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#anon theories
seramilla · 1 month
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...imagine if Sera was there for Respectless and she didn't even try to sing she just fucking body slams Velvette
Velvette: “You’ve got it twi—!”
Sera: *bodies Velvette into the wall before she can finish the first lyric*
Velvette: 😳😳🤯🤯🫠🫠🥲🥲 *lots of conflicting emotions*
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pocket-mirror-theory · 9 months
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hey, someone asking about the girl in the red carpet. For me It's the intro of our protagonist, I know hairstyle is not the same, but the favorite colour of our protagonist is red and Fleta compare them to cherry. I think she's the minor personnality who seek the light. And rejected by others.
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achillean-knight · 5 months
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Part 1 - Part 2 Here you go, the final part. This is for you, Anon's who requested the continuation of this JKHGDSHGS
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yikesb3rg · 8 months
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sorta based on those johnshi hcs i've been seeing around but consider amongst the ticklish skin and snort giggles kenshi finds slightly squishy parts around cage's belly n waist hggouggb defends himself like HEY!! i- i been outta work for a little okay! actually embarrassed and i know kenshi is v proud of his findings, one after another. ticklish "love handles" i froth i love making johnny get awkward and embarrassed for once, can't take what he dishes out!
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i was going to add dialogue um... but i'm not a good writer so you can imagine what they're talking about here lol
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sophietv · 10 months
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Everything you need to know : Failed Coming Out 2019
This is an answer to an anon I've received.
I typed it all and Tumblr said there was an error when I went and tried to published it. So I had to type it all again but lost the anon....
Here's the question: could you tell me more about her wanting to come out in 2019? sorry for asking again I'm new on the fandom!
Hi!
It will be my pleasure! This is such an important part of the Gaylor Lore to know and understand, especially when you are new in the fandom.
This theory has been confirmed, but we'll get to it in a minute.
Also, I'm so sorry because learning about what went down during Lover Era is a transformative experiece in the Gaylor fandom, in a very heartbreaking way.
So back in 2019 Taylor wanted to come out with the Lover Era.
June 30th during the New York City Pride wich was also the Stonewall's 50th anniversary, was supposed to be the day it happened.
This date might be familiar to you, because it's the date we learned at the same time as Taylor about her masters being sold to Scooter Braun.
So let's start at the begining of all of this. I won't go through ALL the details because my post will never end. But I'll cover the most important ones.
Right at the begining of the year, insiders were already talking about the fact that Taylor was planing to come out that year in podcasts and blind items.
Then in March 6th (Karlie and Taylor's anniversary)
Taylor does a post hinting at this new era. The very first lyrics we get (We got hints at ME back in February):
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Daylight the song is about Karlie. But this line specifically means coming out.
Stepping into the daylight, and letting everyone see the real you.
(Also worth noting the lesbian filter)
Taylor started being really loud in the posts she made from now on. Flagging rainbow, lesbian and bi colors every chances she got.
And flagging Butterflies. Wich is very important thematically in Lover and coming out.
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Side note on the Butterfly meaning:
Remembre how in reputation, snake was a really important theme?
And how in Lover it switched to butterflies?
More specifically it switched to Snakes transforming into butterflies?
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There's a species of butterflies, that when they are in the chrysalid phase of their transformation into a butterfly, can look like a snake if they feel unsafe or attacked in order to protect themselves.
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Then, after the average 13 days waiting period, they transforms into a beautiful butterfly.
Basically what Taylor was doing, protecting herself during reputation with that "personna" like she described.
And now, she was ready to finally transforms and have a new beginning.
Here's a description of what butterflies means:
A powerful beacon of growth and new beginnings, the butterfly signifies the power of transformation and the incredible feats we can achieve when we trust ourselves. We all have the ability to listen to our innate wisdom, guide ourselves through difficult times, and emerge better and stronger than before.
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The ME! of it all:
Ok back into the Lover Era timeline!
So all those rainbow posts were leading up to the first single: ME!
Even Taylor Nation was pretty loud about this (number of rainbows = number of days leading to ME! release):
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3 days before ME! release, Taylor performs at the Time 100 Gala and it's the first and only time she switched so very clearly pronouns in the song, multiple times:
She sings repeatedly : I want HER midnights
And she even seems to be getting more and more confortable as the song goes on and singing it louder and louder.
She also looks at the crowd while singing it.
Then she releases ME!
That was really the first part of her coming out.
And honnestly, she shouldn't have had to do more than this.
ME! was released on April 26th.
April 26th in 2019 was Lesbian Visibility Day.
And she captionned the release with: ME! Out Now!
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A song about how she is unique as a Lover...
That is without mentioning the amount of rainbows everywhere in that MV as well as other references.
Worth noting that in 2019 Lil NasX came out in a MV with the rainbow tower and was annoyed that people didn't get it?
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Taylor also probably deadass thought that she made it obvious:
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May & June 2019 leading up to the big coming out:
Taylor continues to be as loud as she can.
She makes a very generous donation to GLAAD:
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She sings ME! every chances she gets, while flagging the Lesbian Flag.
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Taylor Nation also keeps on being really loud:
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And releases a song and music video about homophobia and includes herself front and centered in the LGBTQ+ community (represented by the Trailer park, note how Ryan Reynolds, the only straight person in the MV is outside of this park, not in it like Taylor).
With a bi flag wig...
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So yeah, she was trying really hard to make people see her.
Christian Siriano and the dress...
Back in April, we learned that Christian Siriano (a fashion designer) was working on a project for Taylor:
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In June, he started teasing us about a mistery rainbow dress for an unnknown person:
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It was heavily rumored that it would be the dress used by Taylor to come out at the end of Pride Month.
He kind of confirmed it with this post:
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Then. June 30th.
The New York City Pride.
Taylor planned to come out at the event.
Employees on site, starts to be warned about this (you can find some comments online).
Taylor learns at the same time as us that her masters were sold to Scooter Braun.
She never makes it to Pride.
And Billy Porter ends up wearing the dress:
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But. You can see that the dress was not meant to be worn by him. It doesn't fit well and the "nude" parts shows that it was meant to be worn by a white person.
In 2022, Christian confirmed it by dueting a TikTok talking specifically about this.
He deleted it right after but you can still find it on TikTok: (X)
Last minutes changes to Lover:
We now know that Taylor scrapped two songs from Lover: All Of The Girls You Loved Before and Need.
All Of The Girls is really loud and very clearly talks about a girl. Wich Taylor couldn't afford if she didn't want to/couldn't come out.
London Boy was actually written and added really last minute to the album.
Really interesting, because this is her loudest song about her loving boyfriend. Wich is a brilliant thing to do if you want to limit the public speculation after all the flagging that you did...
We know it was last minute, because Taylor sampled it on Cold War from Cautious Clay. (X)
He was called in the middle of the night and had to approve the sample right away.
Interesting fact: Cold War was featured in Book Smart, a movie Taylor promoted that year.
The song plays during a lesbian sex scene...
The intro to London Boy is actually Idris Elba in a interview where he was talking about a charity where he sold a date with him.
You know, people paid to date him...
The shift in the Lover Era:
After this, you can start to see a shift. Where it was colorful sequin and rainbows everywhere with colorful choreography.
She now dresses in black, is incredibly sad and sings mostly accousting song.
Like her BBC 1 performance or Lover In Paris:
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Miss Americana:
Miss Americana was supposed to be her coming out documentary.
It has been confirmed by the director of the project that a lot of footage has been scrapped.
Also, the documentary was supposed to be called : Is It Cool That I Said All That?
This is why the documentary sometimes feels like something is missing and some parts are rushed.
They tried to switch her coming out approach by making it her political activism era.
Taylor confirms it in Anti-Hero MV:
youtube
She's pierced through the heart by The Archer.
Her queerness starts showing (she's bleeding lavender glitters).
She tries to cover it up by taking the table cloth.
Her wanting to cover it spoils the dinner for everyone and they leave her.
And while she sings : "Did you hear my covert narcissism I disguise as altruism, Like some kind of congressman?"
She covers her queerness with a sticker : Vote For Me, For Everything
Confirming that the political activism during Lover Era and mostly Miss Americana was in fact really to cover the fact that she was already one foot out of the closet when they had to backtrack.
With this. Take a look at the closing scene of Miss Americana. When The Archer is playing in the background.
It's a montage of Taylor talking to someone and Taylor on the release night of Lover.
Look at what Taylor says...
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Queerbaiting Backlash:
This might be the worse part in my opinion.
Since she was flagging so hard to come out.
Sadly, most people didn't get that that was exactly what she was trying to do.
And medias massively accused her of queerbaiting.
And using the queer community.
I'm still so mad and heartbroken about this....
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reusing an old Twitter post...
Even queer fans...:
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Frankly, speculating about her sexuality would have been way less damaging than this...
Songs about this event:
Taylor wrote a lot about this failed coming out.
The Archer, was her song about her anxiety about coming out. And begging her fans to stay.
I'm not gonna do a full lyrics analysis because this post is already a novel.
But read those lyrics with that in mind and you'll see how loud it is, and heartbreaking.
"I've got a hundred thrown out speeches I almost said to you"
Also. Worth noting that after Lover was released and she was not able to come out, she switched one lyric in that song.
Instead of "Combat, I'm ready for combat" singular (coming out was the combat she was ready to face)
She now sings every time "Combats, I'm ready for Combats", because coming out has turned into multiple battles that she has to face now...
Hoax:
Noticed how she says that all of her heroes die all alone in The Archer?
Her fear that if she comes out, all her fans would leave.
In Hoax she says: "You know the hero died so what's the point of keeping score movie for?"
Because with her Master Heist and everything, she was not able to be one of those heroes herself... The hero that she wanted to be died in that moment because she was unable to come out.
Edit: I messed up the lyrics. But it's even more telling. Because the movie she's talking about is Miss Americana, once she was unable to come out.
Evermore:
This song is litteraly her looking back at what happened and how she managed to process everything and ultimatly heal even though it felt at the start like she would never be able to.
"I've been down since July" - June 30th = failed coming out
"Motion capture, put me in a bad light" - Queerbaiting allegations. And Miss Americana being rebranded.
"Writting letters, adressed to the fire" - Her hundred thrown out speeches that she almost said.
"I rewind the tape, but all it does is pause, on the very moment all was lost" - June 30th...
"Sending signals, to be double crossed" - Her flagging strongly on her way to come out, only to be accused of queerbaiting.
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Right Where You Left Me:
The restaurant is a metaphor for the closet.
"Sitting in a corner I haunt, cross legged in the dim light"
Doesn't really feel like a restaurant, but her hiding in the closet.
"I swear, you could hear a hairpin drop. Right when I felt the moment stopped"
Droping hairpins is giving hints that you are gay.
She was doing this very loudly right before she was kept from coming out.
"Dust collected on my pinned up hair"
Her hair are still pinned up because she was not able to come out. And dust collected over time that she spent forced in the closet.
Anti-Hero:
AH is really The Archer 2.0, and talks about the same fear of coming out and being abandonned.
The fact that she decided to depict herself as the Anti-Hero is both really interesting and heartbreaking.
Because to her, the hero was the version of herself that was able to come out...
Listen to Change in the perspective of being able to come out and change the face of the industry:
"Tonight we'll stand, get off our knees
Fight for what we've worked for all these years
And the battle was long, it's the fight of our lives
But we'll stand up champions tonight"
They were the Champions.
Side note: she sang this song at the ACMA in 2010, two weeks before Chely Wright's coming out.
When we know that she has knowed and worked with Chely since about 2007.
Then Taylor wrote Long Live one month after Chely Wright's coming out.
Listen to the song with the same perspective as Change now.
"You held your head like a hero, on a history book page"
Chely Wright came out in May 2010. Taylor wrote Long Live in June 2010.
Look at the parallels of both songs.
And now, look at her choice to name that song Anti-Hero after everything that hapenned....
She also wrote Long Story Short and The Great War about that event, but this is for another post and it's about how this event affected her relationship with Karlie.
How she thought she was betrayed but ultimately found out it was not the case.
And how they both made it through.
Ok, I'm exhausted lol.
Sorry for writting a novel.
But this is such an important part of Taylor's history and I really wanted to do it justice (hope I was able to).
If you are still reading...Thank you for your question!
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atmothart · 1 year
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Wouldn't lizard fashion be something like spikes and scales and a frilled lizard collar?
Like so?
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(Bonus art under the cut)
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freckliedan · 1 day
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if they're both out, then why bother hiding their relationship / stuff like sharing a room and going on couple holidays? surely all of their fans know that they're together so i don't get the point of buying a home with 2 bedrooms and having a fake apartments? sorry very confused very casual fan here
hi!!! i am always so happy to share information, so ty for asking me about it! i'm going to take these questions piece by piece ^_^
if they're out why bother hiding: most of the examples of them taking serious steps to hide their relationship are from before they came out! they have been together since 2009, but dan wasn't even out to his family until 2019, shortly before he came out publicly.
why not come out sooner than that? i'll try to be brief and avoid rehashing dan's entire coming out video (which is worth watching). several reasons: he was severely bullied from early childhood onward for being gay—from before he even had the chance to consider if he was actually gay. his dad was homophobic to the point dan seems to have removed him from his life completely, & he was raised by religious grandparents so unsure of the reception there.
and significantly: he and phil were outed by a youtube glitch that leaked an extremely personal video in 2011 that leaked again on a broader scale about a year later. being outed was a part of the bullying dan had experienced so this was retraumatizing but on a bigger scale.
they had had SOME level of plausable deniability regarding their relationship before the leak, but hadn't been very actively closeting themselves before that point? and then the leak happened around when they were blowing up in popularity/around when youtube was becoming a viable career, so they were already grappling with sudden fame & a lot of other things happening in their lives at the time.
dan was 20 and phil was 24 the first time that video leaked; they were 21 and 25 and living in an apartment they couldn't afford on their own hoping the bbc would hire them (they did) the second time it did. it makes sense that they came down hard & firmly closeted themselves, especially dan, especially with what he's shared of his personal experiences.
2012-13 was the peak closet, but by 2015 they were already being more open—that's the first couple's trip they went on again after active closeting started. they've just become more and more open from there, but the peak closet era was so definitive that the public perception of them as not a couple WILL NOT SHIFT until they directly express that they are a couple.
they ARE out to fans as a couple, and imo have been since before they came out individually. they've said things along the lines of "we know you know" multiple times.
why not be definitive about their relationship status when they came out? it would've overshadowed them coming out as individuals and they didn't want that. it will be MASSIVE news when they hard launch their relationship. they went ambiguous with it on purpose in 2019 and succeeded.
so. to circle back to your questions.
why bother hiding their relationship? they haven't really since coming out. they've been living freely and being open about that in whatever ways are comfortable to them. they took some time out of the public eye for a while and i'm glad they got to have that so they could explore what happiness looks like without feeling the need to perform. but it was also something that was intentionally temporary!
at this point in time when they call each other friends or roommates etc they're fully doing a bit. like. it's funny! and it's funny at our expense which makes it even funnier—it's their turn to put us through some shit, you know? & the joke is more on people who AREN'T familiar with them than anyone else at this point. it's nice being in on things with them.
why hide sharing a bedroom? they haven't really since moving into their forever home! they have a bedroom and a guest room and there's a murphy bed in phil's filming space/personal office.
phil at some point made a comment that the murphy bed is for if they have two guests over at the same time—something that will only really read as "they share a bedroom" to people keeping track of rooms in their house.
i don't think that they share a bed they sleep in 100% of the time. which is like, normal and healthy? being able to sleep in a different bed when you want/need is NICE i've known so many people who keep seperate rooms in committed relationships and if i was rich enough i'd love having two bedrooms with beds in them in my relationship. even if we'd mostly sleep in the same place.
i also think having multiple beds means dan and phil can have freak sex in one and be lazy about clean up bc they have other beds so that's. a plus for them too.
but like. yeah. i think it's less that they're hiding that they share a bedroom and more that they share a bedroom but have better boundaries with their audience at this point—there stopped being video liveshows after they came out and they'd stopped doing liveshows from their actual bedroom when they moved in to the separate apartment situation.
+ the separate apartment situation was ONLY ever meant to be short term, & was a solution to the situation before that, when every room was in videos and it permanently felt like they were living in sets.
why hide couple holidays? they haven't since before coming out! they also go on a lot of double dates.
no sorries on the confusion and thank you for the chance to infodump!
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wolfythewitch · 8 months
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Do you ever have that feeling where, despite your distance with your religion, there's still moments where sparks of what you were bought up with, return?
I'm from a religious family, but I'm not in touch with my own religion. Yet there's me calling in the name of the Lord before and after I eat. It's like this lingering piece that I never turn to look at but somehow slips into my ordinary life.
I don't really know you that much, or your religious status. But seeing your religious talks made me want to bring this up.
I don't even know if I make sense here- just- ignore this if you want to, I don't know.
Hmmm I think so. My whole thing with it is really complicated haha. I still go to church every Sunday, though I prefer doing volunteer work with the kids over listening to the sermon. I pray before I eat out of habit. I find myself quoting the bible more often than I open to read it (though this is changing because of all the times I look for references lol). There's a resentment that I get whenever it's brought up, especially around my family. I find myself immediately on guard the minute it becomes subject of conversation. Sometimes at night I'll pace around and just talk. I don't know if I'm talking to myself or to god or whoever but. I'll talk. I think I still believe in him. I definitely believe that there's something out there. I don't think the question is of belief as much as it is of care. Do I care enough to try?
I'll say this though. Whatever I'm doing right now has gotten me to think more about bible and religion than I have in the past few years. So. That's fun! Who knew trying to explore something your own way instead of the way forced onto you by your environment gives your room to feel everything out without any preexisting pressure?
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daisyswift3 · 1 month
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A Summary of the 🎃 Messages--The Overarching Story
So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).
1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.
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The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"
2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).
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Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).
The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]
The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']
3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"
"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.
Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']
Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]
loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']
Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]
Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"
The Bolter: "But it always ends up with a town car speeding" [getaway car]
Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]
How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]
I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']
Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']
5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.
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The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.
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The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.
To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."
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Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.
So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]
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7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.
Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]
The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']
I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]
But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]
8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.
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The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.
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The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']
loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']
I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]
The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"
9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).
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I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.
The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']
The Bolter: "But she's got the best stories"
10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).
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The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']
11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.
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Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]
The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"
imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"
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triptychgardener · 3 months
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I swear to actual Gog no nom-transfem outside of Tumblr actually understands June as a character and it will be the death of me. If I see another cavalcade of people turn up at the slightest mention of her name saying "ohhh I don't see it, I don't think it makes sense, tbh it'd just be better if they didn't at this point" I'm going to turn into the Joker. I read further down on that "June would be better as a trans guy imo I'm not transmisogynistic I mean femtransphobic" reddit thread and it made me want to become a nomad wandering the Appalachian peaks
Yeah like I'm gonna be real. I think entering fandom and using characters as nothing more than a source for projection really screws up your actual reading of the text (said as someone who has done that before!) And if you're unwilling to let go of that interpretation, you're going to be operating in a fundamentally different reality than everyone else who bothers to read the text.
June at this point is on the edge of becoming canon. She's been "canon" for years now, the evidence and reading of June as transfem has been thoroughly documented and discussed. She is a thing. That is happening. And while Homestuck often draws in fandom ideas and discussion, it's rarely going off of things that weren't at least partially in the text themselves.
I don't hold all of Homestuck's text as scripture. My distaste for, say, transmasc Roxy, has been growing as I actually began to read and understand more. And if people want good transmasc readings, there are plenty of great options! Jane, Dirk, Aradia and Nepeta are all wonderful examples of strong transmasc readings. I'd say there are, on the whole, maybe fewer than transfem readings, just because Homestuck is a very transfeminine story. It's about trying to escape and defeat the ultimate force of masculinity that pervades and lords over the story, contrasted by the Space aspect, which has some of the most transfeminine goddamn characters in the whole comic (even a basically canonical one in Calliope). It's a story with Vriska Goddamn Serket in it for the love of god!!!!
Also not to get too deep into the weeds but arguments like "well she actually admired her dad a lot and wanted to be like him" seem to forget the Literal Familial Strife he had with his dad every day, or the fact that his dad always seems to be a bit of a sore subject, or maybe, perhaps, John is not always being one hundred percent honest about his feelings about his father who died when he was thirteen. Honestly, even outside of a transfeminine interpretation, it's just a deeply surface-level reading of John.
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seiishindraws · 1 year
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Hey seiishin, I'm a beginner artist and i was hoping you could give a full tutorial on how you color?
hello! this is a bit of a hard question to answer since i dont think giving a tutorial of how i colour without learning any foundational colour concepts first would be very beneficial, so i'll try to give you some basic tips on picking colours instead since this is a very VERY expansive topic and im simply not the kind of person that can pass on that knowledge very well especially since im not the best at it lol
when im picking colours for my drawings, i try my best to "unify" the colour pallet so that it seems more cohesive, this tip from ggdg sums it up pretty well i think
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other than that, i usually try to pick colours that generally look good together based on different colour harmony concepts, like these!
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i'll try and show you an example with something i'm working on right now. you'll notice i didn't colour pick tinkaton's colours from its art and went for a warmer pink and saturated the blues of the hammer a little.
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you'll also notice the canvases i draw on are NEVER pure white. this isnt to say pure white is something that can never be used but white is a colour that usually influenced by surrounding colours, so pure white in most pallets just wont look right. so its not usually a colour i would use as a backdrop if youre trying to pick good colours for your art. but again, there's always exceptions and this isnt a hard rule. here's pure white compared to the colour my canvases usually start with
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another thing i should touch on briefly is colour relativity and the importance of value and saturation.
value is SUPER SUPER important for making sure all the colours in your art stand out from each other and read clearly. as you can see here, most of the values here stand apart from each other, and i can see that i probably need to adjust the darkness of the light blue in comparison to the pink hair tips, though the lineart separates them well enough already i think. this is also a good way tocheck you havent made any dark skinned characters too light. values are important guys!
hot tip: put a layer of pure black on top of your art and set that layer to "colour" and BOOM! you can see the values of your art in grayscale.
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and i'll also briefly touch on colour relativity. because we percieve colours relative to each other, we usually read a colour as something its not when its surrounded by certain other colours. let's take a look at my background drawings in the cover i did for the shuichi saihara zine:
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though i only used a bunch of different purples, when all of them are perceived in relation to each other, a warmer purple can look like blonde hair amongst all the other purples!
as for the brushes i use while colouring, i like textured brushes! i bought these so i cant share them for free but im sure there are many free alternatives out there
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anyway, sorry if this isnt exactly what you wanted, but there are TONS of people out there that have worded this better than i ever could, i would suggest looking up some youtube vids on colour theory, but i hope these little tips are useful enough!
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seramilla · 1 month
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Here's a fun idea, extorsists are from miscarriages. Let's say one day vaggie gets hurt and needs a blood transfusion, sinner carmilla and her girls offer to be tested and they all have the same blood type and Vaggie is fine.
Thing is, vaggie has a rare blood type
They end up doing a DNA test and find out that vaggie is technically carmilla daughter that she miscarried.
Vaggie had always known there was something...off about her. And not just her; all the Exorcists, really. None of them had memories of a life on Earth. They also weren't created like other angels were, and Heavenborn who were willing to talk about it all insisted they were previously mortal. Vaggie never had any proof to the contrary, but the details of her aforementioned life, were never disclosed. There was like a wall there, almost like amnesia. The Exorcists seemed to exist in a vacuum all on their own, kept away from the rest of Heaven's population, in their own private barracks.
When Vaggie had asked Adam about this; why they were kept separate from every other Winner in Heaven, and not allowed to fraternize with other mortal souls, he just shrugged. He insisted he didn't know. His warriors had always been hand-picked for him by Heaven's elders, and he'd never personally questioned where they came from. He told her to stop worrying about it; questioning the life she had before was pointless, and he needed her to be in tip-top shape for what was to come.
All of that worrying ended when Vaggie fell. Suddenly, her origins were no longer a top priority, and she quickly forgot about it once Charlie welcomed her into her home, and into her bed. It was always in the back of her mind, but it suddenly mattered much less than it had before. There was no longer any need to consider the life she had on Earth, whatever it was; her life was here, and it was now, and Charlie needed her, and that was enough.
That was the case, anyway, until after the battle for the hotel, and Adam's sudden demise. Vaggie hadn't realized at the time, but during all the excitement, she'd lost a lot of blood in that battle. That had all been Lute's doing, and once Vaggie collapsed suddenly in Charlie's arms, Vaggie's next memory is waking up in a hospital bed, with blinding lights and loud electronic noises blaring in her ear.
Standing next to her bedside is Charlie, holding her hand. Also to her surprise, Carmilla is sitting off to one side, near the foot of her bed, clacking away at her laptop like she's just completing another day at work. Combined with the sound of all the beeping and booping from hospital machinery, Vaggie finds she can barely fight off the beginnings of a headache.
"Where am I?" Vaggie asks, and Charlie assures her she's all right.
"You lost a lot of blood, Vags," Charlie admits, grasping on to her hand tighter. "We...we rushed you here, after you collapsed. You desperately needed a blood transfusion, and, well...we thought my dad would be a match, but he wasn't. Carmilla was, though."
Wait. Wait. Hold on. Fucking wait.
"What? What do you mean?" Vaggie responds, trying to sit up. Charlie pushes her down, gently with her hand, before the angel can hurt herself. Carmilla closes the lid of her laptop, standing up slowly, looking at Vaggie with a gaze that might intimidate any other Sinner here in Hell.
Definitely not Vaggie, though. She knows now the arms dealer would never hurt her. She might kick her ass again, but it would all be for the purpose of teaching one of her twisted, secondhand lessons. She's not sure if she's ready for another round of that, just yet.
"What's going on?" Vaggie asks, bringing herself back to the subject at hand. Charlie looks away, still fumbling to give her a straight answer.
"Umm...well...you see..."
"Let me tell her," Carmilla suggests, moving to stand next to Vaggie's bedside. Vaggie hadn't noticed it before, but as Carmilla gets closer, she sees a bandage sticking out near the opening of her sleeve. That must be where they'd hooked her up to draw her blood. The blood that had saved Vaggie's life.
"Carmilla," Vaggie begins, questioning where in Hell this conversation is going.
Carmilla looks down at Vaggie, sighing deeply. Her gaze is longing, almost hurt and forlorn, like she might cry. Carmilla gets choked up at first, stuttering and fumbling for words like Charlie. She finally manages to say, through a clenched jaw, "We need to talk, mija."
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pocket-mirror-theory · 9 months
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2/2 making a deal with the Strange Boy. Even though many might think the girl is Goldia, I believe she's actually Elise, as the bow are never seen as a visual motif of Goldia. Some might question the red shoes that the girl wears are the same pair as the ones worn by Goldia, but I would counter this by saying that the shoes could very well be an inheritance from her mother, as we can see in the LGTS end, Goldia found it in a field which could be where Elise had hid it(for her daughter to find!)
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shepscapades · 5 months
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So I checked tumblr at the coffee shop
(links added to turboputt03’s submission: x | x | x )
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barrenclan · 19 days
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Man I forgot how big hares are. They really are basically the size of cats aren’t they…
Also is it weird that I was so devastated by Cypressfoot’s death and Pinepaw and Hacksaw getting mauled that I burst into laughter when I saw Cupid died? Because for some reason Cupid mcfucking dying was hilarious to me. RIP Rainhaze’s last connection to sanity I guess?????
Also Rainhaze’s smile here reminds me of Midsommar’s ending where Danni loses every part of herself to the cult. Idk that made me grin.
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Ah, maybe I unconsciously pulled from Midsommar, because that's definitely the tone I was going for! It's being thrust so far deep into atrocities and horror that when you're given your escape, it feels so comforting to give into even if it's just another trap.
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ftmtftm · 4 months
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a friend of mine once said "whenever male privilege is brought up about trans men it's always about two points: being paid more and having our ideas listened to, bc those are the easiest things they can create an elaborate what-if scenario around and they can't make an argument for anything else". failproof, glad to see it holds strong
Your friend was so incredibly right and it's really funny because those are also the two most surface level social aspects of Male Privilege as a concept and it makes sense why those specific two come up.
This isn't a fully formed thought, so bear with me for a moment but, it makes sense total sense that trans people who - as a class - are usually economically disadvantaged and left unlistened to, see a demographic (trans men) transition towards a social role that they have been taught from birth is economically safe and provides a platform and they just assume that the economic security and platform must be granted by virtue of identifying with that role.
That isn't the case though because oppressive systems don't give a shit about your personal identity, they care about the labels they place onto you and those labels often misalign with your actual character and identity.
It's people explicitly buying into and believing that the patriarchal ideal of manhood is actually attainable for marginalized men when it's not. It's a cotton ceiling. It's literally radfem "gender and sex is universal and economic status, race, sexuality, and any other marginalizations don't matter because we're talking about gender" type politics that completely fall apart even farther because we are explicitly talking about a marginalized gender minority when we talk about trans men.
Like - there's a lot of reasons why those arguments don't hold up but even just on a base level it misunderands Male Privilege as like... A boon, rather than the horrific workings of centuries of Colonialist, White Supremacist gender hierarchies in practice.
If Male Privilege is treated as though it was a trait inherently afforded to men inherently by virtue of their personal identity, without acknowledging the fact that Patriarchy is a gendered tool of subjugation empowered by White Supremacy - people don't have to confront the racialized, colonialist nature of the gender binary. They don't have to confront the reality that Black Feminists have been arguing in favor of for decades that the liberation of women, especially marginalized women, cannot come without the liberation of the men in their communities because gendered liberation is racial liberation is disability liberation is economic liberation etc. etc. etc.
If it can be asserted that trans men have systemic male privilege then uncomfortable realities about the nature of the system itself don't actually have to be confronted and that's convenient for a lot of people who aren't actually genuinely interested in liberation and are only working in their own self interest.
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