Camp fully, once again, he doesn't come back for another few centuries, until Hermes asks him for help getting his children to satefy at Camp.
Nico swallows the bile, that he's sure a Godly body like his own, shouldn't be able to produce anymore, shakes Hermes's hands, and tells his cousin his children will make it through, just fine.
Nico rescues the kids, regretfully send them off to live all cramped up together at their Father's Cabin forever, but one of the boys of the bunch, just has such dark eyes, like a black hole consuming souls.
And he stands so proud, and Nico just knows once more, and all at once, because he would recognize Bianca's soul anywhere.
In life, in death, at the end of the world, in a Hekate's daughter, in an Hermes's son, it doesn't matter, the person standing in front of him, is simply Bianca in another skin.
Bianca, being a wild hero once more, and Nico has to wonder if she can see him as clearly as he can see her.
Bianca is the only one after all, who has known him all his life, Bianca knew his name before it was even his own. Nico was born knowing her.
If she can see him, or if she can't, Nico doesn't even know which one would hurt more.
Time passes, and if Nico let's the boy sleep at the Hades Cabin, because the nightmares about manticores, giant robots, and magic are too much to bear, and he can't even scream in peace inside the Hermes Cabin, well, that's only Nico's own business to know about.
Nico realizes, after a few ages of Godhood, that The Fates like repeating their own stories.
Nico knows he hates all of them, deeply and purposefully.
The Oracle comes up to the boy, Nico is sure she must be a new girl, but all the girls Apollo chooses all look the same, and she is the same, she gives the hero the prophecy that will bury him.
And, it doesn't even take Nico a glance to know, that this is where that boy's life thread is cut.
Nico wants to sneer, this would be Bianca's third death, and if a hero dies three times they get the special prize, and yet.
Nico begs the boy to not go, because they both know he's not gonna make it back.
Bianca never has. Bianca never does. This is Bianca's fate. She was already dead before the story even began.
But the boy doesn't even break eye contact with Nico, as he tells Nico that he's very kind, and that he loves him too, but no way.
He's gonna go, and so, the boy does.
The boy leaves and he doesn't come back, and Nico has to crawl at his Godly skin, and remember the sensations, of back when there was human flesh, and blood running through his veins.
And that's just the thing isn't it, that Bianca is never going to stay by his side, because she doesn't want to.
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"i don't think i'll ever understand musicals the way you do" is something i've heard from one of my friends a couple of days ago when i told him i'm about to cross the whole country just to see one of those (my favourite one!) live in theatre. and i can't blame him. if you'd have told me a year ago that i would do something like that, i'd probably have laughed in your face. life is so unpredictable. i guess i have changed a lot. and i could write thousands of essays about how musicals helped me get through the shittiest period of my life, but we are not going to talk about this today. today we are talking about in the heights, the first musical i got a chance to experience live in theatre, hopefully not last. so grab a cup of coffee and make yourself comfortable, this is going to be the longest essay you've ever seen, friends.
a little warning: spoilers. a lot of them actually. so if, by any chance, you haven't seen/heard it yet and you are going to, don't read it.
first thing i feel like i need to mention is that they had this mini bar inside the theatre and you could order a lot of different drinks there and one of them was called abuela's coffee. i heard one lady explaining to someone that it's actually coffee with condensed milk. my jaw dropped and i was like CAN I STAY HERE FOREVER, PLEASE? for those who don't understand why, here's a quote from the first song:
USNAVI: abuela, my fridge broke, i got café but no con leche
ABUELA CLAUDIA: try my mother's old recipe: one can of condensed milk
so this was my first "OH! THEY GET IT!" moment (a little note here: i had a lot of oh, they get it moments, mostly because i don't have any people around me who understand musicals the way i do... honestly, you'd have to live inside my brain). that was the first time ever when i could actually be in the room where it happens with all those people who get it and care about it as much as i do (mostly actors and people responsible for the whole show tho, but we will get to this later).
let's get to the show. so when i finally went inside and i saw the stage, i already had tears in my eyes (don't judge me please). usnavi's store, abuela's door, daniela and carla's salon, all those puerto rican, cuban and dominican flags (one couple behind me was trying to figure out which one is which and it was funny because i knew and i wanted to scream)... listening and memorizing the whole soundtrack is one thing. being able to experience it all live is something else. all those things around me were so familiar and this was the first time in months (MONTHS! OR EVEN YEARS!) i felt really understood. after all, it was all like a little celebration of lin's story (the one i love with all my heart) and i truly felt like home. so that was another OH! THEY GET IT! moment.
i don't think i'm going to talk about every single song here, that's not the point. i will talk about my favourite moments, but also about things that didn't work very well in my opinion (again: this was a polish version so all the songs were translated into polish. and they did a really great job here, surprisingly. but it wasn't perfect, more about that later).
one thing you need to understand is that i will never be normal about musicals so of course i had to burst into tears at the very first song (i don't even know why, i think i was a little bit too excited). i was actually crying in the most random moments like when i first saw nina or at the end of carnaval del barrio because I KNEW WHAT WAS GOING TO HAPPEN NEXT (who the hell cries at carnaval del barrio when everyone is having the time of their lives lol, me apparently).
ok, so the first song. the choreography, oh my god. it was everything. the translation was also pretty good here, i need to say this was probably one of my favourite moments. imagine me leaving today giggling like a child when usnavi came on that stage and started rapping, i was in heaven. also, i have to admit, the cast was amazing. i could never imagine anyone better for this role (and again, i am talking about polish actors because everyone knows who's the best usnavi of them all). he was cute and charming and awkward and so adorkable and also really handsome. he was actually perfect in my opinion.
i kinda lost my mind when i saw nina for the first time. first of all: i already knew who was going to play her and let's just say i fell in love with this actress before i even saw her live on that stage. this was important to me, because (as some of you know) nina rosario is my favourite character. and oh my god, she was an absolute perfection. what a voice, sweet jesus. i'm being serious, this girl is so talented, give her every award (i honestly hope i will have a chance to see her again one day, i'm just crazy about her). and breathe was so good! polish version was amazing, i was so scared they would screw it up, but they didn't, so all's good (this song is very important to me, ok?). also, she's a phenomenal actress, i could feel all her emotions for real. and of course i cried, what did you expect?
i don't have that much to say about benny, except that he was really cute and he had amazing chemistry with nina, so once again, the casting was really good. i mean, he is not chris jackson of course, but i have decided i'm not going to compare all those actors because everyone knows at this point how much i love OBC, i was trying to have an open mind. vanessa was also pretty great, amazing voice and her dancing skills, wow, just wow. i could talk about all those actors for days actually, but i'm not going to do that, so i will just quickly mention that i absolutely loved daniela and carla, abuela claudia made me cry, sonny was the funniest character in the whole play and i don't think i will ever recover after piragua guy's performance (i was the only person in the audience who was laughing when he came on that stage, they don't get it, ok? polish people have no sense of humour and that's a fact). actually, there were a lot of funny moments (obviously) and i was the only person who was laughing, god help me.
so let's get to the first thing that was a little disappointing for me. you will not believe it, but it was actually... 96,000 (this is one of my favourite songs and i seriously can't live like this). it's not the translation tho (it was honestly fine), it's the voice overlapping part at the end (again, the best thing ever, just listen to we don't talk about bruno from encanto and non-stop from hamilton and you will understand why it works so well in every lmm's song). the thing is, you could actually only hear vanessa's part and i wanted to die, because EXCUSE ME. i always sing usnavi's part and you could barely hear a word from it. but apart from that, the rest was fine, the choreography was amazing and it's just something i needed to mention because i had thoughts about it.
paciencia y fe! ok besties, i have thoughts, again. abuela claudia was absolutely incredible, also, her relationship with usnavi is something that you can't see in the movie version (they were so sweet i wanted to curl up and die. i knew about it before, i saw slime tutorial with obc on yt, ok? i'm pretty sure lin would be mad at me for watching bootlegs lol. i just wanted to say this). the translation didn't work out at the very end of the song tho, because when in the og version abuela sings about the "winning ticket", everyone knows already she won the lottery. i don't remember polish translation exactly, but it was something with double meaning, depends on how you interpret it, and i'm 100% sure people who didn't know the plot just didn't catch it. the rest of the song was absolutely beautiful tho.
when you're home. i was so afraid of this one, because i am totally crazy about this song (did i ever mention lin wrote this one after one of his first dates with vanessa? no? yes? ok i'll shut up about this now). oh, they did a really great job with it and it's a relief. i have nothing else to say, except that i was crying like a baby, but this song always makes me cry so what did you expect exactly? one of the best moments for sure. again, nina and benny's chemistry was absolutely incredible.
as much as i loved the club, i was actually really disappointed with one part, which is usnavi's famous "jealous i ain't jealous, i can take all these fellas, wHaTeVaaaaa". i've been waiting so long for this! and they messed it up with their stupid cringy translation which i don't even remember at the moment but usnavi was actually mad at benny and he cursed? ANYWAY. the rest of the song was great and the choreography was absolutely phenomenal, oh vanessa! let me get the next one! (i love her so much, she was amazing here). a little note from me: no one was laughing at the "no hablo ingles" part, NO ONE BUT ME!!! THEY DON'T GET IT! WTF! i was so mad (i am aware of the fact that most people probably didn't even know this story before and they just wanted to see a musical, not THE MUSICAL, which is totally fine. but sweet jesus, where is their sense of humour? they left it at home or what?).
and blackout was that part where the voice overlapping effect worked very well, so all's good. actually, one of the best moments for me as well. people were actually so confused when all the lights went down, but that was just so amazing. all the panic! everybody was screaming, crying! WE ARE POWERLESS! THE END OF ACT I!!! oh, i had the time of my life.
i had this weird feeling that they didn't exactly know how to translate most of hundreds of stories so they just made this song shorter than it actually is. which is fine i guess. honestly, it's better than bad translation, so i can forgive them. what i absolutely can't forgive tho is that the audience wasn't laughing at US NAVY. polish people, you have no fucking taste. i said what i said. and then again, usnavi and abuela's relationship was so sweet this song actually made me cry (mostly because i knew what was coming but also, i was just this weird girl who was sitting there in the second row and was crying at the most random moments).
ok, guys, honestly. carnaval del barrio was the best moment from the entire musical. oh, how much i want to experience it again! daniela was absolutely incredible, carla was so sweet, piragua guy stole the whole fucking show for me (seriously guys! he was just so amazing!). also, those little details i have never noticed before? i can't even tell if the same thing happened in the original version (the quality of that bootleg is actually terrible), but benny dancing with american flag somewhere in the background was so fucking funny and i don't think i will ever get over that part where at the end they were all still dancing and celebrating and nina and usnavi just ran away as fast as they could because... because you guys know what just happened. also, this is the moment i started crying.
i was so scared of it. let me tell you one thing, i experienced abuela's death at least fifty times and i still cry every single time. so atención is something i have to mention, because all the emotions and kevin's shaky voice made me burst into tears right away, and this time i wasn't the only one because i saw a lot of people crying when they realized what happened (i also heard a lot of OHs when he said abuela passed away, so yes, most of them didn't know this story and they were surprised). and alabanza was something else. believe me when i tell you i am writing this with tears in my eyes, i have never cried so much in public. this was the moment i was the most scared of and i was absolutely right because holy fuck. i was a mess. all the actors with those candles singing alabanza a doña claudia! (yes, they didn't translate it, all the spanish parts were left like in the original version and i am so grateful for that), it was just so sad and so beautiful. and this time i was actually like oh, they get it now (everyone was speechless and people were crying).
everyone must know at this point how much i adore champagne and i wasn't disappointed (thank god!). once again, usnavi was absolutely adorable here and people were actually laughing this time (also thank god!). how do you get this gold shit off? (my favourite line from the whole musical) was translated really well and the moment when usnavi and vanessa kissed! with all lights on them! this was so emotional and the audience reacted so well! we were all clapping (it was so funny to pretend like i didn't know it was gonna happen haha i was just as excited as all of them and once again i was like OH! THEY GET IT!). 10/10, would recommend.
if you think i wasn't crying during the last song, think again. one thing i absolutely hate about the movie version is that they actually changed the graffiti that made usnavi stay in washington heights, but i'm not gonna talk about that and i'm not gonna talk about vanessa also being there in the movie. in the original version it was a portrait of abuela claudia made by graffiti pete and oh boy, i lost my mind (i knew about it but i still lost my mind because it was absolutely beautiful). i got the feeling it was a little rushed in our polish version, but i can forgive them because it still made me cry. also, at the very end, usnavi did not only finally acknowledge he's home, when the song was over he pretty much told the audience that we are all home right now and may i just say... i felt that. i was home. they made me believe for the first time in my life i was where i belong, and somehow that was everything.
one thing about me is that this is actually all new to me. this was my first musical i saw live in theatre (and also lin's first child, which is exactly how it was supposed to be i think), and believe me when i tell you i've never had this much fun in my entire life, not even at all the concerts of my favourite artists. it was worth every money. it was worth spending 11 hours on the train and 11 more on my way back home, which by the way we should normalize (people are doing crazy things just to see their favourite artists on the stage and it's considered normal, so why can't we consider THIS normal?). anyway, i don't expect anyone around me to understand it the way i do, but i feel like i really found my thing, and it's all because of lin-manuel miranda, our beautiful puerto rican genius. he made me believe musicals can be cool and i truly wish i could thank him for that one day.
and like i said, in the heights is my favourite story with my favourite characters and i listened to it so many times i have memorized all the little details. experiencing it live is something completely different tho and i think it's safe to say this was the best night of my entire life. even tho most of the people in the audience didn't really get it, i finally felt like i was a part of this world created by my favourite genius and for the first time ever i felt understood. so i think i can say that now: i found my island, guys, i'm there, i'm home!
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