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#any yeah it has existed for many years before october
clarabosswald · 3 months
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it's not really a groundbreaking revelation by any means but it still disappoints and disgusts me to no end - how the last 5 months really shed a light on how much people are openly willing to celebrate and call for the violent deaths of civilians, children, families - while still maintaining that they're morally superior compared to people on the "other side"
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anime-grimmy-art · 5 months
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It’s this time of the year again, folks. Time to wrap up the art Ive made in the last 12 months in another Year in Review! I’ve noticed that this is my fifth Year in Review in a row, so I’ll be making an extra post looking back on the progress in those last 5 years!
I've got a lot to say about this year, but purely art wise, I've gone all when it comes to comics, damn! I've kinda found a format that is messy, and therefore more time efficient, yet still looks good. I even made 2 animatics and lotsa shorts/reels! All that on top of opening coms twice, and, oh yeah, MAKING A WHOLE ASS 4MIN ANIMATION ON MY OWN.
How is my hand still alive.
2023 has been….interesting, to say the least. The first half year I was working on my thesis project, aka making an animated short all on my own (in the art department), which makes it honestly surprising how much I managed to churn out between animating. Trigun rly did have me in a choke hold.
Summer was a bit more spotty, esp. with me not being able to draw anything during August as I was writing my thesis (and doing commissions). And towards the end of the year, Kingdom Hearts tried to save me, but alas, Genshin Impact has finally sunk its teeth into me and dragged me to the bottom of the rabbit hole. It all started with me watching a story summary and lore videos while I was sick after my thesis and I was too intrigued to not dig deeper and well, first I fell in love with Kaeya and then the ships started dropping in left and right.
I’m not gonna lie, the last few months have been weird. I finished my masters in October, and have been on job hunt since, sadly without success so far. I’m existing in this weird limbo of still not grasping I’m not a student anymore after 18 years in education, not really being able to accept I’m an adult, yet desperately trying to find something so I can make a routine, cos rn Im too scared to build a rhythm as I know I’ll have a so much harder time readjusting again. It’s left me in a weird emotional state, where most of the time I feel fine, but when it counts, there’s just, nothing. No joy at getting my diploma, no anticipation to finally go to a convention again, neither any sadness hearing my grandfather died. It frustrates me that it extends to my art as well, there’s excitement over ideas and concepts, but no motivation to pick up the pencil, which makes me either not finish art at all or making so many shortcuts and just ending up with sth not satisfactory to me since it’s not the idea I sought after.
Tho, not everything is doom and gloom. I DID finish a whole ass short animation and got my masters degree, that IS sth to be proud of. Also, while Im struggling at drawing, I’ve also kinda started integrating my shortcuts into my style and some stuff I’ve thrown together actually turns out real good nowadays. Also, and this might be a bit of a weird one, I’m so fucking happy to know I can still enjoy gay ships. I’ve been a bit uncertain over the last few years because when I was around 16-18, I had a real big yaoi phase, which mostly came from the fact so much stuff came out that tickled my brain in the right way (Free, Haikyuu, etc.). But over the years, my enthusiasm died down, and I even started to resent some ships because it’s all some fandoms produced. I often found myself liking a hetero ship more than the popular gay ship, which really made me not wanna stick around because I did not care for most fanart and you can only go through a tag with art you don’t care about so long before you lose interest. I think in retrospect that it rly had nothing to do with the ships being gay ships but rather cos the fans just shoved it in your face when you didn’t care (and shipping culture nowadays also can get real scary). But I’m so happy to see I can still get obsessed with a ship and it’s all thanks to Haikaveh/Kavetham. It really just needed the right flavour for me to dig in again. And oh my god, I FINALLY like a ship with a SHIT TON of art and fanfictions, no more scrounging the crumbs from the bottom of the barrel. 
Anyways, enough lamenting. Here’s to hoping I can bite my tongue and get shit started properly in 2024, and that my brainrots may make me obsessed enough to churn out an obscene amount of fanart again.
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jmdbjk · 8 months
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Tumblr anniversary
It's been TWO years since I chose to take up residence here on this hellsite/app.
Last year, when I posted about my Tumblr anniversary, Jungkook had just dropped his thirst trap birthday greeting to Jimin. And Yet to Come Busan had not happened yet. No one was enlisted yet. We had no idea that we were about to have our hearts ripped out by Jin's enlistment announcement.
My, what innocent babes we were.
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So much has happened since last October other than the afore mentioned Yet to Come Busan concert and Jin's enlistment announcement.
We watched the members emotional sendoff to Jin in December. We watched them do it again for Hobi in April. We didn't see but we know Yoongi has begun his service. We don't need to see it. We are pretty certain within the next two months we will be sending another 2 or 3 or maybe even the rest of them off to do theirs as well.
We got The Astronaut, Dreamers, Indigo, a Christmas song from Tae, Vibe, Face, D-Day (and a tour and I saw Yoongi!!), Angel Pt. 1 & 2, The Planet, another version of Jack-in-the-Box, Take Two, Seven, Layover, 3D and we anxiously anticipate Golden. What am I missing? More collabs that Namjoon did with others. We got so much music I can't remember it all.
We've seen the clothing come off of every member. Some more than others. But still. Chapter Two is not about taking their shirts off, as Tae said...yeah, whatever Tae... it is about transitioning to a more mature image including taking control of their professional and personal images, their bodies, their autonomy, their maturity and sexuality. And boy howdy...
We got a very complex and far-reaching BTS 10th Anniversary Festa celebration that took place across the world.
We got Kook Cooks, Flying Yoga, Wootteo, Suchwita, Namjoon on Big Brains and Many of them Sitting at the Same Table Talking (or whatever the name of that show was), Dior Jimin, Tiffany Jimin, Calvin Klein Jungkook, Valentino and NBA Yoongi, Louis Vuitton Hobi, Bottega Veneta Namjoon, Cartier and Celine Taehyung, dance challenges.
We inadvertently got Jungkook's TikTok through his own error and now we are pretty sure the other members INCLUDING JIMIN are lurking on all the soc med platforms.
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We got so much Jungkook being himself. And we watched him go from being fine with his couch potato cushion existence to being Mr. World Traveler who can't stay in one place for more than a few days before he's off again to who knows where and adding to Jimin's list of things to fret over.
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We got a nice quantity of sweet quality interaction of Jimin and Tae just yesterday. This healed me.
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We have heard over and over how each member is anxiously excited to get back and hurry up and show us they still have it.
There has not been any lack of things to talk about. There has not been any lack of controversy. We've seen things we probably weren't meant to see and we've seen things that are dubious as to their authenticity and things that were obviously made for us to see.
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Like one of those of flying bird flock murmurations, the fandom is shifting and changing, spreading out and coalescing and doing all this repeatedly as we navigate this period of time before they get back together in 2025.
I hope we don't run off the rails this next year and that we all can find some common ground so we can stand together at the threshold of 2025 in anticipation of their comeback.
And sooooo many more of you have chosen to follow my weird ramblings, rantings and odd posts. Thank you for taking time to give my blog any consideration.
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charcoalhawk · 4 months
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The haunting of Masters’ Mansion
This is a backup truce gift for @shadowofaghost5 , hope to bring you some (very) belated Christmas cheer!
Prompt: Vlad & Danny bonding (by annoying each other? did they have to work together for something and accidentally started enjoying it? is Vlad being nice for once and teaching Danny stuff? How they bond is entirely up to you!)
Warnings: none
“-and Frankie said I could stay with them and their partner for the holidays. I think we may go to one of our other friends' houses on Christmas Day, but that’s still up in the air pending how many of his family is coming home.”
“That’s awesome Jazz”, Danny smiles at his sister over FaceTime, “so I’ll see you probably during spring break? Assuming no, uh, pit stops?”
“Yeah, spring break. And no Danny, no pit stops. Enjoy your last semester and your extracurriculars, we can call and text as much as you need.”
“I don’t know, if the house is still being fumigated after the new year I may just have to hide in your dorm for a few days just to get some sleep.”
Apparently using unstable ectoplasm for years and building much of their own home had caused the building not to be strictly up to code, and while they’re not having to rebuild any existing structures, the city had insisted on doing a through investigation, and then announced that the house would need to be thoroughly fumigated for at least a month, amongst other problems.
They’d been able to book a hotel for the first few nights, but as it grew closer to Christmas his parents had been informed they would need to find other lodgings as their rooms had already been booked starting the next two days all the way through the new year.
Luckily a family friend was willing to host them over the holidays, as after a frantic search it seemed like most hotels had already been bought out or were charging truly outrageous prices for the holidays.
Unluckily for Danny his parents insisted he stay with them for the Holidays, even after both Tucker and Sam had promised that either of their parents wouldn’t mind hosting Danny for a few weeks.
So they had shuffled themselves into the Fenton RV, suitcases and presents pressing into Danny from every angle from where they’re all crammed indiscriminately.
It has only taken an hour for his parents to restart the argument they had put on hold last night. At this point after almost eighteen years Danny thought he could recite both sides of his parents "is Santa real" argument from memory. Danny knows he had been lucky before that his parents had only had small arguments since Mariah Carey had started haunting every radio station since October.
“You know mom and dad just wanted one more Christmas with you before you go off to college.”
“I know.” He chances a glance at the front of the RV where even now his parents are in furious debate, “but knowing them they’re just going to spend the whole time arguing or trying to make me pick a side.”
Jazz tries to smile on video call, but they’re far enough out in the countryside that his phone’s connection is getting really spotty.
“I know. I tried when I called them last week to get them to understand how doing this was only going to drive you away” Danny can’t help but scrunch his nose in distaste, “don’t look at me like that Danny, you’re almost an adult. We can have these kinds of conversations, but I don’t think it quite stuck like I wanted it to.”
Jazz gives him a sympathetic look before her picture abruptly flips, and now Danny is staring at a slightly worse for wear Bearbert Einstein. Jazz waives one of his arms and puts on her most obnoxious, silly voice.
“But both me and Jazz want to wish you a very good new year,” her hand shifts so it seems Bearbert is nodding his head, “and Jazz would like to kindly request that you don’t try and murder Vlad unless he tries to get you first!”
Danny chokes on a laugh as the camera switches back to Jazz’s now beaming smile, and soon they’re saying their goodbyes as Jazz rushes to finish packing.
Once the call ends and the low arguing of his parents is now the only sound in the RV, Danny allows himself to scowl.
That was the other unfortunate thing, turns out they would be staring with Vlad over the holidays.
The only thing worse than Christmas time, and trust him there is not much worse than the Fenton’s at Christmas, is having to share that time with Uncle Vlad.
Danny can see his future now, Vlad will take his mom’s side, which in turn will make his dad turn to him.
The only silver lining in all this, and trust him it is a very slim silver lining, is that over the past four years he and Vlad have a more steady truce in place and neither goes out of his way to intentionally maim or attack the other.
When they finally pull up to Vlad’s gaudy home, nothing immediately strikes Danny as out of place, but he notices that his parents seem unnerved about something and that immediately sets him on edge.
As they all clamor out of the RV his ghost sense tells him Vlad is lurking nearby. No one exits to help them get their bags but the door swings open dramatically before his dad can start pounding on the door.
“Jack! Glad to see that you are well.” Vlad places a very reluctant hand on his Dad’s shoulder, which is all the prompting Dad needs to sweep Vlad into a truly impressive bear hug.
Vlad’s smile is carefully pinned in place, as he allows the extended contact with Jack before sweeping down to RV, likely to offer to carry his mom’s bags.
“Madeline! How good to see you!” His mom carefully steps out of Vlad’s way while keeping her own smile carefully on.
“It’s good to see you too Vlad, we really can’t thank you enough for agreeing to host us on such short notice.”
He and Vlad share a careful nod as Dad leads them all into the foyer, and Danny can only hope with such a big house it can actually allow him some peace and quiet.
“Yeah V-man, thanks for letting us stay here while the house is being checked out. But I gotta say Vladdie,” his dad gestures around the opulent foyer, “where’s all your Christmas stuff?”
His mom takes a careful look around and her eyes widen as she realizes what her husband says is true.
“Oh now that you mentioned it dear, it is odd,” she turns more fully towards Vlad, genuine interest in her tone and not the carefully cultivated fake interest Danny knows she holds whenever he’s seen her interact with Vlad in recent years.
“While Santa Claus obviously isn’t real, the story of Saint Nick should still be celebrated, and of course a chance to give gifts to our loved ones.”
His parents share a glare, but it’s clear they’re too shaken by Vlad’s lack of decorations to devolve back into spirited debate.
“We can take the RV into town right now!” His Dad makes an abrupt about face and starts tugging Vlad along with him, “bet they still have some real trees for sale, only real way to celebrate is with a real tree!”
“Oh good idea Jack! Vlad can show us where he stores his other decor and while you two are gone Danny and I can set up the lights.”
“Oh nonsense, we should all get the tree together!”
“I guess you're right Jack, that is a very important Christmas tradition. Then do you know where the nearest tree farm is Vlad? I’m sure we could find one but I’m sure you have your preferences.”
Vlad starts to look increasingly uncomfortable as his parents gang up on him.
“C’mon Vladdie! If we leave now we should still have time to set up the Christmas tree!”
Just as his Dad is about to pull Vlad past the threshold of the house, Vlad seems to snap out of his stupor and easily shakes off his Dad’s hand, backing up further into the house like he thinks Dad will lunge at him to pull him into the RV.
“That won’t be necessary. While I wouldn’t begrudge your family its traditions, I have no interest in spending multiple hours putting up frivolous decorations that are only going to live in boxes most of the year.”
“Oh bah, I’ve seen you spend weeks decorating this place for whenever the Packers play!”
“I don’t care, I don’t celebrate Christmas.”
It feels like the entire house freezes.
“I don’t have any particularly strong feelings around winter and Christmas time, and so to me they are just another few weeks of the year. I only even remember them because every store and TV station is decorated in red and green from November until the new year.”
It’s silly, but Danny had never realized that you could just, do that. He knows Sam and her family celebrate Hanukkah, hell even ghosts have the Truce, but he’d kinda been under the impression that everyone did something for the winter holidays.
The next few minutes are filled with his parents arguing the joys of Christmas time, while Vlad seems to grow increasingly more bored as the minutes tick by.
At some point his parents seem to realize they won’t get through to Vlad by simply arguing their case, so his Dad declares they will go out and vows that by the time they leave Vlad will be filled with the Christmas spirit.
With the slam of the RV door his parents are gone, leaving Danny and Vlad standing awkwardly in the now empty foyer.
“Well, that was a waste of my time.”
As the shadow of the RV disappears around the corner, Danny suddenly has an idea.
“Ok frootloop I’ve got a deal for you.” Vlad raises a single brow, at least he’s curious. “Neither of us wants this place to become infested with Christmas, so we work together and make my Mom and Dad think your house is haunted by some Christmas hating spectr, and then they’ll be so focused on hunting down the ghost they won’t have time to bother either of us.”
“Are you suggesting we make up a ghost to haunt your parents Daniel? My, that’s something I would usually think of.”
“Oh don’t give yourself that much credit. I’ve already been basically haunting my parents for the last four years.”
As so, an alliance is born.
The next two weeks Danny finds out he and Vlad make a startlingly efficient pair at tracking down and vanishing any extra Christmas decor his parents try to smuggle in the house.
Danny knows his parents have kept all their presents in the RV for fear of this new ‘Christmas ghoul’ stealing them, and honestly Danny is having the time of his life. His parents are united for once in their Christmas opinions, and they’re so busy trying to hunt this imaginary ghost that they forget to try and get Danny on either of their sides.
Christmas Day still passes in a flurry of activity, but this year it’s his parents camping out by the chimney all night waiting for a ghost, or Santa, to come sneaking into the house. They end up sleeping most of the next day, and by the time new year hits Danny hasn’t heard his parents argue about Santa being real in almost a week.
And if his friends ever question the morality of the situation Vlad is such an easy target he won’t even deny it.
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burntheedges · 17 days
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Thought I'd randomly give a friendship bracelet to someone on the Scout list (to be fair since I know many of you in passing) and my finger landed on your username. :)
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I'm always curious about how people entered the fandom - so I'm curious to know how you did?
(I tend to get long winded when I explain my origin so don't be afraid of being detailed)
hi!! thank you 🧡🥰 I love it!
I'm kind of excited to answer! ok here come the details. I've been in fandom in general for what feels like forever -- I started reading fic when I was like 11 or 12 and discovered ffnet (I turn 37 this month). I hopped from there to livejournal to various individual ship sites (we used to do it that way before ao3, for anyone who doesn't remember) to like, yahoo groups, and back to ffnet.
Then I got a tumblr in ... 2010ish? Not this account, I created this one last October so I could be more involved in this fandom and post fics. So my other one has been around forever (yeah I was here for dashcon and everything else lmao), and I was a fan in many fandoms, but I was never a creator. I think my post with the most notes was from when I watched Hannibal and liveblogged about it (I wasn't in the Hannibal fandom, before anyone asks). I was pretty active on tumblr until the end of 2018, less active until 2022, and then I came back in a sort of chill way. I wasn't posting much, just reblogging and scrolling.
On the fic side, I got an ao3 account in 2012 after reading without an account for like a year (RIP to all those bookmarks that never were). I've been reading fic daily for like, most of my life at this point, but ao3 changed the game in such a huge way. It's weird to think back to what life was like before ao3! (as of today I have 9235 bookmarks on ao3)
Then in spring 2023 I discovered that the Pedro fandom existed. Honestly I'm sad I didn't know about it before, I feel like it would have helped me through 2020 and 2021 if I did. I read my first ever x reader fic (rough day) and then went looking for the author on tumblr. (I will admit I had a bias against x reader before I tried it myself. I think that's not abnormal for those of us who came from fandoms that didn't have it.) Then I discovered people on tumblr and discord were talking about all of the things I wanted to talk about with Din, Joel, and Pedro (Din and Joel were my entry to this fandom, despite my first fav Pedro character being Oberyn). I read some Din and Joel fics, realized how much I liked all of this, and then couldn't get the idea for Over Again out of my head. I started writing it in my notes app last April and created a side blog when I started posting it. Then in October I turned this into a full blog instead, so I could reply and interact as much as possible! (the side blog is still attached to my old blog and I use it as the updates blog now - @burntheedges-updates)
Having been in so many fandoms previously, I love that this one is sort of unique in how we follow one actor's characters rather than stick to one piece of media (or a universe). I've honestly never seen anything like it, but it's easily my favorite fandom that I've been in. It's also the first time I've written any fic at all since I was like 15.
I almost listed all of the fandoms I've ever followed/been in on tumblr but decided not to. lol I can if anyone wants to know! thank you for asking and letting me ramble. 🧡
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thirdmagic · 7 months
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ah, yes... i dont know if it is people we share on our following list and I am not even sure if i was mutuals with them or if they unfollowed at some point before this but there were a few people, from fate fandom, people that i at least have been following for years and years, who put some stuff on my dash on the day of october 7th that. well. i jumped ship pretty much instantly because it sure was something to see after being woken by sirens and spending most of my day running between my apartment door and the bomb shelter and then seeing what was happening on the news. but yeah i havent seen a lot of it, like two-three people but i also know just enough of tumblr fate fandom to know how insular it is that i can pretty much extrapolate what must be going on in other blogs and what you must have seen. so i clearly ran away right on time lol
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i don't even know if they've even forgotten some of these parts so much as they never learned about them or never knew. or maybe they haven't forgotten but need their specific easy narrative and to project their own familiar political issues on it so badly that they willingly remain ignorant. i also think there's just such an issue where the only antisemitism that registers as such in many people's minds really is just the shoah and the idea of a jew as a tragic victim of the shoah is the only one they can work with, so they just compartmentalize that from any kind of currently living, breathing, existing jewish person who is not so easily perfect-victim-ized.
but honestly, i think none of us here realized how bad it was too. i had a feeling something like this would happen one day eventually inevitably but it seemed to me like the next moment of devastation had to be way more far off and also that people would obviously do at least the bare minimum of caring and acknowledging that it's bad that it happened and to at least be a little compassionate because that's normal to expect, right. again, not a high bar, surely, right. and well. you know how that worked out.
and to you both: thank you for your kind words and your compassion and understanding. i am pretty much as safe as i can be, there has been rockets and attacks in the areas around where i live and smaller individual instances within it but nowhere near the scale of what's been going on elsewhere. emotionally i've had a few very rough days and very, very low points this past week, i won't lie, especially since i've spent the first week just kinda absorbed in following the news, but i'm doing much better than i used to and figuring out ways to deal with it and to cope, i've had a lot of people willing to listen and talk to, and i managed to find community in several different places to bond around this and work through it together
and you know for all the awfulness and all the ways people have been horrible about it online and elsewhere there's also been a lot of goodness, many, many people reached out to me personally in support, and i treasure and appreciate every single bit and every single effort you can make. and honestly it's especially valuable coming from gentiles and in general everyone who isnt affected or involved, i understand the risk it carries for you all to go against the grain and how much easier it would be to just go long with the narrative that refuses to listen and understand. so again, thank you. this stuff kinda helps me get through the day, even if it's just thoughts, words, or reblogs, it is still valuable to me and others.
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jumpinginmuddypuddles · 8 months
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heyyy whats up sunnyyyy
this is a pretty neat concept, maybe there’s one for artists too!
no idea if any of these have been asked before, but could i get 4, 25 and 35?
hi hobs im doin alright on this chilly october morning
4. Are there any writers that inspire you?
is it possible for me to say every single one to ever exist? in terms of fandom, there are definitely writers that are absolute weapons when it comes to gut-wrenching beautifully-made stuff that i worship (maybe i need to make a fic rec list or a collection or something idk) but in terms of actual published authors, i adore madelline miller's prose, it's just so beautifully written and makes me sob and scream and cry every time. i also love donna tartt's prose and also her characters and how deep and subtle some of the nuances in her novels are. i also love love love kazuo ishuguro and philip k dick for both their science-fiction works that manage to be so funny and so heartbreaking all at once, as well as their masterful dialogue. so yeah, i've got quite a few inspirations, but whether i actually manage to emmulate any of the gorgeous stuff they have written is TBD.
25. Have you ever daydreamed about side adventures/spin-offs from your fic? Tell us about them!
Literally ALL THE TIME. As its you hobs, my lovely mutual, I'll tell you about that hermitcraft fic and it's worldbuilding that i had planned. Before my muse was ripped from me and I fell out of touch with hermitcraft, I had visions of creating loads of off-shooting oneshots and works that explore all the different members and their backstories, and how they managed to end up in the main timeline in that au. it included a prequel of how mumbo and grian met and slowly gained each other's trust - it was agonisingly sad I will let you know now. I still have that stuff half-written because I am too attached to it but I am unlikely to ever go back to it and expand on that beautiful, tragic little world
35. Ramble about any fic-related thing you want!
It's a topic that's been spoken about so so much in recent years, but I just love how fanfiction, especially sites like ao3, are perfect symbols of how communism could and would work in our modern society. because authors do not get paid for their troubles, for their back ache and eye strain and hours hunched over a screen trying to figure out just the right words. we receive little-to-no praise most of the time, especially in smaller fandoms. so in theory, it shouldn't work. writers shouldn't post things onto platforms like ao3 and ff.net if, by capitalist standards, our labour is not being paid for. surely if it was simply a hobby, we could just write and keep it to ourselves? but because of the little communities people have built online, and the fandoms that have grown tight and strong, there is a really amazing band of people that group together to write fanfiction just because they love to do it, regardless of the time and effort taken, and want to show their creations to the world. this is especially true on ao3, which is non-proft, and is run by the people for the people. maybe that's why it receives so much goddamn funding every single time it needs it. (what a beautiful thought) sorry that last bit got super sappy, i just think it's super neat! Equally, I do think some people on ao3 need to relearn politeness and ettiquette. so many times i've had people either trauma-dumping without warrant in my comments or just rudely demanding the next chapter?? like? i am a person with work and school and a life, i cannot sit by a computer and pump out chapter after chapter for the rest of my life. it's insane and I think more people need to talk about it. I've been thinking about putting a blanket disclaimer in my notes about doing stuff like that because it sometimes has gotten so bad.
thanks so much for the questions! this turned into an entire essay lmao
check out the 36 questions for writers here
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kellyvela · 2 years
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is their any possibility of romantic jonrice happening?
As I said the other day, before S7 I never saw them as a future/eventual romantic couple. If I have some doubts, they come from the show only.
But even in the show, many viewers have made their cases for the romance to be a show invention, and their takes are very convincing.
For me show jonerice (the only one that exists) was Jon/Ygritte 2.0 (see here & here), and that will never be a good omen. D&D copied a lot from Jon/Ygritte scenes and repeated them for jonerice. But they also copied from other canon couples. For example, boat sex is more from Theon and the captain’s daughter (power imbalance/notcon) than from Sam and Gilly; the drawings in the caves at Dragonstone from Arianne Martell and Daemon Sand TWOW scene. So yeah show jonerice was really all made up by D&D taking things from here and there.
Also, take a look at how D&D and Kit Harington described jonerice romance:
Weiss: I think he [Jon] sees a rich girl with a fancy name sitting in a big chair with a fancy dress on, proclaiming herself queen of the world. So I don’t think he’s looking upon her with as much respect as she has come to take as her due.
She looks at him, and she thinks this is some unwashed barbarian from the north and a bastard. He’s name is Jon Snow yet he’s calling himself king.
(…) She only seems somebody who’s trying to carve up her piece of her kingdom for himself (…)
—Game of Thrones: Season 7 Episode 3: Inside the Episode (HBO)
It’s a meeting that showrunners David Benioff and Dan Weiss have been excited to unveil for years. “It was really fun to watch that scene and I thought they did a great job,” Benioff says. “There isn’t instant chemistry. He’s annoying and she’s annoying and they have to figure out how to make peace.”
—Game of Thrones stars discuss their first on-screen meeting (Entertainment Weekly)
DAVID BENIOFF: That scene wasn’t so much about instant chemistry, it’s about two monarchs coming together and the conflict between them. So it’s fun that there wasn’t chemistry. He’s annoying and she’s annoying, and somehow we’ve got to try and make peace.
—Fire Cannot Kill a Dragon: Game of Thrones and the Official Untold Story of the Epic Series by James Hibberd - October 6, 2020
D&D presented jonerice as the cliche "boy meets girl, they hate each other at first, but they are going to end together." And this is a thing that GRRM really hates and he would never do, because it's boring an predictable:
I love historical fiction, I also love History, I read a lot of popular History, and the one problem that I have when I read historical fiction is that I know how it’s going to come out, I know the ending. When I read about the Wars of the Roses, which has been one of the inspirations on it, I know what’s going to happen to those two princes in the tower, I know who’s going to win the Battle of Towton, who’s going to win the Battle of Bosworth field. I don’t want my readers to know how it’s going to come out, I like the freedom of being able to draw on History and use it as a building block, but to rearrange it and to change it, and to produce something that’s unpredictable, because ever since I was a small child and first watching television or reading books and going to the movies, I’ve always hated predictable ones, that the movie or the book that you read the first chapter and you know exactly how it’s going to come out. Here’s the hero and here’s the heroine, they hate each other right now but at the end they will be together; here’s the villain, he’s going to die before the end even though he seems everything, it’s all very neat and it’s all very boring, books like that bore me, I don’t want my books to be boring, I want to keep the reader on an edge, I want to keep the reader saying: Who’s going to win this battle? Who’s gonna be the king when this is all over? That to me is much more interesting, so I try to combine the best of historical fiction and the best of History, drawn on the great incidents there but make them my own.
—“Interview exclusive de George R R Martin, l'auteur de Game Of Thrones” de -Le Mouv’- 2014
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cashthecomposer · 1 year
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Congratulations on the musical and good luck with the production! How much work was it? What was your previous hardest thing you've made?
Thank you! It's been years in the making, I'm excited to finally be at the finish line. Explaining how much work it is is kind of tough, because there's different levels to the answer. And the second question, well, we'll get to that.
I started a stopwatch when I started writing back in May, running it only while I was actively writing, and stopping when I finished the first draft of the words and music. That was just over 1,000 hours, almost to the minute. Since then, I haven't kept a stopwatch, but I've kept working, on things like reorchestration, formatting, bowings and suggested fingerings for difficult passages (like nearly a page worth of harmonics and artificial harmonics), not to mention logistical things like coordination with the director, recruiting actors (which involved a lot more rice than you'd think), and practicing my part since I'm playing Mary in the workshops.
However, the idea has existed for about 7 years. Just before the 200th anniversary of Frankenstein in 2016, my dad had this idea for a musical. I have done research sporadically over the years, written lines (the opening line of the 11 o'clock number was the first thing I wrote for the whole show, back in October of 2015), etc. My research file is about 120 pages of my writing, plus excerpts from about 20 different published works by about a dozen different authors.
I couldn't have done any of this without my training, though. I started composing back in 2000, before I even finished kindergarten. I used to write down melodies during naptime. I started actually writing full pieces in high school (often during computer programming class), in about 2009 I want to say. I didn't have formal instruction in composition until 2013, when I went to the Brevard Music Institute for it, studying with Robert Aldridge and David Dzubay. I then earned a Bachelor's of Music in Composition at Converse College, where I studied primarily with Dr Scott Robbins, in 2017.
I started studying music in general with the violin when I was 2 years old, with the Suzuki method. I started studying under the Galamian method in about 2008, and continued that through college, with either teachers trained by teachers trained by Galamian, or with first generation Galamian students like the wonderful Sarah Johnson, who taught me while I was at Converse. She was actually one of the big reasons I went there. I then returned home and ended up pursuing my graduate studies under the tutelage of primarily Lee Chin Siow and secondarily Yuriy Bekker, finishing during the pandemic, culminating in a solo recital consisting of Bach, Paganini, and Ysaye.
I first played in a pit orchestra for Singing in the Rain, in 2013. I have since played in I don't even know how many productions of both musical theatre and opera, at every level (amateur, community, college, and professional) and I can't help but blur the lines between the two. Honestly, playing in the pit gave me more awareness and experience than you could possibly imagine, that translated a lot to my composition of the show.
Sorry for such a long answer to your first question. Now the second!
Quantifying 'hardest' is, in a word, relative. I would say that the hardest thing I ever did objectively speaking was either learn to jump rope (it took little disabled 4 year old me a year of daily practice to learn), or to play twinkle (I was 2 when I started, it took me almost 2 years). But in retrospect, both of those things seem laughably trivial now.
Actually, every answer I could give seems laughably trivial now. College was fine, even my math degree, grad school was hard but I did it. Yeah I got kicked out of high school (that's a whole thing) but I was enrolled in a new school in a week and graduated with honors. I've written musicals before, but they fizzled into nothingness. I've learned pieces that were hard while I was learning them, but now they're in my back pocket.
This musical is just a whole new level for me. I wrote it after two things happened: one externally, and one internally. I suffered a great trauma that will impact my life for its paltry remainder, and in surviving that, I had a moment of clarity, or maturity, or something along those lines. I realized I was finally ready to write this, my magnum opus.
I didn't just write a musical. I wrote a musical while rebuilding my body, rebuilding my mind, and rebuilding my life. I'm still not whole. I may never be whole. I'm waiting on a settlement that, let's be honest, won't help fill the void no matter how much it is. My vision is permanently bad now, my concussion has left permanent marks on my brain in a very physical sense, I'm still in physical therapy, I struggle to eat solid foods because of the pain, I may never ride a bike again, etc.
So 'hardest' is a really, really high bar for me. Nothing in my life in the past seems nearly as difficult. The most difficult piece I ever learned is either Ysaye 2, Shosty violin concerto, or Paganini concerto 1, but all of those feel easy now that I know them. I have written three major musical projects before that involved musical theatre, but again, none of them were of this magnitude and they will never see the light of day. I've written drafts of books that will never be read, symphonies that will never be heard, painted portraits that will live in my attic until I die. Wow I have a lot of free time.
I'm sure that once this musical is done and I'm on to my next, my perception will change again. But for now, there's no comparison.
Thank you for the chance for introspection. I really appreciate it, you made me think!
Cash
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sizzlingpatrolfox · 2 years
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I agree with you about the second chapter.
Before the pandemic we were used to periods berween albums when they gave us non-music related content then they would announce the album, then the promo, album release and repeat. It was more structered and worked really well in balancing things by feeding the fandom content not too much or too little, letting us breathe, earn some money and starve us for new music.
Now it’s all a mess. A hiatus announced in the middle of a cb which might have been a good thing because the 3 songs weren’t good. Then all the content they dropped next which felt rushed and too much and overlapped with Hobi’s solo which in my opinion shouldn’t happen to any member and then silance. Nothing that intresting is going on besides some mediocre collabs.
And now looking back I really don’t understand why they rushed Hobi’s album like that?! I thought after the short promo they were going to announce Rm’s based on how they moved, but no. It’s a filer period. At least Jimin’s coming live.
Ps: I too was thinking today actually that this taennie scandal is the most interesting thing about these two. Lmao
+ (different anon):
Wait but they did want a break. They said they were burnt out. Their only problem is that media was representing hiatus as a very final thing. Busan is clearly about that last-ditch effort at getting exemption. You being bored doesn't mean this isn't exactly the breathing space they needed to do boring-ass things like date / be blackmailed for months by a psycho for dating.
---
Yeah, well... the media did that because the media knows what "hiatus" means for boybands. There aren't many executives and all that expecting them to ever comeback as BTS. And that's the thing, if they didn't say anything nobody would've noticed anything different because this is the literally the way things have been happening for a couple of years: run had stopped already, bangtanbombs were almost non-existent already, they would have a few schedules here and there, then nothing for the most part of the year, and then at the end of the year two weeks full of schedules and activities every day and that was it. They could've kept going without saying anything and just ease everyone into it, kind of? Members were already getting separate solo schedules, too. Jungkook, Taehyung travelling overseas alone, Yoongi and PSY. Like I've said, waiting until the end of the year with members enlisting would've been the perfect excuse and media wouldn't have panicked either, because everyone knows military service is something they can't avoid. It would've been a perfectly reasonable and not suspicious at all excuse for a "hiatus".
It's great that they announced it, I like when things are clear and there's no gray areas, but I'm still questioning the timing of it all. To do it alongside an album release, to not release new albums at all for three years, to not even do festa or muster. Proof was actually treated more like a funeral than a celebration of years.
I agree that they wanted time for themselves, I'm actually 1000% sure of that and I know I've said it before in some post, but it seems to me that they would've still gotten that. Because nothing seems to be different from how BTS has been since after dynamite. They had a 4 month break at the beggining of the year. All about proof was done in October 2021. They could've even announced the hiatus at the end of last year and then sell Las Vegas concerts as a "farewell for now" show, but they just ended it in cold blood.
So, it's like.. I understand that they were burned out, even the in-relationships of the group on camera were kind of fucked up, or at least it seemed to me in comparison to years before, like a lot of things had lost sincerity. They needed a break, I know that and it's a good thing because I know a lot of people who felt like they were pushing a lot of stuff that made fans uncomfortable and were weird. I think they all lost a lot of what made them their own persons in the past two years. More than they lost in all of 10 years. The detriment to their personalities was exponential. But it's the timing of it all, like I've said enlistment would've been a perfect excuse.
I know we're all beating a dead horse here, but another thing about burning out, it's about the way their schedules have been managed since 2020. It was inactivity all through 2020 until July?? and then they worked nonstop for four months or so until the end of the year. I remember it was Jungkook, I think, who said dynamite promo was really hard. This year too, a long break, inactivity, then 4 days of recording music shows nonstop. Of course this is the company's fault, they manage their schedules, but you see where I'm going? Burn out can be avoided. Why not film two music shows per week, or even just one. Does it really need to be four days of not sleeping?
Hoseok's album promo, maybe that was his choice. Maybe he wanted to do little for it. Maybe he was also thinking about the burn out and not wanting to do 938384 activities in two weeks, which it's a great decision. Perhaps he'll do promo for a bit with Crush now and he'll keep being active this way, little by little.
Namjoon said his album is almost ready but it still doesn't have a release date, and it's companies who choose release dates, like why is there no plan that's basically it. It's okay if JK or Jimin take more time because they've never done an album before.
There's nothing wrong with saying it's boring, it's not an insult. Probably army's biggest flaw is taking everything so personal and getting defensive about anything. I'll survive, they'll survive.
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anthropwashere · 3 months
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Got tagged by @ladyyatexel last October so that should really tell y'all where I'm at on replies for like, 99% of anything you want me to see. Sorry not sorry. I'm not trying my best even remotely but boy, I'm trying.
ANYWAY.
Last song: part of a frankly enormous playlist of an FMA AU I've kind've touched on over on AO3, but that version is frankly very different compared to where the current reluctant brainworms want to take this one. Either way we have this:
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We also have the entire Puscifer remix album of Money $hot Your Re-Load which I'm fucking ADDICTED to at the moment, please treat yourself to The Vibes of some fantastic fucking remixes
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Currently watching: Brainworm hell means I can't commit to any proper series more than like. 3 times a year? So right now I'm splitting my viewership between rewatching literally all of Game Grumps' 10 Minute Power Hours for like, the 15th time each vid just for the giggles and random actually intelligent YT essays by people I already follow.
Look man, if their voices are nice or they make me laugh, that's about as much as I can appreciate currently. I want to rewatch Good Omens again and I'm probably going to commit to that this week if that's anything?
At this very particular moment I stopped watching Caffeinated Dad's playthrough/summary of FFXIV to make this post, and he's amusing enough to plug
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(If you don't FFXIV his summary vids are an excellent newbie catchall/breakdown. He's still a newbie himself and it's very cool to see his reactions to decade-plus old content considering what I, a 90% caught up player, knows. Oh the storm coming his way! :DDDD)
Current Obsession: BOY this one is in a weird place? Gimme a minute to lay this one out.
So like, I'm literally 6 years into having New Daily Persistent Headache and Fibromyalgia/probably Sjogren's Syndrome, which basically means I've had some flavor of migraine 24/7 since Feb 27 2018. My capacity to do like, literally any kind of creativity has goddamn motherfucking shitkicking cuntscruggling TANKED over the last several years. I am, mentally speaking, not doing great!
So instead of writing I spend a lot of time thinking of Very Silly AUs of writings I might, one day, maybe, attempt to commit to. The stories I spend many hours huddled in the dark thinking about are stories so displaced from any kind of canon there's really no point in trying to write them down and share with all of y'all. They're for me as a distraction from how much pain I'm in so many hours of every single goddamn shitkicking day of my life. More specifically, migraine hell is quelled at least a little bit by very silly Time Travel AUs of Bad Times Happen To Your Faves AUs.
So this week I'm thinking about an AU where Edward Elric loses his right arm again for keepsies years post-canon, adopts a kid OC, realizes that the way he defeated Pride accidentally turned him into a homunculus comparable to Bradley, and decades later finds himself temporally flung right back into the shittiest time of his life (AKA the canon timeline).
Is this any kind of fic worth writing? Not really, not without like, at LEAST 300k worth of pretense. In my hunchbacked hating life and physical sensations day-to-day life however? Yeah, yeah, it's funny. It's silly and pointless and poignant and distracts me by thinking of ways how an older Ed could manipulate canon events (or at the very least convey them to canon versions of everyone before the canon shit can hit hit the canon fan). It's all Very Funny and Interesting to me. Will I ever write it? Absolutely not. Will it live rent-free in my brain for years to come? Oh, abso-fuckin'-lutely. Time Travel AUs of Wild AUs I'll Never Commit To Publically are the bread and butter of my brain's capacity to tolerate like, existence, at this point in my life.
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mikey-philp · 1 year
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I went up to the Michigan peninsula, just like you'd always wanted. The forests were quiet at that time of year - October, with the first flakes of snow due any day. Your parents' cabin was warm as I watched the squirrels line their hollows with nuts and pine for the winter. I remember the light coming off the lake at dawn and thinking of all the incredible photographs you would have taken, while I sat in silence next to you, committing it to memory.
The forest was quiet and I fucking hated it. It felt incomplete without your voice. The space gnawed at me. I hadn't realised how something so empty could feel so poisonous. So filled with pain.
You had bought me a tensegrity table for Christmas the year before and I had marvelled at its simplicity - a magic trick laid out before me that didn't feel compromised for understanding it. Two tricks in one, I said.
Six months later you were gone.
I could blame it on the cancer, but you were out long before the diagnosis. The tumour just gave you an excuse to leave early. Isn't that what you did? Get people dependent on you and then break the illusion when you get bored? How many people did you do that to? Guess you can't answer that question now. Probably lie about it even if you could. Fucking pathetic.
I'm sorry, that was probably too far. I just have a lot of energy and don't really know where to put it all.
I hiked for months down the Michigan peninsula. Fished and hunted enough to survive, tried to appreciate the gifts I'd been given. The sunsets really were spectacular, cedar and pine fresh on the nose. The bass was healthy and plentiful. You would've begged for a little bit of basil.
Spring emerged in fits and starts until it was undeniable. I threw out a lot of your parents’ furniture - "mouldy mid-century art deco" would be putting it kindly considering it was handmade (poorly). I moved my own things in and created something that worked for me. Made a study out of your old room, for instance.
I did think, briefly, that you'd be hurt by that. I know you loved that garbage, that it held nostalgic value for you. You might have even made some of it (the coffee table certainly looked like a child "crafted" it). But you're not here and your opinion doesn't matter. And sure, there's a note of bitterness in that, but it's mostly acceptance. Your voice doesn't exist anymore, anywhere.
The world is free of you.
Yeah, that was probably too far as well.
I'm home now. I sold the house and am now living a little closer to the peninsula. Work has been good, steady. I'll probably quit soon. The hum of the copier bothers me. In the back of my mind, I'm already packing my bags for next winter, excited to revisit the cabin and see what else I can do with it.
I loved you. I wish I could have loved you more, but I can't. This is probably the last letter I'll ever write to you.
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tigerroll35 · 2 years
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I know that I get what goes with Vasil, but I don't obtain all this critical remarks because I don't like all the products that aren't Vasil. I yearned for to stay clear of any type of comparison-driven thinking through creating sure that I didn't overemphasize Vasil through any factor. Henry was really comprehensive, reactive, and pleasant. He has a great feeling of what is significant in lifestyle. He is a extremely calm student who has performed a lot of difficult work for us and for our family members and I value that.". A great deal of the early work was done outside of Texas, particularly in the rural areas, which were residence to a lot of the livestock in the location, the provider eventually claimed. It was merely over 150 cows at a time. He submitted a sensible bid which came to me within a day or two. I asked him if it was an attempt at a political initiative or if it was the government's task to put people before the individuals.". 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alexskarsgardnet · 4 years
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New Interview & Photo Shoot!  Alex photographed by Johan Sandberg and interviewed by Timothy Small for L’Uomo Vogue (October 2020)!
Alexander Skarsgård: the photo shoot and interview for L'Uomo
BY TIMOTHY SMALL, JOHAN SANDBERG 25 SEPTEMBER 2020
Alexander Skarsgård is a really, really nice man. A Swede through and through, Alexander, or Alex, is a very down-to-earth gentleman who could definitely act as more of a big shot, considering he is also one of the most interesting actors in Hollywood right now, a town that, in true Swedish style, he once defined as “kind of silly”. After getting his first big break as the lead in David Simon's excellent Iraq War mini-series for HBO, Generation Kill, Skarsgård exploded in our collective imaginations as Eric Northman in True Blood, while also acting for Lars von Trier in the wonderful Melancholia. 
Since then, he has been a very buff Tarzan in The Legend of Tarzan, a mute bartender in future Berlin in Mute, a very dark killer in Hold the Dark, and a hilarious Canadian Prime Minister in Long Shot, as well as giving an Emmy- and Golden Globe-winning turn in HBO's Big Little Lies. The self-defined “restless” 43-year-old is set to star in The Northman, Robert Eggers's highly anticipated third film, a “Viking revenge story” that Skarsgård himself was crucial in bringing to production – and, by all accounts, it seems like it could have all the right pieces to become a future cult classic. It certainly has that kind of hype.
L'Uomo Vogue:  The Northman is such an interesting project. I know it's important to you. It's also part of a growing resurgence of interest in the Viking era and Norse mythology and that sort of epic Scandinavian adventure. How did it all begin?
Alex:  It all started seven or eight years ago. As a Swede living in America, I realised there was a certain level of fascination with the Viking era and Viking culture – and this was before any of the Viking shows that have since happened. It made me realise that there basically had never been a real great epic Viking movie made, and I thought that that's what I wanted to do.
LV:  So how did the project kick off?
Alex:  I started having conversations with a studio back then, trying to crack the best story. All I knew at the time is that I wanted to make a big Viking movie. We had a couple of potential different starting points: we had a story about two brothers, and then one about the Viking travels down to Constantinople with the Viking siege of the city. We were looking for the right story, but I never really felt we were there. I knew the scope I wanted it to exist in. But what was the story?
LV:  And that's when you met Robert Eggers.
Alex:  Yes, like three or four years ago. We met about something else. I can't remember how, but we started talking about Vikings. And he was, like me, a huge fan of Viking culture and of that historical era, and I immediately felt he would be the perfect guy to direct this movie. And then we found an author and poet in Iceland, Sjón, who came onboard to write the screenplay – and they did a fantastic job, just cracking the story and the essence of it.
LV:  Sounds great.
Alex:  It's a real adventure movie, but it's much more. It taps into the culture, and the mysticism of the Vikings, it becomes more intimate and more personal. I didn't want it to be a generic “swords-and-sandals” movie. Robert is one of the best filmmakers out there. And the whole process is so much more gratifying than when you're quote-unquote “just an actor”. It's been truly extraordinary.
LV:  But then you had to halt production.
Alex:  Yeah. I was in Belfast, Northern Ireland, three months into prep on The Northman about seven days away from principal photography. Just gearing up, you know, getting ready to start a very long, very intense shoot -- a shoot that we were scheduled to wrap in July – and that's when the virus hit.
LV:  What did you do then?
Alex:  I normally live in New York, while my family lives in Stockholm. When the first wave came, I was on the fence: nobody really knew how long it would be, or what precisely was going on. So we shut down production for six weeks. The idea was to then see what would happen. I basically moved to Stockholm for four months.
LV:  How do you feel about this forced break from work?
Alex:  I had not been home for this long in... more than 20 years. It was strange. We were in a bubble; we were all healthy and safe. In a lot of ways, I had moments when I felt being surrounded by my loving family, feeling safe and loved, and taking a break from work, but then also feeling very guilty because I was, for the lack of a better term, being spared.
LV:  In the past, you've described yourself as being a nomad. Did you miss Sweden and the North?
Alex:  I realised how much I have been missing it. I go to Sweden regularly, but usually only for three or four days, maybe a week, tops. My father and two of my brothers are actors, so we're used to never being in the same city. We all travel all over the world. Maybe we'd get back together for Christmas. And I can really say that I had missed spring in Sweden.
LV:  Do you think we will change the way movies are produced?
Alex:  We're going to have to figure out how to shoot movies with dozens of crew members and hundreds of extras while still respecting social distancing rules. It's an unprecedented situation and everyone is scrambling to figure out the best approach. My brother was one of the first people who worked in our industry during the pandemic. He shot a movie in Iceland in the middle of the lockdown. The way they solved it is they split the crew into colour sections. So, hair and make-up had yellow armbands and the camera department had blue, and they had a “Corona appointee” on set who would call out, “Now blue go in!” and then “Blue, out! And yellow, in!” And then they would all do their job in turns. It was very military-like. Productions are already complicated, so we'll just have to add another layer.
LV:  How did you become an ambassador to the Clarks brand?
Alex:  To me, authenticity is very important. I don't want to endorse products I don't genuinely like. That's why I was excited when Clarks reached out. I've been wearing Desert Boots for 25 years. Also, I like to travel a lot. I like to explore new cities by foot. I want to be able to walk around comfortably in a classic, iconic shoe. I travel from movie set to movie set, and I often live out of a suitcase. And this teaches you to be frugal. Whatever fits in that suitcase, that's all I can bring.
LV:  Is that the Swede in you?
Alex:  Maybe. But we consume way too many things in this society. Also, you give things more meaning when you live with them, and when you go on adventures with them. Like, these are my boots. I've been places with them. And when they fall apart, I'll buy a new pair. If you have the right stuff to begin with, you don't need more.
LV:  Going back to The Northman, that really sounds like a dream project.
Alex:  It is. It will be a rollercoaster ride. I can't wait to get back to Northern Ireland and get back to the production. It's also a very physically demanding project, so I have been training for, well, since a few months before production stopped.
LV: In a way, getting into a role, getting on a movie set, acting through it, the whole process of making a movie is a bit like a little adventure. You have to prep, you have to travel, often with people you don't know, and you have to push boundaries.
Alex:  Absolutely! A huge part of the appeal of this profession is you get to travel, and you meet amazing, interesting people from all over. And the uncertainty, you know? What was it, 12 years ago, I was in New York, and I'd never heard of Generation Kill. And then two days later I was on a plane to the Kalahari Desert to be out there for seven months to shoot the series. And I'll never forget the feeling, sitting on that plane, thinking, “Two days ago I didn't even know about this project, and here I am on my way to Southern Africa to spend seven months in the desert with 200 strangers.” It's very exciting.
LV:  What a feeling that must be!
Alex:  And every single job is like that. Every movie is different. Your part, the tone, the energy, the people – it's always different. And for someone like myself, who has that kind of wanderlust, who's always looking on the horizon, it's very attractive to never know just what the next adventure might be.
October 14, 2020:  Updated with the full interview courtesy of our friends at the ASkarsLibrary (x).
Fashion credits:
Photographs by Johan Sandberg Styling by Martin Persson Grooming Karin Westerlund @ Lundlund Hair Amanda Lund @ Lundlund Stylist’s assistant Isabelle Larsson Digital Daniel Lindgren Production Madeleine Mårtensson and Olle Öman @ Lundlund
Read the full interview by Timothy Small and see the photo shoot by Johan Sandberg in the October issue of L'Uomo, on newsstands from September 22nd.
Sources/Thanks:  Interview:  Timothy Small for L’Uomo Vogue (x), Photos:  Johan Sandberg for L’Uomo Vogue (x), artlistparis.com (x) via artlistparisnewyork instagram (x),  luomovogue instagram (x) &  atomomanagement.com (x) via atomomanagement instagram (x), our caps from artlistparisnewyork’s September 23, 2020 insta story (x, x)
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lwt28brave · 3 years
Text
LT2 masterpost
If it was up to me, we would get an autumn or winter EP. Since it’s not up to me at all, here, enjoy this post with everything we know so far of LT2, which is to say, not much at all. Everything here is hypothetical. I’ll be updating every time I see something relevant. A little disclaimer that while this is a masterpost (kinda), it could be read as discourse (duh, it’s also a theory), AND it’s also by me, and you shouldn’t expect me to be serious at this point.
Due to me restraining myself, there’s no reference to any of the times he’s mentioned his guitar skills and him improving but I hope you know I cried every single time.
I’m also linking my old pinned here. It was written before AFHF and around the free merch thing that didn’t lead to much, but I still think I made some good points.
Possible tracks:
Copy of a Copy of a Copy
Change
Faith in the future??
369??
Possible names:
369
Faith in the future
When is the album coming out?
Your guess is as good as mine
Friday 28th of January 2022. Almost two years after Walls. It’s a Friday. It’s a 28th. What else can I say?
Here you can find @want-to-be-loved timelines for every month.
Here you can find @berlinini’s timeline of what Louis has been up to this year (2021).
The rest is under the cut. And here you can find a PDF version where Tumblr can't tell me how many pictures I can add.
2020
He said back on May 2th 2020 he wasn’t writing anything new yet.
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(x)(x)(x)
Interestingly enough, he’s said many times after that that the album’s not ready cause he has no new experiences to drawn from. I won’t call him out because he does it himself.
May 4th. He liked a tweet from DMA’s Johnny Took saying they had to go write together again. Louis has been credited as an influence for them and (kind of) participated in their previous record, so I’m assuming he meant for their music and not his, but you never know.
Nothing(literally nothing??? how did we survive) until 11th of July. We all know what happened that day. We all celebrated it. Nonetheless, that’s not what I’m talking about here.
(x) So, by the beginning of July 2020 he was working on concepts and ideas for the new album. That was fifteen months ago. I know perfection takes time but…
Brief summary of important things that happened from then until the next mention of new music:
Louis left Syco!!!! 10 days later he rescheduled the tour for the first time. He followed Matt Vines on Twitter, probably so we could publicly shame him into doing something. Also, the 10thanniversary. He followed more people I wish he hadn’t.
Then more nothing until September. Not even a single tweet. The first merch drop was on the 28th of August but he just RT’ed the tweet. He first mentioned Free my Meal on the 25th of September. Then on October 1st Walls hit #1 on a lot of countries and Louis was incredibly happy and excited about it ^^
And then, that same day, October 1st, 2020, he dropped this bomb:
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(x)
He also said it was too soon to be sharing new lyrics with us (x)
And, obviously, this tweet which is actually what made me start this whole post. I would hope you know mate.
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(x)
He also told us he was cooking "banger after banger" and that he was incorporating more social themes into his music (x)(x) (I believe any social issue is a political issue but that’s not the point rn).
COPY OF A COPY OF A COPY?!?!
These next paragraphs are brought to you by my mind not remembering things and me not having any links. I’m assuming COACOAC came from those writing sessions that supposedly happened in October. Or in LA but I have no idea if he actually was in LA at any point other than a Daily Mail article putting him there on December which would have been too late, but I do remember that someone said he was in the studio in LA last autumn???? A rumor. Maybe. IDK. Did I mention already all of this is very hypothetical?? Well, this is it. I can’t even remember if this was October or November or what. So, take this with a grain of salt.
I’m also… taking the liberty to assume, if you must, that Copy wasn’t meant to be a Walls reject because it sounds more mature and darker and it has a vastly different tone that Walls songs. I know he’s said that song probably isn’t getting into the album, but I want to have faith (in the future) that I’m getting a studio version. (But also, Louis, if you’re reading this, first of all GET OUT OF MY BLOG second of all, please don’t ever feel pressured again to add a song to the album because we have already heard it before. It’s your art and it should always be under your own terms).
So yeah, I believe that Copy is either one of those four songs (then imagine the other three??!!) or was written around the 1st of October date.
---End of the Intermission---
Then not much important (other than sharing more about Marcus Rashford fight against food poverty and the 2nd merch drop) until he announced the livestream on the 24th of November. (x)
It wasn’t until a few days before the livestream date we even thought again about new music (jk, I know we’re always thinking about new Louis’ music). So, December 9th/10th, 2020. Nine months ago. We got our first taste of new music!
He made sure we knew Copy of a Copy of a Copy isn't a cover! (x) (x)
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(x)
Ok, so that’s it for 2020. (I feel like I’m missing something from September 17th because tweet was deleted but maybe he was still talking about cucumbers. We might never know. Unless I understand how Tumblr tags work). Expected, cause Walls was released in 2020. We needed to let it sit for a while.
2021
Another Summary: Louis third tweet of the year was telling the UK government off. So was the fifth. What a good beginning. On the 26th of January, he said he prefers pancakes over waffles. I hope he meant pancakes other than his own. More importantly, he tweeted the infamous “you lot read into things too much”. Don’t get me started, Tomlinson. Don’t. Then the 31st came around and Walls was one. He tweeted this. How wise. And Project Defenceless happened!!
15th of February!! Who cares about Valentine Day when the next day we got this? ♥
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(x)
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(x)
So…AN EP?? AN EP?? PLEASE RELEASE AN EP.
“I’m sure I will have something out this year but unlikely that will be the album”. Unlikely but not impossible. Also. A single would be good. This is the second time he mentions releasing something in 2021 and he sounds surer about it than the first time around.
He also said that he isn’t sure we will get a studio version of Copy. And that the best bridges from Walls to LT2 are Walls, OTB, KMM and Copy. Can’t wait!
Then we jump to March 6th when he announced he was going to create his own management company. “Sometimes action is needed first to encourage the motivation and belief”. As we can tell he was already manifesting some stuff which will lead us to the numerology stuff/Tesla… kidding. Or not. We might never know.
On the 22nd of March he answered some questions:
He told us music was still his main focus ♥ mwha. (x) I included this tweet to guilt-trip him into giving us music in case he’s reading this even after I told him to leave. ILY.
(x) I’d love to get a visual EP this autumn. Just saying. It sounds like a lovely concept.
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(x)
…next (I will get into it, I promise. I’m just mad).
On the 25th he left for Mexico until April 10th. You could assume it was just for the documentary where we got ten seconds of footage or admit the obvious: LT2 its a Mexican baby!!
On the 26th (so, not so far apart from that first 369) we got the first Faith in the Future mention: (x)
Back then we were innocent people who had no idea what was coming upon us. We still have no idea because what the fuck does he mean with these. Please explain. I have one braincell and I don’t use it enough for this. I’m linking some theories.
On the 30th of March he confirmed he was already working on the documentary. So AFHF was already on the works. Will it take this long for us to get the Veeps numbers? We also got this tweet: "Got a decent chorus idea down" (x).
Same person that got the “something out this year” exclusive. If you know something share with the class. Also. Is this Change? I feel like this could be Change but I also assume he wrote Change after hanging out with his friends or being in Doncaster. But who knows.
(x) And the second mention to 369.
(x) 15th of April. The second "Faith in the future".
On the 19th of April he announced that he had something BIG for us later on the year which turned out to be the Away From Home Festival ♥♥ (x) I love him so much.
Then on the 28th he announced the 369 merch drop (which it’s probably the Walls drop? Except that the TOU and KMM ones were “drop 1 and drop 2” and this was drop 369 which, again, makes no sense) but we still don’t know what 369 means.
Into May’ 21 we go.
He rescheduled tour again. And dropped another bomb (x).
He announced he has signed with BMG as an independent artist by RTing this tweet on May 10th. The article also says that he’s already working on writing and recording LT2. The timing… we don’t know. What this deal involves… we don’t know either. Bear with me here because I have a lot to say about this.
I think the deal is only a distribution one, but that BMG are interested in Louis and what he (us) could bring to the table. They were either present at the festival or watching it, but officially they had no involvement at all with it (everything is credited either to Louis own company, 78 Productions, or Charlie Lightening’s company). That’s the case for both giveaways too; the vinyl one and the tickets for the festival.
I think it would be an unbelievably bad move not to test the waters with BMG now or soon-ish. At least a single, to see how it performs. Due to the circumstances, it’s obvious there’re certain limitations on place but I want to see how they push it, whether the radio play exist this time around and if the song is playlisted and promoted and all that… I would also love to know, since it says he signed with BMG UK, but it also states it’s a global deal, how things are going to go on the US and other countries.
Yes, yes. I know those are all questions and no answers. But I know the same as you, sadly. If any of you know more than you’re letting on… again, share with the class.
Where was I? Yes, on the 25th of May Louis had a great day writing (x). Since the first time he had mentioned he was officially writing to this date there’s almost eight months. And I believe he was writing before October’ 20.
He followed Robert Harvey that day and, on the 28th of May (why is it always the 28th???) he was spotted at the studio for the first time.
June was an interesting month for the fandom ♥. Lots of LHL content which I will love and cherish for the rest of times. On June 4th, June 9th, and June 10th he was spotted at the studio, but I believe he was there more days.
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(x)
This was posted on June 6th and captioned Studio. Charlie also shared it with “Mega tunes being put down, can’t wait for this @louist91 #louistomlinson #LT2” as the caption. This gives me 2019 (Elton-Joint) vibes. I like it. Feels like we’re getting closer to something.
He added the Milano date on the 9th too which I’m mentioning because I’m going alone. Anyone wanna go with me please? I’m nice and I never eat anything before a concert so you can have my food. On other news. It didn’t come home.
During July he was at the studio at least three days too. Probably more. Feels like more with all the fan pictures we got. Or was that June? Anyway, July 1st and 9th we got some videos from Robert Harvey and wearesuperhi, which is who Louis has been working with the most, that we know of. I don’t know for sure they’re from that day. And on July 5th we got an article and lots of pictures of Louis looking really good outside the studio.
On the 12th of July the first fans started getting the free, 369 bucket hat and print. We still don’t know what the purpose was other than to thanks fans. Maybe that was it. I want answers and I still think it relates to a future project (see theories above), but it could also just be a bridge with the Walls breaking.
He didn’t tweet about anything interesting for a while, mostly because he lost his phone (he either throwed it in the air or smashed it who knows). Then on the 29th of July he announced the festival!
I’m glossing over it because there’s already been a lot of talk about it (rightfully) and while it was a wonderful thing, it doesn’t have much to do with LT2.
Let’s talk Change!
On August 3rd he tweeted this about the setlist.
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(x)
And this (x) on the 28th! I can’t stand him.
We didn’t get it, obviously. Because who was going to get that. But we read too much into things. Alright.
On the 16thof August Dave Gibson shared this post tagged #LT2 with the eyes emojis 👀👀👀. I believe this has to do both with Change but also with whatever else came out of that Mexico trip.
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(x) Last relevant tweet related to LT2 is this one.
So, on the 30th of August we got Change and we cried, and we know that Change is going in the new album. He said it. With those exact words. He also said he was “getting a feeling for it”. This has to meant he already has a general idea of the vibe of the new album and what’s going in it!!!!!! (Right? RIGHT?).
Anyway, let’s go back a few weeks because some other things happened on August. He was at the studio a few more times. Or it was suggested that he was there. On the 17th and the 18th. (Why was it so time-pressing to be at the studio instead of rehearsing for the festival? There was no studio at all on the documentary. Which makes sense, but again, then why?).
On the day of the festival we got another mention of Faith in The Future that made me feel part of a cult ngl. The words were flashing on the screen for less than a second. Okay.
And then he tweeted those words again after watching the livestream/documentary on the 4th of September (x). This is what makes me suspect it's either the name of the album or of the single.
On the same day, we got some interesting quotes about LT2 on the documentary.
“Soon I’ll have to think about me second album, which in my head I’ll get the tour out of the way and then I’ll address that. So, I hadn’t really given it much thought, to be honest”.
“When every day is the same is hard to feel creative and it’s hard to have any kind of proper inspiration”.
“As season started to come back, I started writing again and it was great and some of these songs turned out alright”.
And I think this is it. I might be overlooking some important details but that’s what we know and what we don’t know.
So. Conclusions. That’s what you missed on Glee. I do believe the album is, if not mostly done, partially there. And yes, this post is pointless and never-ending but it’s all in here if you need to tell Louis “Hey, you said this, mate”.
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help-im-a-gay-fish · 3 years
Text
The Night of the First Mistake
Sequel to
Synopsis: pre X-orcist, almost a year after Nightmare's death, Dream is still not on top of his grief and causes him to resort to desperate measures.
Tw mentions of death/dead loved ones.
X-orcist au belongs to me and @zu-is-here
Dreams, Demons and Desires is by me.
Enjoy
Almost a year had past since he'd last seen Nightmare. The skeleton couldn't say he had mourned him, but the news of his death had been unfortunate to say the least. Who could have seen someone like Nightmare dying in such a preventable way? Not him, that's for sure.
He was a friend... Or at least a friendly acquaintance, clearly he'd not been quite close enough to Night's inner circle to be invited to the funeral. He'd never even met Night's brother. Despite that, the news of his parting had deeply saddened him and every so often, he thought of him with a sigh.
A good customer and a good person.
This evening, Nightmare played at his thoughts again, probably drudged up by the anniversary of the accident approaching, he hadn’t meant to make note of the day, but he had. a few weeks would be the anniversary of the day he heard the news. 
He thought back to a year ago, a few weeks before his death. The words he’d said about his brother and the increasing frustration about his sinful thoughts. Killer didn't judge him for such feelings, he was no stranger to sin.
Other then that, there was nothing at all strange about this night.
Tonight, just like any night, he was in his shop and the counter. It was a cold October and pretty soon he'd be closing up.
It was dark and chilly in his shop and had a strangely pungent smell, which hit the moment you walked in. A mix of crushed herbs and spices, old books and stale coffee.
An old set of scales sat on the counter top in front of him, as did a till, several glass jars and containers and a large collection of dirty coffee mugs.
Behind him there was a large book case full of many strange books. Ones with faded titles, ones with thick leather bindings, some with large strains spreading across the covers or pieces missing. If you asked him, he'd liked to have said that he'd read all of them... But there were a few he hadn't. He wasn't much of a reader outside of this collection.
As he nursed yet another cup of coffee from the café next door, he tapped his slender skeleton fingers on the counter top. He was bored.
With a glance at the clock, he decided today that he could close up early. It was his shop after all, he made the rules. A small collection of trinkets and charms hung around his neck and clinked together against his old coat, as he got to his feet.
Just as he prepared to take today's earnings from the till to count it, he heard the door and a jingle of the shop bell, indicating someone had entered.
He set an empty eye socket in their direction as they froze, looking nervous.
The person was new, but also something about them was strangely familiar. After scanning them for a moment, his face twisted into a sly smile upon realising who the new comer could be. He turned his face to them fully, staring his pitch eyes right through them. They tensed, which amused him slightly.
"well hello Little Light.... How may I help you"
Dream seemed taken back slightly by the pet name. It wasn't something he was used to. His hands fused with the fastening on his coat.
"uhh Hello.....I’m..... Uh.."
The shop keep chuckled again. Such nervous behaviour wasn't something he saw often from his customers. Looks like it was going to be an interesting night and to think, he was going to close up.
"nervous Lil light?"
Dream once again tensed and shuddered slightly.
"Please.... Don't call me that" he stammered slightly before taking a breath "My name is Dream"
The shop keepers grin got even wider and it made a chill run up Dream's spine. There was something extremely unnerving about this skeleton. Maybe it was the emptiness of his eyes or the strange carvings around them, but Dream was sure that it was more then that.
The atmosphere of the shop was very unsettling and kind of cramped in Dream’s opinion. There were many trinkets, stones, crystals and small animal bones stacked neatly on the shelves. It was this, along with bags of salt and bundles of sage and garlic, that reassured him he was in the right place for what he needed. 
"Dream huh?.... Thought so" he said in a low tone "I'm so glad to finally meet you"
The nervous shifting of his hands continued, as Dream once again tensed even further. He was acting friendly, but it still felt ever so slightly...off.
"h-how do you know me?"
"I knew your brother and I'd recognise that pendant I sold him anywhere" he said, with his eyes looking at Dream's chest.
Dreams fingers quickly shot to the star charm hanging from his neck, and gripped it tight. Looks like this was the right place.
"Not to mention there's your golden eyes" he  continued, shifting his gaze straight into Dream's eye sockets. It was strange how Dream knew where he was looking, even without eye lights.
"he often talked about them......He was right when he said they were very beautiful if I do say so myself~"
Dreams face blushed slightly, but he felt a familiar twist in this chest at the mention of Nightmare and a sinking feeling when he was reminded how Night felt about him. His brother had often complimented his eyes.....
He'd just never really understood it was more then brotherly affection. At least until now.
"I.... Uh" Dream said before clearing his throat "You're Killer.... Aren't you?"
Flexing his fingers, Killer nodded. The grin didn't leave his face.
"looks like my reputation proceeds me"
Dream let go of his necklace and a breath he didn't know he'd been holding. "I thought it might be you.... Based off something he wrote in his diary".
Before Night's accident, Dream had never even considered reading his diary. That was just a basic code of conduct. However, after his death, it became something Dream had often thought about. The diary, and everything else Nightmare owned, now belonged to him. For that reason he'd taken the book out of Nightmare's room.
However, he'd just kept it on his bedside table for almost a year before he finally had the courage to read it.
It had mostly been a fond look over some old memories, some good and some bad. But there were also passages about his feelings for Dream, sometimes written confessions addressed him. Every word was full of truth, longing and pain. Dream had felt it all.
Those had been hard to read, but he'd not skipped a single page and read them each through several times.
Nearer the end of the book, Nightmare had started talking about his interest in the supernatural. Dream remembered his twin getting fascinated in that and spending long evenings talking with him about it over tea and biscuits.
One thing Dream hadn't known about, where his trips to the next town over, where he wrote about finding this shop and the shop keep. This had been where the interest started. It was this that had lead Dream to come here.
"right..." Killer said, downing what was left in his coffee mug and setting in on the counter top.
"well.... What can I help you with?"
Yeah.. Nightmare had written that Killer was always one to cut to the point. Dream knew that what he was going to ask sounded insane and he wasn't even fully sure if Killer was the right person to ask. But at this point he was desperate, he just needed to know. With his grip returning to his brothers pendent, he remembered who he was doing this for.
He took a deep breath.
"Can you bring people back from the dead?"
Killer didn't react visibly to that. But he drew out a long silence. After a little Dream was sure he saw his jaw clench. The silence was completely deafening, broken only by the sound of Killer's fingers tapping the counter top. Dream figured that he was probably struggling to think what to say. After what felt like a life time, he spoke.
"I specialise in charms and equipment for preventative measures to stop spirits inhabiting homes....I do not....." he paused
"I don't try and bring the dead to the living realms".
Dreams face fell. He really shouldn't have been so disappointed, it was a crazy ask. But with the way Killer spoke and what he sold in the shop, he'd felt so close to what he wanted. But maybe it really was just impossible.
He felt tears threatening to spill, he just couldn't take all this guilt anymore. All he wanted to do was tell his brother he was sorry. That night. That kiss. That dam horribly wonderful kiss...and that car. 
"however...." Killer continued.
Dream felt hope flush through at those words and stood up slightly straighter. Killer turned his back to dream and started looking over the bookshelves behind the counter.
He didn't say a word, as Dream curiously watched him. He ran his thumb across the spines of several of the oldest and most dusty looking of them, eventually plucking out a large leather bound book with silver straps.
He walked back over, blowing dust off it as he did, and set it down on the counter with a light thud. The cover was extremely dusty and the leather was cracked and split in several places, yet the title still read fairly clearly and Dreams felt his heart skipped a beat.
The Practice of a Necromancer. Vol one of three. Summoning, Controlling and Banishing.
"I've not read this one fully, but it's been in my collection for years.... I suppose this would be the right place to look"
With that, he slowly opened the book and very carefully started to turn its pages. The paper was completely yellowed and clearly very fragile. There were no photographs, only hand done drawings of various items and also what looked like people, but with strange and uncanny faces. There were also other frightening images that Dream was trying not to look at.
Killer eventually stopped and ran his finger across a page.
"ah ha" he said "to summon a spirit into the living world"
He read over the text for a moment, as Dream watched impatiently. Killer knitted his non-existent eyebrows and narrowed his eyes.
"this stuff sounds overly complicated to me..... so I guess I'm not sure really"
But Dream didn't really seem to be playing much attention to Killer's words now. He was so desperately trying to read the text upside-down. Reading was something that Dream always struggled with anyway, so reading upside down would be near impossible. He reached forward to try and pull the book to him.
But he jumped back in surprise as Killer slapped his hand across the book, sending some dust into the air.
"now now now not so hasty Lil Light" he said returning back to a sweet tone, as he said the a pet name that made Dream's toes curl.
In his haste Dream had forgotten that this was a shop, not a library, so of course he wouldn't just hand it over.
The smaller skeleton knew that the book was probably pricey so it's not like Killer would just let him have it. It was clearly very old and Dream worried that he wouldn't have enough for it, but if he had to pay all the money he had to buy it. He would.
Reaching inside of his pocket, Dream pulled out a bundle of paper money and placed it on the counter and next to the book. Killer looked at it for a moment, before he took it and counted how much money was in the bundle. He ran his fingers across the notes, looking as if he was very tempted and contemplating his next move.
But then, much to Dream's disappointment, he put it back down on the counter.
"I don't want your money dream... That's not what I meant"
An unhappy wine left Dream's mouth, as Killer proceeded to hand his money back to him. Just as he was about to ask why, Killer cut him off.
"it's not for sale"
"but what if I just borro-
"or for rent or loan"
Dreams soul twisted. This felt so Incredibly unfair. He wasn't ever one to really get angry or feel hatred for people. But why had Killer gotten this book down if he didn't intend to sell it? Was he just trying to mess with him?
It was that moment that he wasn't sure he really liked Killer all that much.
He sighed.
"h-how come? Can I do anything to change your mind?"
Killer sadly shook his head.
"Dream....... I like to read the stuff for research purposes not for a practical use"
Dream opened his mouth to object, but killer silenced him.
"and I don't care what you say... but I don't think you're just interested in the topic"
Dream tried very hard not to show disappointment on his face, but of course Killer picked up on it. It upset him that his intentions were so easy to guess. Then again he'd opened with 'can you bring people back from the dead'.
He really should have asked in a different way. Feeling like an idiot, he tried to say that he wasn't intending to use the book in practice. But Killer once again shook his head.
He stood up slightly and gave Dream a sympathetic look, or a sympathetic as he could make it through his cold eyes.
"look....I know you miss him and that's ok I've lost people myself to" he said in a uncharacteristically gentle tone, which sounded fake. 
Dream looked at his feet.
"but the dead need to be left dead. Trying to bring them back never ends well, Nightmare wouldn't want you to get hurt trying to help him"
Dreams eyes stayed fixed on the floor, not wanting to look at killer any longer. He didn't want him to see him cry. He didn't want to look like a baby. Just as he was going to try arguing again, behind him he heard the shop door open and the bell ring
He looked back at Killer seeing he'd straightened up.
"K-killer...." came a soft but slightly panicked voice.
Curiously, Dream looked over his shoulder at the source of the voice. It was another skeleton stood by the door.
In all his life, Dream had never seen someone look to tired. They seem to be slightly younger then Dreams age but it was hard to tell how much. Their appearance was clearly young, but the huge bags under their eyes aged their face several years. The most notable thing about them was that their eye lights where small, indicating that they were on edge.
They were wearing a oversized cream knitted sweater and had a maroon scarf decorated with a paw print pattern tide around their neck. They fiddled with it as their eyes a looked at Killer and then to Dream.
From where he was, Dream could also see them wearing several of the necklaces and charms that Killer a sold, as well as a few layers of bandages around their arms.
Killer hastily exited from behind the counter and approached them.
"Hey Cappuccino......." he said, trying again to sound soft.
Ccino wasted no time in burying his head to Killers chest and wrapping his arms around him.
In response, Killer stumbled slightly and looked momentarily taken back and very uncomfortable. After a moment he sigh, before gently placing an hand on his back.
"hey.....it's ok ya wimp... I'm guessing they're back right?"
Ccino simply nodded, Killer sighed.
"Dream can you show yourself out? I've got to take care of this, we're closing anyway. I'm sorry I couldn't help you better"
As Killer attempted to comfort the shaking skeleton, Dream turned his attention back to the book in front of him. It was just within his reach, the page was tantalising.
It was so clear, a set instructions of the exact thing he'd need to do to reach his goal. 
Killer's warning played in his mind. 
But he knew what he was doing right? It was his brother, what did Killer really know about what Nightmare would have wanted. He didn't know how.... Close... They were. At least he thought he knew.
It was a split second choice.
As Killer continued to try and comfort his companion, he saw Dream hastily exit the shop without saying another word. He stared at the door.
It didn't feel right. 
He narrowed his eyes and stepped back from Ccino slightly.
"hang on"
He walked back to the counter and was relieved to see that the book was still there, however a moment later he noticed something else that make him freeze and curse under his breath.
"what's wrong?" Ccino asked, walking up next to him.
Killer didn't answer and instead picked up his book and looked at it closely to confirm what he saw. When he saw he was right, he near growled.
"Killer?" Ccino asked not seeing the problem.
"look....."Killer said quietly.
He ran his finger down the spine where the pages joined together. Once you looked closely you could see the remnants of torn paper sticking out.
"he took the page"
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references coming soon.
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