There isn't much discourse about how Mike went from saying that El was a weapon in s1, even encouraging the others to use El's powers when she was still recuperating after finding Will in the void, to then in s3 accusing the others of being reckless with her powers, saying she's risking her life for no reason.
Now, I want to make clear that I'm not bashing Mike here, this has less to do with what he's doing being right or wrong. What this is about is how Mike went from doing something himself, to calling out other people for doing it, without acknowledging that fact and why the writers chose to frame it all this way.
You might think it's insignificant, but these two following scenes are clearly being paralleled to each other. And so the fact that Mike himself is acknowledging this as something to be critical of, makes me wonder what exactly is going on in his mind...
I want to preface this scene from s1 by saying that Mike is giving very off vibes here. I know that I certainly viewed this scene as romantic the first time I saw it, but since rewatching it recently, I was getting completely different vibes.
They literally make a point to focus on Mike being distracted, on the verge of impatience. Then, the way El reacts upon Mike getting up abruptly, gives this feeling of uncertainty about Mike's consideration for her in this moment, as she's clearly not what's on the top of his mind right now. And it just makes you wonder, are we truly supposed to be feeling peak romance rn?
I never realized how out of place this scene was until now (or is it...). It's just such an odd choice to have El resting her head on Mike's shoulder for comfort, only for Mike to cut it short with him being distracted, and with Dustin and El looking awkwardly at Mike like "Okay?...", then followed by a scene where he's trying to convince the others to use El's powers to help.
Here we have s1 Mike displaying behavior that s3 Mike was calling out the others for displaying:
Here we have Lucas, who was very, very critical of El being dangerous ALL of s1, and yet now in complete contrast to that, he is showing more consideration and common sense for El's well being than Mike, the supposed love (at first sight) interest ...
'That's the most important thing, remember?'
A question, followed by Mike just standing there in silence, like he's only just now really thinking about El being safe as their main priority... This is something that combined with everything else unfolding over the course of this season and the seasons after, that makes Mike's behavior a whole lot easier to understand.
I'll have to make several other posts about this, because there are a lot of aspects to it, but for now I'm just going to focus on these two parallels.
Here we have what happens in s3, with Mike being critical of the others doing something he himself literally did in s1:
In fact, how careless all of you are.
THIS. When Mike makes it a big deal to call out everyone for doing something he himself has already done, he's outright admitting that it's something that he believes is wrong, and by not even slightly acknowledging his role in doing something similar in the past, it's very likely that he feels guilty about it.
This was probably his way of trying to make it right, by standing up for El in a way that he didn't before because he was treating her like some superhero and not a real person back then.
It's just that the word love slipped out, in the heat of the moment. And El, upon overhearing this, is seeing this development of Mike herself, with s1 Mike going from, yes being more kind and considerate than the other 2 boys in the beginning, but still sort of expecting stuff from her without her being able to verbally agree to it, to now having developed and changed to saying that one of his big priorities is her safety.
El is taking this as being evidence he went from not loving her, to loving her. Another reason why it's pretty obvious El didn't believe Mike's monologue, bc she herself witnessed Mike develop his apparent romantic feelings for her over time, and so him saying it was love at first sight, was probably the catalyst that made it abundantly clear to her that he wasn't being truthful, bc she knows it's not the truth. She's not stupid.
Again this isn't about Mike doing this back then or even the others doing it now as being bad vs. good, this is about the writers going about it this way, sending a message that Mike feels guilt, enough to try to make things right, but is apparently not ready to unpack the actual guilt that is beneath the surface which lead him to this point.
And then there's this scene, which... it's actually terrifying how obvious it is they instructed Sadie and Caleb to lean out of that shot with Will and Mike reacting to El entering the room... Like... It's SOO obvious when you watch it now what they're trying to hint at without saying it.
Not only are they hinting at Will's feelings, because that is part of it, they're also hinting at Mike's internal struggle. Will is always on the back of his mind whether he's willing to address it or not. And all while that is happening, he is feeling unaddressed guilt about how he treated El when they first met and spent that one week together helping her run away from the bad guys while also looking for Will, something Mike viewed as being worthy of El using her powers...
I'll have to make the other posts regarding this soon, because it all starts to click what's going on with Mike when you look at all of these things together.
While Mike is just a kid like pretty much everyone else in this story, and while he didn't mean any harm by asking El to help them find Will (none of them did), I think that's kind of the whole point?
I think that he got lucky superman landed on his doorstep, who just so happened to be in danger herself, giving him his own purpose to help her too, with her needing him as well, and so it became a situation where they both needed each other.
But because El could literally not speak, it's not like she could really voice her feelings about things they were doing, beyond yes and no. She had Lucas sort of being critical of her, with Mike encouraging El to do things that would make the others see her as being worthy of sticking around so they can find Will. It goes without saying she felt obligated to do these things, even if they didn't outright tell her she had to or else. We literally see almost all of these scenes with her doing stuff for the others being instantly juxtaposed with scenes of Brenner doing the same. It's not the same scale of severity, but it is an acknowledgment that although she is outside of the lab, she still feels like her powers are what define her and it's all people want from her.
I think what it comes down to, is that in that moment when she is sacrificing herself to the demogorgan at the end of s1, we are seeing in real time Mike realizing what he and the other's have been asking of her this whole time, without outright asking her.
And you can literally see the retaliation and devastation hit him all at once. The instant regret, where he's backtracking and El stops him from even trying.
'Goodbye Mike' singles him out, because while he was the one out of the three that showed her the most kindness from the start, he was also the one who at the end of it all, was still expecting her to risk her life for them...
And that just makes it hit so much harder when you think about how that made Mike feel in that moment.
And then in s2 how that impacts Mike and his journey going forward.
His breakdown at the end of s2 upon her return.
His behavior in s3-4, in relation to him juggling his relationship with Will and El, now that they are both in his life at the same time.
It all starts to make sense.
I won't go too much into it because those other posts are bound to be long with a bunch of pictures too!
But on that note, there's at least one thing Mike isn't acknowledging, and it's literally what led up to the unintentional love confession that then led us to 10 more episodes of miscommunication because of it...
It's going to be important for him to address this guilt for him to fulfill his arc and to also close off his expectations that he has to have a romantic relationship with El in order to keep her in his life at all.
The audience themselves seeing this and being forced to face it is also going to make it a lot easier for them understand why Mike did what he did, not only because he's a queer kid in the 80's who has every reason to doubt and repress, but also because he understandably feels sort of indebted to El after everything.
It's more complex than him just falling out of love with her and falling in love with Will because of XYZ.
I think there is a lot of guilt and shame and trauma connected to their meeting and the events that followed. And addressing that is going to give a lot of closure to the ending of the story and also the beginning.
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do you ever think about how will probably wishes he was braver?
that he could tell mike the truth about himself without having to speak in code. that he could stick to his guns when he's been wronged and stand up for himself rather than tucking tail and turning the other cheek. that he could be less shy, less sensitive, less cowardly, and maybe then his loved ones wouldn't forget about him as often as they do.
maybe then they would pick him first, rather than leaving him for last. maybe then they would want to hang out with him and hear what he has to say. maybe then they would treat him like they used to, like he can still take care of himself just like they can, instead of like a fragile little thing that they pick up only when they need him. maybe then they would care about him as much as he cares about them. maybe then he wouldn't doubt that it could all come crashing down once they know who he really is, and always has been, because the rest of him would've been enough.
like, maybe he wishes he didn't freeze or run away so much. maybe he wishes he wasn't so afraid all the time, of every little thing. that he could be brave like mike, el, or his mom. i mean, el's been through so much, too. why can't he be more like her? why does he have to hide behind her? he hides behind her when the monsters come crawling back, and he hides behind her when he can't bring himself to say what he really means—even after getting on her case about it.
he spent so much time on that painting. he didn't let anyone see it—it was that special to him. why couldn't he own up to that? there's no monster in the van with him; it's just him and mike and this painting of the party, nothing inherently incriminating or romantic, and still—he can't help himself. he retreats back into the shadow, shrinks into himself, and tells lie after lie to the person that he never lies to, that he knows doesn't fucking deserve that, just because he's too scared.
of course he'd feel like a mistake sometimes. of course he'd hate who he is (if That script is to be believed), when he can't even talk to the one person that would understand without lying straight to his face, over and over again, like a fucking hypocrite. of course he'd feel so lost without the person that tells him it's okay to be this way and shows him that there is indeed strength in it. of course he'd hate who he is when he's encouraging someone to be true and speaking about their courage, all while being incapable of taking his own advice, and giving the credit for all of his love and efforts and emotions to someone else.
so many people died to bring him back, so many people died just because he didn't stay dead when maybe he should have, and for what? so that he can continue to hide rather than live his life? so that he can turn into a "worse" version of himself? so that he can live in fear? so that he can continue to ache for a past that he can never return to, while everyone else moves forward and berates him for not doing the same? time stopped in the upside down when will went missing, and he's been stuck there ever since, too. too much has happened for him to move on from. too much has changed—he's changed. he's too different now, in every way, and the older he gets the more clear it becomes.
of course he'd feel like a mistake. of course he'd hate who he is. he's the common denominator here: in his loneliness and in this war. the boy who came back to life when others didn't. the boy that got possessed and couldn't fight it. the boy that turned into a liar and a coward and must learn to live with it, even if it's at his own expense. the boy that can't let go of the past and whom the past won't let go of either, because even after everything, he's still connected to this great evil that won't let him go. they got it out of him, and yet the tether remains, because of-fucking-course it would.
just—why? why him? why can't anything ever go right with him? why is he always the outlier? i think that overwhelming amount of fear, shame, grief, guilt, exhaustion, and loneliness would wear anyone down, let alone a teenager that never asked for any of it and has experiences so unfathomably unique that the only other people that could have possibly understood are literally dead.
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JhinThresh server encourages my High Noon obsession, more at noon
Another ramble by a gay cowboy, about gay cowboys, for my gay (cowboys in spirit) friends.
Some NSFW, nothing directly explicit but there's some level of detail. OOC as always but I've been informed I'm based so... hopefully it's based this time, too?
This specifically is about them being drunk. To start, I headcanon Jhin as an emotional drunk (imagine him getting all emotional about his horse loving him too and practically crying in front of a probably sober Thresh who finds this adorable and jealousy-inducing, because Jhin should giving HIM all that attention) and Thresh as a more relaxed drunk--as in he gets a little more loose-lipped. This will also involve my bartender High Noon Jax, because why shouldn't it. We all know these idiots cannot do anything about their feelings without being beaten over the head with a lamp.
More of another "things I wanna write but probably won't" than a headcanon ramble, but whatever. Jhin comes in to the bar, and Jax already has his first drink (of four) ready by the time he's even at the bar. And, of course, being the weirdo bartender; Jax is already asking him if he's asked out Thresh yet. Giving advice, teasing him. Jhin doesn't respond much, just finishes his drinks and gets out as quick as possible. But now there's an issue; he's a bit drunk and now he has Thresh on his mind. Given that I said he's a more emotional drunk earlier, this is a much bigger issue than he thinks it is. He just heads to the barn, because really what else is there to do when you're a drunk cowboy (aside from fucking and/or killing)?
Thresh is there. He watches as Jhin cries over his horse, talks to it. He's jealous for a few minutes. The horse is getting all this attention, and not him? And then Jhin asks his horse what he should do about his “weird feelings” for a certain man. He doesn't mention Thresh's name, but now Thresh is even MORE jealous. Who's this other guy stealing his victim slash weird crush? Unforgivable. I haven't really imagined much past this, and I'm no good with smut, but Thresh probably gets a little drunk himself, reveals himself to Jhin, who is now cagey and cold to Thresh due to not wanting to admit the guy he loves was him, and then Thresh fucks him because he's jealous. Maybe involving a riding crop. And Thresh's chain/rope/thing. And possible admission of feelings. Who knows.
And a second part… flirting. Their flirting is really weird, because they don’t. They just do a LOT of homoerotic touches and things for each other. Both of them realise this, but neither rationalise it correctly and think the other doesn’t think it’s homoerotic. They think they’re enemies/rivals/begrudging friends, despite both of them feeling attached to the other. I went over the physical homoerotic touch aspects in both of my previous rambles, but I guess I’ll go for other ways here.
Thresh tends to braid Jhin’s horse’s hair the same way he always does it. He doesn’t do a particularly good job and Jhin always scolds him and says “that’s not how you do it, you fool” etc etc until he’s giving Thresh a lecture on how to braid hair. This goes on until Jhin ends up just grabbing Thresh’s hands and “guiding him” (aka just doing the whole thing for him) through it. Thresh knows full well how to braid hair after the first time; but he continues to do it just so he has Jhin’s full attention. As I’ve mentioned he cannot rationalise this in a normal way (“This is torture because I’m taking his time and energy away from more important things, to make him easier to break”) and neither can Jhin. He likes teaching Thresh but he’s not sure why (it’s because he likes feeling in control, as well as the feeling of having Thresh as a captive audience) and instead chooses to think it’s just because he likes being correct. It’s flirting, just nonverbally.
On the same note, Jhin tends to make an effort to argue with Thresh over things. Anything, regardless of how monotonous or how pointless the argument is. He likes getting an anger reaction out of Thresh. He finds it hot (which he mistakes for just being an adrenaline addict; they’re not all buddy-buddy so he figures it’s only natural to get worked up by your enemy/rival getting angry at you). He gets genuinely upset when Thresh doesn’t react or argue back or even concede. He wants something other than constant teasing or silence, and when he doesn’t get that something, he gets a bit fussy and usually ends up touching Thresh in some way to rile him up. Sexually or non-sexually, it doesn’t matter. It gets a reaction and he gets to touch Thresh, so it’s a win-win.
If we combine the two, drunk flirting. Jhin gets emotional, so with enough provoking from Thresh usually you can get a flirty comment—albeit vague and a bit unorthodox—from him. He still tries to maintain a mask of indifference or hatred towards him when drunk but he falls on his face and ends up letting a few things, whether they be emotions or words, slip. Thresh, being loose-lipped, is usually the one to end up very explicitly flirting with Jhin when drunk. Compliments his body, calls him cute and pathetic, says he wants to hear him scream. He, of course, has some level of plausible deniability with these comments when sober, but when drunk he doesn’t tend to defend himself. He never admits it’s flirting, but he’ll not say no. Oh also they both get horny when drunk so if they’re later in to their homoerotic rivalry they probably fuck. Up to you.
Also… please read the tags of this post. There’s a few little related side tangents in there, if you’re interested.
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You mentioning the fact that they're profilers is so real bc like it honest to god ASTOUNDS me how badly they all read hotch like he so so so so clearly cares for every member of the Bau WAAYYY more than he cares for him self and he's literally never shown otherwise??? Like even the whole drill boss stuff or whatever tf he said he's never aggressive with the group if they mess up he's always understanding but fair and most is pretty much the first one to comfort them (if the script allows) UNLESS he's going through some shit IE the whole divorce plot and foyet AND IT BAFFLES ME HOW EVERYONE FUCKING MISSES IT CONSIDERING ITS THEIR J O B
they’re all kinda bad at profiling each other but istg they have to TRY to understand hotch so poorly… i’m trying to think of a moment where he yells at them when they’re not directly putting themselves in danger or in the immediate aftermath of him getting attacked in his fucking home, but i cant think of anything?? he doesnt like being harsh with them and he learns the hard way with the elle situation that it doesnt get them anywhere. the only time he was unduly upset w someone was with emily in the beginning and that’s only bc he thought she was either a nepotism hire (which she kinda was) or a plant for strauss (which she kinda was)
he’s “strict” but like?? is he?? he does half their paperwork for them and they dont even know it. instead of doing things by the book and getting reid fired, he turned the other way and let him work through his drug problem. maybe he says “no” sometimes, but he usually relents anyway—like when jj has a feeling ab a case or when he calls the fucking vatican for emily. if he was a drill sergeant, would he let garcia keep a bunch of clutter on her desk and dress in bright clothing?? he doesnt coddle them or anything bc that’s not really his personality, but he’s gentle w them and even praises them when he knows they need it. he doesnt always step in and help when he should (i think that honestly has more to do w him being self conscious than anything—he doesnt want a drill sergeant/bully to make things worse), but he keeps a close eye on each of their wellbeing and will quietly urge one of the others to help out if someone’s in a tough spot
sure he doesn’t smile a whole lot and he’s known for his perpetually neutral face, but at the same time it’s not very hard to tell how he’s feeling. he’s effective at his job, he’s good at playing the tough guy, but tbh he let’s things get to him easily. he takes their criticism to heart and does his best to be better. he HATES seeing any of them hurt: ever notice how after what happened with elle he never uses his own agents as bait like that again? he either uses himself (like the fight club episode) or one of the team volunteers and he relents (like emily in the omegaverse swingers episode). they misread his social awkwardness as being cold when really i think he’s just mildly uncomfortable being the center of attention in an unprofessional setting.
it’s wild to me how frequently they misjudge him. i think he kinda knows and almost encourages it?? while still considering their judgements genuine?? morgan is a great example: of all his subordinates, morgan has worked with him the longest, since before he was in charge of the team. so you’d think morgan would have the best insight. but morgan has a complicated relationship w authority figures and tends to be automatically defensive out of habit. essentially, he’s been projecting on hotch since day one and has been blinded by the convoluted series of lenses he sees hotch through: as a constantly rotating mixture of buford, stilinski, and his father. it’s prevented him for actually seeing hotch for who he is, and hotch seems to make no real effort to correct any of those presumptions. but hotch still takes it personally when morgan criticizes him (prob bc it feeds his own negative view of his self worth and uses it as justification for whatever self loathing bullshit he’s on)
basically, hotch knows everyone has skewed perceptions of him and is fine letting their delusions continue uninterrupted—encourages it, even. he’s more comfortable receiving scathing remarks, even if they’re inaccurate, bc it allows him to continue his own delusion ab his place in the world. if they hate him (or if he thinks they hate him), it gives him a reason to hate himself. which is why i think he kinda likes that they’re bad at profiling him. it’s a way to receive that negative attention without actually being vulnerable. it’s a very very passive manipulation—more like he’s allowing them to manipulate themselves—that feeds his self loathing. i think he does it on purpose, so i cant necessarily fault the others for so drastically misunderstanding hotch. especially since they do get better at it over the seasons: they’re able to see through his defense mechanisms a little more, even if they still cant see him clearly
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