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uravichii · 1 month

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"best friends who kiss?"

character/s: bakugo katsuki

summary: recently, your best friend has been kissing you at random times. you have no idea why because he refuses to talk about it. either way, you're not about to let this to ruin your precious friendship.

genre & trope: fluff, best friends to lovers, angry confessions, reader is terrified of love but bakugo wants them so bad 😁, tw kind of ooc bakugo

a/n: i've been watching a lot of pride & prejudice and bridgerton scenes n i'm now obsessed angry confessions 🤩 + this is heavily inspired by that scene in little women :) ALSO i haven't posted in a year 😟 so pls be nice ik my writing's rusty in this :'D

the first time bakugou katsuki kissed you, he pretended he never did.

"what... " you brush your fingers against your bottom lip, your whole face hot. "what the hell was that for?"

"what?" bakugo shrugs, feigning innocence as he takes a swig of his soda.

you try and trace back the events that could have led to the kiss.

you said something along the lines of: "i wish i had a boyfriend. i could definitely pull a cute guy off the street."

then you heard him scoff and say: "no man's sane enough to put up with your insufferable ass." ーor something more insulting than that.

you can't remember what you said in response, and you rack your brain to figure out what prompted him to grab your face and kiss you. it's impossible when all you can think about is the unexpected supple feel of his lips, its faint ghost still lingering on yours.

"that kiss, katsuki! you violated my mouth!"

"dunno what you're talking about. you hit your head or something?"

you blink and second-guess yourself for a second.

"okay, no. you're not gonna gaslight your way out of this." you swat his arm, earning an irked glare from him. "why the hell did you kiss me?"

"you're imagining things, idiot. this stupid game's givin' ya some serious brain damage for sure."

he stands up and swings his bag over his shoulder.

"where are you going? we're not done yetー!"

and he's out of the door.

was he drunk off his soda? maybe he kissed you to mess with your head. he's not that cruel though, you think. maybe he couldn't think of any other way to shut you upー that was something he always struggled with after all.

at least the second time bakugo katsuki kissed you, he was kind enough to warn you.

after enduring the most awkward hour-long study session with him, you decide to put an end to your agony by wrapping it up. you start gathering your things when he stops you with a calloused hand on your wrist.

"what?" you turn to him, your cheeks already heating up from his touch.

there are no thoughts you could read behind those vermillion eyes, and all of a sudden, you don't know your best friend very well anymore.

he walks some tentative steps closer to you until the back of your knees hit the table. he cradles your jaw with such delicacy you didn't even know he was capable of. he slips past your awaiting lips and presses his nose on the side of your head, his warm breath kissing your flushed skin.

"punch me in the face and scram if you don't want this, got it?"

you gulp and forget to answer if not for the gentle squeeze on your wrist. "y/n, you got it?"

"s-sure."

when you two kiss, it's different from last time. it's unhurried, curious, and so intoxicating. the kiss speaks: 'i want you. i want you. i want you' but whose thoughts are these?

he groans into your lips as if to urge you to keep up with the sheer hungriness that has consumed him. you try your best to do so as he deepens the kiss with a palm on the back of your head and practically drinks you in. he doesn't pull away until he hears the tiny whine that escapes you.

"shit, sorry." he mutters, avoiding your stunned gaze.

"t's okay."

"did i hurt you?" the quiet lilt of his voice surprises you.

"no, no. i'm okay, but why'd you kiー"

"bye." he blurts out as he turns to the door and leaves, as if he didn't just invaded your mouth and permanently tainted the years of friendship you two have had. you click your tongue as the heat subsides in your cheeks.

"son of a bitch."

the third time bakugo katsuki kissed you, you let him, and he didn't stop.

you had barely escaped death when you lost your footing while sparring with todoroki. naturally, bakugo yelled the poor guy's ear off and would have murdered him if eraserhead hadn't interfered at the last second.

now, you find yourself heaving in your bed. you don't know whether your hastened pulse is from the adrenaline rush or from the fact that bakugo is all over you right now.

he's planting feather-light kisses all over youー your cheeks, your nose, your forehead, your eyelids, your hands, and your wrist, as panicked murmurs spill out of him in between kisses. 'you scared the hell out of me. you have no idea, fuck. are you okay? are you really okay? tell me you're okay, y/n.'

"i'm okayー" you barely manage to gasp before he dips his lips into yours, desperate and frantic. tremulous hands find solace in your hips as he holds you, gentle enough not to mar your injuries but snug enough to assure his restless heart that you are safe.

your head feels hazy. your limbs ache and lie motionless, and though your lips could barely move to reciprocate his kisses as much as you wanted to, bakugo didn't stop. you tried to ask him about it the next morning, but of course, he ignored you and walked away.

you don't know when he stopped kissing you that night. all you know is that there was a line that was crossed, and your friendship was never going to be the same again.

bakugo katsuki is going to kiss you again. your heart thrums incessantly. whether it's dread or anticipationー you don't know.

you think about the sensation of his lips that's become so familiar to you that you've learned to crave it. it shouldn't be familiar to you, and you sure as hell shouldn't want it. so you do what you think is necessary.

you kick him in the shin.

"motherfー!" sure enough, he's pissed. "what the hell is wrong with you?!"

"what the hell is wrong with you?!"

"i was going toー"

"no! you're not gonna kiss me again and walk away and pretend it never happened. you're messing with my head, katsuki! it's not funny!"

"wasn't trying to be funny!" he barks back.

"okay, so what exactly are you trying to do? what is this? i meanー" you stammer, struggling to find the words. "katsuki, what are we?"

he sighs and shifts his stance, his discomfort apparent. when the silence lingers on for too long, you speak.

"well, whatever it is that you want from me, we're going to stay friends. nothing more, nothing less. that's it." your breath hitches, and you don't know why you feel like crying as you speak. "... so i don't want your stinky mouth anywhere on me again."

silence weighs heavily between you. sometimes you wish you didn't know him too well, then the hurt he veils in his eyes wouldn't be so plain and vivid to you, and you would have walked away by now without an ounce of remorse.

"i like you, y/n." is all he could say when he finally speaks.

you shake your head. "no, you're just confused."

"i'm not confused. i like you."

"katsuki, you've been bitchless all your life, and i'm just the closest thing to a s/o. maybe go take a walk or something."

"i like you." he persists. "i've liked your stupid ass forー"

"stop saying that. you don't."

"i do, and you like me tooー"

"what?!" you laugh incredulously.

'who does this dumbass think he is?' is he right? surely, he's not. then what are you so afraid of in the first place? why have you been counting down the days until he kisses you again? why do you yearn for his touch as if it's something you own? why do you feel so infuriated and so tormented when he leaves the room after kissing you?

you do what is necessary again.

"you're delusional!" you yell at his face, a childish shrill that's awfully familiar to your childhood best friend.

"jesus christ." he inhales sharply in frustration. "you're a fucking pussy, y/n."

you clench your jaw and match his glare. anger surges in your chest and bleeds into your voice.

"i'm not the one who chickens out after kissing their best friend! you can't even acknowledge the fact that you kissed me because you'reー!"

"do you think i want to chicken out? why do you think i run away after kissing you?! if i stayed and confessed all this shit the first time, you would've refused to hear it like the damn coward you are!" he leans close to you, his voice lowering into a ragged snarl that quickens your pulse. "and you're just proving it right now, y/n. you're always going to shut this down and deny your feelings because you're a fucking pussy. you're terrified of relationships, and it's dumbest shit ever. pathetic, really."

you rear back from his words. if anything, you always thought it was katsuki who was afraid of love. now, you can't help but feel small and vulnerable underneath his searing gaze.

"it's not dumb..." you shuffle uncomfortably. "what, i'm supposed to ruin our friendship for a relationship that we're going to break off anyway?"

"we're not going to break it off."

"how do you know that?"

"because i'll be the best goddamn boyfriend in the world!"

"first of all, gross." you scoff. "second of all, it's never gonna work out! you're going to get sick of me in three days max."

"i've known you since we were brats, and i still want you."

"you literally said no man's sane enough to put up with my obnoxious ass."

he smirks. "i said 'insufferable ass'."

"katsuki!" you fight the urge to strangle him and punch that stupid smile off his face.

"wasn't even serious that time." he grimaces and reluctantly continues. "you know damn well you can pull any guy you want, and he'd be the luckiest bastard on earth."

if it were any other day, you'd grin at him and say 'i told you so,' but your lips remain unmoved, and your eyes stay dim. you're afraid you'll never go back to being the same katsuki and y/n again.

"this is pointless, katsuki. i mean, look! we're already fighting." you grouch and tell yourself you don't want this. "i still don't want us to happen so while this friendship is still salvable, let's agree to stay friends, and whatever sappy shit you feel for meー suck it up."

in one swift motion, he closes the distance between you, his face hovering dangerously over yours.

"suck it up?" he breathes, his face taut in frustration. "restraining myself from you is the hardest shit i've ever had to do. it takes everything in me not to kiss your stupid face!"

he shudders, weakly resting his forehead against yours as if this conversation alone has exhausted him. still, he goes on.

"and everytime i failedー everytime i kissed those lips, it was... a moment of weakness, but that's the fucking problemー you're just..." he buries his face into the crook of your neck, a desperate attempt to escape your wide-eyed gaze. "i'm weak for you, y/n. every second. and it drives me fucking insane that you keep running away from me."

he rises to meet your eyes again. the cadence of his voice changes into something weak and desperate, stripped of all the pride and anger he's ever known.

"i love youー fuck. i love you." he lets the words hang in the air, letting the words hear itself spoken because for once, you're not stopping him. "i love you, so please... let me."

after much thought and another agonizing minute of silence, you lean in to kiss bakugo katsuki.

he kisses back almost instantly and revels in the way you wrap your arms around his neck and bear your weight on him completely. he kisses back ardently, his pent-up desires and years of longing etched in the way he seeks your lips, kiss after kiss after kiss.

when you finally pull away, you're met with a devilish smirk, his begging eyes long gone. you wonder to yourself when you'll see those eyes again.

"took ya long enough." he kisses you again. he raises a brow at the way you're caging him in your arms. "jesus, no one's gonna snatch me from you."

"i'm making sure you don't run away again, dumbass."

"i won't." he says earnestly as he props his forehead against yours. "and you won't either. i'll make sure of that."

you nod your head with a giddy smile as he pecks your lips again.

"so..." you say as you exaggerate a pensive look, a cheeky grin spreading across your face. "we're best friends who occasionally kiss?"

he rolls his eyes. "you're impossible."

"recite that speech again, and i'll consider calling you my boyfriend."

"fuck off!"

TAGLIST [1/2] @uxavity @joy-the-reader @kiiraes @escapenightmare @afk-dreaminq @avocamich @theboredvee @wonderwrench @ur-local-simp @p-ol @x0xuglyh0tgrl2005xoxo @cosmonettica @melin-oe @mitzi127 @lilac-o @r2katsu @bakucumsackslut @idunnomynamesince2005 @astralwaifu @taurus852 @creepyproxies @maycat-19-142 @stella-fleurets @veenxys @devilgirlcrybabiey @drawingaddict @kageyama-i-want-tobiors @lexiv-web @angelshimaa @izukus-gf @christiansdior @homosexualjohnwayne @uwiuwi @hirugummies @cupidines @loveisningning (bold couldn't be tagged)

#bakugo katsuki x reader #bakugo x reader #bakugo katsuki x you #bakugo x you #bnha x reader #bnha x you #mha x reader #mha x you #bakugo katsuki drabbles #bakugo drabbles #bnha drabbles #bnha imagines #mha imagines #bakugo fluff #bakugo katsuki fluff #bnha headcanons #mha headcanons

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fuckyeahisawthat · 9 months

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Up until the almost-end-of-the-world, the way Aziraphale and Crowley maintained their relationship was through a collection of well-established and repeated patterns (dances, you might say). These little rituals were what they used to communicate affection, intimacy and trust when they couldn’t say the things they wanted to say out loud. I like spending time with you. You make me happy, and I like making you happy. We’re in this together. I’ll always be there for you, even when your own side is not.

In season 1, as the stress of the impending apocalypse puts more and more pressure on their relationship, we see their patterns start to break down, and it’s very distressing for them. They’ve been communicating like this for so long that they don’t know what to do when one of them doesn’t follow the dance steps.

When we first see them in season 2, they seem in some ways to be closer than ever. They touch each other more easily, Aziraphale in particular. Crowley is comfortable enough in the bookshop that he has a Spot for putting his sunglasses when he takes them off by the door. They’re more open about acknowledging how much time they spend together and how many things in their lives are shared.

And I think, also, we expect them to be happy. They won, didn’t they? So it takes a while for the cracks to start to show.

It wasn’t until this post pointed out that the whole season, we never see them sit down and share a meal together in the present day (no, Crowley doesn’t eat; yes, it still counts) that it started coming together for me. The closer you look, the more you realize the old patterns they’re used to relying on are broken.

Three times, we see them sit down to their usual table for two (at the coffee shop, the bar, and the French restaurant) and then almost immediately get up again. This post also points out that we don’t see present-day Aziraphale eat anything on screen, other than one of the little candies in the Bentley. This in the same season we learn that Crowley is the one who introduced him to food! It’s one of their oldest rituals!

Even one of their most visually recognizable patterns starts to go wonky this season. In season 1, when the blocking allows it, Crowley’s always on Aziraphale’s left. When they’re standing or walking side by side, and most of the time when they’re sitting side by side together (there are some exceptions due to camera angles)…Crowley’s always on Aziraphale’s left (screen right if they’re facing us, screen left if we’re behind them). It’s one of the clues about the body swap that is easy to see when you know what to look for—in Berkeley Square they are each initially sitting on the “wrong” side of the bench. It’s so reliable that Aziraphale hears a little miracle bling in the sushi restaurant in s1 ep1 and turns to his left—because that’s where Crowley would appear—only to be startled by Gabriel on his right.

Go look at the scene where we find out Gabriel and Beez are a couple. You know the one.

And of course, many people have noted that in the end credits, we’d expect their positions on screen to be switched. They’re on the wrong sides. And it’s such a long shot that I think it has to be intentional.

Some people have speculated that this means they swapped bodies again. I don’t really buy that. Rather I think it is supposed to indicate what becomes extremely clear on a second viewing, that things are Off and Wrong. They are not okay.

And the more you watch them you see that Aziraphale’s excitement during his little adventures is manic and brittle, and that he misses having a place and a purpose and a mission to do good. And Crowley is depressed, unhealthily codependent, even more hypervigilant and cagey and angry than he was before. They both have layers and layers of trauma, and no way to talk about it. They have the time and freedom now to talk about what they want to be to each other, now that they don’t have to hide and encode and maintain plausible deniability. But they have no way to talk about that either, because that’s never been an option before. They don’t know how, and they are both so, so afraid.

And in the fights they have in episode 1 and episode 6, you realize they haven’t resolved anything from season 1. They’re having the same fight they had at the bandstand. Crowley wants to run, keep the two of them safe and damn the rest, and Aziraphale wants to stay and help, believing he can make a difference even in an imperfect system, and neither of them really understands the other’s position. It’s the same damn fight. They haven’t been able to move past this impasse, and it’s the exact thing that breaks them in the end.

And it’s just. Fuck. It’s such a human thing to have happened to them. To make it through the fire (metaphorical and literal) and then have everything go to shit afterward because of unaddressed traumas and insecurities and things left unsaid until they fester.

I know this is not at all how I expected the season to go, and I think it took a little while for me to parse what was going with their relationship, because we are predisposed to want them to be happy and to want things to be easy for them now. But it makes so much sense that this is where they ended up at this point in the story.

I know they’ll make it back to each other. They both love each other too much to give up. They’ll fight their way back together, and I know they’ll figure it out in the end.

But goddamn.

#good omens #good omens s2 #good omens s2 spoilers #aziraphale #crowley

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cheemscakecat · 2 months

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Fun/Interesting details in Expiration Date

Heavy knows that Pauling is calling them, and lets Scout be the one to answer. Also, road safety because he’s not distracted driving.

Medic is so hyped about tumor bread.

Hoovy smelling the sandwich and deciding it’s safe to eat [or that it doesn’t matter at this point].

Pyro standing like that. He don’t know what’s going on, but he’ll still be polite. Also, Sniper just chillin in the back with a poker face the whole time.

Medic smiles at Soldier as they walk past. Engineer’s got that Conhager death-cheating focus at the moment.

Spy’s eyes widen angrily when he realizes it’s Scout at the door and then he smirks like; “Oh hi! Twelve hours was enough time for you to get bored of my absence, then?”, not expecting a sincere apology [maybe one orchestrated by the other teammates, but not Scout].

There was some vitriol behind that “***”, look at his nose. He does not want Scout to gloat, try to prank him again, or give a fake apology. And that’s valid, since the team dying is something Scout should have taken seriously, and the last wishes handled with respect. He crossed a line that Spy doesn’t take lightly.

Dad, I threwed up. But in all seriousness, that’s the “My family is dysfunctional, and I don’t know how to be emotionally honest with people” posture.

See my bucket scene analysis for more on these two.

He didn’t say “You’re terrible with girls” in a snide or smug tone, he said it with like actual parental concern. “Scout, no you have three days! Do you want to die rejected or die before you can enjoy being together? No. Don’t do this to yourself.”

Look at that cup, he did not need a refill. This fake smirk and disinterest is Spy’s way of checking how serious Scout is about this last wish and taking his advice. And when he goes “This never leaves this room” Spy perks up.

Medic was taking a sample of bread tumor puss [or injecting it with something].

They have a whole entire wrestling ring, how did I never notice that?

This is one of those multiple choice questions where you can choose more than one answer and have it be right. But the chicken in combination with the other options looses you points, and just taking the chicken is like the token wrong answer.

Spy sighs when he realizes Scout chose just the chicken. Like chile, I gave you multiple options and you still went with your go-to that doesn’t work!

This room has a gym floor, which implies Spy took a bunch of fancy stuff from one of his rooms just for this date training. Also shoutout to the other teammates for helping with this.

Okay, so most of these decorations came from Pyro, who Scout is terrified of. Archimedes came from Medic, who Scout also doesn’t want to make angry, and the grass cutouts are potentially part of the base camouflage. But that disco ball? That belongs to Scout, he just doesn't want anyone to know he’s real into that. [The team would not judge, but his brothers would, so.]

Man when he gets his heart broken, I hope he finds the right girl for him. He deserves better than Pauling always making excuses to turn him down instead of telling him like it is.

Foreshadowing Solly being romantical towards Zhanna. Look at this content man.

Spy holding his knife like this. There’s no reason for it to be a threat, so he’s just genuinely in the habit of doing this while listening. Or while nervous, which also makes sense.

#tf2 #dadspy #character analysis #expiration date #tf2 scout #tf2 spy

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mikeystrawberry · 3 months

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Today is Dungeons & Daddies’s 5th Anniversary!

I haven’t been listening for nearly that long but the podcast and all its characters means a lot to me. Happy Anniversary!!!

Throwing the cropped sections under the cut because there’s a lot of stuff going on and I know Tumblr likes to throw half the pixel quality out the window. And also so I can ramble a bit about this piece!!!

This piece has been months in the making, possibly an entire year. And by that I mean I’ve had a sketch of the comp scribbled on my whiteboard for ages because I wanted to save this specifically for 5th anni art. Now onto design stuff!

(First off a random thought: I really love how the garlic knot came out, I kind of want it as an enamel pin.)

I knew I wanted to make this a stained glass piece since the beginning, but I was also going to add flowers at one point but quickly dropped the idea. It felt like too much and I also didn’t want to fuss over flower language assignments for everyone. I was also going to add Doodler tentacles, but also dropped that idea pretty early. Kind of on accident, right at the end, I figured out how to make it even more stained glass-like but taking a duplicated lineart underneath the regular layer and turning the brightness all the way down, then setting it to overlay and adding a guassian blur. It’s very subtle but it adds that tiny bit of depth that makes it look more real. As for shading on the lineart/gold, I tried adding more highlight on the characters who died but once I evened everything out it wasn’t as noticeable anymore so I’m throwing that thought here so the attempt at least known lol.

The order of characters only changed a little bit from my original comp, I flipped the Wilsons and the Oaks so the rainbow could work. As for the anchors, specifically in season 2, I lined them up to the teens since the season 1 anchors lined up with each dad:

Tony —> Scary: his death was the beginning of Scary’s betrayal arc and also Willy killed him.

Guitar Pick —> Taylor: it’s not really aligned with Taylor at all, but the anchor was with Glenn so I put it next to his blunt.

Scroll —> Normal: was only because it was the last left to give him, but there’s the whole scene of him and Hermie in the Green Room so it still works!

Garlic Knot —> Link: one of two that he broke, but the more significant of the two with him telling Grant he never wants to see him again.

Small notes on the season 1 anchors: I put the layer of mold in the overnight oats but you can’t really tell with the overlay. And to make the supper bowl more interesting I added the fantasy sodas mix they dumped into it. The lure of actually drawn before so I just traced my own art lol.

As for the other smaller triangles, it took me a bit to figure out what I wanted to put there. I didn’t even think of adding the vehicles until two days ago but I’m so glad I did. I don’t really have my own take on the mascot version of the Doodler (yet?) so I borrowed the design from one of the stickers in their merch shop. Teeny was terrifying as just a front facing head so I made him cute again.

In the outer circles, I put what I felt was the most significant quotes for each family. I really wanted to use “It’s okay to be angry, it’s not okay to be cruel” but it was just a little too long.

That’s all I can think of! If you read all the way through, thank you for indulging me in my excitement to gush over this piece.

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secretmellowblog · 6 months

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Another reason I dislike Les Mis adaptations that make Jean Valjean constantly openly angry/violent is because they miss that Jean Valjean is not allowed to be angry. The fact he is forbidden from expressing anger is, I argue, actually a very important part of his character in the novel!

One of the subtler political messages of the story is that some people are given freedom to express anger, while others are forced to be excessively meek and conciliatory in order to survive.

Wealthy conservatives like Monsieur Gillenormand can “fly into rages” every five minutes and have it treated as an endearing quirk. Poor characters like Fantine or Jean Valjean must be constantly polite and ingratiating to “their superiors” at all times, even in the face of mockery and violence, or else they will be subjected to punishment. If Gillenormand beats his child with a stick, it’s a silly quirk; if Fantine beats a man harassing her, she is sentenced to months in prison.

(Thenardier and Javert are interesting examples of this too. Thenardier acts superficially polite and ingratiating to his wealthy “superiors” while insulting them behind their backs. Javert, meanwhile, is completely earnest in his mindless bootlicking. But I could write an entire other post on this.)

The point is that….Jean Valjean has to be submissive and self-effacing, or he puts himself in danger. He can’t afford to be angry and make scenes, or he will be punished. The only barrier between himself and prison is his ability to be so “courteous” that no one bothers to pry into his past.

Jean Valjean is excessively polite to people, in the way that you’re excessively polite to an armed cop who pulls you over for speeding when you secretly have a few illegal grams of marijuana in the your car trunk. XD It’s politeness built on fear, is what I mean. It’s politeness built on a desperation to make a powerful person avoid looking too closely at you.

It’s politeness at gunpoint.

Jean Valjean has also spent nineteen years living in an environment where any expression of anger could be punished with severe violence. That trauma is reflected in the overly cautious reserved way he often speaks with people (even people who are kind and would never actually hurt him.)

So adaptations that have Jean Valjean boldly having shouting matches with people in public and beating cops half to death without worrying about the repercussions just make go like “???”

Because that’s part of what’s fascinating about Jean Valjean to me? On one hand, he is a genuinely kind compassionate person, who cares deeply about other people and behaves kindly out of altruism. But on the other hand, he was also “beaten into submission” by prison, and forced into adopting conciliatory bootlicking behaviors in order to survive. And it can sometimes be hard to tell when he is being kind vs. when he is being “polite” — when he is speaking and acting out of earnest compassion vs. when he is speaking and acting out of fear.

The TL;DR is that I think it’s important that even though Jean Valjean is very (justifiably) angry about the injustice that was inflicted on him, his anger is harshly policed at all times— by other people, and by himself. He has been told his anger is wrong/selfish so often that he believes it. His anger takes weirder more unhealthy forms because he has no safe outlet for it. His rage at society becomes a possessiveness towards Cosette and silent hatred of Marius, but primarily it becomes useless self-destructive constant hatred of himself. And while I might be phrasing this wrong, I think that’s what’s interesting about Jean Valjean’s relationship with anger— the way his justified fury at his own mistreatment gets warped into more and more unhealthy forms by the way he’s forced to constantly repress it.

#les mis #les mis letters #jean valjean #don’t mind me just Valjeanposting #you know I’m doing okay when I’m Valjeanposting #but yeah I can’t remember the first person who started talking about this concept with me #(it was years ago)#but now I think about it constantly #when you read the book looking through that lens #of certain charcaters being forced to act conciliatory and polite ‘under threat of violence’#you notice it constantly #it’s such a running Thing #and you could write tons of posts about it on www.tumblr.com

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lenaellsi · 8 months

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on aziraphale's insecurities in S2

i'm pretty sure one of the lines in the end scene where crowley shoots himself in the foot the most is "i think i understand a whole lot better than you do," and i don't even think he realizes how badly aziraphale takes it.

it's just a fact to him: he knows better than aziraphale what heaven is like. it's also a fact to the audience, who knows that the metatron is doing this for bad reasons and that aziraphale is walking into a trap. but it's not a fact to aziraphale. and that's the moment aziraphale goes from panicky and anxious to angry.

aziraphale's self-doubts and anxieties concerning his identity as an angel are shown frequently in s2. we start 2x01 with him deeply insecure in his 'retirement': crowley mentions that aziraphale frequently calls him to "tell him about something clever he did," and aziraphale confirms that he is essentially using these conversations as a stand-in for reporting to heaven. he misses being on The Good Team and doesn't know what to do with himself now that he's not.

so aziraphale doesn't know who he is if he's not an angel, but he also knows that he's a bad angel. he was frequently mocked and condescended to in heaven (by seemingly everyone, not just the archangels; even the quartermaster in s1 called him pathetic). he lied to heaven, he lied to god, he enjoys earthly pleasures, he loves works with a demon, and he doubts the Plan. he never fit in with them. lonely, remember?

and later in the season, we learn that shax, for all that she apparently is not great with sarcasm, is remarkably perceptive when picking up on insecurities. she mocks aziraphale twice, first in the car for his relationship with crowley (which, interestingly, doesn't faze him a bit--remember the eyebrow? he's not at all insecure in his knowledge that crowley loves him. crowley has always been the thing he's most sure of, even very early on--look at how much faith he has in him with job.) the second time she hits much harder: "crowley's emotional support angel," "shall we send in the sushi?" "the softest touch" etc. it hurts him, you can see it.

and there's another tiny moment in 2x05 I don't think I've ever seen anyone talk about, where crowley has just bluffed to the demon horde and is trying to get all the humans together to leave. crowley says, "I won't leave you on your own," and aziraphale says, "I know. But I have a suggestion--" and crowley brushes him off, saying "I got this." aziraphale looks very frustrated by this exchange, which--yeah! fair!

and over and over, we just--we see crowley be right. right about job and god, right about elspeth, right about the magic trick, the nazis, the arrangement, the apocalypse. "you were right, you were right, i was wrong, you were right." crowley's never done the dance before, he says. how many times has aziraphale had to?

and crowley's not just right, he's confident in it! he moves through the world and makes choices that fly in the face of everything aziraphale knows about Good and Evil, and it seems to come so easily to him. he's loud, and he's brave, and he's full of conviction, and aziraphale often feels overshadowed by that surety, because he's so often full of doubt. "you sound jealous, angel," is what crowley says at job's mansion, and i think he's more right than he knows.

all this to say: when crowley says "I think I understand a whole lot better than you do," what aziraphale hears is you idiot and how can somebody as clever as you be so stupid and I was right, I was right, you were wrong, I was right. and he's fucking sick of it.

and so he doubles down, and he gets in the stupid elevator, and he makes the worst mistake of his life, because he's sick of being treated as heaven's lackey or crowley's sidekick. the metatron knew exactly what to say to get him there, and crowley had no idea he was playing directly into it.

#good omens #good omens season 2 #good omens meta #aziraphale #crowley #gos2 spoilers

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fourmoony · 7 months

Text

𝐡𝐨𝐩𝐞

james potter x f!reader

fluff. 1.5k.

Summary: James brings home a baby. A baby that is not kidnapped.

part 2 - part 3 - part 4 - masterlist

...

James is standing in the doorway with a baby in his arms.

You’re so grateful he’s even there, that he’s made it back alive – albeit a little bloody and battered, glasses askew and his face covered in dirt – but alive nonetheless, that you don’t even notice the baby, bundled in a warm, fluffy blanket, wrapped safely in his arms. He’s bouncing his arms gently, probably trying to soothe the baby who’s making soft noises, and it’s really a sight to behold. It’s not until he steps through the doorway and gives you a nervous, lopsided smile that you fully register your boyfriend is holding a baby.

You blink. Once, twice. A third time.

James grows progressively more antsy. He chews his busted lip, winces, and then shifts back and forth on his feet. You have no idea where he could even have procured a baby. He’s been on an order mission for the past four days, scouting possible allies with the vampires whilst simultaneously moving important potions ingredients from one safe house to another, making sure the Death Eaters are always two steps behind order movements. Realistically, there’s been zero opportunity for James to come across a baby that he could just – take home.

“You’re home,” You breathe, because truly, that’s the most important part of the whole ordeal. James is here. He’s safe. He’s alive. Another mission down, and James has returned home. So, you’re glad. Grateful, unbelievably so. But also confused. Deeply confused.

“You have questions,” James is arguably calm about the situation, like he’d expected you to be eyeing him with hesitation – he was right – and he’s already rehearsed this in his head. “That’s normal.”

“Normal,” You repeat, the word tasting foreign on your tongue because nothing about this is normal. “Jamie, you’re holding a baby. Tell me we’re just like, babysitting, or something and you haven’t kidnapped someone’s child!”

James winces at your – albeit, quiet – yelling. The baby whimpers in his arms and immediately James shushes it, bouncing slightly on the spot with a desperate look in his eyes. He’s out of his depth, it’s obvious by the panicked way he’s looking between you and the baby, something pleading in his eyes.

“I didn’t kidnap her,” James argues childishly.

Okay, so, the baby is a girl. And James didn’t kidnap her. You turn and walk towards the kitchen, James follows, hot on your heels. The kitchen is a bit of a mess. There are your dishes from dinner, the bin is full, and there’s a couple of empty cartons for the recycling dotted on the counter closest to the back garden door. But James doesn’t flinch, he surveys his surroundings, but ultimately ignores the mess you’ve allowed to take over the small space in the days he’s been away.

“We were flying over Surrey when Marls spotted the dark mark over a muggle area,” James launches into explanation while you busy yourself with leaning over the sink and running the warm water. “We stopped to assess damage, but the Aurors were already there. Her family was killed, baby. The muggle government won’t touch the scene with a ten-foot pole – not that the baby had any other family, anyway, Alice already checked – and the Ministry won’t do anything except send her to an orphanage.”

The suds around your hands suddenly feel too much. The soup crusted around the side of your dinner bowl won’t come off and you scrub aggressively at it, focussing on that instead of the fact that your boyfriend has essentially just told you he’s informally adopted a child at random, without discussing it with you first.

Well, you know there was no time for him to discuss it. You can’t be mad at him for that. And, really, you can’t be angry at him, either, for bringing her to your home. She’s safe here. She’s already suffered an incredible amount of trauma, and she barely looks more than three months old. Your heart softens with your resolve, and you lift your head to look out of the window above the sink. The cottage you and James live in was a gift from his parents – a gift that had made you incredibly overwhelmed until you found out it had been under their ownership since before James was born, anyway – and has enough room for a swing set and a slide, maybe a trampoline. There’s a spare room, upstairs. Sirius will grumble about giving up his room for when he visits, but you’re sure he’ll get over it with some encouragement from Remus. The cottage is pretty much baby proof for James and Sirius’ sake, anyway. You have enough expendable income to completely kit out an emergency nursery necessary.

The argument isn’t really that you can’t afford to have a baby, or that you don’t have space for a baby. It’s that you’re nineteen, a year out of Hogwarts and in the middle of a war. Things are bad, times are scary, James is gone at least a week out of every month, you spend most of your days confined to the inside of a potions lab with Lily, making key potions that the Order need to work efficiently. You’re still kids yourselves, fighting a war that is taking everything from you.

But the way James is holding her like she’s the most precious thing he’s ever seen, rocking her, and cooing at her, you melt when you turn to face them, and it just feels – right, you suppose.

James looks up, smiles tentatively. You’ve always known he’ll be a great dad. He’s so full of light and love. When he loves, he loves with his entire heart. He loves dotingly and loyally. He’s so sure, standing there. Even though you can tell he’s trying to respect you, waiting to show his excitement until he knows how you feel, you can also see how much love he already has for this little girl, how sure he is that here, with him and with you, is the best place for her.

You take a step towards him, around the kitchen island, and hold your arms out wordlessly. He places her in your arms so gently and then watches as your eyes meet hers. They’re big and round and so blue you feel the breath hitch in your throat. She’s gorgeous. Big puffy cheeks and tufts of dark hair on her small little head. Her tiny lips are curved into a tired pout. You can’t help the smile that overcomes you. When your eyes lift – reluctantly – James is staring at you both. There’s something sickly sweet about the look in his eyes, warm like coffee, sweet like honey.

“We’re at war, Jamie,” You tell him, “Having a baby is a bad idea.”

James nods, “I know.”

A beat of silence passes. An understanding, maybe. It’s a bad time to be two nineteen-year-olds having a baby. But it’s there, in the way James looks at you. He’s never been one to have perfect timing. He asked you to be his girlfriend in the middle of an argument. He asked you to move in with him after school when the first Daily Prophet announcement about the war being confirmed happened. He’s brought a baby home out of nowhere, in the middle of said war. But it feels right. Holding her in your arms, James standing so close you can feel his warmth.

“What’s her name?” You ask, smiling sweetly at James.

He beams. He just – he beams. You know that he knows, then. You’re in. For better or worse.

“No idea. Alice had the muggle police contact the muggle social workers, who had no idea of anything about her. Bit of a mystery, really. But we get to keep her. Keep her safe, love her, raise her. So, I think it worked out. Is that bad?" James whips his head up, like his words surprised himself.

You chuckle lightly, "A little."

"What do you think we should name her?" You ask, eyes flitting back down to her. She's fallen over into sleep, blue irises gone from the world and you feel a tinge of sadness. You miss the bright blue of them, already. She's huffing softly, lips parted cutely. There's something magical about the way she's captured your heart in ten minutes flat. She might have magical powers, after all.

"Not sure. We can think on it. Our meeting with the ministry to officially adopt isn't until Monday." James speaks softly, in awe of the sight of you both.

You nod, "We better ring for Sirius and Remus, send them off for a cot, and then coax them into helping us build it."

You hand her over to James, he takes her, and then make for the phone. James stops you when he speaks, voice an amused whisper, lips pressed to her head, "They're already on their way."

"You knew I'd say yes."

"I knew you'd say yes. How could you not? Look at her." James is all honey voiced as he coos and holds the baby up for you to see and you melt.

She's the cutest thing you've ever seen. You're in awe. She's got your heart, well and truly. It's a strange feeling, to have such adoration for a human so small, who you've only just met. But you know you'll lay your life down to protect her. You'd do anything to make sure she's safe. She promises love, in the darkest time. You can already see the difference in James since returning home. He's lighter, full of smiles, gentle, happy. Usually, after missions, James is dark and brooding. He's filled with a darkness that only being a soldier can bring about.

James is looking at her so lovingly it makes you want to cry. She's happiness, and love. She's-

"Hope." You say, the ghost of a smile on your lips.

James looks up, brows furrowed, a question.

"Hope Potter." You affirm, tears in your eyes.

Your heart fills when James leans forward, presses a kiss to your lips, careful not to jostle Hope, "I love it. I love you."

"I love you. Both."

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swampjawn · 7 days

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Does this shot from Dungeon Meshi episode 16 remind you of anything?

...Maybe this shot from episode 11?

Well it should, because it was Animated by the same guy, Atsushi Yoneda! (米田温) (Probably. He was credited for a key frame a few seconds later, and it looks very similar, so I'm fairly confident it's his work.)

While breaking down the animation in Dungeon Meshi, I naturally tend to focus a lot on key animators Kai Iakarashi and Ichigo Kanno because of their highly recognizable and stylized motion that has defined the series,

But while Yoneda's work is less immediately recognizable (and less ubiquitous), I also appreciate his penchant for realism. Laios's face, which just a second ago was approachably cartoony, is now uncomfortably detailed - his nose and eyes become real, human and volumetric instead of simplified indications, and his teeth suddenly become individual teeth instead of just a line.

Just as the snappy, exaggerated movements and simplified shapes work well to heighten the energy in the most frantic moments, this more straightforward movement and grounded, realistic detail often brings it all back down to earth and contextualizes whatever crazy decision was just made in the real human experience that comes as a consequence of it: diving through a goop wall (with your mouth open for some reason), launching yourself off a cooking pot towards the face of an angry dragon, or even getting voluntarily engulfed in tentacles. (He also seems to be the go-to tentacle guy for the series so far) Yoneda is always there to show the reality right after the split-second decision.

And that contrast between realism and stylization is sort of a theme throughout this episode, from the Ushi-Oni depicted in a different style to the rest of the world, to this scene where Shuro's realistic stare of disbelief clashes with the cartoonish reverse-shot of Laios cheerfully explaining why he was eating a brick. I get into all that in more detail in this video where I broke down the entire episode, so if you found this interesting, consider checking it out!

Thanks for reading.

youtube

#dungeon meshi #animation analysis #mini essay #atsushi yoneda #anime #laios touden #video #shuro #Youtube

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apparentlytheproblem · 8 months

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Hi! I hope you’re having a great day! I had an idea for a fic and I thought I’d send it to you!

Theodore Nott or Mattheo Riddle x fem! Reader

The readers on her phone relaxing after spending all Saturday on homework, and she opens tiktok and watches edits edits of her boyfriend and watches some for like hours and then he walks in- (stay with me bestie-) and she dosent notice, and she’s gotten really horny, needy and turned on *cough* maybe she goes on character ai to try to make her miss him less and she’s just super horny- he sees her watching edits of him and it’s just super smutty?

A/n: Also this is my first time requesting! I sent this to a couple of my favorite fanfic authors bc I didn’t know who would respond, I love your work pls keep it up!!

p e r f e c t i o n

fandom- Harry Potter

pairing(s)- theodore nott

a/n: thelloo my darling, i am so sorry it took so long. i couldn't choose which character to do, so both are uploaded, one is the copy paste of the other except their names [ofcourse] so there isn't much difference, tysmm for requesting and i hope you're happy with how this turned out :)

p.s i love you and this literally has me giggling and smiling

requested- yes

currently playing- forever favourite

warnings- this is set in a modern au, here he's a famous actor

you placed your pen down, a clicking sound was heard as the cap enclosed the nib. you uncross your legs and make way to the couch with your phone on one hand, ready to take a well deserved break.

you opened TikTok, the symbol animatedly popping up as her for you page loaded. there was something so addictive about it, not that of the app, but how the edits and controversies of your boyfriend pulled you in for hours.

the thing was, the both of you had an argument and you're missing him more than usual. you long for him to grab your thighs, the neck kisses, his fingers running down you as if to sculpt you.

from POVs to edits to just scenes of him had you captivated. just the thoughts of him doing what they claimed. you found yourself rewatching an edit of his thighs. for some reason they turned you on so much. his walk, his arms, the way he moved, how could he do it all so seductively.

was it getting hot in here?

you instinctively started unbuttoning your shirt and removed your shorts, leaving you in a pretty set. you were home alone anyway, who would be bothered? but god didn't he love that set. you rested on your stomach as you encountered an audio, a one with Theodore Nott fucking you. you could feel yourself practically melt with his voice draining all thought and reason on your mind.

his slow footsteps took him to the bedroom which's door was slightly ajar his hand preoccupied with takeout.

fuckfuckfuck

you eyes look up to see the the biggest grin. he though he'd won. he knew you wouldn't go too long without him. it made you upset. but at the same time, his barely buttoned up shirt was loosely hung and his trousers outlined his visibly growing bulge.

leaving the food gently on the desk facing the door, he lifted you up from the bed with his hand under your thighs, placing you on top of his study.

his eyes ran through the pretty blue lace, he always said it looked lovley on her skin. he closed the gap between her, your breats pressed against him.

"I'm sorry my love, but i don't mind fucking you while you're still angry at me. it quite turns me on."

Theo backed you up against the wall, his mouth warm and heavy on yours as your fingers hooked his belt buckle. you were far from angry, you were ready to end him, oh and he knew. he would be dying today, but atleast it would end with his face berried in your pussy.

“sweetheart..” he held his palm out to you, pressing you against the cold wall as his chocolate eyes gazed you in absolute awe.

you pulled Theo by the tie, his hands swiftly picked you up and dropped you ever so gently on the centre of your bed. you push his standing figure on his back roughly as he just has the most blissful expression on his face.

you leaned over Theo and gently placed a feather like kiss on his abdomen, your fingernails gently paving a path down him, reaching towards his abs, the hard muscle were as if god himself had taken the time to sculpt it for you.

you slowly mount him, ghosting above him slightly.

"you have such an annoying face Nott."

that was absolutley untrue. is face was perfection. it was gorgeous and defined and just perfect.

"sit on my annoying face then baby" he murmured. it was soft and kind.

you crawled to the head of the bed, "you’re fuckin perfection." you muttered, pressing a gentle kiss on his jaw as he positioned his hands round your hips, pulling you on top of his face. you settled in, your legs locked on either side of his pretty head. one arm was resting on his chest lightly as the other played with his soft curls.

"fuck" you moaned, his lips spread under you only sucking harder, the sensation making you shudder. you were already dripping and he's just gotten started.

"darling-" he shushed himself off as you moaned, your fingers entangled in his brown hair as he lapped up your juices, quickening his pace.

his tongue lightly ball room danced around your clit as you came and your hands switched to the bedsheet so you don't nearly pulled his hair from his roots. he was memorized with the feeling of your thighs tightening

he continued his pace and as if muscle memory you gripped his hair again,

"fuck-"

you moaned out as he gripped your thighs, acting as if he could swallow you whole.

another orgasm.

and another.

one by one, they all fell into order.

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actual-changeling · 4 months

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Season One meta posts in 2024? Yes, very much so. We need more of that.

Will this be slightly unhinged? Yeah, probably, so welcome back to Alex's unhinged meta corner.

Everyone has probably connected the kiss back to the wall-slam scene in Tadfield Manor by now, but while I was re-watching it for the nth time and combing through it frame by frame like a mentally sane person, I realised just how orchestrated it was from beginning to end.

I assume we can agree that Aziraphale called Crowley nice on purpose to get a hint of intimacy out of him, but I think this time it is very different from the other instances during which he reacts with anger to being called nice.

My first main observation is the way Aziraphale positions himself.

We pick up after Crowley's explanation about the non-lethal shooting happening outside, and they are facing each other at an angle, with Aziraphale having stopped a few steps behind him.

Now, until the slam itself, Crowley doesn't move, he remains where he is, waiting. (We'll come back to that in a bit)

However, instead of remaining at a safe distance or standing literally standing anywhere else, he walks a small curve to then stop right in front of Crowley. Not at his side or a little bit away or at a respectable distance—no, right in his face. You can judge his position by looking at the wooden door (?) in the background.

The following camera position makes it hard to see the amount of distance between their faces, but we know that he must be close enough so that Crowley can immediately grab his coat without problem.

Excuse my art skills, but just to make sure everyone is on the same page, have a little drawing showing their positions and movements.

Now, that manoeuvring takes Aziraphale a few seconds, and what does he do? He stalls. Look at what exactly he tells Crowley:

You know, Crowley, I've always said that, deep down, you are quite a nice—

There are a lot more words than necessary! He could have shortened that sentence but he didn't, and on top of that, if you listen to him say it, he makes two noticeable pauses, one after 'Crowley with a little look outside, one after 'that'. By then he has reached his final position, so no more stalling, he can try to finish his sentence now.

Alex, you might say now, of course Aziraphale did it on purpose, but Crowley only reacted to what he said.

And to that I respond, nope, he was 100% in on it.

I know because when Aziraphale stops in front of him, he waits. He does not move, he doesn't shut him up even though he has heard the same spiel hundreds of times—no, he is waiting and allowing Aziraphale to initiate their little game.

This face is not the face of someone who is already angry or confused about which words will tumble out of Aziraphale's mouth. He even arches his eyebrow in a motion that I personally interpret as 'go on'.

Crowley is listening and waiting for the signal, and the moment Aziraphale says 'nice', he grabs him and pushes him up against the opposite wall. It's an extraordinarily quick reaction, the kind you have when you know you're about to act and what you'll do.

Some further evidence that the entire moment was orchestrated by the two of them.

Aziraphale stretches out his arms behind him to brace himself against the wall, he was expecting to be moved that way and intentionally put himself into a position that would allow Crowley to do so.

Additionally, by grabbing his lapels the way he does, Crowley can make sure that the back of his head doesn't hit the wall. If you watch the clip by yourself and slow it down, you'll discover that Aziraphale gently rests it against the wall on his own while Crowley is talking.

Aziraphale is completely relaxed not only because he knows Crowley would never hurt him, but also because this entire thing is a game that they willingly participate in. It is dangerously under-negotiated, sure; luckily they more or less agree on the ground rules.

Obligatory close-up with the noise squish because I am a blorbo connoisseur and not a heathen. The little eye gaze at the lips, and if you ask me, and this is my post so you ARE asking me, Crowley is very much looking at Aziraphale's lips from behind his glasses.

But I have one more observation to make!

I could never quite put my finger on why exactly the scene felt off, but now I am convinced it's because despite the act, Crowley isn't actually upset. There ARE times when Aziraphale actively crosses a boundary and endangers him with his compliments, but this is not one of them. The growling, him baring his teeth, the fact that he is pressing their entire bodies together, him leaning in thar far, and also what the FUCK is he saying?

The excerpt from the script books:

First part okay, I can buy that, a bit basic but alright. But 'nice is a four letter word'? Where exactly was he going with that and how was that sentence going to end? It's close enough to the topic to pass as real for any outsider who might overhear them, but if you actually listen and try to comprehend it—yeah, no, he was about to go full gibberish.

The goal wasn't to yell at Aziraphale about calling him nice, it was all about prolonging the physical intimacy by holding a monologue.

If you still don't believe me, have a look at their faces when they get interrupted.

Crowley has a "whot?" expression on his face and not a single hint of anger or annoyance. Aziraphale has an expression I will lovingly call "perish you peasant and let my demon husband slam me against a wall in peace".

If someone gave you only this picture—no context, nothing—what would you assume they were doing before someone rudely interrupted them? Based on what the fuck is happening on their faces and the complete lack of distance between their bodies, you'd probably assume they were snogging each other senseless.

Which they were, in a way, just without the lip contact.

I rest my case.

#alex talks good omens #good omens #crowley #aziraphale #good omens meta #good omens season 1 #go2 #aziracrow #crowley x aziraphale #ineffable husbands #ineffable wives #ineffable spouses #alex's unhinged meta corner

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samandcolbyownme · 6 months

Text

Summary: anon request - "Hi can u do one like should've stayed home but with Sam please and can u make it so they end up fighting about leaving and not wanting to leave and so the car ride home is silent leaving Colby feeling awkward until they get home then they make up after a little bit more arguing please please pleas thank u."

Warning: This one shot will get dark at parts and contain the reader being targeted by the spirits and some actions include; being touched, pushed, choked, scratched, spoken to, and other things some readers might find a bit creepy. There will also be mentions of murder and such at the place of exploration and other bad things some readers may be triggered by and there will be a short SMUT scene at the end.

I also kinda changed around the ending a little bit, hope you don't mind!

Word count: 8.1K

"What's up guys. It's Sam and Colby."

You stand off to the side, watching as they do their intro, "Today." Sam presses his hands together and leans in, "We are at the Agatha Asylum, or better known as the worst place to be sent if you were already having a bad day."

"It's said that people who had, or thought to have had any kind of mental illness were sent here for-" Colby puts air quotes, "-help.. and they were punished by being chained to walls, stuck in cages, beaten, and most even faced death."

"We are here today to see if we can get some answers as to why the person in charge, John Agatha, would do something like this." Sam glances over at you, "We also have with us a very special guest, y/n."

You walk over, standing in between Sam and Colby and hold your hand up, "I don't know why I'm here. I hate asylums."

"You volunteered to handcuff yourself to the wall, remember?" Colby jokes and looks at you. You raise your eyebrows, "The fuck I did."

"Anyway." Sam tries not to laugh, "We are currently waiting on the owner of this asylum to get here so we can get a tour and get a feel for what we will be dealing with.." Sam looks over at the road, "I think that's them now."

A car pulls up and parks, stepping out is a man and women.

"Are you Mark and Cindy?" Colby asks walking over and the man nods, "Yes, are you Sam and Colby?" Sam holds his hand up, "I'm Sam, this is my girlfriend y/n and that's Colby."

You all say hello and they jump right into it, "So.." Cindy starts out, "This is Agatha Asylum." She motions towards the building behind the fence, "This is to keep anyone out, since we're trying to get it ready to present to the public, we have it blocked off so people don't get in without us knowing. Or we try to at least."

"Have people gotten in?" Colby asks and Mark nod, "Oh yeah. We eventually set up security cameras around the perimeter. The day we noticed a broken window and spray paint lids, actually."

"What kind of things happened here exactly?" Sam asks handing the camera to Colby.

Cindy blows air, "Oh gosh, anything from restraining the patients inhumanly to keeping them locked in cages that were maybe, if they were lucky, a little bigger than themselves."

You raise your eyebrows, "What the hell?"

Mark nods, "most of the women who came in were attacked by the staff if you know what I mean so I'm sure the women are angry. I mean, hell I would be too if I was stuck here."

"Have you guys had any thing happen to you?" Colby asks, "Like personally or maybe to someone you know that has come here."

Mark nods, "Yeah, I've had my tools messed with, moved. Cindy has been pushed down the steps, and one of my guys who are working with me on getting this ready, was pushed from his ladder."

"Pushed off a lad- oh shit." Sam shakes his head, "Is there anything we need to know before going in there? Like maybe who to try and get in contact with or what not to ask?"

"John Agatha. He's the one who ran this place. Many people have tried to contact him but they never got any real answers as to why." Cindy says, "Just make your intentions known, I know some of the spirits in there can get pretty mean, so just keep reminding them that you mean no harm."

"Has anyone stayed a full night here?" You ask and they laugh, "No."

"No?" Colby asks raising his eyebrows, "Looks like we have a challenge on our hands, guys." He looks over at you and Sam and Sam shakes his head, "I'm already shitting my pants, dude."

"You all will by the time it gets dark. It's a pretty active place during the day, don't get me wrong, but not only me, but from other groups that came through as well, said it's gets worse at night." Mark sighs, "So. Who's ready for the tour?"

"You guys have fun, I'm going home." Colby pretends to walk away before turning back around, "No, let's go before I really do change my mind."

.·:*¨ ✘ ¨*:·.

"So this hallway leads you to where most of the women were held.." Cindy points to the right and then to the left, "Men were held that way."

"Is there any specific areas as to where the most activity happens?" Sam asks laying his hand on your back as he steps around you, "Where were the cages kept exactly?"

"This whole place, honestly. You're bound to get activity anywhere in here and there were at least two cages per room."

"Per room?" You raise your eyebrows, "How many were kept in a room at one time?"

"Two but some held up to four, depending on many were here and came in and what not." Mark says looking around. He stares down the hallway and Sam turns the camera, "Did you see something?"

"A shadow moved across then end of that hallway there." He points, "No taller than you." He motions to Colby and Colby shrugs, "Sorry. I'm just that fast."

He starts pretending to Sonic run in place. You laugh and shake your head, "You can't be serious at all can you?" He shakes his head, "Not when I'm scared shitless, no."

Mark and Cindy laugh and start walking down the hall way. They explain each room briefly, basically what it was used for until you finally reach an old wooden door that's laying on the floor.

"This is where they kept, what they called, the worst of the worst." Mark lifts the door, revealing a steep staircase, "Watch your step as you come down."

"This is a really odd basement entrance." Sam says handing the camera to Colby, "What the hell."

Mark and Cindy go down first, followed by Sam then you. He helps you down, coaching you through the steps until you reach the bottom.

"What you're not going to help me?" Colby asks looking over his shoulder at Sam. All of you start baby talking to Colby coaching him down the steps and he stands there with his lips pressed together, "Should have never said anything."

Sam takes the camera, making sure Colby is good before turning around, "What is up with freaking jail cells in the basements of these places?"

"Literally." You mumble as you wrap your arms around yourself, "It's so cold down here. Did they have any sort of heat at the time of this place being open?"

Mark shakes his head, "They had a fireplace over there but as you can see it got filled from the outside in so who knows when that happened."

There's a loud thud from upstairs and you jump, "the fuck?"

Colby points, "That sounded like the door lifted up and dropped back down." Sam nods, "Yeah yeah yeah."

"Very well could have been. Doors opening on their own is very common around here." Cindy says, "Especially the third floor, that's where lots of the killings happened."

"Why the third floor?" Colby asks, "Why not down here?"

"The patients ended up dying all over the place, but if they were ordered to be put out by John, they would drag them up the stairs, kill them then dump their bodies out of the back window, into what was said to be a big wagon and then taken about half a mile away and they would just burn them and then just cover the hole with dirt."

"That answers my question about what they do with the bodies." Sam cringes, "I can't even imagine that."

"The hauntings and activity started a year or two after the patients first started to die. So if you can, try to contact.. oh shit. Was was his name?" Cindy looks at Mark and he shakes his head, "Oh, you mean Warren Summers?"

She nods, "Yes! He was reported to be the first to die, they ruled his death an accident but we all know it wasn't."

"Well definitely try to contact him, find out some answers." Colby nods and mark motions, "Alright, I need to get out of here, this spot makes me feel sick."

"Whoa really?" Sam looks at Colby, "Do you feel okay?" Colby nods and Sam looks at you, "Do you feel alright?"

You nod your head, "I mean, I feel like there's pressure on my chest, but it's not like, oh my god I can't breathe, kinda pressure."

"Let's get out of here and we'll just start in the main lobby." Sam says as he walks you over to the stairs. You go up first, followed by Sam and he turns around, "Come on, Colby." His voice is high pitched, "You can do it!"

Colby glares up at him from mid stairs and shakes his head as he laughs, "Thanks buddy. I needed that."

Mark and Cindy make their way up and she points to you, "Are you sure they're the ones not together?"

You sigh and shrug, "Sometimes I feel like I'm in a competition." You laugh and look over at Colby who does the, I'm watching you, motion.

.·:*¨ ✘ ¨*:·.

"Alright, guys. We have the REM pod here, and we're going to start out easy tonight by starting in the lobby." Sam walks over to the desk, setting the pod down, "It was said that there was a receptionist here who just so happened to be John's wife, Mabel, so she had to known everything you'd think."

"Didn't mark say that she disappeared randomly one day and no one really looked for her?" You ask looking at Sam, and he nods, "Yeah yeah yeah, maybe she didn't know what was going on and when she started to find out he silenced her?"

"John Agatha was a very wealthy man at the time of his death, so it very well could be or he offed her because she knew he had money?" Colby shrugs, "I mean, there's really only one way to find out."

Colby leans forward, switching on the pod and testing it a few times before stepping back, "Ladies first." He smirks towards you and you roll your eyes playfully, "Okay. Hello, my name is y/n. I mean no harm, I'm just here to ask you a few questions if that's okay."

The pod lights up and you straight up slightly, "If it's okay that I ask, can you touch that little light for me again?"

It lights up and you look between Sam and Colby, "Okay." You look back, "Thank you. Am I speaking to the wife of John Agatha? Mabel. If so touch that light for me again."

A few seconds go by before the light goes off, "Thank you, Mabel."

Sam hands the camera to Colby, "Hello, Mabel, I'm Sam. I come with peace and the possibility of finding out what happened here. I'd like to ask you something too if that's okay."

The pod lights up and Sam takes a deep breath, "Did your husband.. end your life?"

Right after the pod lights up, it stops and there's a loud crash from slightly far away.

You all jump, yelling out cuss words. You lean around Sam the look down the hallway, "What the hell was that?"

"It sounded like something big fell, like you know those big metal carts the food trays are served on? It sounded like one of those and everything in it just falling out." Colby moves forward, "Should we go check it out?"

The rem pod lights up three times in a row and you all look back at it before looking at each other.

"My name is Colby, I mean no harm to you or anyone else here. Was that a warning? Should we not go look?" Colby asks and it lights up one time quickly, "Make that go off for me if that was a yes."

Instantly turns on.

"Fuck, okay." Colby turns to Sam, "What do we do?"

Sam shakes his head, "If we're being told not to go there, we shouldn't."

"That hasn't stopped us before." Colby chuckles slightly, "Y/n."

You're zoned out on the dark hallway where the sound came from, you know that Colby has the camera on you, but you can't acknowledge it.

You feel Sam's hand on you, pulling you back as your body is trying to go forward, "Hey, hey. Y/n. Look at me." Sam steps in front of you, breaking your stare and you shake your head slightly.

He looks up at Colby and back to you, "What just happened? Talk to me." Sam lays his hands on your cheeks and keeps your head straight, "Hey."

"I felt something calling me towards where the sound came from." You lay your hand on Sam's bicep, "It was weird."

"What the fuck." Sam whispers as he looks back up at Colby and he shrugs, "Okay, we'll just go to the left wing, give whatever that is, time to do whatever it needs to do."

Sam pulls you with him, as you still felt drawn.

"So something just took over y/n pretty much." Colby explains, "Y/n, what happened?" He points the camera on you and you laugh slightly, "Um, I don't really know.. like you know how when you're so tired you just zone out?"

They nod and you sigh, "It was like that, but I swear there was a figure standing there, watching us and I was just having some sort of stare down with him."

"You started walking towards it, then. Like what happened with that?" Colby follows up, "Like did it say anything?"

You shake your head, "I knew you had the camera on me, and I knew Sam was pulling me back, but no. Nothing was said, it just stood there watching us and I just felt like I needed to go there."

"John Agatha?" Sam whispers, "Could it- do you think it was him?" You shrug, "Maybe? I don't know, it was the same figure Mark saw I think.. he was really no taller than Colby."

"It had to be, maybe he's trying to tell us to get out or maybe.. with a sliver of luck, he wants to explain himself." Colby shakes his head, "I don't know, let's just avoid that area until we cover this side."

Colby grabs the pod, switching it off as he turns back towards you and Sam, "Are you okay like do you feel alright?"

You nod, even though you feel like you could puke, "Yeah, yeah I'm good."

Sam rubs your arm, "You sure?"

You nod again, "Yes, Sam. I'm sure."

He could tell something was off, but he trusted you. He knew you'd stop if you really couldn't handle it.

"Where to next?" You ask as you take his hand into yours. Sam squeezes your hand and points, "I figured we could go into the day room, that's where Paul Yellow allegedly killed his roommate."

"These two men specifically had beef with each other.." Colby starts out as he hands the camera to Sam who lets go of your hand to take it, "..it was said that they would always be stealing from each other and would always be trying to get one another in trouble, but no one would admit to it, so the staff basically let them handle it themselves and that's when Paul came into the day room with a hammer that he somehow found, and bludgeoned Frank to death."

"Yeah in front of everyone but the staff were basically the only, " sam turns the camera around to him, putting at quotes, "Sane ones here, so they covered it up basically by saying that Frank fell and that was that."

"Wasn't Paul taken by the staff and tortured?" You ask as you look over at Sam. He nods, "Pretty much, yes."

As Sam and Colby explain what you guys were going to do next, you walked over to the window, looking out into the old courtyard.

"Come over here."

You turn around, walking over to Sam, "What?" He looks at you confused, "What?" You look between him and Colby, "Didn't you just tell me to come over here?"

Sam looks up at Colby and back down to you, "No I was getting the EMF ready."

You motion towards the window, "I swear to god, you said, come over here, when I was standing at the window."

Colby's eyes go wide, "He didn't say that." He shakes his head, "Oh fuck."

"So if you didn't sa-"

The sound of, what you think, is a metal trash can sliding across the floor makes you stop talking. It's quick, but you all hear it.

"Something just got drug or pushed across the floor." Sam whispers, "Fuck, fuck, okay. Let's get this thing going.." he turns on the EMF and you all step back.

"I'm y/n. I come in peace, I just want to ask a few questions. Paul Yellow, did you tell me to come over here?" You bite down on your cheek, waiting for the device to give you an answer.

"Were you over by the window with me?" You ask and it lights up green, "was it Paul?"

It lights up red.

"Are we talking to Frank?" Colby asks and it lights up green, "Did Paul kill you?"

Lights up red.

"Was it someone else?" Sam asks trying to keep the camera still and he looks over at you when it lights up green.

"Who else co-" you stop, "Was it one of the staff, Frank?"

Instant green.

"One of the staff did it then blamed Paul?" Colby looks shocked and he jumps slightly as it lights up green, "Holy shit, dude."

"I wonder if they've had anyone figure this out." Sam asks and he turns around, "Did you hear that?" You lean around to look, listening for the sound. Sam looks back, "It sounded like someone was walking and dragging their hand along the wall."

The sound Sam explained happened again and you look up at him, "That?" Sam nods, "Exactly that."

"Something is following us." Colby says quietly, "It has to be."

The EMF lights up green and you all look at each other, "Is it John Agatha?" You glance back at the EMF, "All you need to do is-"

It lights up green and you sigh, "Thank you." A thump against the wall makes you jump, "I don't think he likes being told what to do." You joke which makes Colby laugh, Sam just shakes his head.

"You good, bro?" Colby pushes his arm and looks at him. Sam smiles slightly, "Yeah, no I'm good."

You find yourself being pulled into that stare again, this time it's in the corner of the day room, but nothing is there.

"Colby. Colby." Sam says as he grabs you by the waist. You try to pull away from him, but he wraps his arm around you, "Y/n. Snap out of it, come on."

You lean back into him, "There's something over there."

"You aren't going over there alone." He fights back as he switches his flash light on, revealing just the ripped wallpaper, "See. Nothing."

"There was." You turn around, "he was watching us."

"Who? John?" Colby asks and the EMF lights up green, "Maybe we should try the-" the loud crashing sound makes him stop talking instantly.

"You don't think people got in here do you?" Sam tightens his grip on your waist, "We tweeted about coming here.. so like.."

"They have cameras all around the perimeter they said, and I'm sure they would have told us if they saw something." Sam says as he pulls his phone out, "Let me call Mark, see if he can tell me if there was anything outside."

As Sam calls mark, you close your eyes, resting your head back on his shoulder. Colby walks up, squeezing your arm, "You still with us?"

You open your eyes, nodding, "Yeah I just got really dizzy."

Sam looks down at you and puts the phone on speaker, "There was nothing outside?"

"Not since you went back inside." Mark says on the other end of the phone, "If you do decide to leave just make sure you lock the gate and we can get the key tomorrow."

"Alright, yeah. We'll let you know." Sam says and they end the call, "So it's just us in here." He looks down at you, "Are you okay?"

You nod and stand up, "Yeah, I'm good."

"You're not dizzy anymore?" He brushes hair from your face and you shake your head, "No I'm good."

"I'm thinking we move from here and we go to the third floor." Colby walks over and Sam stops you from following him, "We can leave if this is too much."

"Sam. I'm fine. I promise."

"I don't like the way you just zone out and try to walk away. That's not like you, that isn't you." His eyes scan over your face and you weren't sure if it was the place effecting you, but you just wanted to keep going, "Something is drawing us to that hallway."

"What do you mean?" Sam shakes his head, "Y/n, I don't want you out of my sight, this place is too big and too dark for you to just go off away from us."

"Then put me on a leash or something, because I'm not done here."

You've never spoken to Sam like that. Ever. So when you said it, you were both surprised, "I'm.. sorry, I don't know where that came from."

"My point exactly." Sam chews on his lip, trying to tell himself over and over again that this place is a lot more powerful than they thought.

"What's going on? You guys okay?"

"Yes." You say the same time Sam says, "No."

Colby looks between the two of you then back to Sam. Sam sighs, "This place obviously has a hold over you, y/n. So everything is not okay."

"What-" Colby starts but you cut him off, looking directly at Sam, "Sam. This is what we do. you can't expect me to just back out every time something hap-"

Sam cuts you off, "Yours being pulled by what we can only assume is a dark entity. How do you expect me to act? Just let you walk off into the sunset with it? No. No thanks."

"Guys, come on.. just take a deep breath. There's absolutely no need to argue." Colby tries to settle the situation but it only seemed to fire up the ghosts because it sounds like a table is lifted then dropped back down.

Sam instantly grabs you, pulling you to him, "You're staying close."

You don't put up any more of a fight, knowing that Sam would drag you out himself if he had to, "Fine."

You knew he was right. As soon as you seen the figure in the hallway, something switched and it was like you needed to follow it.

And you didn't know why.

"Why don't we just go there?" Colby says as you guys leave the day room, "Where the sound happened. If it gets bad we can just leave, we always have that option."

You knew Colby wanted to stay, too, but he was also worried about Sam because he was worried about you, "What do you want to do, Sam?"

Sam thinks for a moment before sighing, "If you zone out one more time and try to walk away from us, we're leaving."

.·:*¨ ✘ ¨*:·.

The investigation went on to be better than you guys thought. Nothing happened to you. Nothing happened to them, you thought that maybe your small argument with Sam helped, but you'd soon come to find out that was not true at all.

"So as you guys could see, there hasn't really been much activity going on, probably for the last hour or two." Colby says and motions towards the spirit box, "We brought this to the third floor, hoping to see if we can figure out what exactly happened to some of the patients."

Sam sets the camera down on the one table, angling it towards you guys and the box, "Okay, we'll sit this right here and.." Sam stands up and turns around, "Did you touch me?"

You shake your head, "We've been over here."

"My whole body like shifted and it felt like someone's hand on my side." He lays his hand right where he felt it, "like right here exactly." Colby walks over and Sam demonstrates on him what he felt.

"fucking hell that's creepy." Colby shakes his head, "You know when we were walking up the stairs, it felt like someone else was behind us."

"I thought I heard someone whistle or whisper, I don't know.. it was like a quiet high pitched sound, but I couldn't make out if it was a word or not." You look around, "This floor honestly makes me nervous, and those creepy steps didn't help."

"Those stairs the whole way up I just kept thinking about how people were actually getting dragged up and sown." Sam shakes his head, "let's just.. get this thing going."

Sam was off, and you picked up on it quickly. It was almost like what took over you, took over Sam.

"Sam?" You step towards him, "Sam... Colby.. colby."

He stares at the floor and Colby walks up to him, "Sam, dude. Hey."

You shake him slightly and he looks back up, "Let's get this thing going."

You look at Colby and back to Sam, "You already said that." He looks at you confused, "Huh?" He laughs nervously, "No I didn't."

Colby nods, "You did, man. You zoned out after, looking at the floor."

Sam looks at you, "Did it come after me now?"

You shrug, "I was thinking that, because isn't that what I did?" You look at Colby and he nods, "yes but the only thing is he didn't try to walk off."

Sam switches the box on, "What do you want with us?"

"... I want ... to know.."

"You want to know what?" Colby asks loudly, "did you take over y/n and Sam?"

"... Miss.. it ..."

"You miss what?" You ask, "Do you miss being alive?"

" ... alive ..."

"You are not welcome to touch us. You cannot control us." Sam says, "What do you want us to see?"

"... the... truth .. in here .."

"Were you murdered here?" Colby asks and it sounds like something bouncing down the steps, "Was that you making that noise?"

"... must get ... out..."

"Are you telling us to get out? Or do you want to get out?" Sam presses his fingers to his lips, "Can you tell us who we're talking to?"

"... he's in.. here .."

"Who? Who is in here?" You ask staring at the box, "Can you tell us who is here with us?"

" ... John .. murder .."

"John and murder?" Colby looks at you guys, "Did John murder you? Were you murdered by John Agatha?"

"... liar .. he lies ..."

"Did John lie about your death?" You ask and step closer to Sam, "What did he do to you?"

"... tried to run.."

"Did you try and escape? Did he punish you for that?" Colby asks and jumps next to you when the door to the one room slams shut, "Who is here with us? Reveal your name to us."

"... John .. is mad..."

"Is he mad that we're here trying to find out what he did?" You ask and Sam looks at you, "I think we should stop."

You felt the need to keep going, "Can he come in here with us?"

"Y/n." Colby looks at you then to Sam, jumping as heavy footsteps come down the hallway, "Sam's right." Colby reaches to switch off the spirit box, but you stop him, "Just wait."

Sam nods at him, chewing on his lip as the footsteps start again.

"John Agatha. If you're here, tell us why you killed those people." You glance towards the door, only to snap your head back to the box,

"... they needed to die ..."

"No they didn't. They were sick." You argue and Sam pulls you back, "That's enough." You push away from him, "Sam. We're getting answers."

"No, you're arguing with something that we're unsure of. You don't know the power of this thing. " Sam runs a hand through his hair, "I think we're done. I don't like this-"

"Colby do you want to leave?" You look at Colby and he holds his hands up, "I think I'm with Sam on this one."

You roll your eyes, "Of course you do."

"Y/n. What the hell has gotten into you?" Sam looks at you shocked, "You have never acted this way during one of these and that's why we're done." He grabs your wrist, holding onto you, "We are done here."

"... no .."

Sam shakes his head and turns off the box, "I'm not doing this. We can talk about this at home."

You turn around, finding Colby no where in the room, "Colby?" You call out, "Sam. Colby is gone." Sam's heart starts to race, "Fuck, yo Colby?"

No answer.

"Fuck. Fuck. Come on." He hands you the camera, and turns on his flashlight, yelling for Colby as you make your way to the stairs.

"Careful, careful." Sam makes sure you make it down okay before stopping at the bottom, "You don't think he went to the basement did you?"

"Or where the sound came from? That's where I was feeling drawn to." You look around, sighing, "Fuck. Fuck. Colby?!"

You hear a loud thump come from where the first crash happened, "We have to." You look at Sam and he nods, "Yeah, yeah. I know." He interlocks his fingers with yours and pulls you with him.

You both yell out for Colby, looking for any kind of sign, "Colby? Come on this isn't funny." Your voice kinda breaks as your fear builds up faster and faster.

"Colby. Come on man, we're leaving." Sam yells out and you stop when you see a metal cart laying on its side, old trays spilling out from the door that is open.

"He was right, that's what that sound was earlier when we started." Sam shines the flashlight on it and looks up, "Colby?"

"Wait." You stop Sam, "Isn't John's office over here?"

His eyes go wide, "Fuck, yeah it is." He turns towards the walkway, "Colby!?"

You perk up, "Wait. I think.." you whisper, "Yell out to him again."

"Colby?!"

"This way." You pull Sam down the hall, half preparing yourself for when Colby jumps out and scares you both, or at least you're hoping that's what he's doing.

"Colby? Please." You beg, hoping you can find him.

"If we just left when I said.."

You stop, cutting Sam off, "No. we aren't playing the blame game because right now our friend is lost and we have no idea where he is."

"Where who is?" Colby walks up, and you Sam let out a scream.

"Where the fuck did you go?" Sam yells, "You just up and left us dude. Why?"

"You guys were arguing and I thought I heard someone in the hallway, so I came out to see and then I was halfway down the steps. I thought I saw people, like teenagers run to the left and my first instinct was to just go." Colby explains, "I don't know dude. Really, I was running and then I was like wait, I'll get lost so I turned around and now we're here."

"You could have been hurt, Colby." You push his shoulder and he just shrugs.

"Sorry man." Sam lays a hand on his shoulder, "last I knew you were right behind us."

He nods, "it's fucking crazy. This place is a maze, and I don't mean physically either."

"Let's just.. go get the stuff and head out to the car." Sam sighs, pointing the camera to Colby, "We found him. He says there were people here but we aren't sure about anything, and I mean that about this whole entire place."

"I don't even know how to describe it other than what y/n said. Like that tired feeling and then I wasn't where I remember I was." Colby explains and you nod, "Yeah like you can tell what you're doing but you aren't focused on what you're doing."

"Alright well I think that's it for-" Sam stops talking and looks behind him, "There was just.. three knocks." He whips around looking at you guys when it happens again, "that.. that.."

"What the hell is that?" Colby whispers and you're pushed towards the way the office is, "Do not touch me. Do not touch any of us." You hold your hand up, "Fuck."

"Y/n. We need to go." Colby steps towards you and you shake your head, "we can't leave."

"We aren't arguing again, y/n." Sam walks towards you and when he goes to grab your hand, he's pushed back.

Colby snaps his head towards the hall, "Someone just said don't touch her." He looks at Sam, "I swear to god dude. A clear as day whisper like right behind me."

You feel something grab your hair and lift it off of your shoulder. You jump and brush a hand over, "Something just played with my hair."

"We're leaving."

As you go to collect the equipment, that's when things take a turn for the weird.

"So, maybe Colby was right. We heard things..." Sam says as he tries to control his breathing, "We aren't sure what it was exactly, right now we're just ducked down behind this desk thing."

"That's what I heard earlier, but you'd think if it was actual people they'd make a lot more noise than just footsteps, right?" Colby whispers leaning in towards you and Sam. Sam's grips on your hand tightens as the foot steps grow closer.

They stop abruptly and Colby stands up, "There's no one here." Sam pulls your arm, "Let's just make a run for it."

You guys book into the door, breathing heavy as Colby closes it with a slam. Sam pulls you away from the building, "you okay?"

You nod, "Yeah, yeah are you?" He nods and pulls you into him, hugging you tightly.

"That was fucking crazy." Colby says walking around you guys, "I've never experienced anything like that. Like we were affected in a way we can't really explain in depth."

"This doesn't feel finished, though." You pull away from Sam and he stares at you, "What?"

You look between him and Colby, "Exactly what I said."

And you meant that. You wanted to come back here, get more answers about this asylum. You knew more happened here than what people have said.

"You're going to really stand here, and tell me that you want to go back in there." Sam scoffs, "Even after what you had happen? What I had happen? Christ, y/n, Colby went missing for god knows how long."

He puts his hands on his head and spins around slowly, trying to comprehend as to why you'd want to.

"Because there's more in there, more stuff that people don't know and I want to be the one to find out exactly what it is." You point to the building and drop your hand, "If you don't want to then I'll come back myself."

"The fuck you will." Sam shakes his head, "Y/n. You could have been the one lost. You could have been the one lost in there, alone.. and I don't-" his voice cracks and he clears his throat, "You're not coming back here and I mean that."

"Why don't we -"

"Stay out of this, Colby." You and Sam say looking over at him.

He holds his hands up and walks over to the car while you and Sam still argue.

"You didn't know what you were doing, y/n. Okay? You could have easily got lost." Sam looks at you and you shrug, "But I didn't."

He stares at you a few moments before shaking his head, "The only reason you want to come back here is because whatever is on the other side of that door is making you want to come back."

You clench your jaw, knowing that he's right but since you're fighting, you don't want to let him win easy.

"That place changed you." Sam says lowly, "We have never, ever fought like this, we've never fought at all. Doesn't that mean anything?"

"Never said it didn't, Sam." You mumble as you walk towards the car, getting into the back. You glance over, seeing Sam bend down slightly before kicking the rocks on the ground and walking over to get in the passenger seat of the car.

"Home?" Colby asks starting the car.

You and Sam both mumble a low, "Mhm." Colby takes a deep breath and starts to drive out of the gate, "I have to lock up. Don't kill each other." He gets out, jogging up to shut the gate.

Sam glances back at you and you look at him. He sighs, "I'm still mad, but I love you."

You try not to smile, "I love you."

Colby gets back into the car, "Did you guys makeup yet?" You both refuse to answer and he laughs sarcastically to himself, "Oh this is going to be such a wonderful quiet ride home."

.·:*¨ ✘ ¨*:·.

"We have like half an hour left, do you want to stop somewhere and get something to eat?" Colby looks at Sam and he nods, "Yeah, that works." He looks back at you, "Are you hungry?"

"Yeah." You say lowly with a slight nod.

"Are we finally speaking to each other?" Colby acts surprised, "Wow. It's about time."

You roll your eyes and Sam scoffs, "I'm mad, that doesn't mean I don't care about her still."

You smile slightly, looking away from him so he doesn't see it. You get out of the car and go to walk in but Colby stops you, "We weren't us back there. Don't hold it over his head."

"Tell that to him." You mumble and he nods, "I plan to, trust me. I just got to you first." You laugh as you walk in to the store and Colby walks up to Sam, telling him the same thing he told you.

As you're standing there, looking at the snacks, you feel hands slides around your waist and pull you back, "You know.."

"What do I know?" You ask as your nails gently graze over his hands, "Even though you pissed me off.." his voice goes quiet, "The way you argued with the ghost was such a turn on."

You smirk and turn around to face him, wrapping your arms around his neck, "Is that your way of saying you're sorry?" He bites his bottom lip as he looks at you, "I'll say it when we get home."

He winks at you and leans in to kiss you. You slide your fingers in his hair, humming against his lips slightly.

Colby walks up, "Now that's what I like to see."

You and Sam pull away and look at him. He has a big cheesy smirk on his face and you can't help but laugh, "What would we do without him?"

Colby buts in, "Oh i don't know, probably give each other the silent treatment until days from now."

Sam chuckles and sighs, "That wasn't any of us back there." You look up at him, "Yeah.. that was bad."

Colby nods, "I've never seen you act the way you did, y/n. Honestly it was kinda badass. Arguing with a potential demon."

Sam nods, looking down at you. You look up at him, "I learned from the best."

You grab your snacks and head out to the car, getting into the back as they get up front, "So now that this is no longer a quiet ride home, and I am no longer feeling awkward, can we please talk about what happened?"

"Mhm. Yeah sure." Sam mumbles as he stares down at his phone. Colby looks over at him before he starts driving, "What are you doing?"

You phone vibrates and you see a message from Sam, "Colby don't look at his phone. I beg you."

"Why can be so-" he reads over the message that was sent from Sam's phone, you've had me low key turned on this entire night, when we get home I'm going to show you just how sorry I am.

"Well, okay." Colby sits forward, "That awkward part is back."

You laugh, replying to Sam, just how are you going to do that?

Colby clears his throat, "Can we.." he laughs, "Can you stop sexting each other for one second so we can do the outro please?"

You sigh, resting your phone down on the seat next to you, "anything for princess Colby." He lays his hand under his chin, "As it should be."

You and Sam both laugh and he gets the camera rolling, "We are currently on our way home. Tonight was.." Sam sighs and looks at Colby, "I don't even know how to explain it."

"A big mess." You laugh and Colby sighs, "It was definitely something like that. I'm still trying to wrap my head around the fact that we were .. taken over basically."

"Yeah, yeah no. That part was absolutely fucked up. I luckily didn't have it happen like y/n or Colby did, but it was still a surreal feeling to have people telling you that you zoned out with absolutely no recollection of it at all." Sam points his thumb back to you, "And then you got Mrs I like to argue with ghosts back here, but that's a story we'll post on our other channel, maybe, who knows, but we are done for tonight, like I said, it was a whirlwind of events and we are so excited for you guys to see what we experienced tonight at the Agatha Asylum."

"Drop a like if Mrs I like to argue with ghosts should be made into a sweatshirt." Colby gives a thumbs up and Sam yells, "Ayyyy yes. Y/n." He points the camera to you, "How would you like to have your own collection."

"That would be pretty sick." You smile and nod, "I actually like that a lot."

Sam points the camera to himself, "Well have to work on it. See you guys in the next one."

Sam cuts the camera off, "Mrs I like to argue with ghosts." He laughs and looks back at you, "I'm getting you a hoodie that says that."

You smile and nod, "I'll wear it everyday."

.·:*¨ ✘ ¨*:·.

"Have fun. I'll be down here editing away from all the noise." Colby says as he grabs his laptop off the counter.

Without any hesitation, Sam grabs your hand and up the stairs you go, laughing with him as you try to keep up.

You run into the room you share, falling on the bed with him on top of you, "You drive me insane, but always in the best way." His lips press to yours as his hand pulls your head close to him.

You drag his sweatshirt up his back, telling him you want it off. He leans up, slipping it off in one perfect motion and you pull him back down to kiss you.

He grinds himself against you, "I'm sorry for yelling at you." You moan slightly, shaking your head, "We weren't us." You cup his face, "This is us."

He smiles and kisses you again. You quickly grow into a heated make out, clawing the rest of each other clothes off and slipping under the blankets.

"If I ever yell at you like that again, just sacrifice me to the demons, babe." He chuckles slightly, brushing hair from your face before sliding his hand down to pull you closer.

"I'd be coming with you. We're inseparable." You nudge your nose against his and he nods, "Damn right we are."

He rolls on top of you, rubbing the head of his cock against your pussy, "You were so.." he lets out a low moan as he slips his cock into you, "..fucking hot back there.."

He pushes his hips to meet yours, "You always amaze me."

You run your hand through his hair, biting down on your lip as he starts to thrust, "Fuck.." you whimper and look up at him, "I'd do anything to protect you."

"I'd die for you." He stares at you for a few seconds, still thrusting deep and slow, "I mean that wholeheartedly. You mean the most to me and I'd do anything to keep you safe."

You smile and lay a hand on his cheek, "I love you."

He kisses your lips, whispering a low, "I love you."

He leans up a little bit, "Now roll over so I can punish you for yelling at me." He winks and gives you a cocky smirk before pulling out. You smirk as your stomach does an excited flip.

You roll over onto your stomach and Sam's body is immediately on yours, his cock back in to where it was before, "I wanted to shut you up in anyway I could."

You moan as he thrusts slow, "Why didn't you?"

"Would have had to cut a lot of the footage out." Sam says lowly in your ear, "Plus I don't really want Colby seeing how pretty you look while you're gagging on my dick."

Your eyes roll back as he pushes all the way in, "Because you my love, are fucking gorgeous."

You grip the sheets, moaning as his hand slides around to your throat, squeezing as he whispers, "Or how pretty you look while I'm in between those legs.."

"S-Sam." You squeeze his cock with your walls, "Fuck, I-I'm so close."

"Go ahead, baby." Sam groans lowly, "Fuck, I'm not going to last much longer either." He hooks his thumb over your bottom jaw and you immediately suck.

He moans lowly, pounding into you, "That's my girl."

You moan around his thumb, trying to move your hips but you can't go anywhere. Your moans are growing louder as you reach your point, squeezing him as you claw at the sheets.

"Come on, baby." He pleads, "Cum for me."

You whimper and moan his name over and over again, letting your head fall back as you cum, "Fuck fuck fuck."

Sam suddenly pulls out, his cum spilling on your back, "Fuck, babe." you let your head fall forward, resting on the bed as your breathing is heavy.

"You okay?" Sam asks getting up to get you a towel. You look back at him, "Oh yeah. I'm so much better."

He smiles and shakes his head, "You know, I wonder how much of us arguing was actually caught on camera."

"Probably all of it, Sam. And if I'm being honest, it'll probably turn me on again." You roll over once he wipes you off and smirk up at him.

"You too, huh?" He smiles as he bites his bottom lip as you nod, "Uh huh. Very much." He pulls you up so you're standing in front of him, "I really don't want to yell at you again, but if it's something that'll get you going then.." he leans in, kissing you, "then we might just have to work something out."

You suddenly hear Colby yelling, "Oh shit. No fucking way!"

You quickly throw on clothes and run down, "What? What? What!?" Sam asks going over, you hand still in his, "Bro what the fuck is that?"

"That my friend is what was controlling us tonight." Colby turns the laptop towards you and Sam and you gasp, "That's exactly what I saw."

.·:*¨ ✘ ¨*:·.

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