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#also where are they like😂
hisonetrueloveee · 6 months
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still wondering what 4*town were doing in this deleted scene
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was it a music video????? an introduction??? can someone lmk 😭😭😭
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amelia-yap · 8 months
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QUACK
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felsicveins · 1 month
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If I didn't love you, it would be fine
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whereismyhat5678 · 4 months
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HOLY. SHIT.
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I don’t even wanna separate these?? TAKE THE WHOLE SHEET I’M SO PROUD OF IT WHAT????
I was playing around with expressions and OMG, I think I unlocked something???
It was mostly from yesterday’s post, I liked the way I drew Pizza Head so I decided to try drawing him again (since it’s been a while) AND GOD I LOVE THESE‼️‼️‼️ Seriously started out rough but then I just kind rolled with it! I like it! I like it a lot‼️ 😆😆
Also since I drew Brick yesterday as well, I decided to change the way I draw him, just a bit 🤏
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Today was so fun AAAHHH!!!! 💞💞💞💞💞💞
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guardian-angle22 · 1 year
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creekfiend · 13 days
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I feel lately like all my psychological hangups are falling like dominos
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dandp · 29 days
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My most truly obnoxious phannie trait is that any time I see people say something like "x relationship is the pinnacle of love" about anyone else I think HA I guess this loser hasn't heard about Dan and Phil...
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paperglader · 5 months
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in this episode Imogen:
Took off her circlet. You know, that one that finally gave her peace and quiet, that soothed her constant pain and anxiety, and that gave her the confidence and energy to get back to fully feeling comfortable on her own skin after years. That’s the one. She just took it off.
Told laudna that she was disgusted by the fact that delilah was always watching them. You know, something that laudna fully has no control over whatsoever.
Admitted that she felt like she’s “tainted” and that the gods have been ignoring her for her entire life, in spite of her trying over and over to reach them. So she doesn’t really want to save them.
Mentioned being genuinely scared of meeting Liliana again. Totally not a problem, I’m sure nothing bad will happen there. Specially not in the next couple of episodes.
Said some unfair stuff to fearne, that I genuinely think is coming from somewhere else entirely, and I hope we circle back to eventually.
It’s safe to say that I am officially ✨worried✨ about the farmgirl
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sketchncanto · 1 year
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Does anyone remember Stanley?? It used to run on Playhouse Disney in the early 2000’s and I LOVED IT SO MUCH!! It was one of the first shows that inspired me to draw and inspired my love of animals when I was small!
The theme song ( which is an absolute 🤌🏼 BOP🤌🏼 btw) popped up in my head randomly the other day and I had the most brilliant crossover epiphany— and here it is ✨
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thestarlightforge · 6 months
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A lot of wild stuff has happened in the Marvel Cinematic Universe. But honestly, Loki of Asgard falling in love with a middle-aged, single-dad jet ski salesman from Ohio—played by none other than Lightning McQueen—was not on my “bingo” card 😂
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canirove · 5 months
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Declan Rice in 2023 | England National Team edition
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Okay, but like
As someone who personally disliked the fandom characterization of Mangey as a child who is basically a wild animal
Which of course meant that (even though this standard was not applied to other equally feral boscage maze characters) if you even dared to have ships involving Mangey it was considered "beastiality"
Season 3 was so vindicating for me. Like as someone who always characterized him as selectively mute/largely nonverbal and with less palatable autism, it was so great to see the proof in the pudding that he is just as capable of being more than just the group dog thought like any other mobian and the hilarity of him being surprisingly adept with technology. Like god those few Sails/Mangey interactions were so so good
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r0semultiverse · 7 months
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Classpects & Canonicity (an observation & speculation)
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Vrissy isn't the same classpect (thief of light) as Vriska or just can't have a classpect due to this timeline lacking canonicity; alternatively, the difference in classpect is in part due to the timeline falling outside of or (in other words) beyond canon.
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Is that part of why Vriska can tell it's phony? The lack of Vrissy having her own classpect? Or is Vriska cosmically tuned-in somehow to knowing something is wrong? I mean some of the stuff that has happened is pretty wonky, but I feel like this is part of her powers as a character. She's always been a key point in moving things forward & now that things aren't moving much at all in regards to canon, she is here to steal the spotlight & shed some light on this whole thing.
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When/if Vriska fixes the canon, will Vrissy vanish along with the other characters or become changed? Similar to the hypothetical dream sequence we see near the end of Adventure Time Fionna & Cake, perhaps. Alternatively, will classpects suddenly be thrust upon all the new characters & their existence as well as their personalities remain??
There's much to think about here, let me all know what you think! 💜
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happyk44 · 8 months
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Zeus: infodumps about birds, order and structure and law, the "why and because" of it all, and why the clouds change
Hera: infodumps about marriage customs throughout the world, pregnancy and that whole process from conception to birth, and different types of organization
Poseidon: infodumps about fish and other marine animals, with a very specific focus on sharks
Demeter: infodumps about agriculture and trees
Hestia and Hades: listen patiently every single time, even when it's something they've already been told
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torgawl · 2 months
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i was a reading a bit more on purgatory and purgatorius ignis (cleansing fire), which is a concept that existed even before the notion that purgatory itself was a third other-world domain, similar to heaven and hell, when i suddenly remembered dante's la divina commedia and decided to revisit the story a little. and i found something interesting as i was scrolling through the wikipedia page.
so, purgatory is the second part of la divina commedia, following inferno, and is an allegory telling of the climb of dante up the mount of purgatory, guided by the roman poet virgil. alegorically, purgatorio represents the penitent christian life (and christianity, as we know, is one of the core themes of fontaine's archon quests that arlecchino was a part of). while describing the climb dante focuses a lot on the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the church. what's interesting, though, is that the poem posits the theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.
why is this interesting, you ask? let me add here a few quotes before i contextualise it:
"she is a god with no love left for her people, nor do they have any left for her" - dainsleif about the cryo archon, the tsaritsa
"her royal highness the tsaritsa is actually a gentle soul. too gentle, in fact, and that's why she had to harden herself. likewise, she declared war against the whole world only because she dreams of peace. and because she made an enemy of the world, i now have a friend in you." - childe about the tsaritsa
"everyone praises her for her kindness and benevolence, but they forget that love is also a form of sin. what if she's just trying to compensate for something?" - wanderer about the tsaritsa
the tsaritsa, the cryo archon and the person arlecchino is devoted to, is theorised and hinted multiples times to be the god of love. yes, the love that is said to be the origin of sin in la divina commedia. we can also draw parallels between the idea of perverted love talked about in the poem and the relationship between arlecchino and others, for instance the kids of the house of the hearth.
arlecchino's drip marketing including an excerpt where the scene goes from a gentle warm environment, seemingly mistaken as a loving family home full of innocent looking children, that quickly shifts into a somber and dark atmosphere under her authority - the children answering instantly, without hesitation and completely obedient -, is the perfect illustration of the duality within her character. there's an obvious exploitative and manipulative system making use of the house of the hearth and the orphans under its roof, where arlecchino (as the one running the orphanage) is the provider and the kids are brought up to be dependable and further dispatched as fatui soldiers when "potential" is recognised. and we can deduce that there's ways that their education is done from a very young age so it prevents or punishes any sort of dissent, something not hard to imagine when we know from freminet that arlecchino doesn't like when the kids cry or show emotional vulnerability, something she sees as weakness, for example. but if there's this dark side to her, there's also certain attitudes that demonstrate her care for the children or even her care for the world around her. arlecchino helping freminet get closure on his mother's death, the reformation of the house of the hearth (which we know used to have a much more punishitive and strict leader before arlecchino took over) or even her devotion and deep respect towards the tsaritsa are some examples of the way she shows care for other people. now, we can theorise that these good deeds directed towards the orphans under her care are very much purposeful to better manipulate them, but i think that's exactly what the notion of perverted love in la divina commedia tries to hint at.
besides this concept, there's something else that peaked my interest in dante's poem. dante pictures purgatory as an island at the antipodes of jerusalem, pushed up, in an otherwise empty sea, by the displacement caused by the fall of satan, which left him fixed at the central point of the earth. it's a cone-shaped island that has seven terraces on which souls are cleansed from the seven deadly sins or capital vices as they ascend. at the summit is the garden of eden, from where the souls, cleansed of evil tendencies and made perfect, are taken to heaven.
as we know, arlecchino is being introduced in fontaine, her homeland, and the idea of purgatory as an island in the sea leading its way to heaven caused by the fall of a sinful being sort of reminded me of remuria. remuria was the civilization in fontaine which directly preceded the previous hydro archon egeria's rule. its downfall occurred as a result of remus' attempt to avert its predicted destruction, and in particular, by his act of sharing his power and authority — reserved only for gods — with the four human harmosts he appointed to govern his cities. remuria eventually ended up being sunken into the abyss, devouring everything including the people and remus himself. we know there's still a region in fontaine's map that wasn't yet released, so how odd would it be that the last part to be revealed in fontaine might just be the land that was once sunken? after the little note about the samsara cycles near the tower of the narzissenkreuz ordo, which referenced a cycle called remuria, i would not be surprised at all. it's also particularly funny that fontaine is directly below celestia. yes, the floating island in the sky above teyvat which is the residence of the gods, the same gods that made remuria fall. as the contemporary philosophers of our time have said, that's sus!!!
i don't want to get too ahead of myself because i don't have a theory about what's going to happen or what role arlecchino will play exactly but i don't think it would be shocking if we got to know more about remuria during her release. and still in the purgatory idea, i think the angel of death (azreal) might be an interesting parallel to make with arlecchino. azrael's role is seen as benevolent, transporting souls after death. it fits perfectly well with the idea of purgatorius ignis, that signifies transformation. in different cultural and religious contexts, fire can also symbolize destruction renewal and even rebirth so i'm very very curious to see what arlecchino's story will be like.
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sluttyten · 2 months
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I had a dream last night that some new NCT album teaser pics dropped and Haechan’s was a shirtless one and the man had a six pack , like he was ripped
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